#And we know this isn't an isolated case

[amerasdreams]

😡 the people who blame Aiden Aslin for going to Ukraine and saying he's a mercenary

He fought in the Ukrainian military, not a paid extra military force.

He actually fought bc he wanted to help. He couldn't stand by and do nothing. How many of you could say the same.

And ppl think he betrayed them or sth -- he was captured. Used forpropaganda. Totally under duress. Threat hanging over him the entire time.

If you're not in that situation you cannot imagine what it's like. To be in a russian prisons and tortured.

His book really shows and helps you understand what it is like to be a prisoner captured by russsians -- so you can feel as much as is possible for an outsider. What Russians do to POWs. The only thing you can do is try to survive.

[neverendingford]

.

[chalk-homunculus]

There's a few good irl friends we have that we unfortunately don't live very close to, but every time we do see them I can tell a part of our brain feels relieved in the sort of "home with my people" type of way. It's just that, on some level I also realize that's just us. We've always felt a bit like an outsider, even in groups where we're technically "allowed in" if that makes any sense. It's like... I can see the complicated, colourful strings that connect all those people to eachother, histories, inside jokes, and all- but for us, at best, we'll have one or two of those strings, connected to maybe one or two people, while theirs are fully woven, like fabric. We may be developing a few spider-silk like threads with some of them if we're lucky, but we're still obviously just a frayed edge, something to either burn off or patch over. And we're all too aware of this, and it makes us overthink. Interacting with people, even when we WANT to, is exhausting and stressful, because we think over every single thing we said, every single reaction we picked up from people around us, every single topic- and even the slightest perceived negative reaction (oh gods, did the way we worded this upset person 1? Oh no, did the way I explained that annoy person 4? What if the way I talked about this other thing was unclear, does person 2 think badly of us now because they think we were describing our own opinions?) Becomes a ghost in our head that keeps haunting us until we either know for sure it's been sorted out (which often annoys people, that we want to go over the same damn things a million times out of insecurity) or it cracks us and makes us entirely sabotage and burn that bridge ourselves, before anyone else can (because we've fooled ourselves into thinking that if it's us that burns the bridge, it won't hurt as much and it's better for them that way). It's the way we've become so flighty and quick to flee and run from people, that's in contradiction with the constant desire to make meaningful connections and have close friends. It's just another thing we're working on in therapy, but it feels like this one is one of the biggest struggles and I feel bad about it, not for our sake, but for those few actually strong bond friendships we have, where those friends have to put up with us being terrified of their larger friend group because no matter what we feel like a disconnected outsider

[pinks-wizards]

One day I'll share with the class

i need everyone that has a wizard101 oc to tell me about them in the notes. like now. im so infatuated give me every thought

[liberalsarecool]

From Professor Christopher Robichaud, Senior Lecturer in Ethics and Public Policy, Harvard:

“I'll say this, and then I likely won't be saying much more on here for quite some time, to the relief of some, I'm sure. But my farewell warning is this.

Everyone in the days and weeks ahead will use this loss as an opportunity to seek validation for their own hobby horse complaint. Harris lost because she campaigned with Liz Cheney. Harris lost because she didn't embrace Gaza. Harris lost because she didn't choose Shapiro. Harris lost because she wasn't progressive enough (possibly my favorite one).

Take a good, hard look at the map, my friends. Trump has won the popular vote. Trump ran the table. Explaining that with your hobby horse issue isn't going to cut it, tempting and consoling as it may be. The problem isn't the electoral college. The problem isn't that we didn't have a full primary. The problem isn't Harris. The problem isn't that Dems didn't have the right message. The problem isn't even inflation or the border.

The problem is so much worse than any of those things. Those are all technical problems, with straightforward expertise fixes. If only it were so! No, our problem is not technical. It's very much adaptive. A party that embraced the Big Lie, supported an insurrection, and has been selling conspiracy-addled madness for years, [which] was widely and enthusiastically embraced. Voter turnout was profound! People didn't sit this out.

Simply put, the problem--as some of you have rightly posted--is cultural. America, culturally, has completely abandoned a politics of decency and respect and has embraced instead a politics of resentment, revenge, false nostalgia, and bullying. And if you look at the demographics, you also won't be able to comfort yourself that it's just a white thing, or a working class thing, or an education thing. It's multi-class, multi-gender, multi-educational, and multi-racial. That's what winning the popular vote means. That's what running the table amounts to.

A culture that has descended to this level of debasement is not easily fixed. In fact it may not ever be fixed. The timeline for changing something like this is decades--at best--not two-to-four year election cycles. You can extend that in this case, because with the GOP likely controlling all branches of federal government and the courts, they will ensure that mechanisms are in place to keep them in power long after their popularity has waned. You can count on that.

The GOP evolved into a party of rage, lies, and revenge--and it correctly diagnosed that there was and is a large appetite for that. That's what the country wants. At least enough of the country wants it to ensure broad appeal and widespread electoral success. The old GOP will never return, and the Dems have nothing to say to American culture at the moment. Nothing. They've been speaking to a country that's gone, like dust in the wind.

And that's my final thought, which my posts last night alluded to. The America I knew and loved is gone. This new America--nah, I won't even bother. I will say that cultural change is less likely to occur in politics or in the academy. You're not going to get people to see how vulgar they've become through a clever argument or a nice campaign speech, that's for sure.

This would be time for the arts, broadly understood, to step in. The arts can change hearts and minds. Too bad the arts have been systematically dismantled in education in this country, and on the other end, the tech industry's assault on the arts through AI is sure to hollow out any good-faith efforts that might emerge.

And for the rest of the world, America's rightward lurch is, I'm afraid, bad news for you too. I know you know this. Because it's not isolated, is it? It's just at the moment the most prominent example of a burgeoning trend. And this will embolden others in other countries, to be sure. We need not speculate what happens when countries become mired in lies, embrace resentment, and savor bullying. We know exactly what happens. Bloody conflict and global destabilization.

The first quarter of the 21st century will, therefore, in hindsight, be viewed as the seed-planting stage for the absolute shit show that's about to unfold globally over the next two and a half decades. Count on it.

Adopt whatever coping and endurance strategies you have available. You're going to need it.

I think that's all I've left to say.”

The least evolved. The most paternalistic.

The bully. The liar. The most resentful.

This is the reality we are in. FOX and Republicans have been repeating the script for decades.

The Dark Ages are conservative aspirations.

The abdication of values/principles is complete.

'Good faith' no longer exists on the Right. The more reprehensible the action/person, the bigger the addiction. Trump proves this.

Anti-paternalism, anti-fascism and anti-bullying are my paths forward. Join me.

[elumish]

In the wake of what's going on in the world, I see a lot of rhetoric that basically boils down to the idea that everyone has a responsibility to watch every bad thing that's going on in the world all the time. That awareness itself is a responsibility that everyone has always.

I'm not going to say that people do or don't have a responsibility to be aware of things, but I want to talk about how to take care of yourself and others while doing so.

For some context, I spent close to a year and a half reading about every terrorist attack in the world as part of my work on the Global Terrorism Database. It was 2015/2016, so this was the height of ISIS/Daesh, it was a major time for Boko Haram, and it was when there was a lot of political violence that we weren't sure how to classify in places like Yemen, Crimea, and Libya (stuff the GTD didn't know how to classify had all of is information recorded, and then it went into purgatory until someone above my paygrade decided what to do with it). What this means is that I was spending 10-20 hours a week reading about hundreds or thousands of attacks a month and, in my case, recording infomation about the type of attack and the type of weapon. Much of my life was reading terrible things.

Limit what you do in isolation. One of the worst changes for me during that time, mental health-wise (even though it was great for my commute) was when I went from working in-person to working remotely. With other people, there are ways to diffuse the pain. A burden shared is a burden halved and all that. That may mean talking about it, or joking about it, or finding some other way to engage with it that isn't just reading about the most horrible things in the world and then stewing in your own thoughts about them.

Find something to do that's totally unrelated. I highly recommend finding something to do with your hands, if you can (knitting, Lego, cooking, whatever), but regardless of what it is, you should have some time when you entirely switch away to something different. During a fair amount of my time with the GTD, I was also doing my undergrad thesis about terrorism on TV, so a huge amount of my life was about terrorism in some way. The only other thing I watched was Great British Bake Off, and I would just rewatch the episodes, over and over.

Be compassionate about how you share information and with whom. Use trigger warnings, and consider using consistent tagging on places like Tumblr so people can blacklist it if they need to. Also consider whether it's appropriate or necessary to share photos of bodies or other results of horrible violence. What is it accomplishing, to show that? Can that goal be accomplished other ways that don't require the equivalent of jumpscares of unexpected photos of dead or brutalized people? Are you just showing it because you think that everyone should have to see it? If you are showing it, are there ways to mitigate against harm it may do?

Do what you can to avoid an echo chamber. Sometimes, when everyone around you is upset or angry about the same thing, it just amplifies itself, and you all get angrier and more upset in perpetuity without accomplishing anything.

Work towards action. Watching terrible things happen for the sake of saying that you haven't looked away isn't as meaningful as taking action in some way. Write to your Congressperson. Donate. Do whatever is appropriate for the thing you want to stop. But penance via watching terrible things happen doesn't accomplish anything.

Recognize compassion fatigue and do what you can to mitigate it. If you spend long enough doing this, you start to lose context, and you start to become less able to have compassion about things. If you're reading about attacks with dozens or hundreds of deaths regularly, five can start to not seem like that many. If you're reading only about the worst suffering in the world, "lesser" suffering of those around you can start to seem unimportant and petty. Do what you can to mitigate that.

Be kind to yourself. You do nobody any good if you burn out. Look away, if you need to. Take a break. Do things so you can enjoy life, because otherwise you are just another person suffering in the world. Other people's pain isn't a hair shirt for you to wear.

[cutieeva]

God Of The Chisel

𝐅𝐚𝐧𝐟𝐢𝐜𝐭𝐢𝐨𝐧 𝐨𝐟 𝐉𝐮𝐣𝐮𝐭𝐬𝐮 𝐊𝐚𝐢𝐬𝐞𝐧 Female Reader

Warnings : Manipulation. Detail Sex. Rape.

𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒

❛ 見る人 目の ❜

Sculpture. Molding soul into a form, where art meets emotions. That's the definition for (Y/N), the reason of her learning it, the motivation of her creating such art because she can release her emotions through it yet what happens if she has to create the most beautiful sculpture in the entire world, a sculpture who fell for his own sculpturor.

"So, (Y/N) senpai what sculpture are you going to do this time ?" Itadori Yūji asked clearly excited for his senior's new otherworldly addition to arrive.

"I have no idea this time". She answered, a deep sigh slip her lips as her (E/C) eyes continue to stare at the thin poster of competition.

"Why though ? You are a genius in our major or should I say in Cutieeva university". Kugisaki Nobara replied, chewing the thin end of her paintbrush. "Right Megu-chan ?" The said boy, Fushiguro Megumi nod senselessly busy creating his own carving.

"Look, the competition has clearly said the participators has to sculpture the most beautiful creation the world has yet to seen out of their perspective imaginations and the winner would only be who's sculpture is most well loved by the audience not even judges or critics !!" (Y/N) explained re-reading the poster. "If my art didn't seem beautiful enough to normal eyes than it will be pure humiliation ! Not only for me but for other participators too ! Because it indirectly suggest that us all elite students of art isn't yet good enough to be approved by daily to daily audience only capable to approve to the mediocre judges who stuck by rules and that we are worthlessly wasting money". She expressed her further worries.

"Oh ! I didn't knew it was that deep". Yuji glib laughed.

"Shut up !" Nobora nudged the boy seeing (Y/N) dug fingers on her scale as if she desire to rip hair from the roots.

"(Y/N)-san do not worry. Art is a way to release your emotions not for others to ridicule". Getō Suguru smiled, walking into the art studio earning all four student's attention. "No pressure should be felt or else the art won't be as nearly beautiful as it could be if you do it like you did in the past".

"But Suguru sensei I can't stand the humiliation of losing in front of others so bluntly". Shamefully she down her head.

"Then mold it". (Y/N) tilted her head.

"What do you mean ?" Geto smiled wider.

"Mold your frustration, anger, disappointed, fear on the clay. Use your vivid imagination of horrors and your version of beauty on the sculpture. Use this gift of sculpting to release your emotions so you can at least create something because without creating how can you refine it in the first place ?" The art teacher thoroughly described his most talented student who nod feeling a bit light yet uncertain.

"Also those monkeys are called monkeys for a reason if they don't understand your brilliant art". He added causing Yuji to chuckle.

"They are humans as you, sensei". Megumi mutter loud enough for each to hear.

"Also Fushiguro-San not forget I will be there to inspect your sculpture".

"I know".

"I am reminding it. Just in case". Geto merely smiled at the black head boy glaring at him making other three laugh.

"Ha ! Thank you Suguru sensei and megumi-Chan ! I will do my best". She raised her closed fist in the air.

"Thank us too !" Yuji yelled.

"Thank you Yuji-chan and nobara-chan too". She added giggling at their childish antics finding a new spirit to work with even though in the back of her mind she wonder what will be the result of her emotions molding the clay will be.

In a quiet, isolated white room (Y/N)'s fingers wrapped around the cool, damp clay, she felt an surge of creative energy coursing through her veins. With unwavering focus, she closed her eyes, surrendering to the depths of her imagination. In the darkness, a vision began to take shape— the most breathtakingly beautiful form her mind could conjure. With each gentle touch, the clay yielded to her will, as if alive and responding to her every thought. Her hands moved deftly, sculpting the body, hands, arms, and every delicate detail, just as she envisioned. Time stood still as she became one with the creative process, lost in the pool of her imagination.

Hours passed, or perhaps only moments – (Y/N) was oblivious to the world around her. Her entire being was consumed by the artistic expression unfolding beneath her fingers. Finally, she opened her eyes, and her gaze fell upon the emerging masterpiece. Almost half of the body had taken form, and she gasped in wonder, grasping the clay as if to ensure it was real. A soft smile spread across her face as she realized that whatever she was creating was going to be breathtakingly beautiful – a true reflection of the vision that had possessed her. The clay seemed to pulse with a life of its own, as if infused with the essence of her imagination. (Y/N)'s heart swelled with excitement, knowing that she was crafting something extraordinary, a testament to the transformative power of art.

As the day succumbed to the allure of twilight, (Y/N) remained entranced, her fingers moving with a life of their own. The setting sun cast a warm orange glow upon her workspace, but she didn't notice. The stars began to twinkle like diamonds in the night sky, and the moon rose high, bathing the world in a soft, ethereal light. Yet, she continued to create, oblivious to the passage of time. Hours melted away, and the night deepened, however (Y/N)'s focus never wavered. Her body seemed to forget its needs – hunger, fatigue, and thirst became distant memories. Her sole purpose was to bring forth the masterpiece unfolding before her. The clay appeared to respond to her every touch, as if a divine force had taken residence within her.

With each delicate stroke, the sculpture evolved, gaining refinement and nuance. (Y/N)'s hands moved with a precision that bordered on reverence, as if she were channeling the essence of the divine. The air around her seemed to vibrate with creative energy, and the clay itself appeared to pulse with an otherworldly life. In this state of flow, (Y/N) became one with her art, transcending mortality. Her soul merged with the sculpture, infusing it with a spark of the divine. The boundaries between creator and creation blurred, and she became the deity, shaping the clay with an omnipotent touch. Time lost all meaning as she worked tirelessly, sleepless and unrelenting, driven by an insatiable passion to bring forth perfection.

As the next day dawned, her fingers moved with a newfound sense of purpose, her fingers deftly shaping the final details of her masterpiece. The sculpture stood before her, a magnificent form born from her unwavering dedication. Yet, one crucial element remained— the face, the window to the soul, where expression and emotion would breathe life into her creation. Thus, she was about to move to add details when the sun's warm, golden light danced across her art, her (E/C) eyes gaze locked onto her creation, and she felt the weight of reality settle upon her. The world around her snapped into focus, and she beheld her masterpiece in awe.

Transfixed, she reached out a trembling hand to touch the sculpture, as if to ensure it was truly real. However her body finally acknowledged its limits, her legs buckled, and she sank to the ground, exhausted. A soft cry escaped her lips as she left a voice message "Nobara... food... water..." she whispered, voice barely audible.

Despite her physical collapse, an overwhelming sense of joy and pride swelled within her chest, threatening to burst forth. Tears of happiness pricked at the corners of her eyes as she gazed upon her creation, now radiant in the warm sunlight. The sculpture seemed to pulse with a life of its own, as if infused with the essence of her being. (Y/N)'s heart overflowed with a sense of accomplishment, knowing she had poured her very soul into this masterpiece that is yet to be finished.

Moments later Nobara approached Y/N with a gentle smile, carrying a tray laden with food and water, the aroma of nourishment wafted through the air, enticing Y/N's senses. Nobara's eyes sparkled with warmth as she helped Y/N sit up, cradling her head as she offered a refreshing sip of water.

Meanwhile, Yuji's excitement burst forth like a pent-up torrent, his words tumbling out in an effusive stream: "Wow, (Y/N) senpai this is... this is... incredible! The detail, the emotion, the sheer beauty of it! It's like nothing I've ever seen before!" His gaze darted between his senior and the sculpture, his eyes aglow with wonder.

Geto, beaming with pride, nodded his head in approval, his smile stretching from ear to ear. "(Y/N)-san, my student, you have truly outdone yourself. I've never seen such imagination, such skill, such... life breathed into a creation. You've surpassed even my expectations!"

Megumi, usually a silent observer, stood transfixed, his dark blue eyes fixed upon the sculpture as if mesmerized. His gaze seemed to hold a deep reverence, as if the artwork had awakened a part of him long dormant. For once, his quiet nature was not a result of reserve, but rather, utter captivation.

(Y/N) sipped the water and nibbled on the food, her strength slowly returning, she smiled weakly, basking in the praise and admiration of her friends and teacher. The warmth of their words enveloped her, filling her with a sense of pride and accomplishment.

"I know. This year's grand prize will also be rewarded to our university, won by none other than you, (Y/N) !" Geto's eyes shone with warm and paternal pride. His smile radiated deep satisfaction like his heart had been poured into the sculpture. Unspoken awe. Golden pride.

(Y/N) blush from all the showers of compliment yet she remained a little doubtful as the expression of the face is yet to be crafted dwelling whether the window of the model's will ruin her almost masterpiece.

"Hopefully I can create his expression. I still do not know how or what to shape his expression, hair". Nobora chuckle, sitting near her.

"Do not worry ! We all believe in you. Do your best !" She raised her fist in the air, trying to cheer her friend which she succeed because (Y/N)'s tension dissolved, chewing the food.

"But ! Do not forget to take food because forget award you can't even move your hands if this is how it goes on". Megumi calmly advised.

"Right ! (Y/N) senpai ! Please rest your body". Yuji cheerfully agreed, still captivated by the art with his eyes.

"Thank you. I will". And she did heed to their advise taking full three hours break while laying on her bed with jumble of confusion, thoughts tangled in a web of uncertainty inside her mind. She stared blankly at the clay, her fingers poised in mid-air, as if waiting for the familiar spark of inspiration to strike.

However it didn't come.

For the first time, her natural gift seemed to be faltering. She felt like a novice again, fumbling in the dark, unsure of how to mold his expression. The ease with which she usually shaped clay into breathtaking works of art had deserted her. Her eyes, once closed in confident intuition, now snapped open in frustration. Reaching for a sketchbook, (Y/N) began to scribble down ideas, trying to coax her elusive creativity back to the surface. The pencil scratched across the paper, a staccato rhythm that echoed her racing thoughts. She was forced to confront the possibility that her imagination, once a boundless ocean, might have limits after all.

This unfamiliar struggle was like reminiscing her beginning stage again, rediscovering the basics of her craft. The discomfort was palpable, like trying to relearn a forgotten language. Fingers moved hesitantly, as if seeking permission to create, her mind clouded by self-doubt. The sketchbook became a lifeline, a tangible connection to her artistic voice, which seemed to be whispering in a language she could no longer understand.

"I think I should sleep". Trying for hours with no avails she shut her notebook harshly, closing her eyes to drift into the land of dream in hopes of re-freshing her mind and back to her usual gifted self.

(Y/N) unusually found herself standing in a familiar sun-drenched studio, surrounded by half-finished sculptures and scattered tools. Her late mother stood before a work-in-progress, chisel in hand and for odd reasons she approached, curiosity etched on her face, and asked "Mother, what are you doing?"

"I am creating a sculpture, sweet one. I'm bringing this clay to life." A smile curve upon her frown look

(Y/N)'s gaze wandered to a nearby model, posed with elegance, yet lacking an upper torso. "Mother, why is she like that?" she asked, her voice tinged with innocence.

"Oh, my child, I couldn't complete her". Her mother burst into laughter

"Then will it always be like this?" Her younger self tilted her head.

Her mother's expression turned gentle, "No, my dear. Creating art means being patient. When I feel stuck, I pause, enjoy life, and give time for creativity to return to me. It's like a river, flowing and ebbing. I must learn to wait for the tide to come back."

And suddenly the image turn distant and faded into burl letting (Y/N) open her eyes with tears gliding her sides and reality welcome her, a world without her mother.

The memory of her mother's words lingering like a whispered secret with other bitter memories of her coffin flood too spreading a bittersweet taste on her lips. "Mother you never left me. Did you ?" Smiling to her herself she understood the truth : patience was the key. She needed to wait, to let her imagination recharge, and trust that the muse would return to her when the time was right rather than forcing the art to flow.

From the moment on she let go the weight that had been pressing upon her by abandoning the almost-finished sculpture, leaving it to stand silently, a testament to her temporary surrender.

With a newfound sense of freedom, she wandered into the garden, her fingers trailing across the soft petals of blooming flowers. The gentle rustle of leaves and sweet songs of birds enveloped her, calming her mind. Next, she found herself lounging on her bed, surrounded by pillows, lost in the world of games on her console. The vibrant colors and soothing music transported her to a realm where worries didn't exist.

As the day wore on, (Y/N) continued to indulge in the joy of doing nothing. She lazily flipped through the pages of a book, savoring the feel of the paper between her fingers. The words blurred together, but she didn't care – she was too busy basking in the serenity of the moment. Time lost all meaning as she drifted from one leisurely activity to the next. The competition, the sculpture, and her doubts all faded into the background, replaced by a sense of tranquility and release.

Until the creativity flowed back to her motivating her emotions to meet her clay giving birth to the sculpture's expression she always think is the true definition. With renewed inspiration, (Y/N) approached her sculpture, her hands moving with deliberate purpose. She carefully crafted the expression, etching a window to the soul onto the cold, clay body. The eyes, once blank, now sparkled with a deep, inner light, as if the very essence of life had been breathed into them.

The subtle curve of his lips, the gentle tilt of the head, all conspired to reveal the depths of the subject's being. The clay, once mere material, had transformed into a vessel for the human experience and the sculptor stepped back, her gaze swept across the masterpiece, drinking in the nuances of her creation. The world, with all its complexities and emotions, seemed to emanate from this single, silent form.

With a final, gentle touch, she completed the sculpture, infusing it with a sense of vulnerability and strength. The cold body now pulsed with a quiet, inner radiance, as if the very soul of the subject had been laid bare for all to see. In this moment, (Y/N) knew she had created something extraordinary—a window to the human experience, crafted with precision, passion, and patience. The world would soon behold her masterpiece and she was ready to be crowned as the winner of all, surrounded by claps of people.

"But what the name of this model will be ?" Deep in thought she grab her notebook looking at her male utter beautiful sculpture posed in the very same pose she choose before a name pop in her mind and she bestow the name sought to capture the harmony of opposing forces that her sculpture embodied. "Gojo" represented the balance of the five elements or more like five attributes of the human body such as head, body, arm, torse while "Satoru" symbolized the enlightenment and comprehend of his unworldly creation.

"Good". Smiling, she name her creation, granted him an identity, a sense of self that transcended the mere clay and stone even creating a inexplicable connection to herself with the art. "Is this how mother felt granting her pieces names ?" A chuckle escape her lips remembering how the old woman usually call her pieces her children along her own breathing child, (Y/N).

The competition host's voice boomed, "Welcome to the Grand People's Award Choice! Today, you will decide which sculpture reigns supreme!" The crowd murmured in excitement as they began their journey through the exhibition hall.

Sculptures of varying shapes, sizes, and materials dotted the landscape, each one unique and breathtaking in its own right. The host deliberately omitted the artists' names, allowing the art to speak for itself. Amidst the sea of onlookers, the creators themselves blended in, anonymous and eager.

(Y/N) fidgeted, her mind racing with doubts despite her teacher's encouraging words and her friends' reassurances and the crowd flowed around her, something remarkable happened. People would pause, glance at her sculpture, the Gojo Sataru, and then stop dead in their tracks. They couldn't help but be drawn back to the majestic male form, as if an otherworldly deity had been captured in clay.

Whispers spread like wildfire: "This one...this one is something special." Strangers would nod in agreement, their eyes locked on the sculpture's serene face. Even those who attempted to move on to other pieces found themselves inexplicably returning, transfixed by the beauty before them.

As the hours ticked by, a sense of certainty settled over the crowd. It was as if the winner had already been chosen, not by the judges, but by the people themselves. (Y/N)'s anxiety began to dissipate, replaced by a cautious optimism. She crossed her fingers, hoping against hope that the next hours would fly by, bringing the voting to a close and confirming what the crowd had already decided in their hearts.

The countdown clock struck its final moment, and the host's face ignited with a triumphant smile. "The moment of truth has arrived!" he declared, his voice electric with excitement. "The votes are in, and the winner of this Supreme competition will be revealed!"

(Y/N) held her breath, her heart racing like a wild stallion. Her friends offered reassuring pats on the shoulder, but she was too entranced by the host's dramatic pause to notice.

The room hung in suspended animation, the only sound the soft hum of bated breath. And then, a sly smile crept onto the host's lips, like a whispered secret. He parted his lips, and (Y/N)'s heart skipped a beat.

"(L/N) (Y/N) from Cutieeva University... Congratulations! You are the champion!" he announced, his voice thundering through the hall like a victorious fanfare.

Pandemonium erupted as (Y/N) stood frozen, her eyes wide with wonder. Her friends screamed with joy, hugging her tightly as tears of elation streamed down her face. The host approached her, a congratulatory envelope in hand, and (Y/N) felt like she was soaring on the wings of triumph, her dream finally within grasp. She still can't believe out of all the brilliant universities around the globe did her sculpture won, granting her the award. (Y/N) felt like she was living in a dream, where time blurred and moments merged into a kaleidoscope of emotions. One instant, she was standing frozen, her heart racing with excitement; the next, she was beside the host, basking in the glory of her triumph.

The award felt heavy in her hands, a tangible symbol of her achievement. Thunderous applause enveloped her, a deafening roar that threatened to consume her. She opened her mouth to speak the speech, but her words were lost in the chaos, barely audible even to herself.

Before she knew it, she was swept away by a tide of well-wishers —friends, classmates, teachers, and even her principal — all beaming with pride, cheering her as the pride of their school. The celebration was a whirlwind, a colorful blur of laughter, tears, and congratulations.

And then, suddenly, she found herself alone, sitting on her bed, surrounded by the quiet of the night. The moon cast an ethereal glow, illuminating her room with an otherworldly light. She breathed in deeply, the stillness a balm to her frazzled nerves and she gazed out the window, a slow smile spread across her face. It had happened. She had won. The realization dawned on her, and she felt a shiver run down her spine.

"Mother ! I have achieved what I wanted". She said gazing fondly at the frame of her mother, settling the golden award beside it. Everything is perfect and will be. Right ? Because little did she know, this moment of triumph was only the beginning of a dark and twisted journey.

From that moment on, (Y/N)'s sculpture became a global sensation, drawing thousands of tourists to the university gallery. At first, she was ecstatic, basking in the glory of her creation's viral fame. She had won awards before, yet never had her work resonated with so many people worldwide. With pride, she showcased her masterpiece to art enthusiasts, critics, and curious onlookers. She reveled in their admiration, laughing and joking about being a "deity" who had created such a stunning work. However as time passed, a creeping sense of unease began to shadow her joy.

The whispers started innocently enough of

"How handsome he is!"

"I wish he was real!"

"Oh god, why couldn't I meet such a man?"

"Why the god didn't create such wonderful man ?"

"Hopefully he come to life".

"If I could then I would sacrifice my everything to see this man alive".

"Ah ! Why can't he come alive".

Hoever soon, the comments took on a life of their own, echoing in her mind like a mantra. She began to feel like she was losing control, as if her own creation had taken on a persona of its own. The praise, once music to her ears, now felt like a dark omen. She started to wonder if she had unleashed something sinister into the world. The constant attention, the endless scrutiny, and the obsessive admiration began to suffocate her. The deity joke wasn't funny anymore. It felt like a haunting prophecy.

A desolate realm of darkness she could see along the suffocating void that crushed her beneath its oppressive weight. The air was heavy with the stench of malevolent presence, and she sense of eyes upon her, boring into her very soul. In mist of that a voce came, first the voice was a distant whisper, a faint rustling of dry leaves that seemed to carry on the wind however it grew louder, more urgent, until turning a maddening chant that echoed through her mind. A single, raspy voice, repeating a phrase that seemed to draw closer with each iteration, its words indistinguishable but its sinister intent clear.

The voice was a cold breeze on the back of her neck. (Y/N) tried to flee, but her legs were leaden, her body trapped in a living nightmare. And then, the voice whispered a single, chilling phrase, its tone a masterful blend of malice and seduction "Gojo Sataru."

The name exploded in her mind like a firework of terror, shattering the fragile remnants of her sanity. (Y/N) jolted awake, her eyes wide with horror, her lips frozen in a silent scream. Sweat dripped from her brow like blood from a wound, her heart racing with a fear that threatened to consume her whole. For a moment, she lay there, paralyzed with terror, the darkness of her dream still clinging to her like a shroud. Then, she sat up with a gasp, her eyes scanning the room frantically, as if searching for an escape from the terror that still lingered in her mind, waiting to pounce.

"What is going on ?" (Y/N) ask feeling alike an mad woman slowly descending into madness. In fear she didn't closed her eyes for moment, staring blankly at the ceiling or sometimes sketching a new art mindlessly to distract her disturbed mind.

In no time sun made it's presence known, offering bit of warmth to all and each even to (Y/N) who felt comfort to the golden rays before her ringtone took her attention. Answering the phone she greeted. "Good morning, Geto sensei".

"Good morning, (Y/N)-San, but could you please come to the university gallery ?" Hearing this a frown knitted her brows and she check her wrist watch. 5:00 am.

"So early if I may ask ?"

"Actually". He paused as if unsure what to speak "Please it's urgent". Understanding the hastily tone she agreed, doing a brief wash and clothes change she went to the location asked and oh dear, (Y/N) wasn't expecting the overwhelming amount of crowd standing outside her art gallery. Spotting her teacher she stood nearby.

"Sir, what's going on ?" Her (E/C) eyes dart from the crowd to her teacher.

"Well". Sheepishly the teacher tilted his head. "They came to see your sculpture". Earning a loud grasp from her.

"T-They ? You mean all ?" She stutter.

"All". Geto smiled nervously as if he finding his own words strange.

"So early in the morning and so many ?" Geto nod again.

"What in the world..." (Y/N) tailed off unable to comprehend the situation of what's going on, yes, she admits herself this particular art is special, a living masterpiece basically yet the amount of spotlight seems unnecessary, uncomfortable and— her thoughts went back to the nightmare she woke up— and strange.

"So, (Y/N) please guide the people. I have no choice but to let them in, you know". His smile strained and the girl knew there was not much say she has so she nod wordlessly standing in front of the glass door, a wall between the people and her. The glass door slid open with a soft whoosh, unleashing a torrent of humanity into the gallery. Hundreds of people poured in, their faces alight with excitement, smiles, and eagerness. The air was electric with anticipation, a palpable sense of wonder that was almost tangible.

(Y/N) stood at the forefront, a forced smile plastered on her face as she greeted the throngs of visitors. She waved her hand graciously, guiding them towards her sculpture, the centerpiece of the exhibition. Her eyes darted back and forth, her mind racing with a growing sense of unease and she stood before her creation, a strange, unsettling feeling washed over her. She couldn't bring herself to look at her own creation, her gaze skittering away like a frightened animal. The sculpture, once her pride and joy, now seemed to loom over her, its presence oppressive and menacing.

(Y/N)'s smile faltered, her lips trembling ever so slightly. She felt like a puppeteer whose strings had been cut, her control over the situation slipping away. The crowd's excitement and admiration only added to her growing sense of discomfort, their eagerness to behold her creation now feeling like a suffocating weight. With a Herculean effort, (Y/N) raised her eyes, her gaze finally meeting the sculpture's serene, enigmatic face. Rather of pride, she felt a shiver run down her spine, as if she was staring into the abyss itself despite his face turned to the other side.

"Miss (L/N), with what thought you created this masterpiece ?" A young woman asked within the mist of people.

"Masterpiece ?" (Y/N) mutter under her breath tasting a bitterness. "Well, it came naturally". She replied smiling and staring at the woman's eyes.

"Amazing !" One of them compliment.

"Then Miss (L/N), had you thought the model will be this viral ?" A young man this time asked.

"Never". She answered holding her tremble.

"Then, what motivate you to create such man ? Is he a real man or a part of your imagination ?" Another asked who's face (Y/N) unable to see.

"As the rules of competition. All of the participators had to bring their imagination out into the clay so did I". Calm her voice and confident her (E/C) eyes.

"So Miss (L/N) how long did it take to make you ?"

"Miss (L/N) were you always inspired to make someone of it ?"

"Miss (L/N) are you aware of the name we call you ? The deity ?"

"Miss (L/N), any hint of inspiration in process of making him ?"

One after another the questions jumped from one man to another to another that (Y/N) lips didn't had the time to even open eventually the cacophony of voices and laughter merging into a distant, muffled din. The room began to spin, and she felt herself becoming detached, as if floating above the chaos. The excitement and admiration of the crowd now seemed like a distant hum, a buzzing in her ears that threatened to consume her. With a sense of morbid curiosity, (Y/N) dared to glance at her sculpture, the root of all the chaos. Her heart raced and from the tail of her eyes locking onto its serene, enigmatic face.

And then, she saw it. Or thought she saw it. His eyes, once mere clay and stone, seemed to flicker with life. They moved, ever so slightly, as if connecting with hers. The room froze, time standing still as (Y/N)'s heart sank like a stone.

She felt a chill run down her spine, her mind reeling in horror. It was impossible, yet she swore she saw it. The eyes, once lifeless, now seemed to hold a spark of consciousness, a glimmer of awareness that was not of this world.

(Y/N)'s breath caught in her throat, her voice trapped in a silent scream. She stumbled backward, her eyes fixed on the sculpture, her mind racing with the implications. The crowd's din returned, but she didn't hear it. She was lost in the abyss of her own terror, staring into the eyes of her creation, which now seemed to stare back.

"Miss (L/N) ?"

"Miss (L/N) ?"

"(Y/N) senpai ?" Snap ! (Y/N) looked at the familiar call of her best friend Yuji running towards her, holding her hand worried. "Are you alright ?" His voice ringed yet her care is about the sculpture, about the man !

Slowly she turn her head, finger point to his face only to blink twice and find the lifeless eyes as it belonged unlike the glimpse of terror she saw.

Confusion.

Betrayed.

Madness.

Alone.

Did no one saw that ? Did even she saw that ? But it's liveless right ? It's a mold of clay, a non-living thing yet why ? How ? What is going on ? (Y/N) mind spin threatening to burst any moment.

"Yuji, I-I am not okay". Her words stutter and she lean on his strength.

"Understood". Yuji sprang into action, bellowing at the crowd to part and make way unlike (Y/N) who couldn't process the commotion, her mind reeling like a maelstrom. She felt her grip on reality begin to slip, her thoughts spiraling into a vortex of doubt and terror. Was she truly seeing things, or was her own sanity unraveling? The world around her became a blur, as if she was trapped in a never-ending nightmare. Yuji's voice grew distant, a fading echo as (Y/N)'s consciousness teetered on the edge of collapse.

"High blood pressure, high stress level and sleep deprivation". Ieiri Shōko said, with a sigh looking at the chat. "It's a dangerous combination, (Y/N)-san that's why rest your body". Before glaring at her teacher Geto. "And you ! who even gave you the permission to be a teacher huh ? If you can't act like one ?" Her raspy voice and judgmental eyes send daggers in his way.

"I am sorry, (Y/N)-San, I didn't know I was creating pressure for you". Guilty written over his face as he ease his frown.

Megumi commented "Well, you as a teacher should know yourself". Right away avert his gaze to not meet his glare.

"It's alright. My fault. I should have voiced out my problem but I really think I need rest". Indeed (Y/N) felt the need to relax after seeing the movement never will she ever recover the horror her heart felt.

Nothingness. No hint of light, nothing at all. A silent void of nullity only suddenly, two glints of light materialized, like sapphires bursting forth from the shadows. The brightest blue she had ever seen, piercing and vivid, locked onto her. Eyes, hidden until now, stared directly into her soul. A whisper, a murmur, a voice she couldn't decipher, grew in intensity, swelling to a deafening crescendo. The words remained elusive, but the urgency was unmistakable. She strained to comprehend, her heart racing, until the sound shattered the darkness, jolting her awake with a silent scream, as if her own soul was being torn from her throat, leaving her gasping in terror, her breaths coming in ragged, desperate gulps, like a dying thing clawing its way back from the abyss.

"What was that ? I never saw those eyes—" She pause recalling the vivid eyes. "I didn't or did I ?" Oddly enough her mind went to her own sculpture. "His eyes, his lifeless eyes". Repeating the thought in her mind, She threw off the covers and got out of bed, her bare feet making barely a sound on the cold floor.

"It can't be". She hoped. "It shouldn't be, it must not be". Like a protection mantra she chanted it sprinting to the exhibition where her once masterpiece to nightmare stand on and she somehow unlock the door and run to stand in front of her model, Gojo Sataru in the darkness she was begin to spiral and to her denial the moon cast an eerie glow through the window, illuminating the sculpture's face. (Y/N) felt a shiver run down her spine as her (E/C) eyes bore into its eyes and saw nothing. No color, no sparkle, just emptiness like it should be. "Ha ! I knew it. It was another my imagination working too much". With a scoff she breath properly ignoring her intitution of feeling not being alone in this room so she walk away quietly yet quickly escaping from the burning empty eyes of the sculptures.

The night wore on, a sleepless vigil, as her fingers held the pencil scratched across the paper, trying to capture the haunting blue eyes that lingered in her mind. The memory of their piercing gaze refused to fade, fueling her creativity as she sketched into the wee hours. Just as the first light of dawn crept in, her friend arrived, bearing the missed class lessons and a gentle smile.

"Here, I am giving you all you need". Nobara pat her head, able to point out dark circles in her friend's eyes.

"Thank you a lot". Gratitude mingled with exhaustion and her hands accepted the offering, placing it in the wooden desk where her eyes caught the shining golden award she forget to keep somewhere else due to the chaos happening.

"By the way (Y/N) I also wanted you to know today your sculpture would be the model for beginner students to learn how to create the perfect body, arms and you know basics". Her hands move with the notion earning a smile over (Y/N)'s lips.

"Understood". She didn't, she didn't understood the meaning behind seeing the same art so many times anymore. Why can't people move on, go, see some other new, fresh and normal art unlike her strange, hauntingly beautiful one. That's when the curiosity to see the art awaken, for unknown reason she desperately wants to see or perhaps it was the promise of safety in numbers she asked to go along with her.

(Y/N) strolled hand in hand with Nobara towards the exhibition, the warm light danced across her skin, a comforting sensation she savored. "Let's go in". Reached the glass door Nobara said touch the doorhandle and about to open breaking the space between them when her (E/C) eyes dare peek through her lashes to the glass exterior and her her serenity, sanity shattered because for a fleeting instant, the hands of the stone seemed to twitch, fingers trembling, arms stiffening, like a macabre puppet springing to life. The horror of her nightmare resurfaced, threatening to consume her. Madness lurked, its dark tendrils creeping closer.

Averting her gaze, she felt her grip on reality falter once again. With shaking hands and a voice barely above a whisper, she stammered "I am sorry...I suddenly feel sick. I need to rest".

Without awaiting Nobara's response, she turned and fled, leaving the girl worried and tense, her eyes wide with concern as she called out however (Y/N) was already gone, vanished into the crowd, pursued by the demons of her own mind.

"This is happening again. It moved right in front of my eyes, in front of Nabora and others too !" Claps her palm to her mouth she tightly close her eyes, sitting on her bed and without a second thought opened the wooden drawer taking few pills of sleeping pills and drank in rapid speed.

"I need a dreamless sleep, I need a dreamless sleep". Repeating she lay on the cold fabric of bed and close her eyes.

Darkness enveloped her sight, a suffocating shroud that obscured all else And then, like specters emerging from the void, a pair of pale hands materialized before her. They glowed with an ethereal light, as if the darkness itself had taken on a life of its own. The hands, unmistakably male, reached out with an unsettling gentleness, his fingers tracing the contours of her body. (Y/N) felt a shiver run down her spine as the hands caressed her, his touch leaving her skin crawling with unease. She tried to recoil yet the palm tightly held her waist in it's root however she tried to move again that's when a low, velvety voice unfolded like a dark flower, its laughter echoing through the shadows like a predator's taunt along the blue eyes snapped open, blazing with an otherworldly intensity. Those cerulean orbs incinerated her defenses, laying bare her soul like a ravaged landscape despite clothes attached to her body.

"How cute you are trying to run away ?" His sinister voice carried like wind coming from behind to front or from nothing to assume.

Slowly his hands caress her visible neck, lacing with curiosity and desire. Tracing the curve of her side to the front from her chin to pausing at the collarbone unleashing a chill that seeped into her bones. Disgust and fear entwined, a toxic embrace that left her paralyzed, her heart a wild animal racing against her ribs and almost as if he could smell the fear those gleaming eyes smile into crescent moon and frosty fingers unbutton her night shirt one by one swelling tears in her eyes.

"No. Please. No. Please". She preyed to each and every god she knew the existence of, hoping to be saved by the creation she created by her own hands. Spared by the humiliation she might face by the monster and—Snap ! Her eyes jolt open to a world that is too bright, too loud. The screeching alarm pierced her eardrums, a forgotten relic of a previous night's routine. As she struggled to sit up, the harsh light overhead stabbed at her eyes, making her squint and shield her face with a groggy hand.

Tear drops silently land on her lap, soaking the fabric with her sorrows she experienced and unconsciously her hand went to her chest making her breath hitched because the two first buttons of her shirt is separated leaving her to wonder the line between her reality and nightmare erasing. "What is happening ? Why is this happening ?" Fingers dug inside her hair to the roots, only helpless questions is jumbled on her mind with unanswered and those question will remain more unanswered when increasingly she unmistakenly gets glimpse of the model and her blood run cold witnessing the torso seemed to twist, ever so slightly, like a snake slithering through grass and that very same night she is laying on her bed, inside her nothing of dream joined by the pair of hands, alive eyes, cold hard torse crawling above her warmth of skin exporling her body as if she belonged to him, violently the privacy (Y/N) wants to keep and when she teetered on the brink of death. The alarm clock screamed, shattering the spell, saving her at the same time lingering the terror.

The next time she didn't gave the chance her eyes could to see her sculpture anywhere from her phone, to her poster, she even avoiding going out frighten by the fact to see him coming alive however fate speaks otherwise accidentally letting her eyes meet the flicker of the monster named Gojo Sataru and finally along his legs twitched, its entire body began to stir, like a creature awakening from a centuries-long slumber. (Y/N) watched in pure horror, her mind reeling, as the once-inanimate object now moved with a sinister purpose. Feeling her own life force ebbing away, as if the sculpture's newfound vitality was draining her very existence and known echoed in her mind "This is the end. I'm staring death in the face."

Desperate to escape the terror from going to sleep, (Y/N) tried to distract herself. Fingers grabbed her sketchbook, but her pencils trembled in her hand, unable to capture the beauty of art amidst such evil however eyes moved to watched entertainment shows only to feel the laughter and music seemed hollow, a cruel mockery of her fear. Even old videos of her parents, once a source of comfort, now seemed distant, unable to shield her from the encroaching darkness waiting to pounch.

No matter what she did, her eyelids grew heavy, threatening to surrender to sleep despite the knowledge that if she succumbed to sleep, the sculpture would claim her. So she fought, hard and limit past her strength. She'd rather die awake, than let the darkness consume her.

Despite her valiant efforts, (Y/N)'s eyelids finally betrayed her, succumbing to the relentless pull of exhaustion and the last thing she saw was her mother smiling face holding her younger self's hand in the video.

This time when she faced the void of nothingness, she has complex layers of emotions piling one after another. Fear of what might bound to happen, confusion of why or how's this situation is even occurring to her so many times, regret of creating a monster she mistakenly did and little calm of at least knowing what's about to come in front yet she wasn't ready to face the tide like all ship captains are no matter how much they nagivate above the ocean, they fear bear fear and the darkness coalesced, swirling around itself like a vortex of ink, deepening into an abyssal void. It churned and eddied, alike creating a pathway for the entity that lurked beyond the shadows. The air seemed to thicken, heavy with anticipation, as the darkness parted like a curtain, revealing a glimpse of what lay beyond. Slowly, the entity began to take form, its presence unfolding, no longer just fragments of limbs or eyes, but its entire self, a being of unutterable horror, emerged from the shadows. The darkness swirled around it, a mad dance of tendrils, as if worshiping the monstrosity that now stood before (Y/N).

Gojo Saturu, her sculpture moving in flesh and form of an living human. A vision of devastating beauty that the viewers oh so desired. His lips in a perpetual smirk while his sapphire eyes look straight into his creator's soul.

"Hello, my creator". He mockingly greet, voice smooth flowing to (Y/N)'s ears. "Nice to meet ya". He giggle at the end as his own comment was funny. "I was oh so waiting to meet. Took so long". His long legs march forward to (Y/N) who is frozen, breathing hard to have her creation talk to her.

His face lean forward inching almost few inches apart to where her (E/C) could see his unblemished and smooth skin like she curved out of her fingers, well she bestowed him everything but flaw, a mistake on her part and a power to his. Deliberately his slender pale finger tips touch her cheek—her imperfect skin. She fully embraced to shiver by his coldness yet it was oddly warm causing her eyes wide filling questions in them.

He wordlessly smiled further, cupping her entire face on his both palm like one would to their deity. Thumps ever so slightly stroke her skin. "You must be dying to know the truth ? How I created ? Breath to live ?" His eyes flicker to hers. She choose to not say.

"Well, it's cause you, all because of you and those humans. Their hopes, admiration, wishes and your believe of me springing to live manifest into a unseen force, a force of blending your believes turning and fueling my life from mere stones. The moment you believed my eyes moved, my eyes spring into live, you believed my hands twitch it gave me life and slowly little by little you were all along bringing me life. My creator, my love. My eve of life". Stretching his lips ear to ear he close their distance, enveloping her lips.

Astonishing her and letting her limbs finally protest against the unwanted touch yet his hands larger, faster, stronger that held her both wrist in one palm, focusing solely on devouring her lips and wrapping tongue above one another, swirling like the taste of saliva and sucking breath out of her leaving her utterly surrender and vulnerable. (Y/N) suffocated by the soul draining kiss she kicked his any part only for him to remain unyielding and finally when he deem to be satisfied he seprated their lips with a glistening string of saliva linked and heavy breathing followed.

"Is this how it feels to need air ?" A husky laugh bubble out of his throat. "Then it's addicting". The sly smile stayed as he branded her skin with tender kisses, tracing a path of desire. The soft curve of her cheek, the tantalizing corner of her lips, the delicate slope of her chin, the whisper-soft lids of her eyes, and the gentle expanse of her forehead like marking her his.

"Stop. Stop all of this madness. Why are you doing this ? If you want to kill me then kill me already why torture me ?" Desperate her breath brush aganist his skin, fearful written on her eyes.

"Aww, there is a misunderstanding between us love, a grave one". He dramatically chuckle. "Why would I want to kill my own creator when you are the reason I even form an shape ? And torture ? Is this torture when I am soaking you in love. This is my passion for you. My burning desire for you". Yearning his brightest shade of eyes hold and rather of feeling moved all she felt was forced.

"But I do not want". Tears prickly down her eyes, watering her vision. "I really do not want this". She threw her head back, moving as her physical self can.

"It's okay. You do love me because if you don't then you wouldn't have created me so love me. Like you are suppose to. Bear the consequences of your actions, darling". Shushing her lips with his finger, he gently kiss the vulnerable curve of her neck and descend in downwards ignoring all of her pleads, protest and fight. Eventually his lips brush against her collarbone and ever so gently he suck the skin purple and red moving to the valley of her chest.

His free hand cup the breast through her dress ignited an fire and blood rush to his pants. Tearing her shirt scattering her buttons he came to face with her lovely bra, the only shield protecting against being bare yet he with ease snatch that away. Laying her upper body to feast by those eyes.

"Hmm" A groan slip past his lips from merely stare at those breast and the outline of her body with the way her blush expression, tears streaming, hands tied by his palm, hair spread beneath her was a divine sight than himself. Oh how he recall watching her from his stone form and yearn to touch those skin which he is now relishing.

Shamelessly his large palm cup her breast earning a sweet whimper and dive to taste if it's sweet as her lips and he was beyond ecstatic, twisting the bud as he please and sucking whole even biting with his canines enjoying the melody of her sobbing and her warmth skin. Before jumping to the another untouched one claiming his like it belonged and butterflies kisses on the entire breasts.

To lacing his tongue on her center of skin, tailing down and stopping at her stomach pecking each imperfect and perfect spots covering her whole. How couldn't he ? If he was served with a human like her, (Y/N) who is in his eyes the prettiest girl to even laid eyes on.

While she is on other end of hell, despising the kisses like an lava drops, burning with a fiery hatred that left her scarred. Every touch was a toxic assault, poisoning her senses and corroding her soul. His lips were venomous serpents, injecting deadly venom into her veins with each caress. His hands are acid, dripping with malice as they crawled across her skin. She couldn't and didn't felt a loving sense from him let alone love he was confessing about. Nightmare his life is.

And he knew about. Knew perfectly of her hatred, pain and still choose to love her because she does love him. She just doesn't know herself or he will make her. That's why he is mastering the very skill to pleasure her in ways a woman could be by ripping her only thread of cloth wrapped around her hip and fully nude her.

Viewing her lay bare, all nude couldn't conceal the heart crafting on Gojo's eyes and the madness smile heating his pale skin. Swiftly he dug his head in between of her legs, inside the clit his cum will enter. Well, for later because now his mouth was engulfed inside, tongue forcefully rip inside to taste the creamy fluids his love made of making her grasp and thrash around more harder than she could.

Even squirming underneath him only to prove fruitless while he continue to taste her juices, eating as if it's a delicacy itself, swallowing down and circling his tongue inside her tight walls, loving every bit of it however his patience comes to end making him pull out his flesh with dripping saliva and ran his fingers past his hair.

"P-Please. Please spare me. Please..." Her voices somewhere blended with her sobbed sorrows and her grasp when he impatiently without preparation unbuckle his restrictions, pulling out his shaft and pierce straight inside her walls.

Arching her back and cry out a scream she felt utter hopeless and pain coursing through her limbs. "It hurts ! I-it hurts". Dragging her air she wail. "It hurts please Gojo. It hurts". pricked at his name Gojo shush her more, whispering sweet nothings like an lover not a rapist he is and claim her lips once more. Even stealing her right to speak.

Heartlessly he slam his throbbing shaft again and again, groaning within the kiss and savouring the feeling. "Ah ! Is this what feels to have sex ? Because if it is then I would do it again and again". Tilting his head, Gojo separated his lips and eventually his hips came to stuttering as he cum inside without a care of world unlike (Y/N) who's heart rattled under her ribcage.

"No ! No ! No ! No ! No ! You monster ! What did you do ?" In disbelief she kicked her tireless legs and dug her nails on his soft skin. Anger filling her mind. "I can be pregnant !" She cried out.

"Really ?" Honestly he asked, laughing. "Then I should do it properly". With that the horrors repeated with his hips penetrate her clit deeper.

Her lips parted echoing her scream along her eyes snap open. Her body jolt up from her bed and gasping for air as if she'd been underwater for too long. Her chest heaved, and her eyes frantically scanned the familiar surroundings of her room. Her clothes clung to her damp skin, a testament to the terror she had endured. "Wai—I am wearing my clothes. Does that mean ?" As reality set in, a wave of relief washed over her—it was just a nightmare, a twisted episode of her own madness, nothing more. Smiling to herself she craved the comfort of her friends so with a sense of urgency, she rushed to their room, catching a glimpse of them at the exhibition hall. She burst in, smiling wider and navigated through the crowd. Her eyes locked onto Nabora, and she grasped her best friend's hand like a lifeline.

"Good morning (Y/N)". Cheerfully she greeted.

"Good morning to you too". She breathed. "I had a nightmare". Her voice confessed. "Believe me or not the worst one".

"What do you mean". Concern fill the girl's face and (Y/N)'s lips about to elaborate when a pair of hands— disgustingly familiar and unsettling— wrapped around her shoulders from behind. A low, husky voice whispered in her ear.

"A nightmare huh ?" Gojo's words dripped with an unsettling intimacy, his tone implying secrets shared and terrors unspoken washing cold bucket of water over her head.

How ?

What ?

Impossible ?

"Right ! Gojo senpai, help your girlfriend ! She is in need of your help". Nobara spoke in an familiar tone to which he replied "of course".

"B-Boyfriend ?" Her words stutter.

"Oh ! Sorry not boyfriend. Fiancé !" She facepalmed herself laughing. Alone. Not with (Y/N) who's questions and terrors trapped in the vice of his embrace.

Leaning closely Gojo tucked her shirt a little making her aware of the intimacy marks she was blind to miss and whispered the bitter truth. "I have become the god of the chisel".

FIN

[artsekey]

Disney's Wish

Look, Disney's Wish has been universally panned across the internet, and for good reason.

It’s just…kind of okay.

 When we sit down to watch a Disney film—you know, from the company that dominated the animation industry from 1989 to (arguably) the mid 2010’s and defined the medium of animation for decades—we expect something magnificent. Now, I could sit here and tell you everything that I thought was wrong with Wish, but if you’re reading this review, then I imagine that you’ve already heard the most popular gripes from other users across the web. So, let me focus in:

The biggest problem with Wish—in fact, the only problem with Wish—is Magnifico.

Whoa, that’s crazy! There’re so many things about Wish that could’ve been better! The original concept was stronger! The music was bad--

I hear you, I do. But stay with me here, okay? Take my hand. I studied under artists from the Disney renaissance. I teach an adapted model of Disney’s story pipeline at a University level. I spent a ridiculous amount of time getting degrees in this, and I am about to dissect this character and the narrative to a stupid degree.

First, we need to understand that a good story doesn’t start and end with what we see on the screen. Characters aren’t just fictional people; when used well, characters are tools the author uses (or in this case, the director) to convey their message to the audience. Each character’s struggle should in some way engage with the story’s message, and consequently, the story’s theme. Similarly, when we look at our protagonist and our antagonist, we should see their characters and their journeys reflected in one-another.

So, what went wrong between Asha & Magnifico in terms of narrative structure?

Act I

In Wish, we’re introduced to our hero not long into the runtime—Asha. She’s ambitious, caring, and community-oriented; in fact, Asha is truly introduced to the audience through her love of Rosas (in “Welcome to Rosas”).  She’s surrounded by a colorful cast of friends who act as servants in the palace, furthering her connection with the idea of community but also telling us that she’s not of status, and then she makes her way to meet Magnifico for her chance to become his next apprentice.

Quick aside: I'm not going to harp on Asha as a character in the context of Disney's overall canon. Almost every review I've seen covers her as a new addition to Disney's ever-growing repertoire of "Cute Quirky Heroines", and I think to be fair to Asha as an actor in the narrative, it serves her best to be weighed within the context of the story she's part of.

As Asha heads upstairs for her interview, we're introduced to the man of the hour: Magnifico. He lives in a tower high above the population of Rosas, immediately showing us how he differs from Asha; he’s disconnected from his community. He lives above them. He has status. While the broader context of the narrative wants us to believe that this also represents a sense of superiority, I would argue that isn’t what Magnifico’s introduction conveys; he's isolated.

Despite this distance, he does connect with Asha in “At All Costs”. For a moment, their goals and values align. In fact, they align so well that Magnifico sees Asha as someone who cares as much about Rosas as he does, and almost offers her the position.

… Until she asks him to grant Saba’s wish.

This is framed by the narrative as a misstep. The resonance between their ideals snaps immediately, and Magnifico says something along the line of “Wow. Most people wait at least a year before asking for something.”

This disappointment isn't played as coming from a place of power or superiority. He was excited by the idea of working with someone who had the same values as he did, who viewed Rosas in the same way he does, and then learns that Asha’s motivations at least partially stem from a place of personal gain.

Well, wait, is that really Asha's goal?

While it's not wholistically her goal, it's very explicitly stated & implied that getting Saba's wish granted is at least a part of it. The audience learns (through Asha's conversation with her friends before the interview) that every apprentice Magnifico has ever had gets not only their wish granted, but the wishes of their family, too!  Asha doesn’t deny that this is a perk that she’s interested in, and I don't think this is a bad thing.

So, Is Asha���s commitment to Saba selfless, or selfish? I’m sure the director wanted it to seem selfless, wherein she believes her family member has waited long enough and deserves his wish granted, but we can’t ignore the broader context of Asha essentially trying to… skip the line.

Then, we get our first point of tension. Magnifico reveals his “true colors” in snapping at Asha, telling her that he “decides what people deserve”. This is supposed to be the great motivator, it’s meant to incite anger in the audience—after all, no one gets to decide what you deserve, right? But unfortunately for the integrity of the film and the audience's suspension of disbelief, at least part of Magnifico’s argument is a little too sound to ignore:

Some wishes are too vague and dangerous to grant. Now, there’s visual irony here; he says this after looking at a 100 old man playing the lute. The idea that something so innocuous could be dangerous is absurd, and the audience is meant to agree.

... But we’ve also seen plenty of other wishes that might be chaotic—flying on a rocket to space, anyone? The use of the word vague is important, too—this implies wording matters, and that a wish can be misinterpreted or evolve into something that is dangerous even if the original intent was innocuous. His reasoning for people forgetting their wish (protecting them from the sadness of being unable to attain their dreams) is much weaker, but still justifiable (in the way an antagonist’s flawed views can be justified). The film even introduces a facet of Magnifico’s backstory that implies he has personal experience with the grief of losing a dream (in the destruction of his home), but that thread is never touched on again.

              What is the audience supposed to take from this encounter? If we’re looking at the director’s intent, I’d argue that we’ve been introduced to a well-meaning young girl and a king who’s locked away everyone’s greatest aspiration because he believes he deserves to have the power to decide who gets to be happy.

              But what are we shown? Our heroine, backed by her friends, strives to be Magnifico’s apprentice because she loves the city but also would really like to see her family's wishes granted. When this request is denied and she loses the opportunity to be his apprentice, she deems Magnifico’s judgement unfair & thus begins her journey to free the dreams of Rosas’ people.

              In fairness, Magnifico doesn’t exhibit sound judgement or kindness through this act of the film. He’s shown to be fickle, and once his composure cracks, he can be vindictive and sharp. He's not a good guy, but I'd argue he's not outright evil. He's just got the makings of a good villain, and those spikes of volatility do give us a foundation to work off of as he spirals, but as we’ll discuss in a bit, the foreshadowing established here isn’t used to the ends it implies.

              While I was watching this film, I was sure Magnifico was going to be a redeemable villain. He can’t connect with people because he's sure they value what he provides more than they value him (as seen in “At All Costs” and the aftermath), and Asha’s asking for more was going to be framed as a mistake. His flaw was keeping his people too safe and never giving them the chance to sink or swim, and he's too far removed from his citizens to see that he is appreciated. Asha does identify this, and the culmination of her journey is giving people the right to choose their path, but the way Magnifico becomes the “true” villain and his motivations for doing so are strangely divorced from what we’re shown in Act I.  

Act II:

His song, “This is the Thanks I Get!?” furthers the idea that Magnifico’s ire—and tipping point—is the fact that he thinks the people he’s built a kingdom for still want more. Over the course of this 3:14 song, we suddenly learn that Magnifico sends other people to help his community and doesn’t personally get involved (we never see this outside of this song), and that he’s incredibly vain/narcissistic (he's definitely a narcissist). I think feeling under-appreciated is actually a very strong motivation for Magnifico as a character-turning-villain, and it works very well. It’s justified based on what we’ve seen on screen so far: he feels under-appreciated (even though he’s decidedly not—the town adores him), he snaps and acts irrationally under stress (as seen with his outburst with Asha), and he’s frustrated that people seem to want more from him (again, as seen with his conversation with Asha in Act I).

              But then… he opens the book.

Ah, the book. As an object on screen, we know that it's filled with ancient and evil magic, well-known to be cursed by every relevant character in the film, and kept well-secured under lock and key. But what does it stand for in the context of the narrative's structure? A quick path to power? We're never told that it has any redeeming qualities; Magnifico himself doesn't seem to know what he's looking for when he opens it. It feels... convenient.

I think it's also worth noting that he only turns to the book when he's alone; once again, the idea of connection and community rears it's ugly head! Earlier in the film, Amaya-- his wife-- is present and turns him away from taking that path. In her absence, he makes the wrong choice.

This decision could make sense; it contains powerful magic, and if it were framed in such a way that the people of Rosas were losing faith in Magnifico’s magic, as if what he can do might not be enough anymore after what they felt from Star, going for the book that we know contains spells that go above and beyond what he can already do would be logical. Along the lines of, “If they’re not happy with what I do for them, fine. I, ever the “martyr”, will do the unthinkable for you, because you want more.”

            It would keeps with the idea that Magnifico believes he's still trying to help people, but his motivation has taken his self-imposed pity party and turned it into resentment and spite.

 But, that’s not the case. Instead he talks about reversing that “light”, which has had no real negative or tangible consequences on Rosas. Everyone had a warm feeling for a few seconds. Again, it’s meant to paint him as a vain control freak, but… he hasn’t lost any power. The citizens of Rosas even assume the great showing of magic was Magnifico.

Act III

              Then, we get to the consequences of opening the book (and perhaps my biggest qualm with this film). The book is established as being cursed. Magnifico knows it, Asha knows it, and Amaya—who is introduced as loyal-- knows it. The characters understand his behavior is a direct result of the book, and search for a way to save him. This is only the focus of the film for a few seconds, but if you think about it, the fact that his own wife cannot find a way to free him of the curse he’s been put under is unbelievably tragic. Worse still, upon discovering there is no way to reverse the curse, Magnifico—the king who built the city & “protected it” in his own flawed way for what seems to be centuries—is thrown out by his wife. You know, the wife who's stood loyal at his side for years?

              It’s played for laughs, but there’s something unsettling about a character who’s clearly and explicitly under the influence of a malevolent entity being left… unsaved. If you follow the idea of Magnifico being disconnected from community being a driving force behind his arc, the end of the film sees him in a worse situation he was in at the start: truly, fully alone.

              They bring in so many opportunities for Magnifico to be sympathetic and act as a foil for Asha; he’s jaded, she’s not. He’s overly cautious (even paranoid), she’s a risk-taker. He turns to power/magic at his lowest point, Asha turns to her friends at her lowest point. Because this dichotomy isn’t present, and Magnifico—who should be redeemable—isn’t, the film is so much weaker than it could’ve been. The lack of a strong core dynamic between the protagonist and antagonist echoes through every facet of the film from the music to the characterization to the pacing, and I believe if Magnifico had been more consistent, the film would’ve greatly improved across the board.

I mean, come on! Imagine if at the end of the film, Asha—who, if you remember, did resonate with Magnifico’s values at the start of the film—recognizes that he's twisted his original ideals and urges him to see the value in the people he’s helped, in their ingenuity, in their gratitude, & that what he was able to do before was enough. Going further, asking what his wish is or was—likely something he’s never been asked— and showing empathy! We’d come full circle to the start of the film where Asha asks him to grant her wish.

Pushing that further, if Magnifico’s wish is to see Rosas flourish or to be a good/beloved king, he'd have the the opportunity to see the value in failing and how pursuing the dream is its own complex and valuable journey, and how not even he is perfect.

 The curse and the book (which, for the purposes of this adjustment, would need to be established as representing the idea of stepping on others to further your own goals/the fast way to success), then serve as the final antagonist, that same curse taking root in the people of Rosas who’ve had their dreams destroyed, and Asha works with the community to quell it. Asha’s learned her lesson, so has Magnifico, and the true source of evil in the film—the book—is handled independently. Magnifico steps back from his role as King, Amaya still ends up as Queen, and Asha takes her place as the new wish-granter.

This route could even give us the true “Disney villain” everyone’s craving; giving the book sentience and having it lure Magnifico in during “This is the Thanks I Get!?” leaves it as its own chaotic evil entity.

All in all, Magnifico's introduction paved a road to redemption that the rest of the film aggressively refused to deliver on, instead doubling down on weaker motivations that seem to appear out of thin air. Once the audience thinks, hey, that bad guy might have a point, the protagonist has to do a little more heavy lifting to convince us they're wrong.

Look at the big-bad-greats from Disney's library. There isn't a point in the Lion King where we pause and think, "Wait a second, maybe Scar should be the guy who rules the Pridelands." Ursula from the Little Mermaid, though motivated by her banishment from King Triton's Seas, never seems to be the right gal for the throne. Maybe Maleficent doesn't get invited to the princess's birthday party, but we don't watch her curse a baby and think, Yeah, go curse that baby, that's a reasonable response to getting left out.

What do they all have in common? Their motivation is simple, their goal is clear, and they don't care who they hurt in pursuit of what they want.

Magnifico simply doesn't fall into that category. He's motivated by the idea of losing power, which is never a clear or impactful threat. His goal at the start seems to be to protect Rosas, then it turns into protecting his own power, and then-- once he's corrupted-- he wants to capture Star. The problem is, there's no objective to put this power toward. Power for power's sake is useless. Scar craves power because he feels robbed of status. Ursula believes the throne is rightfully hers. Maleficent wanted to make a statement. Magnifico... well, I'm not really sure.

[vulnerary-prince]

From Harvard ethics professor Christopher Robichaud:

“Everyone in the days and weeks ahead will use this loss as an opportunity to seek validation for their own hobby horse complaint. Harris lost because she campaigned with Liz Cheney. Harris lost because she didn't embrace Gaza. Harris lost because she didn't choose Shapiro. Harris lost because she wasn't progressive enough (possibly my favorite one).

Take a good hard look at the map, my friends. Trump has won the popular vote. Trump ran the table. Explaining that with your hobby horse issue isn't going to cut it, tempting and consoling as it may be.

The problem isn't the electoral college. The problem isn't that we didn't have a full primary. The problem isn't Harris. The problem isn't that Dems didn't have the right message. The problem isn't even inflation or the border.

The problem is so much worse than any of those things. Those are all technical problems, with straightforward expertise fixes. If only it were so! No, our problem is not technical. It's very much adaptive. A party that embraced the Big Lie, supported an insurrection, and has been selling conspiracy-addled madness for years was widely and enthusiastically embraced. Voter turnout was profound! People didn't sit this out.

Simply put, the problem--as some of you have rightly posted--is cultural.

America, culturally, has completely abandoned a politics of decency and respect and has embraced instead a politics of resentment, revenge, false nostalgia, and bullying. And if you look at the demographics, you also won't be able to comfort yourself that it's just a white thing, or a working class thing, or an education thing. It's multi-class, multi-gender, multi-educational and multi-racial. That's what winning the popular vote means. That's what running the table amounts to.

A culture that has descended to this level of debasement is not easily fixed. In fact it may not ever be fixed. The timeline for changing something like this is decades--at best--not two-to-four year election cycles. You can extend that in this case, because with the GOP likely controlling all branches of federal government and the courts, they will ensure that mechanisms are in place to keep them in power long after their popularity has waned. You can count on that.

The GOP evolved into a party of rage, lies, and revenge--and it correctly diagnosed that there was and is a large appetite for that. That's what the country wants. At least, enough of the country wants it to ensure broad appeal and widespread electoral success. The old GOP will never return, and the Dems have nothing to say to American culture at the moment. Nothing. They've been speaking to a country that's gone, like dust in the wind.

And that's my final thought, which my posts last night alluded to. The America I knew and loved is gone. This new America--nah, I won't even bother. I will say that cultural change is less likely to occur in politics, or in the academy. You're not going to get people to see how vulgar they've become through a clever argument or a nice campaign speech, that's for sure.

This would be time for the arts, broadly understood, to step in. The arts can change hearts and minds. Too bad the arts have been systematically dismantled in education in this country, and on the other end, the tech industry's assault on the arts through AI is sure to hollow out any good-faith efforts that might emerge.

And for the rest of the world, America's rightward lurch is, I'm afraid, bad news for you too. I know you know this. Because it's not isolated, is it? It's just at the moment the most prominent example of a burgeoning trend. And this will embolden others in other countries, to be sure. We need not speculate what happens when countries become mired in lies, embrace resentment, and savor bullying. We know exactly what happens. Bloody conflict and global destabilization.

The first quarter of the 21st century will therefore in hindsight be viewed as the seed-planting stage for the absolute shit show that's about to unfold globally over the next two and a half decades. Count on it.

Adopt whatever coping and endurance strategies you have available. You're going to need it.

I think that's all I've left to say.”   

[numberonetrashwitch]

Some observations about Baldurs Gate 3 that hit too close to home.

After another few runs i will probably just make an in-Depth Character Analysis for every character simply because they are good reflections of actual trauma-manifestations and how abuse can manifest in people. They are also so well written that it serves a narrative purpose to explore all the material that is out there about them. I am also personally cursed with actual medically-relevant levels of Empathy and Hyperfixation; so writing this helps me put a pin in it and move on.

But so far here are my highlights

(SPOILERS and obviously content warning bc these are deep)

before you ask; i have almost 300h in this game.

You have to convince Shadowheart to eat the Noblestalk. She actually stells you she rather get her memories back from Shar but when you hit the persuasion or intimidation (what the fuck) check to get her to eat it she'll tell you about her childhood friend. Not her name, not her parents but her best firend. Possibly because she has had a closer bond to that person after being abducted and indoctrinated. With her believing herself to be an orphan, she would've looked elsewhere for comfort and sought out her own family, this is why she falls hard and heavy for Shar and builds the backbone of her indoctrination. She is literally ripped out of her home & given a new identity to server her from all she has known. Religious indoctrination, Gaslighting, Abduction, being forced to let go of your personality are her main themes.

There is a scene out there floating around in which you see Astarions pespective of the night when he bites Tav for the first time, in his meditations he is confronted with the rules Cazador put on him, including that he can't eat intelligent creatures, can't be away from Cazador unless allowed to, has to obey every command and that they are should know that they are property. Which in turn means that Astarion literally didn't just have any autonomy, he was objectified (and not just through seductive/sexual measures) and that is really the crux to understanding why he doesn't believe in kindness, but rather shows self-serving behavior in most cases. Since we know that Astarion was extremely young for an elf before he died and became immortal (literally stopping the aging /maturing process) it is also very telling that Cazador constantly calls him brat, boy or other very juvanile names, refering to them as a family... well it is also the story of a very controlling parent. Themes of (Bodily) autonomy, infantilization ( & puer aeternus, forever-child), slavery, depersonalisation, corruption of life and torture to break someone.

Gale isn't just a guy hung up on his Ex, but also a victim of abuse. In this case a power imbalance none of us can fathom; She is described as being a jealous goddess and rules over the domain of mysteries and magic. So with Gale being a Wizard, she is literally his boss. He admits that he was foolish enough to aspire to be an equal to her, but she is so jealous that she tells him he can't really be worthy as long as he takes breath. She could just take his powers away and be done with it, that would be more than enough punishment for a guy who literally made Mystra and her domain his life's purpose, but she rather makes him do it himself. Add to that, that she literally only tells him this after years of self-isolation (after he put down so many wards that he could've blown up a whole army as he says if you click the right dialogue) to really fuck him up well. He also talks about death pretty much constantly, not surprising giving your situation, but he will tell you that he will kill himself at several points in the game, for instance after he comes clear about his nethrese orb. Themes of romantic abuse, power-imbalance, toxic work enviorment, self-isolating behavior, suicidal ideation

Wyll ... well from the looks of it he is the most well adjusted of all the companions (my opinion) but he has something that i'd describe as the "eldest daughter"-syndrome, more commonly known as parentification. This pattern usually occurs within single-household parents and is commonly described as a parent looking to their child for emotional or practical support, rather than providing it to their kid. We meet Ulder and see that he talks over Wyll a lot, not listening but expecting him to follow the standard he sets for him. That is also why Wyll repeats his fathers words like gospel (because this is what, in his mind, fullfills the expectations bestowed upon him) and why he loves fairytales / bard tales so much (because they are an ecapist view of the job he set out to do) Ulder literally exiled his teenage son because Wyll did the only thing he could to save an entire city, by sacrificing himself. Thats a lot to expect from a 17 year old - even more so, he doesn't stop with the heroics. He expects himself, as a human who hasn't even reached the age of 30 to hold up to mystical creatures such as Astarion or Karlach, or even Gale who is a accomplished Wizard. Themes of parentification, escapism, self-harming through putting himself in danger, chronic-self-sacrifice

In plain words; Gortash, Karlach's Idol sold her to a Devil. But add to that that she must have been pretty young when she was sold (late teens to early twenties possibly) and being that if you play as a Tiefling, you face a lot of predjudice she was likely forced into that position as well. Starstruck she was, with a juvenile naitivy that Gortash used. Appropriately, as he is the chosen of Bane the god of "tyrannical oppression, terror, and hate, known across Faerûn as the face of pure evil through malevolent despotism" (Source: Forgotten-Realms Wiki / Bane) So she pretty much was raised in a toxic enviorment, which forced her to become a killing-machine, first figuretively, then with the extraction of her heart, literally. Themes of slavery, oppression, misuse of trust, being taken advantage by a more powerful/older(?) person, being drafted.

Jaheira - to be honest, you need to know the lore of the previous baldurs gate games or just listen to her dialouge, ask her all the questions. She is a war-veteran against Bhaal, the good of ritual murder, and has a long history of fighting to achieve some sort of balance of power. She lost her husband and several close people all to this, or any other war, but due to her wisdom and strength people look to her for guidance. Themes of: Survivors Guilt.

Halsin - he is really closed off at first but then just casually hits you with "i was captured in the underdark and spent 3 years chained to a bedroom wall by a pair of drows who used me as they pleased". He is reprimanded by some of his druids for leaving the grove as soon as opportunity struck, just to get back and leave the next day, and if you talk to him about his position in the grove he is actually very forthcomming. He actively holds himself back; indulging in simple hobbies because he knows what lies within his heart. He is afraid of himself and his potential (canonnically he can't control his wildshape, which is very weird for an ARCH-druid) Themes of: impostor syndrome, avoidant-based self-harm, sexual opression, loss of control, emotional regulation.

Lae'zel is a very tragic case, and one that closely resembles the stories of Shadowheart and Karlach. Her entire existence is based upon a matriachial war society allowing her to live if she proves she can be of use and that in a culture which only values brutality, dominance & service. All of that culimating in her finding out that her oh-so-beloved Queen is actually just an imposter, and that everything she has lived for up to that point is merely political propaganda created to make her, and the rest of her entire species, willing pawns in a war that has no longer bearing on their survival alone, but is fought to justify Vlaakith's (the reigning monarchs) personal ambitions. Not only is she forced to reconcile that she is turned into the thing that controlled her kind for hundreds of years, that the only cure she knows of would kill her and then on top of that, that her hopes and dreams were lies and that she is now the Nr 1 enemy of the person she has served with all her being. themes of: oppression, propaganda, casual violence, objectification, child-warfare, eternal warfare

Minthara in short, her story is about being shamed for growing up in the same scenario that Lae'zel grew up in. Lolth, the god of the Lolth-sworn drows is a crazy queen who values scheming & backstabbing so much and is so volatile that you can't know what to expect of your deeds (and i mean it; there were people who were appraised by her for scheming against her, but also those who were killed. It's almost random.) She considers Lolth to be cruel and abandoned her for the Absolute, only to then be used and abused the same way Lae'zel has. Not with promises, but erasing her memory and exposing her perceived weakness. Themes of: casual violence, violent culture, her own ambition colliding with her desire to be safe, being a pawn in a larger game.

[chayaqpid]

A lot of the g/t narratives and dynamics I see revolve around the giant, in some way or another, dehumanizing the tiny: the giant sees their smaller counterpart as inferior, fragile, or even as a plaything. And that is really cool to explore as well but… what if we flip the script? What if we subvert that trope a bit? 

What if the tiny isn't able to see the giant as a “person”. 

Think about it! How easy it is to see someone who is so much bigger than you, who is so much more powerful, who is capable of so many things, how easy it is to see that person as something other. As something better than yourself. And how much that can be hurtful for both the giant and the tiny, since it entails that the tiny fails to recognize their friend or lover as an equal, as someone with feelings, desires, and vulnerabilities. 

In this dynamic, not only we have a tiny with some pretty messed up self-esteem issues (to say the least), but we also have a giant that wishes to also be loved and respected by the tiny. Who doesn’t want to be seen as an object. They don't feel seen by what they truly are. 

And it’s funny because, in the beginning, all of the tiny's awe and admiration might seem or even feel like love, but in reality it is not — or, depending on the point of view, it’s at the very least an extremely messed up interpretation of love. This type of "loving" can feel isolating, because it denies the giant of their personhood (is that a word?) and instead, they are placed on a pedestal so high that real emotional connection and intimacy becomes impossible.

It kinda feels like the reverse uno card to the “dehumanization” trope.

Or, if you really think about it, maybe it’s the tiny who is dehumanizing their own self for the sake of seeing the giant partner as this impossible, holier-than-thou, being. This concept adds another layer to the problem: someone who thinks so little of themselves next to someone else may not even realize the way they’re hurting the other. After all, they're far too insignificant for that, right? It’s as if, by elevating the giant to god-like status, the tiny avoids confronting their own ability to hurt or influence someone else, in this case, the giant. They outright ignore the ways in which their actions, their perceptions, and their emotional distance might be hurting their giant friend/partner. 

All this “reverence” comes off as a form of objectification, not exactly in a sexual manner (although it definitely can be), but in the sense that when someone looks at me, I become an object for them, while they remain a subject. 

I love this concept so much — I know it's not exclusive to g/t but it can definitely be enhanced by it. Just... that moment when we realize that others do not see us the same way we see ourselves.

Imagine all of the anguish that comes from this gap between the way the giant sees themselves and the way the tiny sees the giant.  They’re trapped by the other’s gaze, forever seen as something they are not.

[pnutbutter-n-j-elyy]

Never Say Never| Pt1

Warnings: Cursing

Pt2 Pt3 Pt4

(xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx)

You and Hyunjin had always been a passionate couple, with emotions running high in both good and bad times. It was something that you had yearned for- being in a relationship as passionate as a gasoline fueled flame; but in time you had realized what you had was both a blessing and a curse.

The day had started out like any other, but a simmering tension had been building up for weeks, ready to boil over.

Simple things had been irritating you both, yet you were too afraid to communicate those things in fear of causing issues.

You had just returned home from running some errands when you noticed the look on Hyunjin's face as he stared intently at something on the screen of his phone.

"Hey, I'm back," you called out, placing your bag on the kitchen counter. You had left the dorms earlier to run out and pick up a few things you intended to use to cook the guys dinner, running to a few other places as well throughout the late morning until early evening.

Hyunjin didn't respond right away, his side turned to you as he scrolled through his phone. You sensed something was off but decided to ignore it for now, too anxious of a person to start confrontations.

"How was your day?" you asked, trying to keep the mood light.

He turned around, a frown creasing his forehead. "Did you see this?" he asked, showing you an article from Dispatch.

You glanced at the screen and sighed. "Yeah, I saw it. They're always making up rumors and releasing things. You know that." The headline read:

STRAY KIDS HYUNJIN DATING FOREIGN NON-IDOL?

Hyunjin's frustration was palpable. "It's not just rumors this time, Y/N. They have photos of us together, and they're saying you're a distraction to my career." He rushed a hand through his hair. "And this isn't the first time its happened. Remember when you took my Instagram pictures but forget to edit your reflection out of the mirror? Thankfully it was just your shoulder, but you've put us in multiple situations because of stupid mistakes you make. Like the photo in the article-" He shows his phone to you. "Everyone knew I was doing an isolated photoshoot. None of the other members were there and I said you could come but to be careful when leaving so you aren't seen at the shooting scene. But rather you aren't careful and they have a picture of you in my varsity jacket."

You sigh in frustration. "Hyunjin, they don't even know what my face looks like! I always wear a hat and glasses and a mask and clothes that cover me up. I don't see the big deal in people speculating you being in a relationship! Just ignore it and it'll die down." You turn to go put some of the groceries away but Hyunjin spoke.

"I wasn't finished Y/N. You seem to think its that easy. I'm supposed to look desirable - attainable Y/N. I have to live the life of a bachelor even if it isn't the case."

You turn at the sound of his voice. You don't know if it was the flippant tone he used while saying something so dismissive or if it was because of how fed up you were of hiding but you scoffed.

You felt a mix of anger and hurt. "So, what? Am I not supposed to be around you because you need to feed into people's delusions? Are you expecting me to sit at home and pretend like we're nothing more than just two people who have mutual feelings but can't act on them because of fanservice? All because of a tabloid article?"

He ran a hand through his hair again, clearly agitated. "It's not that simple. My career is on the line here. The fans, the company—they all have expectations."

Your temper flared. "And what about my expectations, Hyunjin? Does that not matter?"

Hyunjin's eyes flashed with frustration. "Of course it matters, but we have to be realistic. You- this could ruin everything I've worked for."

You laughed humorlessly at Hyunjin's slip up. "So...me loving you is ruining your career?" You licked your lips and then puckered them in thought. "Makes sense. considering I was the one who said yes to your advances." Your voice has a biting sarcasm to it.

"Y/N don't start. You knew what you were getting into- I warned you about dating an idol."

You threw your hands up in exasperation. "This wouldn't even be an issue if you just disclosed our relationship! How many times have we had to sneak around and hide like we're doing something wrong? And you didn't warn me about this. Matter of fact you warned me about how people would act knowing you were in a relationship. They don't know shit Hyunjin, because you have yet to tell anyone other than the members about us. And they wouldn't have found out so quickly if it wasn't for Jisung being nosy and following you."

He scoffed. "Its common sense. You've lived here long enough to know not all relationships are disclosed right away. "

"You gave me the impression that you were going to inform people! It's been a year, Hyunjin! A fucking year."

"You know it's not that simple. Disclosing our relationship could have serious repercussions. I could lose everything I've worked for."

Your voice rose in frustration. "And what about me? Do you know how it feels to be kept a secret? To constantly worry about getting caught, about being labeled as a distraction or worse? Getting doxxed? At least if you told people they could be warned of legal reprecussions! Or maybe they would feel inclined to love someone their idol loves just out of decency. Not labeling us as a couple to the public is making things worse. Its making it hard for me-"

Hyunjin took a step closer, his frustration evident. "Do you think this is easy for me? I have to think about my career, my future. It's not just about us!" His voice was sharp and there was a hint of something underlying you weren't sure you had ever heard before.

You felt tears of anger and hurt welling up. "So, what? Am I just supposed to sit here and accept that I'll always come second to your career?"

He shook his head, his voice rising. "That's not what I'm saying. But you have to understand, this is my life. This is what I've worked so hard for. I can't just throw it all away."

"But you don't realize doing all of that is just slowly throwing me away?"

The argument escalated quickly, with both of you hurling accusations and past grievances at each other. Each word was a dagger, cutting deeper and deeper. And if emotions were blood you would have been dead by now.

"You never appreciate what I sacrifice for us," you shouted, tears streaming down your face. Your throat hurt from the past few minutes of the screaming match you and Hyunjin had been in. "I'm constantly worrying, constantly hiding! And for what?!"

Hyunjin's voice was equally loud, the frustration palpable. "And you think I don't make sacrifices?! Playing damage control all the fucking time! I'm getting tired!"

The room felt suffocating, the air thick with unspoken hurts and unresolved issues. The argument had spiraled out of control, touching every sore spot in your relationship.

"You know what, Hyunjin?" you said, your voice trembling with emotion. "Maybe we need some time apart."

His face fell, shock replacing the anger. "Are you serious?"

"Yes," you replied, feeling a strange mix of relief and heartbreak. "I can't do this anymore. I don't want to fight with you-"

Hyunjin's expression hardened. "I should have never asked you out in the first place. I guess I'm finally free from that mistake."

That sentence hung in the air, a cruel echo of his frustration and regret. The final blow to an already fragile situation.

You had intended for this to spark a moment of calm, so you could both take sometime to gather your thoughts and talk things out civilly rather than pierce each other.

You hadn't expected it go anything farther than that. Not a breakup.

You felt your heart shatter, and without another word, you turned and left the apartment. Tears streamed down your face as you walked away, leaving behind the life you had built together.

The immediate aftermath was a blur. You found yourself at your best friend's place, seeking solace and trying to make sense of what had just happened. The pain was overwhelming, and every memory of Hyunjin felt like a knife to your heart. Your friend welcomed you with open arms, offering a shoulder to cry on and a place to stay, since they doubted that you'd want to be where Hyunjin knew you'd be.

They made you a cup of tea and sat with you on the couch. "Do you want to talk about it?"

You shook your head, the words stuck in your throat. "Not right now."

Your best friend nodded understandingly. "Take your time. I'm here for you. Whether you want to cry or be angry. Punch things, break things. Whatever makes you feel better. But for right now I'm gonna take this." They gently took your phone from your hands, entering your password and blocking the sultry eyed boy; already sensing that this turn of events wasn't a kind one.

Meanwhile, Hyunjin was left alone in dorms, staring at the space where you had stood before. Regret and anger battled within him, and he found himself replaying the argument over and over in his mind. He sat on the couch, head in his hands, wondering how things had gone so wrong. The words he had said echoed in his mind, each repetition amplifying his regret. "I should have never asked you out."

He knew he didn't mean it, but the damage was done. The love of his life had walked out the door, and he was left to face the consequences of his words.

He sat there ruminating on it, feeling his anger slowly melt away and turn into immense guilt and then a deep sadness that spurred an onslaught of tears when he heard the members arrive and Jeongin's voice ring out asking what you had made them for dinner.

Days turned into weeks and the void you left in his life grew more apparent with each passing day. He missed your laugh, your presence, the way you made everything feel better. But he also knew that the words he had said couldn't be taken back.

You, too, were struggling. The pain of the breakup was a constant companion, and you found it hard to focus on anything else. Your friends tried to comfort you, but nothing seemed to fill the emptiness you felt inside.

One evening, as you sat in your best friend's living room, staring at the boxes of the last few belongings you had yet to unpack in your new shared home. You couldn't help but think back to all the good times you and Hyunjin had shared. The way he used to make you breakfast in bed when you'd spend the night at the dorms, the late-night talks,. when you were and the spontaneous adventures you took- specifically the ones that were far from the public gaze where you didn't have to worry about hiding. It all seemed so distant now, yet so vivid.

BSF/N noticed your pensive mood and sat down beside you. "You're thinking about him, aren't you?"

You nodded, tears welling up in your eyes. "I miss him. I don't want to but I do. Its been months shouldn't I be over him?"

"You need to move on love. There are plenty of people who can love you better than he ever did." Your best friend stated with the conviction only that of an angry bestie could hold. "He may have been good but you can find better than that coward." You nodded along, grateful for your friend's unwavering support, but still fostering that seed of pain.

Hyunjin was grappling with his own feelings of regret and longing. He often found himself staring at his phone, contemplating whether to call you or text you. Even if he knew you had more than likely blocked him. He didn't dare text, because he didn't want to see the tangible answer to his biggest worry.

So instead threw himself into his work, using his busy schedule to distract himself from the gnawing emptiness. Rehearsals, recording sessions, and performances became his refuge. Yet, every time he stepped off stage or left the studio, the loneliness crept back in causing an ineffable ache throughout his entire being.

His friends and groupmates noticed the change in him. He was more withdrawn, quieter, his usual spark dimmed.

"Hey, you okay?" Felix asked one evening as they wrapped up practice. "You've been pretty out of it lately."

Hyunjin forced a smile. "Yeah, just tired."

Felix didn't look convinced but nodded anyway. "If you ever want to talk, you know I'm here, right? You never...really told us what happened...we want to be here to support you, you know?"

"Thanks," Hyunjin muttered, his thoughts already drifting back to you.

Nights were the hardest for the both of you. Alone in the quiet darkness, memories of Hyunjin haunted you. You didn't have his voice to fall asleep to, neither did he have your soft snores. You would often wake up, reaching out for you, to see if he was still on the line. Only to find a dark screen, only occasionally lit up with the random spam notification you got throughout the night. The ache in your chest felt unbearable, and more than once, you found yourself sobbing into your pillow, wishing things had turned out differently.

Hyunjin wasn't faring any better. He would lie awake for hours, staring at the ceiling, replaying every argument, every mistake. The guilt and regret weighed heavily on him, making sleep elusive. He missed the sound of your voice, the feel of your hand in his, the comfort of your presence.

One night, unable to bear it any longer, Hyunjin found himself walking through the city streets, lost in thought. The bustling noise of the city was a stark contrast to the turmoil inside him. He found himself standing outside your favorite café, staring through the window at the place where you'd shared so many happy moments. The happiest one being the moment he had first saw you, smiling at the register happily as a new hire taking his order- only to see the cutest face of disgust he had ever seen at the mention of the word Americano.

It was a stupid way to fall, but wasn't love stupid?

The days dragged on, and the pain didn't lessen. It became a constant, dull ache that colored everything you did. Friends and family tried to pull you out of your shell, but nothing seemed to help. The weight of Hyunjin's words lingered, a reminder of how things had fallen apart.

One particularly rough day, you received a message from your workplace. Your performance had been slipping, and they were concerned. It was a harsh wake-up call, a reminder that life was still moving forward even if you felt stuck in place.

You tried to throw yourself into work, hoping it would distract you from the pain. But every little thing reminded you of Hyunjin. The music playing in the background, a passing comment from a colleague, even the smell of coffee—all of it brought memories of him rushing back.

Hyunjin, too, was struggling to keep up appearances. He would smile for the cameras, perform with his usual energy, but behind the scenes, he was a mess. His bandmates grew increasingly worried, their attempts to cheer him up falling flat.

The breaking point came one night after a particularly grueling performance. Hyunjin had given it his all on stage, but as soon as the lights went down, the emptiness hit him like a tidal wave. He retreated to his dressing room, shutting the door behind him.

He sank to the floor, head in his hands, and let the tears fall. The loneliness, the regret, the pain—it all came crashing down. He missed you more than words could express, but he didn't know how to make things right.

Your breaking point was the night you sat alone in your apartment - BSF/N on a business trip -staring at your phone. Watching the birthday live you would have never been allowed to watch if your roommate was home. The ache was too unbearable, and sparked your motivation to finally let go so you could be free from it.

Once you had hit 3 months without Hyunjin, the pain began to change. It didn't lessen, but it became a part of you, a background noise that you learned to live with. You went through the motions of daily life, but the joy and spark you once had were dulled. But as 3 months turned to 6 months which then turned to 9 months, it was almost a distant memory. And you were able to laugh again, the hollowness of your cheeks disappearing and becoming flushed with youth and your noticeable dimples once more.

Hyunjin's friends and bandmates continued to support him, but they could see the toll it was taking. He was a shadow of his former self, his passion dulled by the heartbreak. It was unnoticeable to the public - to them he seemed fine, they just minimized his dull eyes to exhaustion rather than depression. But to his best friends, it was as clear as day how hard he worked to push through every day.

"Hyunjin," Chan said one evening, pulling him aside. "You can't keep going like this. You need to start living again."

Hyunjin shook his head. "I can't move on...what if they come back- what if - what if they take me back?"

"You're never going to know unless you try talking to them," Chan urged. "You owe it to yourself, to both of you, to at least try. Seungmin has seen Y/N around. They've talked and he says it seems like Y/N is struggling as well. Even if you don't get back together, if you become friends again first..." Chan sighed. "Seungmin asked Y/N to unblock you. So I'd try reaching out."

But Hyunjin couldn't bring himself to reach out. The fear of making things worse, of hearing that you had moved on, was too much to bear. So, he continued to suffer in silence, the weight of his regret a constant burden.

For you, moving on felt impossible at first.

One evening an old friend was hosting a small get-together and wanted you to come. It was a chance to get out, to try and find some semblance of normalcy.

You had reluctantly agreed. The evening was a blur of faces and conversations, none of which seemed to penetrate the fog of your indifference until and old crush had sparked conversation with you...

Back in his apartment, Hyunjin stared at his phone, fingers hovering over your contact. He wanted to reach out, to apologize, to try and make things right. But the fear of rejection, of causing you more pain, held him back.

He set the phone down with a sigh, running a hand through his hair. The silence of the apartment was deafening, each minute feeling like an hour. He missed you more than words could express, but he didn't know how to bridge the gap that had formed between you.

But in a spur of confidence he sent you a message. Simply apologizing as asking if it would be okay to meet up as friends.

Because he needed you in his life in some manner. He knew he couldn't live without you. And he would be content with loving you quietly, unknowingly, putting on a mask of platonic affection if it meant you'd stay around.

Which seemed to be what he would have to do, after recieving your response.

He didn't know whether to cry tears or joy or pain.

Because while you had agreed to meet him again, to spark a new relationship with him - he immediately regretted ever harboring a hope of you loving him again.

Especially after seeing your profile in his feed for the first time in a long time, causing him to wish he hadn't reached out, wish you hadn't unblocked him- wish you weren't so kind and loving to agree to be his friend again.

Because no amount of time with you, no amount of your presence could ever be enough to even cover a fraction of the pain he felt seeing a new face in your feed.

A face that mimicked the exact face he had in your company.

Eyes that mirrored the exact sentiment and display of love he felt.

The face of one who knew the one they loved was the moon in a world full of stars.

And he knew from experience just how easy it would be for you to fall for someone who gave you that-

Considering he had been that person for you once...

(xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx)

@abovenyx @wolfs-archive @oddracha

@iyeeeverydee @parisanmorovati @seungmincenteric

@panbish-1209 @fxiry-vtt @sseawavee

@shuporanporang @amarecerasus @softkisshyunjin

@whoa-jo @meanergreener @rikibun

@ayyonoona @shinywombatcrusade @y4yayael

@skzstan12345 @mariteez @allys-reads

@jazziwritesthings @skzstannie @yongbokkiesworld

@kkkeopi @neverendingstay @moony-9

@minsungsthirdwheel @dreammix88

[aimasup]

EPISODE 3 SPOILERS BELOW THE CUT

aka my live notes on the episode as I watch again

The second ep I couldn't do because it came out when I was still working, so no energy or time :(

Here we go, long post warning:

The cartoon biology is amazing, it would make sense they'd explore that with all the time on their hands, it's so damn creative

In an alternate universe they would make for fantastic circus tricks

Gangle is DRAWING

Jax obviously would want to know how the newest plaything ticks. jerk

Zooble's. New. Look. 10/10 I'm sorry Zooble I know you hate your body but you are a cartoon character with a cool design

The reason I don't redraw enough screenshots even though I badly want to is because if we sat here and picked out every pose, expression, shot, joke, and meaningful momeny that i especially loved, we'd be here all day

It's nice that Pomni is still inquisitive and here it's mixed with fear of the Gummigoo incident repeating, continuity! ( °▽° )

Caine probably does take plenty of user feedback: When Zooble never showed up, he probably took into account what they might like in an adventure and tailor it to include them!! Even comments like 'immature'. Headcanon territory again whoops

Ragatha's little hand shimmies at when saying the house is scary she's so adorable you guys

She always wants to make things fun or at least enjoyable for others, but she isn't super stable herself, nooooo

The cartoon gags being like, physically real is the right kind of wacky and horrifying, of course these humans would lose it after a while!! Fits the tone of the series well

"I remember my first wild take!" "Gangle I'll get it for you!"

Kinger is so helpful he always wants to help and he talks exactly like a nurturing figure ಥ⌣ಥ even if his mind is. Not all there

Jax would be the worstttt to be in a haunted house with. Or even just play a horror game with. He'd skip all the dialogue and take the cutscenes at face value bc he just wants directions to do things

Caine hunting Zooble down good lord

CAINE THAT IS NOT HOW YOU PLAY HIDE AND SEEK

Zooble is being held hostage by someone with worse memory issues than Kinger trying to give them therapy that they KNOW is pointless. Yikes

The 'specially for Zooble' horror is SUPERB!! Gooseworx your roots are showing

This has escape room vibes. A controlled environment designed for mystery and entertainment except this time the players were actually kidnapped

Kinger and Pomni duo is. So good

Kinger slowly becomes lucid while Pomni loses it

Also all the voice actors are so good all the characters' squeaks and stammers and yells are full of such emotion

The gags are great. The 2d bit was a surprise and welcomed! Made the monster unveiling itself to be more haunting

I'm not a huge fan personally of the 'scary moment followed by funny quip' because it can repetitive after a while, so I appreciate that it wasn't too much of the case here

It's always the non-horror shows that have at least one downright terrifying episode huh

Zooble being open with their feelings because they know it doesn't matter nooooo

Caine is squishy. I'm now realising this, he is very squishy, eyeballs and all, even though he's the most robotic of the sentient cast

Caine doesn't even apologise for his actions, which makes sense sadly

They are nailing his programmed helper nature of not understanding deeper issues out of his comprehension, including his own!! But he still holds immense power and needs to slow tf down asap!! The adventures are for Caine as much as they are for the humans, in this essay I will

And Zooble. Zooble doesn't totally isolate themself, they hang out with the others! It's just that their body is already so foreign and uncomfortable for them, why on earth would they want to bring it out for even more foreign and uncomfortable experiences? The tent isn't so bad, it's massive and there's enough annoying bullshit behind each curtain to keep things less monotonous. They want as much peace and quiet as they can get in this disquieting form in this world. Everyone is trying to get control of their own situations in some way. And it's canon that they were newest before Pomni, keep that in mind-- in THIS essay I will

Zooble has many choice words that come to mind when they see you, Caine

Also Caine's expressions will always be peak. Love how he doesn't show certain more intense (vulnerable) emotions the same way humans do, he flusters, freezes up or glitches out instead

RAGATHA AND GANGLE DESERVE A GIRLS NIGHT. GOOD. TIE UP THAT MEDDLING RABBIT

Kinger I am twirling my hair as we speak

He's being very calm! Still scared ofc but he's so used to the madness of the circus, and for the first time we're actually seeing that in a way that isn't him being PART of the madness

The possession was horrifying loveeee (shhh don't think about the content farms with possessed Pomni that may follow it's ok)

"How's your wife, Kinger?" uncalled for. (cocks shotgun) game's haunted

Seriously I very much doubt that Caine put that in on purpose. But it's not out of the question that the magic hell circus game that sucks your mind in forever would mix code and consciousness for some fucked up results. I believe it's called uhh divine machinery? Idk

Pomni, let it out girl

These adventures have not, in fact, gotten easier for her to adapt. Really shows that compassion matters huh

(or does it? Jax may have something to say about that)

It's canon! Queenie is canon! And the truth behind Kinger's pillow fort is even sadder than we imagined!

And what's also canon is that Zooble is a great listener!! They take note of everyone's behaviour even though they don't go on the adventures!! They distracted Caine from his crisis!! They ended up being the therapist!! And it's not even on purpose ajkshdksksjskslslsksl they have no idea how they ended up in either chair

Will Pomni have to go through each adventure and come out of them the only one carrying the experience. I hope not. That would hurt. But I hope so 👀

Ragatha! Getting appreciation! Pomni's hair tuck! How often does Ragatha hear that even? Also Pomni is getting closer with the others, already hanging out and stuff, good for her!! Our cantakerous jester is finding friendship!!

Please make it so that Caine's alliterative terms of endearment get worse every time. Please it's so funny

TADC IS ABOUT HUMAN CONNECTION AND ALSO VIDEO GAME/CARTOON PHYSICS RGHRGJEHHHSHH

[vivacissimx]

The puzzle piece about Rhaegar that is really interesting but unfortunately often overlooked is that he was relieved when he realized he was not TPTWP. Yes, relieved. Conflicted too which I will get into. And I believe it is obvious that when Rhaegar first read about Aegon's prophecy, he was not enthused— It seems I must be a warrior is trotted out to talk about Rhaegar's gender expression, his disconnect with capital m Masculinity that is purposely contrasted to Robert Baratheon reveling in it (indeed only making sense within the context of violence, battle, war) but there is more to the compulsion involved in the words It seems and I must than just It seems I must become an archetype. Socially becoming a fighter was already expected of him but he was not, presumably, in compliance with this expectation. The prophecy motivated him in a different way than you will be socially rewarded for acting as a man does.

Which brings me to another point i.e. how Rhaegar perceived himself prior to reading what he read; his connection to the tragedy of his birth and the grief, the resentment, the awkward dynamics between members of his family. "Oh he was a child" yes but we're told that Rhaegar did not act like, think like, or even particularly get along with others his age. So it's safe to say he was aware of Summerhall and felt it's shadow surrounding him from a young age. And Aegon's prophecy, combined with the Ghost of High Heart's prophecy, the events of Summerhall, put this weight on his shoulders completely into context. It was not that Rhaegar desired to be TPTWP because he took to it with determination but no particular joy. Every indicator just seemed to demand he give himself over to fulfilling this role. TPTWP was coming from Aerys and Rhaella's line? Well, he was their only child. Consult Maester Aemon on the matter? Yeah kid it's you. Ancient scrolls? Dusty, but they agree. Dead ancestors? Oh wait, they died so YOU could live. Woah.

This understanding basically necessitates us looking to ASOS Daenerys who also has some knowledge of TPTWP prophecy, and thanks to the Rhaegar-Daenerys pipeline, we can imagine that Rhaegar had similar thoughts to Daenerys, such as when she asks herself: The dragon has three heads. There are two men in the world who I can trust, if I can find them. I will not be alone then. We will be three against the world, like Aegon and his sisters. Who are Rhaegar's fellow two heads? Daenerys wonders at this, telling Jorah that her brothers are dead. Well Rhaegar's brothers die too, right in front of him. Rhaella suffers miscarriage after stillbirth after crib death. She is punished for this by Aerys via isolation and presumably Rhaegar is also kept separate from her— textually we know that Rhaegar was expected to take a sister to bride, i.e. further targcest was going to be enforced by Aerys, and to Rhaegar the loss would have also been of the other two people who would have fulfilled the requirements of the prophecy. Yes that's true. However, it was also the loss of his mother.

Rhaella was 13 when she had Rhaegar so it would be ridiculous to even think that she, a child, a Queen from when Rhaegar was 3, was this grand maternal figure to him. Of course she wasn't. There was too much on her shoulders. Too much on Aerys's shoulders as well, to be any sort of father except the kind who trotted Rhaegar out as an impressive little heir from time to time. Rhaegar was Aerys's success (it's the duty of the patriarch to sire sons who will continue the line) but as Rhaegar's siblings failed to survive, that success became a dicey thing. So when Viserys was born & survived, there is a thought that Rhaegar would latch onto such a sibling. This isn't the case— in fact, Viserys is Rhaella's. She coddles him. Keeps him close. Safe from Aerys (who already has Rhaegar). Viserys tells Dany stories about Rhaegar but this is done in the sense that he does not truly know Rhaegar. Why wouldn't Rhaegar have spent more time with Viserys, if he was motivated by fulfillment of the prophecy?

Because Viserys was Rhaella's, perhaps. Rhaegar never truly got to be his mother's son. To leech Viserys away from her... there's something in that. When Rhaella warmly welcomed Rhaegar's daughter, too. Rhaella's was Aerys's wife and property, which Rhaegar knew because he was also Aerys's property. Rhaella was mother to his brother. Rhaella was a grandmother to his daughter. She was everything but the woman who raised him.

"Rhaegar was a lonely man anyway due to his depression" yes that's true. There is an asceticism to Rhaegar Targaryen. The places he enjoys are bare and stripped, places he can keep his own company: Summerhall, the place of his birth, haunted, full of magic. Dragonstone where he retreats after his marriage, a place where the last embers of Valyria's magic died. Later the Tower of Joy is in a barren desert. But he finds a beauty in these places. He writes music that pushes him back into the shared world, songs he shares with people, about people, about lovers and those who sacrificed and who he is deeply moved by— almost like he's motivating himself. People are drawn to him.

Despite his lack of connection to Rhaella and Viserys he does bond with people. Arthur Dayne, who for all we can try and complicate, apply horseshoe theory to, is meant as the juxtaposition to characters such as the Smiling Knight. Brave as brass Myles Mooton whose memory his people still call upon. Richard Lonmouth and Jon Connington, both technically vassals to Robert Baratheon, funny little irony there. Princess Elia his wife who he is fond of along with the Dornishmen she comes to court with, "particularly" Prince Lewyn of the Kingsguard, who is in Rhaegar's confidence (per AWOIAF). These bonds seem strong because not a whiff of possible disloyalty on Rhaegar's part ever reaches Aerys despite it definitely existing and Aerys actively looking for it (again per AWOIAF). Do these confidantes know about Aegon's prophecy? IDK. At least in JonCon's case the answer seems to be no. However we also know JonCon wasn't actually the closest to Rhaegar. Nonetheless, I think we can assume that outside of Arthur Myles and Richard most of these were political relationships which Rhaegar pursued and all were concerned about Aerys's instability— there is also Tywin who Rhaegar performs certain overtures towards (such as knighting Gregor, Tywin's man, at a time when the Aerys-Tywin relationship had just grown particularly sour) indicating he'd like him as an ally. This is all straying away from TPTWP but I think it's important, it shows that even imbued with purpose, Rhaegar was in a position that did not lend itself towards him being able to take much action...

Then winter breaks. Spring comes. Nobody knows it's false yet. Rhaegar's whole deal is this coming Long Night. Everyone takes, quite literally, a breath of fresh air, and the tourney of Harrenhal commences, with Rhaegar as a shadow sponsor, thinking to call an informal Great Council which will begin to deal with Aerys (step 1)(step 1 failed).

This is where matters of prophecy come back into focus. I've covered Rhaegar's various relationships, the shallowness of them, the stagnancy in Developments due to Aerys's paranoia, etc. Harrenhal is not a solitary place but it is flush with magic in a way similar to Summerhall and Dragonstone— all places where dragons have died Harrenhal is thematically the cannibal dragon let's not get into that. And this is important to Rhaegar's characterization because of how things unfold with Lyanna Stark in several ways: 1) Lyanna cries to his song. Before they formally meet Lyanna is touched by the magic and purpose and sacrifice and yes, love, of which Rhaegar sings. It speaks to her. Of course, many others likely cried too. Common occurrence, see: A song of love and doom, Jon Connington recalled, and every woman in the hall was weeping when he put down the harp. Not the men, of course. Rhaegar gender moment but I digress. 2) Rhaegar's discovery of her as the KOTLT despite Robert & Richard Lonmouth both vowing to do so, those raucous manly men, both of whom failed; Rhaegar's subsequent hiding of her identity to unknown consequence for himself if any. All he produces is her shield which is painted with a tree on it, a purposeful callback to Duncan the Tall's shield, both Lyanna and Dunk being 'false knights' yet, in their actions, true ones. Sorry I love Lyanna so much I can't resist plugging her greatest hits 3) Rhaegar winning the tourney, the only tourney he's ever won... and immediately tainting his victory by awarding it to Lyanna instead.

I bring this all up and frame it because here we see that Rhaegar is not really invested in his own victory or legacy or even really his honor. His wife Princess Elia is there and she is pregnant with his son, something he could commemorate in the same vein that Aerys "honored" Rhaegar by showcasing him at various tourneys, an ode to a future warrior king, but Rhaegar doesn't do that. It's not his victory as a Man. It's never been about his victory as a Man. It doesn't even need to be his victory.

Neither does Aegon's prophecy. Rhaegar rapidly realizes that on two fronts: second, the false spring ends. It wasn't real! Rhaegar's spring isn't the lasting one. First, though, is that Rhaegar and Elia's son Aegon is born, a difficult birth in which Elia is rendered infertile. Who does this remind you of? Oh right, Aerys with Rhaella— only Rhaegar does not go about trying to impregnate Elia again. Rhaegar becomes convinced Aegon is TPTWP— something he was already thinking, prior. Rhaegar was never so invested in himself being TPTWP that he could not be convinced otherwise. Maester Aemon: Rhaegar, I thought... the smoke was from the fire that devoured Summerhall on the day of his birth, the salt from the tears shed for those who died. He shared my belief when he was young, but later he became persuaded that it was his own son who fulfilled the prophecy, for a comet had been seen above King's Landing on the night Aegon was conceived, and Rhaegar was certain the bleeding star had to be a comet. Rhaegar agreeing "when he was young" and being "certain the bleeding star had to be a comet" all indicate that he had been looking into the possibility that TPTWP was Not Him for a while. The visits to Summerhall— maybe they were a search for proof by encasing himself in the lingering magic of the place? He still messed up the prince/princess translation presumably because baby Rhaenys never seemed to be in the conversation. (The bleeding star was in fact a comet, funnily enough, a little consolation prize for the pretty boy.) Here's what we know: in Daenerys's vision, Elia asks if Rhaegar will write Aegon a son, we can assume because he wrote their firstborn Rhaenys a song, but Rhaegar says no, he already has one. The song of ice and fire. Aegon doesn't get a song. Why? Rhaegar believes he must be a warrior.

Yet, he sings for him anyway.

Rhaegar's "it seems" and "I must" and distance from Viserys and inner conflict about Aerys and doubt about his own place in the grand scheme of things all come to fruition with Aegon's birth. Rhaegar isn't TPTWP— and it spurs him into action. A weight is off his shoulders so now he can act. As in the case of crowning Lyanna, when the purpose of a task is not to honor or elevate him, we see Rhaegar able to perform in ways he could not before.

Namely there are two veins: acting against Aerys and seeking out information of the prophecy, but Rhaegar's general direction (through the Riverlands past Harrenhal) seems to indicate that he was headed towards the Ghost of High Heart. Not Summerhall, a place of mysticism meant to soothe Rhaegar. Rather a place of pain. The Ghost of High Heart who gorged on grief at Summerhall, who only ever demands Jenny's song (which Rhaegar seems to have wrote), who sees in Arya who looks like Lyanna, who looks like Jon, death. But instead of ever making it there... Rhaegar meets Lyanna.

And then they disappear. There are the Rhaegarwars to consider so I'm just going to say that, at the least, Lyanna did not want to marry Robert though society dictated that she must, and in removing her, she was removed from this. From there she came to be in Dorne in a place that was desolate desert, but similar to Summerhall, which was also abandoned, held something of magic in that it was near where Those Who Sing The Song of the Earth had split the Arm of Dorne. We can say a lot more about this but that's not the point of the post. I have explained Rhaegar as a person disconnected from his mother, later a person who in several manners refuses to act as Aerys did towards Rhaella, indicating that disconnect troubled him — Rhaegar's limited amount of close relationships with people he admired and the deep loyalty shown to him, presumably for a reason — Rhaegar's willingness to interrogate himself & his assumptions about the world.

So when I say Rhaegar was relieved what I mean is that upon suspecting and, to his mind, confirming that he was not the fulfillment of Aegon's prophecy, Rhaegar became proactive in ways he had yearned for but not been able to before. The Rhaegar that died with Lyanna's name as his last word was not a Rhaegar who died thinking the world was doomed without him. I think the Rhaegar that died on the Trident was a Rhaegar who had escaped the shadow of fate only to meet it, face to face.

[woso-dreamzzz]

Master Builder

Lauren Hemp x Reader

Summary: You work at Legoland

You spent most of your time tucked away in your workshop, isolated from the rest of the world.

Your work was repetitive most of the time, forcing Lego bricks together and gluing them in place, but you loved it. You had done a lot to become the head Master Builder of the Legoland Windsor Resort and sitting in your little room with your earphones in and nothing but Lego bricks was soothing.

You got to do what you loved day-in, day-out and watch as your creations got displayed around the theme park.

You weren't used to having people in your workspace (all of your coworkers knew not to interrupt you while you were building) so you didn't expect the thunder of feet on the stairs as you worked on your life size model of a leopard.

You paid no mind to it though. Sometimes the park booked schools to come look at the workshops and as the head Master Builder, they always ended up in your one last.

Sure, little kids were a bit annoying and always tried to touch your models but you could tolerate them for the ten minutes they spent in your room.

So, you didn't even turn around as you dug through your drawer of black bricks.

Arms wrapped around your shoulders and a familiar wet kiss was placed on your cheek.

You wiped it off in disgust and tore off your headphones, whipping your head around to glare at the offender.

Chloe Kelly grinned back at you.

"Must you do that?"

"Course I do!" She said," Only the best for Mrs Hemp!"

"The fact that you think you're the best is very arrogant," You replied, hunching back over your model with the black brick you had fished out.

"y/n's our head master builder," The tour guide said," It seems that she knows a few of you already..."

"You can leave them here," You said," I can take them from here."

"Are you sure? You're-"

"I'm nearly done. Can you call the site team and get them to move this outside the gift shop?"

"Of course."

You glued on your last piece and took your usual photo of the model before turning around to face the rest of the Lionesses. You hadn't met many of them in person apart from the City girls, whom you each greeted, but your eyes were immediately drawn to your wife.

Like whenever she ended up at your work, she was digging through the drawers of your mini models.

"If you're going to take some of them," You said," Then I'm going to need some of my other ones back. You're robbing me blind, Lauren."

She smiled at you. "You can make more. What's yours is mine, right?"

You rolled your eyes. "You're so lucky we're married."

She pressed a little kiss to your lips. "I know."

You picked out a few little parrots and a wolf for Lauren to put in her bag. "I didn't know you were coming today."

"It was meant to be a surprise. We've got the next few days off before we fly out."

You kissed her cheek. "It's nice that you came to see me." You slipped your hand into hers, swinging it for a moment before sending her an ear-splitting smile.

She shrugged. "I just came for the Lego."

You pulled your hand away. "In that case, I'm sure that Chloe can take your place."

"You're a catch!" Chloe crowed from the other side of your workshop," I'll fill Lauren's space if you're asking!"

"Hey!" Lauren grabbed your hand again. "Get your own wife!" She squeezed your hand and pouted in a way that had you kissing it off her face.

"Come on, pouty," You said," You've only got a few more hours before you have to go to your hotel. Don't waste them being grumpy."

Lauren sighed. "Only if you take me to see Miniland. It's very mean that you guys keep updating it while I'm in Manchester."

You laughed, already pulling her out of your workshop by the big double doors that led into the park. "The work doesn't stop just because Lauren Hemp isn't here."

"It should," Lauren said as you led her and the group over to Miniland," You know how much I love coming here."

"You love coming here because you get in for free," You reminded her with a soft smile," Always take advantage of me, you are."

"Only when it's about Lego."

From behind you, you could hear one of the girls say in amusement," Of course, Hempo's wife works at Legoland. I don't know what I expected."

"There's a bit of a surprise for you now," You said as you wandered through Miniland (with the same amount of pride you always got from looking at your work)," And I want you to be very happy because I had to fight tooth and nail for this."

Lauren's brow furrowed as she frowned. "Huh? But you didn't know we were coming."

"I didn't," You confirmed," But you haven't been here for a while now. I did want to show you on our anniversary but," You shrugged," You're here now and you would have found out anyway."

You covered her eyes with your hands and guided her over to the model of Wembley.

"Okay," You said, feeling an anxious kind of excitement filling your body," Are you ready?"

"Ready."

You took your hands away from her to reveal the final of the Euros made out of Lego figures.

It had taken you a while to get permission to change what was going on in the model and even longer to get speciality minifigures made to represent everybody.

Lauren looked wildly between you and the model even as all of her teammates crowed out and exclaimed their excitement.

"Do you like it?" You asked.

"Baby," She said," I love it!" Her hands wrapped around your waist and she spun you around. "You're so brilliant! Look! That's me!"

"Good god," Chloe muttered behind you," She's more excited about a bloody Lego figure than having her shirts sold."

[alicenthighstower]

TILE TRANSITION TUTORIAL

a couple of people have asked me for a tutorial on how I did the penultimate gif in this set, so here goes! this is my first tutorial, so please feel free to reach out with further questions if anything's unclear.

note: this tutorial assumes you know the basics of gifmaking, can create the base gifs, and are familiar with timeline mode.

STEP ONE: create the base gifs! I'd recommend staying between 25-40 frames for each gif, since the transitions we'll use later tend to increase gif sizes. these are the ones I'll be using for this tutorial:

STEP TWO: create the guide layouts for both base gifs. for this panel, I chose a 4x4 grid — I would recommend keeping the number of "tiles" low because it can get tedious, but have a minimum of 9 (3x3 grid).

now your canvas should look like this:

STEP THREE: create the tiles. this is where the going gets rough; there might be easier ways to do this that I couldn't think of 😭 if there are any please send me an ask!

essentially, in this step we'll cut up the base gifs into smaller squares so that each tile can be manipulated separately when we put both gifs together. to do this, first create a square using the rectangle tool and the guides. then duplicate the base gif, move it above the square, apply a clipping mask, and then convert the clipped gif and square (selected in the image below) into one smart object.

ALTERNATELY: you could duplicate the original base gif and use layer masks to isolate tiles. create a layer mask for the duplicated gif layer and, with the layer mask selected, drag your mouse over a square (using the guide layout) and press delete. then press ctrl/cmd + i to invert the layer mask so that the gif only shows in the square of your choosing.

now repeat until you've got the entire gif in tiles, and do the same for the other gif!

since the transition effect is achieved by staggering the crossfades for each tile of the final gif, you can cheat by having multiple tiles "flip" at a time, ideally no more than four. this means you need to cut the base gif up into fewer pieces. to do this, simply draw multiple squares instead of one and then merge the shapes, before duplicating and clipping the gif onto them.

if you do this, it's essential to remember that you have to divide both gifs up in the exact same way. each piece of the b/w gif has to correspond to a piece of the purple gif!

this is what the layers look like for each gif once I'm done:

I have them lettered so that it'll be easier to match them up in the next step.

STEP FOUR: this is the complicated bit that took me two days to figure out. I'll do my best to explain but don't hesitate to reach out if something isn't clear!

to begin, open up a new psd and import both base gifs into it. (remember to click "create video timeline" and ensure that your gifs are all in order before proceeding.)

now, the trickiest part about this transition is ensuring that all the little tiles sync up so that the larger gif is coherent. so first we'll create some markers (just empty layers) to ensure that everything lines up as it should. — marker 1: at about halfway through the first gif (b/w in this case) — marker 2: at about a quarter of the gif length — marker 3: close to the end of the gifs

at this point we're ready to start bringing in the tiles. I'm going to delete the base gifs from this new psd just to keep things cleaner!

first thing to do is import my b/w tile. move the timeline slider over to marker 1 and split the first gif. (if it helps, rename the split gifs and add (start) and (end) to the two halves.) then, move the (end) half to the beginning of the timeline, and the (start) half to line up with marker 3.

the purple tile is easier to manage. simply import it into the psd and line it up with marker 2.

your timeline should now look like this:

notice the overlap between the gifs at their beginnings and ends — this is where you'll be able to cascade the tiles flipping, so it helps to have a significant amount of overlap.

crop the three gifs for this tile as you see fit! since this is the first tile I want to flip from b/w to purple, I'll crop gif 1a (end) all the way to the current position of the timeline slider (red line with blue tip) and leave the beginning of gif 2a uncropped. for the flip from purple to b/w, I'll crop both gifs a bit.

once that's done, drag all three gifs onto the same level in timeline so they form a video group. your timeline should look something like this:

now you just repeat the process for all the other tiles! as long as you made sure that all the tiles in one gif correspond with tiles in the other gif in step three, this should be a fairly painless process. make sure to crop the starts/ends of the gifs separately so that they don't all flip together.

this is what my layers look once I've done all the tiles:

and the gif!

STEP FIVE: transitions! click on the half-white square (top right of the left column in the timeline, beside the scissors) and select the crossfade transition, then drag it between two gifs in a video group. it should create a two-triangle symbol and shorten the overall length of the video group.

apply the transition to all the tile flips, ensuring that the duration of all transitions is constant. this can sometimes be tricky because ps likes to change the duration of each transition, so right click on the transition symbol and manually change all your transition durations to be the same.

your layers should now look something like this:

STEP SIX: draw the grid. bring back the guide layout from step two and using the line tool (I like 2px thickness), trace the grid. adjust opacity as you see fit (50-80% is usually a good idea), so that the canvas looks like this:

STEP SEVEN: export and celebrate! you're done!

I hope this tutorial made sense and was easy to follow, and happy giffing! my inbox is always open for any questions <3