#And I wanna write out my thoughts

[feathers-second-face]

Random Alastor headcanon

I like to think he cries blood (*cough cough* my last post- *cough cough*). I mean- Mostly for aesthetic purposes and because hes just edgy like that buuuuut...

I got some rambles under the cut that would help it fit into the shows lore better.

This might get long-

So we've been told a few things determine a persons appearance when they die. Their death, the way they lived their life, and aspects about themselves that they hate tend to be amplified.

And another hc of mine (which I think a lot of the fandom shares, but I haven't seen it directly confirmed?) is that Alastor hates crying. He sees it as a sign of weakness, so he avoids it at all costs. In life, he would keep himself from crying for that reason, even if he was alone.

Now as a result of this, he cries blood after his death. Tears are see through, so you can easily wipe them away and even if they smear, they're typically not noticeable afterwards. Blood however, is not that easy to hide. You'd have to wipe your face far more or wash it entirely to get it away. This would make his crying far more noticeable. Whether or not people piece together that his bleeding eyes signals hes crying likely wouldn't matter, so the 'amplify traits one hates' rule is probably only to cause the individual themselves annoyance/anger/distress over it.

That being said, imagine the potential for throwing misery at this man. Everyone's favorite thing to do! :D

I mean- Imagine he has some sort of breakdown. He can't hide it when hes only given a few moments because blood smears. Someone like Rosie sees him and gets concerned because his eyes are bleeding. He knows what it means but he sure as hell isn't about to let anyone else find out. Only problem is that refusing to explain the real reason behind it leads her to think hes hurt or something.

And imagine how he'd feel when she inevitably found out! He'd flip shit. He hates showing the slightest shred of vulnerability, and while I strongly believe he tends to relax around Rosie, he probably still wouldn't want her to see him cry, because why would he ever do that? No doubt shed piece it together eventually, and if she didn't straight up ask him or tell him shed figured it out, he'd figure out that she knew eventually anyway. Neither of them are stupid.

He would 100% have some sort of breakdown about that- I mean, it probably takes a lot to make him cry to begin with (since having a large wound across his chest and a crisis about friendship didn't do the trick-), but hes been in Hell for like- 90ish years? And (at least I like to think so) hes probably known Rosie throughout most of that time, no way he'd never cry once in that time, and no way she wouldn't see it.

TLDR: Alastor cries blood because he hates crying and would avoid it (not confirmed). This makes it harder for him to hide it since you can't wipe away blood as easy as you can tears. Rosie (or another close friend) finding out or seeing this has major angst potential.

If there's any art/writing or anything that portrays anything like this, I would love to see it. Please let me know if you've seen anything that is like- similar to this. My only request would be that it avoids anything relating to s*x or romance (I'm s*x repulsed aroace, so those things make me obscenely uncomfortable).

[psychotic-nonsense]

In October of 1967, Steve Harrington is born in Hawkins, Indiana.

He's raised there, forced to live under the strict expectations of his parents, Richard and Samantha. Barely escapes their clutches, freedom fueled by the kids and adults that take the role of guardian and family when the time is right. Keeps himself in check with the always impending apocalypses that arise beneath his feet.

In June of 1985 - when Steve Harrington is 18, while Richard and Samantha Harrington are visiting New York for an extended work trip - Veronica Harrington is born.

She was carried and raised in secret from their hometown. They take care of her between their business hours, dropping her in the hands of nannies and babysitters galore. They don't even think of Indiana during Veronica's early childhood, too focused on work and making sure their daughter starts up right.

In October of 1986 - when Steve Harrington is 19, aged further by ending the Vecna War, yet tamed by his newfound love in Eddie Munson - Richard and Samantha Harrington return to Hawkins.

They don't ask about what happened to their son. They don't ask about the town. They don't ask questions, just give responses to them. Sneering at Steve's friends, complaining about the state of the house, commenting at the disfunctional chaos their home has become.

In November of 1986, Richard and Samantha Harrington disown Steve.

They just let him go. They at least give him a folder of his legal documents, but otherwise just tell him to get out of their house and never use their name again. Claiming Steve doesn't need anything from the room because the Harrington's own everything in it. They don't call him son, they don't say goodbye, they don't acknowledge who's actually taken care of the house, they don't admit most of Steve's former room has changed with money Steve earned himself, they don't dare to give him any money or care where he goes. They just say they're sick of dealing with an unworthy mistake of a child, and force him out of their house.

In November of 1986, the Party's adults adopt Steve.

He runs to them first after everything happens. Held himself together at the start, but broke down the second the words were out. While everyone was trying to comfort Steve, Wayne Munson and Jim Hopper were the first to succeed. They know firsthand that this family would never be the same as blood, no matter how much that blood has boiled and burned before, but the love will be stronger and it will be here. When everyone seconds it, Steve finally accepts it. He becomes a child of the Party - he's everyone's son and everyone's brother, taking whatever surname he sees fit.

In November of 1986, Steve Henderson and Eddie Munson leave Hawkins.

Despite all this good, Steve can't bear to stay in this damned town a second longer, where everyone knows who he is and will soon know everything he isn't. And it's not like Eddie was looking forward to sticking around Hawkins either, especially without his Steve. The kids are the first to agree, surprisingly, and the adults promise to find a way for the boys to get out. Later that week, when Richard and Samantha leave the house to prepare for Veronica, Steve and Eddie break in to take everything that's rightfully theirs. While they're there, not sure what prompts him, Steve makes a bag of his clothes with shoes and his wallet tucked within it, shoving it into his closet. Dustin's mom uses an old favor to get the boys an apartment in Chicago, the Party has one last farewell, and the two boys are gone.

From 1986 onward, Veronica Harrington is raised in Hawkins, Indiana.

Richard and Samantha are adamant in their daughter coming out exactly how she should. They steadily convince the town to forget the Harringtons ever had a son and lock the room on the second floor next to the stairs without ever touching the inside. They raise her with formality and pride at the top of their expectations, wanting at least one child to come out right.

But Veronica is the spitting image of Steve's honesty and care. She puts on a facade when needed, but even at a young age, she wants nothing more than to be someone's light in the darkness. She plays with every lonely kid at school, and tries to make people laugh at the business parties she's dragged to. It's not received well by her parents, but Veronica is much too strong willed and stubborn to let it phase her.

In April of 1991 - when she's 6 and they're so much stronger around their hearts - Veronica Harrington meets Steve and Eddie Munson for the first time.

It's the year Erica is set to graduate high school. Steve and Eddie have been making the drive for every holiday this year, ordered determined to give her the best senior year she could have. It's Easter Sunday, and Wayne somehow managed to drag his boys away to church - a Munson custom, as even Eddie insisted they go.

While at the snack table post sermon, a little girl comes up to Steve, mistaking him for her father. He and Eddie gently comfort the girl, introducing themselves and offering to help the girl find her parents. That's when Veronica introduces herself, striking Steve deep in his heart. Still, he keeps quiet, even gifting her a little origami crane made from napkins at the table. He calls her "chickpea" for the color of her dress, tells her to keep the crane secret and safe, "If ever you need to find your way back home, you hold that close, and it'll tell you."

Meanwhile, Wayne has come across Richard and Samantha in the crowd opposite the kids. Exchanging formalities, Wayne mentions his son and nephew are in town, news the Harrington's are surprised at, as Wayne didn't seem like the father type. However, trying to keep face, they remain civil and insist on introducing their daughter.

Cue Veronica running to her parents with Steve and Eddie in tow. Cue Steve calling Wayne dad right to Richard's face. Cue the Harrington's immediate leave from the church, Veronica waving behind her with a crane placed carefully in her pocket.

From then on, Veronica Harrington's life changes indefinitely.

Her parents' expectations grow tenfold. She finds out she's horribly allergic to chickpeas. All of her friends must be approved by her parents, and any that don't fit their image are ordered to leave her.

Veronica takes these changes in stride - is her class's top student, captain of the softball and volleyball teams in junior high, keeps the friends she wants in secret from her parents - but she can't help but keep the crane in a little box in her room. Gets a necklace with a little origami crane pendant, holds it whenever she needs to make a hard choice. Can't help but expand herself in secret, learn things her parents would never approve of - lock picking, other languages, sleight of hand, a clothing style that's nothing like the dark blues of her family, all warmth and light. She explores every room in her house, yet is unable to find her way into that room upstairs next to the steps.

In May of 1998, Veronica Harrington discovers the truth about her brother.

She's about to be a freshman. Her class was touring the high school in preparation, and while passing the athletics hall, her eyes hit the swimming trophies. Each row stuffed with trophies, and each one with a name that stabbed her right in the stomach: Steve Harrington.

After that, she couldn't bear all the secrecy anymore. Late that same night, she finally uses her lock picking skills to break into that room. And though it's devoid of life, it is a bedroom, so evidently lived in. It's frozen in time, twisted sheets covered in dust, old papers crinkled from being stepped on but not picked up, old clean clothes still sitting in the hamper. It's a boy's room, clearly, and Veronica is careful walking around this place of memories.

She does still explore, quietly clicking on lights around the room, too cautious to touch the overhead lights. She looks under the bed, finding a bat and a trash can lid, both embedded with rusty nails. A shirt that still smells like fresh laundry yet has a back stained permanently with long red lines down the shoulders. Dozens of stapled documents labeled NON-DISCLOSURE AGREEMENT, detailing horrific events that each have that same name signed at the bottom.

With shaking hands she checks the closet, and finds it mostly empty. All except for a deep green graduation robe and cap, a cream Hawkins High letterman, and a duffel bag hidden in the back corner. The cap has a 1985 tassel, and the letterman has Harrington branded on the back with basketball and swimming patches galore. And the bag, when she checks it, looks like a survivalist pack someone would make in an apocalypse. At the top sits a wallet, and inside is an ID for a Steve Harrington, who has the same face as the one in her origami memories.

And Veronica is done. She wakes up the next morning and throws Steve's jacket on the kitchen table, startling both her parents mid sip of coffee. She finds herself in a screaming match with her father, demanding them to quit lying to her, begging to know who her brother is.

In a fit of rage, Richard tells her. Tells her everything Richard and Samantha never saw in Steve, about Veronica's secret birth, the disownment, Steve's disappearance from the Harrington house and Hawkins. She's reminded of that one Easter Sunday, and is told how Richard and Samantha faked Veronica's allergy to keep her mind from being tainted by whatever curse befell their bloodline before. Orders her to never say that name again.

In a fit of rage, Veronica bites back. Calls her parents cruel and overly expectant. Comes clean about her secret freedom. Says she'd rather be nothing than ever carry the burden of the Harrington name ever again.

She hides away in her room after the fight. Cries in her closet with her origami box cradled tightly to her chest, begging it to take her home because this place isn't anymore, maybe never was. Cries for the brother she never even got to meet, who went through so many horrible things yet still got put through this same punishment. Cries for the future she won't get to have, losing her hope for a new beginning that will now never be.

At the start of June, 1998, Veronica runs away.

She makes it through the rest of May in near silence. She writes notes for all of her friends at the end of the school year, and one for her parents to inevitably find. Finds 75 dollars in Steve's old wallet, stuffs the duffel bag the rest of the way with her belongings, and says goodbye to Hawkins.

She takes the first bus she can find out of town. Doesn't care that it's going to Chicago, doesn't really care where she's going now. She befriends an old homeless man riding the bus as well, becomes another interesting name in his "Book of Wanders (Pronounced as Wonders)." As Veronica's telling the story about unknowingly meeting her brother, she remembers the crane in her bag. She reaches in to retrieve the little box, then the crane, nearly crying seeing how disheveled and unfolded it is. Broken and doomed, just like her. But looking at it now after so long, she thinks she sees something written inside it. Despite it shattering her heart pieces, she carefully unfolds the little crane.

At its center, in old, bleeding blue text, reads, "Find the Swooping Bat if you've lost your way."

The old man laughs then, taking Veronica's hand and placing it onto her chest, over her heart. "It's fate," he whispers in the dark bus. "There's a place called that in Chicago."

Veronica uses her money to rent them both a hotel for the night, giving the old man a warm bath for the first time in weeks. She gifts him the clothes as well, saying it's, "an honorary thanks from my brother, for helping me get here." They bid each other farewell in the morning, the old man telling her to keep hold of fate.

She finds her way to the Swooping Bat easily, hand on her necklace guiding her way. It's a quaint little diner, popular enough to be comfortably warm when she walks in. A young lady in a wheelchair - Max, says her nametag, with pins saying things like, "Summer work blows" and "USC grad or bust!" resting on her collar - guides her to a booth next to the sunrise.

"Anything I can get you today?" Max asks when Veronica's seated.

Veronica's fully ready to order everything on the menu, what with how delicious this place smells, but then she remembers her funds. 5 bucks, if she's lucky. "Just a chocolate milk, for now. Biggest one you have, please." She somehow plays off Max's skeptical look, her eyes sweeping over Veronica's no doubt disheveled and no-food-in-36-hours appearance.

It somehow works out, and Max is wheeling away. Veronica allows herself a moment to collapse, stomach growling in pain and eyes burning with the realization she has no idea what she's going to do now. She just has this last bit of hope to hold onto, and without it, she'll be nothing but a husk.

She's not sure how long she sits there, staring at the sunrise and letting sound and AC whisk her mind away, but there's suddenly a little knock on her table. Her head snaps up, and there's Max again, setting down a giant glass of chocolate milk... alongside a loaded breakfast plate.

"It's on the house," Max rushes to explain, all fondness when Veronica scrambles to get her wallet. "Courtesy of the owner. And between you and me," she whispers with a wink, "just take the damn food, kid."

Veronica stumbles over herself for a moment, rendered near speechless, before she finally comes back. She begs Max to thank the owner profusely, before rushing to dig into the pancakes before her. She's halfway done dousing the stack in syrup by the time Max wheels away, when there's suddenly someone laughing.

"Of course," says a choked-up voice behind her. "Can't have any chickpeas starving in my booths."

Veronica nearly drops her fork. She turns so sharply she gets dizzy. Seven years can't change a person that much, surely, because though he's bigger in the torso and he has glasses on the bridge of his nose and his hair is cut so close, he still has the same softness in his voice and the same slouch in his stance and the same moles around his eyes and his smile is so bright despite the tears in his eyes, and though Veronica can barely see through tears herself, it's not like she needs them anyway to know it's-

"Steve!" she cries, scrambling out of the booth to meet her brother halfway. The relief of it all working out has the rest of her restraint collapsing, forcing harsh sobs out of her and into Steve's shoulder. The siblings hold each other in the middle of a restaurant, a voice in the background asking everyone to leave them be. Steve doesn't stop whispering, even as his chest heaves with broken gasps between tears, "You're save, Veronica, I got you, I got you, it's gonna be okay, you're safe here, it's okay, sis, it's okay..."

"That you, lil' chickpea?" whispers a different voice once they've calmed down. Veronica reluctantly pulls away and finds a man kneeling beside them, a hand on Steve's shoulder and similar tears in his eyes. His hair and tattoos remind her of the tamed wild from seven years ago, covered in black in the middle of church yet glowing brighter than the stained glass, the one that Steve looks at in past and present with a glowing love Veronica never saw between her parents.

"Yeah," she whispers, wiping her tears away before placing a hand atop her necklace. It catches Eddie and Steve's eyes and make them beam with pride and relief. "Yeah, it's... it's me...."

[emry-stars-art]

@neilimfinejosten said coffee shop au last month so you’ll never guess what I’ve been thinking about

A few thoughts under the cut!

Andrew works at a coffee shop in a college town, so far with all the foxes except Aaron, and Neil’s been far away on the run. I’ve been putting Robin in this one and I bet Seth hangs around the shop for Allison. Aaron will pick up a shift or two but mostly he’s focusing on school.

Anyway one day in a cold winter a new guy comes into the shop looking to warm up, and Andrew just happens to be working the register (rare). It’s hard to tell with the mask, but this guy doesn’t seem to be much older than him or the team, and Andrew can catch glances of bandages and band-aids under his clothes.

He becomes a regular through winter, but none of the baristas can decide on his name because he gives a different one every time he comes in.

[starry-bi-sky]

(Part of this post with older brother danyal al ghul)

...Okay, look. Sam knows she's staring. She knows very well that she is staring. And that if she doesn't stop staring it's gonna draw her unwanted attention, and that will only have to make her explain why she's staring. Which she doesn't want to do.

She's trying not to stare, which she thinks she should get brownie points for. She tries to look away, to find a spot on the wall to stare lifelessly at, maybe she can burn holes into some of these annoying socialites' heads. But eventually her eyes drift, and suddenly she's back to staring again.

Can you blame her though? Damian Wayne looks like a very close mini-me of her fucking best friend. Seriously, it's like looking into a mirror to the past. If that mirror to the past had green eyes rather than blue and a distinctive lack of a facial scar.

The first time she sees him when her parents drag her over to Bruce Wayne to butter up to him she has to do a doubletake. Then a triple take. Then a quadruple take, just for good measure that she was seeing what she was actually seeing. She was sure she looked like one of those stress toys that when squeezed had their eyes pop out comically like a Saturday morning cartoon, that's what she certainly felt like anyways.

Look, Danny's come a decent way from being that scowl-y, jerkish little ten year old she first met when he arrived like the wind to Amity Park five years ago (even if he was still occasionally scowl-y and jerkish), but one thing that's stayed the same is how reserved he is about his home life prior to being taken in by the Fentons.

He doesn't talk about it much, and Sam's come to know that he's very good at changing the subject when it gets brought up. Even after being friends for nearly four years, the only thing she and Tuck know for certain is that he has a little brother that he refers to as 'starlight', whom he cares a lot about but left on really bad terms with. And that he's never met his father, but wants to and knows who he is.

He's never told her or Tucker who he was though, and glancing at Bruce Wayne, Sam is realizing why. She can begrudgingly acknowledge all the good he's done for Gotham, but... well, if Danny told her that Bruce Wayne was his dad, she wouldn't have believed him at all.

But she's starting to see the resemblance, as subtle as it is.

And she sees the resemblance to Damian Wayne, her eyes dropping back down to him as he wears a very Danny-like scowl on his face, arms crossed behind his back as his eyes swept around the ballroom. He was five years younger than Danny, and god it was so, so weird.

His eyes turned on to her, and they locked gazes for a moment.

Involuntarily, Sam makes a startled noise and looks away. Fingers tap against her purse, black and purple and unfortunately a clutch that only held her phone and her wallet in it. She would have kept a knife on her, but her parents put their foot down and there was a security detail at the door. Only in Gotham.

Silently, she was hoping that the little Danny-me didn't say anything. Or at least, he hadn't noticed her staring. Which was a tall order if she ever heard one -- and unfortunately, her silent prayers went unanswered as her mother's eyes dropped down onto her.

"Did you say something, Samantha?" She asks in a sickeningly sweet voice, a sound that makes Sam's skin crawl. Her dad and Bruce Wayne's attention also turns onto her, and she glowers at her mom from the corner of her eye.

"I didn't say anything." Sam says, barely keeping her tone polite as she turned her head away. Her mother clucks her tongue, disapproving, but from her peripherals doesn't pester her more

Bruce Wayne, the bastard, takes that time to turn to Sam and grace her with his dime-a-dozen billboard smiles. "I've been talking with your parents this whole time, Miss Manson, you must be terribly bored. How is your schooling going?"

Sam eyes him up and down. On one hand, she immediately wants to be snarky. It's none of his business what her school life is like, she doesn't care for his fucking small talk.

On the other hand, this was Danny's whole father. Someone who she knows that Danny has wanted to meet for, what she's assuming, his whole life. He's never brought it up much, but she remembers that very quiet, solemn conversation she and Tucker had with him where he admits to having never met his dad. But god does he want to.

And... wait. Sam's eyes narrow, and she meets Bruce Wayne's eyes. Does this man even know Danny exists? She drops her gaze down to Damian, who was staring at her suspiciously, and then back up to Bruce, and she alternates between them.

Why was Damian living with Bruce, but not Danny? Why hasn't Bruce done anything to reach out to him - what was going on with Danny's biological family that Danny had to be separated from them, but not Damian? Danny's always been kinda mysterious, but now things weren't adding up.

Was Danny given up? Does Bruce just not want Danny, but wanted Damian? Why the fuck does Bruce Wayne know about Damian but not her best friend -- or does he know and just not care? He's fought for custody for his adoptive kids before, does he just not want to fight for his other biological son? Does he think Danny's not worth it?

She's never cared much about the Wayne family before, other than to hear about the advancements on WE's eco-friendly tech, but Sam thinks she's gonna have to look into why Damian Wayne was living with the Waynes.

Slowly, with a protective anger beginning to burn in her gut and crawl up her throat, a scowl slowly curls at the corner of her lip as she redirects her glare from her mother onto Bruce. "It's going fine," She says curtly, jutting her chin out defiantly. "Me and my friend Danny started a petition to fix the leaky faucets in the girls and boys' bathrooms in order to conserve more water for the rest of the city."

She eyes his face, waiting to see if anything like recognition flashes through it. And- and nothing. Sam breathes in slowly through her nose, trying to quell the red that's blurring the edge of her vision -- does he just, not know where Danny is?

Her parents however, make vaguely displeased expressions. "Our Samantha is... quite passionate about her pet projects." Her dad says, laughing low and nervously, "she's very vocal about silly things like that."

"Her friend Daniel is perhaps even worse than she is sometimes." Her mother adds on, fanning her face with her perfectly manicured hands with a sigh. "I swear, he's the one that keeps dragging her into these things."

Sam's anger turns on its head, and she whirls on her heel like a fire-breathing dragon. "It's Danyal." It rolls out like instinct. Danny's told them both that he hates the Americanized pronunciation of his name, but in a rare moment of restraint, puts up with it for reasons unknown to her. "And Danny doesn't make me do anything, it was my idea."

The name, Danyal, seems to ring some kind of bell in Brucie Wayne's head, because she sees him and Damian quietly perk up like two cats pricking up their ears. Her eyes flick onto him immediately, something dangerous rearing its head. So Bruce Wayne knows about Danny. And he's not reaching out to him. Is he? She's not sure.

She does know that she's gonna rip his throat out if she finds out that he's known about Danny this entire time and has been ignoring him while favoring his little brother. She'll hunt down Aragon herself and steal his dragon-shifting amulet and wreck house on Bruce Wayne if that's the case. Batman and his league of vigilantes be damned. Her parents don't notice her slowly turning head towards Bruce.

But Bruce does, and she makes direct eye contact with him. His smile doesn't falter, he just tilts his head like a curious puppy and looks at Sam's parents. She hopes Bruce can read minds, she hopes he can hear her threatening him.

"Danyal?" He asks, and Sam doesn't know if she hates the fact that he said it correctly or not. She just continues burning holes into him and hoping he might spontaneously combust.

Her mother waves her hand dismissively, tilting her nose up poshly into the air. "Our dear Samantha's little... foster friend from school," she says, not even bothering to hide her disdain, "a creepy little boy with the most garish scar on his face. He's a rude little thing, not good for polite company."

Scratch that, Sam mentally alternates between ripping into her parents and Bruce. She whirls on them. "Do not talk about Danny that way." She all but snarls, and they all but ignore her.

(She's tearing up the upholstery when she gets home. She's going to paint over the fine china. She's going to do something to make them pay for this.)

"Oh yes, he was taken in by that freaky Fenton family a few years ago." Her dad continues in lieu of her mom, and they both shake their heads disapprovingly. "It's just what our city needs, another menace."

"Danny is not a menace." Sam continues, raising her voice while her hands shake with rage. Her parents finally look at her, but she can already tell that they're going to scold her for raising her voice. She bulldozes over them and jabs her black-painted finger at them. "He's got a bigger heart than the both of you combined."

"Samantha, please." her mom says, exasperated. They both give her disapproving looks, Sam thinks about grabbing champagne off the tray of a nearby waiter and throwing it in their faces. "You defend that boy far too much. What do you actually know about him and his family?"

Sam sets her jaw, puffing herself up like a dragon protecting its hoard. She steps into her mom's space. "I know that he loves the stars; you can ask him anything about astronomy and he could give you an entire lecture on the formation, class types, and various gasses that stars are made up of. He can tell you how the Earth was formed, he can tell you about the visible light spectrum and about light curves, and a whole ton of other stuff that I don't really understand. But Danny loves talking about it."

Her face twists and scowls, "I know he cares a ton about the environment and about fixing light pollution, and preserving the forests and natural habitats of animals." She nearly jabs her finger into her mom's chest, "I know he loves dogs, and that there's one he feeds every day on the way to school that he calls Cujo, its a St. Bernard puppy and Danny carries him around whenever he sees him after school, and is in the middle of training him."

It's not a total lie, but it's not the whole truth either. Cujo doesn't need food, but Danny gives him it anyways. "I know he likes spicy food and loves movies but specifically only sci-fi and horror, and he hates most martial arts movies. His favorite superhero is the Martian Manhunter, but Batman comes in at a close second." For reasons to her that were pretty unknown, but it didn't matter.

"I know he loves wordplay and making puns, which I would have never expected from him when we first met, but it's so unbelievably Danny-like that I can't imagine him not making puns." And she smiles a little to herself, she remembers the first time Danny intentionally made a pun once and it got startled laughs out of both her and Tucker.

Her smile suddenly falters, and she swallows. Her lips purse up, wobbling, and she very quickly glances over to Damian Wayne, of whom is watching her with a vaguely bewildered expression alongside Bruce.

She turns her eyes back onto her parents. "And I know that he worries a lot, even if he has a shit way of showing it. I know he had a little brother that he hasn't seen since he was adopted by the Fentons, and he doesn't talk about him often but when he does he he calls him 'starlight'." From the corner of her eye, she sees Damian jerk.

"So- so, so what if he's not 'good for polite company'." Sam's voice, embarrassingly, cracks down the middle. But she's so angry over Danny's behalf that she doesn't really care. "Or that he can be mean, and critical, and stubborn. He's learning, and he's becoming kinder by the day. That's more than I can say about you."

(She remembers when Danny finally admitted to her and Tucker being his 'closest friends'. It was sometime before the portal incident, and it felt like a milestone because beforehand he only really referred to them as his companions or allies.)

(At the time, he'd looked unsure of himself. Skittish like a stray in the back of an alleyway, almost shy in his own way. It had come out stilted, slow, like an infant taking its first steps, and it would have been endearing if it hadn't been heartbreaking.)

Her parents rear back like she'd struck them, and her mother holds a hand against her chest in aghast. Sam doesn't care, she blinks the sting out of her eyes. "Samantha." Her mother starts.

Sam cuts her off, "I don't care what you have to say, you-- you pricks." she snaps, around her, there are gasps. Belatedly, she realizes she's grown an audience, but again she doesn't care. "Danny might be an asshole, but he cares. And I'd rather be around someone whose mean but cares, than someone whose nice but doesn't."

With that, she whirls on her foot and turns on Bruce Wayne, who has been silent the entire time with a surprised expression on his face. He starts to shake out of it when Sam turns to him, but she doesn't give him the chance to speak. "Enjoy your party." She snarls, and then stalks away.

[idontmindifuforgetme]

I genuinely love not having a crush like I’m not over here feeling physically sick over some mid guy being dry to me I’m literally chilling

[opens-up-4-nobody]

:-P

[macdenlover]

thinking about sunny and also about the color yellow as a symbol for madness and illness and rot and suffocation in literature.

[tragicvampireromanceisland]

thinking so long and hard about joyness once more…like yesss they are very cute and sweet and all but i think them getting together even after their History is sooo interesting. like, does joy first start hanging out around sadness and talking with her more often out of guilt? is it performative? when does it stop being performative?? and at what point does joy realize it’s stopped being performative? how does joy feel when every single interaction she has with sadness after the events of the first movie are just like…constant reminders of how she screwed up with her prior? liking someone who makes her feel that bad when she normally never lingers on what she's done wrong just seems so counterintuitive (fun fact: joy has literally never genuinely apologized for anything she's done, across both movies. she's acknowledged and fixed her mistakes before, sure, but she has never expressed guilt so straightforwardly like that. is she simply incapable of it? or has she just...never given importance to feeling guilty before so long as she can just Fix her mistake? just something very interesting i've noticed...)!!

like, joy’s canonically admitted that she’s literally tried to kick sadness out of headquarters before. that’s truly how little joy thought of her before she got to know her better…she totally would have been fine with just. never seeing her again. imagine disliking your coworker THAT much since the very first day you met her and now you have feelings for her…?! not a possibility joy ever would have considered, and i think joy would struggle a Lot with coming to terms with that initially. she is the Queen of cognitive dissonance. of being Delusional. it’s HARD to shake off old habits just like that!! joy is someone who very much doesn’t fully acknowledge how she feels until it gets so intense it bubbles up to the surface and breaks through her usual demeanor (we’ve seen that both with how she’s gotten sad and angry before…who’s to say romance would not be the same. i think she’d just keep denying it until she just. has an Ah Shit moment with sadness one day. probably over something completely mundane).

and it certainly doesn’t help that sadness is, well. Sadness! she clearly admires joy from the very beginning even when joy treated her so poorly (knowing her she probably thought she deserved it…sigh). she’d literally just assume absolutely nothing would come out of her feelings. and you know she probably might even romanticize and Enjoy it in a weird way…i mean think about it. she canonically likes sad romance novels…this is her own "tragic romance" (apparently. SUPPOSEDLY) so i think she’d kind of insistently cling to that. define their entire relationship as unrequited and reallyyy lean into it and warp anything that happens otherwise to fit her little Doomed Yuri vision. she's observant as hell for pretty much everything, normally, but she just has goddamn Horse Blinders on for just this one thing specifically.

she’s just completely unaware of how fundamentally she’s changed joy and shattered her entire worldview (meanwhile joy is just busy having a whole crisis about exactly that). and NOW she has to deal with actually being treated like she matters, both by joy and the other emotions?? helloooo? she’s definitely got a lot to process by this point because Her entire way of living has changed too now in an entirely different direction.

AND then you add to that how it's pretty clear that sadness knows joy pretty well, but joy still has a Lot to learn about sadness because she never gave her a chance before...very much a recipe for guilt and confusion and miscommunication and other such weird occurrences to arise.

BASICALLY tldr theyre both kind of idiots and i think their dynamic is a little more complicated than people give it credit for. joyness is a veryyy. She fell first (sadness) she fell harder (joy) type of dynamic. To Me.

[forgettable-au]

In the cooking ask, you said Wing Dings has a hard time cooking if instructions aren't clear enough, and as an autistic person who feels that TM every time I'm given instructions, is your Wing Dings supposed to be autistic? (I'm also going off the head canon for most of the fandom that canon papyrus is autistic, as he certainly does act like myself) (There are way more things that canon paps does that make him seem autistic, if you havent heard of it you should check it out)

OHH! Yeah I've heard of it and I totally see Papyrus as autistic!

And so Wingdings is also autistic!

At least I'm trying, it's implied

It's not really relevant to the plot, but it's something I find relevant for his characterization personally fjefnekfjef

See it like this:

Wingdings is autistic but he's VERY high masking (dude, that's bad for your health)

And Papyrus is also autistic, not as high masking, but he does try, he's just not that good at it

It's a detail I personally like c: because yes, so many autistic people relate to Papyrus (me) and I want to keep that...even if it's not a canonical aspect but it's canon to me

[strugglingsapphic]

Chloe taking Red to mardi gras in Bayou de Orleans, her aunt Tiana and uncle Naveen's kingdom. (Disney how dare you take her away from me. So this is how i'm healing, in my world Ella and Tiana stayed good friends)

Chloe makes sure Red has the best time. They eat in the french quarter, go on a ghost tour, meet louis (And he's one of Red's favorite part of the trip because finally an animal she can talk to in auradon). Chloe takes Red to a local store to get their masks and nobody is surprised when the princess of hearts picks up a red one. Tiana and Naveen personally invite them to their restaurant and to watch the parade with them. And reds just happy to be there because not only is the the most fun thing she's done in Auradon to this point, but her princess is having so much fun and she'll take any excuse to hear Chloe speak french so much even if she doesn't understand.

Chloe: Est-ce que le flotteur est prêt, ma tante?

Tiana: yes Chloe, don't worry so much firefly

Chloe: Je veux juste que ce soit parfait, elle mérite le meilleur

Naveen: et ce sera la petite grenouille, tu planifies depuis des mois

Red: What're we talkin bout?

When the parade happens, Chloe makes sure they're on a balcony (because they're both short no matter what Red says) and she wants her girlfriend to have the best view. And when Red turns to look at her, mouth open in shock and eyes shining because there's a wonderland float in the mix, Chloe takes so many pictures, to the point she thinks she'll run out of storage.

[strangersteddierthings]

Ok so we got so many fic of Eddie rejecting Steve at first because Eddie's convinced Steve is straight and he refuses to be an "experiment" for straight boy Steve

But what if it goes the other way??

Eddie, having hidden himself in the closet SO WELL because he's already got enough reasons to be The Freak and doesn't need one that'll make people murder him for real, doesn't think before impulsively kissing Steve almost as soon as Steve comes out to him as bi.

And Steve gets to be the one like 'fuck you, you don't get to do this to me!'

Something something angst and misunderstandings.

Would LOVE if anyone could rec some fics with this premise or if anyone wants to write it I'd love you forever.

[coolnonsenseworld]

(this is part of the calendar 2024 lore, now on pre-order, to know more check out prev posts)

April was Keith's idea of relaxation. He enjoyed parks, the feng shui of them, nature's ability to thrive despite and against anything happening - the silence of it. Watching Keith wind down and relax when he is a strung wire most of the time, would definitely make Lance feel all lovey-dovey and clingy (as he tends to get) and when he’d worry he is disturbing, Keith would comment this is exactly how it should be - the constant yin to his yang, and the yang when he feels yin.

Also - both shirt and hoodie are Keith's (he has way too many hoodies with quotes). Lance took the hoodie for Keith, but Keith insisted he won’t get cold, so he wore it himself. On the way home Lance funds Keith the biggest sushi serving he could find on the menu, and, believe me, nothing lights up Keith's eyes like a table full of rice and algae. Lance just watches with a soft smile. (Keith does end up getting cold)

[of-time-and-space-itself]

YIPPIE! We Unlocked The Snatcher DLC, LET'S GO!

The best way that I can describe this man in this AU is like.....mostly deadpan, with an occasional snarky quip, he kinda just rolls with the flow at this point. He's very much past his prime, and is now just very calmly sitting in the passenger seat while Hat kid rams her scooter into the nearest cement wall.

He is the only real sane voice of reason in the entire kingdom, Which is why Hat always bothers him with all her problems.

Something I can mention w/o having to be vague is the fact that, - yes, in this universe dad snatcher is a thing. It NEVER comes up in the main story, mostly because I decided I wanted it to be a side thing entirely(backstory for the two kingdoms). Hat kid isn't actually aware of this until post-plot, which is when their relationship really starts to blossom.

In the meantime, he's just her super secret lawyer that nobody really knows about.

[sunnymainecoon]

Horror's silly I guess..... idk sometimes I just want him to slam people idk

Sighs the man's a little angy don't judge him... Jesus he's ugly

[teapetal44]

All For One should have stayed on the sidelines as a character after Kamino. His evolvement in everything after that significantly weakens the story. Building up Tomura as his protégé, framing him as the next symbol of evil, and then pulling the rug under everyone’s feet, is the worst writing decision Hori has ever made. In concept, All For One failing at passing the torch to Tomura is good, because it directly  parallels All Might and his mentorship to Izuku. Unlike All For One, Toshinori was aware the younger generation needed to take up the mantle. All For One is a selfish and controlling person, it makes perfect sense for him to be unable to give up his power to someone else. But in execution it falls apart the moment All For One continues to force himself upon the narrative, continues to serve as the big bad. All For One’s inability to pass the torch and Tomura as a main antagonist can co-exist without weakening the themes of the story.  

Like, imagine how cool it would have been if All for One was destroyed by Tomura after he tried taking control over his body and mind. Tomura realizes his master is holding him back from achieving his full potential and his goal, the thing he literally lives and fights for. Triumph over his master would be Tomura’s final step to becoming the new symbol of evil and his self-liberation. Then, he would truly be free of everything holding him back. AFO, the puppeteer, the man always one step ahead of everyone else, would be conquered by the very same person he molded – he planted the seed, but at last, what grows is out of his control. In a sense, he would be punished by the story for failing at passing the torch and Tomura would be cemented as the final antagonist, and his journey would feel satisfying.

All though, I see why Horikoshi didn’t write it like that – cause that would require giving Tomura actual autonomy as a character. Something he actively avoids doing every chance he gets. It’s easier to have a character who is crafted to be evil by one powerful bad man before he was even born, than to portray an abused child failed by a fundamentally corrupt society that values consumerism over actually helping those in need, who ended up in the hands of the powerful bad man because the child slipped through the cracks of said society. MHA conveys to the viewer that there are no bad systems, only bad people within the established systems.

Tomura couldn’t own his conception, nor his heroic goals, not even his abuse. Nothing ever happened to him because of society as a whole or because life is cruel and merciless. It happened because Anime-Satan said so.

[xxplastic-cubexx]

they gotta let me out this classroom i have old man yaoi to draw