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princesssarisa · 8 months ago

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Opera on YouTube, Part 2

Le Nozze di Figaro (The Marriage of Figaro)

Glyndebourne Festival Opera, 1973 (Knut Skram, Ileana Cotrubas, Kiri Te Kanawa, Benjamin Luxon; conducted by John Pritchard; English subtitles)

Jean-Pierre Ponnelle studio film, 1976 (Hermann Prey, Mirella Freni, Kiri Te Kanawa, Dietrich Fischer-Dieskau; conducted by Karl Böhm; English subtitles) – Acts I and II, Acts III and IV

Tokyo National Theatre, 1980 (Hermann Prey, Lucia Popp, Gundula Janowitz, Bernd Weikl; conducted by Karl Böhm; Japanese subtitles)

Théâtre du Châtelet, 1993 (Bryn Terfel, Alison Hagley, Hillevi Martinpelto, Rodney Gilfry; conducted by John Eliot Gardiner; Italian subtitles)

Glyndebourne Festival Opera, 1994 (Gerald Finley, Alison Hagley, Renée Fleming, Andreas Schmidt; conducted by Bernard Haitink; English subtitles)

Zürich Opera House, 1996 (Carlos Chaussón, Isabel Rey, Eva Mei, Rodney Gilfry; conducted by Nikolaus Harnoncourt; English subtitles)

Berlin State Opera, 2005 (Lauri Vasar, Anna Prohaska, Dorothea Röschmann, Ildebrando d'Arcangelo; conducted by Gustavo Dudamel; French subtitles)

Salzburg Festival, 2006 (Ildebrando d'Arcangelo, Anna Netrebko, Dorothea Röschmann, Bo Skovhus; conducted by Nikolas Harnoncourt; English subtitles) – Acts I and II, Acts III and IV

Teatro all Scala, 2006 (Ildebrando d'Arcangelo, Diana Damrau, Marcella Orasatti Talamanca, Pietro Spagnoli; conducted by Gérard Korsten; English and Italian subtitles)

Salzburg Festival, 2015 (Adam Plachetka, Martina Janková, Anett Fritsch, Luca Pisaroni; conducted by Dan Ettinger; no subtitles)

Tosca

Carmine Gallone studio film, 1956 (Franca Duval dubbed by Maria Caniglia, Franco Corelli, Afro Poli dubbed by Giangiacomo Guelfi; conducted by Oliviero de Fabritiis; no subtitles)

Gianfranco de Bosio film, 1976 (Raina Kabaivanska, Plácido Domingo, Sherrill Milnes; conducted by Bruno Bartoletti; English subtitles)

Metropolitan Opera, 1978 (Shirley Verrett, Luciano Pavarotti, Cornell MacNeil; conducted by James Conlon; no subtitles)

Arena di Verona, 1984 (Eva Marton, Jaume Aragall, Ingvar Wixell; conducted by Daniel Oren; no subtitles)

Teatro Real de Madrid, 2004 (Daniela Dessí, Fabio Armiliato, Ruggero Raimondi; conducted by Maurizio Benini; English subtitles)

Royal Opera House, Covent Garden, 2011 (Angela Gheorghiu, Jonas Kaufmann, Bryn Terfel; conducted by Antonio Pappano; English subtitles)

Finnish National Opera, 2018 (Ausrinė Stundytė, Andrea Carè, Tuomas Pursio; conducted by Patrick Fournillier; English subtitles)

Teatro alla Scala 2019 (Anna Netrebko, Francesco Meli, Luca Salsi; conducted by Riccardo Chailly; Hungarian subtitles)

Vienna State Opera, 2019 (Sondra Radvanovsky, Piotr Beczala, Thomas Hampson; conducted by Marco Armiliato; English subtitles)

Ópera de las Palmas, 2024 (Erika Grimaldi, Piotr Beczala, George Gagnidze; conducted by Ramón Tebar; no subtitles)

Don Giovanni

Salzburg Festival, 1954 (Cesare Siepi, Otto Edelmann, Elisabeth Grümmer, Lisa della Casa; conducted by Wilhelm Furtwängler; English subtitles)

Giacomo Vaccari studio film, 1960 (Mario Petri, Sesto Bruscantini, Teresa Stich-Randall, Leyla Gencer; conducted by Francesco Molinari-Pradelli; no subtitles)

Salzburg Festival, 1987 (Samuel Ramey, Ferruccio Furlanetto, Anna Tomowa-Sintow, Julia Varady; conducted by Herbert von Karajan; no subtitles)

Teatro alla Scala, 1987 (Thomas Allen, Claudio Desderi, Edita Gruberova, Ann Murray; conducted by Riccardo Muti; English subtitles)

Peter Sellars studio film, 1990 (Eugene Perry, Herbert Perry, Dominique Labelle, Lorraine Hunt Lieberson; conducted by Craig Smith; English subtitles)

Teatro Comunale di Ferrara, 1997 (Simon Keenlyside, Bryn Terfel, Carmela Remigio, Anna Caterina Antonacci; conducted by Claudio Abbado; no subtitles) – Act I, Act II

Zürich Opera, 2000 (Rodney Gilfry, László Polgár, Isabel Rey, Cecilia Bartoli; conducted by Nikolaus Harnoncourt; English subtitles)

Festival Aix-en-Provence, 2002 (Peter Mattei, Gilles Cachemaille, Alexandra Deshorties, Mirielle Delunsch; conducted by Daniel Harding; no subtitles)

Teatro Real de Madrid, 2006 (Carlos Álvarez, Lorenzo Regazzo, Maria Bayo, Sonia Ganassi; conducted by Victor Pablo Pérez; English subtitles)

Festival Aix-en-Provence, 2017 (Philippe Sly, Nahuel de Pierro, Eleonora Burratto, Isabel Leonard; conducted by Jérémie Rohrer; English subtitles)

Madama Butterfly

Mario Lanfranchi studio film, 1956 (Anna Moffo, Renato Cioni; conducted by Oliviero de Fabritiis; no subtitles)

Jean-Pierre Ponnelle studio film, 1974 (Mirella Freni, Plácido Domingo; conducted by Herbert von Karajan; English subtitles)

New York City Opera, 1982 (Judith Haddon, Jerry Hadley; conducted by Christopher Keene; English subtitles)

Frédéric Mitterand film, 1995 (Ying Huang, Richard Troxell; conducted by James Conlon; English subtitles)

Arena di Verona, 2004 (Fiorenza Cedolins, Marcello Giordani; conducted by Daniel Oren; Spanish subtitles)

Sferisterio Opera Festival, 2009 (Raffaela Angeletti, Massimiliano Pisapia; conducted by Daniele Callegari; no subtitles)

Vienna State Opera, 2017 (Maria José Siri, Murat Karahan; conducted by Jonathan Darlington; no subtitles)

Wichita Grand Opera, 2017 (Yunnie Park, Kirk Dougherty; conducted by Martin Mazik; English subtitles)

Teatro San Carlo, 2019 (Evgenia Muraveva, Saimir Pirgu; conducted by Gabriele Ferro; no subtitles)

Rennes Opera House, 2022 (Karah Son, Angelo Villari; conducted by Rudolf Piehlmayer; French subtitles)

#opera #complete performances #youtube #le nozze di figaro #the marriage of figaro #tosca #don giovanni #madama butterfly #madame butterfly #wolfgang amadeus mozart #giacomo puccini

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alittlebitofloveliness · 5 months ago

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Shepard Angst Fic

Y'all are getting this here before I edit it and post it on ao3 tomorrow because I am desperate for external validation and because I NEED folks to cry over my self imposed Shepard sibling angst.

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“Angel!”

Angela Shepard is no stranger to yelling. The name Shepard carries with it the guarantee of a temper hotter than the late Autumn sun and the vocal cords to make sure the whole street knows it. Ma is only ever happy when she’s hacked off, Curly has never once been quiet for longer than three seconds back to back, and she herself wears fury like socy girls wear their hair ribbons.

So yes, she’s no stranger to yelling– but she ain’t never heard Curly yell like that. He doesn’t sound mad, he sounds scared– and that is infinitely worse. There isn’t a lot that scares Curly Shepard, or any Shepard really. They’ve all seen too much.

“Goddamnit Angel,” Curly roars again, “get out here and bring the first aid kit!”

That spurs her to action and she snatches the small first aid kit out from under the bathroom sink and hightails it to the living room.

Curly is there, wide eyed, Tim propped up against him. For a second Angela doesn’t realize what the problem is. When she does, her brain refuses to let her believe it.

A dark stain is spreading rapidly across the side of Tim’s shirt, even as Curly half drags half carries him over to the couch and deposits him on it as gently as he can. Despite how careful Curly’s being, a pained grunt still forces its way out from between Tim’s clenched teeth.

“Call Manuel,” Curly orders, naming Tim’s second in command, “get him to bring the truck back now and be ready to drive. And get Sylvia down here too.”

Running to the kitchen, she dials Manuel’s home number and hurriedly explains the situation, cold terror making her harsher than usual. She doesn’t bother trying to get ahold of Sylvia- Sylvie knows everything that happens on the east side, she’s probably already on her way.

“What happened?” She demands as soon as she gets back to the living room. Curly’s hands are slippery with blood and he’s got a wad of rapidly reddening gauze pressed tightly against the wound in Tim’s stomach. Her older brother’s face is twisted in pain, his breathing even more laboured than it was a minute ago, tight gasps forcing themselves out from behind clenched teeth.

She’s seen knife wounds before, of course she has. Connor Tyrril from the Brumly gang had died from an infected knife wound last year, and Tim and even Curly had been sliced before, long gashes that eventually faded into rough scars– but never anything like this. The slashes they’d sustained in the past were meant to hurt, but this wound was very specifically meant to kill.

She doesn’t know what to do.

“Who did it?” She demands, hands fluttering uselessly. Curly seems to have a handle on what to do, his wide eyes at odds with his steady hands, counting under his breath as he applies pressure, but Angela doesn’t have a clue how to help and isn’t even sure that she can. “What happened?”

“A few of the boys from Tiber street apparently weren’t too fond of Tim’s latest shipment,” Curly explains, pressing a new piece of gauze over the others, already soaked through with blood.

“Names Carlos.”

“Dustin Blackwell and Ian Forrester. Tried to fight ‘em off but they had about seven buddies backing ‘em.”

“They’re dead.” Angela vows, horrified to feel the way her eyes are stinging. She means it too. If anything happens to Tim those assholes are dead, juvie and jail and records be damned. The steely look buried under the panic in Curly’s eyes tells her he agrees.

Tim groans, despite how hard Angela can tell he’s trying to hold it back, and Curly stiffens, hands jerking slightly and tearing another horrible sound from Tim’s throat.

“Go see if there’s any more gauze somewhere,” he orders, pressing the last of the stuff over Tim’s wound, the fabric reddening as if by magic, “grab some of my t-shirts if you can’t find any.”

Angela runs to do as she’s bid, wishing she could do something, anything else. For all Curly is usually the last person who should be left in charge of anything, let alone any sort of crisis, right now he seems to be about the only person who knows what to do and Angela can’t help but cling to it like a lifeline. She can’t fix Tim, but she can sure as hell help Curly help him and if all she can do is grab t-shirts, you can best believe she’ll grab the whole stack in her drawer and Curly’s too.

She can’t have been gone more than thirty seconds but Tim is noticeably worse when she returns, sweat beading on his forehead, his skin looking closer to grey than its usual light brown.

“Hold this for me,” Curly nods to the wad of gauze he’s pressing on with both hands, “don’t worry about hurtin’ him, just press as hard as you can. I’m gonna check his pulse.”

Tim lets out an almost inhuman scream the second she touches him, and it’s almost enough to have her jerk away and apologize if that wouldn’t render the whole thing useless. Curly waits until Angela’s hands are pressing hard beside his before he deigns to move one away, deftly pressing two fingers under Tim’s neck with one hand, counting under his breath. It seems like a long time before he stops counting even though the clock says it wasn’t more than a minute, and the tightness in his jaw belies his anxiety.

Not good then- or getting worse.

“Well?” She snaps, too full of fear to know what to do with it, trying to hide behind a more familiar anger.

“It’s slow,” Curly snaps right back, her twin in soul and temperament and right now a visceral type of fear, “and gettin’ worse. He’s fucking bleeding out, Angel what’d you expect!”

“Shut up! He ain’t gonna bleed out! Shut up!”

Curly glares a second longer before his mask slips just a bit and she sees herself in his blue eyes. For a second they’re three years old again and Tim is in the reformatory and they’re both so hungry and alone and scared it feels like nothing will ever be okay again. Then she blinks, and Curly’s jaw tightens, and they’re back to now, in a no less horrible present.

“Damnit,” Curly snarls, but his voice breaks, “where the fuck is Manuel?”

“Quit arguin’” Tim speaks for the first time since Curly dragged him in and Angela could sob. His voice is the same gruff bark it’s always been, just as steady as it always is despite his laboured breathing, even as his lean form has started to shake uncontrollably under her hands, making it hard to keep the gauze and now one of her own t-shirts pressed against his wound, “and listen’ to me.”

Curly watches him with wide eyes, forever in awe, the way he’s always been, always willing to follow Tim anywhere, even off a cliff. Of course, Angela can't exactly blame him when she’s the exact same way.

“L-listen,” Tim repeats, his black eyes shining with an emotion Angela can’t place, and she is listening because its Tim talking and he always knows what to do. He’s going to tell them what to do and he’s going to be okay. They’ll do what he says and everything will be fine. “Listen.”

He swallows, grimacing as he lets out another strained breath before his sharp eyes focus on them again.

“You’re good kids,” he says, fierce, so fierce, and Angela blinks because that isn’t right, it isn’t a plan, it isn’t a way to fix this. And it isn’t even true. She and Curly are about as far from good kids as it’s possible to be.

“You’re good kids,” Tim repeats with conviction, like he can hear what she’s thinking, “don’t let nobody tell you otherwise, savvy? I’m damn proud of you. Both of you.”

“Tim-”

“Good kids,” His eyes have taken on an almost glassy quality, “My kids.”

His entire body goes limp. Angela screams.

Manuel chooses that exact moment to burst through the door, Sylvia on his heels, and there's no time, no time for anything anymore except for Curly to grab Tim’s shoulders and Manuel grab his feet, and Angela try to keep pressure on that fucking stab wound all the way to the truck and then to the hospital until a team of nurses rolls Tim away on a gurney. Even then, the only reason they manage it is because Sylvia and Curly both half drag her away.

“Let go, I’m goin’ with him!”

“You can’t.” Sylvia’s voice cuts like a blade. “They ain’t gonna let you in the operation’ room Angel, so quit havin’ a fit and come sit in the waitin’ room.”

“Shepards stick together.” Angela turns to Curly for support but Curly doesn’t seem to be all here right now, staring vacantly into space and trembling like a leaf. “Right Curls?”

“C’mon,'' Sylvia shakes her head when Curly doesn’t answer, “We aren’t doin’ much good for ol’ Timmy in this parking lot, and we won’t do much more in the waitin’ room but at least there’ll be a place to sit.”

Unable to argue, Angela follows Sylvia inside, Curly trailing dreamlike after them, and they sit in the waiting room and do just that: wait. Manuel had left as soon as the doctors got Tim inside so he isn’t there with them, but Angela can’t find it in herself to care. Tim runs a gang, not a family. Manuel knows that as well as any of them.

Angela squeezes her hands into fists to stop the tremble in her fingers. Wonders how Sylvia can still be so unfeeling when her best friend has just been stabbed. Decides she doesn’t care. Watches as Curly slowly returns to himself, pulling out a cigarette and offering her one. They both pretend it’ll stop their hands from shaking. They’re both wrong.

She wants to do something. To start a fight or cause a problem, maybe kick up a fuss in the food court or swear at a nurse, do something to assuage the fear and the anger burning it’s way through her chest, do anything that isn’t just sit here and wait.

You’re good kids, Tim’s words echo in her head every time she’s about to get up and do something, keeping her rooted to the stupid plastic chair, doomed seemingly forever to the horrific purgatory of the waiting room. She isn’t a good kid, but Tim thinks she is, so she can be, at least for now, at least until she knows he’s okay.

“Anyone here for Timothy Shepard?”

Angela’s on her feet immediately, Curly at her side. Sylvia rises more languidly to face the woman at the nurses station, cool as ever.

“I don’t have any news yet,” the nurse says apologetically, seeing Angela and Curly’s tense faces, “I’m sorry. I just need someone to fill out the intake forms. Is he a minor?”

For a second Angela hates the warm faced woman more than she’s ever hated anyone.

“He’s eighteen,” Sylvia strolls forward, reaching a manicured hand towards the woman’s clipboard, “I’ll fill it out.”

The nurse starts to hand the clipboard to her, then freezes. “Um, I’m only supposed to give it to an emergency contact…”

“I’m his wife,” Sylvia lies smoothly, “you ain’t gonna keep me from seein’ my husband. I doubt he’s even got anyone listed considerin’ we only recently got hitched.”

The nurse checks the chart again.

“What’d you say your name was?”

“Sylvia Shepard. Maiden name Devares.”

“Well it’s true he ain’t got anyone listed…” Angela can see the nurse crumbling, “I don’t suppose you got your marriage licence with you?”

“‘Course I do,” Sylvia reaches into her cleavage and pulls out the forged marriage certificate Curly had made a few months back when Sylvia needed Tim’s help opening a bank account, “there, see?”

The nurse glances at it and finally passes over the clipboard.

“My apologies Mrs. Shepard.”

Angela winces. Sylvia is many things, but she ain’t a Shepard, and she sure as shit ain’t Tim’s wife. Still, the charade has worked wonders in the past, and it’s working wonders again now.

“Thanks.” Sylvia offers her a perfunctory smile and turns on her heel, strutting back to her seat, Angela and Curly trailing behind.

“What’s takin’ so long?” Curly mutters to her, while Sylvia purses her lips, flipping through the forms, “we’ve been here an hour. How’s he still in surgery?”

Angela doesn’t know, so she doesn’t answer.

They wait.

Sylvia finishes filling the pages with her chicken scratch handwriting and returns them to the nurses desk. An ambulance arrives with some broad sporting a gunshot wound. Nurses bustle, doctors hustle, people come in and out of the waiting room, and still, they are not called.

Curly’s knee bounces more with each passing minute. Sylvia looks so bored Angela could slap her. Something somewhere is beeping and Angela is going to lose her mind.

“Family of Timothy Shepard?”

He hates being called Timothy, is all she can think this time, when a doctor gives them a practiced sympathetic look and tells them Tim's finally out of surgery and they can see him. He says a bunch of other stuff too, but Angela doesn’t understand half of it, and she isn’t really listening anyway because they can see Tim now and everything's gonna be okay.

Then they walk into the hospital room and Angela’s world shatters.

She is used to Tim being many things- tough and smart, the type of responsible someone only becomes when you walk the fine line between being a father and a brother. She is used to his rage, the one thing he inherited from both parents, is used to the cold fury he tries to mask it with, with the almost inhuman level of self control he wields like a knife. She is used to Tim fighting, lying, cheating. To Angela, Tim has always been untouchable, larger than life. Not a hero, no, but not a villain either, instead something amorphous and not entirely human, more powerful than anyone else she knows. Now though, for the first time in years, he looks entirely, brokenly human.

And small. That isn’t right, Tim isn’t small, has always towered over her and Curly, even now they're going on thirteen and have finally started to properly grow.

He’s lying on a pillow, his brown skin still has that same bloodless grey tinge as earlier, even though at least two of the tubes plugged into his arm seem to be giving him more, which is good since half the blood in his body is still on the couch in their living room. Even still, what use is the hospital blood if it isn’t making him better? There’s a bag on clear fluid- what do they call that again? An IV?- in a needle beside the blood going into Tim’s arm, and a tube taped under his nose. At first Angela thought there was a sheet pulled up to his chest but when she stumbles forward she realizes with a jolt of horror that those are bandages wrapped so thoroughly and tightly around Tim’s entire chest she can hardly tell where they end and the actual sheets begin.

Somewhere, somehow, the doctor is still talking, Sylvia taking in each word with sharp eyes and looking anywhere but Tim, but Angela can’t hear anything over the roaring in her ears. Curly trembles almost imperceptibly beside her and she knows he feels it too, the horrible wrongness that hangs in the air, making this room one of nightmares.

Angela isn’t stupid. She knows she’s seen and lived through a lot of terrible things, faced horrors that most kids never dream of. Still, this has to be the worst thing that has ever happened to her.

Finally, the doctor leaves and the room is pitched into silence.

Sylvia pulls out a pack of cigarettes and lights one carefully, admiring the slight glow of the tip for a second before taking a long, slow drag. Only once she exhales, blowing a cloud of smoke that almost seems to fill the tiny room, does she look at Tim.

Something grim and dark settles in Sylvia’s hazel eyes, hardening more and more with each breath she watches the tube force through Tim’s lungs. The look sends a chill through Angela, a horrible itch starting at the back of her mind. Next to Tim, Angela probably knows more about Sylvia than anyone in the world, but right now she hasn’t got the slightest clue what she might be thinking.

“Curly,” Sylvia says, in the same husky drawl as usual, disarmingly nonchalant, “you got your switch on ya?”

Curly blinks. “‘Course.”

“Give it here.”

Her tone leaves no room for argument and Curly doesn’t try to, pulling the blade from his pocket and placing it in Sylvia’s waiting palm. Manicured nails wrap around it with practiced ease and that horrible itch in the back Angela’s mind suddenly becomes painful.

“What-” the words die on her lips. She can’t bring herself to ask what Sylvia is going to do. She knows what she’s going to do. The dark haired girl has never been one to get angry, but she always, always gets even. An eye for an eye. A humiliation for a humiliation. A stab wound for a stab wound.

A life for a life.

Without another word Sylvia turns on her heel and stalks away, letting the door slam behind her.

Then it’s just Angela and Curly and the boy in the bed that is supposed to be their brother but isn’t.

There's a horribly ugly fake leather armchair in the corner of the room Angela drags it closer to Tim’s bed and perches on the armrest, Curly half collapsing into the chair itself.

She’d thought the waiting room was bad but this is worse, sitting beside Tim but being unable to reach him, watching him fighting a fight that for once neither she nor Curly can fight with him, no matter how much she wishes she could.

He’s going to die.

The thought rises, unbidden, from the part of her mind that is forever young and terrified and hopeless and immediately she knows it to be true. The earth is round, the sky is blue, and her big brother is going to die.

Panic flares in her chest but the more she tries to tamp it down, to banish the thought back to the depths of wherever it came from, the more it demands to be heard.

He’s going to die. Tim is going to die and there is nothing she or Curly or this entire fucking hospital can do about it. Tim is going to die. She and Curly will lose the only real family they’ve ever had and her whole shitty life will get so much worse without anyone to take care of her. Curly will go off the rails, will end up in jail or dead too and then she will truly be entirely, unequivocally, alone.

“Angel?” Curly’s voice is plaintive, small, and she knows he feels it too, “what are we gonna do?”

She knows what he really means, what he’s really asking. She doesn’t have any answers.

Instead she reaches out a trembling hand and Curly grabs hers like a lifeline, squeezing her fingers so tight her bones creak. Angela hangs on just as tightly.

They haven’t done this in years, not since they were seven or so, have barely touched at all in the intervening years, both too used to physical contact meaning pain to ever really be comfortable touching anyone. Now though, the pressure of Curly’s hand in hers feels like the only thing tethering her to the earth.

They stay like that, hands clasped together in a silent vigil, until Tim wakes up.

It’s neither a slow, nor a pretty process. First a machine starts beeping like crazy and then half a dozen nurses and doctors rush in and kick her and Curly out again into the hallway, but when all is said and done and they’re allowed back in the room, Tim’s black eyes are open and the breathing tube is gone from under his nose.

Angela Shepard doesn’t believe in miracles, but in that moment it feels like she’s been granted one. Then again, she thinks, as Curly starts mouthing off in an attempt to hide the unshed tears in his eyes, Tim has been the cause of nearly every miracle she’s ever witnessed, and this one is no different.

As Tim starts to yell and Curly’s unmistakable donkey laugh fills the room Angela can’t help but chide herself for being so stupid. Tim Shepard never lost a fight. Just because this one looked a little different didn’t make it any different.

#the outsiders #tim shepard #curly shepard #angela shepard #sylvia the outsiders #the outsiders fanfiction

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haileylnmt · 4 months ago

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The Outsiders Death Headcanons + Shepards & Others

—————

As I said in my other post, this is my other version of the outsiders deaths including the Shepards, Angela, Evie, and maybe other if I can think of them

—————

Ponyboy Michael Curtis-52yrs

While the trauma of his two friends’ deaths always lingered in his subconscious he persevered moved away from Tulsa to start a family of his own and pursue the career of his dreams. However, that didn’t mean his smoking habits had stopped. He ended up passing too soon due to lung cancer.

Sodapop Patrick Curtis-21yrs

Got drafted to Vietnam for a couple years and actually returned home. He was never them same afterwards with PTSD always preventing him from living normally. He lived with Darry in the last few years of his life before getting into the medicine cabinet with a bottle of whiskey one afternoon when Darry was gone.

Darrel “Darry” Shayne Curtis-59yrs

Darry always went above and beyond for his friends, family and job. He did the absolute most and always over exerted himself. During a hot summer afternoon he had a stroke while insisting on finishing one final job

John “Johnny” Andrew Cade-16yrs

While saving the lives of children in a burning church fire, he sustained life threatening injuries. He later died in the hospital not regretting any of his choices- even if he wished to live a little longer.

Dallas “Dally” Tucker Winston-17yrs

The overall grief that struck him after losing the only person he truly loved was too much to bear. He pointed an unloaded gun at the police to entice them to fire at him. He died as a result of the shots he sustained.

Steve Jacob Randle-34yrs

He was finally able to escape his reputation as a greaser and was able to find himself in a position he found himself happy with. He became a mechanic for the United States Navy. His life was taken too soon during a freak accident.

Keith “Two-Bit” David Matthews-52yrs

He left Tulsa as a means to better himself. He began a family lived as happily as he could. Never truly giving up his taste for alcohol, kidney failure ending up taking his life.

Tim Shepard-22yrs

Never living down his title as a greaser or a gang leader, he always found himself in less than legal situations. Caught in the crossfire he sustained a bullet wound that ended up getting infected and took his life.

Carlos “Curly” Shepard-19yrs

Like his older brother, he never lived down his reputation. He developed a taste for drugs. A bad dealing caused a series of events that led to unsanitary handling of needles. That mistake cost his life

Angela Shepard-39yrs

Turning away from the greaser life, she found herself leaving her whole life in Tulsa behind- including her brothers. She moved up north, never settling down until one night when unexpected heart failure took her in her sleep.

OR——

73yrs

After leaving behind all she once knew, she started fresh and began a new life for herself outside of who she used to be. Old age took her peacefully in her sleep

Syliva-21yrs

She developed a love for alcohol and drugs after tragically losing her boyfriend. She ended up dying of a coke overdose alone in her room.

OR——

32yrs

After attempting to turn her life around, she married a man who she had hardly known. They got in a car accident which took her life.

Evie-54yrs

She stayed with Steve until his early demise. Despite the pain and grief she felt, she pushed on. A heart attack took her life.

—————

Are these any better(probably not) anyways I’m not really able to see these guys living a long healthy life considering what they did when they were young

#the outsiders #the outsiders 1983 #ponyboy curtis #sodapop curtis #dallas winston #johnny cade #darry curtis #twobit matthews #steve randle #tim shepard #angela shepard #curly shepard #sylvia the outsiders #evie the outsiders #headcanons #se hinton #angst

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libriaco · 6 months ago

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Nel nome dei Padri

Il Presidente De Nicola firma la Costituzione. Alla sinistra dell'immagine: De Gasperi, alla destra: Terracini.

Qui sotto l'elenco dei membri della Commissione per la Costituzione (o Commissione dei 75).

Gruppo democristiano (26 membri)

Gaspare Ambrosini

Giuseppe Maria Bettiol (sostituisce dal 10 aprile 1947 Giacinto Froggio, dimissionario, che il 6 febbraio 1947 aveva sostituito Ezio Vanoni, divenuto ministro)

Pietro Bulloni

Giuseppe Cappi

Giuseppe Caronia (sostituisce dal 22 febbraio 1947 Giuseppe Togni, divenuto sottosegretario di stato)

Giuseppe Codacci Pisanelli

Camillo Corsanego

Luigi De Michele

Francesco Dominedò

Giuseppe Dossetti

Maria Federici

Giacinto Froggio (sostituisce dal 2 luglio 1947 Umberto Tupini, divenuto ministro)

Giuseppe Fuschini

Angela Gotelli (sostituisce dal 6 febbraio 1947 Carmelo Caristia, dimissionario)

Giorgio La Pira

Giovanni Leone

Salvatore Mannironi

Giuseppe Micheli (sostituisce dal 22 febbraio 1947 Umberto Merlin, divenuto sottosegretario di stato)

Aldo Moro

Costantino Mortati

Attilio Piccioni

Giuseppe Rapelli

Ferdinando Storchi (sostituisce dal 2 luglio 1947 Amintore Fanfani, divenuto ministro)

Emilio Paolo Taviani

Egidio Tosato

Giovanni Uberti (sostituisce dal 24 luglio 1946 Giovanni Ponti, dimissionario)

Gruppo comunista (13 membri)

Giuseppe Di Vittorio (sostituisce dal 10 dicembre 1946 Mario Assennato, dimissionario, che il 24 settembre 1946 aveva sostituito lo stesso Di Vittorio, dimissionario)

Edoardo D'Onofrio (sostituisce dal 27 febbraio 1947 Umberto Terracini)

Antonio Giolitti (sostituisce dal 29 maggio 1947 Riccardo Ravagnan, dimissionario)

Ruggero Grieco (Vice Presidente)

Nilde Iotti

Vincenzo La Rocca

Renzo Laconi (sostituisce dal 19 settembre 1946 Fabrizio Maffi, dimissionario)

Concetto Marchesi

Guido Molinelli (sostituisce dal 30 maggio 1947 Carlo Farini, dimissionario, che il 19 settembre aveva sostituito Giorgio Amendola, dimissionario)

Umberto Nobile

Teresa Noce

Antonio Pesenti (sostituisce dal 10 dicembre 1946 Bruno Corbi, dimissionario, che il 24 settembre 1946 aveva sostituito lo stesso Pesenti, dimissionario)

Palmiro Togliatti

Partito Socialista Italiano (7 membri)

Leonetto Amadei (sostituisce dal 10 dicembre 1946 Giovanni Lombardi, deceduto, che il 25 luglio 1946 aveva sostituito Alessandro Pertini, dimissionario)

Lelio Basso

Michele Giua

Ivan Matteo Lombardo

Pietro Mancini

Angelina Merlin

Ferdinando Targetti

Partito Socialista Lavoratori Italiani (6 membri)

Alessandro Bocconi

Emilio Canevari

Eduardo Di Giovanni (sostituisce dall'11 settembre 1946 Alberto Simonini, dimissionario)

Gustavo Ghidini (Vice Presidente)

Edgardo Lami Starnuti

Paolo Rossi

Gruppo Repubblicano (4 membri)

Giovanni Conti

Francesco De Vita (decaduto perché sottosegretario dal 22 dicembre 1947)

Tomaso Perassi (Segretario)

Oliviero Zuccarini

Unione Democratica Nazionale (4 membri)

Aldo Bozzi

Giuseppe Paratore

Giovanni Porzio

Vito Reale (sostituisce dal 16 giugno 1947 Giuseppe Grassi, divenuto ministro)

Gruppo Autonomista (3 membri)

Giulio Bordon

Piero Calamandrei

Emilio Lussu

Fronte liberale democratico dell'Uomo Qualunque (3 membri)

Francesco Colitto

Francesco Marinaro (Segretario)

Ottavio Mastrojanni

Gruppo Liberale (3 membri)

Bartolomeo Cannizzo (sostituisce dal 14 dicembre 1946 Gennaro Patricolo, dimissionario, che il 24 luglio 1946 aveva sostituito Ottavia Penna Buscemi, dimissionaria)

Orazio Condorelli (sostituisce dal 17 ottobre 1947 Roberto Lucifero d'Aprigliano, dimissionario)

Guido Cortese (sostituisce dal 27 giugno 1947 Luigi Einaudi, divenuto ministro)

Gruppo Misto (3 membri)

Gustavo Fabbri

Andrea Finocchiaro Aprile

Meuccio Ruini (Presidente)

Democrazia del Lavoro (2 membri)

Mario Cevolotto

Enrico Molé

Unione Nazionale (1 membro)

Pietro Castiglia

Fonte: Wikipedia.

#Costituzione

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kikidewynter · 3 months ago

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ok some thoughts for a ‘what if’ reboot:

vice kings: julius, tanya, pierce, johnny.

ben died in the 70s & julius inherited the vice kings. he was unable to walk away from such power.

pierce is tanya’s best friend, the only guy who doesn’t want something from her except friendship and respect. she’s trying to convince him they can overthrow jules.

johnny is a professional boxer beholden to the kingdom come entertainment conglomerate. they have many times covered up his crimes and arrests.

saints: angela, lin, aisha, miguel.

angela takes offence at jules’ perversion of her brother’s memory, the things he’s doing in ben’s name. worst of all, she never saw any profits for the part she played in his rise.

aisha, lin and miguel are lieutenants with their own crews.

miguel is carlos’ older brother.

brotherhood mc: maero, victor, troy.

a biker gang.

the carnales were completely wiped out in the 70s, so victor was never affiliated with them. he was good friends with maero and followed him when he started the gang.

troy is undercover for the stilwater pd.

stilwater tongs: wong, donnie, shaundi.

the saints and wong strike up an alliance to take on julius and swap members to ensure the other behaves. wong receives shaundi, a 17 year old techie who gets along with his nephew.

colombians: manuel, luz, dex.

dex is the colombians’ man on the ground in stilwater.

#some of these mingle with ideas from my rewrite but with impossible scenarios that could only happen here #idek what to tag this #1 #i guess

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mychoombatheroomba · 9 months ago

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Things I Love About the Shitty Live Action Resident Evil Movies

So, it was my birthday recently and my roommates asked if I wanted to do anything fun. My response, of course, was to suggest getting drunk and watching the live action Resident Evil movies and like, damn, I love those stupid ass movies so much. So I wanted to make a really dumb (and lengthy) post about the goofy things I like, whether for legit or meme reasons.

Y'all, I know they're bad, that is, in fact, why I love them.

1 - The opening is genuinely kinda freaky, like, the elevator scene? Oof, well done suspense

2 - Michelle Rodriguez. That's it, that's the post.

3- The LASER ROOM - so iconic they used it in the games. The first movie came out in 2002, RE4 then used the laser room in 2005, like, y'all, they took that from the goddamn movie, that's how much of a vibe it was

(And honestly, just the Red Queen in general, what an absolute icon, love that her appearance changes in every movie she's in)

4 - Alice is the most fanfic Mary Sue character I've perhaps ever seen on-screen, and I love that for her. Look at her kicking this zombie dog in the face, it's hilarious

5 - Pretty game-accurate costuming? I can dig it

6 - They're gay, your honor

7 - Bad CGI on the Licker, I would expect nothing less

8 - Alice is at her most powerful when she finds a white bathrobe just lying around somewhere

9 - Raccoon City gets destroyed in the course of, like, a day if I'm understanding the timeline right. Like, first infection to nuking the city seems to be about 24 hours. Incredible.

10 - Leon fucking wishes he was Alice, miss ma'am out here driving motorcycles into buildings and then launching them at a monster just to shoot it and blow it up.

youtube

(Special mention for another "they're gay, your honor"

11 - You'd think the kid they have to rescue from Raccoon City is Sherry, wouldn't you? An Umbrella scientist's daughter who the gang have to save? NOPE it's Angela Ashford. Not to be confused with the game's Alexia Ashford. Is it an easter egg? A botched cameo? IDK bro, you think they know the lore?

12 - "GTA MOTHERFUCKER" - LJ, before running over a zombie

13 - THEY GAVE NEMESIS A REDEMPTION ARC??? Incredible (not before making him and Alice fist-fight each other)

14 - Keeping with RE tradition, the helicopter almost always crashes.

15 - They just decided, fuck it, let's give Alice superpowers. Also the stupid Umbrella eyes, literally whenever they come up.

16 - The third movie is just Mad Max and Fallout: New Vegas merged together. Also the way they say the whole earth withered and died but later movies very clearly show flora still alive

17 - Why is Jorah Mormont from Game of Thrones here? WHY IS JOHNNY CAGE FROM MORTAL KOMBAT 1995 HERE???

Also why does Wesker look a little like Eminem to me in the third movie?

18 - The amount of just, like, "hey, this monster/character was in the games, let's just put them in the movie anywhere!"

19 - Carlos gets one of the only satisfying death scenes for a named character from the games. And by that I mean he gets one of the only on-screen death scenes for a named character from the games. Slay, king.

20 - Why does the Tyrant look like that?

21 - The army of Alice clones were blonde originally, but all went out and dyed their hair together between movies and I think that's cute.

22 - The timeline is so fucked up, I don't think they even knew how long was supposed to pass between the movies

23 - The way they shoehorned Chris in so bad that, as a kid, I thought he had no importance and they just wanted to give Claire a character to help her with her amnesia (also, Claire having amnesia). The Redfields do get to shoot the shit out of Wesker at the end though, good for them.

24 - THEY'RE GAY, YOUR HONOR

25 - The Executioner from RE5 just like, is in Los Angeles for some reason?

26 - This shot of Wesker.

27 - Wesker takes Alice's powers away in the beginning of the 4th movie, then at the end of the 5th movie he reinfects her with the T-Virus so she can be a superhuman again and just like, bud, you're wildin'. Also it's mentioned in the 3rd movie that Alice's blood could be the cure, and that she could synthesize it once the Tyrant is dealt with? But she doesn't? She just takes the clones of her in the facility instead of using the equipment to make a cure? I know they cure it in the last movie but like, girlie, you could have tried earlier idk. Fascinating.

28 - The opening credits scene for the 5th movie is actually pretty cool

29 - The rest of the fifth movie . . . whatever those writers were smoking, I want some. I know there's literally an Umbrella base in Antarctica in the game but like, idk, having an underwater base where you have multiple city simulations running for BOW production is so funny to me. They've got clones of Carlos and the whole team from the first movie, a random child Alice adopts, Las Plagas lads on motorcycles, more Executioners, Barry (oh, hi Barry!) and damn I love every terrible minute of it.

30 - "The Leon you ordered from AliExpress"

31 - Li Bingbing as Ada, my beloved

32 - Whatever the hell this fight scene is (I am obsessed with it). The sapphic energy of Jill v Alice. Las Plagas giving you instant superpowers. Michelle Rodriguez beating the shit out of Leon Kennedy (mans draws his knife and immediately gets disarmed, Krauser would be so disappointed). Ada just snoozing in the snow the whole time. Cinema.

The music kinda slaps though.

youtube

The second half of this where Michelle gets clocked in the face with a fire extinguisher and just looks offended? Immaculate.

youtube

33 - Wesker saying that he, Alice, Jill, Leon and Ada are the last hope for humanity from the roof of the White House. What a team.

34 - AND THEN LEON, ADA AND JILL FUCKING DIE OFF SCREEN BETWEEN MOVIES ARE YOU KIDDING ME???? Peak writing right there.

35 - I have never seen the Final Chapter, but I do know that Claire is the only (known) surviving original RE character. Chris is MIA and everyone else is dead. The lesbians win again.

36 - Also there's a character named K-Mart. No notes.

37 - WESKER GETS KILLED BY A DOOR LMFAO

I cannot say I would recommend these movies without the consumption of alcohol involved. Once that's in the mix? They're a great time.

#Youtube #resident evil #resident evil live action movies #they're like an acid trip

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no-white-dress · 10 months ago

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Winx comic artists masterpost

Here are the credits listed in each issue in my collection.

I will not be including the titles as I'm not familiar with their English translations and I don't want to cause any confusion.

"Pixies Tales" is the name of short comics featuring the Pixies as main characters, before the Pixie Mag was born.

Issue 10

Script by: Giorgio Pezzin

Pencils: Matteo Giachi

Ink and color: Studio Meditars

Cover: Michele Lilli, Francesco Morici, Tania Boccalini

Issue 19

Script by: Rainbow/Manuela Marinato

Pencils: Maria Abagnale, Gianluca Cerritelli, Pierdomenico Sirianni, Giuseppe Manunta

Ink: Barbara Apostolico, Alessandro Battan

Color: Pamela Brughera, Michele Bizzi, Carlo Sandri

Cover: Barbara Graziani (lineart), Pamela Brughera (coloring)

Issue 21 (courtesy of @/evdizav)

Script by: Rainbow/Manuela Marinato

Pencils: Laura Carboni

Ink: Barbara Apostolico, Adriana Farina, Arianna Florean

Color: Pamela Brughera, Michele Bizzi, Carlo Sandri

Cover: Barbara Graziani (lineart), Pamela Brughera (coloring)

Issue 22

Script by: Rainbow/Manuela Marinato

Pencils: Adriana Farina

Ink: Alessandro Battan, Arianna Florean

Color: Antonella Cossu

Cover: Angela Mazzoni (lineart), Pamela Brughera (coloring)

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Arianna Florean

Color: Antonella Cossu

Issue 26

Script by: Rainbow/Manuela Marinato

Pencils: Adriana Farina, Federico Panella, Maria Abagnale, Pierdomenico Sirianni

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Tommaso Renieri, Serena Paccagnini, Carlo Sandri

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Arianna Florean

Color: Antonella Cossu

Issue 27

Script by: Rainbow/Manuela Marinato

Pencils: Laura Carboni

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Tommaso Renieri, Serena Paccagnini, Carlo Sandri

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Arianna Florean

Color: Antonella Cossu

Issue 28

Script by: Rainbow/Manuela Marinato

Pencils: Pierdomenico Sirianni, Federico Panella

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Tommaso Renieri, Carlo Sandri

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Barbara Di Muzio

Color: Antonella Cossu

Issue 29

Script by: Rainbow/Manuela Marinato

Pencils: Adriana Farina, Pierdomenico Sirianni, Maria Abagnale

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Tommaso Renieri, Carlo Sandri

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Daniele Magrelli

Pencils: Maria Abagnale

Ink: Alessandro Battan

Color: Antonella Cossu

Issue 30

Script by: Rainbow/Manuela Marinato

Pencils: Laura Carboni, Pierdomenico Sirianni, Maria Abagnale

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Tommaso Renieri, Carlo Sandri

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Alessandro Battan

Color: Antonella Cossu

Issue 31

Script by: Rainbow/Manuela Marinato

Pencils: Laura Carboni, Adriana Farina, Pierdomenico Sirianni, Maria Abagnale

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Tommaso Renieri, Carlo Sandri

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Alessandro Battan

Color: Antonella Cossu

Issue 32

Script by: Rainbow/Manuela Marinato

Pencils: Felix Saborido

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Tommaso Renieri, Carlo Sandri

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Arianna Florean

Color: Antonella Cossu

Issue 33

Script by: Rainbow/Manuela Marinato

Pencils: Adriana Farina, Pierdomenico Sirianni

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Tommaso Renieri, Carlo Sandri, Fabio Piacentini

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Alessandro Battan

Color: Antonella Cossu

Issue 34

Script by: Rainbow/Manuela Marinato

Pencils: Felix Saborido, Arianna Rea

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Tommaso Renieri, Carlo Sandri, Fabio Piacentini

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Matilde Scargiali

Color: Antonella Cossu

Issue 35

Script by: Rainbow/Manuela Marinato

Pencils: Adriana Farina, Pierdomenico Sirianni, Maria Abagnale

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Carlo Sandri,Tommaso Renieri, Fabio Piacentini

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Tommaso Renieri

Pencils: Tommaso Renieri

Ink: Tommaso Renieri

Color: Tommaso Renieri

What happened that month that he had to do it all on his own? Was everyone on leave? Did half the office come down with the flu? Sorry this is funny to me, just WHAT happened here?

Issue 36

Script by: Rainbow/Manuela Marinato

Pencils: Anna Baldoso, Pierdomenico Sirianni, Arianna Rea

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Carlo Sandri, Tommaso Renieri, Fabio Piacentini

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Alessandro Battan

Color: Antonella Cossu

Issue 37

Script by: Rainbow/Manuela Marinato

Pencils: Felix Saborido

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Carlo Sandri, Tommaso Renieri, Fabio Piacentini

Cover: Tommaso Renieri

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Arianna Florean

Color: Fabio Piacentini

Issue 38

Script by: Rainbow/Manuela Marinato

Pencils: Adriana Farina, Pierdomenico Sirianni

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Carlo Sandri, Tommaso Renieri, Fabio Piacentini

Cover: Tommaso Renieri

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Arianna Florean

Color: Barbara Bargiggia

Issue 39

Script by: Rainbow/Manuela Marinato

Pencils: Anna Baldoso, Matteo Giachi

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Carlo Sandri, Tommaso Renieri, Fabio Piacentini

Cover: Laura Scarpa

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Arianna Florean

Color: Martina Cecilia

Issue 40

Script by: Rainbow/Manuela Marinato

Pencils: Felix Saborido

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Carlo Sandri, Tommaso Renieri, Fabio Piacentini

Cover: Tommaso Renieri

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Arianna Florean

Color: Martina Cecilia

Issue 41

Script by: Rainbow/Manuela Marinato

Pencils: Adriana Farina

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Carlo Sandri, Giovanna Niro, Fabio Piacentini

Cover: Tommaso Renieri

Issue 42

Script by: Rainbow/Manuela Marinato

Pencils: Lucia Balletti

Ink: Alessandro Battan, Arianna Florean

Inside cover: Pierdomenico Sirianni, Alessandro Battan, Fabio Piacentini

Color: Michele Bizzi, Carlo Sandri, Giovanna Niro, Fabio Piacentini

Cover: Angela Mazzoni (lineart), Tommaso Renieri (ink and coloring)

Issue 43

Script by: Rainbow/Manuela Marinato

Pencils: Pierdomenico Sirianni

Ink: Alessandro Battan

Inside cover: Pierdomenico Sirianni, Alessandro Battan, Fabio Piacentini

Color: Michele Bizzi, Carlo Sandri

Cover: Angela Mazzoni (lineart), Tommaso Renieri (ink and coloring)

From here until issue 59 they just stop listing who did the outside cover, for some reason. At first I thought it was because issues 44, 45 and 46 have Secret of the Lost Kingdom models as covers, but that wasn’t the case.

Issue 44

Script by: Rainbow/Manuela Marinato

Pencils: Matteo Giachi

Ink: Alessandro Battan, Arianna Florean

Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)

Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini, Martina Cecilia

Issue 45

Script by: Rainbow/Manuela Marinato

Pencils: Félix Saborido

Ink: Alessandro Battan, Arianna Florean

Inside cover: Pierdomenico Sirianni (pencils), Adriana Farina (ink), Fabio Piacentini (coloring)

Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini, Giovanna Niro

Issue 46

Script by: Rainbow/Manuela Marinato

Pencils: Adriana Farina

Ink: Alessandro Battan

Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)

Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini, Giovanna Niro

Issue 47

Script by: Rainbow/Manuela Marinato

Pencils: Lucia Balletti

Ink: Arianna Florean

Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)

Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini, Giovanna Niro

Issue 48

Script by: Rainbow/Manuela Marinato

Pencils: Matteo Giachi

Ink: Alessandro Battan

Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)

Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini, Giovanna Niro

Issue 49

Script by: Rainbow/Manuela Marinato

Pencils: Pierdomenico Sirianni

Ink: Arianna Florean

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)

Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini, Giovanna Niro

Issue 50

Script by: Rainbow/Manuela Marinato

Pencils: Félix Saborido

Ink: Alessandro Battan, Arianna Florean

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)

Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini

Issue 51

Script by: Rainbow/Manuela Marinato

Pencils: Adriana Farina

Ink: Alessandro Battan

Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)

Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini

Issue 52

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Lucia Balletti

Ink: Arianna Florean

Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)

Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini

Issue 53

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Matteo Giachi, Adriana Farina

Ink: Alessandro Battan, Arianna Florean, Adriana Farina

Inside cover: Adriana Farina (pencils and ink), Tommaso Renieri (coloring)

Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri

Issue 54

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Félix Saborido

Ink: Alessandro Battan, Arianna Florean

Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)

Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri

Issue 55

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Pierdomenico Sirianni

Ink: Arianna Florean, Alessandro Battan

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)

Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri

Issue 56

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Lucia Balletti

Ink: Arianna Florean

Inside cover: Arianna Florean (pencils and ink), Federico Fieni (coloring)

Color: Michele Bizzi, Carlo Sandri

Issue 57

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Félix Saborido

Ink: Alessandro Battan, Arianna Florean

Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)

Color: Fabio Piacentini

Issue 58

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Adriana Farina

Ink: Alessandro Battan

Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)

Color: Michele Bizzi, Carlo Sandri

Issue 59

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Lucia Balletti

Ink: Arianna Florean

Inside cover: Pierdomenico Sirianni (pencils), Arianna Florean (ink), Fabio Piacentini (coloring)

Color: Fabio Piacentini

Outside cover: Laura Scarpa (pencils), Tommaso Renieri (ink, coloring)

Issue 60

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Pierdomenico Sirianni

Ink: Alessandro Battan

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Laura Scarpa (pencils), Tommaso Renieri (ink, coloring)

Issue 61

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Félix Saborido

Ink: Alessandro Battan, Arianna Florean

Color: Fabio Piacentini

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)

Outside cover: Laura Scarpa (pencils), Tommaso Renieri (ink, coloring)

Issue 62

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Lucia Balletti

Ink: Arianna Florean

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Laura Scarpa (pencils), Tommaso Renieri (ink, coloring)

Issue 63

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Luca Bonessi

Ink: Mauro Masi, Fabio Piacentini, Alessandro Battan

Color: Fabio Piacentini

Inside cover: Pierdomenico Sirianni (pencils), Arianna Florean (ink), Fabio Piacentini (coloring)

Outside cover: Laura Scarpa (pencils), Tommaso Renieri (ink, coloring)

Issue 64

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Félix Saborido

Ink: Alessandro Battan

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Arianna Florean (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Laura Scarpa (pencils), Tommaso Renieri (ink, coloring)

Issue 65

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Lucia Balletti

Ink: Arianna Florean

Color: Fabio Piacentini

Inside cover: Arianna Florean (pencils and ink), Fabio Piacentini (coloring)

Outside cover: Laura Scarpa (pencils), Luciano Ruben (ink, coloring)

Issue 66

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Pierdomenico Sirianni

Ink: Alessandro Battan

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 67

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Félix Saborido

Ink: Alessandro Battan

Color: Fabio Piacentini

Inside cover: Arianna Florean (pencils and ink), Fabio Piacentini (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 68

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Lucia Balletti

Ink: Arianna Florean

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 69

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Luca Bonessi

Ink: Arianna Florean, Alessandro Battan

Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 70

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Rosa La Barbera

Ink: Arianna Florean, Alessandro Battan

Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 71

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Félix Saborido

Ink: Alessandro Battan

Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri

Inside cover: Arianna Florean (pencils and ink), Fabio Piacentini (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 72

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Lucia Balletti

Ink: Arianna Florean, Doris Messina, Alessandro Battan, Luca Cicchitto

Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini

Inside cover: Rosa La Barbera (pencils), Arianna Florean (ink), Carlo Sandri (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 73

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Pierdomenico Sirianni

Ink: Alessandro Battan

Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Luciano Ruben (pencils), Federico Fieni (coloring)

Issue 74

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Rosa La Barbera, Lucia Balletti

Ink: Arianna Florean, Luca Cicchitti, Raffaella Seccia, Paolo Ferrante

Color: Michele Bizzi, Carlo Sandri

Inside cover: Rosa La Barbera (pencils), Paolo Ferrante (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Luciano Ruben (pencils), Federico Fieni (coloring)

Issue 75

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Luca Bonessi, Pierdomenico Sirianni

Ink: Alessandro Battan, Luca Cicchitti

Color: Fabio Piacentini

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)

Outside cover: Luciano Ruben (pencils), Federico Fieni (coloring)

Issue 76

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Félix Saborido

Ink: Alessandro Battan, Paolo Ferrante

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Luciano Ruben (pencils), Federico Fieni (coloring)

Issue 77

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Lucia Balletti

Ink: Alessandro Battan, Paolo Ferrante, Luca Cicchitti, Raffaella Seccia, Maria Abagnale

Color: Fabio Piacentini, Licia Bordi

Inside cover: Pierdomenico Sirianni (pencils), Maria Abagnale (ink), Fabio Piacentini (coloring)

Outside cover: Luciano Ruben (pencils), Federico Fieni (coloring)

Issue 78

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Rosa La Barbera, Pierdomenico Sirianni, Lucia Balletti

Ink: Alessandro Battan, Paolo Ferrante, Luca Cicchitti, Raffaella Seccia, Maria Abagnale

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Maria Abagnale (ink), Fabio Piacentini (coloring)

Outside cover: Tridimensional s.r.l, Pamela Guadagnini

Issue 79

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Félix Saborido

Ink: Alessandro Battan, Maria Abagnale

Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Tridimensional s.r.l., Pamela Guadagnini

Issue 80

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Lucia Balletti

Ink: Alessandro Battan, Paolo Ferrante, Luca Cicchitti, Maria Abagnale, Raffaella Seccia

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Tridimensional s.r.l, Pamela Guadagnini

Issue 81

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Luca Bonessi, Lucia Balletti

Ink: Alessandro Battan, Raffaella Seccia, Luca Cicchitti, Paolo Ferrante

Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 82

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Félix Saborido

Ink: Alessandro Battan, Paolo Ferrante, Raffaella Seccia

Color: Michele Bizzi, Carlo Sandri

Inside cover: Maria Abagnale (pencils and ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 83

Script by: Rainbow/Manuela Marinato Pezzin

Script support: Maurizio De Angelis, Valentina Cambi

Pencils: Maria Abagnale

Ink: Alessandro Battan, Raffaella Seccia

Color: Fabio Piacentini, Licia Bordi

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 84

Script by: Rainbow/Manuela Marinato Pezzin

Script support: Maurizio De Angelis, Valentina Cambi

Pencils: Lucia Balletti

Ink: Alessandro Battan, Raffaella Seccia

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 85

Script by: Rainbow/Manuela Marinato Pezzin

Script support: Maurizio De Angelis, Valentina Cambi

Pencils: Luca Bonessi

Ink: Alessandro Battan, Raffaella Seccia

Color: Fabio Piacentini, Licia Bordi, Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini and Licia Bordi (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 86

Script by: Rainbow/Manuela Marinato Pezzin

Script support: Maurizio De Angelis, Valentina Cambi

Pencils: Maria Abagnale

Ink: Alessandro Battan, Raffaella Seccia

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 87

Script by: Rainbow/Nicola Venanzetti

Script support: Maurizio De Angelis, Valentina Cambi

Pencils: Félix Saborido

Ink: Alessandro Battan, Raffaella Seccia

Color: Fabio Piacentini, Licia Bordi, Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 88

Script by: Rainbow/Nicola Venanzetti

Script support: Maurizio De Angelis, Valentina Cambi

Pencils: Lucia Balletti

Ink: Alessandro Battan, Raffaella Seccia

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 89

Script by: Rainbow/Nicola Venanzetti

Script support: Maurizio De Angelis, Valentina Cambi

Pencils: Maria Abagnale

Ink: Alessandro Battan, Raffaella Seccia

Color: Licia Bordi

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Licia Bordi (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 90

Script by: Rainbow/Nicola Venanzetti

Script support: Maurizio De Angelis, Valentina Cambi

Pencils: Luca Bonessi, Pierdomenico Sirianni, Lucia Balletti

Ink: Alessandro Battan

Color: Licia Bordi, Fabio Piacentini

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Licia Bordi (coloring)

Outside cover: Paolo Maria Frattesi (pencils and ink), Alice Rossi (coloring)

Issue 91

Script by: Rainbow/Maurizio De Angelis

Pencils and ink: Red Whale/Federico Franzò

Color: Red Whale/Giorgia Arena

Outside cover: Red Whale/Federico Franzò (pencils and ink), Red Whale/Giorgia Arena (coloring)

Issue 92

Script by: Rainbow/Maurizio De Angelis

Pencils and ink: Red Whale/Alessia Martusciello

Color: Red Whale/Alberto Pizzetti

Outside cover: Alessia Martusciello (pencils and ink), Alberto Pizzetti (coloring)

Issue 93

Script by: Rainbow/Nicola Venanzetti

Script supervision: Rainbow/Maurizio De Angelis

Pencils: Red Whale/Giorgio Pontrelli, Roberta Tedeschi

Ink: Red Whale/Michela Frare

Color: Red Whale/Edwyn Nori

Outside cover: Red Whale/Roberta Tedeschi (pencils), Red Whale/Michela Frare (ink), Red Whale/Edwyn Nori (coloring)

Issue 94

Script by: Rainbow/Alessandro Bilotta

Pencils: Pierdomenico Sirianni

Ink: Alessandro Battan

Color: Licia Bordi, Arianna Florean

Outside cover: Red Whale/Roberta Tedeschi (pencils), Red Whale/Sonia Matrone (ink), Red Whale/Edwyn Nori (coloring)

Issue 95

Script by: Rainbow/Nicola Venanzetti

Script support: Maurizio De Angelis

Pencils: Lucia Balletti

Ink: Alessandro Battan

Color: Arianna Florean, Azzurra Florean, Doris Messina, Eleonora Carlini

Outside cover: Roberta Tedeschi (pencils), Sonia Matrone (ink), Edwyn Nori (coloring)

Issue 96

Script by: Rainbow/Alessandro Bilotta

Script support: Maurizio De Angelis

Pencils: Félix Saborido

Ink: Alessandro Battan

Color: Arianna Florean, Azzurra Florean, Doris Messina, Eleonora Carlini

Outside cover: Roberta Tedeschi (pencils), Sonia Matrone (ink), Edwyn Nori (coloring)

Issue 97

Script by: Rainbow/Nicola Venanzetti

Script support: Maurizio De Angelis

Pencils: Lucia Balletti

Ink: Alessandro Battan

Color: Arianna Florean, Azzurra Florean, Doris Messina, Eleonora Carlini

Outside cover: Roberta Tedeschi (pencils), Michela Frare (ink), Edwyn Nori (coloring)

Issue 98

Script by: Rainbow/Vincenzo Perrone

Script support: Maurizio De Angelis

Pencils: Lucia Balletti, Pierdomenico Sirianni

Ink: Alessandro Battan

Color: Arianna Florean, Azzurra Florean, Doris Messina, Eleonora Carlini

Outside cover: Red Whale/Marcello DeMartino, Roberta Tedeschi (pencils), Red Whale/Sonia Matrone (ink), Red Whale/Alessandra Bracaglia (coloring)

Issue 99

Script by: Rainbow/Alessandro Bilotta

Script support: Fabrizio Vecchi

Pencils: Laura Carboni, Lucia Balletti

Ink: Alessandro Battan

Color: Arianna Florean, Azzurra Florean, Doris Messina, Eleonora Carlini

Outside cover: Red Whale/Rosa La Barbera (pencils and ink), Red Whale/Edwyn Nori (coloring)

Issue 100

Script by: Rainbow/Maurizio De Angelis

Pencils and ink: Red Whale/Marcello De Marino, Rosa La Barbera

Color: Red Whale/Edwyn Nori

Outside cover: Red Whale/Marcello De Marino, Rosa La Barbera (pencils and ink), Red Whale/Edwyn Nori (coloring)

#winx club #winx comics #long post #artist appreciation #you can reference this with or without credit idc #this is anthology work anyone could do #if you have og Italian issues that aren't listed please reach out to me so I can add them to the post #especially for the first issues

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mattachineparty · 1 year ago

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#mattachine #angela di carlo #john cameron mitchell #amber martin #julius' bar #hedwig #shortbus #nyc #dance party #paul reubens #Pee-wee herman #RIP #dj sammy jo #lgbtq+

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cyarskaren52 · 10 months ago

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I bet her Grandma already disowned her. Cut her out of the Will! Hateful azz woman!

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pier-carlo-universe · 16 days ago

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"Stop Violenza! Racconti di Donne Maltrattate": Un'Antologia di Resilienza e Speranza

Undici storie di donne che trovano la forza per rinascere: una raccolta di racconti per sensibilizzare sulla violenza di genere

Undici storie di donne che trovano la forza per rinascere: una raccolta di racconti per sensibilizzare sulla violenza di genere. Stop Violenza! Racconti di Donne Maltrattate è molto più di una semplice antologia. Si tratta di un progetto di scrittura corale che riunisce dieci autori: Tea Vergani, Ilario Giannini, Elena Andreotti, Angela Caputo, Arnalda Bernaschina, Lucia Brunialti, Fede Rune,…

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shipcestuous · 1 year ago

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Sin(s) by F. Sionil Jose (submission)

(Hello again! I’m glad that you–and hopefully some others–appreciated my post on the other blog about the Rosales saga. This time, I’ll talk about the other book I mentioned.)

Sin (first published in 1973, then reissued as Sins in 1996) is about the life of Don Carlos Cobello, a rich landowner and businessman of Spanish-Filipino (but more Spanish) descent. He’s already dying when the book starts; the events are his recollections. Before I proceed, let me warn you all that he’s a self-important jerk. He expresses regret several times in the narrative, but in the end he’s still -ist and -phobic. Anyway…

Growing up, Carlos was close to his sister Corito, who was four years older. When he felt afraid (ex. during thunderstorms) or alone, he’d jump into her bed and she’d hug him.

I felt so safe with her, reveling as I did in her warmth and that delicious fragrance she exuded.

It was during one such incident when Carlos was a teenager that they started having sex. I won’t mention how old he was (too young by American standards, but legal under Philippine law until recently) but based on the narrative, they were both into it. Carlos then discovers that he’s quite the massive horndog and spends World War II chasing skirt, from the new housemaid to some prostitutes at his father’s brothel.

After the war, Corito marries a man that Carlos believes (correctly) to be gay. While the husband’s passed out on their wedding night, the siblings have sex, which results in a baby girl named Angela. Unfortunately, she’s very frail, Corito almost dies giving birth to her, and even Carlos shows signs of disease a few years later. Remember the prostitutes I mentioned? One of them got syphilis from a customer and passed it to Carlos, who in turn passed it to Corito and Angela. So I guess the author gets partial credit for mentioning a real disease instead of letting the audience assume that incest=mutant babies 100% of the time…?

Fast forward to May 1963. Corito’s marriage to her husband has already been annulled, so she, her daughter, and Carlos basically act like a family now. Though he’s gotten annoyed at her jealousy and constant hunger for sex (not that he’s innocent in that department, lol), they try not to quarrel in front of Angela, whom they both dote on. While they’re having breakfast, they’re told that a young man, “about seventeen or eighteen years old,” wants to see Carlos. Remember the housemaid I mentioned in the last paragraph? She’s the mother of this young man, Delfin, who stays just long enough to confirm that yes, he is Carlos’ son. Then he leaves. Carlos, overwhelmed that he has a handsome, grown-up son, runs after him and demands to know about his life.

Delfin’s a bright kid (high school valedictorian, full scholarship at state university) who dreams of becoming a lawyer so he can defend the poor. Obviously, this puts him at odds with Carlos, but right now that isn’t the old guy’s concern. He offers to let Delfin stay with them. Angela pops up and asks,

“Why does he not want to stay with us? Then you don’t have to help me with my homework. I can ask him to do that.”

Delfin chooses not to stay with them, and also refuses much of his father’s efforts at charity (tailored suits, money, et cetera). He feels out of place with the family and their rich circles. But he does bond with Angela, helping her with homework as promised. Even Corito’s impressed by Delfin. She finds him attractive, much to Carlos’ dismay:

“Now, Corito, whatever is in your mind, just keep it there. He is my son, your nephew–don’t you forget that!”

“Your son, my nephew–and you, Carling–you are my brother!”

I mean…she’s not lying.

After graduating from university, Delfin goes to law school and starts working for an activist lawyer that Carlos passionately hates. He gets the latest news about Delfin from Angela, who brings food to his boardinghouse every week. She calls him “a very good teacher” and “fun to be with.” She clearly admires him and he’s friendly to her–she’s the only person he can confidently speak Spanish to, for one–but he doesn’t fully return her affections yet because she’s much younger and he has a girlfriend back home. Unfortunately for Delfin, his girl gives up waiting for him after eight years and marries the son of their provincial governor. Delfin wins a scholarship to Yale Law School but doesn’t take it, instead staying in the Philippines so he can defend ordinary people in court. One day, the law office he works for sues Carlos’ hacienda on behalf of 54 families (including some of Delfin’s relatives) that were going to be displaced by mechanization. The case goes all the way up to the Supreme Court. Thanks to Carlos’ efforts, the hacienda wins, much to Delfin’s sadness and disappointment. He distances himself much more from his father. Delfin even fails to show up at Angela’s graduation party, which reduces her to tears in the car on the way home.

“I love Delfin, Mama.”

“You are cousins, Angie dearest.”

“I couldn’t help myself, Mama. It just happened.”

“What does Delfin say?”

“He knows! He knows! He said I must stop my juvenile infatuation. I am too young–and like you said, he also repeated it, we are cousins. But I know he loves me, too. Once, he kissed me…but now I am not sure. He didn’t come and I wanted so much to introduce him to my friends. They know about my feelings.”

Carlos tries to comfort her (“It is me that Delfin did not want to see, not you”) but it doesn’t work. He and Corito plot to send her abroad so that she can study, find an eligible Spanish guy, and hopefully forget about Delfin. Again…it doesn’t work. While Carlos is recovering from a freak accident in his bathroom, he gets news that Angela’s disappeared. She shows up and tells him that she’s living with Delfin now:

“He loves me, Tito. The day before Mama and I left, I seduced him. I am pregnant and very happy.”

Of course, Carlos summons Delfin. They argue a little before the subject turns to Angela.

“Angela told you that she had seduced me. That is not true at all, sir. Since she was young, I had watched her, seen her grow, so sensitive, so frail. I thought I would protect her. With all that beauty, I did not want her to be like my mother–bearing an illegitimate child. But now…”

“Marry her. Neither Corito nor I will stand in the way. But in heaven’s name, don’t let her suffer. Let her live with some comfort, at least. I looked at her hands–they were bruised…”

“I told her not to wash my clothes…”

“But she did it just the same. Yes, a woman in love is capable of abnegation. But she is pregnant now and needs all the care in the world, sickly as she is.”

Alas, it is not to be. At the end of the book, Angela comes crying to Carlos, telling him that she’s caught Corito and Delfin “in a sexual embrace” and that Corito’s told her that she and Delfin are brother and sister, which means they can’t get married after all. We don’t know what happens to her and the baby after that.

I expected the sad ending. The novel’s supposed to illustrate that the country’s upper classes are horrible people who care only about wealth and power. As with most mainstream fiction, the incestuous tendencies are supposed to emphasize their evilness. And yet…wtf? That thing with Corito and Delfin shocked me. I agree with the other reviewer on Goodreads who was shocked because (s)he thought they genuinely adored Angela. The poor girl deserved a lot better.

So…to sum up! Carlos and Corito are not moral paragons at all, but at least it wasn’t familial abuse or neglect that drove them into each other’s arms. Angela and Delfin’s dynamic reminded me of Luis and Trining from My Brother, My Executioner, only Delfin didn’t succumb to the temptations of landlord life the way Luis did. It’s a general dynamic I find cute, age difference aside. But that ending. Jesus Christ. People elsewhere on the Internet have said that Sin is not the most popular of F. Sionil Jose’s novels, and I think I understand why.

Once again, thank you for anyone who’s made it this far!

(The quoted lines are from the book. All rights go to the author.)

——

Three for the price of one, wow. The author really embraced the incest with this one.

Thank you so much for the detailed summary of these relationships. What a book! So much sadness but a lot of good stuff too. Poor Angela, though.

#submission #asks #habsburg-empress #first post #new canon #commentary #noiv #nr #r: brosis #carlos and corito #angela and delfin #sin #canon #r: an #corito and delfin

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princesssarisa · 8 months ago

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Opera on YouTube

I've shared links to complete opera performances before, but I love to share them, so I thought I'd make a few masterposts.

These list are by no means the only complete filmed performances of these operas on YouTube, but I decided that ten links for each opera was enough for now.

By the way, some of the subtitles are just a part of the video, while others require you to click CC to see them.

Die Zauberflöte (The Magic Flute)

Hamburg Philharmonic State Opera, 1971 (Nicolai Gedda, Edith Mathis, William Workman, Christina Deutekom, Hans Sotin; conducted by Horst Stein; English subtitles)

Ingmar Bergman film, 1975 (Josef Köstlinger, Irma Urrila, Håkan Hagegård, Birgit Nordin, Ulrik Cold; conducted by Eric Ericson; sung in Swedish; English subtitles)

Salzburg Festival, 1982 (Peter Schreier, Ileana Cotrubas, Christian Bösch, Edita Gruberova, Martti Talvela; conducted by James Levine; Japanese subtitles)

Bavarian State Opera, 1983 (Francisco Araiza, Lucia Popp, Wolfgang Brendel, Edita Gruberova, Kurt Moll; conducted by Wolfgang Sawallisch; English subtitles)

Metropolitan Opera, 1991 (Francisco Araiza, Kathleen Battle, Manfred Hemm, Luciana Serra, Kurt Moll; conducted by James Levine; English subtitles)

Paris Opera, 2001 (Piotr Beczala, Dorothea Röschmann, Detlef Roth, Desirée Rancatore, Matti Salminen; conducted by Ivan Fischer; no subtitles)

Royal Opera House, Covent Garden, 2003 (Will Hartman, Dorothea Röschmann, Simon Keenlyside, Diana Damrau, Franz Josef Selig; conducted by Colin Davis; no subtitles) – Act I, Act II

La Monnaie, Brussels, 2005 (Topi Lehtipuu, Sophie Karthäuser, Stephan Loger, Ana Camelia Stefanescu, Harry Peeters; conducted by René Jacobs; French subtitles)

Kenneth Branagh film, 2006 (Joseph Kaiser, Amy Carson, Benjamin Jay Davis, Lyubov Petrova, René Pape; conducted by James Conlon; sung in English)

San Francisco Opera, 2010 (Piotr Beczala, Dina Kuznetsoca, Christopher Maltman, Erika Miklósa, Georg Zeppenfeld; conducted by Donald Runnicles; English subtitles)

La Traviata

Mario Lanfrachi studio film, 1968 (Anna Moffo, Franco Bonisolli, Gino Bechi; conducted by Giuseppe Patané; English subtitles)

Glyndebourne Festival Opera, 1987 (Marie McLaughlin, Walter MacNeil, Brent Ellis; conducted by Bernard Haitink; Italian and Portuguese subtitles)

Teatro alla Scala, 1992 (Tiziana Fabbricini, Roberto Alagna, Paolo Coni; conducted by Riccardo Muti; English subtitles)

Royal Opera House, Covent Garden, 1994 (Angela Gheorghiu, Frank Lopardo, Leo Nucci; conducted by Georg Solti; Spanish subtitles)

Teatro Giuseppe Verdi, 2003 (Stefania Bonfadelli, Scott Piper, Renato Bruson; conducted by Plácido Domingo; Spanish subtitles)

Salzburg Festival, 2005 (Anna Netrebko, Rolando Villazón, Thomas Hampson; conducted by Carlo Rizzi; no subtitles)

Los Angeles Opera, 2006 (Renée Fleming, Rolando Villazón, Renato Bruson; conducted by James Conlon; English subtitles)

Opera Festival St. Margarethen, 2008 (Kristiane Kaiser, Jean-Francois Borras, Georg Tichy; conducted by Ernst Märzendorfer; English subtitles)

Teatro Real di Madrid, 2015 (Ermonela Jaho, Francesco Demuro, Juan Jesús Rodríguez; conducted by Renato Palumbo; English subtitles)

Teatro Massimo, 2023 (Nino Machiadze, Saimir Pirgu, Roberto Frontali; conducted by Carlo Goldstein; no subtitles)

Carmen

Herbert von Karajan studio film, 1967 (Grace Bumbry, Jon Vickers; conducted by Herbert von Karajan; English subtitles)

Vienna State Opera, 1978 (Elena Obraztsova, Plácido Domingo; conducted by Carlos Kleiber; English Subtitles)

Francisco Rosi film, 1982 (Julia Migenes, Plácido Domingo; conducted by Lorin Maazel; English subtitles)

Metropolitan Opera, 1987 (Agnes Baltsa, José Carreras; conducted by James Levine; English subtitles)

London Earls Court Arena, 1989 (Maria Ewing, Jacque Trussel; conducted by Jaques Delacote; English subtitles)

Royal Opera House, Covent Garden, 1991 (Maria Ewing, Luis Lima; conducted by Zubin Mehta; English subtitles) – Acts I and II, Acts III and IV

Arena di Verona, 2003 (Marina Domashenko, Marco Berti; conducted by Alain Lombard; Italian subtitles)

Royal Opera House, Covent Garden, 2006 (Anna Caterina Antonacci, Jonas Kaufmann; conducted by Antonio Pappano; English subtitles) – Acts I and II, Acts III and IV

Metropolitan Opera, 2010 (Elina Garanca, Roberto Alagna; conducted by Yannick Nézet-Séguin; English subtitles) – Acts I and II, Acts III and IV

Opéra-Comique, 2023 (Gaëlle Arquez, Frédéric Antoun; conducted by Louis Langrée; English subtitles)

La Bohéme

Franco Zeffirelli studio film, 1965 (Mirella Freni, Gianni Raimondi; conducted by Herbert von Karajan; English subtitles)

Metropolitan Opera, 1977 (Renata Scotto, Luciano Pavarotti; conducted by James Levine; no subtitles)

Teatro alla Scala, 1979 (Ileana Cotrubas, Luciano Pavarotti; conducted by Carlos Kleiber; no subtitles)

Opera Australia, 1993 (Cheryl Barker, David Hobson; conducted by Julian Smith; Brazilian Portuguese subtitles)

Teatro Regio di Torino, 1996 (Mirella Freni, Luciano Pavarotti; conducted by Daniel Oren; Italian subtitles)

Teatro alla Scala, 2003 (Cristina Gallardo-Domâs, Marcelo Alvarez; conducted by Bruno Bartoletti; Spanish subtitles)

Zürich Opera House, 2005 (Cristina Gallardo-Domâs, Marcello Giordani; conducted by Franz Welser-Möst; no subtitles)

Robert Dornhelm film, 2009 (Anna Netrebko, Rolando Villazón; conducted by Bertrand de Billy; no subtitles)

Opera Australia, 2011 (Takesha Meshé Kizart, Ji-Min Park; Shao-Chia Lü; no subtitles)

Sigulda Opera Festival, 2022 (Maija Kovalevska, Mihail Mihaylov; conducted by Vladimir Kiradjiev; English subtitles)

#opera #youtube #complete performances #die zauberflöte #the magic flute #la traviata #carmen #la boheme #wolfgang amadeus mozart #giuseppe verdi #georges bizet #giacomo puccini

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