#Angst discussion

[rapple-all-year-round]

I think the reason why angst is so easier to write/find then fluff is because everyone tends to look at the night sky and think "even the moon and the foreign stars aren't enough to light up the darkness" and not say "the stars and moon really do illuminate the night"

[shadyvoidhologram]

my favorite one to suffer with was always the 2nd option, it never fails to make my heart ache

[allthingswhumpyandangsty]

"guys I do not condone any of this in real life" "this is fiction" "consent is key. this is only fiction" "murder is bad irl" — I wish fanfic authors didn't feel like they had to clarify this in author's notes or else they might be accused of being abusers or worse (I admit that such disclaimers are also something I personally use for my own stuff because I feel like I had to make it clear). like... people used to not care if an author wrote dead dove fics because people used to understand that ao3 fics are not a reflection of someone's in real life views or morality in any way. people used to understand that fanfics mean what they mean; fan fiction. none of it is real. maybe it's purity culture that normalizes witch hunt and censorship in the past couple years, and therefore authors feel like they have to clarify that just because they write about violence or noncon stuff doesn't mean they're murderers or sex offenders in real life. and I think it sucks that these things (purity and cancel culture?) have made authors feel like they have to apologize for the art they created instead of being proud of their hard work and all the dedication they put into creating these art. artists should not have to feel like they have to apologize for creating art that isn't all rainbow and sunshine. artists should not have to be made to feel ashamed of their own art if it's not all rainbow and sunshine.

I don’t agree with the “you can write noncon and dark fics as long as you make sure your readers get the message that these things are bad” or “you can write noncon and dark fics if it’s your way of coping with your trauma” take either. because writers do not owe you anything. the message writers want to send to their readers — whatever that message may be, if there’s any message or moral of the story for readers to take from the stories at all — is none of your business. why writers write what they write is none of your business. remember “don’t like don’t read”. no one forces you to read anything you don’t like. dark and noncon fics are a form of creative writing and creative writing is a form of art. you can’t pressure artists into creating art that “fit your moral compass” nor can you apply your own moral compass to artists to determine if they can create dark art or not, if their reasoning behind creating dark art passes your moral compass. like… what artists create and why artists create are none of your business. and you don’t get to shame artists for creating art that you hate / art that disgusts you. what you can do is ignore the art because it clearly was not made for you and that’s okay. what isn’t okay is you harassing artists because you don’t like the things they created.

writers, embrace and be proud of your works. as long as all the trigger warnings are tagged properly, you have nothing to apologize for.

[questions-about-blorbos]

people who ship a ship that's unhealthy, toxic and fucked up and do not shy away from the fact their ship is unhealthy, toxic and fucked up by making them act all "lovey dovey" toward each other, or watering down the severity of the things that canonically make their ship a fucked up ship, in fanfics — and so they embrace the fact that their ship is fucked up, but that's the thing that makes their ship so hot, sexy, complex and fascinating — I am declaring my undying love and loyalty to you

[frontmansdefender]

"On AO3 there are about 6,400,000 fics as of now that are M/M and only about 1,200,000 fics for F/F. Fans should stop excluding female characters for the sake of male characters" Hold the fuck on???? People don't "exclude female characters for the sake of male characters". The ratio between M/M fics and F/F fics is literally because more people like M/M fics more than they do F/F and that's actually fine, it's not that deep. Because people can write whatever they like.

Yes, misogyny is a very real thing. But you're erasing the creditability of that word and are the ones doing harm to women if you scream misogyny every time you see something that slightly upsets you. Writers ONLY writing M/M doesn't automatically mean they're misogynists, without any other factors present that may or may not make them misogynists, the only fact that 'some writers ONLY write M/M' literally just means they like writing romance between two male characters and that's it.

This is fanfiction we're talking about, not a political debate or social justice protest. If the majority of people want to write about two male characters falling in love, then let them.

You don't get to shame a writer for "ONLY writing about M/M" because everybody has the rights to write whatever they like.

If you want more works for F/F, then write F/F yourself. No one's stopping you.

As a feminist myself, shaming writers for only writing M/M doesn't make you a feminist, it makes you an entitled dick.

(from this poll by @curiositysavesthecat nothing against the mods of the poll blog btw, they just run polls that were sent to them.)

[krackenwl]

Turning Giant Panic

So we all know the scenes where a character turns into a giant and the freaks out. Usaully theres a part where the turning giant reachs out for help only to retrack because they realize how much bigger their hand/they are now. Usually when a person panics they arent thinking straight. Give me a person who is turning giant who is panic so badly that even tho they are so much bigger now the still reach out for someone anyone to help them.

Imagine them grabbing their friend/loved one even tho they're so small now and BEGGING them to do something anything to make it stop or to explain whats happening to them. The helplessness of both the turning giant not knowing what to do and not realizing how badly they are freaking everyone else out and the friend/loved one who cant do anything about what is happening to their now giant friend and is now freaking out to

Oh the Angst

[ladyodium]

Missed opportunity for the writers not to include something like this for when Jace confronted Rhaenyra.

“Why must I bear the weight of your sins when you won’t even acknowledge them?”

“Must I always pay for your own prideful mistakes?! You, my own mother, who is supposed to protect me? My claim!”

“Who am I now? I’m no one special. I’m a bastard who has a dragon…just like them.”

“Why must I bear this burden alone? Why must I be the one to absolve your own mistakes!”

LET ME IN THAT WRITERS ROOM!!!!

[athousandbyeol]

i can't stop thinking about this scene.

it was so light-hearted. sheng wang was all-smiley after finishing (perhaps multiple rounds) of revising and studying. but the lively atmosphere simmers down into this thick and stifling tension once jiang tian opens his closet.

honestly, if i were sheng wang, i would have so many questions too. why is he packing? is he going somewhere? but where? so, whatever sheng wang is thinking or feeling at the moment is valid (to me, at least, it is.)

i think it has so much to do with sheng wang's expression here (liu dong qin, the actor you are) that breaks my heart into tiny, million pieces.

it's in the way his eyes follows every movement of jiang tian, but particularly directed at the opened luggage, that has me thinking of sheng wang's fear of separation. the trauma he experienced when he was just a little boy.

i can't imagine how he felt when he saw his beloved mother collapsing to the ground—at the age so little to grasp the situation—to comprehend the meaning of sadness and grief and death.

he was broken. he was devastated. but those feelings as a child were just feelings. but the adult sheng wang now understood that those feelings come with bitter memories and realisations that death is inevitable, and death is permanent. his mother won't come back to him no matter how frequently she visits him in his dreams (and wake).

his heavy breathing. his fixated stare. that feeling of abandonment is washing over him again. they're coming in slow, steady and destructive.

so when jiang tian approaches him with the said book that has more extensive questions, he still can't look away. not until jiang tian realises that sheng wang's attention is now elsewhere.

and he finally asks,

i personally adore how benjamin acted this scene out. jiang tian immediately glances over at the luggage, somehow already knowing the context/direction of this conversation. (it's in the subtlety of benjamin's acting here that has me going nuts.)

when sheng wang asks this question, it reminds me of this scene in episode 1,

jiang tian was looming in front of sheng wang's house, wondering if he should stay or leave. possibly his only destination would be uncle ding's house. maybe he has nowhere to go, to be honest.

sheng wang immediately called him, voicing out his thoughts. and the context is similar—are you leaving?

although jiang tian answers sheng wang's question, not leaving him hanging the way he did in episode 1, it's still not enough. the reason being, as of right now, we're knowledgable of sheng wang's past. but what about jiang tian? we know nothing about him. we just know this boy is closed off and distant and cold and grumpy. but why?

these questions are the answers. but sheng wang doesn't know. not yet.

they could have just dropped the conversation here. but this is one of (the many) things i notice about sheng wang: he's always curious. always seeking answers. even in his studies, he would ask crab (i love you, friend) for the solution. and we saw some instances where jiang tian would share the method he used, etc, only to help him. and i think it's being presented at a different light here. sheng wang is waiting. he's waiting for jiang tian to give him answers.

as jiang tian says it's a habit, it might not be the answer sheng wang wanted, but it was needed, at least, only for the night.

it's so overwhelming to me how jiang tian has always been providing sheng wang with safety, happiness, anger, irritation, fun, answers and questions. how susceptible sheng wang is with everything jiang tian is. they are like mirrors reflecting one another. because for me, jiang tian is like a closed book, but i could understand him once i start reading. but sheng wang, he's more layered. he's open but also secretive. he expresses emotions, but not everyone reciprocates and understands him. not until jiang tian.

and i'm no longer sane in the head because of this.

[cloudcountry]

auburn!!! i’m so glad that over these five years (half a decade wow 🤑) your work and most importantly your amazing personality has grown to receive so much recognition and love. i’m proud of you and i’m glad we’ve known each other for so long 🫶🏽. i hope your work continues to grow and you continue to do amazing things and be generally pretty cool. okay thats too much sappiness bleggh poop fart shit fuck ass ☝🏽

erm anyways i would like the chocolate swirl bread slices with brown sugar bubble tea in the special 3k event cup with cat cap… rubs hands together like fly…

would also be cool if the reader was FTM and/or was not-so-subtlety avoiding leona for any reason

DANIEL YOU BUTT THATS THE SWEETEST THING YOUVE SAID TO ME IN FIVE YEARS AND YOU END IT WITH POOP FART SHIT FUCK ASS????? ANYWAYS this almost made me cry what the fuck i feel like a baby bird leaving the nest even though im older than you. i cant believe we're like adults now. what happened to being weird ass teenagers on quotev dot com. i cant say i miss that era though but i do miss kaomoji IDK WHERE HALF THE FRIEND GROUP IS LMAO anyways thank you for being my friend mwah you are a real one you have seen me at my worst and stuck with it IDK HOW YOU DID THAT anyways your lion man

an order of romantic angst with leona kingscholar!

Leona watches your back as emotions he would much rather not acknowledge fester and boil in his chest. His tail flicks, his ears twitch, and it’s obvious to everyone around him that he is exceedingly annoyed.

That’s not the shocking part, however.

It’s the fact that he’s annoyed with you, the one boy in this whole school he never should have felt that way towards.

Leona wouldn’t be so annoyed in the first place if it wasn’t for the fact that you’d been inexplicably ignoring him for the past few weeks. As petty as always, Leona was sure he could outlast you, ignoring you in much the same way. He was good at being nonchalant, at taking it easy even though his affection shifted to bitter resentment.

Could he really call you someone close to him if he’s starting to genuine dislike you?

Nah, it’s not like he should have expected anything in the first place. He turns on his heel and walks off in the opposite direct of you, tail flicking lazily behind him. If you don’t want him anymore, that’s fine. If he’s not your number one anymore, he’ll just grin and bear it, bear like he always has and always will.

He thought he had something just for himself. How naive could he be?

Leona scowls, digging his hands into his pockets. If he sees everyone else in the hallway giving him a wide berth he doesn’t show it, his vision laser focused on Savanclaw’s dorm, his room, his bed, where he can sleep and ignore his reality for a little while longer.

The reality that you were so clearly avoiding him, the reality that you probably didn’t want him anymore, the reality that he was finally number one to someone and now he wasn’t.

Leona was once again second, but when there were only two people in a competition, second was the same as dead last.

[hmsdoodlin]

(22) Heart and Soul <3

Long ramble under the cut

I’ll be honest I have no idea why these two resonate so much with me, they barely interact in the album one on one. But I think they’re really cute and I’m kissing them on the tops of their heads. They have so much potential.

(Please don’t crucify me for any of this, I acknowledge that some of my takes may be ooc. This is all based on interpretation and whimsy. Soul is hard for me to characterize.)

My version of Soul is tired. He’s driven to drastic decisions that he does not want to do. He loves his Heart and his Mind with his entire being just as much as he hates them, they’re him! They’re a package deal! But in Cacophony Heart and Mind are far too absorbed with their rivalry to really acknowledge him unless it’s to turn the argument in their favor. He feels ostracized and used, more like something to be fought over than a friend. I think he’s really lonely.

And then you have Heart. Someone who yearns to be understood but struggles to express himself in a healthy way. He craves for unity just as much as Soul and Mind do, but ultimately crumbles beneath his own perception of the others and his loathing. He wants to love, he has the capacity to if he is the entire emotion spectrum, he just can’t express it right now because of everything going on inside his head.

Soul really needs a hug and to feel loved -> Heart really needs a hug and to feel understood

Both are incredibly lonely in their own ways, but they also have the ability to be mutually beneficial for each other in Cacophony.

Assuming Soul is half and half of both sides, he’s able to understand and at least sympathize with Hearts point of view. He doesn’t agree with it, he can see past all of the twisted perceptions, but he’s able to provide the sympathy/understanding that Heart needs. No matter how small. And in turn Heart is able to provide that brief feeling of togetherness and unity. Heart is most likely the easiest to connect with on a surface level, and therefore the best option for when Soul is feeling down and hopeless.

Heart thinks the entire world is against him, he believes that Mind and by extension Soul hate him and want him gone. Soul is able to quell the moons worries, at least for the night. Soul believes that his sides hate him just as much as they hate each other, he wants them all to get along. Heart can provide that feeling of unity, physical touch acting as a form of reassurance and communication. He can pretend that everything is good for a moment and that the warm body beside him is how it’s supposed to be.

I headcanon Mind as touch adverse and Heart as very physical, so Soul is the perfect middle ground! Heart and Soul are able to connect on a very emotional level, and therefore have an easier time showing affection and being close. Lots of cuddles! Lots of comforting! They don’t have to talk, there’s no pressure, they can just hug and everything melts aways. They want to keep each other safe and happy.

Their relationship is so appealing because there’s no barrier between them. They can connect with and understand each other on a very emotional level, switching seamlessly between comforter and comfortee in most scenarios.

I have a lot to say about them in an angst sense, but it delves a bit too far into headcanons and is incredibly long. That’s a discussion for another time, I’m trying to focus on the positives of their dynamic here. Heart and Soul angst absolutely cooks though, trust.

I may be delusional. But in my HEART and in my SOUL they are very close. They share the same night sky! The moon orbits the earth and controls the tides! You can only see the stars when it’s night time!!!!

(Quickly going to clarify that I personally accept a lot of different interpretations of Hearts blindness as canon, I generally like and accept most headcanons even if they conflict with eachother. Soul blinded Heart? Cool. Mind blinded Heart? Epic. Heart was always blind? Awesome. I personally don’t really care and I think all of them can be true simultaneously. Why the hell not, time does not exist on a linear scale. I don’t agree with Soul being 100% an abuser though, he’s just as much of a complicated victim as the other two.

I personally like the idea that Heart did it to himself in apathy the most. Doodle Heart has subscribed to that, as will all/most of my interpretations of him. My Soul didn’t hurt him in that way. And I think he was actually quite mortified when he found out.)

Be silly be goofy, do whatever the hell you want, at the end of the day this is my own personal point of view. They swim in my brain like little amoeba and have rerouted all my nerves. I’m definitely more inclined to be soft on them so take everything I’ve said with a grain of salt. My ass is biased. On my hands and knees begging for more content of them though. PLEASE.

On a less serious note. I think Heart is Souls little guy. He love him :(

[mango-macaron]

Tragedy? In Dunmeshi? Yeah it's there alright.

Kabru, an orphan, raised by a high elf who views his species as infants. Who hates monsters because his home town was massacred by a dungeon being overrun.

Laois, alone for his childhood years, floating around and only finding direction in his sister. Wanting to save her because he doesn't know what to do or where to go without her.

Falin, sneaking out of school to see her brother, only in the magic school because of helping one spirit and being outcast by the village that saw her save him. Using her last amount of energy to save her party, knowing she would die.

Marcille, tied to the hip with Falin. Her best friend, follows her and they teach one another. Uses dark magic to resurrect her crush to see it crumble in front of her eyes as her best friend turns into a monster, something she hates.

Senshi, not feeling the same interests as his race is associated with. Treats monsters with delicacy, how he wants to be treated. Saw his olders die from a monster he didn't know, slowly starved in front of him as he barely got enough to survive. Makes sure they don't feel the same hunger he did.

Chilchuck, divorced. The one love he had separating from him, barely seeing his kids. Union worker, has seen first hand how his race has been treated and strives to make them protected as workers.

Izustumi, unable to be wholly human. Part monster, feels pitied on by Shuro's family, can't accept the Touden party's affection since she's not used to the feeling. Craves parental love more than anything, but can't break down the wall she's made of herself. Afraid to get hurt.

Toshiro, alienated from his family much like Laois was with the army. His culture is part of him, engraved into his core, but no one on the island understands. Not even he understands sometimes.

They're all my favourites because I, too, make really depressing oc lore./j

[ghost-proofbaby]

never love an anchor (e.m. x reader)

"On some level, I think I always understood that a ship could never really love an anchor."

warnings: severe hurt/brief comfort, suicidal ideations, severely depressed reader. again: detailed recount of suicidal ideations. dead dove: do not eat.

wc: 5.8k+

an: i cannot emphasize this enough - this fic deals with a severely depressed, and blatantly suicidal reader. it is extremely heavy. it is extremely triggering. it is extremely self-indulgent. the romance aspect is ambiguous and the comfort aspect at the end is brief. this is a genuine, and sincerely personal piece of writing. it is an outline of how suicidal ideations may present themselves to some people. of these 5k words, 4k is deeply littered with reader's ideations without sugar coating. please, please, please do not read this unless you're in the state of mind to read it. you've surely heard it before but i'll say it just to be sure: it is a permanent solution for temporary feelings. and, just in case no one has told you, i'm glad you're alive. if you're reading this, i'm glad that you're alive. you're enough.

if you find yourself feeling like reader, i urge that you find resources such as those linked. hotlines, therapists, friends, your doctor, your family - please. i do not wish these emotions upon anyone, and they should never be taken lightly.

that being said, here are my guts from a very vulnerable moment, spilled out across the page. please handle them with care if you choose to read.

Technically speaking, the pressure that the human body is capable of handling almost seems infinite. When introduced slowly, and time is given to adjust, there is no pinpointed amount of pressure that dooms the human body. Like a crab in slow boiling water, your body should be theoretically able to handle a steady increase, bit by bit, and never truly notice. 

So why does it currently feel like you’re dying?

The pressure was never an overnight thing. It was a conglomeration you’d gathered, piece by piece, collecting little souvenirs of all the responsibilities you can’t currently remember if you’d ever agreed to along the way. It hadn’t been sudden, it hadn’t been with lack of adjusting, it hadn’t been a pressure suddenly unloaded upon you all at once – you’d done this, brick by brick, all with your own two hands. 

Keeping up with friends, keeping up with work, keeping up with expectations. Always trying to run ahead of the curve, always trying to be better. You should be fine. You shouldn’t even notice. You shouldn’t be sobbing on your bathroom floor, clutching the edge of your porcelain tub, every single breath a labor of survival. 

It feels like every bone in your body is splintering. It feels like the world has cracked open your ribs, one by one, just for show. You don’t feel poetic like the movies, you don’t feel like a valuable lesson learned in the books. You feel as though you’ve become nothing more than some crude display in a contemporary art gallery, and you were the one to hang yourself on the wall. 

Needles prickle across your skin with another heaving sob, as if you can feel the push pins you’ve used to spread yourself out for consumption. 

We still on for tonight? 

The text from Eddie glares at you from your phone discarded on the floor mere inches away. You’re lucky the screen hadn’t broken when you’d thrown it down on the ground on your way to the toilet, dry heaving through all your tears. 

He wasn’t a part of the issue. If anything, he was part of the solution. 

A shining clean slate, pristine whites and a scratch-free surface for you to press your cheek to when it all got a bit much. An abyss of freedom and openness for when the world was all a bit smothering. An anchor to cling to, a rope to tie around your wrists to keep from floating too far. The willow tree in a graveyard to rest your back against, the caress of a warm sun even if only momentarily as you stared out across headstones of all the pieces of you that you can never get back. Every version of you that has long since buried, a few even with newly churned dirt resting upon them. Something soft, something sacred, to rest your hands upon. 

Why does he still let you rest your bloodied and dirtied palms on his shoulders? Did he ever agree to that to begin with? 

You can’t remember. Or maybe your brain is simply refusing to recall. 

I hate to cancel, but I’m sick. I don’t think I can come out tonight :-( 

What? Is everything okay? Are you okay? Do I need to bring you anything? 

Please don’t.

The please is what gives you away. You should have forgone it, should have offered him a lighthearted response instead. 

But there is a pit in the bottom of your stomach, and seeing all the question marks across his text only made it more terminal. Only gave it more reason to swallow you whole. Only gave it more reason to grow and to tangle up and to restrict each stuttering breath of yours that you can’t seem to steady. 

Another buzz comes from your phone, but you don’t look to read it. You resort to resting your forehead against the lip of your toilet, all attempts at a deep breath futile as you finally taste the salt across your lips. 

Were you too much? Were you not enough? Was it possible to be an odd juxtaposition of both? 

A harrowing thought crosses your mind, and you know if Eddie could read minds across the intricate webbing that connects cell phones, he’d grab you by your shoulders. Maybe shake you until you see sense, or maybe cling to you until the thought has faded into nothingness. As if he could squeeze you hard enough to press together all the splinters that are left of your bones, forming a new body – a better body. One that can handle the pressure. One that isn’t imploding upon itself. A more durable mind, a more capable suit of skin to occupy. 

Does it even matter anymore? Would it even matter if I simply vanished? 

Would it be so bad to let the pit finally consume you? To just give in, to let it erase you from existence. To finally wave your white flag and let the awfulness inside of you finally win the battle, erasing you from existence and leaving behind an empty space in the world that could be filled with someone better.

Someone who could be a better friend. Someone who could be a harder worker. Someone who wasn’t choked up on their bathroom floor, beginning to contemplate if the painful gasps were even worth it. 

Were you worth it? Were you worth the air in your lungs? Or could it better serve someone who could handle all the pressure? 

And it wasn’t even that much pressure to begin with, if you pick it apart thread by thread. It was the natural weight of the human experience, and you were still crumbling. 

There was a full bottle of ibuprofen in the cabinet. There was a busy street not far from your home. There was a bathtub that could easily be filled with water – you’d never been good at holding your breath, unless someone counted the last few months, in which that seemed to be all you were good at. 

There was even a bridge, 5.27 miles away from your house exactly. You could already envision the patch of grass you could park your car at, feel the drop in temperature as you stood and overlooked the tame waves of a man-made lake.

Maybe your feet didn’t even have to leave the pavement. Maybe it would be enough to just stand in the silence and see the jump with your own two eyes. 

You felt like nothing more than a ghost of yourself, yes, but maybe. Maybe, just maybe, there would still be a broken shard within you that could stir awake at it all. Maybe if you got up off the bathroom floor and set yourself into motion, it would open its eyes just in time to scream no. 

Ghosts don’t just appear. They were a vibrant soul once – they were somebody once. 

But it’s hard to imagine that you ever were. When it gets like this, it’s hard to push through all the tumultuous thoughts and loathly emotions to remember that. A version of you vibrant, a version of you that might have been worthy, if only for a moment. 

A version of you that wasn’t insulting to compare to others. That was capable of progress, of earning your blip of existence. 

You don’t want the bottle of ibuprofen. You don’t want the busy street. You don’t want the overflowing tub. You don’t even want the calm of the bridge. You just want it to stop. 

There’s a knock on your front door that echoes through the entire apartment. You dread that you already know who it is, but you can’t get up to answer. 

You can’t move from this very spot. You’re terrified of what will happen when you do. 

Will your bones collapse into ash upon the floor? Will you make one wrong move, and in a fit of pressure, make a terribly permanent decision for what feels like a terribly permanent feeling? 

Maybe you were born with the pit in your stomach. Maybe you were born with that black hole inside of you. Cursed to always be yearning, always be a juxtaposition, always be a ghost of what could have become. 

You think you hear the click of your front door opening. You think you hear heavy footsteps across the hardwood floors. You think, you think, you think. That’s the issue. 

The tears are still coming and going in erratic tides. The salt is drying out your lips, your cheeks, the corners of your eyes. You’d thought you’d been incapable of any more emotions like this, but your tear ducts have managed to prove you wrong. 

Does it even matter anymore?

You’d left the bathroom door wide open. 

Were you worth it?

You’d been home alone – past tense.

A more durable mind, a more capable suit of skin to occupy.

A soft gasp of your name has you microscopically lifting your head from the toilet seat. You know what the scene looks like; it looks like nothing more than the excuse you’d used. You look as though you’re ill, like you’ve been spilling your guts across the bathroom floor all night. 

If you had been, would it all feel a little less heavy? 

“Hey, Eds.” 

You’re tired. You’re exhausted. Your voice is nothing more than a drag of a whisper as you look up at your anchor standing in the doorway, his face painted with concern. 

Maybe you were an anchor – maybe being an anchor wasn’t a good thing. After all, what use does an anchor have beyond weighing down the ship? 

“Jesus,” he mutters as he rushes to your side, falling to his knees carelessly as his hand flies out to brush back tendrils of your hair, “You look like shit.”

You felt like shit. 

Selfishly, you lean into his touch, desperate for comfort. Desperate for those caring palms to soothe the ache you’d carried since birth. Desperate to hear him tell you that you’re wrong – hands to promise you that you’re worthy, fingers to wrap around your bones rather than these burning ropes. You’re bloodied and raw, fully on display, and you just want to be okay. 

You don’t want the bridge. You want Eddie. You want him to magically make it okay, and that’s unfair. 

You’re not his weight to carry, not his burden to shoulder. 

After far too long of a silence, one in which he sits patiently in with you, all you can really reply is a broken, “Yeah.” 

Immediately, he knows something is wrong. Because of course he does. 

Because he’s a good friend. He’s a good person. He has the right words more often than not, and his hands were always formed to heal rather than injure. Create rather than destroy. Those warm palms are made to hold the space he’s earned in the grand scheme of the Universe, and it almost makes you nauseous as the jealousy spreads. 

He’s good. 

And you’re simply rotten.

You used to lie to yourself and say it was simply one rotted bit amongst plenty of good, but tonight, it all seemingly comes to clarity. You can’t dig out the bad, cleanse yourself of the rot, because it’s all decay. 

You don’t have to let the pit consume you – it already has. You were born with it, and it had swallowed you whole from the first cry that had ever left your lips. 

He makes himself a bit more comfortable, and you almost feel bad for reducing him to nothing more than the bathroom floor, “You wanna talk about what’s really wrong?” 

“I’m sick.” 

“This isn’t just some stomach bug.”

Your throat begins to tighten again, and suddenly, his gentle touch across the crown of your head burns. Your eyes water ferociously, and your chest caves into itself.

You can’t make a better body or a more sound mind out of the mess you’ve become. You can’t pull gold from tarnished rubble. 

Confessing to him will only be handing over something heavy, something terrible, that he shouldn’t have to struggle with as well. But not offering him a sliver of the truth almost feels more dishonoring. 

“Do you ever feel like a waste of space?” you croak, leaning back, finally accepting that the small space of the toilet that had been cooling your face has gone warm. Another thing you’ve ruined, in hindsight, “Like, this world is filled with great people, and I just… I just, I’m taking up the space- I’m wasting the space-” 

You can’t get out the proper words. You don’t know how.

How do you say you want to cease to exist when you’re not really sure if that’s the truth? You’re miserable, and you’re selfish, and you’re not entirely sure your feet would have ever left the pavement if you had driven yourself to the bridge. You’d be too scared to do it.  

Too scared to miss the day that science announces it’s found a cure to all your rot, a miracle drug to erase the pit, a way to reverse all the damage you’ve been comprised of your whole life. 

His brows furrow and his hand stops all the calming movements, “What? Are you- are you saying you feel like a waste of space?”

It feels silly to admit it to other people. To try and describe how it all feels. Like a child trying to convince their parents the Boogeyman is real, you have to make him see that you’re right. You have evidence, you have proof, and it’s not just a feeling. 

“I don’t feel like I’m a waste of space,” you finally correct, both yourself and him, “I know I’m a waste of space.” 

“Bullshit.”

“Eddie, don’t-”

“No,” he cuts you off. And somehow, in only a way that he’s capable of, it’s not offensive, “You’re not. I’m not going to sit here and listen to my favorite person claim they’re wasting space-”

“I am!” It’s your turn in the cycle of interruption. You pull away from him entirely, chest heaving with the weight presenting itself once more, tears starting to fall all over again. You can’t even distinguish where the old tears stop and the new ones begin, “I really am. All I seem to do lately is just exist. And that’s such a- such a- that’s such a waste. I can’t read any of the things I should enjoy these days, I can’t even write. All of the words feel like they just come out wrong. I’m letting everyone down left and right, I’m never living up to whatever pedestal you’ve put me on. I don’t even know what I’m doing with my life. I don’t even know where I’ll be in a year from now – I can’t even see that far in the future.”

Heaves become sobs, and the crumbling has begun once more. A cycle of breaking, a cycle of demolition. Even leaving behind the rubble feels like a crime. A waste of space. 

“I don’t think I’m a good person,” you manage to spit out between all your visceral reactions, “Every year, I tell myself the same thing – I’ll be better, I’ll be kinder, I’ll be worth it. And every year, I fail.” 

Can he see it? All the fractures and splinters and pits and metaphors? 

Can he smell it? All the rot and the destruction and hopelessness?

Can he feel it? All the pressure? 

Through your sniffles, you press your back to the tub, knees to your chin as you wrap your arms around your legs, desperately trying to shrivel up. To take up less space. To waste less space.

“I used to think I could make up for it,” you whisper, “I could offer people things that made them forget I’m… so useless. But I don’t think I’m even capable of that anymore.”

If he’s about to respond, it’s drowned out by your cries. You press your eyes hard into your kneecaps, until you see stars, and you try to swallow down all the embarrassment. Try to stop all the hurt from spilling out, to stop all your guts from painting the bathroom walls. 

He could simply sit there, let you wallow in your misery alone. Sit and stare as the artwork finally serves its purpose to the visitors of the gallery. Maybe jot down some commentary on how with your bones all spread out like this, the point the artist was attempting to make becomes oh so clear. 

And yet, he doesn’t. 

You know it’s his arms that are wrapping around you, pulling you from the chill of the tub and into the warmth of his chest.  And you let yourself smother within the fabric of his shirt the same exact way in which you’ve convinced yourself you smother everyone around you, let yourself breathe in drugstore cologne and his last cigarette rather than think about all the thoughts that had been spiraling you into dismay over the last twenty four hours – over the last twenty four years. 

He’d probably been smoking while waiting on your call tonight. Probably riddled with anxiety, if the shake of his hands pressing into your back are anything to go off of. An anxiety and waiting game that wouldn’t have to exist if you didn’t exist.

The thought makes you cry harder. 

If a ghost dies, can it even still return back as itself? Can it still find it within itself to haunt empty hallways, and watch the ones it once loved find peace?

“You’re not useless,” it sounds as though Eddie might be crying as well, if not just a little choked up, “You’re not- I swear- You’re not useless, okay? Never have been, never will be.”

His murmured words are nice, but they fuel an unimaginable guilt. It was supposed to be a nice night. A night of movie marathons and midnight coffee, of trying to remind yourself why you still stick around. A moment of incomparable joy and sweet reprieve as your stomach ached from laughter, your cheeks swelling with an infallible grin that Eddie always seems to pull out of you.

There’s no smiling, no giggling, right now. Just his favorite band shirt from the show you two had attended a few years before, soaking with a fast-growing stain from all your tears. 

When you don’t answer him, only manage to wrap your selfish arms around his waist, he continues, “How long have you felt this way, sweetheart?”

And if you hadn’t already been shattered previously, that would have finally broken you. 

You can’t pinpoint when it started. You can’t clear the smoke of memories and find an exact moment that you can point to and say, there. That’s where the hurt starts — that’s where the rot starts. 

“I don’t know.”

In your mind, it’s a wail. Loud and ferocious, efforts of all it has taken to withstand the pressure of your undoing screamed out loud. 

But on this quiet bathroom floor, it can’t even be considered a whisper. Nothing more than the spoken words lingering from a ghost who can’t give up the haunt. An echo of a memory, an echo of the piece in you that can’t let go, not yet.

Not of existing, and not of him. Your fists hold him so firmly against you, you’re scared that you’re going to bruise him. Hurt him just from the sheer effort of trying to show that you love him. 

The only way you know how to love – a violent dog who will always bite the kindest hands. Leaving behind bloodied knuckles even if you hadn’t so much as snipped this time. 

You take a sharp breath, aware of the levity of the words you’re about to say, “I don’t want to exist anymore, but I wouldn’t even make it off the bridge if I tried.”

It’s not about the bridge anymore. In all likelihood, it wouldn’t be the bridge you turn to. There’s a grand metaphor somewhere in the admittance, but your mind is just too tired to try and paint a prettier picture of it for him. 

Because exist is just a placeholder. And there’s a bigger, scarier word that should stand in its place. 

He starts to break the hold, and you nearly sob out again just at that. Losing the warmth of his chest and arms strike pain somewhere deep within you, just north of the pit that’s devoured all that’s left of you. 

“Bridge?” Phrased as a clarifying question, but when you see his face, it’s clear he knows. There are no good words left to say about it, “Sweetheart, no.”

There are worse reactions to be had. More scenarios that end in slamming doors or deafening silent treatments. Realizations that you’re right and it’s not worth it – defense mechanisms that involve them leaving first. 

“I couldn’t do it, even if I want-” 

Even if I wanted to. The words you can’t speak, dying on your tongue. 

Do you want to? Where does the pain begin? And where could it end?

“You really don’t see it, do you?” he laughs humorlessly, his hands still gripping your biceps in a death hold, “You… you just…” 

He doesn’t know what to say, and you don’t blame him. You knew this was heavy; you knew this isn’t the type of bomb to drop on someone you love. 

But if you didn’t, where would the bomb have gone? You’re not equipped to detonate it. You’re not equipped to survive the explosion. You wouldn’t want to survive that explosion. 

“I’m sorry,” your words pour out, beginning to shake beneath his palms, “I’m sorry, I’m sorry, I’m sorry.” 

Dry, cracked lips feel as though they nearly split from the apologies. More violence, more devastation, more of what you always knew you were. You can see it in his eyes – you’re dragging him down with you, right down to the bottom of the ocean. You’re being an anchor. 

He’s all stutters and harsh breaths, panic filling the space with your own as his eyes search yours, “Don’t apologize. You don’t have to apologize. Just-”

He cuts off and is pulling you close again. Slamming your bones into his, wrapping up around you as if he might be able to keep you safe from the world. From your own mind. 

“I don’t need apologies,” another squeeze of your closer to him, another attempt to pull you away from the dangers that lie within, “I don’t- I just… Can I help? How do I make it better? Just say the word. I’ll do it.” 

It’s not your job. That’s not your job. 

You don’t realize you’ve said the words out loud until he’s squeezing you so tightly that you now can’t breathe. Until all you are is him. All his old t-shirts he’s lent to you that hang in your closet, all the nights spent with tangled legs as you sit across from each other on your couch, all the phone calls in which he refused to be the first one to hang up. Cologne that is too cheap to be able to cling so ferociously as it does to all your surroundings, chain-smoked cigarettes you always chastise him for because they’re gonna kill you one day, the smoke of his latest blunt resting in an ashtray as his head finds home in your lap. 

All the inside jokes. All the hugs. All the simple texts, if for nothing more than to just check in on each other. The broken reminders of having someone out there that cares. That loves you. 

How can such rotten hands pull such love from others? How have you yet to infect him? 

“I know it’s not my job,” he finally says, and you know for a fact he’s crying along with you before the first of his tears have wet the crown of your head, “It’s never been a job. You’re not a job. Okay? Get that through your head. There’s- Fuck, there’s plenty of things I wanna drill in that pretty little head of yours right now, but I know I can’t, so just get that.”

He’s trying. A little trill of his tongue that falls a bit flat when he refers to your pretty little head, a brief squeeze of your shoulders as he tries to relax a little. He wants to make you feel better. He wants to make it better. 

But he’s still holding you like he’s terrified. You did that – you instilled that fear. 

“I’m a mess,” you whisper in bitter realization, ash on your tongue as you process what you’ve done. You’ve already apologized, but you’re seconds away from doing so again, “I’m- I’m a mess, and I’m dragging you into it, and I’m sor-”

“Stop being sorry.” Definitive words, no room for argument. The smallest of shifts as things click into place. He isn’t budging – he isn’t letting go, “Do you remember when I first met you?” 

You can’t tell if the question is meant to have a point, or if it’s meant to be a distraction. You let it grow into the latter.

“Yeah,” you breathe out against him, melting into his chest, trying to focus on his voice rather than the ones in your head, “But tell me about it anyway?” 

“Two years ago. Technically, two years and seven months,” he starts in the same voice he used to take on during Hellfire sessions, before the members had scattered from coast to coast and his D&D club only became a rarity when the stars aligned. There’s still a crack to his voice from his tears, but that doesn’t stop him, “We were in some cursed fucking diner we don’t even go to anymore, in the dead of the night, and all the servers knew your name and order,” he paints the picture with a humor that should feel out of place, but it settles some of your breathing. Omitting all the vivid details, opting for triggering the memory with words you’d just get. You can feel the stick of the plastic beneath your thighs, you can smell the grease of the kitchen. You can see the cloudy night out of the oversized windows. He’s a natural born storyteller in the most subtle of ways, always knowing his audience, “You were sitting all alone in that booth, and all of Hellfire had just left. Gareth had just told us how he was going to college in California – did you know that?” 

“I didn’t.” 

“Well, he did,” his chin presses against the top of your head, a huff of a laugh escaping him, “Dropped the bomb it was our last summer as a club probably. We were happy for him, though. Real fucking happy. Got milkshakes to celebrate and made plans to get drunk off our asses the next night to keep the party going. It was dumb, and I’m getting off track, but…” 

Baited breath, you’re waiting for him to continue. No thoughts of the bridge. No thoughts of your failures. Living in a small memory with him on the floor of your bathroom. 

“Anyways, you were sitting there all alone, with a plate of fries and ranch.” 

“Oh, God,” your nose scrunches and you try to pull away, suddenly remembering how embarrassing this memory ends for you. It suddenly didn’t seem like the best way for him to make you feel better by any means, “No, I remember how this story ends, and-”

“I’m not done,” he locks his arms around you, and you can feel the whisper of a smile as it brushes against your temple, “Obviously you know where I’m going with this, but I’m not done, sweetheart. Because all the other guys had just left, and I’m sitting there, realizing the only other customer was some random person over across the diner, scribbling away in some notebook. Thought you looked cute when you were all focused like that, y’know? But then you were so focused that it became distracted, and you spilled that ranch all over yours-” 

“Please, stop.”

You’re laughing through the words, weakly, the air of desperation in the word please being far different from earlier in the night. No bridges, no failures. 

“I was probably being a weirdo, trying to run over and help you or whatever the fuck I was trying to do. I probably made it worse, right?” 

You’re there, remembering a version of Eddie that was a stranger, taking napkins to the knees of your jeans and smearing the ranch rather than really helping you clean it up. “Yeah, just a little bit.” 

“Sorry for that, by the way,” he airily apologizes before continuing, “But I just remember thinking about how focused you were on that notebook. And how you laughed with the waiter. And how you were just… lost in your own little world. And how you were so cute. You were so nice. The type of person I wanted in my life. Took one look at you with that ranch all over your lap and thought, huh. I want to get to know that person.” 

“Nice? I was not nice, I was-” you cut off, heart all but stopping as you recognize the point of it all. It wasn’t meant to just be a distraction. He was making a point. “I was a… a mess that day.” 

“Exactly.”

He pulls away again, and this time, it’s a little easier. The world has put a pause on its ending and you can handle the weight of his arms lightening for a few seconds, just so he can get a good look at your face. 

“You were a mess the day that I met you, and I still wanted you in my life,” he says each word deliberately, not breaking eye contact. Fear has broken through to determination. “And even if you’re still a mess today, I still want you. Nothing changes. You get that?” 

No bridges.

No failures.

The weight of it all had been heavy. The type of sorrow you thought was never meant to be carried by more than your own two hands. But he had taken it in his palms, lifted it from you entirely, even if it would only be temporary. One day you’d have to endure the pain again, get to the root of the problem. Figure out if all your ailments had been something wired into you since birth, or things you’d picked up along your way. But for now, you could breathe again. You could hear the drumming of your heart in your ears, and you could hear every single one of both yours and Eddie’s breaths in the silence, and that was enough. 

“I don’t want to die,” you finally quietly admit. Saying one of the bigger, scarier words. The thing you’d been too afraid to let slip off your tongue originally. “I just- sometimes it all gets a bit loud, you know? And I know you said don’t apologize, but I am sorry that I scared you. And I’m sorry that you have to take the bad to also get that little bit of the good with me.” 

His hand leaves one of your arms for the first time since he’d first wrapped you up, and it finds its way to cradle the side of your head. Holding you as if you’re porcelain still. You know that won’t go away, not tonight. “I’d rather have your bad days than have nothing at all,” he chokes up once more, and you can see tears threatening to welt in his eyes, “You get that, too. Alright? You’re worth it. Bad, good, funny, sad – give it to me. I’m asking for it. Just don’t… don’t leave me with the nothing.”

You’re worth it. 

He’s found a worth in you attached to nothing at all. He’s sitting here with you, on the bathroom floor, and his perception of you has nothing to do with what you can only offer. 

It just has to do with you. He sees you, and he’s decided you’re worth it. Even now.

He smiles softly, as if he can see the realization dawning upon you, “You wanna get up off the floor now? We can go sit on your couch or bed or something.” 

You’re quick to shake your head. Your knees are partially digging into his thighs, your breaths are matching his. 

“Okay,” his face falls slightly, but not entirely. Not entirely, “That’s okay. Do you want me…. Do you want me to go?” 

Another shake of your head. But this time, you need to offer more than just the motion of your head, especially when you can feel tears returning as your throat tightens up, “No. No, just- Stay with me? Please?” 

Your hands reach out without you even processing it, gripping his wrists, desperate and clinging and still verging on the edge of violent. The thought of being alone is terrifying, but the thought of having to watch him walk out of this room is even more petrifying. 

He doesn’t even flinch as you sink your claws in. His smile only returns, and he shuffles to pull you both to hold your backs up against the wall across from the toilet, “Of course. I’ll stay, sweetheart. I’m not going anywhere – wouldn’t even dream of it.” 

His words shake just a little less than they had when he’d first entered the room. 

He can’t fix it all magically. That isn’t his job, isn’t his role, isn’t his choice. But he can sit here with you, on the floor of the bathroom, endlessly patient and tragically caring as he urges you to lay down. He stretches his legs out and pats his lap once before hovering his hands over your shoulder, guiding you until your temple is flush with his thigh. 

He can choose to not hesitate as his fingers immediately push through the baby hairs by your temple, a soft hum in the back of his throat that sounds exactly as you feel.

Hesitantly content. Just for now. It’s enough. 

The storm is receding. As hours pass by, and noises of uncertainty become more confident hums of a song you faintly recognize, it all settles. He stays. You stay. The storm passes for the time being, and the hole tempers itself for just the night. 

It’s enough for now. You’ll worry more tomorrow, or the day after, or the day after that. You’ll talk more about why you feel this way, and he’ll offer better solutions. The weight won’t simply be passed into his waiting hands and forgotten – one day, you’ll find a way to lighten it through dissipation rather than through catastrophe. 

One day, the seas will calm, and you’ll find yourself the ship rather than the anchor. 

And the captain can be the boy who sits on the floor with you through the sadness, content to wait out the storms with you until you find the worth he sees in you.

[allthingswhumpyandangsty]

writers, this is a sign for you to say fuck censorship and write a disgusting fic that will sicken your readers

[steddieas-shegoes]

crawling out

for @steddiemicrofic prompt ‘hole’

rated m | 404 words

cw: mention of addiction (nothing specific or detailed), mention of rehab, break-up | tags: rock star Eddie Munson, making amends, angst with a hopeful/happy ending, hurt/comfort, getting back together

- - - - - - - - - -

“Keep digging the hole for yourself. Eventually, no one will find you.”

Those were the last words Steve had said to him over a year ago.

They were in the middle of tour, their first headlining one, and Steve had been antsy. Eddie was picking fights with him for no god damn reason.

Steve got sick of it.

Steve left.

The band finished that tour, Eddie went on a bender and nearly died, and the band took a break.

- - -

Rehab sucked. Not because of the withdrawals; Those weren’t all that bad compared to some of the horror stories he’d heard. He was alone.

And being alone was what got him there in the first place.

Steve warned him he’d be alone the further into this hole he put himself and he was right.

- - -

But it’s been months since rehab, months since he felt the urge to bury himself in the hole he dug for himself, months since he started clawing his way out.

He’d spent the first month with Wayne, who welcomed him with open arms the way he always did.

The second month was spent traveling to see all the kids, apologize to them for everything.

All of them had quickly sided with Steve, rightfully so, and he’d barely heard from them after…well, after. They all accepted his apologies, wanted to start working towards friendship again.

Next was a trip back to California to visit the band, who all stuck around to help out in the studio and write songs for others while they figured out what they wanted to do. They all loved him, told him so in the way they looked proud to see him standing outside of the hole he dug.

Now, standing outside the apartment Steve shared with Robin, he had the strong urge to jump back into the hole.

“Just knock,” he said to himself.

He lifted his hand.

The door swung open.

Steve stood there, just as beautiful and perfect as the day he left Eddie, frowning.

He looked him up and down, took in how he’d changed, put on a little bit of weight, trimmed his hair to his shoulders, got a new tattoo.

The date Steve left.

Steve’s eyes locked on his.

“You still digging that hole?”

“No. Filling it in actually. My arms got tired.”

Steve bit his lip, the telltale sign he was hiding a laugh.

“Need help?”

Eddie smiled. “Couldn’t hurt, sweetheart.”

[askfordoodles]

felt so euphoric to be able to come out as nb/trans in Veilguard, loved the added dialogue they took the time to write and record just for such scenarios

now can we PLEASE make a game where u can explicitly, verbally come out as ace, and also without it automatically locking you out of the romance path

pls bioware (and other companies) some of us are STARVING

[arkhamsbrat]

i think jason coming back from the lazarus pit bigger and unrecognizable makes sense. tmk, at least, the pit heals you.

jason would’ve been with bruce for a year, and he would’ve been doing better but it wouldn’t heal 14+ years of malnourishment. so yes. jason came out of the pit and his body isn’t his. its wrong. hes supposed to be smaller, used to being smaller.

jason takes up more space now. he hates it. hates what he sees in the mirror, the man glares back he glares at his reflection. the stranger in the glass screams back at him, cries as he does, but it isnt him. he isn’t the boy in the little picture he keeps in his wallet.

there’s no bright smile, an ever present harsh frown seemingly sewn across his lips. the curls have flattened, buzzed off in his poorly lit bathroom because that’s not him. he’s different, wrong, dead.

jason can’t stand the mirror, so he breaks it. but then there’s just more, smaller versions of the stranger. he’ll never escape him.