#Ananda (temple)

[umi-ananda]

I greet this Sunday morning with a heart full of warmth!

[mplanetleaf]

Humbling of Thondaman's pride | తొండమాన్ గర్వభంగం! | MPlanetLeaf

[southeastasianarchaeology]

Bagan's Ancient Temples Submerged After Seven-Hour Deluge

via The Irrawady, 05 September 2023: Bagan's iconic temples, including Ananda and Shwezigon, face flood risk due to heavy rains, raising alarms about their long-term preservation.

via The Irrawady, 05 September 2023: Heavy rainfall has led to flooding in Myanmar’s World Heritage-listed city of Bagan, affecting renowned sites such as Ananda Temple and Shwezigon Pagoda, and raising concerns about the increasing vulnerability of the area to flooding due to urban construction and climate factors. The precincts of Shwezigon Pagoda and Ananda Temple were submerged, and…

[talonabraxas]

Presence is far deeper than our person.

he Various Forms of "Tandava"

Tandava is the divine dance performed by Lord Shiva. It is considered to be the source of the cosmic cycle of creation, preservation and dissolution. The word Tandava comes from Tandu, the attendant of Lord Shiva, who at Lord Shiva’s orders, instructed Bharat muni, the author of Natya Shastra, the usage of Angaharas and Karanas, which together constitute this cosmic dance.

“Pumnrityam tandavam, prahu: stree nrityam lasyamuchyate”

Tandava the masculine form of dance is attributed to Lord Shiva which is forceful and full of vigour often manifesting anger and fear while lasya anga attributed to Godess Parvathi is the feminine form where the movements are gentle and graceful often depicting love and affection.

The deep significance underlying this dance form is the personification of Lord Shiva as Nataraja or Nritya Murti. His dance is supposed to represent the five manifestations of eternal energy- Srishti (creation), Sthiti (preservation), Samhara (destruction), Tirobhava (illusion) and Anugraha (emancipation).

The various Tandavas are described in Bhavaprakash and in the Abhinaya Darpanam of Nandikeswara.

In the Bhavaprakash five forms of Tandava are described:

Ucchanda: This includes the forceful and quick Angaharas, Akaashacharis and Bhramaris. Raudra, Bhibhatsa and Bhayanaka are the rasa associated with this.

Chanda: This is represented by Bhumichari karanas and angaharas and evokes Veera and Raudra rasa.

Prachanda: This tandava involves jumping forceful karanas and bhramari. Rasas associated with this are Raudra and Bibhatsa.

Prerana and Prapana: These two are considered to be of tepid and are less forceful and masculine.

Nandikeswara in his Abhinaya Darpanam describes seven types of Tandava which are believed to have been performed by Lord Shiva.

Sandhya Tandava: A form of tandava performed by Lord Shiva at the time when the world was poised between lingering day and the oncoming darkness of the night. It was the dance of creation and scriptures. It is believed that Sandhya Tandava protects one and all.

Ananda Tandava: This form of Tandava was performed by Lord Shiva for protecting his disciples. In Chidambaram temple, the deity is represented in this pose. The image is depicted with four hands holding the drum, fire, the right hand in the Abhaya Hasta, the left hand with the Danda Hasta bestowing boons. The left leg is in Kunchita pada and the right tramples upon the sole. This posture is also known as the Sada Tandava.

Kali or Shakti Tandava: This Tandava is the type performed by Shiva and Kali. It is believed that Kali or Shakti is the energy that cannot be separated from Shiva. Shiva has the power to create only when he is united with Shakti.

Tripura Tandava: This is the Tandava performed by Shiva after killing the three rakshasas, Tarakakasha, Kamalaksha and Vidyun mali. He fought the rakshasas driving the earth as his chariot, Meru as the bow, Sun and Moon as the wheels, Adishesha as the rope, Lord Vishnu as the arrows, four vedas as horses and Lord Brahma as the charioteer. By destroying these rakshasas he freed the three worlds from evil.

Sati and Shiva Tandava: This Tandava is believed to have been performed by Shiva and Sati. This represents the eternal dance of the Man and Woman, depicting the unity of Purush and Prakriti. This item also depicts both forms of dancing, Tandava as well as Lasya.

Ardhanaari Tandava: This type of Tandava was performed to show the unity between Nature and God. Shiva took Parvati as a part of himself and assumed the form of Ardhanareeswara – one half man the other half woman.

Samhara tandava: This is the dance of annihilation and release. Shiva is believed to have performed this when Sati burned herself in ashes. Shiva in anger danced so vigorously that lords feared destruction of the three worlds. Only when Lord Bramha, Lord Vishnu and Devas appealed to him did he return to normalcy.

The concepts of Tandava and Lasya represented Shiva and Parvati have been the source of inspiration for most dancers across classical dance forms and across generations as it encompasses the entire cycle of cosmic evolution and stands for the dual personification of the Absolute.

[eaux-fortes]

Anantashayana

Form of Vishnu immersed in meditation and lying on the serpent of eternity Ananta, which is located in the Govindaraja temple inside the Chidambaram shrine. This major pilgrimage center of Tamil Nadu is located on the Vellar River, fifty kilometers from Pondicherry. Chidambaram is one of the most sacred places in Shaivism because it is there that Shiva performed the dance of bliss (ananda-tandava) on the body of the dwarf Apasmara (the man without memory). Shiva is therefore worshiped there in the form of Nataraja, the cosmic dancer. The second painting represents an utsavamurti of Vishnu sitting on the serpent Shesha.

[incorrectjttw]

The Buddha, rubbing their temples: I am not proud of what I am about to say, but someone get me a cigarrette. Ananda: But shifu, we don't smoke. The Buddha: Cut it out, Ananda. I'm not an idiot. I know that one in five people smoke. The Buddha: *points at Golden Cicada* One! *points at Rohini* Two! *points at Sun Wukong* Three! *points at Guanyin* Four! *points at Ananda* Five! The Buddha: Now, I am going to close my eyes, and when I open them, there better be a cigarrette between these two fingers! Golden Cicada: *puts a cigarrette in The Buddha's hand* The Buddha: Thank you. ...Light? The Squad: *all simultaneously pull out lighters*

His disciples are just too crazy.

[nspwriteups]

Kannalane Chapter 1: We met again

Sooryanarayanan couldn't believe time could fly so fast. His eldest daughter Nandini was now a young woman of 16 years. She helped in the temple by making prasad, weaving garlands, arranging Pooja thaalis in addition to taking care of her younger siblings. His second born was also a daughter named Kaveri was quite different from her sister with her haughtiness as if she was a princess in her previous life. The youngest was a boy, Ananda who admired both his Akkas and possessed a very generous and kind heart with a little mischief once in a while. His wife died of fever when Ananda was a year old and from then on, Nandini had donned the role of mother-figure for the her young brother and sister and also acted as a supportive pillar for her father. 

Nandini also practised Bharatanatyam in the riverside mandap along with other girls. She was passionate in learning dance. Much like Kaveri who like boat rides and discussing politics with anyone she can get her hands on and Ananda who liked to read and write poetry. "Nandini is a very fast learner" her dance teacher would remark "It's as if she had already learned the art in her last life" .

Their life was mixed with happiness and sorrows. It was difficult to make ends meet for a family of four but they managed very well. Nandini's sole relief was her best friend Vishaka who entertained her with jokes and stories. Vishaka was the daughter of the local blacksmith who forged weapons for the royal army. She was also her neighbour and grew up with Nandini as her childhood friend. She was probably the only girl in the neighborhood with such a silvery tongue. 

" Oho Vishaka! If you keep talking like this without taking a break, Suseel is going to get bored of his life" Nandini taunted her, poking fun at Vishaka's betrothed Suseel who came to Thanjai with his family from Nagaipattanam to join the royal army as soldier. 

"No, you are wrong Nandini. He is delighted to hear me talk. He's such a patient listener" Vishaka said dreamily, already thinking of her beloved. 

I wish I also knew what it felt like to be in love - Nandini wondered silently.

That evening Nandini slowly made her way to the huge Banyan tree near the riverside. It was a place she often retired to whenever she wanted some quietness and time to daydream. Mostly whenever Vishaka goes off to meet Suseel, Nandini would come here and rest against the tree trunk and goes home after Vishaka comes back. Today was no different. She slowly walked to her abode of peace, hands playing with her long braid which Vishaka helped to decorate with Champaka flowers. When she reached her destination, she stopped abruptly. Because there was an intruder in her abode of peace. She has never seen him there before. He rested his head against the tree trunk with eyes closed, as if taking a nap. He wore a black vest and white dhoti. His long hair almost reached his shoulders and partially covered his face. Nandini stepped forward to see his face clearly, her feet rustling the dead leaves underneath. The seemingly sleeping person snapped his eyes open, hands gripping the sword laying by his side for a moment in alert before relaxing on seeing a bewildered young woman in front of him. But for Nandini, her curiosity was replaced with panic on seeing the sword in the youth's hand. She quickly scanned the man's face, his confused look and another glance at the shining, unsheated sword by his side and turned around to run. She heard his voice calling out to stop and listen but she continued to run.

The next evening Nandini found herself back near the Banyan tree. She waited a few minutes to see if the stranger from the other day would make an appearance again but not seeing anyone for some time, she let out a relieved sigh and sat down. It seems the stranger must have abandoned the place after their very embarrassing meeting. She started daydreaming, occassionally moving her hand up to see if her hairdo was still in place. This time Vishaka  styled her hair in a bun with some Champaka flowers again. Vishaka seemed to find joy in being Nandini's hairdresser. She was thinking of planting some Champaka in her small garden when she heard a voice. 

" It's you" she slowly turned her head to see the youth from yesterday standing in front of her with a friendly smile. There was no sword with him today but she saw a small dagger tucked into the waistband of his dhoti. Was he a spy? She quickly got up and started walking away.

"Please stop" the youth said, extending his hand in a gesture to stop "I understand you have been coming here far longer than me. If you wish to we can share this space. You can sit under the tree and I'll sit on the rock here, since we both enjoy the tranquility this place offers" 

 She felt tempted to take up the offer. But what if someone saw them and misunderstood the situation? What if Vishaka comes along and starts teasing her mercilessly and what if Kaveri hears this and tells Appa? All these fears made her shake her head and walk faster. "Wait" the youth called out again. Oh my Krishna! This boy is so persistent! She thought. "Atleast tell me your name" she heard him say before she reached the main road and almost felt and for not giving him an answer.

°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°

" What? You met him twice and didn't even stayed to have a friendly chat?" Vishaka was appalled. 

"I'm not like you, Vishaka. I don't have the skill of being friends with everyone easily" Nandini said, a bit annoyed her Uyir Sakhi is not taking her side." And the first time I saw him,he had a big sword with him. It was intimidating " . The two girls were inthe Krishna temple, making garlands for the Sandhya Pooja which was about to start in a few minutes.

"Describe him. I'll ask Suseel if he knows anyone of that description " 

Nandini thought " He looked as if he was our age. Maybe a year or two older? Tall, with long wavy hair that almost reaches his shoulders. He looked quite strong and intimidating but his face also had a radiance. His eyes were quite expressive. I also think he has a calm and friendly demeanor as he was comfortable to share his space with me. And don't forgot the sword and the dagger. He also dressed quite nicely, now that I think about it. Maybe he belongs to an aristocratic family?" 

She broke her line of thought when she saw Vishaka looking at her, amused and trying to hide her laughter. "What is it?" 

" It seems you noticed quite a lot before you decided to run away" Vishaka replied while giggling.

Nandini felt her cheeks heat up "Vishaka!" 

" Well I am glad you have someone to admire just like how I admire my Suseel" Vishaka continued.

" I am not admiring anyone. And I'm not going there again. I'll find another abode of peace" Nandini said stubbornly. 

Just then, Sooryanarayanan approached the girls. " Kanne, The Sandhya Pooja is about to begin. I am going to do the aarti. Would you distribute the prasad?" Nandini nodded.

After the aarti, Nandini started handing over the prasad to the devotees. She loved helping her father in the temple. Being near her Krishna gave her strength and peace of mind. 

"Hello, stranger. We meet again" She looked up to find her mysterious youth she saw just that evening for the second time, gazing at her with the same friendly smile. " We must be in a time loop Devi, otherwise what are the chances I run into you the same day I decide to come for the Pooja here for the first time?" He said

This time he was wearing a gold coloured vest with a white silk dhoti and angavastram. Nandini knew she was right in her suspicions. This person oozed royalty. 

"I am still waiting for your name" The youth continued his narration

"Why?" Nandini asked

"So I can have a beautiful name to associate with this beautiful face" pat came the answer with a smirk.

What audacity! 

He must have sensed the reason behind the glare she was sending him now. He politely accepted the prasad and said " You don't have to answer if you don't want to Devi. For now I'll call you Chempaka since you were wearing those beautiful Chempaka flowers everytime we met" the smirk was back on his face. 

He was the last person on the line and as he moved to walk away from her, Nandini asked " But you haven't told me your name either " 

The youth turned around, his smile turning into a big grin "Apologies for not introducing myself earlier,Chempaka. I am Aditha" 

To be continued...

A/N: What do you want Aditha's identity to be? A prince or the son of an aristocrat? Let me know in the comments

@ramcharanobsessed @dumdaradumdaradum @vibishalakshman @thatacademic @hollogramhallucination @kovaipaavai@rang-lo . @willkatfanfromasia @thelekhikawrites @thegleamingmoon @deafeningflowercat @yehsahihai @whippersnappersbookworm @itsfookingloosah @gemsmusings @chiyaanvikram @elvenladysakura . @matka-kulfi. @madatdisney @bumblebeeskywalker @vahnithedreamer @nkarti @dosai-maavu @utterlynotperfect @winter-birds @happy-bookworm @tumbledout @anabanana4115 @freeunknownwasteland @bhataktiatmacore @rapunzels-stuff @celestesinsight @mairablue@rationalelderberry @existenceiswhateven @arachneofthoughts @spider5884fan11 @nirmohi-premika

[mysticalblizzardcolor]

Om Namah Shivaya

Vedic Temples 'वैदिक मंदिर' ॐ Dancing on Demon Apasmara, is Bhagavan Shiva in Thandava at ASI museum Alampur of Mehboobnagar dostrict of Telangana It's a sculpture of the temple of Nava Brahmas Om Namah Shivaya ~Ananda Sangha Worldwide 

[tides-of-truth]

Part 2/2 of—

If you have tasted some real peace- it is a duty to care & work for the restoration & return of peace to all on Earth

Being is Sat-Cit-Ananda, therefore, the will for the creation is evolution of the expression & narrative of Consciousness towards increasing wholeness, bliss, peace & joy for everyone.

There is ultimate Truth & the Laws of Truth, through which Nature & world is regulated, so that ultimate Truth is reflected in Nature & world, as beauty, the good, the just etc. so that happiness, wellbeing & peace is the result for all living, breathing creatures.

If Nature— our primary environment, MOTHER, is engaged & exchanged with according to the laws of Nature-balance, is maintained - & there is then a place for all within the holy circle of MOTHER. The exchanges of energy flows are then relational by Nature, & reciprocity operates lawfully & naturally for all to partake in.

The moment someone takes or gets more, than lawfully needed, others must necessarily be denied. Accumulation of personal wealth is not of the Nature, of the primordial, Ancient & Natural, MOTHER, communal culture, that is the true template (temple) for regulation of energy flows (Shakti) on this Earth. This is holy MOTHER economics— based on energetic flows, through Nature, Earth & Living human bodies— in a vast interconnected circle & ecological balancing.

Patriarchy is a system that rose as the human mind became ever more separated from Nature- primary environment & the MOTHER, that is the nourisher. As the human mind became more collapsed & closed off & possessed of itself- it also feared for its survival— it had to tame & control MOTHER & Nature, by subduing the feminine wild Nature, of energy & forces of Nature, unpredictability, spontaneity & seasonality.

[jalanangkasa]

Selamat Datang to the Road To Angkasa!

The characters featured on this blog come from the personal projects of the admins; “Blood In The Water” by @z0mbiesnoon and “Sun Sleeper” @phossydel, each inspired by Indonesian culture(s) and local myths.

On this blog, we'll talk about OC lore, make announcements of our projects, as well as allow you guys to ask questions either about our characters, or about Indo culture in general!

——

Blood In The Water

Haunted by his past, Vikal files through potential culprits of the murders of his former best friend Sita. With the help of Samira, they uncover secrets they never would've had the chance of guessing.

The Sun Sleeper

An unfortunate group of friends by the names of Putra, Arya, and Satria venture to an abandoned temple in the west to fulfill a prophecy foretold by the moon goddess long ago.

——

TAGS

Crossover

#Jalan Angkasa Catalogue, #Ask Road To Angkasa, #Road To Angkasa Fanart

The Sun Sleeper [TSS]

#The Sun Sleeper cast, #The Sun Sleeper, #ask Sun Sleeper, #Ananda Satria Widyadhana, #Arya Yusri Bintang, #Putra Erlangga Yusni, #Arka, #Purnama, #Banyu, #Sri Wira

Blood in The Water [BITW]

#Blood in The Water, #Blood In The Water Cast, #Blood In The Water Ask, #Sita Yeo Siluman, #Vikal Candra Wulandari, #Samira Anwar Lestari, #Aditya Cahya Baskoro, #Adira Sinaga Baskoro

Unrelated mods posting

#Mod Zombies, #Zombies Reblogs, #Mod Deska/Dhara, #Deska/Dhara Reblogs

[adventurelandnepal]

Pokhara Touristic City Nepal

Pokhara is a beautiful city in Nepal, nestled in the foothills of the Himalayas. It is known for its stunning views of the Annapurna mountain range, as well as its many lakes and temples. Pokhara is a popular tourist destination for both Nepalis and foreigners alike, and it is a great place to relax and enjoy the natural beauty of Nepal.

Here are some of the best places to see the Himalayas in Pokhara:

Sarangkot: This hilltop village is located just outside of Pokhara and offers panoramic views of the Annapurna range. It is a popular spot for sunrise and sunset viewing, as well as for paragliding.

World Peace Pagoda: This white-domed Buddhist pagoda is located on the top of Ananda Hill and offers stunning views of Pokhara and the Himalayas. It is a popular spot for meditation and reflection, as well as for enjoying the views.

Phewa Lake: This large lake is located in the heart of Pokhara and offers stunning views of the Annapurna range. You can rent a boat and paddle around the lake, or you can simply relax on the shore and enjoy the views.

Devi's Fall: This waterfall is located just outside of Pokhara and is a popular spot for swimming and picnicking. You can also hike to the top of the waterfall for stunning views of the surrounding area.

We have some famous tour and trekking links which are included here. Also, there are other trekking regions too which has many trekking routes and regions like as Everest Base Camp Trek, 3 high passes trek, Gokyo Lake Trek, Everest View Trek and Langtang Valley Trek.

Except these trekking, other travel packages also available in Nepal. Nepal Package Tour, Exclusive Tour, World Heritage Tour, Seinior Citizen Holidays or Tour, Family Holidays and Best Nepal Tour are very popular and which includes all important travel parts of Nepal.

For adventure travel, there are many activities like as Everest Mountain Flight, Bungy, Zipline, Helicopter Tour and Rafting. Also Guide and Porter Services are mostly demanded by trekker, traveler and climbers for Nepal Adventure Trek.

[ramayantika]

𝑵𝒓𝒊𝒕𝒚𝒂 𝒂𝒓𝒑𝒂𝒏𝒂

“Aangikam Bhuvanam Yasya

Vachikam Sarva vaanmayam

Ahaaryam Chandra taaradi

Tam Vande Sattwikam shivam”

I named this nritya arpana but I am not dancing here even though I already did it an hour ago. Yet, I wrote Nritya arpana because I have always felt a great connection to the dancing form of Shiva, who is none other than Nataraja, the Lord of Dance.

For any student of indian classical dance, Nataraja's presence in the dance class is very common. Even in odissi, we keep Nataraja and Jagganatha together.

My Bharatanatyam journey began in Vishakhapatnam where there was a large murti of him in front of us. He was always decorated with garlands incense sticks. The room always smelt like the premises of a temple. The murti was of copper colour with a dot (bindu) on his forehead. For a child of five, the murti had a lot of power to attract me to itself.

But then when we grow up, we tend to lose our little magical selves out. The murti which called out to me felt nothing more than a figment of imagination and fantasy, and the day such thoughts arose, dance had taken a backseat.

Shiva dances the tandava, the dance of destruction. The word destruction sounds quite negative, isn't it? But Shiva, the ever auspicious one, will always destruction obstacles and negative habits of his devotees. One day, even he did that too.

I am no special being nor a very staunch devotee who upholds all rituals and holy days. Maybe, he knew that all this while, I still had my childhood self, her curiousity and her imagination intact. Perhaps, it was he who hoped that someday soon I would be back to dancing.

And one fine day, I returned his call. This may sound something straight out of a book, but this is how I felt then and the feeling has been the same even now. I am still the same devotee of Krishna, but my relation with Nataraja, is something I can never explain in words. It feels like a fatherly energy at times, as if he will forever guide me. Shiva, who is also Adiguru, which means the first guru is also the first dancing guru for me.

A guru will lead you from a path of darkness and confusion to wisdom and light. The journey is often arduous, filled with obstacles, but the guru is the oar. He is also the boatman to carry you to your destination. In Hinduism, there is a word called dwija, which means twice born. Those who were learned, blessed with wisdom, were the dwijas, for they were born again by the blessings and teachings of their guru.

Many people think I am too devotional, while some think, I am barely any of that. Now, devotion isn't something that should be shown to the world for the sake of proving. It is something that arises from the heart. It's the soul's whisper, to help one reach the divine, the thread to be one with Him.

As a classical dancer, my puja is dance. Each time, I dance, it's an offering to him and all the deities when their respective songs are played or sung. This is why, I mentioned Nritya arpana in the title because dance is my holy offering to the gods and I am glad that I get this chance to do so.

And the Devi cannot be left out too. Nataraja and Nateshwari, the dancing couple and the dancing deitied will forever be the ones, I shall be indebted too. Dance for me is not only restricted to having some fun time, or something to destress myself out. It feels too shallow to put it that way. Years ago, it used to be like that, but no longer now.

This writing is for the one who filled the void inside my heart and my mind, for the one to whom we all will go back, to the infinite nothingness and even this present moment. I pray that may both Nataraja and Nateshwari keep showing this dance of creation and destruction, may the rhythms of ghungoos guide your path, to make you feel ananda, the ultimate bliss of life. May they destruct all your fears and vices, and may you achieve success in all your endeavours.

May you keep dancing always, and find lessons from them.

To Nataraja and Nateshwari

[shivaom99]

🖤🌺🖤🖤🌺🖤🖤🌺🖤 INCREDIBLE SHAMBHU RUDRA 🔱🔱🔱 from @rimo_galllary 🌹🌹🌹 • || Ekadash Rudra Series|| 1) Shambhu Rudra ब्रह्मविष्णुमहेशानदेवदानवराक्षसाः । यस्मात् प्रजज्ञिरे देवास्तं शम्भू प्रणमाम्यहम् ।। Name :- Shambhu Consort :- Kamakshi Temple :- Ekambareshwar According to Shaivagam, Lord Shambhu is first Rudra. Once when he was roaming in Ananda Van, he thought to divide himself more . So he separated his left side and formed as Lord Vishnu. Then his right side took the form of Lord Brahma. 🚫 DON'T REPOST WITHOUT TAGGING ME . 🚫 Tags :- #mahakal #bholenath #harharmahadev #bhole #shivshakti #bholebaba #mahakaal #kedarnath #omnamahshivaya #lordshiva #shivshankar #ujjain #mahakaleshwar #mahadeva #aghori #jaimahakal #shambhu #krishna #hanuman #shivbhakt #ekambareswarartemple #ayantikbasu #kamakshi https://www.instagram.com/p/CnVCm1qJYfG/?igshid=NGJjMDIxMWI=

[tirupatitourpackages]

Legends, Architecture, and Rituals: What Makes Tirupati Temple a Global Icon

Nestled in the lush Tirumala Hills of Andhra Pradesh, India, the Tirupati Temple stands as one of the most revered and iconic Hindu temples in the world. Dedicated to Lord Venkateswara, a form of Lord Vishnu, this ancient temple draws millions of pilgrims each year who come for darshan, rituals, and spiritual solace. But beyond its religious significance, the Tirupati Temple is celebrated for its rich tapestry of legends, magnificent Dravidian architecture, and time-honored rituals. In this blog, we dive into what makes the Tirupati Temple a beacon of faith, culture, and architectural beauty, attracting devotees and travelers from around the globe.

For those planning a pilgrimage to Tirupati, reliable travel packages like those offered by tirupatibalajipackage.com provide a comprehensive experience, handling everything from travel arrangements to accommodations, and ensuring a smooth journey to this holy destination.

1. The Fascinating Legends of Tirupati

The Tirupati Temple is steeped in ancient legends, many of which revolve around Lord Venkateswara, also known as Balaji. According to Hindu mythology, Lord Venkateswara incarnated in the Kali Yuga to uplift humanity and provide spiritual guidance. One of the most famous legends recounts how Lord Venkateswara descended to Earth and married Goddess Padmavati, an incarnation of Goddess Lakshmi, who is revered as his divine consort in Tirumala.

Another captivating story is that of the seven hills of Tirumala, each believed to represent the seven heads of Adisesha, the divine serpent on whom Lord Vishnu rests. This connection to the celestial Adisesha is one of the reasons the Tirumala Hills hold such profound spiritual significance for devotees.

These legends infuse the temple with an aura of mysticism, drawing devotees who believe that a visit to Tirupati can grant them divine blessings, prosperity, and relief from suffering.

2. Architectural Grandeur of the Dravidian Style

The architectural magnificence of the Tirupati Temple is another aspect that makes it a global icon. Built in the Dravidian style, the temple is adorned with intricate carvings, monumental gopurams (gateway towers), and an imposing gold-plated dome called the Ananda Nilayam. Each architectural feature of the temple narrates stories from Hindu epics, with intricate sculptures depicting gods, goddesses, and legendary scenes.

Key architectural highlights include:

Ananda Nilayam Vimana: The golden dome above the sanctum is not only a marvel of craftsmanship but a symbol of the temple’s opulence and sanctity.

Intricate Gopurams: The gopurams, or entry towers, showcase detailed carvings that portray Hindu deities, scenes from mythology, and intricate patterns that reflect the artistic brilliance of the Vijayanagara artisans.

Garbhagriha (Sanctum Sanctorum): The sanctum houses the main deity, Lord Venkateswara, who is adorned in exquisite jewelry, radiating an aura that devotees find spiritually uplifting.

For those visiting Tirupati, guided tours often cover these architectural details in-depth, allowing visitors to appreciate the artistic mastery that has made the Tirupati Temple a treasure of Indian heritage. Tirupatibalajipackage.com offers specialized packages that include tours highlighting the temple’s architectural wonders, providing an enriching pilgrimage experience.

3. Rituals that Elevate the Spiritual Experience

The Tirupati Temple is not only a place of worship but a hub of elaborate rituals that connect devotees to the divine. The temple operates almost 24/7, offering darshan, poojas, and prasad to thousands of visitors each day.

Popular rituals include:

Suprabhatam: The day begins with Suprabhatam, a ritual of waking up the deity to hymns, creating a serene and uplifting atmosphere for early-morning visitors.

Hair Offering: Many devotees offer their hair as a symbolic gesture of shedding ego and surrendering to God. This tradition is both a religious offering and a personal act of devotion.

Laddu Prasadam: Known worldwide, the Tirupati laddu is a cherished prasadam (consecrated food) offered to devotees. This sweet delicacy has become a symbol of Tirupati’s spiritual blessings and is a must-have for every visitor.

Each ritual, whether performed for individual devotees or the entire community, reinforces the temple’s role as a center of spiritual energy. The synchronized daily rituals foster a unique sense of connection and reverence among devotees from diverse backgrounds.

Planning to witness these sacred rituals can be a complex process due to the immense number of visitors. To ensure a smooth experience, tirupatibalajipackage.com offers packages that include darshan arrangements, special poojas, and timely entry, allowing devotees to focus on their spiritual journey without the hassle of managing logistics.

4. The Global Appeal of Tirupati Temple

The Tirupati Temple’s universal appeal lies in its ability to harmonize ancient traditions with modern faith, making it relevant for devotees across generations. The blend of mythological significance, architectural splendor, and time-honored rituals creates an experience that resonates with both spiritual seekers and cultural enthusiasts.

As a UNESCO candidate site and a symbol of India’s rich cultural and spiritual legacy, the Tirupati Temple attracts millions of visitors, establishing it as one of the world’s most visited and wealthiest religious centers.

Plan Your Tirupati Pilgrimage

A journey to the Tirupati Temple offers an opportunity for spiritual growth, a connection with ancient culture, and a glimpse into the architectural splendor of India’s past. Planning a visit, however, can be overwhelming due to the sheer scale of the temple complex, the crowds, and the rituals. To make your pilgrimage seamless, tirupatibalajipackage.com offers a variety of travel packages, covering everything from accommodations and transport to special darshan and guided temple tours.

Whether you’re a first-time visitor or a returning devotee, a well-organized package allows you to experience the temple’s full grandeur and spirituality without the stress of logistics.

Conclusion

The Tirupati Temple stands as a symbol of enduring faith, embodying the profound legends, architectural brilliance, and sacred rituals of Hindu culture. Its global appeal is a testament to its historical and spiritual significance, making it a must-visit destination for anyone seeking divine blessings and cultural enrichment. For those ready to embark on this spiritual journey, services like tirupatibalajipackage.com provide a trusted path to a memorable and fulfilling pilgrimage to this iconic temple.

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Presence is far deeper than our person.

The Various Forms of “Tandava”

Tandava is the divine dance performed by Lord Shiva. It is considered to be the source of the cosmic cycle of creation, preservation and dissolution. The word Tandava comes from Tandu, the attendant of Lord Shiva, who at Lord Shiva’s orders, instructed Bharat muni, the author of Natya Shastra, the usage of Angaharas and Karanas, which together constitute this cosmic dance.

“Pumnrityam tandavam, prahu: stree nrityam lasyamuchyate”

Tandava the masculine form of dance is attributed to Lord Shiva which is forceful and full of vigour often manifesting anger and fear while lasya anga attributed to Godess Parvathi is the feminine form where the movements are gentle and graceful often depicting love and affection.

The deep significance underlying this dance form is the personification of Lord Shiva as Nataraja or Nritya Murti. His dance is supposed to represent the five manifestations of eternal energy- Srishti (creation), Sthiti (preservation), Samhara (destruction), Tirobhava (illusion) and Anugraha (emancipation).

The various Tandavas are described in Bhavaprakash and in the Abhinaya Darpanam of Nandikeswara.

In the Bhavaprakash five forms of Tandava are described:

Ucchanda: This includes the forceful and quick Angaharas, Akaashacharis and Bhramaris. Raudra, Bhibhatsa and Bhayanaka are the rasa associated with this.

Chanda: This is represented by Bhumichari karanas and angaharas and evokes Veera and Raudra rasa.

Prachanda: This tandava involves jumping forceful karanas and bhramari. Rasas associated with this are Raudra and Bibhatsa.

Prerana and Prapana: These two are considered to be of tepid and are less forceful and masculine.

Nandikeswara in his Abhinaya Darpanam describes seven types of Tandava which are believed to have been performed by Lord Shiva.

Sandhya Tandava: A form of tandava performed by Lord Shiva at the time when the world was poised between lingering day and the oncoming darkness of the night. It was the dance of creation and scriptures. It is believed that Sandhya Tandava protects one and all.

Ananda Tandava: This form of Tandava was performed by Lord Shiva for protecting his disciples. In Chidambaram temple, the deity is represented in this pose. The image is depicted with four hands holding the drum, fire, the right hand in the Abhaya Hasta, the left hand with the Danda Hasta bestowing boons. The left leg is in Kunchita pada and the right tramples upon the sole. This posture is also known as the Sada Tandava.

Kali or Shakti Tandava: This Tandava is the type performed by Shiva and Kali. It is believed that Kali or Shakti is the energy that cannot be separated from Shiva. Shiva has the power to create only when he is united with Shakti.

Tripura Tandava: This is the Tandava performed by Shiva after killing the three rakshasas, Tarakakasha, Kamalaksha and Vidyun mali. He fought the rakshasas driving the earth as his chariot, Meru as the bow, Sun and Moon as the wheels, Adishesha as the rope, Lord Vishnu as the arrows, four vedas as horses and Lord Brahma as the charioteer. By destroying these rakshasas he freed the three worlds from evil.

Sati and Shiva Tandava: This Tandava is believed to have been performed by Shiva and Sati. This represents the eternal dance of the Man and Woman, depicting the unity of Purush and Prakriti. This item also depicts both forms of dancing, Tandava as well as Lasya.

Ardhanaari Tandava: This type of Tandava was performed to show the unity between Nature and God. Shiva took Parvati as a part of himself and assumed the form of Ardhanareeswara – one half man the other half woman.

Samhara tandava: This is the dance of annihilation and release. Shiva is believed to have performed this when Sati burned herself in ashes. Shiva in anger danced so vigorously that lords feared destruction of the three worlds. Only when Lord Bramha, Lord Vishnu and Devas appealed to him did he return to normalcy.

The concepts of Tandava and Lasya represented Shiva and Parvati have been the source of inspiration for most dancers across classical dance forms and across generations as it encompasses the entire cycle of cosmic evolution and stands for the dual personification of the Absolute.

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The Essence of Buddhist Pilgrimage: Visiting The Four Holy Sites

Embarking on a pilgrimage in Buddhism isn't merely a physical journey;

it's a profound inner exploration fuelled by intentions of awakening and self-discovery. As pilgrims traverse sacred sites, they seek not just historical or cultural knowledge but also spiritual transformation. The true essence of pilgrimage lies not in the destination but in the journey itself. In setting the right motivations and intentions for pilgrimage, Buddhists tap into rich teachings and practices that guide them towards deeper understanding and mindfulness.

"The main point of pilgrimage is to subdue our minds. By eliminating mistaken thoughts, not allowing the mind to be under the control of delusion, the mind is better able to actualize the lam-rim realizations, from guru devotion up to enlightenment.” - Lama Zopa Rinpoche

Cultivating the right intentions

The foundation of any meaningful pilgrimage lies in the purity of intentions. This entails cultivating intentions aligned with the core principles of the Dharma:

Contemplate the Dharma: By visiting these holy pilgrimage sites, one can gain a deeper understanding about the life of Buddha and the Dharma that the Buddha taught. Even one’s knowledge of Buddhism increases by listening and reading on the Buddha’s teachings and life at these holy sites. There is also inspiration to further one’s Dharma practice as seen from Buddha’s inspirational life stories.

Renunciation: Pilgrimage involves temporarily letting go of worldly distractions and attachments, creating space for introspection and spiritual growth. It's a practice of renouncing the mundane to focus instead on the sacred.

Personal Transformation: Intentions should include a sincere desire and a willingness to undergo transformative experiences. Pilgrimage often acts as a catalyst for personal, emotional and spiritual growth.

Awakening: Pilgrims aspire to deepen their understanding of Buddhist teachings, moving beyond intellectual grasp to experiential realization. This journey is about awakening the innate wisdom and compassion within oneself. One needs to participate actively by praying, contemplating and reflecting, circumambulating, and making offerings to gain the blessings of making a pilgrimage trip.

Connection and Community: Pilgrims aim to foster a sense of connection with fellow practitioners and the wider Buddhist community. Shared experiences and mutual support enhance the journey's depth and meaning. A pilgrimage trip led by a qualified Guru or teacher will deepen one’s learning and experiences of the Buddha’s teachings.

Benefitting self and others: By going on the trip, one gains special, surreal experiences and great blessings. Many merits are accumulated while on a pilgrimage trip. It is also a chance to think about the gratitude towards one’s parents, friends and all sentient beings who have been kind to us and made the pilgrimage possible, as not everyone has the conditions to go on a pilgrimage trip. One can also dedicate all the merits of this journey on the path to enlightenment for all sentient beings.

The four sacred sites of Buddhist pilgrimage

“And whoever, Ananda, should die on such a pilgrimage with his heart established in faith, at the breaking up of the body after death will be reborn in a realm of heavenly happiness.” - The Buddha

Lumbini, Nepal: Nestled in the foothills of the Himalayas, Lumbini is a serene site where Siddhartha Gautama, the historical Buddha, was born around 563 BCE. Pilgrims visit the Mayadevi Temple, where Queen Mayadevi is said to have given birth under a sal tree. The sacred garden surrounding the temple is adorned with prayer flags and stupas, evoking a sense of tranquillity and reverence. Here, amidst the peaceful ambiance, pilgrims reflect on the Buddha's early life, his noble aspirations to alleviate the suffering of birth, old age, sickness and death.

Bodh Gaya, India: Located in the state of Bihar, Bodh Gaya is synonymous with the Bodhi Tree, under which the Buddha attained enlightenment. The original tree is believed to have been a descendant of the original Bodhi Tree, which was destroyed over the centuries. Pilgrims from around the world gather at the Mahabodhi Temple Complex, a UNESCO World Heritage site, to meditate under the Bodhi Tree's descendant. The profound stillness of this site invites pilgrims to delve deep into meditation, contemplating the Four Noble Truths and the Eightfold Path, central teachings that lead to liberation from suffering.

Sarnath, India: Situated near Varanasi, Sarnath holds immense significance as the place where the Buddha delivered his first sermon,  or the "Turning of the Wheel of Dharma." The Dhamek Stupa, an ancient monument marking this event, stands as a symbol of the Buddha's teachings and the beginning of the ordained Buddhist community. Pilgrims explore the ruins of monasteries and reflect on the teachings of impermanence, non-self and cessation, deepening their understanding of the path to liberation.

Kushinagar, India: In the state of Uttar Pradesh, Kushinagar is the site of the Buddha's Mahaparinirvana, his final passing into nirvana. The Ramabhar Stupa, believed to mark the Buddha's cremation site, is a place of solemn reflection for pilgrims. Kushinagar represents the culmination of the Buddha's earthly journey and signifies the ultimate liberation from the cycle of birth and death (samsara). Pilgrims contemplate impermanence and the nature of existence, gaining profound insights into the transient nature of life and the quest for transcendence.

“After my passing away, the new Bhikkhus who come and ask of the doctrine should be told of these four places and advised that a pilgrimage to them will help purify their previously accumulated Karmas or actions." - The Buddha

Buddhist pilgrimage isn't a mere holiday; it's a transformative journey of the heart and mind. By setting the right motivations and intentions, pilgrims infuse their travels with purpose and depth, fostering personal growth, connection, and spiritual awakening. The sacred sites serve as external mirrors reflecting the inner landscape of one's journey towards wisdom, compassion, and awakening. If you have the means, it is highly encouraged to go for a pilgrimage as you can personally experience the blessings of a pilgrimage yourself.

The journey to self-discovery starts from within yourself. As you seek for answers both internally and externally, it is helpful to find a community that is supportive of your journey. Come and get to know Thekchen Choling through our annual Vesak Day celebration on 22nd May 2024. There will be Four Holy Site themed activities for all to enjoy. Come and discover more about Buddha’s life and his teachings! https://www.thekchencholing.org/blog/blogs-14/post/the-essence-of-buddhist-pilgrimage-visiting-the-four-holy-sites-100