#And I liked the sketch so much that I finished it

[bi-writes]

MOB who has to stay with Johnny at his house while Simon is away on a solo mission? Like as a preventive measure, Simon has them both together in case soemthing happens to him while he’s away?

mail-order bride

"i...simon, i just don't--"

"just do it," simon murmurs. you quiet immediately, a little caught off-guard. simon has never interrupted you; even when you're a babbling mess, simon lets you finish your garbled sentences. he waits until your voice quiets, until your mouth closes, before he ever speaks to you, but this time, his tone is firm, and there is no room for interpretation. when you meet his eyes, simon is more than serious. "i don't ask ya for anythin', swee'eart. but this..." he reaches out for you, and you step closer instinctively, and when he cups your face in both hands, you can't help but melt. he leans his forehead against yours, and you close your eyes when you see the very subtle tremble of his lips. "do this fer me. only thing i'll ever ask of ya. i swear it."

you take a deep breath to center yourself. one of his hands wraps around the back of your neck, pulling you just that much closer, and you wait until your lips brush against his before you answer him.

"i...i have to go?"

"few days. tha's it."

"well, i...well, okay."

it's quiet up north. the weather dampens the entire coastline, what you can see of it, and the air tastes like salt. it was in your mouth as soon as you stepped off the train, and it only got stronger the closer you got to the cottage.

as soon as you step out of the car, you're greeted by the most quaint little house on a hill. there's vines climbing up the sides of it, wrapping around wooden structures and carving out a perfectly quaint home tucked amongst scottish greenery. it's breathtaking here; it's so quiet, and the way that you're allowed to breathe up here is unlike anywhere else you've ever been.

the meows coming from your backpack are the only thing that bring you back to earth.

"just inside, lass," a low voice calls behind you. "supper's 'bout ready now."

when johnny closes the door behind you, you're mesmerized by the coziness inside. his house is filled with warmth. there's plaid curtains pulled back from a stained-glass window, allowing in soft colors of light. the couches in his living room have throw pillows and blankets of mismatched linen and velvet, and his walls are filled with pictures and hanging green plants. there's candles burning, and the television is still playing some reruns of old rugby games.

the wood detail is exquisite. the staircase has little carvings of scottish motifs and flowers, winding up another wall of photos. the pictures are old and new, all of laughing people with johnny's big smile or his bright blue eyes or wearing the same plaid pattern as the fabric that you saw hanging in the closet.

a green kettle. a cross above the mantle with a psalm printed on it. a sketch on the coffee table (a skull, with a stub of a charcoal pencil still laying over it). rosaries hanging over a wedding photo with johnny in the background, holding up bunny ears. a wooden bowl of oranges (and oranges only).

"said ye'd be 'ere fer some time, tha' ye like ta bake. got some things fer ye at the shops."

you set your backpack down, opening the clear window of it, and two little cats hop out immediately. johnny raises a brow as he makes eye contact immediately with the orange tabby, a wicked grin coming over his face.

"i remember ye, ye little shite."

"what?" you laugh, and johnny shakes his head.

"nothin'."

it's late when he notices you looking out the window. the cats are curled up on opposite ends of the couch, in deep sleep after johnny gave them each a salmon dinner (and you pretended not to notice seeing the extensive recipe sheet that only your husband could have made on his phone). your eyes are on the sky; you can see so much of it here, twinkly stars and all.

"'m sorry ye have ta be here," johnny says lowly, soft enough that you aren't startled. you don't look away from the window, leaning your chin on the edge of the couch as you wonder if simon is looking at the same star you can't seem to lose. it's brighter than the rest, and it flickers to a rhythm that feels oddly comforting.

"it's not your fault, johnny," you assure him softly, and you turn away from the window finally to find him seated on the carpet, scratching the orange cat behind the ears. "he wouldn't...he wouldn't take no for an answer. not...not this time."

you frown a little, smoothing your right hand over your left, and your heart drops a little in your chest when the sparkle of your wedding ring matches the sparkle of your star.

"i've been staying home alone all this time," you continue, shaking your head. "and all of the sudden...a-all of the sudden he doesn't trust me?"

"oh, love..." johnny sighs, clicking his tongue. "tha' is...'s nae wot it is, i swear it."

"i...it's not...it's not me, right?" you ask in a whisper, meeting his eyes finally. "simon and i...w-we're doing so well..."

the expression that passes over his face is a sad one. it unnerves you to see it; johnny is someone that just isn't meant to be sad. his house is filled with so much love and so much life, and you swear you don't even recognize him anymore because he's void of a smile altogether.

"ye seen the pictures?"

you know immediately what johnny is talking about. you saw them the very first night you stayed in your shared home. across your house, there are a few picture frames covered with fabric or face-down on whichever surface they rest on. when you glimpsed at them, you peeked behind the curtain of a life that simon has that you don't know. even now, you have never felt strong enough to ask him about them.

it isn't because you think simon won't tell you; you're afraid to ask. you're afraid of who they are, what they are to him, and why he's never told you their names or introduced them to you. they exist in a separate place, and you don't know why, and when you saw him holding that baby--

you shake your head finally.

"i...i can't."

johnny hums low, looking down. he smooths his hands down his jeans.

"neither can he."

you close your eyes, but not fast enough. there's a few tears that fall down the curve of your cheek.

"when...when did--?"

"will be another year in a few days."

your lip shakes, and you take in a stuttered breath. you did not believe it possible to love simon any more than you already do, but it aches, that place in your chest that is reserved just for him. it hurts, in the worst and most incredible way, and you never want him to know another day without hearing you tell him how much you love him.

when simon comes to get you, just a week later, you're sitting under a sycamore tree at sunset. it's never been more quiet inside of your head, and when he takes a seat beside you, you say nothing for a few minutes.

simon thinks maybe you're angry for a moment, but then your hand reaches over to take his, and then you're scooting closer, until you drape yourself over his arm and bury your face into the side of his neck.

"i'm not going anywhere," you whisper, and simon turns his head slightly.

"wot's tha', love?"

"i'm not going anywhere, simon," you say again, and when he looks at you finally, you squeeze his hand. "wherever...wherever you want me to go...i'll go. wherever you want me to stay, i-i'll stay there."

when he kisses you, it's soft, and it's slow, and he feels faraway and so close all at once. you put your hands around his neck, along the back of his head, anything to get him closer, to feel more of him, but it isn't enough.

it won't be enough. not until simon devours you whole. not until you bite into him and never let go. not until beginning of you and the end of him are indistinguishable.

not until i make the time before us obsolete and the time after us endless.

when you are home, simon watches from the hallway as you pick up a picture frame on the dresser. it's been facedown there since he moved in, and touching it has always felt like it burns him. he's frozen as you flip it face-up, standing it back up. when he sees himself, many years younger, smiling, happy, holding a chubby baby with bright eyes and blonde hair, he's surprised his insides don't burst immediately.

he never thought he would be able to look at them again. he never thought he'd be able to see their faces without seeing the warped versions of them, the mirrors of them that he never believed could be real. he always thought if he looked at them again, he'd go blind--that he'd carve out his own eyes just to forget what was left of them.

but nothing remains. they're memories, beautiful ones, and he'd forgotten that his nephew even had dimples.

the photos get lost amongst the rest. they blend in, like they were meant to be, tucked between the warm ones of your smile and the orange cat standing on simon's shoulders.

there is nothing more intoxicating than the woman that simon has chosen to love. you make the worst of his mind feel afraid; the thoughts that threaten to upend him, they are retreating, withering away from the things that he thinks about now that you remain. the tendrils of you are everywhere; you have latched onto him like nothing ever has, and he will never be rid of this feeling. of you.

simon will not fight reality any longer. he won't tell himself fate is nothing but proof that god is unforgiving. god isn't real, you are, and whatever came before you was the road he had to follow to get to you.

and simon didn't just follow; he fucking crawled. he dug his hands into the stone, bleeding fingernails and all, and he kept going even when his legs didn't work and his mind told him there was nothing there ahead of him. it was not resilience. it was not a man made of metal or steel or something heroic or a miracle.

simon is just a man, and he is weak, but as he comes up behind you and breathes you in, he realizes now that he has known you his entire life. you are tethered by something that he can't see. you are connected by something invisible.

when you tuck yourself into bed that night, the pictures are still upright, the ones on the wall still uncovered. you fall asleep before him, like always, and simon cradles your head to his chest as his eyes find the window.

a star sparkles. it's the last thing he sees before he falls asleep beside you.

[skeletonpendeja]

Nothing Girl! But... Different!

Designs for a hypothetical Nothing Girl comic drawn in a more traditional format. Smiles an actual raggedy doll, Bad Seed is a bit more rooted and things are a bit sweeter and harsher

[wmnwntmefshfrme]

I FINISHED THEM. I DID IT. WOOHOO (crying)

design notes:

Yaira: nothing changed

Estrella: dead mom ponytail gone </3 i only did it in the og drawing of her bc its funny

Robin: ROBINNNN. IM SO SORRY I FORGOT THE PUFF BUNS UUEHEHHHHH- anyway, when i was planning out the designs for the other named npcs, i was like "why the hell are there so many gingers" so i made her have blue hair :3 to match with her confidence stat :3 also gave her yellow/orange eyes instead of green bc there were also a lot of green eyed npcs

Sydney: SKUNK HAIR. I DUNNO HOW I FORGOT ABOUT THAT YUMMY DYE STYLE. SYDNEY IM SORRY. i completely forgot i wanted to still have her natural hair (also just made pink bc teehee i like whimsy) to show

Whitney: not much changed besides the hair style. completely forgot i wanted her to be super gyaru OTL. gave her cheek piercings bc they're cute :3

Kylar: i lowkey started to not like how i did her hair originally and then came across all the sketches i made for the LIs and was like FLUFFY KY :3 ofc had to keep the emo bangs :3

Avery: nothing changed LMAOAOA

Great Hawk: FEATHER HAIR. I FORGOT I MADE A SKETCH FOR FEATHER-LIKE HAIR FOR HER. IM MAD AT MYSELF.

Black Wolf: not much changed, just made her hair longer bc why not

Alex: not much changed, just made he hair more of a red red, darkened her skin, altered her bangs, and changed the color of her bandana. still wanted to keep her looking like a cutie patootie

Eden: I ACCIDENTALLY GAVE HER A GIANT FOREHEAD THE FIRST TIME AND I DIDN'T MEAN TO SOBBING. not much changed though, just made her hair darker and have a green tint to it. look im trying to make my designs have lots of whimsy

Quinn: you can tell with Quinn LMAO. i just felt like she needed to have a distinct look since she's a special npc n all :3 classic purple and green color scheme for a shady character

Bailey: i'm gonna be honest, i was originally gonna go with a mean asian mom look for Bailey but then i was like "....what if muscle mommy"

Remy: i wanted her to look like a little shit. that's all

Briar: tried to go for a bit of a Jessica Rabbit and Rarity type aura. i really like her design and she could put me in the underground brothel any day :3 /j

Leighton: just an old hag, nothing special

Harper: wanted to make her look a little inhuman??? i think i got it with how dead her skin looks idk. also wanted her to look like a little shit

Landry: here's where the asian mom look went. i like her and Mickey's dynamic and they both just look like regular people (better for crime)

Sirris: Sydney if she was older. idk what else i should've done lol

River: old lady :3 hot old lady :3c (pt 1)

Doren: i wanted her hair to look fluffy as hell

Winter: old lady :3 hot old lady :3c (pt 2)

Mason: SEAWEED HAIR. that's all

Charlie: wanted to embody :3c

Darryl: she's very cutie patootie to me so i made her a cute patootie

Sam: wanted her to look like candy kinda. idk :3

Niki: i only made her hair a little longer and no weird two layer thing for the short portion

Zephyr: wanted her to look smug and also kinda cute???? idk, i didn't really have a vision for her

Jordan: also didn't really have a vision for her, but it did want her to gave similar eyes to Quinn

Gwylan: her i did have a vision for :3c she's a cutie patootie, that's all :3

Wren: thought a side shave would make her look cooler

Mickey: hairstyle changed a little. other than that, not much changed

Morgan: still a wet rat

Ivory Wraith: nothing changed (they have special eyes tho)

[djnart]

guys i actually started and finished something in one day 😭 this was just for me figuring out how to color to be more efficient while doing the line art at the same time, and i couldn't help but draw lazuli :3

anyway i procrastinate so much because of the line art process, i fucking hate it, it makes art feel like a job for me, and i don't want to do that anymore, i actually want to enjoy myself doing all the steps in digital art or whatever

hopefully this is actually good when i look back at it after a few hours, cause something can be so good when u finish but after a few hours, u notice it looks ehh, u notice the mistakes n all 💔

here's the sketch btw

[randomspagetti]

{The End/A Compilation on This Project}

Summary:

I don't really like the climax I came up with at the time so I'll be adding a new version here. So if It differs from the images that's why, I feel like I made the pages during a time where I just wanted to get the comic over with so it kinda feels generic and half baked.

-

Starting from our last point, with the words of encouragement from the Light of Resolution and the steel force will to get his dad back, Choco manages to land a powerful strike, surprising the ancients and phasing Berserk Cacao.

This leaves space for the ancients to also be able to help, Pure Vanilla gives both Choco and Holly buffs while Holly holds the line and protects them from incoming attacks. By doing so they're able to get closer. Finally, a combined attack is hit to where something finally seems to happen. It's powerful and cuts into the indoor wall of the citadel. The smoke dissipates and all that is left is just Cacao.

They're all pretty suprised, but Cacao still has some lingering curse corruption on his body and his breathing is shallow. Hearing the loud crashes from the room the watchers (and Caramel) run in to see the ... interesting situation that had unfolded.

We then cut to Cacao sitting in a hospital room, he had woken up a bit earlier and is trying somewhat to recall the events of the previous day.

Holly and PV soon walk in with mugs, not expecting him to be up. They're caught off guard but soon calm down and get to chatting. Cacao finally admits he's not really doing all so well with both his kingdom and his son over the course of the conversation.

He also sort of opens up about more sensitive issues he's been through, thought he doesn't hold that topic for long given it's just too much for him at the moment. Holly understands where he's coming from and offers some words of encouragement, while PV tells him they're going to look into something for the curse and to actually help Cacao mentally.

Cacao reluctantly agrees.

It ends a bit more open ended with your own interpretation of how Cacao deals with his issues being set, though there would be a few aftermath pages exploring the relationship with the characters shown after the events of the story, this one for example is Cacao and Choco doing pottery painting.

------------------------------------------------------------

Some interesting facts, and stuff I made that didn't make it into the final cut:

-In my discord server berserk Cacao was often referred to as "The enemy spider"

-I often used their hands (so many hand drawings) as a way to show more of their character, Holly has hand scars while PV has a redness around his nails from stress. I like to add a human aspect to each of them so the reader can relate

-Berserk Cacao has had so many iterations before the final one, I just couldn't decide what I wanted him to look like!

-Each character has a different way of showing their thoughts/flashbacks! Caramels are more center focused given her only thought in that flashback was of the loud crash, Choco's are blurry given his eyesight, and Cacao has flashbacks and thinks in grayscale! You can actually notice this more during the dinner scene, this has it's own reasoning but it's bit more darker

-Most of the sketches were 10x more funnier than the finished project but I had to make it realistic

-Affogato was originally going to make it into the comic as a background character, but I felt it was too OOC for him given his devious crimes

Onto the darker stuff-

TW: Implied Abuse, Blood

-Everyone knows about the cut panels but there was actually an entire page scrapped too, originally this would follow along with the Light of Resolution convo (I will now refer to it as the LOR) but I scrapped it for a few reasons.

-Firstly I felt like it didn't add anything and only just re-established something the reader already well knew from both Holly and Cacaos statements, secondly I just felt like it was OOC for how I wrote the LOR. The LOR is in part Cacao. He is Cacao's resolution made physical. This would be his story to tell because he is a part of Cacao. It is Cacao in a way. I also felt revealing his face felt kinda eh and just didn't fit. So for those reasons I chopped it

-Cacao's curse wound was actually bleeding in this scene, though it's a bit hard to see with the shaders

That's all! Thank you everyone for being on this journey with me, I appreciate each and every one of you, you truly helped me expand my art horizons

[dunkledog]

i . fishnished an art work .

i think maybe i have art block or someting idk bc i cant. finish things i always sketch and sketch and then abandon the things that start to come out of them grr

anyways his name is Otto and uh normally he has a mask but I wanted to give him a face so . hence. face.

Backstory? eh, might work on it. Long and short of it is he might've done some crimes and faked his death to escape consequences so Otto probably isn't even his real name.... But I mean, that's pretty par for the course, huh? anyways BULLETPOINT TIME !!!!

works for Hoch. Helps decide what goes on RED's books and what stays under the operating table, if you know what I mean.

Head of forensic analysis and carries out dissections of dead experiments and unexpected respawn failure mutations.

Has taken up many duties around the lab. He likes to keep himself busy. Keep his brain from wandering off.

power-napper 5000

makes too much eye contact

One of those people that will remember everything down to the finest detail. He's always watching. Always listening. Hoch's favorite snitch.

He's also incapable of lying about events he's witnessed. He has a very strong desire to be correct when it comes to those things, and extremely obvious tells.

Oh, speaking of Hoch, Otto thinks he could take him.

No, not in a fight.

[finalshockdown]

🎶You’re not gonna push me around, you can’t get me down, down, down!🎶

- Brittle Bones Nicky (Rare Americans)

[mroddmod]

i’m still hoping for a CX-2/tech reveal, if for nothing else than to see this scene play out

[goodsmellerart]

DEMON BUNNY SUPREMACY RUN THE WORLD

fanart of @wolfertinger666's awesome sona Salem

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[sketchy-tour]

Blame eechytooru for Beta Wally taking up so much free real estate in my mind. And blame work for as to why I am posting...MORE sketches. But! These were some Wally practice cause I'm never happy with how I draw him but also just...ya know. *Gestures to the art

Anyway. Beta Wally am I right? Yea??? Yea....

....Yea

[slavhew]

charmed, i'm sure

[endermagpieart]

What do you mean I’m a bit late for Janus’ big day? Of course not, how could you say such a thing! I definitely didn’t forget all about it in my absence and only get reminded in the incorrect quotes video live chat; that’s not like me at all ;]

Anyways I decided to dress our sassy snake in some different outfits I think he’d like. He seems like the type to get all dolled up on his birthday and it goes with Thomas posting pics in outfits inspired by the sides on their appreciation days!

@thatsthat24

[basslinegrave]

random monarch trio stuff (and 24 is also there yeah)

[mikayesha]

Imagine if he started getting scared of bridges too

[froggtogs]

“welcome to Minish Village!”