#And you'd be wrong lol

[didnt-want-to-sleep-anyway]

I caught the bus to Prague, breathed through an asthma attack and now my stomach hates me

Does anyone else experience this? It feels like period cramps, but I'm nowhere near my period and it always happens when I have a bigger asthma attack triggered by running

I have four hours until my flight, I need to do some research

[macksartblock]

beware of burnout it's so real i'm afraid

also bc ended up making my writing into a font to avoid killing my hand as much and bc I saw Caden do this, I thought it would be fun to see who y'all think it suits lol

[seyvia]

Sim Request By @supporticianism🐈

Purrcival Tabi. he/him, Aspiration: leader of the pack. traits: self-assured, creative, generous. my style. CC heavy.

[supporticianism asked: Good day! I would like to politely ask of you if its possible to create male cat-themed vtuber since the way you create your sims is very lovely and well made. Heavy cc is fine if it'll make him more cuter~~ ] ~Thank you very much for the complement sweetheart♡~

Meet Purrcival Tabi, the mischievous alley-cat who thrived on outsmarting the wealthy, authorities, and even fellow scammers. However, his life of "luxury" came crashing down when he scammed a powerful CEO bird, putting a target on his back. Despite a thrilling chase, a wrong turn led him straight into the clutches of his adversaries. But with his cat-like reflexes, Purrcie managed to charm his way out of jail and into a job at one of the largest Vtuber companies. Rising in popularity, he not only paid off his bail but also became one of the company's most profitable stars! -inspired by the fairytale "Puss in Boots". ᓚ₍ ^. .^₎

fun fact: the Japanese word 'Tabi' is the traditional thronged sock worn with footwear like 'Zori' the sandal on his special event outfit. in this case it's also a play on words with the 'Tabby cat'. Like the name 'puss in boots' he is 'Purr in Socks' if you will LOL! ...there are many layers to this, like onions! aHAhaha~(￣y▽ ￣)╭

~thank you for the request! and I hope you like him! ฅ^ ◕⩊◕^₎≼

~credit to the cc creators🧡

ฅdownloadฅ

[antisocialxconstruct]

the rituals continue to be intricate

[zazikels]

the fact is, if varric lives (and that's an if bc maybe solas does kill him lmao idk how much to trust that minimap reveal) it IS weird that you can't customise a hawke or account for the decision because it would be a little weird if a man who has lived through a wannabe god + blight dragon attacking warden fortress has nothing to say about ghilan'nain and her blight dragon attacking a warden fortress, especially if he potentially lost his best friend (Hawke). It's not outlandish for people to be a little disappointed to not get some customisation there because the choices are not equal to varric. the loss of hawke is obviously a bigger impact on him than whichever warden is there. given varric's personality, it's not outlandish to expect him to talk about it with Rook either especially considering weisshaupt is a thing that happens in the game. if he dies beforehand it doesn't matter, but if he's going to be around? yeah you'd think he'd be talking about it here.

speaking of weisshaupt, A PLACE YOU GET TO GO, a hero of ferelden who made the ultimate sacrifice IS FUCKING INTERRED THERE. But it's just "whining" to expect a nod (esp one that you can customise so it's your hero of ferelden) i guess.

regardless of whether morrigan has mythal or not, who she is as a person does change based on whether she was romanced and whether she had a child. it is natural that this matters and people aren't stupid to be tentatively concerned that nothing of her history is "required" but she's apparently this important vip character who will have more involvement in the game than you expect. like you are allowed to ask: okay what does this mean, what will she be like, will she be the same character i've loved across multiple games?

people are allowed to be upset or concerned that a game series that historically took your choices and your decisions into account has watered that down to 3 choices when certain choices that WOULD impact characters that appear in THIS game aren't. (and to be clear being upset does not mean harassing the devs, don't do that).

[calitsnow]

Let’s talk about Hong Lu’s poster

Summary:

Introduction

The paifang

Where is Hong Lu?

The reality of Hong Lu

{Skip the introduction if you’re only interested in the analysis of the character of Hong Lu and his poster}

I/ Introduction

Today I would like to offer you an analysis of Hong Lu's character poster. Although it is difficult to know what these character posters seek to show, apart from presenting characters, it is clear that each of them possesses clues about the sinners’ past and especially where the character represented comes from.

For example, we could see the pallid whale destroying the Pequod on Ishmael's poster, although it was easy to make the connection with Moby Dick, the poster also showed us that Ishmael had a history with a white whale and was a survivor of a shipwreck.

I am not sure if all the information is equally valuable according to the posters because, for example, Sinclair's poster is quite enigmatic and does not really show a specific event or place, or at least I do not recognize it.

But that does not stop me from believing that what is depicted behind the sinners is supposed to be related to the sinner, yes, but also, I think, related to a wing or place in the city that was important in the sinner's past.

I even wonder if the moment/place represented is not supposed to represent the place where the sinner decided to join the company.

Why do I say this? Well, you can see behind Rodion's character a casino setting, whereas her ego and space generated by the golden bough were affiliated with a world of ice. So why does Rodion's poster show her in front of an environment reminiscent of a casino? Perhaps it is to evoke her love for gambling as well as her ability to bluff and her desire for money, but if we look at Rodion's photo in the identity archive menu:

We can see Rodion in an outfit we have never seen her in before, an outfit that closely resembles what someone might wear at a casino. We have never seen how Rodion was recruited by Limbus Company, but if we follow the logic I just proposed, Rodion would have been recruited in a casino.

This logic seems credible and yet doubtful when we look at the case of Yi-sang.

For the moment, Yi-Sang is the only sinner whose recruitment by Limbus Company we know:

We know he was coming out of the laboratory where he was held by Gubo, the same laboratory we can see behind him on his poster.

But here's the catch: this is how Yi-sang was dressed when he met Faust VS versus what Yi-sang looks like on his photo in the identity archive:

But hold on! I may have an explanation for this difference:

Yes, in the first image, Yi-Sang is not wearing his scientist coat, but he is indeed wearing the gray shirt, and I think Yi-Sang was indeed dressed with his coat initially, I think he just took it off in the left image.

So yes, it sounds like a lame excuse, but look at how Yi-Sang was dressed before this scene (when he was held captive).

Boom, there it is, that scientist coat. Yi-Sang was indeed dressed as he was in that laboratory when his photo for the company was taken.

But here's the second little hiccup: we don't know how much time separates Yi-Sang's escape and his encounter with Faust...

But if what is depicted behind the sinners is not toward the place/moment where he was recruited by Limbus Company, then I think the place depicted behind the sinner is still a place/moment that shaped the sinner and convinced them to join Limbus Company.

II/ The Paifang

After this brief analysis that raised many questions, I would especially like us to keep the idea that what is depicted behind Hong Lu is related to him and the wing (or other place in the city) where he comes from.

Let's continue:

To make the understanding and analysis of the poster simpler, I decided to divide it into 6 zones:

Red: character

Dark blue: background area with tall buildings —> the city / what is behind the paifang

Purple: Paifang

Light blue: distorted and highly colorful area / portails

Orange: what surrounds the sides of the paifang

Green: the ground and what is in front of the paifang

Even if sometimes I won't do it, I will now also use this color code to target specific areas of the poster when needed.

Well, first of all, I'm going to talk about the purple area, which is everything related to the Paifang, which is a very important element of this poster:

This Paifang, which looks like it's made of (red?) wood, seems to be surrounded by tall walls as we can see in the orange area.

So it seems that this Paifang is the only entrance and exit between two spaces. Indeed, if this Paifang is surrounded by walls and (assuming) they extend over a long distance, we can quickly conclude that this passage is the only one that could allow someone to enter or leave a closed space (we will come back to these ideas a little later).

Returning to the Paifang, it seems to perfectly fit the definition I found of a Paifang: "A Paifang is a traditional Chinese architectural structure in the form of a portico or arch, usually placed at the entrance of important places such as cities, temples, or properties. These symbolic gateways are often richly decorated and serve as monumental entry points."

I think the main idea to remember is that this Paifang is a gate/a means of passage, and I think it is the only gate allowing travel between the two spaces it separates.

But what does this gateway separate? Well, I think we have an answer with the inscription in the middle of this Paifang:

Indeed, what is written in the middle behind Hong Lu is this: 境幻虚太 (Jing Huan Xu Tai), we can recognize 4 distinct characters:

境: Realm

幻: Illusory

虚: Void

太: Great

But what is most surprising is that this phrase is actually written backward; indeed, in Chinese, it should be written 太虚幻境 (especially when we know what this combination means, especially in Dream of the Red Chamber), and here it is written as if it had been reflected in a mirror. We know that mirrors play a very important role in Limbus Company, but we will come back to this idea of a mirror a little later.

{Update : I was informed that the ordering of character written on the paifang is actually correct for traditional Chinese writing and for when the characters have to be placed horizontally (especially when you have to write on a space which does not really allow you to write in the vertical like on this paifan). The fact remains that the name of Hong Lu's weapon is therefore written in backward, so why? I don't really have an explanation now... and I have to admit that I still like my first analysis and I still think it is (a little) relevant in a way, so I invit you to keep reading (while keeping this in mind)}

For now, I would like to return to the meaning of what is written on this Paifang; indeed, once the combination of these 4 characters is reversed, it refers to a very important place in Dream of the Red Chamber: "Illusory Land of Great Void" or "Land of Illusion".

We can therefore conclude that this Paifang overlooks the "Land of Illusion" and separates/is the gateway between these two worlds, which are the "Land of Illusion" and, I think, the city.

Which is reminiscent of its “equivalent” in the novel since in the novel there is also a mention of a gate which separates the world of illusions from the rest or at least which indicates its entry point

{Side note: Strangely, this is not the only time that "太虚幻境" appears on the poster since it also appears just at the bottom right, and yes, "Land of Illusion" is also the name of Hong Lu's weapon, but that's not all! It is of course also the name of his EGO.

We can therefore see that the "Land of Illusion" is used to define many things related to or belonging to Hong Lu.}

In the novel Dream of the Red Chamber, The Land of Illusion is a domain where illusions and fantasies come to life. However, despite its enticing and enchanting appearance, this fictional world is also fraught with dangers and traps as it can lead individuals into deceptive illusions and prevent them from perceiving the truth.

However, a very interesting analysis of the Land of Illusion parallels this place with the Prospect Garden, which is the garden where Baoyu lives with his cousins and servants. It is the setting for many events in the novel and is also a haven of peace cut off from the rest of the world where its inhabitants can indulge in their idle and luxurious lives.

When Baoyu first visits this garden, he feels like he has been here before, and indeed, this garden actually reminds Baoyu of the place he visited in his dreams: the Land of Illusion.

A fantastical literary garden devoted to pleasure and love, which recalls the hero's dream of love and evokes in him a sense of the uncanny, will lead the reader to realize that Prospect Garden is the Land of Illusion. Eden, emptied of humanity, may remain a pristine ideal.

The Prospect Garden becomes a Buddhist allegory of experience. It blooms and withers with the ebb and flow of human desires and longings, but it is also a fictional world, imagined, the stuff of dreams.

The Prospect Garden is the earthly manifestation of the Land of Illusion, just as Baoyu is the physical earthly reincarnation of the stone.

III/ Where is Hong Lu?

After discussing what The Land of Illusion is and what this Paifang separated or rather where it leads to, it's time to ask a question: on which side is Hong Lu on his poster?

The Paifang already gives us an indication of this: since we can read "Land of Illusion" backward.

So I think we can deduce that Hong Lu is currently on the side of the "Land of Illusion" because if we follow the theory that the writing on the Paifang is reversed because Hong Lu is in a mirror world, then it's easy to guess that on the other side (the non-visible face) of the Paifang, we could read "The Land of Illusion" written correctly because this Paifang does lead to the "Land of Illusion."

To support this assertion (that Hong Lu is on the side of "The Land of Illusions"), I invite you to look at the dark blue area.

We can see tall buildings bathed in a red/black color; I think this modern aesthetic and these colors are supposed to remind us of the city, whose red color is often associated with —> just look at the map to notice this.

But that's not all: the color red is associated with the red dust by which Buddhism refers to the earthly realm, which contrasts sharply with the luxury brought to mind by the vernacular use of red.

Red dust is a symbol of the impermanence and transience of human life in Chinese philosophy.

It represents the reality of life as transient and ephemeral, reminding individuals that everything in this world is subject to change and disappearance. This notion is often used in Chinese literature and poetry to express the human condition and the importance of fully living each moment, knowing that nothing is permanent.

Red dust is used to talk about our world and our existence on it, which is but a short-lived illusion filled with suffering, to talk about the mundane world.

In Limbus Company, this world of Red Dust, this illusory world, is the city, and this bubbled paradise is "The Land of Illusion."

But how do we know that Hong Lu is indeed walking on the water of what I have been calling "The Land of Illusion" all this time?

Well, a clue might give us the answer; I invite you to look at the green area.

We can see that Hong Lu is walking on water, which already evokes the notion of "reflection" and this idea that The Land of Illusion is a mirrored world of the world of red dust, as is "The Land of Illusion" in the novel, but that's not all.

I will have to step away from Hong Lu's poster for a moment to look at an image present during the Limbus Company launch trailer.

Although nothing I'm about to say has been confirmed, I don't think it's too farfetched to say that we can see in this image a past version of Hong Lu, before he joined the company when he was at home, probably the Jia family manor (or at least its version of LCB).

What's interesting about this image is the color of the sky: this blue fading towards turquoise. We've seen it elsewhere before:

And yes! I am convinced that this blue space we can see in the cutscene of Hong Lu's EGO is supposed to be the sky from his home. And what is Hong Lu's EGO called? Land of Illusion.

Furthermore, I think that this blue sky is meant to contrast with the red sky of the city. Thus, the separation between the two is even more accentuated, as it was with the Paifang that clearly separated the two realities.

So, I believe that we can conclude that Hong Lu lives in the Land of Illusion.

This idea that the world in which Hong Lu lived is "The Land of Illusion" is emphasized by another detail: the reflection of the moon in the water.

In Buddhism, the image of the moon in the water is often used as a metaphor to illustrate the illusory nature of reality or the nature of conditioned existence. This metaphor is often associated with the practice of meditation and understanding the nature of the mind.

The moon in the water appears clearly and distinctly, but it is unstable and transitory, as it is subject to the movements of the water. Similarly, in daily life, what we perceive as reality is often changing, impermanent, and conditioned by multiple factors.

This metaphor thus emphasizes the importance of recognizing the illusory and impermanent nature of reality and not attaching to appearances or transient phenomena. In summary, in Buddhism, the image of the moon in the water is used to illustrate the illusory nature of reality and to encourage the practice of meditation and the search for the true nature of the mind.

I think that this image of the moon in the water is meant to make us understand the true nature of the place where Hong Lu walks: it is The Land Of Illusion, which is nevertheless Hong Lu's reality.

IV/ The Reality of Hong Lu

Indeed, I will now delve into an explanation, and I will try not to get confused. For this, we must now look at a very important excerpt when analyzing the novel Dream of the Red Chamber:

"Truth becomes fiction when the fiction's true; Real becomes not-real when the unreal's real."

This idiom is not just written anywhere in the world of the novel; it is located on the Paifang serving as the border and gateway to the Land of Illusion, and there is a good chance that it is also on the Paifang that we see behind Hong Lu.

This idiom makes us understand that reality is actually fiction and that fiction is actually the real world. It invites us to reverse our perception of realities and to consider what is called "real" as false and what is called “false” as real.

Here, I think, it is about understanding that Hong Lu's reality, which is (in) the Land of Illusions, is actually a fictitious and false world. Where the city, which is an unknown and completely foreign world to Hong Lu, which could be seen by him as a fictional world that is not real, is actually the real world, whereas the world he considers real is (his home) actually a false world.

To be honest, I cheated a bit because even though the reflection of the moon in the water is used to evoke a world of illusion for Buddhism, and even though I think it can indeed refer to the fact that Hong Lu is on the side of the "Land of Illusion", I think above all that this reflection is meant to make us understand that this world where Hong Lu is located has an illusory nature of reality + a nature of conditioned existence.

This brings me to talk again about Prospect Garden, which I think is the place where Hong Lu grew up but is especially the place from which Hong Lu must escape.

Prospect Garden is, as mentioned earlier, the Land of Illusion materialized in the real world and is therefore a domain where illusions and fantasies come to life, that is, a place where Baoyu bathed in luxury and idleness.

In "Dream of the Red Chamber," Jia Baoyu is often faced with symbolic choices between staying in Prospect Garden, which often represents the materialistic world and earthly pleasures, or setting out in search of spiritual enlightenment. His journey to enlightenment often involves leaving the illusions and distractions of the material world represented by Prospect Garden. Thus, it is often suggested that to achieve enlightenment, Jia Baoyu must move away from Prospect Garden and seek a true understanding of himself and the world around him.

At the end of the novel, Jia Baoyu (the figure who is supposed to have inspired Hong Lu) realizes the illusory nature of his life and realizes that Prospect Garden was only a world where he was trapped by the illusory pleasures of life, and that is why at the end Jia Baoyu decides to break with his previous life and leave the garden (as well as the rest of his family).

I think we are going to go to Hong Lu’s home to realise that he was literally living in a bubbled space and we will go to the Land of Illusion which, I think, will also be the Prospect Garden.

And the fact that the words are reverse like if they were reflected in a mirror helps, I think, to support on the idea that Hong Lu's world/reality is a reflection of the real world but where everything is distorted/inverted (a symbol I also think of Hong Lu's ignorance and his strange vision of the world) and that this illusion glass will break little by little

We also have to remember the sentence

"Truth becomes fiction when the fiction's true; Real becomes not-real when the unreal's real.

And remember that what is true is actually false / wrong according to this. So maybe, if this idea from the novel is kept, the world where Hong Lu is living is just a big lie where everything is just a smoke screen and that Hong Lu is living in denial, prefering to accept this illusion so that his world / vision of reality or truth is not shattered.

So, I think that Hong Lu, during his chapter, will have to understand that his reality is not true and learn to leave the land of illusion to find the truth because it seems to me that one of the theme of Hong Lu will turn around the theme of truth and reality.

[malaierba]

Been thinking, there's an issue with how creators and readers often approach the theme of "coming back wrong", since so much of the emphasis ends up being put in the "they came back part". Especially on the readers' side, the idea that someone would do whatever it takes to bring you back is parsed as romantic and devoted, which it can be, but it overlooks a big element of the concept.

Coming back wrong, or even just performing forbidden rituals etc in general, for it to be impactful needs to place a big AND constant focus on the in-universe equivalents of Do Not Resuscitate & bodily autonomy when one can't consent.

It's not just the coming back. It's that you don't know what type of body, what type of mind you're coming back to. It's the dysphoria, if it can exist (and it should), and the expectation that you'll be okay with whatever was done to your inert body when you couldn't decide over it. You're back, you're alive, surely you can get over the circumstances under which it happened, be thankful.

You don't even need to get abstract with "the inherent feeling of wrongness that comes from being brought back from death", most humans can't relate to that, it's vague to the point where it isn't real stakes. It's just a non-issue mentioned to give a fake sense of stakes.

But if you take inspiration on DNR, from people whose lifestyle was changed radically from being saved from a situation where they may have preferred to be allowed to pass on. Like, say:

You come back, and you gotta learn to use your body from zero, and you'll be reliant on others forever. Or you come back and you look so different you feel disconnected from yourself, and every waking moment is uncomfortable. Or you come back, and too much time has passed, you feel like the life you were meant to live got away from you. Or you come back, and what was done to your changes you so fundamentally you end up isolated even if it's no one's intention. Or the ones that brought you back didn't do it selfishly but out of entitlement to your life.

The wrongness needs to be acknowledged often to the point of tediousness, only then would the spectator get a real sense of "okay, I see now why that'd be an issue, and why many would hate it".

[theandrogynousdragon]

re: #me writing almost 2500 words so far of an epic the musical time travel fic but ody thinks he's in tartarus for like a solid month

hello! i saw time travel and am very invested 👀👀

if you don’t mind sharing, i’d love to read more about it!

oh wow hi!! so this fic is inspired by the way love in paradise BROKE MY HEART and i thought "ok but what if ody DOES jump, except athena, as the Goddess of Weaving, manages to save him by unweaving his fate thread and redirecting it. ody jumps off the cliff and opens his eyes to Troy, with Astyanax in his arms, and comes to the entirely reasonable conclusion that he died and is in tartarus, his punishment being forcing him to relive the last ten years of Awful Shit Happening" and now there's almost 3k words of it in my docs lol odysseus: feel like dogshit, gonna commit self-murder about it :'( athena: i don't think so bestie. get in the time loop <3 odysseus: screaming crying throwing up athena: ... ok not like that :/

[randomnameless]

The fun thing about the Crest system argument is that before Hopes, myself and others were pointing out how Edelgard's claims make no sense when held up to the various nobles we have in game. The Alliance was a big sticking point in this regard, it was only in the Kingdom where it seemed to exist but it was also tied to defending their lands. Then Hopes came out where Sylvain explained that yes, there is a Crest system… that the nobles ignore and do their own thing. Fodlan itself basically says no one follows the Crest system, so is it really that important that Edelgard removes it while consolidating power on herself?

Where in Nopes does Sylvain mention the Crust system?

Crust system is basically the Fodlan equivalent of inheritence laws, and not that different from a male/female/klingon primogeniture rule, legitimacy rule, or picking the most able "person" to inherit...

Especially since the "most able" notion is as variable as the contents of a teaspoon and Fodlan refuses to elaborate what kind of magical superpower each crest gives.

The Nabateans using hair dye in the War of Heroes make more sense than the crust "system"!

I remember Houses thought trying to push the "wah wah inheritence based on crusts bad" with Sylvain (or was it Dimitri?) saying that the crested heir inherits, and the others are disinherited or something? I haven't checked the jp version and if it is worded differently, but, come on.

We see Rufus and Gilbert, sure they don't inherit the ancestral seat/throne of the house (Gilbert's bro is the baron, and Rufus is salty bcs Lambert got the throne), and yet they're not left in the boonies, are we really supposed to believe that both Rufus and Gilbert didn't get a penny, a house, titles (Gilbert became a knight) or anything for inheritance? Disinherited Rufus would never have became a grand duke (unless Dimitri's grandma was from Itha so Rufus took the inheritance from his mom?) or have lived a relatively more privileged life than Ashe and be free to "seduce around".

Jury's out about whether Glenn had a crust or not, and yet, Glenn got a fiancée and is always highly spoken of by his dad - not something you'd do for a kid you disinherit!

So, what were Sylvain (or Dimitri?) talking about in Houses?

Or were they full of shit to pretend there is a "system" that exists but isn't applied anywhere in the land, so it's totes important to get rid of it and make "ReFoRmS" and in the end, Supreme Leader wasn't totally in the wrong and had some good ideas, but please don't ask more about those ideas or what the "most competent" means to her, especially since Bernie in her solo ending in CF (just like in the other routes) can rule her territory ?

We don't see Hector crying a river because Uther is the Lord and not him, or Eirika doing the same (even if it would have been better for Magvel lol) just like Tana, hell, Elincia's dad didn't want to create an inheritence feud between his daughter and Renning so he hid her, and when Renning returns in FE10, he's not throwing a fit because he should have become King instead of his niece, and what not.

Hell, Desmond wanting to make Guinivere Queen wasn't a move to empower her or to shit on Zeph, but ultimately, a move he pulled off because of his own insecurities at being a worthless King compared to his son.

In Fodlan? Tana - after Innes' death at the hands of her accomplices - starts a war to conquer Magvel to get rid of male primogeniture.

And to make this less stupid than it sounds, the devs insist that Magvel's primogeniture laws are very bad and ruin a ton of lives in the continent which would justify killing Ross and Garcia because they're sacrifices to be made for the greater good.

Yeah :/

I'm not playing this version of FE8.

[dirtyoldmanhole]

having the absolute time of my life figurin' out possessed gunter's shapes this afternoon >:)

[greatprotector-if]

— OCS AS LOVE TYPES

tagged by @stephschoices to do this uquiz for some ocs and naturally i chose the 3 stooges <3 thank you very much for the tag i love uquizzes!!

tagging everyone reading this. i can do that right

KALLIAS — love that lasts

love unconditional, love unfailing. you love no matter what happens because you believe in the best – of you, and them. it will hurt and it will fail you, but this love tastes so sweet – you can never believe that it bitters sometimes. the way you choose to love unconditionally is incredible.

GALEN — love that strengthens

you make sure that people know that they are loved, and you give them strength when they need it the most. this is an ability that is rare; the love that you hold speaks wonders of yourself. i hope you're doing alright. isn't it exhausting always being the bigger person?

V — love that calms

this is sweet. i hope you know that you make others feel at ease around you. you're a gem, a blessing, a treasure – and you should know it. it's comfortable loving you. it's a privilege to be around you and to be let into your world.

[brittlebutch]

actually first ep of Voyager where Janeway talks to Tuvok about how his family misses him is that when she says they Worry about him Tuvok contradicts her and claims that Vulcans don't do that but when she corrects and says they Miss him he accepts this and admits he misses them too; implying perhaps a pedantic difference between 'Vulcans do not Feel Emotions' (false) and 'Vulcans do not Act Out of Emotion' (accurate) -> 'Miss/Longing' is an emotion, but 'Worry' is an action one does out of emotion -> one Vulcans do; one Vulcans do not.

[fictionadventurer]

It's kind of hilarious how the comments on my main It's a Wonderful Life post fall into roughly this breakdown:

60% "Yes, you're so right, and that's why I love this movie".

10% "Yes, you're so right, but I still hate this movie."

29% "Wow, I always assumed this movie was sappy sugary garbage. I might have to actually watch it now."

1% "You mean people think this movie is sugary? I've never heard of anyone who thought this was just a sappy heartwarming Christmas movie."

I can see where the 1% is coming from, but I find it funny that the very post they're commenting on has proof that their experiences are not universal.

[buttercupfiction]

lore drop - history of the world

(i've received a few asks wondering about the vestiges and the lore of the world, and i thought i'd answer all your lore-related questions all at once by detailing the history that precedes the story, so here we are! if you're curious about anything in here or something else i haven't mentioned, ask away~)

beware lore-related spoilers from this point forward!

The Kingdom of Lumerinthe was formed centuries ago by a man now only known as the First King. Before it's forming, people lived in smaller cities and communities, mostly alienated from eachother and worshipping two deities.

Then, a disaster struck, darkness spreading through the land, corrupting everything in its path, and only one of the deities decided to intervene, while the other abandoned humanity to its fate. The latter became known as the False Deity, as it had betrayed its wards and deserved no more worship, while the former was named the Fallen, as though it had fought the threat and won, it had been felled in the process.

Knowing its essence would soon disperse and saturate the land, but not knowing how that would influence its inhabitants, the Deity used the last of its strenght to bestow knowledge of a ritual to a man who had initially asked for its help. In order to give humanity a fighting chance should something like this ever happen again, through this ritual it granted the man the ability to bind its dispersed essence to his fellow humans, hoping it could be of use to them.

The man considered this a great boon, honoured the Deity's intentions, and, in the process of gathering forces to further cleanse the lands of what little threat still remained, united the people and formed a kingdom.

Under the First King, the lands and people prospered, and to honour the Fallen Deity's sacrifice, the Order of the Divine was formed, dedicated to both preserving and studying the gift that was given to humanity. Eventually, it was established that only the King's bloodline carries the ability to bind the Deity's essence to others, and that this ability is not limited only to living beings. Thus, the Vestiges were created, as an attempt to preserve the Fallen Deity's gift for future generations.

Too much knowledge has been lost over the centuries, to time or to hubris, but the veneration for these remnants of the past still remains. Any still existing Vestige is kept under guard within the walls of the temples of the Order, only a few select scholars being allowed access to these relics, and only with the strict purpose of studying them, as each is unique and their use is still vastly unknown.

As for the people the Deity's essence can, to any effect, be bound to, only a small number of individuals display such potential, and while their gifts vary in practicability, they are all awarded a place in the Order, where they serve it to the best of their abilities.

[contagious-watermelon]

I'm ngl some of the trans people on here say stuff that is actually indistinguishable from terfs were it not for the nouns they use. and it's always the same people who go so hard on the "terfs DNI!!!!" and calling anything and everything "terf rhetoric"

[incandescentflower]

this is the fic that never ends. I write a bunch of stuff and just discover...I have more to write. why