#American Experience

[rewild]

Hey babe, let’s get coffee at the combo Dunkin- urgent-care!

[deadpresidents]

Did you watch the pbs documentary on the vice presidents yet and what did you think? And what vp that never became president do you think would have been best qualified to be president?

Yes, I was very much looking forward to PBS American Experience's "The American Vice President," and watched it as soon as it was released. I'm basically the target audience for documentaries like that, so I always appreciate and enjoy them. I will say that I thought that there were a lot of missed opportunities in it, however. I was really hoping that there would be some short biographical pieces on the various Vice Presidents, particularly many of the earlier VPs that nobody knows anything about. There are some really fascinating stories that could have been told about them, so I was a little bummed we didn't get that.

For the most part, the episode focused on the idea of the Vice Presidency as opposed to individual Vice Presidents. And it spent a lot of time on succession and the 25th Amendment. Now, that is no surprise -- that's basically the reason the Vice President exists in the first place. But at times it felt more like a documentary on continuity of government than the Vice Presidency, and I just wish there would have been more time spent on the personalities who have served in the position over the past 235 years.

As for the second part of your question, I'm going to do what the documentary largely did and answer based on the Vice Presidents since World War II. Once the nuclear age was upon us, the Vice Presidency became a more important role for those continuity of government reasons, and the quality and experience of most Vice Presidential candidates has improved during that time because it was more necessary to choose a running mate who was capable of actually taking over as President than balancing the ticket regionally or ideologically.

Since World War II, I think the Vice President who was best equipped to become President but never did was obviously Al Gore. I have always been shocked that Gore never made another run for the White House after 2000, but I also imagine that it must be an absolutely soul-crushing experience to run for President, seemingly win (and definitely win the popular vote), only to have the Presidency awarded to your opponent by a party-line decision of the United States Supreme Court.

Another post-World War II VP who never became President in his own right but probably would have been good in the job was Nelson Rockefeller. Because of the circumstances and brevity of his time as Vice President, Rockefeller is often forgotten about, but he was considered a real contender for the Presidency on numerous occasions before he was appointed to fill the Vice Presidential vacancy created when Gerald Ford succeeded Richard Nixon in the White House after Nixon resigned. Rockefeller won four elections as Governor of New York, all by comfortable margins, and he never achieved his Presidential goal because the timing was just never right for him. His best bet as a Presidential candidate should have been 1964 or 1968, but after JFK's assassination, few Republicans wanted to run against LBJ less than a year later (and with good reason, LBJ's popular vote landslide was huge). And by the time the 1968 election rolled around it became clear that Richard Nixon had spent his years in political exile following his humiliating loss in the 1962 California Gubernatorial race building a powerful campaign machine that helped sweep him into office. But when it comes to experience, few VPs were better qualified than Vice President Rockefeller.

If you haven't seen "The American Vice President" from PBS's American Experience, I would definitely recommend checking it out. You can watch it (and many of American Experience's other excellent documentaries) on the PBS website. It's also currently available to watch for free via the PBS feed on YouTube.

[petiteclover]

the nine University of Washington students who took the rowing world and the nation by storm when they captured the gold medal at the 1936 Olympic Games in Berlin. The Boys of ’36 will show how the team overcame psychological, physical, emotional and economic hardships to beat not only East Coast Ivy League teams but Adolf Hitler’s elite German rowers. Their surprise triumph gave hope to a nation struggling to recover from the Great Depression.

[raurquiz]

#happybirthday #evebest #actress #RhaenysTargaryen #HouseoftheDragon #NurseJackie #AmericanExperience #TheHonourableWoman #TheKingsSpeech #PrimeSuspect #TheFinalAct #SomeoneYouLove #LieWithMe #LuckyMan #FateTheWinxSaga #Maryland #TheCrown #Macbeth #HeddaGabler #MuchAdoAboutNothing

[amatesura]

American Experience: The Gilded Age (2018)

[your-funky-human-companion]

in a costco

heard a scream

everything’s just as it seems

[tilbageidanmark]

Girl on a street corner in Chicago by British photographer Michael Ormerod, 1978.

[xtruss]

Mapping Gilded Age New York

The Gilded Age was a study in contrasts. Immigrants arrived in New York City with little to nothing in their pockets, while just uptown some of the richest men and women in America built mansions that resembled European palaces. As more and more people carved out their homes on the island at the end of the 19th century, different ideas about what New York was and who belonged there emerged. American Experience spoke to Jack Tchen, Associate Professor at NYU’s Gallatin School of Individualized Study, about the way race and class tensions played out against the vibrant, dynamic landscape of New York City in the Gilded Age

— By Jack Tchen | American Experience | Published: February 2018 | November 04, 2023

J. W. Williams, Root & Tinker/Library of Congress

1. The Spine

Leading up to and during the Gilded Age, New York City begins to define itself along its spine, the middle of the city, rather than by its shoreline. The wealthy are gravitating away from the shoreline, which is seen as rougher and more dangerous. If you have money, you’re afraid that the workers in your counting house or your factory are going be jealous. You want to find other people who have money. And Fifth Avenue becomes the place where you find them. From Bowling Green to Washington Square Park, from Washington Square Park to Madison Park, and from Madison Park up to Central Park and 57th Street — this becomes what wealthy white Anglo-American Protestants feel is their New York. They feel that the greatest wealth of the city and of the nation is being generated and being expressed along this spine. The global branding of Fifth Avenue really emerges at a moment in which the Fifth Avenue merchants come together and say, “We have to protect Fifth Avenue. Fifth Avenue is ours and to maintain our identity, we have to keep out all the new immigrants who are trying to make money, who are setting up garment factories.” They begin to re-territorialize what had been a neighborhood of small producers, and to claim a kind of ascendancy and superiority.

Charles Pollock/Library of Congress

2. Metropolitan Opera House - Broadway and 39th Street

The building of the Metropolitan Opera House in 1883 is a great example of how cultural capital actually works. Did the people who went to the Met love opera? Probably not. In some ways, this was an emulation of European culture, especially Italian culture — but in Italy, opera was actually a mass activity that people from all stations of life loved. In the new world, it was transformed into this rarified art that supposedly only elites could understand. It was stilted in terms of performance, especially in comparison to the more popular forms of theater. And it was in a foreign language.

But the building was important. The box seats were important. Who was sponsoring the performances was important. So in a sense, supporting the opera became the perfect vehicle for elites to outdo each other.

Ernest Marx/Library of Congress

3. Vanderbilt House — 1 West 57th Street in New York City

Alva Vanderbilt was the driving force behind the “Petite Chateau” Vanderbilt mansion, which was completed in 1883. It was built of limestone, in contrast to neighboring brownstones, in the style of a French Renaissance palace. Her housewarming party was one for the ages. Twelve-hundred guests attended. Their costumes were sheer excess and outré; one woman, Miss Kate Strong (nicknamed “Puss”), wore a taxidermied cat head and seven cat’s tails decorating her skirt. By today’s dollars, the party was said to cost $6 million—one quarter of which went to the finest champagne.

What’s really important here is to acknowledge the role of women in the wealth-building process itself. Because it’s not just wealth building in terms of actual dollars — it’s also wealth building in terms of status. And women are the ones who know how to build that kind of social and cultural capital that gives their families the standing and prestige that other families of wealth will begin to recognize and accept.

In some ways, the women who are leading these families and creating these parties are like the ad men on Madison Avenue. They’re branding the family. They’re making the public — other elites especially — appreciative of why they belong and why they should be recognized widely. So when Alva Vanderbilt builds her mansion, she’s being very creative, very thoughtful, and very tenacious in trying to establish that profile of the Vanderbilt family.

Petite Chateau, Library of Congress

4. Seventh Regiment Armory - 640 Park Ave., Bet. East 66th & East 67th

The street grid of New York City means that people of great wealth are cheek-to-jowl next to people living in extreme poverty. That sense of injustice and the divide between the wealthy and the poor is palpable.

The Gilded Age was a fractious time, and amidst growing wealth and opulence, a sense of desperation and resentment emerged. I think the wealthy felt some anxiety at the thought that at some point that tension would erupt.

So they built armories to defend against riots and protests. The armories housed volunteer regiments — the precursor of the National Guard. The Seventh Regiment, also known as the “Silk Stocking” or “Blue-Bloods” regiment, was a who’s who of the Gilded Age elite. It was first headquartered on the Lower East Side — but it moved uptown as the wealth of the city did. The armory now on Park Avenue opened its doors in 1880.

The New York Public Library

5. Harbor

New York Harbor was deep enough that it didn’t freeze over, so it could actually operate year-round. Lots of raw products — grains, sugars from the Caribbean — can all be exchanged in this deep-water port and then processed and sent by way of the Erie Canal into the heartland, and also traded across the Atlantic. So New York becomes kind of a central economic exchange hub, feeding and processing so much of what is being consumed by the growing middle classes of North America, and Europe.

Currier & Ives/Library of Congress

6. Orchard Street

As the wealthy Protestant elite move uptown, away from the waterfront, the lower east side becomes a neighborhood of immigrants. Jewish and Italian immigration really starts in great numbers in the latter part of the 19th century. Millions of people are coming to New York. They’re dazzled by visions of streets of gold.

The older tenements on the lower east side become jam-packed. The whole notion of a middle class apartment with one person in a room — that didn’t exist. A single apartment could house multiple extended family members; a family might even rent out a room to make ends meet. The idea of how you used space was different. The streets were really an extension of where you lived.

Take the market on Orchard Street. It was really an American reproduction of the small market towns that many Jews had left in eastern Europe. If you look at old photos, you can just imagine the sounds and smells. Jews, Italians, and Chinese are living side by side. And out of that, a port culture begins to emerge. People are bringing the cultures that they left. Lots of languages are being spoken, and lots of new dishes and new fashions are being created. It’s all part of this new, intermingled culture. And that intermingling, I think, is what’s distinctive to New York City — as opposed to the culture of the uptown elites, who are really emulating their fantasy of the european aristocracy.

The uptown elites, by the way, are really scared of this new, intermingled port culture. They have a certain notion of Protestant destiny in terms of who this country properly belongs to. They’re concerned with who’s creating value — monetary, but also the cultural value of the nation. Meanwhile, these non-Protestants of suspect racial origin keep coming into the city. So there’s a growing guardedness of who should count, who belongs there.

Bain News Service/Library of Congress

7. Bowery

While the elites are walking up and down Broadway, checking each other out in a way that prefigures the shopping mall or the arcade, immigrants and members of the white working class hang out on the Bowery. It’s where people go for dime museums, tattoo parlors, bars; all that kind of popular culture that we tend to think of now as connected to Coney Island originates on the Bowery.

These new immigrant and working class audiences are constantly looking for new and exciting forms of expression. They’re willing to pay maybe five cents to see what’s happening on the stage, what’s happening in music, and in bars. Essentially, what happens is street culture gets brought into the commercial culture, the indoor culture in which people are willing to pay for entertainment.

Library of Congress

[zippiestrock]

As an adult looking back can we all agree that the rule against hats in schools (like beanies and shit) is the dumbest fucking thing ever. American public school had harsher reactions to a hat on a cold day than a weapon

[smashpages]

The PBS program American Experience, which documents interesting events and people from American history, recently ran an episode on the lie detector test — something that William Moulton Marston, the co-creator of Wonder Woman, falsely claimed to have invented. This webcomic by Kirstin Butler and Derrick Dent details Marston’s many endeavors over the years, from his attempts at creating a an early polygraph prototype to the female hero he helped create with artist H.G. Peters.

Read more

[lenbryant]

Inventions from the Sun Queen (careful with that moniker, lady, or Tennessee will ban you).

[deadpresidents]

I want to see this now!

[kissmekissmedelerious]

Giving my Chinese teacher a Shirley temple in a red solo cup

[amatesura]

The Donner Party (1992) | dir. Ric Burns

[cristinaboncea]

nimic nu te f*te mai bine decât visul american

American Experience (2013) era unul dintre titlurile care mă încântau cel mai tare la Andrei Dósa și am reușit în sfârșit să-l citesc prin bunăvoința autorului. Nu doar că Andrei a plecat în state prin Work&Travel, cum am făcut și eu în 2017, dar o bună parte dintre poezii sunt despre orașul în care am locuit acolo – New York. Este cel de-al doilea volum de poezii pe care l-a publicat, după Când…

[randumblygeneratedusername]

“We also bought a used boat and plan to fix It up for the sole purpose of doing a trial run from one end of Lake Powell to the other. In preparation for the long-spoken-of-plan of canoeing from Utah to Page, Arizona, we aim to document any tribulations we may encounter. From tempestuous weather, capsizing waves, navigation, and catching our own food to the physical and mental struggle of being out on the water for two weeks or longer. We anticipate sudden onslaughts of stormy weather we’ll have to endure and paddle through, 1000 foot canyon walls that tower at 90 degrees above us straight to the sky, canyons of varying widths. Off the main channel where its easy to lose ones way or get lost, and periods of rowing and hoping for land where there isn’t any; because of the ever-variable water levels that could brung us to new unseen places. Once below water, or wash out a path that once existed.”

inspiring excerpt from a handwritten letter from an adventurous friend, August 2024