#Andrew Keenan-Bolger

[this-is-ali]

Carrying the Message

Broadway Votes

[dan-cyril-kingston]

Andrew Keenan-Bolger

[browsethestacks]

Calvin And Hobbes

Art by...

1) Bill Watterson

2) Skottie Young

3) Francesco Francavilla

4) Rafael Albuquerque

5) Cosplay by Andrew Keenan-Bolger And Scott Bixby, Halloween 2017

6) Sean Gordon Murphy

7) Tom Fowler

8) Bill Sienkiewicz

9) Iain Laure

10) Daniel Warren Johnson

[this-is-macy]

I made some Newsies Valentines!

[Images descriptions available in alt text]

Feel free to use any of these but please give me credit if you repost them.

[fearsmagazine]

DRACULA, A COMEDY OF TERRORS - Review

DATES: Sept. 4th, 2023 – Jan. 7th, 2024 COMPANY: Drew & Dane Productions THEATER: New World Stages, 340 West 50th Street, New York City ACTORS: Jordan Boatman, Arnie Burton, James Daly, Ellen Harvey, Andrew Keenan-Bolger, Kaitlyn Boyer and Sean-Michael Wilkinson. CREW: Director/Writer - Gordon Greenberg; Writer - Steve Rosen; Producers - Drew Desky and Dane Levens; Scenic and Puppet Designer - Tijana Bjelajac; Costume Designer - Tristan Raines; Lighting Designer - Rob Denton; Original Music and Sound Designer - Victoria Deiorio; Wig and Hair Designer - Ashley Rae Callahan.

(L-R) Andrew Keenan-Bolger, Jordan Boatman, James Daly, Ellen harvey and Arnie Burton in DRACULA, A COMEDY OF TERRORS. Photo by Matthew Murphy

SYNOPSIS: A pansexual GenZ Count Dracula is in the midst of an existential crisis. When he sets his sights on the brilliant young earth scientist Lucy Westfeldt, he meets his match for the first time – as well as a slew of other colorful characters including vampire hunter Jean Van Helsing, insect connoisseur Percy Renfield and behavioral psychiatrist Wallace Westfeldt, whose British country estate doubles as a free-range mental asylum.

(L-R) Ellen Harvey, James Daly and Arnie Burton TERRORS. Photo by Matthew Murphy

REVIEW: Horror comedies come in only two flavors - good and bad. DRACULA, A COMEDY OF TERRORS is a sensational, decadent satire that is the perfect treat for the Halloween season.

Gordon Greenberg and Steve Rosen's satirical and irreverent treatment of the Stoker novel resides somewhere in between “The Rocky Horror Musical” and a Monty Python film, with flares of the immortal Charles Ludlam. The tone is set right from the start as the cast tosses the novel and the hilarity begins. The previous productions of the play, including an adaptation of the piece as a radio play for The Broadway Podcast Network, clearly have sharpened the dialogue and wordplay to a razor sharp wordplay duel that had the audience laughing out loud within the first few moments. The writers have trimmed the novel down to a 90 minute tale that tries to incorporate key elements of the story, taking liberties with the novel’s climax to nicely dovetail with the themes of their play. The satire runs the spectrum from that of the novel, political, contemporary pop culture, and gender. Except for Dracula, the other actors have dual or multiple roles where the juggling of the characters adds to the merriment.

James Daly and Jordan Boatman in DRACULA, A COMEDY OF TERRORS. Photo by Matthew Murphy

Gordon Greenberg’s direction is superb. It is a finely tuned choreography of dialogue and movement that harkens back to the golden era of silent films to the Marx Brothers. There are some delightful props, including puppets, that add yet another level of humor to the production. Greenberg turns up the energy right at the start and maintains it for 90 minutes, giving the audience little time to recover from the side splitting laughter.

James Daly and Andrew Keenan-Bolger in DRACULA, A COMEDY OF TERRORS. Photo by Matthew Murphy

Tijana Bjelajac’s Scenic Design is a wonderful minimalist and still adds atmosphere to the production. Integrated into the set are nice visual and functional elements that are scaled down for an off-broadway production but are lavish enough, and easily would work for a Broadway staging. Tristan Raines’ costume designs are fabulous. The designs capture the period but also combine contemporary elements that highlight the performances.

Arnie Burton and James Daly in DRACULA, A COMEDY OF TERRORS. Photo by Matthew Murphy

DRACULA, A COMEDY OF TERRORS features an award worthy ensemble cast. The delivery of lines, the body language and facial expressions, their interactions are flawless, and if there were any misfires I didn’t notice. There was a fluidity to their performances that at times it felt like choreography. James Daly is outstanding as Dracula. He is as dynamic and enchanting as Tim Curry’s Dr. Frank-n-Furter, combined with the physique of Rocky. He delivers this multifaceted performance rich with comedic timing. Actor Arnie Burton steals the show as both Mina and Jean Van Helsing. He creates two unique performances that embodies the comedic prowess that is reminiscent of Milton Berle to Harvey Fierstein, with a dash of Bugs Bunny. In contrast, actress Ellen Harvey brings to life Wallace Westfeldt and Percy Renfield. She brilliantly effects switching between the two extremes that eventually becomes an uproarious gag in play. The cast does an astounding job of maintaining the energy level of the play for 90 minutes.

Andrew Keenan-Bolger and Jordan Boatman in DRACULA, A COMEDY OF TERRORS. Photo by Matthew Murphy

DRACULA, A COMEDY OF TERRORS is a side-splitting tour de force that would leave Bram Stoker and Mel Brooks rolling in the aisles, and maybe a bit envious. I’ve always advocated that there is a distinct bond between comedy and horror, and this is at its finest. Outstanding performances, fabulous production designs, brilliant directing, all deliver an energetic feel good and memorable theater experience. You must bring your friends for a night you’ll long remember as the perfect treat of this Halloween season.

James Daly in DRACULA, A COMEDY OF TERRORS. Photo by Matthew Murphy

Opening night is September 18. Performances are Monday, Wednesday, Thursday and Sunday at 7PM, Friday and Saturday at 8PM, with matinees Saturday and Sunday at 2PM. Tickets are $99 - $119. Premium seating is available. Tickets are now on sale at Telecharge.com, (212) 239-6200. For more information, visit www.DraculaComedy.com.

Review By: Joseph B Mauceri

Listen to our interview with director & co-writer Gordon Greenberg & co-write Steve Rosen on creating DRACULA, A COMEDY OF TERRORS – HERE

[thrashntreasure]

Ep104 The Vampire Bat in the Hat w/ Andrew Keenan-Bolger! (Broadway!)

Extra-Extra! We caught ourselves a Newsie! *Fangirls-out* And it's who, Sir? It's all who, Sir? It's Mr. Andrew Keenan-Bolger! (Say what?! *faints*) And he's here to take a bite out of some Heavy Metal with Faith No More's Angel Dust, before reliving the wubbulous world of Seussical the Meussical after it's floppulous run in 2000! Plus, we chat Andrew's latest play- Dracula: a Comedy of Terrors; Puppetry; Success; Fansies; Night of a Thousand Chips; Playing multiple characters in one scene, plus HEAPS more in this hilariously charming episode!

Andrew on Socials: https://twitter.com/KeenanBlogger -- https://instagram.com/KeenanBlogger -- https://www.andrewkeenanbolger.com

Dracula: a Comedy of Terror Tickets: https://draculacomedy.com/#tickets

[celebmalenude2]

Andrew Keenan-Bolger

[this-is-ali]

It's just that I love them.

[dan-cyril-kingston]

Andrew Keenan-Bolger

[this-is-ali]

(The captions are incorrect but I love this gifset regardless!)

[in-a-most-auspicious-manner]

[this-is-macy]

[Image description in ALT text]

[tending-the-hearth]

brb literally sobbing

[this-is-ali]

They mean so much to me, you don't understand.

i love them so much

[sondheim-girly]

CHAT THIS IS NOT A DRILL

[racetrackmybeloved]

i adore how quick the boys are to help crutchie when he needs it. no discussion, no pity, just support.

when morris pushes him over, it isn't jack (who is right there) who helps him up, neither is it race nor romeo, who we saw him interact with earlier in the song. it's albert who helps him up, and it's albert who carries him until he gets his crutch back. did they have a system? was it albert's job to carry crutchie when needed? was it because they're close friends, and we just never get to see it again? or was it that any of the newsies would have done it, but albert happened to be the closest?

when the nuns hand out food, kid blink and smalls don't hesitate before hoisting him onto their shoulders. jack and specs both place their hands on his back to ensure that he doesn't fall backwards. it's so smooth, so natural, like they've done it a million times before.

and note: i don't think crutchie interacts with any of those characters (albert, kid blink, smalls) at any other moment in the musical.

conclusion: crutchie is so so loved.