#Andrea Del Rosario

[cedrickjuans]

I just wanna go out. Ha? I wanna go ouuuttt... Saan? Gabing-gabi na. I don’t know! Hindi ko alam! I just— Kahit saan. I just wanna go out.

DIRTY LINEN (2023-) S01E72 | “Sacrifice”

[gravity-knight]

May-December-January is one hell of a movie

I really don’t know how to feel

[rice-pudding-slaps]

Photos shared by the Municipal Theatre of Viña del Mar!

Cast under the cut!

Iván Labra as Alonso

Reinaldo Marincovic as Asparagus

Montserrat Bernal as Bombalurina

Alexis Sepúlveda as Bustopher Jones/Gus (cover)

Pia Velez as Cassandra

Benjamín Salinas as Coricopat/Macavity

Andrea Muñoz as Demeter

Teresita Rojas as Etcétera

Yenima Muñoz as Exótica

Carolina Soto as Grizabella

Piamaría Silva as Jellylorum

Antonia Ascui as Jemima

Angélica León Wichmann as Jennyanydots

Nicolás Islas as Mungojerrie

Jean Paul Bauer as Mr. Mistoffelees

José Callejas as Munkustrap

Roberto Díaz as Old Deuteronomy

Fernando Vargas as Pouncival

Emilio Rubilar as Rum Tum Tugger

Isabella Burotto as Rumpleteazer

Andrés Sáez as Skimbleshanks (cover)

Francisca Barría as Tantomille

Rosario Muñoz as Victoria

[nordschleifes]

chapter fourteen — epilogo

➝ when the nature of their relationship is revealed to the world, fernando and charlie end up having a serious conversation about the direction they want to take.

➝ word count: 2,2k

➝ warnings: spanish media, insecurity

➝ author's note: tagging @christianpulisic10, @alonsogirlie, @he-is-the-destined, @sunnytkm23 and @enaticosencantados as requested.

Sitting on the couch with the remote in her hand, Charlie frantically scanned the channels on the television. Probably none of them would be broadcasting Brighton's game in Spain, after all, if the team wasn't facing one of the big clubs in England, nobody really cared. But, it wouldn't hurt to take a look to confirm.

However, she stopped on one of the channels when she saw a familiar image on the screen that made up the program's scenario.

— Las redes están alborotadas con esta imagen que finalmente lo confirma — the presenter announced in a happy voice — Fernando Alonso está de vuelta en las pistas y muy enamorado. El piloto asturiano, que sufrió una fractura de tobillo en el último Gran Premio de Las Vegas, fue visto en el circuito que lleva su nombre intercambiando abrazos y caricias con una mujer. Hablemos con Marina Rubel, que está en Oviedo, con más información. Marina?

The screen split to a live entry of a dark-haired woman who appeared to be in a park. Dropping the controller on the couch, Charlie couldn't stop watching, even though she didn't understand anything that was being said. But in a way, she didn't even need to.

— Hola Anne, buenas tardes. Esta es la confirmación de que el dos veces campeón de Fórmula 1 está, de hecho, en una nueva relación casi un año después de su ruptura con la periodista austriaca Andrea Schlager — the reporter said — Además del video que circula en las redes sociales, el propio Fernando publicó en su cuenta de Instagram una imagen de su nueva novia luciendo un mono y un casco de su escuela de karting, con el pie de foto "de vuelta a la pista".

— Hasta el momento, no se sabe quién sería esta misteriosa mujer, ¿verdad?

— Bueno, no se sabía. Sin embargo, nuestro equipo hizo un gran trabajo de investigación y tenemos, en exclusiva, el nombre de la nueva novia de Fernando Alonso. Descúbrelo en el informe.

A familiar photo appeared over the screen. Charlie's stomach twisted.

— La nueva novia de Fernando Alonso es un soplo de aire fresco en su lista de conquistas amorosas. Tras su matrimonio con la cantante Raquel del Rosario y largas relaciones con la presentadora Lara Álvarez y la modelo Linda Morselli, la nueva chica del "Nano" es su ingeniera de carrera, la inglesa Charlotte Whitlam — the reporter's voice said, as videos and photos of the podium in Suzuka were played — Puede que no la reconozcas por su imagen, pero Charlie, como la llaman, es la voz que escuchamos en las interacciones por radio entre Fernando y su equipo…

Suddenly, the television turned off.

Charlie let out a gasp of protest, before turning around to see Fernando's serious gaze. She felt like a naughty child who had just been caught doing something she shouldn't.

— Why were you watching this? — he asked.

— I wasn't — Charlie stammered, feeling his face heat up — I was looking for the Brighton match…

— That didn't look like the Brighton match, Charlie — Fernando said.

— I know…

He walked around the couch, crutches clicking on the floor as he stopped beside her and sat down. Looking down at her hands, Charlie couldn't shake the discomfort she'd been feeling, not just at being caught watching a news report about what had happened over the past 24 hours, but at being exposed like that.

The day before, after visiting the museum, Fernando took her to the circuit, where the go-kart shed used by students from the school he had set up there was located. After meeting the crew that maintained the equipment, showing her how he tightened the wheels as a teenager, and hearing more about how they took care of the engines, Fernando asked her if she wanted to go for a ride on the track.

— Can I? — Charlie asked, almost as if she were a child delighted by the possibility of playing with a new toy.

— Of course.

Changing into a set of the school's blue overalls and a helmet, Charlie could see through the opening in the visor the smile that Fernando had on his face. Asking her to wait a bit before sitting in the kart, he took his phone out of his pocket and took some pictures of her, telling her that she looked like a real Formula 1 driver.

After the last instructions, Charlie put her foot down on the accelerator, leaving the garage in the direction of the track. Allowing herself to experiment on the asphalt, she couldn't help but laugh when she caught too much of one of the kerbs in one of the corners or when she almost lost the rear at the last chicane. Driving the kart around made her feel strangely nostalgic, especially when she thought back to the times she and her grandfather had gone to a track in Northampton for a few laps.

When she pulled up in front of the garage, Charlie found Fernando with a wide smile on his face, leaning against the wall.

— So, what do you think? — he asked.

Charlie walked over to him as she took off her helmet and balaclava. 

— It's amazing, the kart is very well adjusted and the track is excellent! — she exclaimed, smiling, while the driver took one of his hands to her forehead, fixing her disheveled bangs  — And you, what did you think?

— You still need some lessons — Fernando replied, receiving a playful pat on the chest from Charlie — But you've got potential, nena, lots of potential.

After laughing, she gave him a soft kiss, one hand on his face, caressing the driver's cheek. A moment Charlie wanted to keep forever inside her heart and not have it recorded and posted to the entire world. The sensationalist headlines were already sketching in her mind, one worse than the other.

“Fernando Alonso takes his own engineer to bed”.

"Meet Charlie Whitlam, Alonso's newest girl".

"Charlie Whitlam: how an ordinary engineer got one of Formula 1's most eligible bachelors".

— Look, Charlie — Fernando said, breaking the silence in the living room — I already knew this was going to happen.

She glanced in the driver's direction with a raised eyebrow.

— Did you?

— Well, when you achieve a certain notoriety in Spain, let's say your life becomes the object of scrutiny by the press, such as…

— Tabloids? — Charlie asked. She was familiar with abuse in the British press, especially by the tabloids. It was not uncommon to see journalists crowding around the drivers in Silverstone, in search of an image or a bombastic statement to put on the covers of their newspapers.

— Yeah — Fernando replied — The point is that, in one way or another, they would connect the dots between us. And then they would come after us, wanting more and more, just…

— Like it was with all the other girlfriends you had — she completed.

— Yes. I never felt really bad for them because they were people who were used to it. They lived off their own image, so showing up with me wouldn't hurt them. In fact, they even took advantage of this to boost their own careers, which seemed stupid to me…

— You know you can't judge them, right?

— Why not?

— Because you also live off your image and appearing alongside them wouldn't hurt you either. By the way, didn't you pose for a magazine cover with one of them?

Fernando gave an embarrassed giggle.

— Yeah, I did. But… How do you know that?

— I watched your documentary — Charlie murmured.

— Did you? When?

— On the flight to Vegas. By the way, I thought that magazine cover was shit.

He looked shocked.

— But the cover…

— It has a clear power imbalance between you and her, with the clothes and all. I would even say that it was sexist.

— I was shirtless.

— Wearing a suit coat and with her body covering your chest. It was ridiculous, Fer.

The driver stared at her for a few seconds before smiling, squeezing Charlie's hand.

— Okay, I admit, the idea was ridiculous.

— Sexist — she corrected.

— Ridiculous, sexist, any other descriptions you'd like to add?

— Disgusting. Idiotic. An offense to good taste.

— Okay, Charlie, I get it — Fernando sighed— The point is, you're different from them. You're not exactly a known person...

— People know my voice, they've seen me on television with you...

— Charlie, it's not the same as being my girlfriend. For these guys, you stop being a mere engineer to be a source of income. You stop being a person to be a character in their stories. And — he stopped, looking frustrated — Fuck, I didn't want that for you.

— No?

— You don't deserve to live in this scrutiny, in this monitored life, without any privacy, just because I love you — Fernando continued — I want my love to be something safe for you, to be something good and not a source of stress and fear.

Charlie looked at his hand thoughtfully.

— Where are you going with this story? — she asked quietly.

— I want you to know that you don't have to live through this if you don't want to.

— Are you giving me carte blanche to break up with you?

The driver's eyes widened.

— No, no, I don't want you to break up with me, Charlie. In fact, I want you by my side forever. But I don't want my life and everything that comes with it to become a burden on you.

— You would never be a burden, Fer.

— Maybe I'm not, but the spotlight is. Maybe the attention, the comments on the internet, the things people will say in the paddock, all of that is a burden. And I couldn't bear to see you fade just because I love you — he murmured — I want you to keep shining, Charlie. And I want to wake up every day with your light illuminating and warming me.

Something in his words made Charlie feel her eyes fill with tears. She had avoided love at all costs over the years. It was something too difficult, too terrifying for her. It wasn't worth investing in something that would only make her suffer and cry, clutching a bottle of wine and watching some sappy romance movie.

Then Fernando appeared in her life again. It was as if fate wanted them to settle the disputes that one had with the other. And the moment Charlie gave the driver a second chance, she allowed herself to discover a fantastic man, dedicated and loving, who cared about her and would do anything to see her happy.

Love was still difficult and terrifying for Charlie.

But, loving Fernando was the best thing that had happened in her life.

— I'll never fade as long as you're by my side — she said, with a small smile — I love you. And it won't be one article talking about me that will make me give up on you.

— Not even two?

— Not even a million — Charlie said, before approaching his face, giving a peck on his lips — Nothing in this world will make me give up on you.

Staring at her for a few seconds, Fernando smiled.

— You mean I can tell the whole world how much I love you?

— Well, it's not like nobody knows.

— But it wasn't me who said it, it was a bunch of nosy journalists. But, I think it’s time for me to say something and break the news on my own terms — he replied, taking his cell phone out of his pocket. Charlie almost immediately concluded what his plan was.

— Are you going to post a picture of us?

— Two, actually — the driver said, as he selected the images — If they want to know, they'll know.

— But — Charlie hesitated, looking at one of the photos — Do you need to post this one?

Fernando looked at her, one eyebrow raised.

— Don't you like this picture?

— I look terrible in it, Fer — she replied — Look at my hair, it's all messed up, I'm not wearing any makeup, and…

He chuckled, placing a hand on her face, his thumb lightly brushing her skin.

— You can be either way, I'll always find you beautiful — Fernando murmured — The most beautiful woman I've ever seen.

After searching a little more in the phone's gallery and finding a photo that showed the moment they were introduced to each other for the first time — with a Ron Dennis watching the moment attentively — the driver thought for long minutes before typing something in the telephone.

— “Two people never meet by chance” — Fernando said, looking at Charlie — What do you think?

— Are you talking about fate?

— Well, let's just say you made me believe in it.

She laughed.

— So it's my fault?

— Well, not only yours, but — the driver hesitated for a few seconds — There are only two ways to explain why we're together right now. One is careful planning and a crystal ball, which I believe is not the case. And the other is fate.

— So it was fate?

— Always has been, nena. You have always been my fate — Fernando said, before clicking the 'post' button.

[sechanjae]

😀😀😀

tahanan - a love lost and found

inspired by nica del rosario’s song

---

Chapter 1: The Beginning

Andrea had always been different. A freshman at the University of the Philippines, she was the kind of girl who effortlessly commanded attention. It wasn’t just her beauty or her sharp intellect that set her apart, but the quiet confidence she carried from her past life in New York City. She was the daughter of a wealthy family, and despite her opulence, she had a passion for business and a hidden talent for music.

Jaehyun, on the other hand, was everything Andrea wasn’t. Known for his charm and playboy ways, he had no trouble catching the attention of anyone he wanted. But his world changed the moment he met Andrea. At first, he resisted the attraction, brushing off his friends' teasing. However, as fate would have it, they ended up not only in the same program but in the same classes. Over time, their academic rivalry turned into an unexpected friendship.

Andrea’s past in the entertainment industry was a well-kept secret on campus. Once a rising star, she had given it up to focus on her studies. But one evening, her passion for music led her to the university’s music room, where she met with her best friend, Luisa. As she played the piano and sang her song "Tahanan," a heartfelt piece she wrote years ago for a boy she once loved, Jaehyun happened to be passing by. The angelic voice caught his attention, but when he saw Luisa leaving the room, he mistakenly assumed she was the singer.

Jaehyun’s heart was instantly captivated by Luisa, unaware that the song belonged to Andrea, the girl who had loved him since childhood. When Jaehyun eventually confessed his feelings to Luisa, she pushed him away, knowing Andrea’s deep affection for him. "If you really love me, love my best friend instead," she told him. Jaehyun, taking her words to heart, courted Andrea, and they eventually became a couple, spending five blissful years together.

Chapter 2: Betrayal and Consequences

The years passed, and Andrea and Jaehyun’s relationship blossomed. They graduated with honors—Andrea as Summa Cum Laude and Jaehyun as Cum Laude—and embarked on successful careers, Jaehyun as the President and CEO of Jeong Design, and Andrea as the COO and Vice President of Son Corporation. Their love was strong, and soon after their engagement, they married in a beautiful ceremony.

But happiness is often fleeting. At their wedding, Jaehyun saw Luisa again, this time with a child. A secret conversation revealed the truth—Luisa's child was his. Despite the shock, Luisa insisted Jaehyun marry Andrea, not wanting to destroy their bond. And so, they did.

Andrea’s suspicion of Jaehyun grew when she became pregnant, and she followed him one day to a condo unit where she discovered the heartbreaking truth. Her husband, the man she loved, was sweetly caring for Luisa and the child. In that moment of despair, Andrea’s world crumbled. A sharp pain gripped her, and she collapsed, only to wake up in the hospital to the devastating news that she had lost her baby.

The tragedy marked the beginning of the end. Jaehyun and Andrea’s relationship deteriorated as Andrea sank into postpartum depression. The final blow came when Jaehyun announced that Luisa and her child would move into their home. Andrea’s objections led to a bitter argument, and Jaehyun’s threat to leave with Luisa broke her. Alone and suffering, Andrea’s health declined rapidly, forcing Jaehyun to return and care for her.

Despite everything, Andrea agreed to let Luisa stay, desperate to keep Jaehyun by her side. But the marriage became a hollow shell, with Jaehyun moving into another room and Andrea’s mental state deteriorating. For four years, they lived as strangers, Andrea still clinging to her love for Jaehyun while battling her depression.

Chapter 3: The Fall

Andrea’s insecurities grew as she changed herself, trying to recapture the Jaehyun’s love she once knew. But nothing could mend the wounds. Jaehyun, unaware of the depth of Andrea’s suffering, pushed for a divorce. After a particularly intense argument, Andrea’s anxiety spiraled out of control, leading to a terrifying breakdown. Her loyal nanny intervened, revealing to Jaehyun the extent of Andrea’s struggles.

With a heavy heart, Andrea signed the divorce papers and left the country to seek treatment. For two years, she focused on healing, both physically and emotionally, while Jaehyun moved on with his life, eventually becoming engaged to Luisa.

But fate had other plans. When Andrea returned, she found herself entangled in Jaehyun and Luisa’s lives once more. She had inherited an ancestral house and unknowingly hired Jaehyun as the engineer and Luisa as the architect. As the renovations progressed, old wounds reopened, and the truth about Luisa’s child came to light. A man interrupted their wedding, claiming to be the true father of Luisa’s child, a truth Andrea had uncovered through a secret DNA test.

Jaehyun’s world collapsed. Devastated by the betrayal, he called off the wedding and drowned his sorrows in alcohol. Meanwhile, Andrea released her song "Tahanan" to the public, revealing her identity as the mysterious singer-songwriter "Isabella." The world celebrated her music, but Jaehyun was haunted by the memories the song invoked.

Chapter 4: The Reconciliation

Jaehyun, overwhelmed by the realization of what he had lost, reached out to Andrea. They met at their old house, where he broke down, apologizing for everything he had done. Andrea, still nursing her wounds, forgave him but told him she needed more time to heal. Despite his plea to start over, she knew they needed space.

For a month, they spent time together as friends, rekindling the bond they once shared. But Andrea knew she needed to move on. As she prepared to leave for the US once again, Jaehyun was left to reflect on his mistakes and the love he had lost.

Epilogue: A New Beginning

Andrea stood at the airport, looking back one last time before boarding her flight. She had come full circle, stronger and more resilient than ever. Jaehyun, watching her leave, knew he would carry the weight of his actions forever. But he also knew that this was not the end—it was a chance for both of them to start anew, separately yet forever connected by the memories of the love they once shared.

As Andrea’s plane took off, she closed her eyes, her heart lighter than it had been in years. She was ready to embrace her future, knowing that the scars of the past had shaped her into the woman she had become—a woman who had found her ‘Tahanan’ in herself.

---

[f1]

Fernando Alonso reveals sad news on love life with Andrea Schlager after Australian F1 Grand Prix

Formula One superstar Fernando Alonso gives fans some very sad news about his love life just hours after taking third place at the Australian Grand Prix Came third at Albert Park with Aston Martin  Made love life announcement soon after  Also had a cheeky dig at Red Bull  By Josh Alston For Daily Mail Australia Published: 01:20 EDT, 3 April 2023 | Updated: 01:20 EDT, 3 April 2023 F1 driver Fernando Alonso delighted his fans by finishing third at the Australian Grand Prix - but followed it up by announcing that he and his long-term partner Andrea Schlager have split. Alonso shared the news on his Instagram story with a photo of himself and Schlager, along with a caption that read, 'We wanted to tell you that our relationship as a couple ended.  'We have been lucky enough to share a fantastic time together, and it will continue to be so, but on a different form of affection. 'As you have probably seen, we have continued working on and off track on various projects together also during this time, and we will keep doing so with deep love and respect for each other. 'We thought it is appropriate to share this as you have all been very supportive. Thanks for that. Love Fer & Andrea.' Alonso and Schlager during happier days before their breakup, which was announced just after the Australian Grand Prix on Sunday The couple also thanked their fans for their support and noted that they would continue to work together on various projects with love and respect for each other. Schlager, a sports commentator with a history in the F1 paddock, met the Spanish racing driver through her F1 commitments. Very little is known about their relationship, which has been kept out of the public eye for the most part. Alonso is a two-time F1 world champion, winning the campaign in both 2005 and 2006. He has had a collection of relationships, having been previously married to Raquel del Rosario and engaged to Lara Alvarez.  Alonso has also previously been in relationships with Carolina Costa, Dasha Kapustina, and most recently, Linda Morselli. Despite his past relationships, Alonso does not have any children. In 2018, he mentioned that his dedication to the sport had left him with 'no friends, no family, no free time, no privacy, no wife and no kids.' Alonso had preferred to keep his love life out of the public spotlight, but decided to let his fans know that his relationship has ended Alonso celebrates coming third at the Australian Grand Prix with Aston Martin after a gripping battle with Lewis Hamilton - but the weekend wasn't all good news for the Spaniard During the Australian Grand Prix, Alonso finished in third place, spending the majority of the race attempting to hunt down Lewis Hamilton from Mercedes.  A tangle with Carlos Sainz looked to have ended his race, but he was granted a reprieve when the FIA opted to red flag the race again. Alonso's performance in Australia was noteworthy because, for the first time in 2023, a car other than a Red Bull finished ahead of him, with Hamilton coming in second. Alonso used the opportunity to make a tongue-in-cheek joke at Sergio Perez's expense while assessing the pecking order of the top cars in Melbourne. Perez had joked in Bahrain about him, Max Verstappen, and Fernando Alonso 'all being Red Bull drivers' and that 'it was nice to see three Red Bull cars on the podium!'  Alonso responded by saying, 'No more three Red Bulls on the podium, if Checo was here.' Share or comment on this article: Fernando Alonso reveals sad news on love life with Andrea Schlager after Australian F1 Grand Prix via Formula One | Mail Online https://www.dailymail.co.uk?ns_mchannel=rss&ns_campaign=1490&ito=1490

[popmovie888]

Sex Games เกมเพศ (2023)

ตัวอยัางนัง Sex Games เกมเพศ (2023) https://www.youtube.com/watch?v=WXCyNmnf3mI เรื่องย่อ คู่รักที่ร่ำรวยมักจะเติมชีวิตชีวาให้ความสัมพันธ์ทางเพศของพวกเขาด้วยการทำเกมเซ็กส์ที่เรียกว่า แต่เมื่อพวกเขาได้พบกับ "เพื่อนร่วมเล่น" ชุดใหม่ ซึ่งเป็นคู่รักหัวโบราณ เกมของพวกเขาก็ยิ่งท้าทายมากขึ้น Sex Games (2023) เข้าฉาย: 28 เมษายน 2023 ประเภท: Drama ประเทศ: ฟิลิปปินส์ ภาษา: Tagalog กำกับโดย: Mac Alejandre นักแสดง: Azi Acosta Benz Sangalang Josef Elizalde Sheree Joharah Alonzo Andrea Del Rosario Suzette Ranillo Joel Saracho ดูหนังออนไลน์ Read the full article

[thegreenwallrabbit-blog]

Explaining one of VTMB paintings (pt 9)

Cain Killing Abel oil on canvas (Second quarter of 17th century) by Pietro Novelli 

Pietro Novelli (March 2, 1603 – August 27, 1647) was an Italian painter of the Baroque period, active mainly in Palermo. He was born in Monreale, and died in Palermo. He initially trained with his father, a painter and mosaicist. His father died in 1625 from the bubonic plague.[2]As a young apprentice he was a fellow pupil with Gerardo Asturino.[3] In 1618, he moved to Palermo and apprenticed with Vito Carrera (1555–1623). His first dated work is from 1626: St. Anthony Abbot for the church of Sant'Antonio Abate in Palermo. The development of his style owed much to Anthony van Dyck, who visited Sicily in 1624 and whose altarpiece, the Madonna of the Rosary in the oratory of Santa Maria del Rosario in Palermo was highly influential for local artists. He was also commissioned works and paintings for many churches in Piana degli Albanesi, and various works to adorn the villas of the Sicilian nobility. Other influences on Novelli were the Caravaggisti or tenebrists active in Naples (for example, Ribera). Novelli also painted for the church of Santa Zita in Monreale, and painted a Marriage of Cana for the refectory of the Benedictines in Monreale.He was injured during the revolution in Palermo in 1647, and died from his wounds.[4] His pupils included Andrea Carreca, Francesco Maggiotto, Francesco Giselli, Michele Blasco, Vincenzo Marchese, Giacomo lo Verde, and Macri da Girgenti. He was also an architect and stage set designer. [1]

The term Baroque probably ultimately derived from the Italian word barocco, which philosophers used during the Middle Ages to describe an obstacle in schematic logic. Subsequently the word came to denote any contorted idea or involuted process of thought. Another possible source is the Portuguese word barroco (Spanish barrueco), used to describe an irregular or imperfectly shaped pearl, and this usage still survives in the jeweler’s term baroque pearl. Baroque art and architecture refers to the visual arts and building design and construction produced during the era in the history of Western art that roughly coincides with the 17th century. The earliest manifestations, which occurred in Italy, date from the latter decades of the 16th century, while in some regions, notably Germany and colonial South America, certain culminating achievements of Baroque did not occur until the 18th century. The work that distinguishes the Baroque period is stylistically complex, even contradictory. In general, however, the desire to evoke emotional states by appealing to the senses, often in dramatic ways, underlies its manifestations. Some of the qualities most frequently associated with the Baroque are grandeur, sensuous richness, drama, vitality, movement, tension, emotional exuberance, and a tendency to blur distinctions between the various arts. [2]

Below is an explanation of the Cain and Able story from real life and in the context of VTM. This is the same for all the Explained Cain slaying Able paintings in VTMB posts I’ve done so feel free to skip if you’ve already read this as it’s long.

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The tale of Cain murdering his brother Able are nearly identical in Jewish, Christian and Islamic texts with the oldest known version coming from the Dead Sea Scroll from the first century BCE. Cain was the the first born son of Adam and Eve and became a Farmer while Able was the second born son and became a shepherd. Both brothers made sacrifices to God, but God favored Abel's sacrifice instead of Cain's. In Islam the reason for their offerings is to decide which brother would marry Adam and Even’s first daughter who was also Cain’s twin sister. Able also had a twin sister and Adam wanted the brothers to marry the others twin. In multiple religions each brother has a twin sister but there is no consistently with the names as Cain’s twin sister being named Aclima, Kalmana, Lusia, Cainan, Luluwa, or Awan, and  Able’s twin sister is named Jumella, Balbira or to make it more confusing Aclima (though even when she is called this Able’s twin sister is never the one the brothers are competing to marry) depending on the source. In the Islamic text Able’s offers his fattest sheep while Cain offered only a bunch of grass and some worthless seeds. In Jewish and Christian texts the reason for the sacrifices and the exact nature of their offerings are merely described as the first born of Ables heard and products from Cain’s fields.[3] The most description we get is in Genesis when God sees that Cain is upset that his offering was not chosen God tells Cain “: Why are you angry? Why are you dejected? If you act rightly, you will be accepted; but if not, sin lies in wait at the door: its urge is for you, yet you can rule over it.”(Genesis 4:6-7)  Cain then told Able to meet him in his fields where he then murdered his brother out of jealousy by hitting Abel in the head with a stone. When God asks Cain where his brother Cain, “I do not know! he answered. Am I my brother’s keeper?”(Genesis 4:9) to which God replies   “What have you done! The voice of your brother’s blood is calling to me from the ground. From now on you’ll get nothing but curses from this ground; you’ll be driven from this ground that has opened its arms to receive the blood of your murdered brother. You’ll farm this ground, but it will no longer give you its best. You’ll be a homeless wanderer on Earth.” (Genesis 4:10-12)  When Cain objects saying the punishment is to great and that whoever finds him wandering shall kill him which then God says “No. Anyone who kills Cain will pay for it seven times over.” God put a mark on Cain to protect him so that no one who met him would kill him.” (Genesis 4:15). Cain then leaves east of Eden to wander in No-Mans-Land with his wife (who is not named in Genesis but is assumed to be his Twin sister in all tellings regardless of what name is given to her). Their first born Child was named Enoch, and Cain named the first city he built after his son. After Abel’s Death Adam and Eve had a Third son named Seth and when eve gave birth to him Eve said “God has given me another child in place of Abel whom Cain killed.”(Genisis 4:25-26). In some texts Seths wife and sister is named Azura. Their son is named Enosh it is through Seth’s line that humanity stems from, though both Cain and Seth had multiple decedents and confusingly used the same names (see family tree below). None of Cain’s decedents suffered the curse of their father Cain but where still seen as sinful and apart from God and where killed in the great flood. How Cain died is not as an agreed upon topic. He was ether crushed to death by the stone house he built, an irony as he used a stone to slay his brother or in some versions part of the Mark of Cain had him grow horns and his descendent Lamech (not to be confused with Lamech who decedent from Seth and was the father of Noah) who was a blacksmith and had two wives(this is viewed as sinful) killed him mistaking him for a wild animal and killed his own son Tubal-cain in the process.

While in the lore of Vampire the Masquerade the tale of Cain killing his brother able as told in the Book of Nod stick to the original tale regarding the murder of Able but starts to differ in God’s punishment. "Father" cursed him with a mark, and cast him out to wander in darkness in the Land of Nod alone. There is no mention of a wife or if he was still cursed to be unable to farm however it is clear that Cain was not  yet cursed to be a vampire by God. The Land of Nod was a place of utter darkness, with no source of light, where Caine was afraid and alone. There he found Lilith where they began a relationship and Cain realized that she possessed magical power and begged her to share them with him. While hesitant Lilith prepares an Awakening ceremony by cutting herself with a knife, bleeding into a bowl, and giving it to him so that he may drink. After Caine partakes of Lilith's blood, he is visited by three angels who are agents of God. Each angel offers Caine a chance to repent for the murder of Abel, but Caine rebuffed them out of pride. Michael, when denied, cursed Caine and his childer to fear his living flame. Raphael cursed Caine and his childer to fear the dawn, as the sun's rays would burn like fire. Uriel then cursed Caine and his childer to cling to Darkness, drink only blood, eat only ashes, and be frozen at the point of death, cursed so all they touch would crumble into nothing. A fourth angel, Gabriel, then appeared to offer the way of Golconda, the only way to "light", by the mercy of God. After the experience, Caine becomes officially "Awakened", possessing the following Disciplines: Celerity, Potence, Fortitude, Obfuscate, Dominate, Presence, Protean, Animalism, and Auspex. Caine then became aware of the Path of Blood, the Final Path from which all paths stem. And with all these powers, but now being cursed to be a vampire he breaks his bond with Lilith and leaves her.[3] While Cain never biologically fathers any children it is clear that their names of those he embraced and their decedents are inspired by the biblical names in his line though with massive changes. For instance the first city is founded by Cain in the land of Nod and and called Ubar and is explicitly stated to be settled by “Children of Seth�� with the human king being Enoch at the time Cain settles there. Enoch still becomes his son as he is embraced by Cain. Another example of the reuse of a biblical name of Cain’s line is Zillah (which in Hebrew means shade or protection). In the original story she is one of Lamech(decedent of Cain) two wives( the other named Adah). After both wives discover that Lamech unwittingly kills Tubal-Cain(one of Lamech and Zillah’s sons) they both refuse to have sex with him because of the deaths he caused, on the pretext that they do not desire to give birth to cursed offspring. The three go together to the tribunal of Adam; Adam rules that they must obey their husband since he killed unwittingly. This midrashic tradition portrays Adah and Zillah as respected women, whose position is considered in all seriousness by the court. [4] In VTM Zillah was a human woman who lived in Udar so beautiful, Caine could not resist the Embrace. According to Nosferatu Zillah is the one of Cain’s second generation who sired their Antediluvian. Interestingly, even after the Embrace, Zillah did not desire him. It frustrated Caine to the point that he was ripping his hair out of his head. He did anything and everything to make her desire him. Yet, she would not have him. Finally, Caine sought the Crone's magic, who ultimately tricked him into a blood bond, she forced the First Vampire to Embrace her. The Crone sent her new thrall away, telling him that his blood would have the power to bond others as Caine himself was bonded to the Crone. The discovery of the blood bond was what finally made Zillah agree to marry her sire Caine. [3]

[1]“Pietro Novelli .” Wikipedia, Wikimedia Foundation, 14 Nov. 2022, https://en.wikipedia.org/wiki/Pietro_Novelli. 

[2]“Baroque Art and Architecture .” Encyclopædia Britannica, Encyclopædia Britannica, Inc., https://www.britannica.com/art/Baroque-art-and-architecture. 

[3] “Caine.” White Wolf Wiki, https://whitewolf.fandom.com/wiki/Caine.

[4] Kadari, Tamar. “Zillah: Midrash and Aggadah .” Jewish Women's Archive, https://jwa.org/encyclopedia/article/zillah-midrash-and-aggadah#:~:text=Zillah%20was%20a%20wife%20of,he%20unwittingly%20kills%20Tubal%2DCain.

[gpfansnl]

Achter elke succesvolle man staat een sterke vrouw, zo luidt het alom bekende gezegde. Daar kunnen de meeste Formule 1-coureurs wel over meepraten. We zetten de vriendinnen en vrouwen van de 2023-grid voor je op een rijtje, met vandaag: Andrea Schlager, de vriendin van Fernando Alonso. Alonso stapte in 2006 in het huwelijksbootje met zangeres Raquel del Rosario, waarna het schip in 2011 strandde. De Spanjaard heeft sinds een tijdje een relatie met de Oostenrijkse sportpresentatrice Andrea Schlager, die onder andere verslag doet van de Formule 1 en MotoGP. 📸 IG: andrea.m.schlager

[ulkaralakbarova]

Madrid, summer 2011. Economic crisis. 15-M movement and 1.5 million pilgrims waiting for the Pope’s arrival live side by side in a Madrid that’s hotter and more chaotic than ever. In this context, detectives Velarde and Alfaro must find what seems to be a serial killer. Their against-the-clock hunt will make them realise something they’d never imagined: neither of them are so very different from the killer. Credits: TheMovieDb. Film Cast: Luis Velarde: Antonio de la Torre Javier Alfaro: Roberto Álamo Andrés Bosque: Javier Pereira Alonso: Luis Zahera Bermejo: Raúl Prieto Rosario: María Ballesteros Amalia: Teresa Lozano Juana: Rocío Muñoz-Cobo Sancho: José Luis García Pérez Amparo: Mónica López Padre Raúl: Andrés Gertrúdix Rubio: Jesús Caba Céspedes: Alfonso Bassave Forense: Raquel Pérez Lorna: Anna Laserna Nico: Aitor Calderón Cano: Javier Tolosa Travesti 1: Estefanía de los Santos Travesti 2: Diego París Gabriel: Ciro Miró Mariño: Josean Bengoetxea Juanma: Chema Tena Sobrina Barrio Salamanca: Andrea Dueso Vecina Cotilla: Carmen Utrilla Conserje Casa Alfaro: Luis del Valle Anciana 1: María Antonia Pérez Anciana 2: Carmen Esteban Anciana 3: Silvia Casanova Médico Amalia: Juan Verdú Elena: María de Nati Rafael March: Francisco Nortes Film Crew: Producer: Gerardo Herrero Editor: Fernando Franco Executive Producer: Mariela Besuievsky Writer: Rodrigo Sorogoyen Producer: Mercedes Gamero Casting: Juana Martínez Producer: Mikel Lejarza Assistant Director: David Pareja Writer: Isabel Peña Director of Photography: Alejandro de Pablo Editor: Alberto del Campo Production Design: Miguel Ángel Rebollo Producer: Javier López Blanco Delegated Producer: José Torrescusa Hairdresser: Paco Rodríguez H. Line Producer: Iñaki Ros Original Music Composer: Olivier Arson Casting: Natalia Rodríguez Delegated Producer: Winnie Baert Makeup & Hair: Milu Cabrer Movie Reviews:

[giancarlonicoli]

25 giu 2024 18:15

VIDEO! DAGLI ABISSI EMERGE UN NUOVO MISTERO SU USTICA – MASSIMO GILETTI INFILA LA TELECAMERA NELLA STRAGE DEL DC-9 DELL’ITAVIA DECOLLATO DA BOLOGNA E INABISSATOSI NEL MARE DELL'ISOLA SICILIANA – IL GIORNALISTA, NELLO SPECIALE “USTICA, UNA BRECCIA NEL MURO”, IN ONDA STASERA SU RAI3 ALLE 21.20, MANDA IN ONDA LE IMMAGINI RIPRESE NEI FONDALI, DOVE SONO VISIBILI ALCUNI SOLCHI: UFFICIALMENTE I FRANCESI FURONO I PRIMI A RIPRENDERE I RESTI DELL’AEREO IN FONDO AL MARE. MA QUEI SEGNI SUL FONDALE APRONO ALL’IPOTESI CHE QUALCUNO SIA ARRIVATO IN SEGRETO, PRIMA DELLA MISSIONE UFFICIALE.  CHI HA LASCIATO QUEI SOLCHI? CHI HA ANTICIPATO I FRANCESI? - VIDEO

Estratto dell’articolo di Gianni Barbacetto per “il Fatto quotidiano”

Il “partito della bomba” continua a lavorare, 44 anni dopo la strage. La sera del 27 giugno 1980 il Dc-9 dell’Itavia decollato da Bologna non arrivò a Palermo, dove doveva atterrare. Si inabissò nelle acque di Ustica. Abbattuto da un missile nel corso di una battaglia aerea scatenata da caccia occidentali contro aerei della Libia, forse nel tentativo di uccidere Gheddafi: questa l’ipotesi prevalente, ma ancora senza prove certe, pur dopo le inchieste del giudice istruttore Rosario Priore e del giornalista Andrea Purgatori.

Esploso a causa di una bomba a bordo, sostiene invece un’altra ipotesi, sostenuta dai vertici dell’Aeronautica militare italiana che in questi decenni hanno fatto sparire i tracciati radar, depistato le indagini, sottratto le prove.

Di questo garbuglio si occuperà stasera il programma su Rai3 di Massimo Giletti, Ustica, una breccia nel muro, trasmesso in diretta da Bologna, dal Museo per la Memoria di Ustica, in cui sono stati ricomposti i frammenti del Dc-9 ripescati in fondo al mare: uno struggente monumento funebre agli 81 morti di quella notte.

Il “partito della bomba” da giorni è in agitazione: il parlamentare di Forza Italia Maurizio Gasparri si è rivolto ai vertici della Rai per chiedere delucidazioni sullo speciale di Giletti. L’ex ministro del centrodestra Carlo Giovanardi ha annunciato che presenterà le prove che dimostrano l’esplosione dell’aereo a causa di una bomba a bordo. Entrambi si sono attivati affinché il servizio pubblico non faccia da megafono – dicono – a “tesi infondate”.

“Critiche preventive”, risponde Giletti.

[…] Un ex addetto militare dell’ambasciata francese a Roma racconta a Giletti che gli fu ordinato di non consegnare agli italiani i tracciati radar della base aerea di Solenzara, in Corsica. Gli fu detto di mentire, di riferire agli italiani che il radar quella notte era in manutenzione, che nella base dell’Armée dell’Air di Solenzara le attività di volo erano state sospese alle 17. Affermazioni smentite dalle molteplici tracce di aerei francesi decollati dalla Corsica e in volo quella sera.

[…]

Sono tasselli che il programma di Giletti compone per provare a ricostruire una verità da 44 anni negata. La caduta del Dc-9 fu provocata da un missile lanciato da un velivolo di un Paese Nato per colpire un aereo libico? O fu causata da una collisione con un aereo militare?

Giletti manda in onda anche le immagini riprese nei fondali del mare di Ustica, dove sono visibili alcuni solchi: aprono l’ipotesi che qualcuno sia arrivato in segreto, prima della missione ufficiale, a portar via i resti di un caccia, probabilmente Usa, precipitato insieme al Dc-9.

Ipotesi. Che non riescono a diventare certezze a causa dei silenzi ufficiali e dei depistaggi militari. Gli elementi di conoscenza accumulati negli anni smentiscono però tutti la tesi della “bomba a bordo”, tanto comoda perché toglie ogni responsabilità all’Aeronautica militare italiana e ai comandi Nato […]

[movienized-com]

My Zombabe

My Zombabe (2024) #BobbyBonifacioJr #EmpoyMarquez #KimMolina #YanyanDeJesus #AnjoYllana #AndreaDelRosario Mehr auf:

Jahr: 2024 (Januar) Genre: Comedy / Drama / Romantik Regie: Bobby Bonifacio Jr. Hauptrollen: Empoy Marquez, Kim Molina, Yanyan De Jesus, Anjo Yllana, Andrea Del Rosario, Gary Lim, Andrew Muhlach, Billy Villeta, Liz Alindogan, Shirley Fuentes, Marnie Lapus, Mark Grabador … Filmbeschreibung: Wegen der Zombie-Apokalypse ist Pong der einsamste Mensch auf dem Planeten. Das ändert sich, als Yasmin…

[lamilanomagazine]

Bologna, Attorno al Museo la rassegna dedicata al 44° anniversario della Strage di Ustica

Bologna, Attorno al Museo la rassegna dedicata al 44° anniversario della Strage di Ustica Il 27 giugno 2024 ricorre il quarantaquattresimo anniversario della Strage di Ustica, che causò la morte di 81 persone in viaggio tra Bologna e Palermo su un DC9 della compagnia Itavia, in una sera di inizio estate del 1980, di guerra aerea, come ricordato dal Giudice Rosario Priore nella sua sentenza ordinanza del 1999. Manca ancora un pezzo è il tema scelto per la XV edizione di Attorno al Museo, la rassegna organizzata dall'Associazione Parenti delle Vittime della Strage di Ustica al Parco della Zucca, dove sorge il Museo per la Memoria di Ustica del Settore Musei Civici di Bologna con l'installazione permanente di Christian Boltanski attorno al relitto del DC-9 e in dialogo con esso, e, accanto, il "Muretto di Andrea", dedicato alla memoria del giornalista Andrea Purgatori, scomparso lo scorso anno, che alla strage di Ustica dedicò gran parte della sua vita. Dal 27 giugno al 10 agosto arte, teatro, musica, poesia, danza si confrontano ancora una volta con la strage, che nel corso di questi 44 anni ha continuato a sollecitare la necessità della riflessione e rielaborazione artistica e culturale, forse più di qualsiasi altro evento nella storia del nostro Paese. Un anniversario che si arricchisce quest'anno di due importanti notizie: da un lato la costituzione, da parte della Regione Emilia-Romagna, Il Comune di Bologna e l'Associazione dei Parenti, di una Fondazione per la gestione e la promozione del Museo per la Memoria di Ustica; dall'altro la decisione della Giunta Comunale di Mantova, città natale della Presidente dell'Associazione Daria Bonfietti, di intitolare alle vittime della strage di Ustica un giardino nella zona di Valletta Paiolo, quartiere dove risiedevano due delle cinque vittime mantovane. Tanti sono i protagonisti e le protagoniste del mondo della cultura, dell'arte e dello spettacolo che hanno voluto essere presenti anche quest'anno alla rassegna con produzioni originali che, a partire dalla strage, arrivano a riflettere sul presente. Giovedì 27 giugno alle 11.30 a Palazzo d'Accursio il sindaco Matteo Lepore incontrerà i parenti delle vittime. Saranno presenti il presidente della Regione Emilia-Romagna Stefano Bonaccini e la presidente dell'Associazione Parenti delle Vittime della strage di Ustica Daria Bonfietti. L'incontro sarà trasmesso anche in streaming sul canale YouTube del Comune di Bologna. L'apertura della rassegna serale Attorno al Museo al Parco della Zucca è affidata nella stessa giornata alle 21.15 allo spettacolo Sempre, ovunque con te mi troverai di Concita De Gregorio, in cui parole e musica si intrecciano partendo dalla cronaca per arrivare alla poesia, "l'unica capace di raccontare la verità che abita l'animo". Sul palco le canzoni e la voce di Erica Mou diventano la musica che guarisce le ferite della memoria. Viaggio notturno per mare è il titolo della videoinstallazione di Jacopo Rinaldi a cura di Laura Brambilla costruita sulle immagini del relitto del DC-9 Itavia sul fondale marino girate nell'ambito della missione "Opera – Operazione di Recupero Aeromobile", che a partire dal 27 aprile 1987 diede avvio al recupero dei resti del velivolo consentendo al Giudice Rosario Priore di scrivere la verità sulle cause del disastro aereo. Il video sarà proiettato in alcuni luoghi della città, tra cui il MAMbo, Bologna Welcome e le sedi Tper di via di Saliceto e via Lame, a partire dalle 20 del 27 giugno e per tutta la notte, e al termine dello spettacolo all'interno del Parco della Zucca. L'opera di Rinaldi consente di immergersi nell'abisso marino riportando a galla la drammaticità dell'evento nello spazio pubblico della città. Il progetto è realizzato in collaborazione con MAMbo - Museo d'Arte Moderna di Bologna. La rassegna continua giovedì 4 luglio alle 21.15 con Stefano Massini per Ustica, in cui l'autore restituisce un affresco della storia italiana degli anni Ottanta in parole e racconti che nel suo stile caratteristico e travolgente 'toccano il cuore e la mente' per non dimenticare, fare memoria e ricordare la necessità di fare chiarezza sulle tante vicende ancora oscure della storia italiana. Giovedì 11 luglio è la volta del concerto, in collaborazione con il Conservatorio G.B. Martini di Bologna, dei Pulse Percussion Duo, al secolo Mattia Grassi e Pierfrancesco Semeraro, viaggio sonoro fatto di energia esplosiva, che porta le percussioni a esplorare un ampio repertorio musicale, dalla musica classica a quella popolare e contemporanea. 3D Soundscape - La Battaglia per Ustica è il titolo dell'opera sonora ideata da Oderso Rubini e composta da Carlo Cialdo Capelli, musicista e compositore, in occasione del terzo anniversario della morte di Christian Boltanski, che sarà presentata domenica 14 luglio alle 19: una partitura polifonica realizzata a partire dalle voci degli 81 altoparlanti – uno per ogni vittima – che compongono l'installazione dell'artista francese, che si allarga fino a creare un viaggio immersivo, rievocando le profondità marine e restituendo da un lato il senso della fragilità umana, dall'altro un messaggio di speranza, determinazione e coraggio. Una toccante e significativa esperienza d'ascolto che offrirà al pubblico fino al 10 agosto un modo diverso di vivere l'installazione permanente del Museo per la Memoria di Ustica (da venerdì a domenica alle 17.30 e nelle serate di rassegna alle 21 e al termine degli spettacoli). Alla memoria di Andrea Purgatori, che ha dedicato gran parte della sua vita di giornalista di inchiesta alla strage di Ustica, è dedicato venerdì 19 luglio, nel primo anniversario della sua scomparsa, il concerto di Francesco Cafiso e Alessandro Lanzoni, entrambi enfants prodiges della musica jazz e oggi tra i più affermati musicisti in ambito nazionale e internazionale, in una serata in collaborazione con il Bologna Jazz Festival. La danza d'autore di Virgilio Sieni sarà protagonista nello spettacolo Esistenze, in prima assoluta mercoledì 24 luglio: un mosaico di sette brevi danze dedicate e intervallate, misurate e sospese dalle parole che alcuni visitatori hanno lasciato nel guestbook del Museo, passando davanti al relitto, contribuendo a tracciare un punto di vista che si muove sempre verso noi. A David Riondino il compito di chiudere la rassegna sabato 10 agosto con La Notte di San Lorenzo: il poliedrico artista fiorentino reciterà testi poetici e narrativi legati al tema del volo, uno dei temi maggiormente presenti nella letteratura di tutti i tempi, da Luciano di Samosata a Giovanni Pascoli. Accanto a lui Monica Demuru, le cui canzoni si intrecceranno alle letture sospese tra nostalgia e speranza, tra malinconia e vitalità. Gli spazi esterni del Museo per la Memoria di Ustica si arricchiscono, durante le giornate della rassegna, dei disegni realizzati nel corso dell'anno dagli studenti e dalle studentesse di alcuni istituti scolastici romagnoli, frutto delle visite al Museo e degli incontri con l'Associazione dei Parenti, che raccontano il punto di vista dei ragazzi e delle ragazze rispetto all'esperienza del Museo e al racconto della strage. In una sorta di museo a cielo aperto, i disegni andranno a completare le installazioni già presenti sui muri esterni, accanto alle celeberrime vignette del settimanale satirico Cuore. Anche quest'anno si rinnova la collaborazione con il MAMbo - Museo d'Arte Moderna di Bologna, dove il 21 giugno nella Sala delle Ciminiere apre al pubblico (fino al 29 settembre) P E R S O N O M A L I A, mostra personale di Robert Kuśmirowski a cura di Lorenzo Balbi e Marinella Paderni con l'assistenza curatoriale di Sabrina Samorì: volontà dell'installazione dell'artista polacco, noto per il suo approccio alla creazione di ambienti immersivi che combinano elementi visivi, sonori e sensoriali, è quella di richiamare soprattutto i più giovani ad approfondire il loro legame con una vicenda che non li ha direttamente coinvolti ma che ha segnato la storia del Paese, affidando al linguaggio del contemporaneo una riflessione sulla memoria collettiva in un particolare momento di ripiegamento della storia su se stessa. Per tutte le serate della rassegna le Cucine Popolari di Bologna in collaborazione con il Centro Sociale Antonio Montanari prepareranno i "Piatti della solidarietà", nell'ambito del progetto La memoria in tavola. In collaborazione con Tper, il bus "vestito" con l'immagine coordinata della rassegna Attorno al Museo circolerà per le strade di Bologna a partire dal 27 giugno. Come di consueto, in corrispondenza delle date di tutti gli eventi in programma il Museo per la Memoria di Ustica propone aperture straordinarie con i seguenti orari: giovedì 27 giugno dalle 11 alle 14 e dalle 19 alle 24; 4, 11, 14, 19, 24 luglio e 10 agosto dalle 20 alle 23. In queste serate, ad eccezione del 27 giugno, il Dipartimento educativo MAMbo propone una visita guidata gratuita al Museo alle 20: la prenotazione è obbligatoria scrivendo alla mail mamboedu@comune.bologna.it entro le 13 del giorno precedente. Negli altri giorni restano invariati gli orari di apertura estivi del Museo, validi dal 28 giugno al 29 settembre: venerdì, sabato e domenica dalle 17 alle 20. La rassegna fa parte di Bologna Estate 2024, il cartellone di attività promosso e coordinato dal Comune e dalla Città metropolitana di Bologna – Territorio Turistico Bologna-Modena. Il programma completo è disponibile sul sito www.attornoalmuseo.it Attorno al Museo è realizzata con il sostegno della Regione Emilia-Romagna; Assemblea legislativa Regione EmiliaRomagna; Settore Musei Civici di Bologna | Museo per la Memoria di Ustica; Città metropolitana di Bologna; Comune di Bologna; Bologna Unesco City of Music. Con il patrocinio di: Rai Media partner: Rai Radio 3. Si ringraziano: TPER; Legacoop Bologna; Gruppo Hera; Coop Alleanza 3.0; Fondazione del Monte di Bologna e Ravenna. Progetti realizzati in collaborazione con: Cronopios; Officina Immagine; Bologna Jazz Festival; Conservatorio G.B. Martini; Centro Sociale Antonio Montanari; Cucine Popolari Bologna. Per informazioni: www.attornoalmuseo.it www.associazioneparentiustica.it www.museibologna.it/ustica... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article

[tsunami-subastas]

2018

OLA 5/ Paulina Antelo, Carolina Soriano, Gabriela Muzzio y Florencia Giacobbe

PAULINA ANTELO

Nació en Rosario en 1986. Licenciada y Profesora en Bellas Artes por la Universidad Nacional de Rosario, estudió fotografía analógica y laboratorio blanco y negro en el ISET Nº18. Se formó con Gabriela Muzzio y Gabriel González Suárez. 

Desde el 2014 a la actualidad trabaja como docente de arte es una escuela primaria e integró el equipo de trabajo de EspacioLab Programa de arte, ciencia y tecnología que funciona en el Complejo Astronómico Municipal de la ciudad de Rosario (CAM), dedicado a la producción e investigación en formato de laboratorio. 

Es ayudante de las Cátedras “Laboratorio I” a cargo de la docente y artista Verónica Orta y de “Proyecto II” dictada por el artista Gabriel González Suárez ambas de la carrera de Bellas Artes, Universidad Nacional de Rosario. Miembra del colectivo de artistas y trabajadoras gráficas rosarinas “Cuadrilla Feminista”.

Se formó en la Universidad de Guanajuato, México y en la École nationale supérieure.

CAROLINA SORIANO

Nace en la ciudad de Rosario en el año 1974. Se recibió de Técnica Superior de Fotografía en el Instituto ISET nro 18. Se especializó en Prácticas de Laboratorio en la Escuela de Artes Plásticas Manuel Musto y en el Taller de Gabriela Muzzio. Realizó diferentes Talleres de especialización fotográfica, entre ellos con Gisela Volá, Agustina Triquel y Romina Resuche en Buenos Aires y con Cecilia Lenardón, Andrea Ostera y Nancy Rojas en Rosario. Realizó talleres de procesos antiguos de fotografía, Colodión Húmedo y Cianotipo. Participó de diferentes muestras individuales y colectivas. Docente de los talleres de Fotografía Estenopeica en su Estudio La Revelada. Trabaja de manera independiente en 2 ONG. Mamá de Santino.

GABRIELA MUZZIO

Nace en Marcos Juárez en 1969. Estudia fotografía en Rosario desde 1990 y en 1996 inicia su formación en conservación de fotografía. Desde 2000 se dedica a investigar sobre los procesos fotográficos antiguos y materiales sensibles. Ha realizado muestras individuales y colectivas en centros culturales, galerías y museos del país y el exterior. El 2014, publica su primer libro Los abrazos editado por Editorial Municipal de Rosario. “La memoria de los otros” Mención Especial LXVII Salón Nacional de Rosario 2014, “Natura Signa” Salón Nacional Rosa Galisteo 2016, “Seda” Salón Nacional Emilio Caraffa 2018, Concurso Artes Visuales Fondo Nacional de las Artes “S/T” 2019 Mención Especial,” Officinalis” Bienal de fotografía El ojo salvaje, Paraguay. Participa de la Residencia espontánea Curadora y de Nido errante Edición Vaqueros, Argentina. Desde 1999, es docente del Taller de fotografía de la Escuela Municipal de Artes Plásticas Manuel Musto. Desde 2005, es miembro del equipo del programa de recuperación del Archivo fotográfico del Museo de la ciudad de Rosario.

FLORENCIA GIACOBBE

Nació en Rosario, en 1976. Es fotógrafa e historiadora. Participó de diferentes colectivos fotográficos como Apacheta y La Vista Gorda, el primero dedicado a la fotografía documental y el segundo a registrar las distintas expresiones artísticas de la ciudad, especialmente la murga uruguaya. Expuso, tanto en forma individual como colectiva, en distintas muestras del país y Uruguay. Actualmente es integrante de La Bemba del Sur, colectivo político de talleristas que realiza prácticas educativas en las distintas unidades penitenciarias del sur de Santa Fe.

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Il grande giornalista, saggista e sceneggiatore romano, esperto di terrorismo, intelligence, mafie e criminalità organizzata, compirebbe settantuno anni. Nato a Roma il 1° febbraio 1953 - è morto il 19 luglio 2023 dopo una breve malattia -, giornalista professionista dal ’74, Andrea Purgatori consegue il master of Science in Journalism presso la Columbia University di New York nel 1980. Inviato del «Corriere della Sera» per circa venticinque anni (dal 1976 al 2000), è noto per le sue numerose inchieste e reportages su casi scottanti del terrorismo internazionale italiano dei cosiddetti “anni di piombo” e sullo stragismo, come il caso Moro (1978) e la strage di Ustica (1980 - A. Purgatori è stato il giornalista d’inchiesta che più di ogni altro si è battuto per la ricerca della verità sulla strage di Ustica). Ha raccontato molti delitti da mafia dal 1982 fino alla cattura di Totò Riina (1993). Ha realizzato reportages su numerosi conflitti, fra cui la guerra in Libano (dal 1982 al 1985), la guerra fra Iran e Iraq (1980-88), la prima guerra del Golfo (1991), l’intifada e le rivolte in Tunisia e in Algeria. Oltre che per il «Corriere della Sera», ha scritto per «l’Unità», «Vanity Fair», «The Huffington Post», «Le Monde diplomatique». Ha collaborato fino all’ultimo con il «Corriere della Sera» e «Style». È stato autore e conduttore di Uno di notte (1998). Ha realizzato servizi televisivi per Dossier, Spazio Sette, Focus (RaiDue 1978-88). In tv ha condotto anche Confini (1996, RaiTre). Ha scritto molte fiction per la tv - Caravaggio (2008), Lo scandalo della Banca Romana (2010), Il commissario Nardone (2012), Lampedusa (2016). Per la saggistica ha scritto A un passo dalla guerra (1995), Il bello della rabbia (1997), I segreti di Abu Omar (2008). Nel 2019 ha pubblicato il romanzo Quattro piccole ostriche (HarperCollins). Per il cinema ha scritto Il muro di gomma (1991) di Marco Risi, dedicato alla sua inchiesta sulla strage di Ustica, Il giudice ragazzino (1994) di Alessandro Di Robilant - film sulla vita del giudice siciliano Rosario Livatino (1952-1990) dal suo ingresso in magistratura al suo impegno nella lotta alla mafia fino al suo assassinio -, L’industriale (2011) di Giuliano Montaldo. Ha vinto, fra gli altri, il Nastro d’Argento per il Miglior Soggetto con Il muro di gomma, il Premio Hemingway per il giornalismo (1993), il Premio Crocodile - Altiero Spinelli per il giornalismo (1992), il Globo d’Oro (1994) per la Miglior Sceneggiatura di Il giudice ragazzino e il Premio Sergio Amidei (2009), con Marco Risi e Jim Carrington per la Migliore Sceneggiatura Internazionale di Fortapasc (2009) di M. Risi, film sulla vita e la tragica fine del giornalista Giancarlo Siani (1959-1985). Nel 1987, oltre a partecipare al soggetto ed alla sceneggiatura del film Spettri di Marcello Avallone, vi appare come attore. Nel 2002 partecipa al programma televisivo Il caso Scafroglia (RaiTre), interpretando la voce off che dialoga con il conduttore (Corrado Guzzanti), mentre nel 2006 prende parte al film Fascisti su Marte di C. Guzzanti e Igor Skofic. Sempre con C. Guzzanti ha realizzato Aniene (SkyUno). È stato coatore del programma tv di Antonio Albanese Non c’è problema (2002, RaiTre). Dal maggio 2014 al giugno 2020 è stato presidente di Greenpeace Italia. È stato membro dell’Accademia del Cinema Italiano e dell’Accademia Europea del Cinema, presidente delle Giornate degli Autori e, dal marzo 2015, membro del Consiglio di Gestione della SIAE (Società Italiana degli Autori e Editori). Dalla stagione 2017/18 ha condotto la nuova edizione di Atlantide (La7), per cui riceve il Premio Flaiano (2019) come Miglior Programma Culturale. Fra i sui ultimi lavori, nell’autunno 2022, la docu-serie Netflix Vatican Girl: la scomparsa di Emanuela Orlandi. Nel 2018 Andrea Purgatori ha partecipato, con una sua preziosa testimonianza, alla realizzazione del libro fotografico Aldo Moro. Memoria, politica, democrazia

(Archivio Riccardi, 2018), da cui è tratta la mostra fotografica omonima, formata da oltre cento scatti del grande fotografo Carlo Riccardi (1926-2022).