#Also on this date the first part of the comic Action in Exile came out in TV Comic magazine.

[doctorwho2022]

Doctor Who episodes that aired on the 5th of July…

In 2008, Journey’s End

[hello-robin-goodfellow]

Bone

A lengthy independent comic book series by Jeff Smith that took 13 years to complete, mixing the sensibilities of a joke-of-the-day comic strip like Pogo with the sweeping story of an epic fantasy à la The Lord of the Rings. Jeff self-published the series in its original run, collecting the issues in groups of six or so in nine total volumes, until Image Comics picked it up for a time. A second printing came under Scholastic, Inc., for which Jeff's friend Steve Hamaker colored each and every page. The series eventually won several Eisner Awards and Harvey Awards, and propelled Jeff Smith into immense independent comic book acclaim.

It tells the story of three cousins, who happen to look like humanoid, bone-shaped Cartoon Creatures. They are exiled from their town called Boneville and become lost in a Magical Land called the Valley, where they meet an energetic old lady (Gran'ma Ben) and her beautiful grand-daughter (Thorn). Together, they're caught up in intrigue, magic, and adventure.

Characters

The Bone Cousins 

Fone Bone: The main protagonist. Fone Bone is the most dependable, resourceful and most moral of the Bone cousins, and tends to be viewed as the "good" Bone since he's never involved in any of Phoney's moneymaking schemes. He's polite and friendly, and pretty good at thinking on his feet in a crisis. He has a huge crush on Thorn, but has problems telling her about it. 

Phoncible "Phoney" P. Bone: Previously the "richest Bone in Boneville"; Phoney is a greedy, hotheaded schemer who always has a new plan for making money. The problem with his plans is that they tend to backfire and end with him being chased off by an angry mob. 

Smiley Bone: The most happy-go-lucky of the cousins. Smiley is a friendly and loyal guy, but rather short on brains and not the most adept at telling right from wrong, which is why he so often lets himself get involved in Phoney's schemes. He pretty much adopts Bartleby the Rat Creature cub.

Friends and Allys

Thorn: Thorn was the titular character of the comic's earliest incarnation, and even now can be said to be the real protagonist of the series. She is a young girl on the verge of adulthood, who can talk to animals and who befriends the Bone cousins when they are lost in the valley.

Rose "Gran'ma Ben": Gran'ma Ben has the strength of ten elephants and can outrun any cow in the valley. She has lived peacefully with her granddaughter Thorn on a small farm for fifteen years, after the "big war". 

Lucius Down: The owner of the Barrelhaven Tavern, he's a gruff and temperamental but ultimately kind-hearted old man, whom everyone knows has been "sweet on" Gran'ma Ben for decades. He's a constant foil to Phoney Bone and has ruined more than one of Phoney's moneymaking schemes. 

Ted The Bug: Ted is a tiny little insect with a knack for "gettin' while the gettin's good." Nevertheless, despite his diminutive size he's helpful and surprisingly resourceful, and somehow he always seems to know everything that's going on. 

The Great Red Dragon: The mysterious protector of Thorn and Fone Bone, and a master of last-minute rescues. He's a laid-back and lazy sort who at first glance doesn't seem very formidable, but he has a number of strange powers and is feared by the Rat Creatures. 

Bartleby: A Rat Creature cub that ran off from the other rats and befriended Fone Bone and Smiley. 

The Possums: A family of possums — Miz Possum and her three kids — that Fone Bone meets during his first winter in the valley, and who show up sporadically to help him out.

Roderick: A baby racoon whose parents were eaten by Rat Creatures. Plays a minor part in Bone, but is one of the main characters in Quest for the Spark. 

The Orphans: Roderick's friends; a group of young animals in the same situation as him.

Jonathan Oaks: Lucius's assistant at Barrelhaven. He's a young and affable guy, though not terribly bright. 

The Villagers: The human inhabitants of Barrelhaven village; usually peaceful enough, but in general rather small-minded, xenophobic, and easily led. The most commonly seen are Wendell the tinsmith and Euclid the farmer. 

The Disciples of Venu: Also known as the "Veni-Yan" or, more insultingly, "stick-eaters," they are a group of hooded monks who have dedicated themselves to the study of the Dreaming. They were once the elite warriors of the kingdom of Atheia, but after the war they have the reputation as wandering beggars. 

Taneal: A little girl who lives in Atheia; she's a young priestess and shrine-builder who tries her best to keep the faith of Venu going even after it was outlawed. 

Taneal's brother:  Never actually named in the comic, but he's Taneal's older brother. Smart and resourceful, he knows everyone in Atheia, especially who to bribe in order to get your way.

Teacher: Gran'ma Ben's old teacher; he's an old and somewhat cantankerous old man who runs a small rooftop kitchen and is... not as good a chef as he thinks he is. 

Headmaster: The head of the Diciples of Venu and possibly the oldest human character in the comic. 

Mermie: A seventh-level "dreaming master" and steadfast alley of Gran'ma Ben.

Villains

The Lord of the Locusts: A nightmare spirit who long ago wanted to escape from dreams and experience the waking world, which he attempted by possessing Mim, the Dragon Queen. He was defeated and imprisoned by the other dragons, but is still able to contact and influence dreamers in the waking world, plotting to be free once more.

The Hooded One: A mysterious hooded figure who's the highest servant of the Lord of the Locust. Spends the first two-thirds of the story preparing for war, and looking for "the one who bears the star," who will aid in freeing the Lord of the Locusts. 

Kingdok:  The King of the Rat Creatures; a brutish and vicious monster who nevertheless is basically only a puppet for the Hooded One and the Lord of the Locusts.

Rat Creatures:  Rat Creatures are the resident monsters of the valley; they're strong and bloodthirsty predators but also incredibly stupid. Encountered in ones or twos they're more comical than scary, but in large numbers they're terrifying. There are thousands of Rat Creatures, but two of them — a duo of foot soldiers — play fairly large roles in the story as Ineffectual Sympathetic Villains who in Quest for the Spark end up having a Heel–Face Turn (as well as getting their own names, "Smelly" and "Stinky.")

Roque Ja:  The "Master of the Eastern Border." Roque Ja (and not, as he will constantly remind you, "Rock Jaw") is a gigantic mountain lion who initially sides with the Hooded One and the Rat Creatures because he hates them slightly less than he hates the dragons they oppose.

Lord Tarsil:  A former Veni-Yan warrior and ruler of Atheia. He hates dragons with a passion and has outlawed all "worship" of them, including the old religion.

The Vedu: The sect that Tarsil formed; an off-shoot of the Diciples of Venu who follows different teachings and act more like bullies than protectors.

An Animated Adaptation has been in Development Hell for several years. In the '90s, Nickelodeon Movies, having just released the hit film The Rugrats Movie, had an alarmingly misguided vision of what they wanted it to be, and Jeff was the one who bailed out of the deal. The rights were then held by Warner Bros., and the reports on the production team were that Animal Logic, the studio behind Happy Feet and The Matrix, would animate, P.J. Hogan (My Best Friend's Wedding, Confessions of a Shopaholic, the 2003 live-action Peter Pan) would direct, and it would be adapted for the screen by Patrick Sean Smith (ABC Family's Greek). In 2016, Mark Osborne (Kung Fu Panda, The Little Prince) became the new director, while he and Adam Kline replaced Patrick Sean Smith as the screenwriters.

Jeff was initially fighting for traditional 2D animation, since he used to run his own animation studio called Character Builders that contributed to films like Space Jam, and was the studio that was originally slated to animate the film. According to the interview above, Jeff is fine with the change because the outcome of the movie is not in his control, even though he will have executive-producing credit. He STILL remembers his original preference, though, and fans continue to prove this. However, it was not to be. After several years with little progress made (and no release date appearing on Warner Bros.' slate of upcoming animated movies) the rights to adapt the comic went up for sale again.

In 2019, Netflix secured the rights to the franchise with plans to adapt the comic into an animated series. Time will tell if they are successful.

[kalinara]

Okay, so as I mentioned in a previous post, I finished watching Season 6 of the Walking Dead, started on season 7, and promptly got distracted with ranting about Negan fans.  So this is my slightly belated season 6 reaction/opinion post:

Season 6 kind of seemed like a filler/breather arc to me, in comparison to the more intense action in season 4 and character study in season 5.   That’s not really a bad thing, I think we kind of needed that.

The first half of the season involved the big zombie invasion of Alexandria, which I thought was pretty entertaining.  The quarry was an interesting answer to the question of why the Alexandrians were able to survive so long, despite being sheltered and unprepared.

The Alexandrians in season 5 felt more like set pieces than characters, to me.  Some of them were likable (like Reg and Tobin), some of them were awful (like Nicholas or Pete), but they were basically just there to move the story along.  The real plot was in how Rick and his team adapted to civilized life.  I think only Deanna and Aaron felt like actual characters.

But in season 6, I felt there was some real effort made to establish the Alexandrians as people.  I think there was a better sense of Alexandria as a community, now that Team Family is no longer on the outside looking in.  And they introduced a few new characters, like Denise, who really fit in well with our characters.

Poor Denise.   Having medical training on this show is basically a death sentence.  I think only Hershel managed to last longer than two seasons.  

I even thought Jessie managed to acquit herself reasonably well during the attack by the Wolves.  I was a little sad that they killed her off actually.  I didn’t mind the kiss between her and Rick, it seemed emotionally appropriate given the circumstances, but I have to admit that I doubt it would have gone very far even if the Andersons didn’t get killed off.  There was something in the way she looked at Rick as they all used the patented Rick Grimes “dress yourself as a zombie using dead people’s guts” that made me think Rick probably wasn’t getting a second date.  I don’t blame her, really.  He’s attractive, smart, and kind when his mental state allows, but he’s also from a very different world.

Thank god for binge-watching.  I probably would have hated Glenn’s dumpster situation if I were watching the series real time.  Thankfully, I’m not, so it was a relatively short fake-out.  I was surprised that I was a little sad about Nicholas’s death.  I wasn’t ready to accept his redemption, but I think he was trying, and that was worth something.

Speaking of redemption, who would have guessed that Father Gabriel would be left in charge of Alexandria when it came time to get Maggie to Hilltop in the season finale?

I’m getting kind of tired of seeing Daryl sidelined from major events just so that the show can introduce the next big threat.  First he misses the Rick-Pete catastrophe and Rick almost getting exiled from town, so that the Wolves can be properly teased.  Then he misses most of the build up and the actual zombie invasion, so that the show can introduce Dwight and Sherry and tease Negan.

I think the problem is that I find Daryl most likable when he’s supporting other characters, like Carol or Rick, so I have pretty much no interest in seeing him off doing his own thing.  Especially when there is a BIG THING HAPPENING.

I do think it’s pretty hilarious though that after all that build up, the zombie invasion ends up thwarted because of one distraught father with an axe.  (That entire thing is pretty great.  Rick runs out ready to cleave zombies in two, and all over town, the members of team family seem to react.  It reminds me of old episodes of the Thundercats when Lion-O uses the sword and all of the other Thundercats’ eyes start glowing: “Lion-O’s in trouble!”  Only in this case: “Shit, Rick’s doing something crazy again.  Time to back him up!”  And then the townsfolk join in!)

I’m not altogether sure why it was necessary to shoot Carl in the face, though.  I know it happens in the comics, but it seemed kind of random on the show.

The second half of the season was basically the “Prologue to Negan”.  But there were some pretty great moments.  The episode where Rick and Daryl had their road trip and Richonne finally banged was a highlight for me.

I thought the attack on the Savior’s outpost was pretty well done too.  I mean, I knew it was a terrible idea when it came up, but I absolutely understand why they went along with it.  Abraham, Sasha, and Daryl were ambushed by the Saviors once already.  Daryl’s second encounter lost him his crossbow and bike.  The Saviors had already enslaved a community, murdered a child, and attempted to assassinate their leader right in front of them.  And it really was only a matter of time until the Saviors confronted Alexandria as well.

 And also, they were desperate.  Their food supplies were low and it was made very clear to them that their martial abilities were the only export they had.   (It’s a PARALLEL to the Saviors, not an equivalence.  Alexandria actually provides the offensive power and protection that the Saviors promise to their subjects.  And they don’t force their agreement by murdering children.)

I don’t think Rick should get all the blame for it, since it was a near-unanimous group decision.  And it certainly doesn’t justify what Negan does later (fuck Negan defenders, really).  But it was a very bad call.

Finally, my favorite part in any season: Rick Grimes’s character arc.  Rick starts of the season in a really interesting place.  He no longer comes across as quite as much of a feral cat as he had in season 5.  He’s still jaded and distrustful, but he seems a lot less brittle and frightened.  He’s starting to open himself up to the idea of connecting to people again, even to attraction and romance.  And those are definitely steps in the right direction.

Then of course there’s the zombie invasion, where Rick gets to see the Alexandrians and his family side by side, and that seems to be more healing than anything else.  When we see him again, after the time skip, he seems genuinely happy.  He’s playing annoying little brother to Daryl, with the music in the car.  He’s willing to bring unconscious Jesus back to the settlement and give him a chance to recover.  He’s basically married to Michonne.  (FINALLY).

It’s so nice to see that Rick finally answered that question from season 4.  You CAN come back.

At least until Negan shows up.

[fyeahbatcat]

Batman Annual 2: A Romantic Opus About the Transcendence of Love

This past Wednesday, DC Comics released the highly anticipated Batman Annual #2, by Tom King with art by Lee Weeks and Michael Lark. The issue, which promised to “see the early days of the Bat and the Cat”, went far above and beyond a mere Batman and Catwoman date night tale. A story that is less dense in plot but rich in narrative with truly amazing art and breathtaking coloring, the Annual is an emotional game changer that easily inserts itself as one of the greatest Batman and Catwoman stories of all time and opens the door for much broader implications for the future of Bat and Cat.

The Rebirth of the Bat and the Cat

After more than half a decade spent on the back-burner (the way back-burner) writer Tom King has spent much of his eighteen month tenure as the Batman head-writer reestablishing the relationship between Batman and Catwoman. He made it clear that the relationship would be a major focal point in the Batman books, rather than the standard obligatory romantic subplot when he made the surprising decision to have Batman propose to Catwoman earlier this year. Perhaps even more surprisingly Catwoman accepted Batman’s proposal after a long wait. 

The relationship between Batman and Catwoman is long and ever changing. It began in Batman #1 in 1940 as flirtatious frenemies and was established as a canon relationship during the Bronze Age under the tutelage of Len Wein. The relationship broke out of the comics in the 1990s and went on to become one of DC Comics’ most recognized and popular relationships. Having been featured in two live-action television shows, three movies, countless animated series, and thousands of comics the romance between Gotham’s hard line crime-fighter and most infamous femme fatale endeared themselves to fans and writers alike and the relationship was allowed to be pushed forward. In 2003 during the Hush storyline by Jeph Loeb, in a demonstration of trust Batman revealed his identity to Catwoman for the first time. During the time that followed the relationship received more focus and development than in previous eras. However, by the time the Pre-Flashpoint era ended in 2011 things ended between Batman and Catwoman in the finale of the Gotham City Sirens series where it usually ended: in limbo. 

Unfortunately, the succeeding era, New 52, saw a baffling destruction of DC’s legacies. Legacies were eliminated, histories were changed, and some characters were erased altogether. Romance was hit particularly hard and nearly every DC relationship was eradicated. Superman and Lois Lane’s fifteen year marriage was wiped out and Lois was virtually exiled from the Superman universe. Green Arrow and Black Canary became strangers and remained that way much to the ire of fans. Although Wonder Woman’s original love interest, Steve Trevor, returned to the comics more prominently than he had been in the previous era, Wonder Woman was quickly shuffled into a relationship with Superman. 

In an embarrassing episode in 2013 DC made their new stance on romance abundantly clear when Batwoman writers, W. Haden Black and J.H. Williams III, abruptly resigned from the critically acclaimed, best-selling series after DC refused to allow the titular character to marry her longtime partner and other instances of editorial interference. DC Comics was accused of homophobia and many fans vowed to stop reading the comics. Responding to the controversy, Co-Publisher Dan Didio, said in no uncertain terms that marriage was forbidden at DC Comics. 

They put on a cape and cowl for a reason. They’re committed to defending others — at the sacrifice of all their own personal instincts. That’s something we reinforce. If you look at every one of the characters in the Batman family, their personal lives kind of suck…Tim Drake, Barbara Gordon, and Kathy Kane — it’s wonderful that they try to establish personal lives, but it��s also just as important that they put it aside as they know what they are accomplishing as the hero takes precedence over everything else. That is our mandate, that is our edict, that is our stand with our characters.

Batman and Catwoman absolutely languished during this time. Their relationship which had previously been loving and trusting was reduced to an insulting cross between virtual strangers and friends with benefits. For five years DC Comics seemingly did everything they could think of to avoid the relationship and fans took notice. In 2015 after a series of failed relaunches, a two year sales low, and an increasing market lag behind Marvel it became clear that New 52 had failed to attract and sustain the audience that DC had hoped for in 2011. With the DCEU taking off, mediocrity was no longer an option. In 2016 DC announced Rebirth, yet another relaunch, this time promising for a return to the old and in many ways it did. Superman and Lois Lane’s marriage was restored and a son, Jon, came in addition. Steve Trevor was once again a prominent supporting character in Wonder Woman as well as her main love interest. Even Midniter and Apollo made a comeback. 

Batman and Catwoman did not reunite as instantaneously as many had hoped. They were featured in a series of poorly timed variant covers at the start of Rebirth but Catwoman had yet to make any appearances. Relatively new DC writer, Tom King, was announced as the Batman main writer and at New York Comic Con he teased that Catwoman was to become the co-lead of Batman. Catwoman’s eventual debut in Batman #9 as a mass murderer facing the death penalty did not warrant a positive response and diminished the hopes of many fans that Rebirth would be a kinder era to Catwoman and Batman and Catwoman’s relationship. Although it was expected by many that this newest revelation was likely a red herring, after five years of New 52 their patience was wearing thin. 

Meanwhile Batman and Catwoman teamed up to invade Bane’s sanctuary to kidnap Psycho Pirate, an encounter that cumulated in the Rooftops arc. Catwoman’s innocence was finally revealed, and for the first time since Heart of Hush was published nearly a decade prior Batman and Catwoman declared their love for each other. While the jury is still out on King’s execution he has undeniably reestablished Batman and Catwoman as a canon romance. His tale is of two lonely, damaged orphans who see and accept the best and the worst in each other who despite their shared traumas find hope and happiness with each other. 

All of them can laugh. Mother. Father. Him. The whole world. They can see me in this idiocy and they can laugh and laugh and laugh. But you. Selina. Cat. You wouldn’t. Because you know. You know what this is…And you, Cat. You know. Because if you’ve made that choice, you can see it in another. You can see it in me. I can see it in you.

- Bruce Wayne to Selina Kyle in Batman #12

King’s interpretation of Batman and Catwoman’s relationship differs from almost every other writer’s interpretation because he doesn’t bog the relationship down with the will they/won’t they trope and hyper focus on juvenile sexual tension at the expense of substantial development. Rather than portray Batman and Catwoman as opposites that attract, he understands that they’re similar. 

They’re missing pieces in a puzzle and they understand each other in ways that other people can’t. “I need you,” Batman says before proposing to Catwoman for the first time in main canon history. 

Batman Annual #2

To appreciate the Annual is to appreciate Tom King’s Bat and Cat. The former half of the issue reiterates King’s consistent interpretation throughout his Batman run. Batman and Catwoman are orphans who see and understand each other in ways that other people don’t and are bonded by their trauma. 

Where King separates himself from other writers and takes his interpretation even further is in the second act of the book. An aged and married Bruce and Selina are living a happy albeit seemingly unextraordinary life retired from crime-fighting, and they even have an adult daughter who is operating as Batwoman. Things take a quick, heartbreaking turn when Bruce is inflicted by a nondescript illness. He’s dying and there’s plainly nothing to be done. Mortality is unavoidable. Bruce lived an extraordinary life and died a natural, ordinary, human death. 

The tragic part of Bruce’s death isn’t even the fact that he dies. What’s sad about it is how much Bruce and Selina don’t want to leave each other and how they try to stay strong for one another. Even though he is dying Bruce’s only concern is that after he passes Selina will be okay, and that she won’t be lonely. They both muse using magic and time travel to try to cheat death just so they can stay together. 

There are those who abhor what King has done to the Batman books by portraying a Bruce that is more vulnerable and driven by things other than crime fighting. Everyone has a favorite version and preference, but it’s baffling as to why anyone would think that something like marriage would take something away from who Batman is as a character or why anyone would think that Bruce is better off as a loner. To quote another blogger, “Geez, what do these people want for Bruce, anyway? For him to die alone and clinically depressed, his body marred and broken from decades of fighting Gotham’s never-ending crime wave?”

I always use the animated Batman Beyond as a litmus test for how Bruce ends up (Does this version of Bruce Wayne end up like Bruce Wayne in Batman Beyond?). In Batman Beyond he ends up a lonely, bitter old curmudgeon who all of his former partners despise and avoid. This is not the ending that Bruce deserves. The Annual portrays a Bruce who breaks the wheel of this portrayal. He dies a natural, wholly unremarkable death surrounded by love after living a long, happy life. It’s what he deserves. It’s the best ending any of us can hope for.

So how did a comic where nothing remarkable happens plot wise illicit such a strong emotional response from readers? It’s because of it’s simplicity that makes it so impactful. For nearly 80 years fans have been told that a simple, happy life for Bruce was asking too much. To finally get to see it happen feels like an affirmation. There is, however, more than enough evidence to indicate that this story is not a telling of Bruce and Selina’s ultimate ending but that this story features a Bruce and Selina of a presumably different universe. 

C’mon guys. Tom King made us wait four months just to find out if Selina said ‘yes.’ Did you really think he’d just tell us their entire life story in one issue? 

An Alternate Universe? 

There is an abundance of evidence within the Annual and the fact that it has been published concurrently with other major DC time altering events to deduce that this story is an AU in some form or another. 

The biggest clue to indicate this is a comment Bruce makes after learning that he his illness is terminal. He tells Selina to find Barry Allen (The Flash) and find another version of him that never marries to take care of her after he’s gone.  Probably the most well known modern Flash story is Flashpoint, where Barry Allen alters events and timelines by traveling back in time and changing history.  This allusion was intentional.  

One of the biggest themes of Rebirth has a whole is the idea of merging times and universes. Remember how New 52 Superman was killed off and replaced with a different version of himself? This is also coinciding with Doomsday Clock where Doctor Manhattan has essentially been experimenting with different realities and universes resulting in a merge of timelines, which published just one week before the Annual. This is not a coincidence.

The second clue is the appearance of Helena Wayne. 

As you we are all probably aware Helena Wayne is Bruce and Selina’s canonical daughter from Earth-2 who operates as the Huntress during in the Pre-Crisis and New 52 eras. Helena was last seen in Earth-2 Society, which ended publication in September, taking up the Batman mantle. Helena Wayne has never been part of the main universe, although many have hoped that she one day would be. This could just be a glimpse of things to come, but the appearance of any characters that are not from the main universe should raise red flags. Which brings me to the next clue. 

When Bruce is on his death bed he is seen surrounded by his loved ones. Dick Grayson, Barbara Gordon, Tim Drake, Duke Thomas, even Gotham Girl are all there. Damian Wayne is noticeably absent.  Damian was a pretty big factor in Bruce’s decision to seek happiness as he wanted to set a better example for his son as mentioned in The Button, which was also written by Tom King. Bruce even mentions to Thomas that he has a son (singular). He made it a point to single out Damian so it’s very doubtful that Damian being excluded would’ve gone unnoticed here.

In addition to Damian being nowhere in sight: don’t you think it’s a little bit weird that Damian isn’t there, but Carrie Kelly is?

Carrie Kelly, a prominent character in Frank Miller’s Dark Knight AU series, is a famously non-canonical character. As stated before the appearance of characters that are not from the main universe should indicate that things are not likely what they appear, especially when they are there in the absence of main universe characters. 

Annual issues are really a grab bag of canon. Sometimes they have an impact on the main stories going forward; sometimes they’re standalone stories. It all depends on what the writer wants to do with it. King has been mum about revealing what the Annual will mean for the future of the Batman books, but he did imply that some parts of the Annual will impact the story in the main universe. 

What Does This All Mean?

I seemed to have struck quite a few nerves when I pointed out that the Annual issue features an AU version of Bruce and Selina. I suppose some people were disappointed to realize this and felt like I was ruining the experience. With that said: the Annual issue features an AU version of Bruce and Selina. I do not say this to hurt anyone. I say this because well, for one thing that’s what the evidence indicates. Secondly, to ignore this misses the point of what the Annual is supposed to mean. 

To just accept that the Annual is just a quaint glimpse into the future where Bruce and Selina grow old together in some ways reduces the story to fluff that happens for no other reason than to make the readers feel good, which is the conclusion drawn by a few of the negative reviews. We as readers want to take comfort in knowing what the ultimate ending will be but that misses the point of the Annual entirely. Much of what King has done during his time on the Batman books is vitiate what we’ve come to accept as the status quo in regard to Batman and Catwoman’s relationship and the Batman books in general. 

Here’s what King said about changing the role of romance in the Batman books:

EW: In comics, there’s this general idea that superheroes shouldn’t be happy. We’ve seen this in Spider-Man, Bat-family, and other places. How did you pitch this story to DC Comics? Was there any pushback?

TK: No, because what you’re talking about is looking at happiness as the end of conflict, right? This idea that if a character is content, then there’s nothing dramatic about them and you don’t want a cliffhanger and you don’t want to turn the page. That’s my whole point as an artist — I’m trying to get you to turn a page. But what makes Batman unique is that happiness is, instead of being the end of conflict, the source of conflict. It’s something you haven’t seen before. You throw sadness, you throw depression, you throw horror at Batman, he’s like, “yeah, yawn, I’ve done that.” You throw happiness at him? That’s something that riles him, that’s something that he’s not used to. That’s throwing gas on a fire, and that’s always how I pitched it. This is not the end of something. This is the beginning of something.

Notably when King was asked how he would picture Batman and Catwoman’s marriage he gave a sincere response drawing inspiration from his own marriage rather than relying on the usual excuses for why the relationship wouldn’t work out that writers seem to default to. Compare that to Scott Snyder who said that Batman’s story would always be a tragedy or Dan Didio who said that superheros should be unhappy and issued a departmental ban on marriage.

Batman and Catwoman’s relationship has only marginally progressed in fifteen years. So many writers have hit the exact same rut when attempting to develop the relationship. No matter what the story, no matter who the writer, for one reason or another the relationship just doesn’t work out in the end and they’ve had to invent reasons for why. Batman is too immature. The Joker turns Catwoman evil. Because…reasons. We’ve accepted this as just how things are supposed to be for almost 80 years. If creators are unable to see the relationship beyond everything that’s already been done, then the relationship will never go anywhere. 

The Annual is intended to show us the type of life and relationship that Bruce and Selina can have if everyone abolishes their ideas of the relationship they’re expected to have. King is subverting the expectation of what everyone says their relationship must be like. “Batman and Catwoman can’t be together.” “Batman is only dedicated to his mission.” “Catwoman isn’t suited for married life; she’ll just get bored.” He is showing us that this type of life is possible for them. They can have a long happy life together, and the barriers that have prevented that in the past are simple imaginary.

The point King is trying to make is that even though this isn’t necessarily Prime Earth Batman and Catwoman’s story it still can be.

“I’m not sure it’s 100 percent out of canon,” King said. “…To me and to my Batman, this is a story that’s certainly possible. It’s something I think that could and may come true.” 

Even if this isn’t main universe Bruce and Selina’s story per se that doesn’t mean that it won’t be. This still very well might be their future. That door is not only still open; it’s probably been opened for the first time ever. 

The Timeline

Going by what was indicated in the Annual and by Rebirth’s theme of timeline and universe meshing my prediction is that it will be revealed that the current Catwoman of the main universe is actually from a different timeline or universe or something of the sort. For those who are perplexed by the idea of Selina being from a different universe I’ll remind you that the current Superman and Lois Lane are both versions from a different timeline.    

Some initial reactions to this prediction were quite negative with many believing that this somehow changes things. My question is why? In many ways this would seem symbolic of the longevity and range of Batman and Catwoman’s relationship. They have been and continue to be featured in every form of media for nearly eight decades, including a myriad of alternate universes. They were married on Earth-2 which is a version of them that DC Comics thought was within the realm of possibility but couldn’t quite commit to in the main universe. 

The fact that Bruce is confident that Selina would be happy with another version of himself shows that these versions of fundamentally the same and their feelings for each other never change. Bruce and Selina’s feelings for each other are authentic and that wouldn’t change. It shows that their love for each other transcends all time and space. 

In short Batman Annual #2 is likely to be remembered as one of the greatest Batman and Catwoman stories of all time. The positive response from fans and critics proves to DC Comics that there is a market for this relationship and they can strive for more than what’s already been done. The massive commercial success will hopefully convince the editors that the direction Tom King has taken the book and the characters has been long overdue. Beyond the romantic narrative the Annual opens a world of exciting opportunities for the Batman books. What will occur is yet to be seen and Tom King isn’t saying, so we’ll have to wait to find out. 

Reflecting on the Annual I’m reminded of a quote from Kiersten White’s The Chaos of Stars that have been used in a number of fandom edits, that I myself used once. I’ll quote it here because no matter what will come to be I think it fits very well: 

I’d choose you; in a hundred lifetimes, in a hundred worlds, in any version of reality, I’d find you and I’d choose you.

[hermanwatts]

Sensor Sweep: Wulfhere, Monster Manual, Heroism, Howard A. Jones

Heroism (Rogue Blades Entertainment): “The heroic books, even if printed in the character of our mother tongue, will always be in a language dead to degenerate times …” Henry David Thoreau wrote those words in the mid-19th Century for his distinguished book, Walden. They rang true then and they ring true today. Of course there will be those who say we do not live in degenerate times, that we live in the greatest of all ages, that our technological and social achievements are pressing us towards some utopia, but those who are true students of history and have open eyes might argue otherwise, or at least they might hold more than a little skepticism about the potential greatness of the immediate future.

Fantasy (Tor.com): Here’s a funny thing about “action reads:” a lot of people would equate that to mean a whole lot of running and chasing and swordplay. They wouldn’t be wrong, of course, but all the physical action in the world can’t liven up a bland tale, or make boring characters interesting, and there’s actually plenty of forward momentum and tension to be had in some fantasy adventure stories without the more obvious blood-letting. And then of course there’s lyrical prose. Me, I prefer to see my action with great characters and some lovely writing, and today I’m going to share a few favorites that deliver all those things.

Writers (Slate.com): Three years ago, over breakfast, my friend Helen handed me a novel about a quest that, unknown to both of us, would set me off on a quest of my own. The book was called The Dragon Waiting, and it was written by the late science fiction and fantasy author John M. Ford. Helen placed the mass-market paperback with its garish cover in my hands, her eyes aglow with evangelical fervor, telling me I would love it. I would soon learn that, owing to Ford’s obscurity, his fans do things like this all the time. Soon, I would become one of them.

Writers (The Nerd Daily): In this sequel to For the Killing of Kings, Howard Andrew Jones returns to the ring-sworn champions of the Altenerai in Upon the Flight of the Queen to continue this thrilling, imaginative and immersive epic fantasy trilogy.

We had the pleasure of chatting to author Howard Andrew Jones about his upcoming fantasy sequel Upon the Flight of the Queen, which publishes on November 19th from St. Martin’s Press. Howard talks about what readers can expect and the challenges he faced, the inspiration behind the trilogy, what’s next for him, and more!

Genre Fiction (Dark Worlds Quarterly): There are those Fantasy writers and critics that accuse Robert E. Howard’s Conan of lacking any depth because he just hacks his way out of trouble. In fact, I think it was Robert Bloch in his intro to Wolfshead (Bantam Books, 1979) who said it, qualifying his words with the fact that he preferred Howard’s subtler characters such as Kull or Bran Mak Morn. I would hate to disagree with such a wonderful writer as Bob Bloch but I think he kinda missed the point. We want to see Conan hack his way out. Just as people pay gobs of money to be ringside at a boxing match.

Subculture (Amatopia): But if you show up humble and willing to learn, and don’t lie about knowing stuff about the subculture, you’ll find you have a whole bunch of cool new friends eager to help ease you in. At the very least, the people in the subculture will respect you, even if they may resent your intrusion. In time, you learn to be a part of the crew.

Fantasy (Matthew J. Constantine): The first novel in the Prydain Chronicles, The Book of Three introduces us to Taran the assistant pig-keeper, Hen Wen the pig, Gurgi the…um…wildman?, and the rest, as well as the Welsh inspired land of Prydain.  The book drips with a sort of gauze filtered, dreamy Fantasy in a similar vein to Tolkien’s Shire, particularly from The Hobbit. Reading the book, I kept thinking it would have fit as a comic strip in the tradition of Prince Valiant.  It also has a lot that could translate well into an animated film or potentially a live action film these days.

D&D (Skulls in the Stars): Die, Vecna, Die! (2000), by Bruce R. Cordell and Steve Miller. This module has the curious distinction of being perhaps the last “old school” adventure ever published! Die, Vecna, Die! was one of two mind-bogglingly epic adventures released with universe-spanning ramifications, allowing DMs to have a reason for transitioning from 2nd edition AD&D to Wizards of the Coast 3rd edition D&D. The other is The Apocalypse Stone (2000).

Fiction (DMR Books): Next week DMR Books will make our first foray into historical adventure fiction with the first book publication of Wulfhere by A.B. Higginson! Wulfhere, Higginson’s only novel, was originally serialized in Adventure magazine in 1920. In the Dark Ages of England, kingdoms were ready to be carved out by any with the ambition and might to do so. The mightiest ruler of all was Penda, Lord of Mercia, a man as strong as he was ruthless. He had no equal in martial prowess, except for his son Wulfhere…

Tolkien (Alas Not Me): Crucial to the tale of Eärendil the Mariner is his ship, Vingelot or Vingelótë, without which Eärendil would have been stuck in a port on a western bay where lonely sailors pass the time away talking about their homes. The name Vingelot gives us a tantalizing and frustrating example of how very easily stories can be lost, likely forever.

Writers (Mystery File):  Over the course of his writing career, Clark Howard may have written over 200 short stories, not all of them criminous in nature, plus a couple dozen crime novels and collections. This does not include an unspecified number of works of true crime the editor of EQMM mentions in her introduction to this tale.   Howard hardly ever used a character more than once, and “Blues in the Kabul Night” is no exception. When mercenary for hire Morgan Tenny smuggles himself into war-ravaged Kabul, the capital of Afghanistan, it is for a specific reason. His twin brother is in a high security prison there and scheduled for execution soon, unless Morgan can do something about it.

RPG (Brain Leakage): As I mentioned a few weeks back, I’ve been at work on an Appendix N inspired science fantasy series, one that envisions what D&D fiction might have looked like if it followed the wilder literary roots of the game, rather than filling in the map of TSR and WotC’s pre-fab fantasy worlds.  And while I still plan on writing that, the fact is my recent thought experiments on what Fantasy Effing Vietnam would look like have gotten a bit more attention. To the point that I’ve gotten several messages in public and in private expressing interest in a published print version.

Calendars (Mens’s Pulp Mags): Now, with Eva’s permission, we’re offering a special collectible to go with the book: the Authorized 2020 Eva Lynd Calendar. It’s a limited edition calendar featuring photographs and artwork Eva modeled for, and it’s available exclusively from me on eBay. If you’re a regular reader of this blog, you probably know why Eva Lynd is so familiar to fans of the men’s adventure magazines (MAMs) published in the 1950s and 1960s.

Fiction (Sacnoth’s Scriptorium): So, I’ve been trying for a long time to find an answer to the two questions:  Did the Inklings ever read Lovecraft? And Did Lovecraft ever read the Inklings? So far as the first question goes, the answer is: still not proven. We know that Warnie Lewis was a fan of ‘scientifiction and read some of the pulp magazines like AMAZING STORIES. And THE NOTION CLUB PAPERS suggests that the Inklings were fairly conversant in science fiction. Certainly there are some echoes of Lovecraftian themes in Tolkien’s account of the Things beneath Moria, Lewis’s description of the subterranean world far beneath the surface of Venus, and especially Wms’ Cthulhesque octopoid-lords of P’o-l’u.

RPG (Walker’s Retreat): With last weekend’s Big Brand marketing event masquerading as a fan convention came the announcement–with no release date–of the fourth installment of its iconic isometric dark fantasy action RPG franchise. You know which one I’m talking about, and it’s not the MMORPG. I thought I’d take the time to give you all some alternatives that you may have overlooked or forgotten about, beside Path of Exile and adaptation of other Big Brand properties.

Art (Pulp International): Above, numerous Italian posters for 1960s and 1970s westerns. Some of these movies were true spaghetti westerns (produced in Italy and shot in Europe, often Spain), while others are U.S. productions. All the imagery is beautiful. The artists responsible include Renato Casaro, Rodolfo Gasparri, Averardo Ciriello, Aller, aka Carlo Alessandrini, et al.

Review (Hillbilly Highways): I bought Congregations of the Dead over a year ago on a bit of a lark because it was cheap.  Which isn’t to sale that it didn’t sound right up my alley.  A country noir/urban fantasy/horror mashup with significant pulp influences?  (A secondary character is named Carter DeCamp in an obvious homage to Lin Carter and L. Sprague de Camp and Manly Wade Wellman’s characters Silver John and John Thunstone seem obvious influences as well.)  What I didn’t realize is how damn good it would be.

D&D (The Other Side): For today’s Monstrous Monday I want to do another review. For this one, it still follows my ‘Back to Basic’ theme I have been doing all year even though it is not a Basic-era D&D book.  It is though one of my Basic era books.  The book is the Monster Manual and it was just about 40 years ago that I first held this book in my hand. This is the book. This is the book that got me into D&D and RPGs.

Warhammer (Warpscream): This book opens with a look at the bleak life of the average imperial citizen. Urinating in water recyclers on the arid world of Baal. It’s one of Guy Haley’s strengths is that he can paint such a despondent picture so rapidly to open with. The story briskly moves along as we are made aware of a dire threat to the world of the Blood Angels.

Writing (Frontier Partisans): I guess it triggered a memory of Robert E. Howard’s description of his own trip to the Carlsbad Caverns in the early 1930s. Howard is best known for his creation of the fantasy character Conan of Cimmeria — and he translated his experience in New Mexico directly into a Conan story. . . The power of the works of J.R.R. Tolkien derives in great part from his ability to evoke a landscape that is at once fantastical and real. Tolkien was profoundly affected by landscape — beloved and comfortable; awe-inspiring; terrifying and appalling.

Sensor Sweep: Wulfhere, Monster Manual, Heroism, Howard A. Jones published first on https://sixchexus.weebly.com/

[beyondthetemples-ooc]

“Fanfic writer asks”: Skipping the “asks” and doing the answers!

I just saw this and I’m too excited to wait for someone to see this, decide what to ask, and I wanted to answer all of them, anyways.

Some of these are fill-in-the-blanks for askers, so I can’t answer them. But if anyone wants elaboration, or wants to know a specific something in regards to a particular story, or character: Absolutely, feel free to send me some!

Questions taken from here: http://criminal-minds-fanfiction.tumblr.com/post/172926526725

--

1) How old were you when you first starting writing fanfiction? Oh geez, we practically need a time machine for that. I was only 11 or 12! I started "writing" fanfics with my action figures (guest-starring other childhood toys) as far back as I can remember. Literally, from the time I was 5-8 and obsessed with Pokemon and Yoshi's Story and Powerpuff Girls, I was playing out stories and adventures, from beginning to end, imagining backstories for why they're there, what they were doing, what motivated them. They even came with continuity (from one play-session to the next)!

As for actually writing it down, though... That also started Very Early. I think I must've been 11 or 12? The earliest one I ever dated was 2005, anyway. They were descriptive, illustrating actions to display emotions, and characterization was... well, it Sure Existed (even if it varied from "So Wrong", to Definitely the Right Remark).

But ever since the moment I touched a pen to my first fanfic notebook, it was about my OCs (and Raven, because, surprise surprise, she was my favorite to write about). I've had plot since I first took those Crayola twistables to paper to illustrate the story in my head, the first story I ever Had a Solid Plot For (that is, Mystery Sickness-- which is being rewritten with Actual Explanations, re: Why Dove Made Her Feel So Shitty in the first place): that was also in 2005. (Fun fact: it was originally in Poorly-Drawn Comic Form). The actual "novelization" went through to 2007.

2) What fandoms do you write for and do you have a particular favourite if you write for more than one? As my fanfiction.net profile will tell you: "Author has written 32 stories for Teen Titans, Pokémon, and Ruby Gloom." - The Ruby Gloom fanfic was abandoned, unfortunately. (It was a direct and shameless self-insert, that got abandoned because, quite frankly, I had no idea what to do with it. Maybe I should put it up for adoption at this point...) - A Work of Magic (my Pokemon fanfic, with related bios/etc) gets written for very rarely, because the inspiration to do so is rare and sporadic, and more tied to a Specific Scene I want to write, than where I left off in the story. @w@;; - A Steven Universe fanfic is in the works, though I'm struggling to flesh it out.. due to the Aforementioned Preoccupation with The FAVE MOMENTS, moreso than the backstory and movement through those moments. @D;;

And then, you have the Teen Titans stories. You know, the ones with Dove, and Kary, and Srentha, and Leyla will eventually be there. My most precious, dearly beloved, absolutely irreplaceable OCs. My TT story folder has about 100 files, which belong to about 30 full-length stories. (And that's not counting the oneshots, like Heart to Heart, which is still one of the best things I've ever written.) There are also a few poems here and there, particularly Dove's Prophecy (of self-fulfillment, really), and stories illustrating Dove's childhood, her mother/grandmother's past, Srentha's childhood... There's just Quite A Lot! I've been doing this, writing them, for 12+ years.~ And my fandomatic obsession for Teen Titans has never dulled, quieted, or been forgotten. So yes, I definitely do have a "particular" favorite. I may prefer exploring their world through my OCs, but damn, is it more FUN than any other world to explore!

3) Do you prefer writing OC’s or reader inserts? Explain your answer. Ah, you can probably tell it's OCs by now. At least, MY OC's. Someone else's OCs, well, I tried that once, they were going to commission me. But I never got it finished. (I just didn't have quite the same connection. And I didn't know the canon; that can't have helped.) But character I *do* get to know, like my girlfriend's OCs in our collaborations (or characters I got to know so well through playing together that I just totally shamelessly adopted, specifically: Kary), I do enjoy writing for~ There's just something so incredibly special in knowing that you, solely, are responsible for their growth, their development, and their well-being. It's a bit like having kids, without the screaming. (At least, without them screaming in your ear. Dove and Kary have both done their fair share of screaming, come to think of it...)

( (( Although, to be fair: I've never tried writing a writer insert. I doubt anyone would actually WANT to endure the stories I put my characters through... ;P )) )

4) What is your favourite genre to write for? Fantasy? Action/Adventure? It's hard to say, because I actually write for a HUGE variety of Genres. But I guess my favorite, if I can encompass all of them under this one umbrella, would have to be Hurt/Comfort.

5) If you had to choose a favourite out of all of your multi chaptered stories, which would it be and why? DAMN IT, DON'T DO THIS TO ME.

Gods, that's hard! Basically ALL of my stories are multi-chaptered... Well, it's definitely one of my Teen Titans stories. DDD has definitely been the most challenging to write, the most fulfilling to finish chapters on, and the most pivotal point in Dove's life, so it will always hold a special place in my heart. Writing for Azar in "The Final Journey" and Dove taking her first unintended steps into heroism has been so personally touching for me, and it does so much good for Dove, and especially her relationship with the team, that it's just so, so special to watch. Something Special About Srentha is probably my most epic multi-faceted story, and the narrative timeline (handling two very distinct and separate struggles in totally separate places) is really challenging me to grow as a writer. "Continuum Wars" is going to be the grandest scale of struggle and magic, so I'm really especially excited to start figuring it out. It is just so, so HARD to decide on ONE; they're all so special, and I love watching my style evolve with each story, and more than anything, watching my characters come out of these situations alive. lD;;

6) If you had to delete one of your stories and never speak of it again, which would it be and why? you mean the Teen Titans and Pokemon crossover where Dove brings home a Misdreavus? been there, done that. Honestly though, every single one of my stories has its place in my characters' lives, and is important for continuity. And personal growth. And I've honestly never been ashamed of something I've written.

(If you travel far back enough in my fanfic archive, you WILL find a really old character bio for Dove, which I completely revamped, because I didn't learn until later how to frame her without comparing her to Raven, even though she's always been a very different and independently-extant character. Also, the bits I learned about Being Kept A Secret and her grandmother's exile were Nearly Learned around 2010, 2012...)

7) When is your preferred time to write? Whenever the inspiration bug bites! ASAP!! But as for general adding and editing, it's fairly late at night, usually~ Sometimes afternoons. Usually an hour or more after eating, and especially when it's cool and quiet in the room.

8) Where do you take your inspiration from? Canon, personal experience (my personal struggles, my search for my identity, and my struggle to define myself), and sometimes even my own spirituality. (Wild shit goes down when you get into astral exploration, let me TELL you!)

9) In your xxx fic, what’s your favourite scene that you wrote? Can I just... use my personal favorite? (If you have any questions about a particular fic, or universe, or point in a character's life that didn't happen in the fics, let me know and I'll gladly answer!)

- Holy GOD, the climax scene of Dove's Dark Discovery! It takes place entirely in Dove's mindscape, while Dove's power is maxed out, and you've got a very powerful telepath and a TREMENDOUSLY power empath battling within a mindscape that has been slowly devastated over the past few months, and it's just this absolute EPIC culmination of their powers and, to a degree, even the connection they'd been forging since Dove came. Dove seriously oversteps some boundaries, Raven nearly kills Dove by accident, it's seriously crazy stuff.

Bonus: Way back in, like, probably 2008 or 2009, when titansgo.net was still around: I had asked my all-time favorite fanfic author for critique on the climax. His advice, to make it "three times as long and nine times the punch", absolutely inspired me to reach WAY higher with their fight, and once I realized what kind of mind-bending maelstrom shenanigans can go down in a MINDSCAPE, the scene fairly EXPLODED with potential!

And I especially like the fact that, including the revisions after his (entirely justified) advice: This scene has gone through like nine different incarnations. And my favorite part: It was originally inspired by a battle in the Teen Titans videogame! I think my little sister was playing White Raven (who my mind always read as Being Dove, because White Cape and Magic Powers), I was playing Raven, and the battle took place in "Nevermore", Raven's mindscape. It was actually a good fight. And I was fucking AMPED... But also emotionally RAVAGED, because "holy shit, Raven fighting Dove... in a mindscape......" And the scene happened like two days later. (In middle school. Honors Spanish class. As a note in the margins of my assignment notebook!)

Gods, guys. That scene is just so incredibly important, and it has come oh, so very far~

10) In your xxx fic, why did you decide to end it like that? Did you have an alternative ending in mind? I'm gonna answer one that I really like the ending of, but feel free to ask for others. Like, maybe one I've actually published, that you've actually read? 8F But honestly: Spellbound pt. II. I haven't published it yet... but it ends in absolute tragedy. The reason is twofold: First off, I knew Dove and Srentha were end-game, so although Dove was falling pretty deep into love, I couldn't have him hanging around... 8F But also because I wanted to illustrate the strength of sacrificial redemption. (I don't want to give too much away, because... well, that's the ENDING. But it's heart-wrenching and I can only hope I've done it justice.)

Other faves include: Srentha having heart-issues at the end of Something Special (because it's the Very First Symptom that something is going to be Dreadfully Wrong with him in the sequel), DDD ending with Dove absolutely traumatized and seriously hurt (because the following story is going to be all about her learning to Take Action on her pain, instead of hiding herself away), and A Work of Magic ending with everyone thinking Mistress had died trying to save her family... but the ending is, and the epicness kind of speaks for itself in this: "You can't kill a ghost."

11) Have you ever amended a story due to criticisms you’ve received after posting it? You mean like the way I completely rewrote Dove's character bio 6 years later, in response to all the accusations of her being a Mary Sue? Despite literally nothing (but more specific illustration) changing in the way I wrote her? 8F Other than that, absolutely not! I mean, if someone made a valid point I would. But nobody can tell me how to write my OCs, you know?

12) Who is your favourite character to write for? Why? My OCs. But you probably mean canon characters... and that easily comes down to Raven. She's just so layered, working with very inward, introspective mechanics, before she takes her action, usually in a very well-thought out direction, or sometimes an INSANELY emotional outburst, and either way, it tends to be Very Important, Poignant, and Make a Difference in the scene. I relate to her; I idolized her for the longest time; I know exactly how to write the struggle between not being able to express your emotions, and being true to yourself, because I've lived it. I'm an empath, so writing her empathic powers is always sort of therapeutic, because outside of my mirrorbook, I'd never gotten to EXPLORE that aspect of myself before. Her wit is hard to capture sometimes, I'll admit, but, I mean, I was making the nurses at the hospital laugh all the way up to my procedure, armed with nothing but my dry remarks. I think I'm up to the challenge.

13) Who is your least favourite character to write for? Why? Beast... Boy...... I'm sorry, I really am. I've just never been able to relate to him, or understand how his mind works (if it even works at all?), or write him into any of the plots-- outside of, like, trying to cheer Dove up, which is iconic and appreciated on Dove's end. But otherwise? What do I even DO with him? His sense of humor is just... so lowkey annoying that I sincerely cannot fathom why it's So Funny, let alone make it up for him. (Thankfully, at least the comics come in handy for exploring Why he's Like That, which has honestly helped a lot more than anything the show ever did. All but ONE of his episodes, were... pretty crack-tastic. And that just doesn't mesh well with my stories that are Trying to Deal with a Serious Issue Here.)

14) How did you come up with the title for the xxx? - You can ask about multiple stories. Mostly, they're descriptive of the Most Iconic Thing, or Most Pivotal Plot Point, in the story! "Something Special About Srentha". "Dove's Dark Discovery". "Growing Up Demon: Leyla's Story". "Mystery Sickness", being renamed "Soul Sickness" for poetic value, but still keeping that iconic "Sickness" thing, while also making it More Relevant to Raven Specifically. The exception is probably "Unforeseen and Unforesaken". Yes, it's misspelled, I did that on purpose for visual balance in the title. It's weird. I know. But it's Intentional. (Still highly important things though, because it illustrates both Dove's arrival, and what happens once she's there, being unforeseen. And Dove absolutely hardcore valuing the team because they don't Forsake her.)

15) If you write OC’s, how do you decide on their names? Bold of you to assume I have this kind of CONTROL over them. Seriously, the way my writing works isn't so much "I get to decide what they do", and more like "huh, this Resonates. That must be a Thing... Let's try to seek out all the relevant details on why it happened, how they reacted, and how it ends!" It's like detective work. And this is absolutely best illustrated by trying to find Srentha's name. Because holy frick. What kinda name is that. (Turns out, it's literally in another language. 8F It means "flight", by the way! Onomatopoeia for the sound wings make.) Anyways, I literally found out one day that, "Dove tried to keep her pregnancy hidden... That must mean she had a kid. With someone." And thus began the Classic RHS Storytelling Search for "who's the guy?" And immediately I knew his name began with an "S". So I tried a bunch of names. I figured it was feminine-sounding, for some reason, thus I realized it ended in "-a". I knew it had two beats. Finding the "-ntha" was the easy part, it was figuring out how the heck to parse "Sren" into the right sounds and number of beats that was the REAL challenge. It wasn't until I remembered "Sri Lanka" exists that I figured out his entire name. (It's pronounced without the English "sh", though - it's just "Sren". As he says, "like Wren, with a Sss.")

16) How did you come up with the idea for xxx? Mostly, they came to me when I was thinking about my characters' lives. Except The Final Journey, that one was based on "the crystals" my girlfriend illustrated Dove having in her room, and I kinda just took that entire concept and made it Azarathean and RAN with it!~ (If you're curious about any particular story, let me know!)

17) Post a line from a WIP that you’re working on. "I killed six people. Do I deserve to die?" hello, this is your daily reminder that DDD absolutely Destroys Dove's self-image. But because it's So IMPORTANT and uhh, it was too Dark for me to leave that there, I also want to quote Raven's responses, which include "We all have our dark days," and "I do know that pain, that guilt. I know it better than anyone...[but] Solitary confinement won't cure it...[and] we don't want to see you leave." And also, "You won't be able to help anyone if you destroy yourself first."

18) Do you have any abandoned WIP’s? What made you abandon them? Oh, stars. Let's see... The first "wip" I abandoned was a character I named "gayla", not knowing "gay" was actually a word, first of all, but her concept turned out to actually be part of Srentha's story, and honestly I should've figured out that "heh, same name as Raven's nursemaid" wasn't a thing. {lD (Whose name was actually Galya, by the way. I didn't realize that mistake for like, five years.)

I only so very RARELY abandon an actual story, though. I know there have been a couple of Moment Concepts I've lost, due to not writing them down; that honestly hurts much worse. ;; But there's the aforementioned Pokemon+TT crossover, where Dove brings home a Misdreavus by accident. That was purely self-indulgent, and it just didn't fit with the timeline, so I decided to stop writing that AU. It was really more that I wanted to focus on The Other Stories, and only had 3 short chapters planned. (The one where the little ghost gets herself stuck in Raven's mind had so much potential! But I didn't know how to write Raven's emoticlones in without Raven becoming aware of it. And now that I think about it, that could've been what got Dove to send her back.. But, eh, I've long lost the story file for it, and long LONG lost interest.)

If anyone tells you "A Work of Magic" is abandoned, they're wRONG, I'm just really, really caught up in Dove's struggle with DDD and Srentha and Steven Universe (even if I'm not really writing that fic most of the time), so my inspiration to write that story with As Much Lighthearted Fun Silliness as it deserves is seriously impaired. =w=;;

Oh, but I did kind of abandon the story from Sieara's point of view, because honestly, I'd rather just explore her through Dove. (That little bird gets plenty of epic spotlight moments; she even channels Azar's spirit at one point. Or two. ;P ) But mostly, I abandoned it because I didn't want to write about a bird being too old to reproduce, getting close to death, and then dying, anymore? (It was going to be about her noticing Dove spending more time with Srentha, Srentha's bird dying, and Sieara meeting Dove's daughter, and dying shortly after. But I... don't know, I didn't want to write that Angst without a Resolution.) I wrote that story for Exactly 1 Day, and then decided to stick to writing about her through Dove.

19) Are there any stories that you’ve written that you’d really love to do a sequel to? I fully intend to do sequels to all of them, thank you very much.~ (At least for the TT fics, all of them are connected in some way. A Work of Magic has both a sequel and a prequel planned. And the Steven Universe fic is really only planned for One Conflict, I really don't want to explore it much beyond that singular unit of Canon Divergence.)

20) Are there any stories that you wished you’d ended differently? That would be akin to lying, with the way my stories and my characters go.

21) Tell me about another writer(s) who you admire? What is it about them that you admire? thechroniclerjon, holy stars and envy batman. This is one writer who knows how to build a conflict, write magic in a way that's both Believable, and Relatable, and Awesome, and interweaves different plot threads into one rather EPIC confrontation. Obviously I couldn't take the element of religion into my stories, being so totally personally disconnected from it. (spirituality? ABSOLUTELY. Let me explore aLL the Azarathean feels!) But like. Those descriptions. The conversations. The build-up. The plot-twists. The raw emotion. I aspire, very much, to someday, in my own way, find a style that translates as much Excitement and Tension and Delight as his stories manage to convey.

Also, the author of Learning to Breathe Underwater, because that story had amazingly spot-on characterization, included so many canon elements (despite being Canon Divergent) while still having its own (very well escalated, incredibly well-executed!) plot! I write for the Teen Titans universe far more than Steven Universe, but I really admire their way of including basically every single character, giving them plenty of attention and growth, and giving a lot of them development in the process. I don't know if I could do that, but someday, I'd like to try.

22) Do you have a story that you look back on and cringe when you reread it? The old Mystery Sickness. Like, the first version. It was, ah... originally what I now call an "emvent", and if you know what that is, great; if not, I don't want to go into details, but it's a story that helps me process my phobia? Which, geez, poor Raven okay, but what's really "cringe" about it is the way I narrated it in first-person. XD Weird metaphors, she had a Detective Noir tone for some reason, and let's just say there's a reason I never shared any of the panels. (I kept it secret because of the phobia. Equally as horrifying, I kept it in words because of the pictures.)

23) Do you prefer listening to music when you’re writing or do you need silence? Silence, but I prefer gentle background noises I'm used to. (Like birds fluttering around, gentle aquarium filters and the water rippling, wind in the trees, etc. It's an ADD thing; lowkey background noise, if kept at a distance, helps me focus.)

24) How do you feel about writing smutty scenes? Eh. I have the Occasional Mood for it... like, once a year. 8P But generally, I'm just Not Interested. Sure, Dove and Srentha have... done some things that would entertain fans of the genre. And actually, some things that get borderline supernatural. But mostly, I'd just really rather be writing other things.

25) Have you ever cried whilst writing a story? Oh, stars. Yes... Yes. Dove's Dark Discovery. (I drew on... an awful lot of personal experiences, and none of them were good.) Plus, her guilt and self-flagellating... let's just say it's a major Depression Mood. Also noteworthy: I cried writing the Death Sequence and farewell letter in Spellbound pt. II. I've cried for Dove's loss of Azarath, and her mother. I've cried for the things Dove and Srentha tell Leyla when she's really struggling (because, dear gods, if only I'd heard those words when I was a kid)... It doesn't happen often. But sometimes, it just... gets overwhelming.

26) Which part of your xxx fic was the hardest to write? ASK ABOUT ANY OF THEm, because DEAR GODS, there are PLENTY. But the hardest of all was DDD. I struggled with describing how/why an Extremely Gentle, Timid Pacifist was suddenly Losing Herself to Internal Evil, and doing Terrible Things. I struggled to capture the IMMENSITY of the mindscape battle, both in how these two Incredibly Powerful Demi-demons were unleashing their powers, and also in how much of a personal toll it takes on BOTH of them afterwards. And now, I'm struggling to find the words for Dove in the aftermath, because... Gods, there's just so much turmoil and emotion. It echoes an awful lot of Seriously Dangerous Depression Thoughts, right down to suicide ideation and lashing out at the people she loves because she doesn't think she deserves them, and aren't they all fools for loving her. All I can say is thank god Raven's such a realistic beacon of hope, because (much like she did for me, come to think of it) she's able to help Dove battle those thoughts with reminders, wisdom, and hope.

27) Do you make a general outline for your stories or do you just go with the flow? This one depends entirely on the story. Generally, it's really quite sporadic and incidental. I write out the scenes as they come to me (usually WAY out of order), and then figure out how they all fit together. Sometimes I don't even realize two scenes are in the same story at first! Or how they're related. I tend to write the beginning, several scenes from When Things Are Very Serious, then go back to fill in the blanks. A lot of times the climax happens either before I know how to start the story, before I know what led up to it, or before I know how it ends. (DDD began with the climax scene. Heart to Heart began with realizing Srentha had a heart attack as a child.)

And then other times, it begins with a vague concept, and I start writing right at the beginning. (Something Special was first written at the beginning, with Srentha performing a spell. I didn't know what it was going to do, just that it was Relevant. A Work of Magic started with me in the Pokemon world wanting a Misdreavus, and developed into a full-team adventure from there. Unforeseen and Unforesaken, or rather "Unforeseen Surprises" in its original form, starting with the very moment Dove showed up, was written as I went along, knowing which points I wanted to hit before the story was over, but writing the scenes as they came to me.)

A Work of Magic has a lot of travel scenes, and moments that take place in specific areas, with Specific Species, so I had to plan out a timeline from region to region, to make sure they weren't in Sinnoh one day, then encountering a Unova legendary, and battling a psychic type in a Kanto forest the very next day, you know? Then there's DDD, which is such a gradually PROGRESSING story that I definitely had to outline some of the chapters, too. Making sure Dove's gradually growing powers were highlighted, and she wasn't going from Total Telekinetic Failure to Suddenly Really Strong and Breaking The Entire Gym Room in the next scene. That sort of thing.

Either way, it's usually As I'm Writing that I notice the connections, the causes rooted in previous stories or scenes, and the Effects These Incidents Have as I'm writing it out. I always start with An Incident and A Concept, because I wouldn't have a story to write without it. But where it becomes Actual Scenes, and what order I write them, depends entirely on the order I discover them.

28) What is something you wished you’d known before you started posting fanfiction? What a Mary Sue was supposed to be, and that Dove isn't what they claimed. That criticism that so many reviewers threw onto her bio wasn't at all helpful, I didn't know what that meant, let alone how to fix it, and I didn't know how to demonstrate that Dove wasn't, in fact, "entirely like Raven", because she had her own powerset, her own history, and her own personality. To be fair, a lot of the Highlights on Their Differences happen in later stories, and it's the initial shock of "why the frick is wearing those clothes and using that mantra", so of course on first impression, it's like. "Raven? similarities???" But... I don't know, it's just so very OBVIOUS to me that, unless we're talking about Timid!Raven (the emoticlone), their differences are so VAST. And I spent a lot of time, WASTED a lot of time, trying to kill the assumption. It really wasn't worth it.

29) Do you have a story that you feel doesn’t get as much love as you’d like? DOVE'S! DARK! DISCOVERY!!! I nearly BROKE myself (both of time AND emotion) writing this thing! I understand that Some Friends can't Do Sadism, but like. This story is 250k words long, I've dumped a GREAT DEAL of my heart and soul into it, and Dove's plight seriously needs to be recognized to understand her growth moving forward. But! There! Are! So! Few! People! READING IT. The story has like 20 reviews on fanfic.net, BUT THE CLIMAX HASn'T GOTTEN ANY yet? ???? Please recognize the metaphorical blood, literal sweat, and literal tears I put into this. Gods. Yes I wish it got WAY more love.

30) In contrast to 29 is there a story which gets lots of love which you kinda eye roll at? That poem from middle school, "The Raven and the Dove"? It's a neat poem, sure. Kind, of, a unique concept? But it's not very well explored, it just goes "here are their differences. They're opposites. But they get along." No explanation of how or why. (That's all in the fanfics.) It's not nearly as rhythmic as Dove's Prophecy, it's not clever, it's not plot-twisty, and as far as poetic cred goes, I don't think it's anything special. ? ?? I mean, somebody found it online, and contacted me via email, and it nearly got PUBLISHED. (But I would've had to pay them to include it in their book, which I wasn't down with.) I just don't understand, literally at all, why so many people really LIKE it.

31) Send me a fic recommendation and I’ll post it for my followers to see! (The asker is to send the rec not the answerer) SEND ME FICS, I WILL READ.

32) Are any of your characters based on real people? Nah, they're all based on themselves.

33) What’s the biggest compliment you’ve gotten? My favorite fanfic author read, and then complimented, the (second or third version of?) the climax scene in DDD.~

34) What’s the harshest criticism you’ve gotten? Mostly just comments on Dove's first bio that went, "She's such a Mary Sue, burn it and scrap her entirely to start fresh"? (Thank *all* the gods that I didn't take that advice, because she's incredible and deserves to exist in her own right.)

35) Do you share your story ideas with anyone else or do you keep them close to your chest? Honestly? The first thing I do is WRITE about it. Unless I'm prompted to, or rambling about something that has me Inordinately Emotional, I don't really share them.

36) Can you give us a spoiler for one of your WIP’s? Don't worry, outside of Azarath's canonical demise, I only ever write somebody ACTUALLY dying once. But she comes back, because that's what she does, apparently.

37) What’s the funniest story you’ve written? Bold of you to assume I write comedy! But seriously, probably Srentha's debut story. When he discovers pizza, he assumes pepperoni isn't edible (a fair assumption, really, but he's vegetarian anyways). When he tries the cheese, his reaction is just so DELIGHTFUL and warm; he laughs so hard he's literally crying. The things he says and does when he's sugar-high are hysterical. He's just so exuberant and energetic, absolutely positive, he really brings a load of smiles to the table, and both I and Dove irrevocably love him for it.

38) If you could collab with any other writer on here, who would it be? (Perhaps this question will inspire some collabs!) If you’re shy, don’t tag the blog, just name it. I don't know if I have an answer for this. I don't really read a lot of Tumblr fanfics. I've already collaborated with Pix in RPs, my girlfriend and I have already collaborated on stories for both Kary and Pokemon, and the author of The Chronicler Saga implemented one of my scenes into his stories. What more can I really ask for?

I mean, if anyone WANTs to collaborate, just let me know, and I'd love to work something out.

39) Do you prefer first, second or third person? Third person, multiple, and preferably omniscient (or damn close to it)! Exploring everyone's inner workings is Exactly My Style. (And just more fun for me to write.)

40) Do people know you write fanfiction? Well, I only talk about it, like, once every three hours or so. (/sarcasm)

41) What’s you favourite minor character you’ve written? Sieara? Alerina? As for actual Canon Characters, I'm having a righteously wonderful time characterizing Azar. Lapis is fun and interesting to work with, but she's so full of emotional "tides" that it's really hard for me to write for her.

42) Song fic - What made you decide to use the song xxx for xxx. (I have only ever done songfics on papers, and wound up not needing the songs after all. They were all Evanescence, of course.)

43) Has anyone ever guessed the plot twist of one of your fics before you posted it? Not that I know of! Someone once guessed Dove was Raven's cousin, on Unforeseen+Unforesaken, and I haven't written the climax (when Raven realizes Dove is Trigon's child) yet. That's about the closest anyone has come.

44) What is the last line you wrote? Oh, stars, let me check. (This is where Tracking Changes comes in handy. ;P ) In Nothing Good Lasts Forever, the story that's (possibly going to be renamed "Even in Death", when Raven takes Dove back to Azarath for closure): This may or may not be polished before publishing. But this takes place immediately after Raven pulls Dove from a flashback.

"There's a lot you have to deal with. Your mind has been seriously damaged by what you've been through. I wonder..." And she trailed off there, hesitating, considering the concept before she dared give it voice.

Dove kept looking up at her, confused and seeming entirely absorbed in her analysis. It was so true. Tearing her apart, every time she remembered... The nightmares and flashbacks wouldn't let her forget it.

45) What spurs you on during the writing process? My own excitement, curiosity, and even desperation to learn what happens next! And a general sense of lowkey affectionate "tribute", like I'm the only person with these peoples' stories in my head, and they deserve to have their stories told. And also the hope that, maybe, someone, somewhere, will read the story, and if just ONE person feels their heart soothed or their struggle validated by my writings, then I've done a good thing, and that's all I really want.

46) I really loved your xxx fic. If you were ever to do a sequel, what do you think might happen in it? (Someone ask me, because EVERYTHING has sequels, and if you want to know about it, just Ask!)

47) Here’s a fic title - insert a made up title. What would this story be about? DO IT??

48) What’s your favourite trope to write? I'm... not sure, entirely, but probably "bullshit [insert genre here] magic".

49) Can you remember the first fic you read? What was it about? I remember one OF the first fics I ever read, because for about 7, 8 years, I was SCOURING fanfiction.net to find it again. It was about Raven having terrible visions, Azarath being destroyed, and Robin feeling her pain through their connection, but thinking it was heartburn. And then a group of people dropped in, took Raven away (on a spaceships? Though hyperspace???). And they were going to rebuild Azarath. And I think Robin had just discovered Raven was gone, before the story ended. Oh, and they spelled Azarath like "Azerath". That's all I can remember, but I really do wish I'd known what happened, because that story had me absolutely HOOKED. (But alas, I didn't have an account at the time, and I was reading it at the computer lab.)

50) If you could write only angst, fluff or smut for the rest of your writing life, which would it be and why? Ohh, this one's hard. I'd drop smut like it's hot (haha, get it?). But seriously, I'm a 99%-sex-repulsed aroace, and I've only ever written like 5 half-done smut scenes. Imagined a Fair Few more, but they don't keep my interest for the long multi-hour process of editing that comprises my writing process.

This probably means "romantic fluff" though, right? I mean, I HAVE to write angst (because let's be real, without Angst I wouldn't have much of a story, since all of my stories are Driven By Characters Issues, WAY moreso than external events). But I really think the REAL beauty of my characters is how they go through that angst, and COME OUT with each others' support. I don't know how to write angst without someone being supported (i.e. "Hurt/Comfort", really), and I don't know how to write fluff without something Heavy bringing it on.

Secretshipping (Dove+Srentha) is equal parts angst and fluff, because honestly Angst is in Dove's Job Description, and Srentha is so light-hearted and goofy and silly that he balances it out (and Dove has some goof in her, and Srentha has some rare moments of angst, and it's how they interact and balance out and HELP each other through it that really brings them to LIFE together). Kary's whole characterization is because The Angst seriously fucked up her psyche, but scenes between her and Dove (and Yo-yo!), even her future husband, can get seriously silly and fluffy. Leyla's real growth and development comes from Realizing that the World is Not Like her Sheltered Life. (And how she doesn't want to expose her parents to Her Angst.) But it's also the fluffy deep softness and sincerity she and her parents share that gets her through these realizations. So like... Angst and fluff go hand-in-hand for me? I wouldn't be able to write one without the other.

[fashionkibatain]

Originally published on Superheroes that we love: List of top ten written by Zahra Hassan on Zahra Hassan

We all love superheroes. Even though we know in the hearts of hearts that they are not real but we do not really want to admit it. The people’s immense love for superheroes is imminent from the fact that all the superhero franchises are making million and millions of dollars. Be it cinema or the television or toys or clothing, superheroes are everywhere. Producers happily invest in multi-million dollar superhero projects because they know they will get an even bigger return. In this article we list ten superheroes that we love.

Why do we love these top ten superheroes?

Superheroes are depicted as larger than life icons who fight the evil and work for the betterment of whole society selflessly without asking for any reward in return. They are portrayed as the ultimate saviors of the society. So we as humans are forced to fall in love with them because of all the good that supposedly do. Also they are just cool. I mean look at all the amazing gadgets they have and all the cool stuff they can do. So we love them and we are in awe of them.

There are so many superheroes nowadays. Every other comic book character is getting a movie made on it.  And a movie does not mean that a two and a half hour show and the end of the show. Then there are the superhero goodies, likes clothes, cups, action figures, costumes, and what not. Everything you think of has a superhero customization. Young and old all are into this big race, to reach their favorite superhero as near as possible by having as much superhero stuff as they can.

So the businesses are thriving and people are blindly in love very happy about it. So here is the list of top ten superheroes that we love.

The Batman

The caped crusader is different from others because he has no inborn superpowers. He has learnt the art of fighting, advanced martial arts and self-defense. He has trained his body, the hard way, to be powerful and strong. And then he is the owner of the multimillion dollar Wayne empire. That makes it possible for him to design get built the state of the art gadgets like Bat mobile or the signature Batman motorbike. He is also an expert in using the weapons.

So the son of a millionaire, scared by the ruthless murder of his parents right in front of his eyes, decides to fight the evil by actually going into the dark crime alleys and fight first hand with his own hands.

The Batman franchise has churned out many movies and many actors have played the character of Batman. The best of them so far has been Christen Bale’s stalwart performance in Christopher Nolan’s The Dark Knight series. Nolan’s Batman series is a work off a genius and it beautifully captures the journey of Dark Knight from a kid who is afraid of dark to the strong protagonist who fights the darkest of the villains.

Unfortunately, christen Bale has bowed out of working in the Batman anymore. Ben Affleck is the new Batman and has already appeared in the mega hit, Superman vs The Batman. Now Batman will be having a reboot in The Batman that will be released sometime next year. Also you will be seeing Ben Affleck’s Batman avatar in Justice League that will be released later this year.

Superman

Having neck to neck competition with Batman for the spot of top superhero, is the Superman. This is one alien who has done much more for our home planet than any other earth born human has ever done. With lots of super powers, he is the superhero in the real sense. He can fly, he is extremely strong, has X ray eyes and also laser comes out of his eyes that can burn things away.

The superman franchise began long time ago when there was no huge franchise attached to superhero movies. The first Superman movie was released in 1978, in which Christopher Reeves gave unforgettable performance as the superman. It had sequels in1980 and 1983 as superman II and superman III. Although the movies lacked in CGI and modern technology but they have great storyline and performances. After that there had been multiple attempts at reboots but all had failed to make a greater impact. Recently in 2016, Batman vs Superman starred Henry Cavil as the alien superhero and the movie once again revived the chances of a superman movie series.

Spiderman

Our favorite friendly neighborhood Spiderman is also a superhero that is widely loved and admired. It is the superhero that was born by the bite from a genetically engineered spider. When young Peter Parker was bitten by the bug, it completely changed his life. He got the powers of a spider, however in human beings these powers becomes superpowers. He can climb walls, he can swing all over the city, he has super sharp senses and he has increased agility and stamina.

Toby Maguire did a Spiderman trilogy and was awesome. Then Andrew Garfield did another Spiderman reboot trilogy and that was truly amazing. Now the new Spiderman is going to be young Tom Holland. In the new movie, Peter Parker is young, a high school student, and coping up with a double life. The prior two Spiderman series were great, so there is a lot on pressure on the young star to do better. Let’s see whether he succeeds or not.

Iron man

This is one hero who is more of a superstar than a superhero. Unlike the previous three heroes, Ironman does not hide his true identity from the people. Everyone knows that Tony Stark, the extremely rich and a little spoilt, science prodigy in in fact Ironman. Ironman’s main superpower is his extra ordinary brains. He has profound knowledge about science and tech, and he makes the extra ordinary Ironman suit with his wealth and brains. The suits makes him a super hero. He can fly, he can shoot lasers and gunshots, and his suit is bullet proof. Although when he is not wearing the suit he is quite vulnerable and has no super powers.

Iron man has appeared in a number of super mega hit movies. The Iron man trilogy was wonderful set of movies and set the bar very high for the upcoming superhero movies. Then the superhero appeared in the highly popular Avenger series. Robert Downy Jr. has starred in six movies as Ironman and thankfully has no desire to quit being Ironman. Soon he will be seen in the next avengers’ movie.

Ironman ranks high on our score for his sense of humor and comic timings besides the power and all the other superhero gimmicks.

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Captain America

Captain America, also known as the first avenger, is the leader of the avengers. He is senior to all of them in age. Steve Rogers was a very physically weak man and was rejected many times to enroll in the war. However he is brave and noble of the heart.

Dejected by his rejections, he decides to be a part of a science experiment that makes him undergo a lot physical change. He becomes taller, stronger and faster. His senses are heightened and he aging slows down, in fact he becomes the perfect soldier and the weapon of war. There have been three Captain America movies (the first avenger, winter’s soldier and Civil war) so far in which Chris Evans plays the role beautifully. He can also be seen play among the lead in the avengers movies. In the next avengers movie too Chris Evans plays the role of Captain America. He is taciturn and somber and sometimes has difficult in managing so many superheroes together.

Hulk

Hulk is another favorite among the people. He is result of an experiment gone really bad, and the over exposure to the gamma radiations make him turn into Hulk whenever he feels angry or have a strong burst of emotions. Hulk is a very angry guy. Whenever he gets angry or lose control of his emotions, DR. Bruce Banner comes a very tall and powerful green machine, known as the Hulk. He is all green as an after effect of the radiations. There has been a couple of individual standalone Hulk movies, but the biggest cinematic success has been being a part of avengers’ franchise. Among the Avengers Black Widow, learns to control hulk and help him transform back. She and Banner both share a special bond with each other.

When he is Hulk, Bruce Banner does remember what he did. He is also a science prodigy. In the beginning he tries very hard to remove his ability to turn into Hulk and be a normal human being but as he learns to control his powers to an extend and becomes a part of the avengers, he decides that he can put the strength of Hulk to good use and gives up on trying to get rid of his ability to turn into Hulk forever.

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Thor

Thor is a God and belongs to the planet of Asgaurd. He helps in the protection of the people of the planet earth. Thor was exiled from his home planet of Asgaurd by his father. He came to Earth, not as a God but as a mortal. His hammer named as the Mjolnir has a number of powers like controlling the weather, making Thor fly, and giving him extra human strength.

Chris Hemsworth plays the character of Thor, the axe wielding superhero who becomes an integral part of the Avengers franchise. The axe is really powerful but only the worthy can wield it, otherwise there would have been attacks on Thor by other people and super villains to get the axe away from him. Thor’s step brother Loki is the antagonist in the first Avengers movie. He steals the tesseract and in return for it, Loki gets an army that will make him conquer the world and he would become its master forever. Thor has a soft corner for his brother but he also stops him from destroying the world. The next Thor movie, the Ragnork, will release later this year and would be a scene stealer for other men.

The Ninja turtles

The quartet of genetically mutated turtles, could capture the heart of the audience this much was not thought out by the creatures of Ninja turtles, but it true that Donatello, Raphael, Michelangelo and Leonardo are our favorites and deserve a spot in the top superheroes list. The comic book series based on the lives of these turtles who are trained by the genetically modified rat known as Master Splinter. Each turtle has a unique power and capability.

Donatello is the mechanical genius. He designs and invents most of the weapons that the gang then uses to attack the villains. Raphael is the aggressive team member who is a great fighter but usually his anger, makes him make the wrong choices. Leonardo is the leader of the quartet, who is devoted to all of them while Michelangelo is a typical teenager who in known for his love of pizza. There has been movies and cartoon series both on the lives of the turtles. Bothe franchises have been highly profitable.

Daredevil

Even now he’s starring in a critically acclaimed Netflix series, is Daredevil really on the A-List? Honestly, the fact he’s always flown under that top tier of superheroes is what’s made him so great, especially when you look at the work of writers like Frank Miller, Brian Michael Bendis, Ed Brubaker, and Mark Waid.

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One of the only heroes with a true disability, Matt Murdock’s battle with depression also grounds him in reality in a way even his dark and gritty adventures don’t.

This is our list of favorite superheroes, although there are others too. Which one is your favorite? Let us know by commenting below.

The post Superheroes that we love: List of top ten appeared first on Fashion Ki Batain.

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[thesnootyushers]

  Friday 17th March sees the introduction of the final member of Netflix  ambitious Defender’s series. Like always, I am super excited and have written some key information to give fans a little info on the newest Netflix character before you watch the show.

The Comics/Background

Iron Fist came from Marvel Comics during a pop culture trend in the early to mid-1970s that focused on martial arts heroes.

He channels the power of the Iron Fist, which allows him to summon and focus his chi energy (also called natural energy or life-force energy) to enhance his natural abilities to extraordinary levels. His strength, speed, stamina, durability, agility, reflexes and senses can all be greatly intensified.

He is able to concentrate his own chi and the superhuman energy  into his hand, manifesting as a supernatural glow around his hand and fist. So concentrated, this “iron fist” can strike with superhuman force and impact, while his hand becomes impervious to pain and injury.   He can focus his chi inward to heal himself or outward to heal others from injury, as well as to give himself psychic senses and to telepathically fuse his consciousness with another person.  He is also a skilled acrobat, gymnast, and a master of all of K’un Lun’s martial arts, as well as various fighting styles from Earth.

Iron Fist debuted in a story written by Roy Thomas and penciled by Gil Kane in the title Marvel Premiere #15-25 (May 1974 – October 1975), he was then worked on by some of Marve’ls best including Len Wein, , Tony Isabella, and Chris Claremont, Arvell Jones, and, in some of his earliest professional work, John Byrne. Matt Faction also took on Iron Fist several years ago to great success.

Iron Fist was a success and immediately spun off into the solo series, which ran 15 issues before facing cancellation.

To rescue the character from this fate, Marvel paired Iron Fist with another exploitation character who was no longer popular enough to sustain his own series, Luke Cage. The two characters were partnered in a three-part story in Cage’s series Power Man #48-50. The title of the series changed to Power Man and Iron Fist with issue #50 in early 1978. It would go on to become a popular and the two would remain a team for decades to follow.

With that brief over view, let us delve into the characters back story.  Entrepreneur Wendell Rand discovered the mystical city of K’un-L’un when he was 13. During his time there, Wendell saved the life of the city’s ruler, Lord Tuan, and was adopted as Tuan’s son. When Wendell eventually left K’un L’un and made his fortune in the United States, he married socialite Heather Duncan and they had a son Daniel.

Wendell later organizes an expedition to again seek out K’un L’un, taking his wife, his shady and jealous business partner Harold Meachum and nine-year-old Daniel. During the journey up the mountain,  Meachum betrays Wendell resulting him to plummet to his death and then tries to blackmail Heather but she refuses his advances.

Later, wolves set upon Heather and Daniel.  Heather throws herself on the wolves to save Daniel and is killed.  Archers from K’un L’un save the grieving boy to see Yü-Ti, the hooded ruler of K’un L’un. When Daniel expresses his desire for vengeance, Yü-Ti apprentices him to Lei Kung, the Thunderer, who teaches him the martial arts.

Daniel Rand proves to be the most gifted of Lei Kung’s students. Rand conditions his fists by plunging them into buckets of sand, gravel, and rock to toughen them. At 19, Daniel is given the chance to attain the power of the Iron Fist by fighting and defeating the dragon Shou-Lao, the Undying who guards the molten heart that had been torn from its body. Guessing that the heart provides life energy to Shou-Lao through the dragon-shaped scar on its chest.  Daniel covers the scar with his own body and hangs on until Shou-Lao collapses and dies, in the process burning a dragon tattoo into his own chest. Having killed Shou-Lao, he enters its cave and plunges his fists into a brazier containing the creature’s molten heart, emerging with the power of the Iron Fist. It is later revealed that Daniel is part of a long lineage of Iron Fists.

When K’un L’un reappears on Earth after 10 years, Daniel leaves to find his father’s killer. He also swells the ranks of New York heroes. Most famously teaming up with Luke Cage, his best and oldest friend. He has also been an Avenger and stood in as Daredevil when the need required, Matt Murdoch also being a close friend.

His villains were usually the same as those Luke Cage faced, Shades Alvarez and John Bushmaster. Sabretooth was also an opponent several times in his superhero career. The major villains specific to Iron Fist were Meachum,  Steel Serpent and Master Khan.

Steel Serpent is an exiled son of K’un L’un, who covets the Power of the Iron Fist. MasterKahn is a wicked sorcerer of K’un L’un who also wishes to destroy the power of the Iron Fist in order to take over the world.

Iron Fist was very one dimensional in his early days, which can also be said about Luke Cage.  Yet these past 12 years or so both characters have really come into their own. Danny becoming a darker character in the modern world of comics. Teaming him with Cage all them years ago was a stroke of genius. It made me take notice because I love Luke Cage. It also kept both him and Luke relevant until they were worked on in the early 2000’s. It provided an odd couple of sorts as one was a mystical martial arts billionaire and the other was a jive talking, unbreakable ex con from the hood.

Danny’s money and company played the role of Tony Stark  and Stark Industries would when Iron Man  wasn’t around. His company does everything and foots the bill when needed. This also created some great drama for Luke and Danny and touched upon themes of  class and wealth.

The Show

The series looks very much like it will focus on the origin, and will incorporate the Meachum family. It doesn’t look like Harold Meachum played by David Wernham will be responsible for their deaths…but you never know. It looks more as if he is just in charge of the company and has dealing tied up with Madame Gao.

Madame Gao first appeared on Daredevil and her heroine symbol shows the sign of the Steel Serpent. Once again I am not sure if they are going to follow the comics and have that be an actual person or be a criminal organization.  One thing is for sure though, Rand Corp. under Meachum is corrupt.  I am still not clear on who the enemies he is fighting are. They seem to be of martial arts backgrounds.

We also meet a key player in the form of Coleen Wing who, in the comics, is best friend with Misty Knight from Luke Cage. She appears to be the love interest of Danny in the show. In the comics Misty is Danny’s long time lover. Claire Temple also appears and as we know she is currently dating Luke Cage…..we are almost there….

From what I have seen in the trailers there is talk of destiny and stopping the evil and Danny taking his true place. We are also shown lots of martial arts and a mixture of eastern and western culture.  Very much like the other three Netflix shows. Danny Rand is part way through his story and we will be treated to flashbacks to fill in the pieces. I also do not think he knows Luke Cage yet.

If I am being honest it looks very much like a 2000’s marital arts action film from the trailers. I thought they might go down a more mystical approach, especially with K’un L’un and bring it into the Netflix shows. Especially since we have seen the hand and have had the seeds of magic and necromancy teased in Daredevil. Again though this is speculation there is 13 episodes so a lot can happen.

I am looking forward to this show, Iron Fist is a god character and if done right could be a breath of fresh air. The martial arts and mystical aspects if played up can add a new dimension to the Netflix shows and ease viewers into some of the events sure to take place in Daredevil series 3.

      The Final Defender: Who is Iron Fist? Friday 17th March sees the introduction of the final member of Netflix  ambitious Defender's series. Like always, I am super excited and have written some key information to give fans a little info on the newest Netflix character before you watch the show.

[hermanwatts]

Sensor Sweep: Witherwing, Lankhmar, Mid-List Collapse

Writers (Less Known Writes): David William Jarrett was the son of Mervyn Spencer Jarrett (1906-1986), a works engineer, and  his wife Olive Elizabeth Jenkins (1907-1997), who were married in the summer of 1940.  He had one older brother. Jarrett’s novel was Witherwing (London: Sphere, 1979: New York: Warner, 1979). It begins as a kind of heroic fantasy novel in which Witherwing, the youngest of six princes of Tum-Barlum (the name clearly modeled on Twm Barlwm, the name of a hill in south Wales, but that has no significance to the story).

      RPG (Walker’s Retreat): With last weekend’s Big Brand marketing event masquerading as a fan convention came the announcement–with no release date–of the fourth installment of its iconic isometric dark fantasy action RPG franchise. You know which one I’m talking about, and it’s not the MMORPG. I thought I’d take the time to give you all some alternatives that you may have overlooked or forgotten about, beside Path of Exile and adaptation of other Big Brand properties. This is not an exhaustive list; most of these will be linked to their Steam entries, but I advise you to look at GOG also if you want DRM-free versions or see if you can buy used physical copies.

  News (Niche Gamer): On October 22nd, the United States House of Representatives voted 410 votes to 6 (16 abstained) in favor of the CASE Act- dubbed the “Anti-Meme law” by its critics. The “Copyright Alternative in Small-Claims Enforcement Act of 2019” was introduced by Representative Hakeem Jeffries (Democrat, New York) on January 5th, 2019. The bill’s purpose was to help content creators utilize a small claims court for copyright infringement, as the current law means copyright disputes must go through the more expensive federal courts.

    Publishing (Kairos): Where have we seen this blockbuster-chasing mentality before? Oh yeah, in the likewise floundering Hollywood film and AAA video game industries. As Western civilization rapidly burns through the cultural capital inherited from Christendom, expect to see more industries falling into hit-obsessed death spirals. It’s a seductive trap. A company stumbles upon a big hit, scrambles to replicate what is in fact a black swan event, and cannibalizes its own seed corn in the process. It’s an old story.

  Comic Books (Paint Monk’s Library): Since Paint Monk’s Library began covering Marvel’s new Conan the Barbarian comic, I’ve received a slew of emails and private messages, mainly from people agreeing with our reviewers about the direction the House of Ideas has taken with such an iconic property. But for every five or six encouraging emails, I get one message from an angry reader telling me that I’m out of touch and if I don’t like Marvel’s new comics to quit reading and “go back to the nursing home to read Bugs Bunny” (Yes, I really did receive that email last month).

  Writers (PulpFest): Not long after midnight on the morning of November 5, 2019, the pulp community lost one of its cornerstones. Tom Johnson passed away after a long battle with cancer. Tom and his wife of many years, Ginger Johnson, were the longtime editors and publishers of ECHOES, a fanzine about the pulp magazines. For nearly twenty years, Tom and Ginger could be counted on for a new issue of ECHOES every other month.

  Star Wars (Digital Bibliophilia): Splinter of the Mind’s Eye is a story that takes place about a year after the events of Star Wars (or A New Hope if you prefer). It begins with Luke and R2-D2 aboard Luke’s X-Wing fighter, and Leia and C3PO aboard a Y-Wing travelling to the planet Circarpous IV to a meeting with an underground movement that had arisen against the Galactic Empire on that planet. They are to formally offer their promise of support from the Rebellion Alliance and encourage the movement rise against it’s oppressors.

  Art (DMR Books): Howard Pyle has rightly been called “The Father of American Illustration.” Before Pyle there was a virtual nothingness when it came to American art. After, there was—perhaps—a flowering of painterly excellence unparalleled in the entire history of art. In the late 1890s, Pyle established various schools of art in Wilmington, Delaware and beyond.  Pyle’s movement has been called the “Brandywine School” in reference to the river that ran along the banks next to Pyle’s various artistic seminaries.

  Cinema (Jstor): Long before First National Pictures began production on Doyle’s dinosaur story, a young marble cutter named Willis O’Brien was sculpting tiny T-Rex figurines. According to The New York Times, O’Brien began experimenting with animation models during an apparently slow day at work. Inspired by his background in boxing, he molded a mini fighter out of clay. His coworker whipped up another clay champion, and pretty soon the two men were acting out a full boxing match with their primitive action figures. Lo and behold, O’Brien’s next production was a short test film featuring a cave man and a dinosaur (made of modeling clay and wooden joints) shot atop the Bank of Italy Building in San Francisco.

  Author Interview (Pulp Hermit): It’s not easy thinking of Will Murray as a new Pulp Author. William Patrick Murray is an author everyone should be familiar with in the new pulp movement, and definitely known throughout pulp fandom since the 1970s. He should be familiar to everyone in the new pulp community. He is one of the most prolific and knowledgeable people in the field of pulp fiction. The author of well over one hundred books, he has penned 40 Destroyer novels, and two-dozen Doc Savage novels (many based on Lester Dent’s uncompleted stories), plus King Kong, Tarzan, and The Shadow. He has also contributed to the Executioner and Mars Attacks, as well as numerous anthologies.

  Science Fiction (Quillette): But this is not the spirit of our moment. Instead, as speculative fiction becomes more diverse, the sense that it must be corrected grows, and author and art are evaluated together. There is a notable asymmetry in this evaluation. Most fiction readers are women, and many fiction genres are dominated by women. Men who write romance novels or cozy mysteries must write under female pseudonyms, because the audiences for these genres will largely avoid books by men.

Writing (Pulprev): When writing a tactical thriller with heavy action elements, you have to get around to talking about the hardware. Tools drive what the characters can and can’t do, and weapons are a big part of that. Also, guns are cool. When writing guns in fiction, a common approach is to simply drop generic terms like ‘rifle’ or ‘pistol’ and leave it at that. Some slightly more sophisticated writers drop brand and/or gun names: FN SCAR, Beretta M9, Barrett M82. It may well work for them. Most readers just want to get on with the action without being bogged down in too much detail. But I prefer a more sophisticated option.

  Pulp Fiction (Rough Edges): As you know if you’ve read this blog much, H. Bedford-Jones is one of my favorite pulp authors and indeed one of my favorite authors, period. I think he was at his strongest with historical adventure novels, so it’s no surprise that YOUNG KIT CARSON is a top-notch yarn that’s been out of print since 1941, when it appeared in the fiction supplement of a Canadian newspaper. A copy of it was discovered recently, and it’s about to be reprinted by Bold Venture Press.

  Fiction (Tentaculii): I’d never heard of Ivy Frost before, but I like the sound of him. These gun-blazing mystery-science stories all appeared in Clues Detective Stories magazine from 1934-37 (not on Archive.org), so one assumes that Lovecraft was aware of them. One wonders how may ‘little nods to Lovecraft’ Wandrei might have snuck into the stories.

    Fritz Leiber (Goodman Games): You might have heard about our recent DCC Lankhmar release. It’s a wonderfully in-depth take on the classic novels by Fritz Lieber, and licensed by his estate. If you are a fan of those novels, you might have heard of something called Rat-Snake. In the back alleys of the city of Lankhmar, money is won and lost, and lives are sometimes wagered as the ultimate prize, all on the roll of the dice. All part of a game called Rat-Snake.

  Art (DMR Books): Stephen Fabian was selling macabre artworks very early in his career, batting one out of the park with his classic cover for Whispers #2 in 1973. He would go on to do more work for Whispers over the course of that groovy decade, including the first-ever illo for Karl Edward Wagner’s “Sticks.” Stephen did several evocative paintings for Arkham House during that period, as well as covers for Centaur Press and Donald M. Grant. All in all, the 1970s were a great preview of the glorious horror art Mr. Fabian would produce in the 1980s.

  Gary Gygax (Warp Scream): I had the opportunity to interview Gary a number of years back, when I worked at CGM. I very much enjoyed talking to him, and it was fascinating to hear the history of D&D and gaming in general from his perspective. Like many people here, I’ve been a D&D geek for ages; I thought others might be interested to read what he had to say about the history of it all.

  Gaming (Walker’s Retreat): It is nice when the Fake Gamers out themselves so readily, but this performative virtual signalling is really meant to be part of the gatekeeping campaign to push their enemies–those not of the SJW Death Cult–out of the subculture and hobby, or at least its public-facing elements, so that they can control the narrative surrounding tabletop RPGs. Narrative control then becomes cultural control and feeds into political control.

Sensor Sweep: Witherwing, Lankhmar, Mid-List Collapse published first on https://sixchexus.weebly.com/