#American animated television special

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How the Grinch Stole Christmas! (1966) directed and co-produced by Chuck Jones

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The Addams Family Through the Years

Before I get into character profiles, let me first do a run-through of the incarnations of the Addams family through the years.

As I wrote in my first post, Charles Addams created the nameless, bizarre family in some of the many comics he drew for The New Yorker starting in 1938. Morticia and Wednesday were named in 1962 when dolls of them were released. Charles Addams was asked for a list of names and descriptions for them and the other family members when the TV show was in development in 1963, but had little other involvement with the show.

The show ran for two seasons from 1964 to 1966, totalling 64 episodes. This was the same time that a similar show, The Munsters, was also on the air. Both shows were about wacky families of monstrous weirdos living in American suburbia. Both were in black and white, and both were canceled in 1966, possibly due to the rise of color television.

After a cross-over with Scooby-Doo, Hanna-Barbera produced a 16-episode animated series in 1973 which featured the family on a road trip in a creepy camper that looked like their mansion. It featured the same actors who played Lurch and Fester voicing their previous characters, and a 10-year-old Jodie Foster as the voice of Pugsley!

There was a reunion special in 1977, which reunited most of the cast of the show, called Halloween with the New Addams Family. The original show had remained popular, running in syndication for years. It was especially popular in Australia. According to one fan, this was because the Addams family was “less American” than the Munsters. 

In 1991, a feature film was released after a tumultuous production. Raul Julia became the new face of Gomez Addams in the popular consciousness. It was followed by a sequel called Addams Family Values in 1993, and in between there was another animated series. John Astin reprised his role as Gomez in that animated series. 

There were plans to continue the film series, but Raul Julia suffered from stomach cancer and died suddenly in 1994, canceling those plans. Although both films performed poorly at the box office, they gained a loyal following on home video and remain popular to this day. In 1992, an Addams family pinball machine was produced featuring original voice acting from Raul Julia as Gomez and Angelica Huston as Morticia. It became the most popular pinball machine of all time, selling over 20,000 units.

In 1998, a TV movie called Addams Family Reunion was produced by Saban, featuring Tim Curry as Gomez and Daryl Hannah as Morticia. The only returning actors from the 1991/93 movies were Carel Struycken and Christopher Hart's hand, who played Lurch and Thing, respectively. I have not seen it, and can not attest to its quality, or lack thereof. That movie was also meant to be the pilot for a TV show called The New Addams Family, but most of the cast was different. It ran for 65 episodes, none of which have I seen. (Hat tip to @tenthirtyone for pointing this out.)

After a try-out in Chicago, a musical debuted on Broadway in 2010. I was lucky enough to see that for my birthday that year. It starred Nathan Lane as Gomez and Bebe Neuwirth as Morticia. It was pretty entertaining. It would have been better if Lane wasn’t trying to be Raul Julia. He did a very fake Spanish accent, and it was terribly distracting. The musical was panned by critics and didn’t last long, but it was popular enough that it is now performed by high schools across the country. In fact, my friend Sarah and my cousin Charlie were both involved with different productions of it this past Spring.

That same year (2010), the rights were purchased by Illumination Entertainment, and they announced that they were going to produce a stop-motion film with Tim Burton. However, he decided to go with computer animation instead. That eventually turned into the 2019 film, after Tim Burton dropped out. This version was the closest in appearance to the original comics. Although the characters are rendered in 3D, the animators aimed to make them look as much like Charles Addams’ drawings as possible.

You’d think Tim Burton had been involved since at least the 1991 movie, but he hadn’t. Black and white stripes? Bats? Other goth things? That sounds like Tim Burton, but oddly enough, he actually hasn’t been attached to any Addams Family property until the Netflix show in 2022. It’s a natural pairing, and perhaps he would have been great friends with Charles Addams, had he been born several decades earlier. 

Now the Netflix show, centered on Wednesday, is in production for its second season after its first season was one of the streaming service's most popular shows to date. It's not the first time the Addams family has spawned a viral dance sensation. Way back in the 1960s, the original TV show started a dance craze called “the Lurch”.

In coming posts, I’ll go into how Charles Addams originally portrayed each of the nine characters in the Addams family pictured above (Gomez, Morticia, Pugsley, Wednesday, Fester, Grandmama, Lurch, Thing, and Cousin Itt) and how they evolved, or didn’t, over time.

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Disney Announces Jam-Packed D23 Fan Event Lineup With Many Animation, Muppets Panels And Screenings

With less than one month to go to the highly anticipated D23: The Ultimate Disney Fan Event presented by Visa, Disney today revealed details about what fans will be able to experience at the Anaheim Convention Center during this sold-out event, which will include an outstanding lineup of over 230 panels and presentations, show floor offerings and Talent Central interactions. This announcement builds upon plans previously shared about this year’s D23 gathering, which is set to be bigger and better than ever before.

Animation on Stage at D23

30 Years of Toy Story Celebrate 30 Years of Toy Story with filmmakers and Pixar Legends as they reflect on the making of the groundbreaking classic nearly 30 years ago and share never-before-heard anecdotes about how the historic film came to be. Exploring New Parts of the Mind: Behind the Design of Inside Out 2 + a Dreamy Surprise! Join Inside Out 2 production designer Jason Deamer as he gives an in-depth look at designing the new emotions joining Headquarters as Riley enters teenagehood. And stick around for a special dreamy sneak peek of an upcoming Pixar series! Marvel Animation Sneak Peek See what’s coming next to Disney+ from Marvel Animation, with special guests and first looks at hotly anticipated series including Your Friendly Neighborhood Spider-Man, Eyes of Wakanda, future seasons of What If…?, X-Men ’97, and more! The Animation Greats + Cast and Creator Sessions featuring Bob’s Burgers, Futurama and The Simpsons Presented by Hulu Animayhem & 20th Television Animation Four of the most influential creators in the world of animation — Matt Groening (The Simpsons, Futurama), Seth MacFarlane (Family Guy, American Dad!), Mike Judge (King of the Hill) and Loren Bouchard (Bob’s Burgers, The Great North) — come together for a historic and extraordinary conversation you won’t want to miss. Then, the voice talent and creative teams behind Bob’s Burgers, Futurama, and The Simpsons take the stage to entertain with clips, conversation, and fan Q&A. Whether you’re a longtime fan or an aspiring animator, this is a must-see panel for all! Behind the Summer Shenanigans with the Phineas and Ferb Creators Join Dan Povenmire and Jeff “Swampy” Marsh, the masterminds behind the beloved animated show Phineas and Ferb as they look back at the creation and legacy of this pop culture phenomenon. Hear behind-the-scenes stories and get ready to laugh! Making A Goofy Movie: The Road to Lake Destiny The creatives behind the A Goofy Movie phenomenon reunite, reminisce, and share clips from a new documentary about the incredible origin story of this beloved cult classic. Stay Tuned: You’re Watching Disney Channel Join beloved Disney Channel stars on the Walt Disney Archives Stage for a look at some of the iconic series and movies that have created generations of fans. Stay tuned for laughs, fun and moments you won’t want to miss! Big City Greens the Movie: Spacecation Screening Blast off for a hilarious outer-space adventure with a screening of the animated comedy Big City Greens the Movie: Spacecation, introduced by the talented creative team, including creators and executive producers Chris and Shane Houghton. Restoring Disney Animation Classics Director of Restoration Kevin Schaeffer and Disney Animation artists Eric Goldberg and Michael Giaimo will delve into the history of Disney’s preservation program, showcase before-and-after clips, and share how classic films are brought back to life. The Muppets 70: A Glamorous Miss Piggy Retrospective Join Walt Disney Archives Director Becky Cline and The Muppets Producer Dani Iglesias for a fabulous look back on the past 70 years of the Muppets, but mostly Miss Piggy! We will dive into the vaults to uncover nostalgic artifacts along with how we preserve this collection today! Disney Epic Mickey: Rebrushed – The Return of a Beloved Classic Wield the paintbrush once more in Disney Epic Mickey: Rebrushed out this fall! Join Disney Games, Epic Mickey Creative Director Warren Spector, and more special guests, for a conversation that delves into how this beloved classic adventure came to life.

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Title/Name: Brick Frog Wojak Known As: Brick Frog (real name: Steven Mathews) is a minor supervillain on The Venture Bros. He is a supervillain with no special powers whose only villainous skills are brick-throwing and frog being. The Venture Bros. is an American adult animated action comedy television series created by Christopher McCulloch and Doc Hammer for Cartoon Network. Country: USA Wojak Series: Pepe (Variant), Feels Guy (Variant) Image by: Unknown Main Tag: Frog Wojak

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So you want to know about Oz! (5)

Now that we looked at the MGM-continuity of movie and cartoons adaptation, I propose you in those post some adaptations that are either more in line with the original novels or... just not following either the novels or the MGM movie, and just doing their own thing. Since there is a lot of Oz adaptations, for this movie I will stay by American productions, post-1939.

First my three faves, and the rest will be under the cut.

2005's The Muppets' Wizard of Oz

This movie did quite poorly upon its release - and of all the Muppets movies, it is not considered to the best in any way. There is notable use of some old CGI that aged very poorly when it comes to the Wizard's scenes... But, not only does it have one of the most hilarious depiction of the Witches of Oz ever (what do you expect when they are played by Miss Piggy?) and some cool songs - this movie has the honor of being the most book-accurate, book-faithful adaptation of The Wizard of Oz there ever was. (Well outside of Japanese animes I'll talk about later). Yep... this Muppets parody is the closest you can get to experiencing the original novel as a movie. Crazy, right?

2011's The Witches of Oz

Originally it was released as a mini-series in two parts ; and in 2012 it was recut and edited as a single movie known as "Dorothy and the Witches of Oz" (but the single-movie version deleted a lot of scenes and segments from the complete mini-series). It tells a sort-of sequel to the Oz books (yes ALL of the Oz books), while mixing it with urban fantasy - as young real-life Dorothy, all grown-up in 2000s Oz, is depicted as the current author of Oz books, only for her to discover the fictional adventures in Oz that were written about her are real, and Oz is coming to New-York to get her...

Now... this mini-series aged VERY badly. The special effects are so cheap, most of the characters are insufferable, the plot is very weak... BUT! BUT this mini-series deserves to get some attention and to be known due to specific elements, such as, the most badass depiction of Langwidere ever ; Christopher Lloyd delightfully playing the Wizard of Oz... And the Wicked Witch of the West! This incarnation of the Witch is without a doubt one of my favorit reimaginings of the character, striking the perfect balance between the character of the original novel and the MGM Wicked Witch. Just in design she is the coolest Wicked Witch of the West there ever was. Too bad the rest of the mini-series is... quite cringe.

2017's Emerald City

Yet another proof of the "Oz curse" that plagues most of Oz adaptations - because the series got cancelled after its first season, leaving the show unfinished.

What is Emerald City? It was an Oz television series from the era of "post-Game of Thrones". Since the success of GoT, every channel and network tried to create its own dark and gritty big-budgeted high fantasy series... And "Emerald City" is what happened when Oz got caught in the trend.

People were very divided on the show (hence why it ended up cancelled) - some people adored its beginning and got tired of it by the end, others hated the first episodes but by the final ones were eagerly awaiting for the next season. On one side, most people agree that it is too much and that the show handled itself in a strange way, everything being a bit crammed-in. This TV show is actually adapting simultaneously THREE different Oz novels (The Wonderful Wizard of Oz, The Marvelous Land of Oz, Ozma of Oz), all mixed together in a new, dark, adult iteration of Oz, so yes, that's a LOT.

However the show does work out several very cool and interesting concepts, playing around with both the MGM and the novel heritages. And while the story can get a bit convoluted due to the so-many plots and subplots mixing each other in a complicated way and not giving each other enough time to breath, the visuals are 10/10. There was a real visual effort on this show that makes it entirely worth the watch, if just as an eye-candy. They literaly used GAUDI ARCHITECTURE for the Emerald City, come on, how cool is that?

And also it is one of these shows were several actually working languages were created by experts, so that's always cool. I always stand by fictional linguistics.

Now I'll go a bit quicker for these ones because else it's going to be one LONG post:

In the 1960s, there was one animated show that dominated the Ozian landscape. 1961's Tales of the Wizard of Oz.

One of the early creations of the future Rankin/Bass studios, it is a cartoon that reuses the settng and characters of "The Wonderful Wizard of Oz"... But not the plot X) Basically Dorothy and Toto end up entering Oz by... by a hole, as if she was Alice. And there she meets her companions and each episode is about them trying to have a wish granted by the Wizard of Oz, or trying to avoid the schemes of the Wicked Witch. So... it is quite a VERY loose adaptation, and the modern cartoon "Dorothy and the Wizard of Oz" is kind of a modern heir to this old cartoon.

After 114 episodes, there was an animated special created to conclude the show. Called "Return to Oz", it IS actually an adaptation of the plot and events of "The Wonderful Wizard of Oz"... But happening after all of the events of the cartoon, and thus taking a different direction in terms of set-up.

1969's The Wonderful Land of Oz

This low-budget movie was an adaptation of the second Oz book, "The Marvelous Land of Oz". There's quite a lot of interesting stories surrounding this production - from Judy Garland supposedly having been intended as the narrator, to the background actresses having appeared in nude films created by the movie's director... However the movie tend to be ignored or forgotten compared to the other 60s Land of Oz adaptation...

1960's "The Land of Oz". First episode of the second season of Shirley Temple's Storybook

This was a much more famous adaptation of "The Marvelous Land of Oz", if only because of Shriley Temple's name. Retrospectively, I should have added it in my previous Oz post because this mini-movie takes a lot of visual cues from the MGM's Wizard of Oz, such as the Scarecrow and the Tin Woodman being designed after their MGM incarnation, or Glinda's outfit calling for the MGM Glinda's design.

1980's "Thanksgiving in the Land of Oz"

An animated special for Thanksgiving of the year 1980, which is - as the title says - about Dorothy going to celebrate Thanksgiving in Oz. In 1981 it was re-cut to become "Dorothy in the Land of Oz" (with most Thanksgiving references being removed so the animated short could be aired at any time of the year - which is quite a challenge since the special is ALL about Thanksgiving... Dorothy is literaly brought to Oz by a "giant green turkey ballooon", come on!)

1987's Dorothy meets Ozma of Oz

This animated middle-sized movie is an adaptation of the novel "Ozma of Oz", and remained for quite a long time the only adaptation of Ozma of Oz alongside Disney's Return to Oz.

1997's The Oz Kids

A direct-to-video cartoon series that is just what it says. We follow the adventures of the children of the various protagonists of the Oz novels. Dot and Neddie, Dorothy's children ; Bela and Boris the children of the Cowardly Lion ; Tin Boy and Scarecrow Junior ; the son of the Nome King, and more...

2007's Tin Man

Ah, Tin Man! A cult-classic a lot of people remember fondly - especially on Tumblr. This mini-series was part of the long suite of SyFy "dark sci-fi" fantasy reimaginings (2011's Neverland ; 2009's Alice, etc).

Described as an "adult steampunk reimagining" of the Wizard of Oz, it depicts the adventures of DG, a waitress of Kansas, as she gets taken by an interdimensional storm to the otherwordly "Outer Zone", and there befriends a telepathic leonine humanoid, a man who lost half of his brain, and a former cowboy-like law enforcer of the dictature a wicked witch-queen set upon the Outer Zone...

Speaking of steampunk, the last two Oz adaptations I want to talk about are...

2015's Lost in Oz

This animated show was part of Amazon Prime Video early days at producing its own content. Originally it was just a pilot episode released in 2015. Since the pilot episode proved good, it became a three-episodes mini-series in 2016. Since THIS mini-series proved good, it became a full season in 2017. And since this first season proved good, a second season was released in 2018. And then they stopped.

At first it seems that this show is just an "updated" version of The Wizard of Oz: Dorothy and her dog Toto gets transported to the Land of Oz, and must find a way to get back home while making friends and all together fighting through the many plots and scehmes dividing the land... Except that this Oz is a more modern and updated Oz filled with magi-tech, and Dorothy's companions are not exactly your traditional band... Turns out Dorothy has to team up with Ojo, here depicted as a "giant Munchkin", and a teenage witch by the name of... West. Yes, she is the (not so) wicked witch "of the west".

And thus starts a quite unique retelling of Oz where the three teenagers must face various threats taken from later Oz books: Langwidere, here West's evil aunt ; the mysterious Crooked Magician ; and Roquat, the Nome King.

And a last steampunk Oz for the road: 2018's "The Steam Engines of Oz". This Canadian animated movie is actually an adaptation of an Oz graphic novel of the same name, by Erik Hendrix and about a modernized Oz set after the events of "The Wonderful Wizard". A young mechanician of the Emerald City, Victoria, is chosen by the Good Witch of the North to help fight the ever-growing expansion and industrialization of the Emerald City, pushed by a Tin Man who became a cruel dictator of Oz...

[barkingbonzo]

THUNDERBIRDS Christmas

Thunderbirds is a British science fiction television series created by Gerry and Sylvia Anderson, filmed by their production company AP Films (APF) and distributed by ITC Entertainment. It was made between 1964 and 1966 using a form of electronic marionette puppetry (dubbed "Supermarionation") combined with scale model special effects sequences. Two series, totalling thirty-two 50-minute episodes, were filmed; production ended with the completion of the sixth episode of the second series after Lew Grade, the Andersons' financial backer, failed in his bid to sell the programme to American network television.

Set in the 2060s, Thunderbirds is a follow-up to the earlier Supermarionation productions Four Feather Falls, Supercar, Fireball XL5 and Stingray. It follows the exploits of International Rescue, a life-saving organisation equipped with technologically advanced land, sea, air and space rescue craft; these are headed by a fleet of five vehicles named the Thunderbirds and launched from the organisation's secret base of operations in the Pacific Ocean. The main characters are ex-astronaut Jeff Tracy, leader of International Rescue, and his five adult sons, who pilot the Thunderbird machines.

Thunderbirds debuted in September 1965 on the ITV network. The series was exported to around 30 countries during the 1960s. Alongside tie-in merchandise, the series was followed by two feature films– Thunderbirds Are Go and Thunderbird 6. Widely regarded as the Andersons' most popular and commercially successful series, Thunderbirds has been praised for its special effects (directed by Derek Meddings) and musical score (composed by Barry Gray). It is also remembered for its title sequence, which begins with an oft-quoted countdown by Jeff Tracy voice actor Peter Dyneley: "5, 4, 3, 2, 1: Thunderbirds Are Go!" Periodically repeated, it was adapted for radio in the 1990s and has influenced many TV programmes and other media. It was followed by an anime adaptation, a mime theatre show, a live-action film and a computer-animated remake series; additionally, three new episodes, based on tie-in audio plays and made using the same techniques as the original series, were created.

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Frosty the Snowman is a 1969 American animated Christmas television special produced by Rankin/Bass Productions. It is the first television special featuring the character Frosty the Snowman. The special first aired on December 7, 1969, on the CBS television network in the United States, airing immediately after the fifth showing of A Charlie Brown Christmas; both scored high ratings. The special aired annually for the network's Christmas and holiday season until 2023. In 2024, NBC acquired the broadcast rights to the special.

[the-alan-price-combo]

On this day, in 1964, the Animals performed "House of the Rising Sun" and "I'm Crying" on The Ed Sullivan Show - their first American television appearance!! 🌅🐾✨️

Thought it would be fun to make a glittery, celebratory piece for this special day! Alan certainly likes it... he likes anything that glitters, after all 👀✨️

(Glitter effects under the cut!)

[ogradyfilm]

Recently Viewed - DAN DA DAN: First Encounter

Prior to seeing DAN DA DAN: First Encounter—a special theatrical premiere event for Science SARU’s latest anime series, presented by North American distributor GKIDS—I knew absolutely nothing about either the show or its source material (a manga that is apparently quite popular in its native Japan). This canny bit of marketing therefore served its purpose magnificently; I am now thoroughly invested in this story… though not enough, perhaps, to religiously tune in as it airs—I mean, who has the time to keep up with television, amirite? I will, however, definitely be binging it as soon as it’s available in its entirety; this three-episode tease was simply too promising to ignore.

I won’t discuss the plot in detail; this is a work that benefits greatly from the element of surprise. Suffice it to say that the narrative is as economical as it is relentlessly paced. Characters and conflicts are introduced quickly and elegantly, with nuances developing and complications arising gradually and organically—frequently defying or outright subverting the audience’s initial impressions. Indeed, the genre is virtually unclassifiable, abruptly shifting between romcom, slapstick, action, sci-fi, and horror—often in the span of a single scene.

Whatever its tone may be at any given moment, DAN DA DAN is consistently funny (some instances of crude/perverse humor—including a particularly juvenile preoccupation with partial nudity, genitalia, and various bodily functions—notwithstanding). The running gag revolving around the female protagonist’s obsession with prolific tough-guy actor Ken Takakura, for example, was seemingly written to appeal to me specifically. Sadly, few of my fellow patrons appreciated (or understood) the joke—which made me feel like the loneliest cinephile in the whole world.

I have only two minor complaints about the experience, neither of which can be blamed on the show itself. First, the promotional interviews with the cast and crew should have followed the feature presentation, rather than preceding it; while the peek behind the scenes was perfectly enjoyable, it also sucked the energy out of the theater before the screening had even begun—the crowd’s impatience was positively palpable. And second, the house lights came back up approximately ten minutes too early—which is, unfortunately, par for the course at AMC’s inadequately staffed venues these days.

Otherwise, consider me a satisfied customer. Discovering DAN DA DAN on the big screen was a total blast; glad I made the spur-of-the-moment decision to purchase the ticket!

[demifiendrsa]

Star Wars: Visions volume 2 will stream on Disney+ on May 4, 2023.

Volume 2 shorts:

Title: “Sith”

Studio: El Guiri

Writer-director: Rodrigo Blaas

Rodrigo Blaas is an Emmy Award®-winning director who has spent more than 20 years in animation. After co-founding Stromboli Animation in 1997, Blaas joined Blue Sky Studios in 2000, working on the feature film Ice Age, before transitioning to Pixar Animation Studios. There, he worked on such projects as Finding Nemo (2003), The Incredibles (2004), Ratatouille (2007), and Wall-E (2008) and on the Oscar®-nominated short film La Luna (2011). More recently, Blaas partnered with Guillermo del Toro to develop the award-winning series Trollhunters, served as creative director for Mikros Animation Paris and, in 2021, created El Guiri Studios in Madrid with his partner, Cecile Hokes. He also wrote and directed 2009’s award-winning short film Alma.

Title: “Screecher’s Reach”

Studio: Cartoon Saloon

Director: Paul Young

Paul Young is a co-founder of Cartoon Saloon, an IFTA winner and Oscar®, Emmy® and BAFTA nominee. He produced the animated features My Father’s Dragon, WolfWalkers, The Secret of Kells, Song of the Sea, and The Breadwinner as well as award-winning TV series including Puffin Rock, Dorg Van Dango, and Viking Skool.

Title: “In the Stars”

Studio: Punkrobot

Writer-director: Gabriel Osorio

Gabriel Osorio majored in Fine Arts at Universidad de Chile, later specializing in 3D animation. After working in commercials, movies and television series, he founded Punkrobot Studio. Since 2008, he has directed projects for children’s television including Flipos, Muelin y Perlita, Soccer Girls, and television spots. In 2016, his short film Bear Story became the first Latin American project to win an Oscar® in the animated short category.

Title: “I Am Your Mother”

Studio: Aardman

Director: Magdalena Osinska

Magdalena Osinska is an award-winning director who has been with Aardman for eight years. She has directed stop-motion, CGI, 2D and live-action commercials including Wallace & Gromit’s “The Great Sofa Caper” and “Share the Orange.” Osinska directed development of the children’s series Joyets and has also directed films including Spirits of the Piano and Zbigniev’s Cupboard. A graduate of the National Film and Television School in Beaconsfield, UK, as well as the Polish Film School in Lodz and Art College in Warsaw, Osinska is currently developing the feature film Jasia, based on her grandmother’s memories of WWII Poland.

Title: “Journey to the Dark Head”

Studio: Studio Mir

Director: Hyeong Geun Park

Rising star Hyeong Geun Park had already made a name for himself when he entered the Korean animation industry in 2017, thanks to his strong drawing and animation sensibilities. He has directed animation for dozens of cinematic game trailers and has since expanded into animated series, working on projects including Dota: Dragon’s Blood: Book 3 (2022) and Lookism (2022). Journey to the Dark Head is the first title he has executive produced from start to finish.

Title: “The Spy Dancer”

Studio: Studio La Cachette

Writer-director: Julien Chheng

Julien Chheng is CEO of Studio La Cachette, an Emmy Award®-winning French animation studio he co-founded in 2014 with fellow Gobelins school’s alumni Oussama Bouacheria and Ulysse Malassagne. Chheng was trained in visual development at Disney and has worked as a character animator on acclaimed 2D animated features The Rabbi’s Cat, Mune, and the Academy Award®-nominated Ernest and Celestine. In 2021, he won an Emmy Award® as animation executive producer of Genndy Tartakovsky’s Primal, for which he also served as animation supervisor. In 2022, Chheng directed with Jean-Christophe Roger the Cesar-nominated feature Ernest and Celestine: A Trip to Gibberitia.

Title: “The Bandits of Golak”

Studio: 88 Pictures

Director: Ishan Shukla

Ishan Shukla started his career as a CG artist in Singapore. For more than a decade, he spearheaded projects ranging from TV commercials to series and music videos. His 2016 animated short, "Schirkoa," was long listed for the Academy Awards® after receiving dozens of awards and playing at 120 international festivals, including SIGGRAPH Asia where it was named Best in Show. He then set up his own animation studio to work on adult-oriented animated feature films including a feature-length version of Schirkoa, set to hit festivals in summer 2023.

Title: “The Pit”

Studios: D’art Shtajio and Lucasfilm Ltd.

Writer-director-executive producer: LeAndre Thomas

Co-director: Justin Ridge

LeAndre Thomas is an award-winning writer and director from Oakland, Calif., whose most recent film won Best Director at the Pasadena International Film Festival. In addition to his independent films, Thomas is a part of the franchise studio team at Lucasfilm Ltd. where he has worked for more than 11 years being credited on recent titles such as Light & Magic, The Mandalorian, Obi-Wan Kenobi, Star Wars: Tales of the Jedi, and many more.

Justin Ridge executive produced the Emmy®-nominated series Star Wars Resistance. His credits also include Star Wars Rebels, Storks, The Cleveland Show, Star Wars: The Clone Wars, and Avatar: The Last Airbender.

Title: “Aau’s Song”

Studio: Triggerfish

Writer-directors: Nadia Darries and Daniel Clarke

Nadia Darries is a director, animator and co-founder of Goon Valley Animation, with an avocation for songwriting. Born in the Cape Flats in South Africa, Darries has worked on high-end animated film and motion design as an animator, project manager, creative director and director since 2015. Her experience includes animating at Triggerfish Animation Studios on the award-winning BBC films Stick Man, Revolting Rhymes, and Highway Rat.

Daniel Clarke is a Cape Town-based director and artist working in animation, film and illustration. He started his career in animation in 2008 at Triggerfish Animation Studios, where he has served as production designer, art director and director on projects such as the feature film Khumba, BBC’s Stick Man, and The Snail and the Whale. In 2018, along with James Clarke and Daniel Snaddon, he completed the graphic novel Kariba.

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How the Grinch Stole Christmas! (1966) directed and co-produced by Chuck Jones

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Inside Sunrise Interview

Inside Sunrise interview with Masayuki Ozaki and Kazuhiko Tamura. This is transcribed from an Anime News Network video linked below.

The Origin of Tiger & Bunny

Ozaki:

The idea for Tiger & Bunny came from two different roots. The first was Director Keiichi Sato's sentiments. To Director Sato, it's a story about heroes with mundane problems. The director said he wanted to depict a superhero drama with a sense of life to it. The other was my sentiments, as a producer. I wanted to depict the conflict and drama one sees when they've belonged to an organization for a while.

The impetus for the project came from the controversy over the competition swimsuits in the Beijing Olympics. I saw in an interview that wearing one particular kind of swimsuit gave you a chance at setting a record but, well, the athletes who had contracts with Japanese companies couldn't wear that fast swimsuit.

At the time, we were coming up with the project, so we thought the conflict of those athletes who belonged to those industries was very interesting and intriguing. And so we thought it would be nice to take the Director's desire to make a hero story, the story of heroes who have to bear the weight of sponsors, and depict the conflict, drama, and culture that lies behind all of that. So that's, well, how the idea came to fruition.

Tamura:

This is where we work on the storyboard for Tiger & Bunny. We're very particular about using pencil, and, um, the expression of performance, you could say. There are things you can't express without using pencil to depict motion, so we pay extra attention to those parts.

This is called the layout. A layout, you see, is this image, framed here by the screen. It's an image we use to make sure how it'll fit in the television frame. We use this as a base to create the key animation.

Oh, this character is Blue Rose. It's a scene where Blue Rose is drinking soda. It's part of a TV ad campaign in Japan. The drink is for one of the sponsors, but this is the test layout for that. We'll use this as a base to draw the animation.

Thoughts on the Characters

Ozaki:

When we were working on the costume design for the heroes of Tiger & Bunny, we paid special attention to their variety. There are 8 heroes who appear in this work, but from the start we had the idea that their suits should be diverse. We set the story in a near-future city that's anethnic melting pot, so the characters themselves were set to be a variety of races. There's a Russian character, a Chinese one, a Hispanic one, and a Japanese one too. We thought the hero suits should be designed to match those different characteristics.

Character Designer Masakazu Katsura, himself is very knowledgeable about superheroes. He loves superheroes, in particular, those from American comic books. Director Sato really liked that aspect as well. So Mr. Katsura pulled out a whole lot of ideas for what he wanted the superhero designs to be like. Fire emblem really is the kind of suit-wearing super hero you might find in American comic books.

A hero made with a bull as it's motif. Rock Bison is the kind of design you'll find in Japanese Tokusatsu, but not in American comics and that was the kind of variation we wanted it to have.

Tamura:

This right here is the CG check movie. We're running a check on the motion. We work on drawing the animation after we first make the CG.

Visual Effects Efforts

Ozaki:

Also, one of the visual aspects of Tiger & Bunny we were really conscientious about was depicting the heroes primarily through CG. The female character Blue Rose is the only one that's frequently hand drawn, but basically Tiger, Barnaby, and the others are all CG. They're designed to actually bear industry logos so since those industry logos would change over and over, we'd have to draw it over and over if they were hand drawn. That'd make it very difficult. But by making them CG, that kind of work, the swapping out of corporate logos, is not big deal.

One other reason is, we were keeping the world market in mind, and because of Pixar and Disney, CG animation is the visual style people around the world are most used to seeing. Hand-drawn animation certainly has its own good points, but in the end, we thought CG had the most universality and we designed each hero in CG. In doing it that way, we're able to come up with some pretty detailed imagery. For example, the hero Fire Emblem wears a cape, and that cape constantly flickers with fire as a pattern. If that was hand-drawn we couldn't do something like that. Those are the kinds of visual effects we focused on.

About Kotetsu

Ozaki:

The design for the character Kotetsu was clearly risky. For starters, he's middle-aged, has a beard, and is a single father. Characters like that in animation are, well, how do I say…it's a fact that they're hard for viewers to accept. The truth is, we were half hopeful and half fearful, but in the end we went with that design for the animation, and luckily, he's well accepted right now. We're actually getting word from the fans that they can empathize with him, and we're very happy to hear that reaction.

Kotetsu wasn't the only character, there's his partner, the younger Barnaby. This is a buddy story. By having another main character, we think we've established a very nice balance. Kotetsu's a middle-aged guy who used to be popular back in the day, but lately he's not doing so well. That's his character background. That said, there were things we wanted to illustrate thematically with him, like the importance of never giving up, of the bonds between people, things of that nature.

Plus, Hollywood movies, especially lately, are getting lots of sequels, and as the main character's actor gets older, they write the character to age with him. By part 4 or 5, he's already middle aged. Their refusal to give up, their continued fight, gave us some queues as well. You can say it's targeted more towards adults. As for me, I want to create dramas with universality, dramas that people of any generation can sympathize with and to keep making them in the future. That's what I hope for.

Source:

[somebodytolove31]

Eight Crazy Nights, also known as Adam Sandler's Eight Crazy Nights, is a 2002 American adult animated Hanukkah musical comedy-drama film directed by Seth Kearsley (in his feature directorial debut), written by Adam Sandler, Allen Covert, Brooks Arthur and Brad Issacs, and produced by Sandler, Covert and Jack Giarraputo. It stars Sandler in his first voice-acting role, alongside future wife Jackie Titone, Austin Stout, Rob Schneider, Kevin Nealon, Norm Crosby and Jon Lovitz. The film is animated in the style of television holiday specials and centers on Jewish characters alongside Hanukkah.[3]

The title is taken from a line in Sandler's series of songs called "The Chanukah Song" that compares the gift-giving traditions of Christmas and Hanukkah: "Instead of one day of presents, we get eight crazy nights!" A new version of "The Chanukah Song" also plays over the film's closing credits.

Produced by Sandler's production company Happy Madison Productions (as its first animated film), Eight Crazy Nights was released in the United States on November 27, 2002, by Columbia Pictures. The film grossed $23.8 million and received negative reviews from critics.

In the New Hampshirian town of Dukesberry, Davey Stone is a 33-year-old Jewish alcoholic with a criminal record that has earned him its community's animosity. Taken to court for his recent activity on the first night of Hanukkah, Whitey Duvall, an aging volunteer referee from Davey's former basketball league, convinces the judge to have him do community service as a referee-in-training for Whitey's Youth Basketball League on one condition—if Davey commits another crime before his tenure at the league concludes, he will be sentenced to ten years in prison.

As Davey harasses the players at his first game, Whitey has a seizure and the game is abruptly halted with Davey forfeiting it to the opposing team. Attempting to calm Davey down, Whitey takes him to the mall, where they meet Davey's childhood crush Jennifer Friedman, now a divorced single mother who has moved back to Dukesberry and taken a job at the mall, and her pre-teen son Benjamin. Davey still secretly harbors feelings for Jennifer, but Whitey reminds Davey that he lost his chances with Jennifer years ago.

As time progresses, Whitey's various attempts to encourage Davey are met with humiliation and assault. Later, Davey bonds with Benjamin while playing basketball at the community center, but the latter's unsportsman-like behavior—encouraged by Davey—angers Jennifer. On their respective rides home, they reminisce about their happy childhood together and how much things have changed. When Davey gets home, his trailer is being burned down by one of the men who lost the basketball match to him, though Davey runs inside to rescue a Hanukkah card from his late parents. Whitey invites Davey to live with him and his diabetic twin sister Eleanore; Davey reluctantly accepts. To keep Davey in line, Whitey and Eleanore explain the complex rules of the household, stating that Davey will be evicted if he does not abide.

Davey slowly starts to turn his life around, until one day at a skating rink, Whitey recalls Davey's past—en route to one of Davey's basketball games, Davey's parents died in a car accident and he learned of the tragedy shortly after winning the game. He spent the rest of his childhood in and out of foster facilities and state homes, followed by numbing his pain with alcohol and petty crime during his adolescence and ostracizing himself from Jennifer and his other friends. Distraught and exasperated after being reminded of his trauma, Davey insults Whitey and Eleanore, resulting in a heartbroken Whitey evicting him from his house.

Davey spends the rest of the day binge-drinking. That night, he breaks into the closed mall and hallucinates the logos and mascots of various stores coming to life and confronting him about his inability to grieve. He finally opens his parents' Hanukkah card, which contains a heartfelt message asking him not to change who he is, and Davey finally allows himself to mourn his parents. When the police arrive to arrest him, Davey escapes and boards a bus to New York City, but the bus is forced to stop when a thumbtack in the road punctures all rear tires. Reminded of the Miracle of Hanukkah, Davey sets out to find and make amends with Whitey.

Davey finds Whitey at the All-Star Banquet, an annual town celebration in which one member of the community is recognized for positive contributions with the "Dukesberry All-Star Patch", which Whitey has sought after for thirty-five years. When Whitey is passed over again, he resolves to move to Florida to live the remainder of his life in anonymity. Davey reminds the townspeople of the abuse they, and himself, have subjected Whitey to throughout his life and the selfless contributions he has made to the community in spite of that. Davey leads them to Whitey, who has gone to the mall with Eleanore. The townspeople thank Whitey for his service over the years and the mayor officially grants him the Patch Award, with previous recipients giving him theirs as well. As Davey and Jennifer reconcile, Whitey goes into another seizure that he enjoys.

Eight Crazy Nights came in at fifth place on its opening weekend among U.S. box office, making only $14 million since its Wednesday launch. It only grossed a total of $23.6 million in North America and negligible foreign box office receipts, for a total of only $23.8 million worldwide. This made Eight Crazy Nights become a box office bomb, losing an approximate at lowest $10.5 million to up to $44.6 million.

Critical reception

edit

On Rotten Tomatoes, Eight Crazy Nights has an approval rating of 13% based on reviews from 109 critics and an average score of 3.5/10. The site's critical consensus reads: "Sandler returns to his roots in this nauseating concoction filled with potty humor and product placements."[8] On Metacritic, the film has a score of 23% based on reviews from 27 critics, indicating "generally unfavorable reviews".[9] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale.[10]

Roger Ebert gave the film two out of four possible stars and criticized the film's dour tone, saying that "The holidays aren't very cheerful in Sandlerville."[11] Matthew Rozsa of Salon called it the best known Hanukkah film despite its poor quality.[12] William Thomas of Empire gave the film a one out of five stars, saying, "File under 'What the hell were they thinking?'. With this, and Mr. Deeds, Sandler's pulled off quite the combo. Avoid like the plague."[13]

Sandler won a 2003 Kids' Choice Award for "Favorite Voice from an Animated Movie".[14] He was also nominated twice for the 2002 Golden Raspberry Award for Worst Actor for his performances in both Eight Crazy Nights and Mr. Deeds.[15]

Home media

edit

Eight Crazy Nights was released on VHS and single- and two-disc edition DVD on November 4, 2003 by Columbia TriStar Home Entertainment. The two-disc "special edition" features deleted scenes, several audio commentaries, and Sandler's short film A Day with the Meatball, among other bonus features.[16] A Blu-ray was issued on December 13, 2016.

[disneytva]

20th Television Animation Brings Animation To San Diego Comic-Con 2024

Animation fans will have a lot to keep them busy and entertained at this year’s Comic-Con. Disney just announced its plans for its Hulu and 20th Television Animation festivities and panels set for the San Diego.

Friday, July 26

Solar Opposites, 2:00-2:45 p.m., Indigo Room. The popular animated series returns to San Diego Comic-Con ahead of a new season packed with new family values, mayhem in the Wall and some all-new Silvercops adventures. Join executive producers Mike McMahan and Josh Bycel, and cast Thomas Middleditch (Terry), Mary Mack (Jesse) and Sean Giambrone (Yumyulack) for an advance screening of a never-before-seen episode, and a discussion of the hilarious and out-of-this-world upcoming fifth season premiering Aug. 12 on Hulu.

The Great North, 3:00- 3:45 p.m., Indigo Room. Embark on an exhilarating journey to Lone Moose at Comic-Con. Catch an exclusive look behind the scenes of this animated comedy series that follows the quirky Tobin family as they navigate life together. Get to know the creative minds behind the series including creators and executive producers Wendy Molyneaux, Lizzie Molyneaux-Logelin, Loren Bouchard and the voices behind the Tobin family including Jenny Slate, Dulcé Sloan, Paul Rust and Aparna Nancherla to gain fascinating insights into the production of the show, its unique setting, and the colorful characters that inhabit the world of the Tobin family.

Bob’s Burgers,  4:00-4:45 p.m., Indigo Room. Join the Belcher family and the creative minds behind Bob’s Burgers for a can’t-miss panel. Creator and executive producer Loren Bouchard, executive producers Nora Smith, Holly Schlesinger and supervising director Bernard Derriman will break news about the upcoming season. The cast including H. Jon Benjamin, John Roberts, Kristen Schaal, Eugene Mirman, Dan Mintz and Larry Murphy will have the audience howling with laughter through exclusive sneak peeks, a lively panel discussion and Q&A.

Saturday, July 27

Futurama, 11:00-11:45 a.m., Ballroom 20. Neither snow nor rain nor cancellations nor pandemics nor Hollywood strikes can keep Futurama from blasting back into existence. Please join Matt Groening, David X. Cohen, Claudia Katz and “Futurama” superstars Billy West, John DiMaggio, Lauren Tom, Phil LaMarr, David Herman and Maurice LaMarche for a live sneak preview of the all-new season premiering July 29 on Hulu. They promise to spill the maximum legal dose of spoilers. Plus, there is the chance to walk away with debatably precious door prizes!

The Simpsons, 12:00-12:45 p.m., Ballroom 20. Show creators give an exclusive spooky sneak preview of “Treehouse of Horror 35” – the scariest 35th Halloween Special ever. Join panelists Matt Groening, Matt Selman, Rob LaZebnik, Tim Bailey, along with special guest moderator Kevin Smith and surprise terrifying guests for original drawings, prizes and more.

American Dad! 1:00-1:45 p.m., Ballroom 20.  Celebrate the enduring success of the show at Comic-Con with hilarity, hijinks and heartfelt moments. Dive into the quirky world of the Smith family and their eccentric friends and foes as this beloved animated series celebrates its ongoing success with stars Wendy Schaal, Scott Grimes, Rachael MacFarlane, Dee Bradley Baker, Jeff Fischer, and executive producers Matt Weitzman, Kara Vallow and Nic Wegener.

Family Guy 2:00-2:45 p.m., Ballroom 20.  It’s time to look back at 25 years of laughter, satire and iconic moments with the long-running show at this must-attend Comic-Con panel. This milestone event will bring together fans, the iconic cast including Alex Borstein, Seth Green, Jennifer Tilly, Gary Cole and Mike Henry, and executive producers Rich Appel, Alec Sulkin, Steve Callaghan and Kara Vallow to honor a quarter-century of hilarity, irreverence and unforgettable moments in Quahog. Whether a long-time fan or new to the Griffin family’s antics, this is the ultimate event to honor one of television’s most beloved and enduring animated series.

[dailydoramipics]

On this day, 10 years ago, on July 7th, 2014, "Doraemon: Gadget Cat from the Future" made its official US premiere on @disneyxd with the first episode (containing the segments "All the Way From the Future World" & "The Mecha-Maker")!

It was an English dub adaptation of the third "Doraemon" anime series, running since April of 2005 and still going strong! (with 700+ episodes as of July 2024)

The dub had an incredibly high profile set of voice actors, starring Mona Marshall, Johnny Yong Bosch, Cassandra Lee Morris, Brian Beacock, and Kaiji Tang as the leads (Doraemon, Nobita/"Noby", Shizuka/"Sue", Suneo/"Sneech", and Takeshi "Gian"/"Big G"), with Mari Devon, Tony Oliver, Max Mittelman, Keith Silverstein, Spike Spencer, Minae Noji, Kirk Thornton, Cristina Vee playing the reoccuring set of secondary cast of the show's characters.

The show centered around the life of a misfortunate boy named Nobita "Noby" Nobi who suffers from bad grades, bullying from his peers, scolding from his parents (his ferocious mom mainly), and is generally an awkward, lazy, kinda weird, and slow kid.

A robotic cat from the 22nd century named Doraemon is sent back in time to aid Noby in his life, pulling out futuristic magical gadgets from his pocket that can turn everyday human life into something much more every day.

Hijinks ensue when Noby ends up misusing Doraemon's gadgets, often continuously using them for his selfish (or selfless sometimes) benefits until things get incredibly out of control either through inconveniences, bullies, or just... really really poor choices.

Occasionally every now and then, the show has little half hour adventures, such as Noby & the gang helping a group of little people ("A Little Adventure"), Doraemon & Noby seeing aliens ("Invasion of the Goat Aliens", "Doraemon and the Space Shooters"), Doraemon & Noby going after a time capsule ("Doraemon's Time Capsule"), escaping from a villian from the future ("A Visitor from the Future"), but generally overall, the show is incredibly episodic and formulaic with the premise listed above.

The dub made numerous edits to the source material such as having the show's setting take place in a random no-name town in America instead of Japan, changing Japanese yen to American currency, removing content, motifying the character Shizuka's personality due to American viewers misunderstanding or getting confused over her original traits, etc.

The cast of characters were also given Americanized names, though these are confirmed to be just nicknames, with it being implied that they still have their original names in media such as Stand By Me Doraemon 2 (the English dub) & in the English manga.

It ran for a total of 52 episodes (with two 11 minute segments each with the exception of a few half hour specials that were dubbed, especially by season two) across two seasons from July 7th, 2014 to September 1st, 2015, being seemingly cancelled or sidelined by Disney quietly, with no official answer on the status of the dub.

According to Sneech Honekawa voice actor Brian Beacock via his TikTok on a stream from around 2020, Disney lost interest and didn't want to continue pushing the series.

The show continued to air in reruns after the conclusion of the second season on Disney XD until on June 20th, 2018, it got preempted by a rerun of Phineas & Ferb and has never aired again nor been seen again on American television (photo above courtesy of Collin LW)

And sadly, as of 2024, there seem to be no plans to officially re-release the dub via formats, as its not on DVD and Blu-ray nor is it available on watch on major streaming services with anime like Netflix, Disney+, Hulu, or Crunchyroll.

Though thankfully, thanks to the efforts of an unknown to my head right now fan, the entire English dub's episodes in 1080p logoless quality (ripped from "Watch Disney XD" before being removed) is currently available to watch online on Archive.org (& MEGA), being helped made widespread by Doraemon US superfan & voice actor Collin LW!

Despite receiving some particularly heavy negative reception from several fans of the original Japanese dub over the years since its existence came to be, the dub has generally received positive feedback from those who saw it, especially from its devoted cult following. Particularly for the voice cast's performances, heartfelt moments, the cute cartoony artstyle, the fun cast of characters, the original soundtrack by Joseph Bauer, and the sense of witty hilarious humor that's been favorably compared to the likes of the 4Kids dubs of the "Pokemon" anime from the 1990s and 2000s.

(What are your own personal thoughts on the dub? I'd love to hear in the replies and reblogs on your personal views and experiences on the series!)

Again, happy tenth anniversary "Doraemon: Gadget Cat from the Future"!

Thanks to everyone who worked to make this dub possible and exposing so much people to this wonderful, timeless, underrated goofy, silly, heartfelt little show!

Still hope we get more of the dub via either a dub of one of the mainline movies (cough cough Doraemon: Nobita's Earth Symphony cough cough) or maybe another dose of the 2005 series somehow on Netflix after their Stand By Me Doraemon 2 release in 2021 ^^

[lingyunxiang]

Howie Mandel has remained a constant force in show business for more than 30 years. He can currently be seen on NBC’s flagship series America’s Got Talent where he has served as a judge for eleven seasons. He recently finished production on his new documentary Howie
Mandel: But Enough About Me. Other recent projects include judging NBC’s America’s Got

Talent: The Champions, CNBC’s Deal or No Deal where he served as executive producer and host and Nat Geo Wild’s Animals Doing Things where he co-hosted with his son Alex. He alsoexecutive produced the Quibi series Kirby Jenner. In 2019 he released his first solo special in 20 years Howie Mandel Presents Howie Mandel at the Howie Mandel Comedy Club.

 

In 2020 Howie teamed up with ePlay Digital Inc. and launched the charity, Breakout the Masks, and mobile game campaign to give back to those involved in the fight against COVID-19. Via Howies’ Games the first challenge is Outbreak where players’ points translate to donations of N95 face masks, portable ventilators, gloves and other Personal Protective Equipment to doctors, nurses and more front line workers. The second game SwishAR has users looking for America’s Got Talent’s, Howie Mandel, to join in a backyard basketball game to shoot hoops.
Both games are available on the Apple App store and Google Play.

 

His additional projects as a host, actor, and/or executive producer include Take It All and Howie Do It for NBC, Deal With It for TBS and Mobbed for Fox. Previously, Mandel received an Emmy Award nomination for Outstanding Host for a Reality or Reality-Competition Program for Deal or No Deal and a Daytime Emmy nomination for Outstanding Game Show Host for the syndicated version of the show. Mandel’s versatile career has encompassed virtually all aspects of the entertainment spectrum, including television, film and stage. From his work on the Emmy Award-winning St. Elsewhere, to the international animated children’s series Bobby’s World,Mandel has become a mainstay of the American comedy scene. In 2009, Mandel added author to his resume when he released his frank, funny and no-holds-barred memoir, “Here’s the Deal:Don’t Touch Me.” The memoir revealed his ongoing struggle with OCD and ADHD, and how it has shaped his life and career. It made The New York Times bestseller list on its first week and remained on the list for several consecutive weeks. Mandel has done countless comedy specials both on cable and network television. He has also hosted his own syndicated talkshow, The Howie Mandel Show and continues to be a mainstay on the talk show circuit. He alsocontinues to perform as many as 200 stand up comedy shows each year throughout the U.S.and Canada.