#Also I think star also has a lot in common with these but I haven't actually watched it start to finish just the odd episode here and there

[strawberryicemoon]

Digimon Adventure has consistently occupied a space in my brain for over a decade now, so I think it was only natural that I loved Amphibia and The Owl House too.

So there's definitely a baseline similarity Digimon Adventure has with the modern Disney Isekai. The shows are portal fantasy/isekai about a kid (or several) who have varying issues in their lives, mostly on the precipice of some major life change and/or figuring out who they are. Classic coming of age stuff. They meet people from the other world who they form deep personal connections with who change the course of their lives for the better. They grow to love the world they find as it is and of their own volition decide to risk their own lives to protect it, despite having the option to go home and stay safe.

I realize that this sounds very broad, but it's really in the details and the character drama where the similarities show for me: interpersonal conflict between friends and loved ones, growing up, understanding family members, being forced to separate from loved ones, parental death, adults taking advantage of kids. I could (and will) go on.

Spoilers for all three series obviously.

I mean right from the get go, Adventure starts with a group of 7 kids at a school sponsored summer camp, that gets struck by a freak storm. The kids take shelter inside a shrine, and when the weather abates find an aurora outside, which shoots small devices like meteors at them and sucks them into another world. (Technically Adventure starts with a short film taking place 4 years earlier but that's besides the point). The Owl House, also starts with Luz about to go to Summer Camp, as recommended by her school (though something she is dreading) when she runs into an old shack while chasing after a bird and ends up in another realm. Amphibia doesn't take place at Summer Camp, but towards the end of the school year, on what should have been a fun day for Anne, as a result she spends her summer in Amphibia. This is admittedly a rather petty connection, summer is a special time of year for kids, summer camp is already a unique experience for kids, birthday's are also good times for life changing events but it is still a notable similarity.

In the Digital World the kids each meet a Digimon. Throughout the show the kids Digimon reach higher forms upon reaching certain requirements, often involving personal development for their partnered child. The Digimon are like a Palisman in many ways. In fact, the Owl House's Digimon reference makes this connection for us.

When kids get their Palisman in The Owl House, it requires the kid to know what they want. Digimon grow in response to their human's growth, particularly as it relates to their associated crest. Each child in Digimon has an associated Crest. A trait that they exemplify. If they exemplify it well, their partner's get stronger, if they repress the trait their partner's won't evolve or will even devolve. I feel the concept is similar. Luz's palisman hatches when she realizes she "wants to be understood". Taichi's partner reaches Perfect when he had to be courageous enough to walk through an invisible gap in an electrified wall in order to rescue his friend. "Being Understood" is at the Core of Luz's character, and is reflected throughout the show. True Courage is at the Heart of Taichi's. Willow is "Be strong and wise to protect her friends", which is reflected in her arc about always trying to be reliable and not asking for help until it breaks her. Likewise being a good friend is at the Heart of Yamato's arc. Gus is to "go to the human world"… which maybe could be more reflective of a desire to learn and connect with others. Hikari's is "light", which is metaphorically life and growth (evolution). Of course, the girls in Amphibia have core concepts too, in the stones, Anne and Heart, Sasha and Strength, and Marcy and Wit. All traits they exemplify, but have to learn how to exemplify that trait well in temperance with the other two. In Digimon Adventure, if a character exemplifies their trait poorly, ie in a toxic way, they'll trigger a dark evolution, rampaging out of control power. When Taichi recklessly (suicidally) risks his life in hopes his partner will evolve further, his partner successfully pushes back their enemy as he hoped, but also turns on them. Sasha had to learn to use her strength to protect and lead people. Marcy had to learn to be strong enough to accept change. Anne had to get strong enough to stand up against Sasha and smart enough to keep the Plantar's safe in the human world and get back. In short the series both center a kid around an idea that facilitates their growth and gives them associated power.

Luz and Camila's goodbye in Yesterday's Lie is deeply reminiscent of Hikari and Taichi's goodbye in episode 21 of Digimon Adventure. Both feature a character (Luz and Taichi) returning home after being in another world for a long time, expecting their family to be worried only to find that they didn't even notice they were gone. However, the truth is revealed to their family member at home (Camila and Hikari) because of the presence of creature from another world, (Vee and Koromon), who the family member welcomes into the family with open arms. However, in the end of the episode Taichi and Luz must return to the other world, while promising to return home, while the Camila and Hikari try to get them to stay. Attempting to hold hands while their loved one drifts up and away in a beam of light. (And bonus! Luz and Hikari's names both literally mean light and are deeply associated with light thematically!).

Amphibia features a blue eyed blond haired girl of European descent in a human cast made up primarily of Asians, with issues stemming from her parents divorce. Digimon Adventure has a set of blue eyed blond haired brothers with some European heritage in a show with a primarily Asian human cast with issues stemming from their parents divorce. Sasha Waybright's parents divorce is potentially the cause of her control issues, controlling people so they don't leave and seeing relationships as transactional. The divorce left Yamato, a boy defined by friendship, lonely, and hesitant to connect to others and quick to resort to physical violence. It left Takeru with abandonment issues and a deep dislike of fighting, yet a blow up, lash out and cut off style of conflict resolution. Anyway all three of them lash out violently when they get upset.

The Plantar's parents died when Sprig and Polly were really young, killed tragically by a giant heron. Neither of them remember their parents well, but they still feel that grief, partially second hand from their grandfather. King's dad was unable to raise him, and dies before he can properly talk to him so he's raised by Eda under a misconception that he was a king of demon's and has an identity crisis when he discovers that was a lie. Koushiro's original parents were killed in a car crash when he was a baby. His current parents had recently lost a baby. So when Koushiro's current dad heard that his distant cousin had died leaving his son an orphan, his current parents saw it as a sign and adopted him. They weren't sure about when to tell him, but Koushiro overheard them talking about it one night and had an identity crisis. Though, I feel it's important to also include Adventure 02 in discussions of Adventure. That season features a kid whose father was killed when he was 6 who is still processing that during the events of the series. Not unlike Luz who lost her father as a young kid.

Digimon Adventure 02 also features a kid who feels irrational guilt for the death of his older brother was hit by a truck and died right in front of him. Speaking of the sequel season and Ken Ichijouji, he's got a lot of similarities to Marcy. He is a "genius" boy with chin length black hair who runs away from home into another world due to high expectations. His mental state is influenced by others, including an adult man who hopes to be able to travel to another world, for their own purposes and so takes it out on the digital world that he refuses to regard as real and subjugates it violently (Until he's broken out of his mental breakdown that is). He wished for his brother to disappear only to feel guilt when he did die. He also kind of has a green color motif when it's not black. Marcy is a "genius" girl with short black hair, and a green color motif who due to a conflict with her parents escapes into another world, befriending colonizers, and then is taken advantage of them by them them influencing her mind and controlling her body to direct a violent subjection of the inhabitants of a world. She wanted to stay together with her friends instead of going home, but that only separated from her friends, and then broke their trust when they found out about it.

Also speaking of kids manipulated into helping villains, Hunter reminds me of Tailmon. Naturally kindhearted people manipulated into loyally serving the main villain via abuse, where they are cocky and dismissive to others, coming into conflict with those that are theoretically their coworkers, until they find out the truth of who they are and are able to show their more playful, and kind side. Hunter was created by Belos to serve him, as his "nephew". He claims to have rescued Hunter when he was small, to be his family. Tailmon was separated as an egg from those she was meant to grow up with, and when she went looking for the place she belonged, found Vamdemon, ironically living in the place that her egg originated from. Vamdemon earned Tailmon's loyalty by abuse, under his rule, Tailmon grew from a "child" to an "adult". In other words both are the second in command so to speak of the person who on some level raised them, in a place that is meant to be safe. (As his Uncle/creator, Belos should be protecting him, Tailmon should have been safe in that castle). Both characters have scars caused by their abusers that they keep hidden (at least when we first meet them).

While they are being abused, they meet someone who is on their side, who knows a bit of the truth of their identity. Tailmon rescues Wizarmon, and tells her a bit about what she remembers about herself before Vamdemon beats it out of her and loyally keeps the secrets she keeps even from herself. Flapjack recognizes Hunter as a clone of Caleb. Wizarmon sacrifices his life to protect Tailmon from Vamdemon. Wizarmon's death unlocks the crest of light, and thus awakens Tailmon's evolved form, Angewomon who is able to avenge. Flapjack sacrifices himself to save Hunter from his possession from Belos. This gives him a magic of his own to use. When both characters realize the truth about their identity, that Hunter is a Grimmwalker, and Tailmon is the 8th Digimon, they are supported by a character with a name meaning "Light". Luz's interactions with Hunter lead him to finding out the truth behind Belos, before fleeing from him. She keeps Hunter's secret, and welcomes into her family. When Tailmon meets Hikari she realizes she senses something about the girl. But she's unable to directly confront her, unable to kill her like she feels she should. She rationalizes it away as not being sure while Hikari actively tries to befriend her, assuming she's a friend of her brother. This kind of character also exists to a certain extent in King Andrias, manipulated into being an evil dictator by his father, though his arc is somewhat reversed.

Luz's dad died of an illness that he was hospitalized for. Taichi has trauma regarding Hikari's illness as a child that left her hospitalized. Amity has high parental expectations, and two semi-rebellious older siblings who are a lost cause for those expectations. Joe also has high parental expectations and two older siblings who eschew the family expectations in favor of their own interests. Willow and Sora both feel obligated to shove down their own issues to try and look after others. Gus is a gifted kid who skipped grades and has issues related to being younger than his peers. One of the Digimon creatives was so horrified by kids skipping grades in America that she wrote Ken about it and has continued influence her digimon stories literal decades later.

Overall, the biggest difference between the shows premise wise (aside from the obvious inhabitants of each world) is the presence of Adults in Amphibia and The Owl House. Digimon takes the kids to a world where adults don't really exist. Sure there are more mature, adult-like (and adult level) monsters. But they're still not human adults. Digimon don't age or reproduce like humans, so they don't have a concept of parenting beyond babies. Or y'know. Have general concern for child safety. Which means that the kids have to depend on themselves and their partners to survive with no adult supervision during most of the show. While each kid has a decently fleshed out family life, primarily the threats are handled by the children alone since they mostly take place in a world that only the kids can access. But that doesn't mean the adults aren't supportive. When things do take place in the human world, the adults help out with food, transportation, keeping the media off their backs and emotional support. I think this sort of comes from Amphibia and The Owl House's perspective on child heroes, played straight with a bit of self awareness. While Amphibia DOES play it straight, even making Sprig and Polly orphan's it takes the time to involve Anne's parents and get their blessings, and features Grime and Hop Pop as adult figures. The adults aren't dumb, but they aren't obstacles for the kids either. And of course, The Owl House bumps up adult involvement, making Camila go WITH Luz back to the Demon Realm. Either way in all shows the adults are fully fledged characters for the most part with flaws, both as people and as parents. And the kids are recognized to be just kids at the end of the day, no matter how much they accomplish.

We get to see the parents help, worry and grieve over their kids, and of course have reunions both heartwarming and heartbreaking.

All series end with the main characters dying, via breaking into pieces during their final fight, and then getting revived. In Amphibia and TOH of course, Anne and Luz meet "God". After Anne uses the stones for one last ultimate attack, Anne meets what is actually a deity who gave the stones to mortals as a test which Anne passed. Luz meets what everyone worships as a god, who gives her his last bit of power to use as a final attack because he approved of her and has been subtly supporting her. Though the sequence of events differ, Anne and Luz are both chosen for their actions, rather than by destiny. The kids in Digimon met their "god" stand in about 15 episodes before the final fight. Their "god" stepped in when given the opportunity to explain why they were chosen, after they had already chosen out of their own volition to return to the fight: the "god" was desperate to fix the instability and the mysterious trait that these children were observed to have that caused a Digimon to rapidly evolve seemed like their only hope. More of a desperate hope than anything, but from it the prophecy of the chosen was born.

Amphibia's also got a prophecy that is really more of a plea for help. It refers to the wielders of the stones, which in this case was the girls. They weren't really chosen, but happenstanced into it, and it was clear that not even the creator of the stones really knew what would transpire. Digimon Adventure, the kids are the "Chosen Children" (Digidestined in the dub). They were actively chosen, for their mysterious potential, and so preparations were made that would hopefully aid them in saving the worlds. Even the choosers are in the dark about the details. TOH of course has no chosen one, except that in the kindness Luz gave King, King's father the titan gave back, bringing her back from the dead for one final stand. The titan didn't prepare per se, but definitely was helping guide Luz towards the skills that would help her save the world. Choosing her. A reoccurring idea in later Digimon Adventure media is that the Chosen Children, choose themselves. They choose to fight, even before they knew who chose them. They chose to continue fighting. The main villain in The Owl House, parades himself as a fake chosen one, using that status to manipulate people. The final arc of Digimon Adventure 02, features many people jealous of our main characters for their specialness, before they get their own Digimon. A sort of "prophecies, destiny, chosen heroes are something you make yourself, even if circumstances help facilitate it. No matter how people are guided towards it, ultimately destiny is about choices.

The Guardian: Look, I created the stones to see how mortals would handle unlimited power. Turns out.... not that well. Would you believe that after over 10,000 years, you're the only individual who used that power for good? Anne: Uh... This is a lot to take in right now. I mean, do I have a choice? The Guardian: Well, of course you do! I'm not a jerk. Anne: Well then... I'm gonna have to pass.

The Guardian: Wha?! No! I haven't even told you about Bagel Fridays!

Amphibia ends, of course, with the stones destroyed, save for three shards that is just enough to let the girls go home. The girls tearfully depart, with their final goodbyes to. Sasha isn't able to say goodbye to Percy and Braddock and asks Grime to greet them on her behalf. Then a flash-forward shows us how Amphibia is doing after the girls left, and then all the way 10 years in the future to show who the girls became. Digimon Adventure proper ends with the gate between worlds closing, and the restructuring digital world at risk of damaging the kids foreign bodies. So the kids must go home, and each take the time to tearfully bid farewell. However, as definitive as Adventure's ending may seem, it was always meant to be temporary, 02 beginning the very next week. The true intended ending being pushed to 02. In the true ending, right after the final battle and sacrifice, there were no goodbyes so it cuts to 25 years in the future, and shows the worlds at peace, a future where a Digimon partner exists or every person and people can freely travel between worlds. The Owl House also skips directly from the end of the final fight, no tearful goodbyes, to a few years in the future to show how everyone is doing. The group all regularly traveling between the worlds.

Overall I just have a soft spot for stories about real world kids with real world issues getting dealt with in the context of world changing life or death fantasy scenarios. The ability to represent the issues in unique ways while still talking about real issues straightforwardly is fun. And I'm glad to see that other stories in the genre got their time in the limelight for a while. But I hadn't really seen anyone talk, in depth about the similarities of the two shows to Digimon. It's not like Digimon Adventure invented the Portal Fantasy with Kids genre, but the inspiration is clearly there. There isn't any direct reference to Digimon in Amphibia, but Matt Braly has stated in an interview that he was partially inspired by Digimon. Though it is apparent he hadn't seen it in a while, the Myotismon arc and the way the show handled its parents seems to have stuck with him. As far as I can tell, there is only the one reference to Digimon in Owl House (Unless that really is the crest of knowledge on Titan Luz's chest), and I don't think Dana Terrace has ever said anything about Digimon so it's possible she's never seen it. But someone on her team must have seen it in order to reference it. I'm not saying all of these similarities were definitely pulled from Digimon, because a lot of them are very broad tropes seen in a lot of things, or could have been thought up independently. And a lot of these similar characters and plot points are very different in the details and execution. Just because characters are similar doesn't mean the same obviously. But it's still the same genre, and they all handle a lot of the same beats in different ways and its fun to see what's different and the same between three shows I enjoyed a lot.

[kyeomyun]

2:01 AM

pairings: dad!jeonghan x gn!reader

genre: FLUFFY FLUFF FLUFF :((

warnings: none... you might lowkey go through baby fever :)

word count: 0.8k

synopsis: jeonghan would do literally anything to stop his baby from crying, even if it included being dolled up.

::note: WELL- yes ik now those jewels on jeonghan hair are indeed stickers and not hairclips but YK WHERE I WAS GOING WITH THIS. also hello strangers :). it's been a fat minute since I have actually written something down so if this seems a little dry... just know I haven't written anything since august 🧍🏾‍♀️but i do hope you enjoy this absolute brain rot I wrote last night at 2 in the morning 😍

network(s): @kflixnet

If there was one thing Jeonghan absolutely despised, with his whole entire being, it would be seeing someone who he holds, oh so dearly to his heart, cry.

He knows crying is a trigger for intense emotion, don't get him wrong, he knows very well it was common with toddlers. Including his. But that does not eliminate the huge tear he feels in his chest when the salty crystalline drops roll down his wife or his daughter's cheeks.

And he would do about everything (except cook the pot roast dinner that you LOVE that takes almost 5 hours to make and Jeonghan could not, for the life of him, stand on his two increasingly aging feet for more than 2), to make his loved ones stop crying. Even if that included doing something he thought he would not fit..

"Almost done, darling?" Jeonghan asked softly, careful not to make the tire of his voice get the best of his tone.

It was 2 AM, and his daughter, Yoon, had a rude awakening with cold sweat and vivid memories of a nightmare that she did not want have the guts to relive with her father. Which the father could understand, reliving a nightmare is not fun at all and he did not want to force that scenario onto his precious girl.

"Nu-uh," She clipped another hair clip onto Jeonghan long hair, humming in approval watching her masterpiece come to life in front of her eyes. "You said I can put a lot, daddy!" She pouted, hands flowing through the overload of bows: baby pinks, baby blues, even ones with sparkles and stars dazzled upon the long strands of freshly washed hair. Messy? Yes. Did Jeonghan care? Just a little tiny bit. "I have to make you really, really, really, pretty!"

"I did say that, did I?" Jeonghan said that more to himself, his words playing back on him tremendously. His eyes were drooping, fighting back the wondrous dreamland he was in before he was awoken by a frightened 4 year old. As much as his body wanted to shut down, his mind was stuck on one thing and one thing only.

Well maybe 2.

How long will it take to take these hairclips out and how is his miniature him doing?

"Mhm!" She clipped glittery pink hairclip on a randomly selected portion of her father's hair. "But at least daddy will look extra, extra pretty!"

Jeonghan butt was staring to numb, sitting on the carpeted floor of his daughter's room criss-crossed and Yoon standing up behind him with the next 2 hairclips awaiting their home on his head. But his heart filled rapidly, an intense feeling he has always had at moments like these. Ever since Yoon was born, this feeling was almost... unexplainable. Too immense to be just happiness and too extreme to be just love. It could be a mix of both but those 2 words are just not enough. No words could ever be.

Oh, he is down bad...

The smile that stretched upon his poorly chapped lips was one worth describing though; a smile that held so much value, love, adoration, did he think love?

"One more, daddy!" Yoon announced enthusiastically, a pretty baby blue butterfly, clipped on a strand near the front of Jeonghan head. A small giggle was heard as the little girl admired her work, grabbing ahold of the mirror and giving it to her pretty caregiver. "Is it pretty?"

Jeonghan took the mirror, its weight light but enough to slightly tilt his hand a bit. This motion was able to show the awaiting face of his daughter, who too stared into the mirror and tried to read her father's face. But he obviously had his answer.

But he still pretended to contemplate, his pointer finger tapping his chin in wonder. "It's not pretty,"

That cute pout adorned her lips again, her fragile heart clenching painfully. "You... don't like it? I thought–"

"It's beautiful, baby," Jeonghan looked behind him, and nothing, absolutely nothing, could match the cuteness of seeing his other half, his small angel, puffy cheeks bunch with joy. A smile that could kill many, Jeonghan being one of millions. Billions.

"Yay!" The excitement was barely contained in her small body, slightly bouncing in her place she stood in for almost 30 minutes before her stubby arms wrapped around the neck of her father. "Do you think uncles will be jealous?"

"Very," Jeonghan stared back in the mirror, his smiling bundle of joy warming his heart to the greatest. "Very, very jealous."

A kiss was planted on his cheek, and now he was conflicted about what his members will actually be jealous about.

His marvelous creation on his head, hairclips and bows that were placed in no particular pattern, or the creator, that shined her crooked teeth and eyes shining just as bright as she went back to slightly messing with the butterfly hairclip that hung just barely in his peripheral.

Ok, definitely the creator.

did you enjoy your order?

if you did, please reblog, like, (pls) comment, all of that jazz :>

have a good day, sweets ^^

tagging: @wheeboo @etherealyoungk @rubywonu @trblsvt @icyminghao @idubiluv @odxrilove @stormyjisung @slytherinshua @fairyhaos @gyu-effect @hannieheartuu @jaehunnyy @luvhyun3 @lvlystars @mesanthropi

[warpcoreweirdness]

just finished season 2 of Lower Decks and i'm SO glad i tried this show again

i actually started the show a while ago, but the constant easter eggs put me off.

(i still don't know how non-Trekkie viewers are meant to get the jokes where the punchline is "reference!! 😂", but lots of people enjoy it so ymmv).

i stopped a few minutes into episode 2 after Rutherford agrees to quit his job as an engineer so he can watch the Trivoli pulsar with Tendi.

i honestly thought it was going to be a storyline about a guy giving up a job he loves and making his boss angry so that he can spend time with a female friend he has a crush on, because that's the plotline i've been conditioned to expect from tv. i wasn't feeling excited about the show, so i put it on pause.

but if i'd watched for about two more seconds before noping out for a few months, i would've seen this:

when i started watching again, i realised that the episodes never bog themselves down in drawn-out, uncomfortable storyline or character staples - they're actually incredibly well-written, tightly paced, and tell their stories in just the right amount of time. Rutherford wants to be Tendi's friend (at least for now), his boss Billups is really supportive, and Tendi brings a PADD into the Jefferies tube so they can both do what they enjoy, separately but together.

another great part about that scene with Rutherford and his boss is something that Lower Decks does a lot, which is make jokes that actually rely on subverting audience expectations. a big example - and a way of referencing other parts of the Star Trek franchise that does work for me - is when the creators gently poke fun at or subvert common story beats, emotional arcs, or dramatic moments from other parts of Trek.

like when Rutherford loses his memory and Tendi is excited to get to know him again, rather than devastated that he doesn't remember her.

or when they save themselves from being smooshed by Dooplers by dramatically ejecting the warp core of their tiny model starship.

or when Tendi goes on an arc of significant personal development over the course of one (1) whole episode.

they're general enough that even people who haven't seen other Star Trek shows (or movies) can still recognise and appreciate them.

beyond this, the show also has great moments where they (lovingly) cast a light on some of the flaws and foibles in the franchise, often in subtle or comedic ways.

like showing people in beep chairs living their best lives (in contrast to TOS and SNW's view of the beep chair as a tragic, doomsday fate for Pike).

or using Tendi to comment on Trek's depiction of Orions specifically as all pirates and slavers, and alien cultures more generally as monocultures.

or even just acknowledging that Trek shows mostly focus on the bridge crew doing heroic first contact-esque adventures, when that can't be all there is to Starfleet.

heck, they even have Rutherford go on a journey of acceptance and self-discovery after a permanent memory wipe (in contrast to Uhura in TOS, where it's never mentioned again).

another reason i really appreciate the show is that the creators have taken the time to think through what a more inclusive future could look like, in ways that are noticeably lacking or absent in many other Trek shows:

beyond exploring diversity through explicit identity representation (which is still very important), it does this through its world building as well.

i love this communal sonic shower scene for what it says about gender and body politics in Trek. in the future, why would we still separate bathrooms and changing rooms by gender? and why would we have the same views and expectations around bodies that we (by "we" i mean Western countries) do now?

this short scene dismantles the idea that nudity is inherently sexual, that gender is binary and biological, that some genders can't be trusted around other genders while naked, and that heterosexuality is the default (and when you bring dozens of alien species into the mix, why wouldn't we have more and newer ways of thinking about gender?). it even has a little mention that Boimler prefers not to shower with others, leaving space for people to act however feels most comfortable for them.

it's such a little thing, but after years spent (lovingly) yelling at the screen during TNG, TOS, DS9, etc saying, "why are they assuming everyone is straight? WHY would people be this sexist?", i noticed it immediately and appreciated it immensely.

(this isn't related to the storytelling, but i also have to say - the animation in Lower Decks is so pretty???):

this isn't a perfect show, but it's funny, has fantastic storytelling, and it loves the source material without worshipping it. (which is not something i expected to say, given how it started).

plus i love these characters SO MUCH.

so far, so very good 🤞.

(image descriptions in alt text)

[bonefall]

going to the star spoilers thread and seeing that icestar make owlnose of all cats deputy was certainly ..... something. who's the leading candidate for bb icestar's deputy?

This is actually going to depend a lot based on how I overhaul the politics of RiverClan. It is getting a MASSIVE shakeup, because BB!ASC is going to explore power vacuums.

Canon!RiverClan is full of "nobody" warriors who haven't been characterized, both because we've spent very little time with them historically AND because the writers made the choice to spend barely any time with them in this arc too. This is an issue.

Instead of how canon made it so that RiverClan couldn't find a leader so they all forgot how to do the chores they did their whole lives, THIS time, I'm going to show a bunch of highly qualified warriors breaking up into cliques and descending into in-fighting.

To do this, I have two objectives;

Revamp my RiverClan Family Tree a bit to base a finalized allegiance list on... plus pad it out some more so I can handle the mass exodus that will be happening at the end of the arc.

Characterize extra competitors for RiverClan's leadership, mostly from scratch, along with their key supporters.

Splashtail will be ending up on top through a mixture of imitating Curlfeather and utter luck. My plan is to portray him as someone others might think is manipulative and charismatic, when in reality, he's coasting off the waves of someone who had victory within reach and gave it all up to save her daughter.

(and tigerHeartstar's occupation will be the turning point, as Splashtail unites RiverClan against their common enemy to put himself in power. FIGHT FIGHT FIGHT)

I also want to make ASC's attempted theme of "connecting to the past" more meaningful by drawing parallels to this and the Collapse of the River Kingdom.

In fact (been waiting a while to share THIS little idea!) I'm heavily considering that BB!ASC is the end of RiverClan as we know it, and from here on, it's the RiverClan Republic. Give it a slightly different ruling system and allow its culture to change significantly, like how I approach BB!SkyClan.

So... the short answer is that I don't have the pieces for the proper list of "candidates" yet, because a LOT more cats are gonna become eligable.

The parallel short answer is that if I had to pick NOW, it would be Minnowtail, who is going to be receiving her boyfriend Mousewhisker early in this arc and has a very long history with Icewing as an ex-DF trainee. Curious, bold, and insightful, she's someone they can trust as an organized deputy.

(Mousewhisker running across the border rom-com style because he's decided that the time is now to finally be with his secret lover of many years, only to arrive just after a major battle like "oh... is this a bad time?")

[wonderfull-star]

Is it just me or do people just overestimate Peri in some aspects?

Especially people on reddit. I haven't watched the entire cartoon yet, but damn. Some people SERIOUSLY think Peri is a super caring perfect godparent and a really kind character. Like, the best version of Cosmo. Are you serious?? It feels like some people who think that haven't watched the original series. Because people there clearly overestimate Peri and underestimate Cosmo. Yes, Cosmo is far from a genius, but he's definitely not a complete idiot either. And he definitely has a lot more experience than his son. He's already thousands of years old, while his son is only in his 20s…

I feel sorry for Cosmo and Dev 😭

Well, yes, Dev is a spoiled kid. Yes, he used magic for bad purposes. However, he is still just a child who, despite everything, tries to become better. Even if he does such thoughtless and bad things. Well, what else can you expect if no one in particular was involved in his upbringing, and his father himself does not pay enough attention to him.

I am also sure that when Peri first met Dev, he was more worried about his job at first. Which is understandable. After all, it was his first time and he was afraid of making even the slightest mistake. Because of all these rules and his peculiarity of magic, he developed severe anxiety.

I think the idea of ​​creating Poof as an adult is to show through his character the real difficulties that people go through at this age and the pressure of society. And you know, it suits him so well. In the original series, he was always in the spotlight and everyone always had high expectations for him. It is clear that at an older age, this will not affect him in the best way.

Still, sometimes Peri didn't behave in the best way. He had just gotten his job at the first time. Even with all the education he had gone through, it wouldn't make him a good godparent right away, that's for sure. After all, what's important in this job is not the training but the experience itself, which he clearly doesn't have yet. People also forget that Peri initially wanted to be a tooth fairy not a fairy godparent. So I wonder: wasn't it primarily the influence of his parents and the fact that THEY wanted to see him in this job and not Peri himself? In real life, unfortunately, this often happens and all this later ends in a not very good way.

So even if Peri had Hazel as his godchild, it still wouldn't have solved the problem. And not because he's bad as a godparent, but because this job is simply not right for him. In some moments, he acted pretty disinterested even when Dev wasn't acting like an egoist. Yes, now people will throw various excuses at me about this, but still. However, it's even clear that Peri clearly doesn't enjoy this job. Seriously, if you remember Cosmo and Wanda from the original cartoon, they mostly enjoyed what they do (although they've been doing this for thousands of years). The thing is that they just get along well with children and find a common language with them. Perhaps I think the creators wanted to show the problem in choosing your profession and what you really like to do in life. And what difficulties you have to go through to find what you really like to do.

But some people just don't care about it, considering Peri the best in literally everything. In fact, they consider him as tumblr "star"man and Dev as a simple spoiled child. Crazy fans forget that almost every character has their own shortcomings and bad sides. Well, and also the opposite of all this. I consider Peri more as a neutral character with his good qualities and flaws. Still, it is impossible to deny that in some moments he really did not act in the best way.

Peri’s simps detected 📸(don’t take it seriously lol)

And this is a very common situation in fandoms…

[project-sekai-facts]

i recall some kind of theory or pointing out of the fact that tsukasa's focus sets have had him getting less and less authority each time, and with the role of a minor character, it seems to have been intentional

oh i remember a lot of players on JP and KR side pointing that out when Phoenix released! and yeah I think it's definitely true

he went from king -> commoner -> jester/circus performer (for the king) -> a shadow

actually i have a lot of thoughts about his new card and i doubt this set will get an official blog post so i might just ramble a bit. (ftr: haven't read the event yet, sekai.best isn't updating and i surprisingly haven't really found anything from looking through JP/KR side either). specifically, i have a few thoughts about tsukasa being a shadow in this card because it's actually way more than that. oh to be a media student

first off the costume name: phantasmagoria. according to wikipedia, this was an old form of horror theatre that involved projecting scary images. (it's quite interesting actually you can read the article here). the effects in phantasmagoria productions would be done using magic lanterns, the ones you slide a disc with a picture into so it projects it onto a wall. usually, they'd use rear projection, where the lantern is placed behind the surface it's being projected on (so the surface would usually be smoke or some sort of semi-transparent screen) to keep up the illusion (rear projection is how old movies did backgrounds for reference).

now here's where the light in the card comes into play. for starters, rear projection clearly isn't being used here because he's on the stage-thingy (that will be relevant later). also instead of the light shining at him as if he were the subject being projected, it's shining down on him. while partially this was definitely done in part for composition cool points (the composition on this card is so fucking good actually it has nothing to do with symbolism but like holy shit), it's very reminiscent of a spotlight. as i said, i haven't had the chance to read the event yet but i'm assuming this will connect with him having to play a minor role (or play the shadow as the gacha says) and still putting himself in the spotlight.

i like that idea actually because if you link the fact he's standing in the spotlight that means he is still casting a shadow. it may appear to the viewer as if he's the centre of attention - he's right in the light, literally hitting all the composition marks to make him the sole focus of the card - but he's still just a shadow in a larger phantasmagoria. and actually, the spotlight sort of goes around him, he's pretty much cast in darkness despite being in the light and i love how that reflects him being part of a smaller role or "shadow". he stands in the spotlight and puts on a great show no matter if he's truly the star.

lastly: the pose. now look at this 4koma where he does a bird pose:

familiar? while in this 4koma he's meant to be imitating an eagle, i can't help but notice some striking similarities in how he's posed.

also the gacha has a feather! specifically a black one. unfortunately since there are no actual birds on the cards, nor are there feathers, I can't tell you exactly what bird he is meant to be..,

although if you wanted to really grasp at straws then his last event was called Towards the Phoenix at the Sky's Edge the play from that event was called Happy Phoenix and both the play and the lead role in it are incredibly significant to Tsukasa personally and he ended up cast as the lead role in that play and even though the lead role isn't the phoenix that bird is still significant to him in some way.

also going all the way back to the original point of his class decreasing with every set i think while yes in this set he has been reduced to nothing more than a prop, or even less so a mere shadow, but at the same time if you chose to go with that incredibly reachy phoenix idea, it's a comeback. the phoenix rises from the ashes, tsukasa can be reduced to nothing and still be the star owning the spotlight, the most powerful one in the room. hell, he's still on a stage despite everything. i think it's super neat actually that despite this being him at the lowest rank, he's actually in the place where he belongs.

i believe i've only briefly mentioned it in passing on this account before, but theatre is his life. above all else Tsukasa is an actor and the stage is where he thrives. i think it's so interesting how with each set he loses authority, but he also gets closer to being on the stage. the king is at (well, near) his castle where he leads (link to WMS), Torpe is at his piano where he performs (link to Dazzling Light), the Jester is at the circus where he performs, and then you get the one that's hardest to define as any set character. it's not a king or a pianist or jester, it's just some performer on a stage. this time there's no character, and it's not just "some performer" because this is tsukasa. it's still another role, but this time the role is, as the event synopsis states, more "real". this is tsukasa where he belongs, he never needed any sort of power or to play the role of another performer in order to shine because he himself is a performer at his core. Torpe is a performer, but Torpe is not Tsukasa. Tsukasa is Tsukasa, and Tsukasa is a performer. Something like that.

sekai.best please update

[morbidsmenagerie]

Making Better State Insects

So at some point I stumbled across a list of State Insects. Honestly I wasn't even aware states had "state insects", but as I looked down the list my disappointment grew. A vast majority of states had selected the European honeybee (which is not even native) as their state insect, with monarch butterflies and ladybugs being the two runner ups. I thought this was a damn shame because there's so many interesting insects in the US, so I'm making a better official new list of state insects.

For this list my criteria are:

Insect must be native to the state

No repeats

Insect must be easily observable to the naked eye

I also had general guidelines of picking insects that were relatively common (based on inaturalist heat maps of observation) and picking insects that were cool or interesting. Some of these insects I picked because I thought they were important parts of the areas culture and experience (lovebugs, toebiters, and periodical cicadas) and some insects I picked just to raise awareness that they exist in the US.

I also don't think I gave anyone huge L's, no mosquitoes, louses, cockroaches, ect, because my goal of this list is to get people interested in their native insects and I want it to be fun to find and observe your state insect.

Also some states get gold stars for picking state insects that already meet these criteria and are cool so they get to keep theirs. Some states also have "state butterflies" or "state agricultural insect" which for this list I'm ignoring, you can keep those I'm just focused on state insects. Slight disclaimer also, I've only ever lived in California, Nevada, Oregon, Washington, and South Carolina, and all these states are keeping their original state insect. So all the insects I'm choosing are for states I haven't lived in. Also I'm not including photos in this post just for my own sanity.

List under the cut!

Alabama

Old: Monarch Butterfly

New: Giant Leaf-footed Bug (Acanthocephala declivis)

Leaf-footed bugs are cute, they're big, they're stanced up, the males have big back legs, you've probably seen them. Being true bugs they have piercing mouthparts and suck plant juices.

Alaska

Four-spot Skimmer (Libellula quadrimaculata)

Alaska gets to keep their old state insect, it's a cool dragonfly and apparently was partially chosen to honor bush pilots who fly to deliver supplies in the Alaskan wilderness, so really cool!

Arizona

Two-tailed swallowtail butterfly (Papilio multicaudata)

Arizona also gets to keep their state insect. Kind of a shame because Arizona has a lot of cool species, but it did meet my requirements and they get points for choosing a different kind of butterfly.

Arkansas

Old: European honeybee

New: North American Wheel Bug (Arilus cristatus)

One of the largest assassin bugs in the US, these guys are appreciated by gardeners for their environmentally friendly pest control. They also look badass.

California

California Dogface Butterfly (Zerene eurydice)

Endemic to California and on a stamp! Again, kind of a shame because there's a lot of cool insects in California, but I respect this choice, especially since California was the first state to designate a state insect (1929).

Colorado

Colorado Hairstreak Butterfly (Hypaurotis crysalus)

Same deal as California, the state's name is in the common name, unique butterfly found in the four corners region. Just get a stamp or something soon!

Connecticut

Old: European Praying Mantis

New: Cecropia Moth (Hyalophora cecropia)

You picked a state insect no one else had but went with a nonnative mantis? Here's an insect that'll make you stand out and it's a native species. Lesser known than some of the other giant silk moths, the Cecropia moth is the largest native moth and has some truly stunning colors.

Delaware

Old: Convergent Ladybeetle

New: Periodical Cicada (Magicicada septendecim)

Cicada's had to be somewhere on this list and Delaware was one of the main hotspots for brood X, one of the largest broods of the multiple staggered brood cycles. Hey, they have a lot of history in America. Accounts go back as early as 1733, with Thomas Jefferson and Benjamin Franklin making a note of them.

District of Columbia

Old: None

New: Monarch Butterfly (Danaus plexippus)

The Entomological Society of America is trying to get the Monarch Butterfly added as our national insect, so I think that's reason enough to let DOC claim it.

Florida

Zebra Butterfly (Heliconius charithonia)

Florida gets to keep their state butterfly, but the populations that have existed in Florida are in steep decline. Ideally I would want being the official state insect to come with some protections, hopefully people can get invested in reintroducing them.

Georgia

Old: European Honeybee

New: Horned Passalus Beetle (Odontotaenius disjunctus)

Also called bess beetles or patent-leather beetles, these cute guys are important for forest systems because they eat decaying wood, helping to break down felled trees. They're cute beetles that squeak when disturbed.

Hawaii

Kamehameha Butterfly (Vanessa tameamea)

An endemic Hawaiian butterfly named after a ruling dynasty of Hawaii. Their population is under threat, as with a lot of native Hawaiian species, so I think this is a good state insect to build protections and activism around.

Idaho

Old: Monarch Butterfly

New: Ice Crawler (Grylloblatta sp. "Polaris Peak")

Look Idaho, I have to admit that even though I've traveled extensively through WA, OR, CA, and NV I've never stepped foot in Idaho and I don't intend to. Your state exists in a weird liminal zone, not really the pacific northwest but not really whatever Montana is either. Your state isn't even all in one time zone. So look, I really wanted ice crawlers to be on this list, but they're exclusively found on mountains in the pacific northwest and Sierra Nevadas. Normally I would've given them to Washington or Oregon, but those states already have state insects that work for them. So your state gets ice crawlers, and they do exist in Idaho in the panhandle. It's not an L, ice crawlers are amazing extremophiles that crawl over snow in high elevation mountain peaks. They exist in their own unique order and theres only one genus in the US, with different species being region locked, sometimes onto specific mountains. Their thermoregulation is so delicate, the warmth of someones hand holding them causes them to over heat and die. They're cool, unique, and weird, and let's face it so is your state. At least I didn't take a cop out by picking the potato bug.

Illinois

Old: Monarch Butterfly

New: Red-banded Leafhopper (Graphocephala coccinea)

Leafhopper done Chicago style.

Indiana

Old: Say's Firefly

New: Common True Katydid (Pterophylla camellifolia)

I wanted to give you Say's Firefly. I really did. But when I looked on Inaturalist not A SINGLE OBSERVATION was listed for the species in Indiana. I'm even going to post pictures.

So even though this is extremely funny I'm giving your state the Common True Katydid instead. Large, loud, and easy to spot, these guys can frequently be heard chirping in trees. Not only do different populations have different rates of chirp, but the rate of chirp is also so predictably dependent on temperature that you could make an equation to tell the temperature based on chirp rate.

Iowa

Old: None

New: Westfall's Snaketail (Ophiogomphus westfalli)

Really cool clubtail dragonfly that's almost exclusively found in Iowa, Missouri, and Arkansas.

Kansas

Old: European Honeybee

New: Rainbow Scarab (Phanaeus vindex)

A kind of true dung beetle, they play an important role in removing waste. And although they don't roll waste like the stereotypical dung beetles, they are extremely pretty.

Kentucky

Viceroy Butterfly (Limenitis archippus)

This is fine.

Louisiana

Old: European Honeybee

New: Lovebug (Plecia nearartica)

Look, one of the southern states was going to get this one and Louisiana has a majority of the observations for them. Although annoying, it's things like having to scrape thousands of flies off your car that makes the Southern experience. Embrace it!

Maine

Old: European Honeybee

New: Brown Wasp Mantidfly (Climaciella brunnea)

I really wanted these guys to be somewhere on the list. Neither a wasp, mantis, or fly, these are predatory neuropterans related to lacewings. They have raptorial front legs (resembling a mantis) and their coloration resembles paper wasps that they live alongside. Weird, unique, and wonderful!

Maryland

Baltimore Checkerspot Butterfly (Euphydryas phaeton)

This butterfly might've been picked for the resemblance of the state flag. It's in decline in it's native range, so hopefully more awareness and consideration to state insects will help push conservation efforts.

Massachusetts

Old: Ladybug

New: Hornet Clearwing Moth (Paranthrene simulans)

Hornet mimic moth, the caterpillars feed on chestnuts and oaks. All lepidopterans (moths and butterflies) have modified hairs on their wings that form the "scales" that give this order their name. For this moth though, parts of it's wings don't have any scales so it more convincingly resembles a hornet. Underneath the scales, butterfly and moth wings look pretty much like any other insect's wing. Cool!

Michigan

Old: None

New: American Salmonfly (Pteronarcys dorsata)

The biggest salmonfly in North America. They make excellent fishing bait, and several fly fisherman use salmonfly lures to catch trout. Their nymphs are also an important indicator of water quality, with them being one of the first species to disappear in the presence of pollution or contaminants.

Minnesota

Old: Monarch Butterfly

New: American Giant Water Bug (Lethocerus americanus)

Also one of the ones that had to be on the list somewhere, and the Inat heatmap says Minnesota. Toebiters are part of the experience, and they are cool and ferocious looking.

Mississippi

Old: European Honeybee

New: Eastern Eyed Click Beetle (Alaus oculatus)

Click beetles have a cool adaption that allows them to launch themselves in the air to avoid predators. This makes an audible sound, hence their common name. The Eastern Eyed Click Beetle is one of the largest and most striking click beetles in the US, with large false eyespots on their thorax.

Missouri

Old: European Honeybee

New: Goldenrod Soldier Beetle (Chauliognathus pensylvanicus)

A soldier beetle that feeds on aphids and small plant pests, these beetles also eat pollen and nectar from flowers. They don't harm the flower, and though their common name reflects their preference for goldenrod flowers, they're also an important pollinator of the prairie onion (Allium stellatum). This is a native species of onion that grows from Minnesota to Arkansas.

Montana

Old: Mourning Cloak

New: Western Sheep Moth (Hemileuca eglanterina)

Mourning Cloak butterflies do technically work for my criteria, but I wanted to showcase some more regional insects in this as well, as Mourning Cloaks are found throughout North America and Eurasia. The Western Sheep Moth is an absolutely stunning giant silk moth, found throughout the western United States. Although not as big as some other silk moths, the bold orange and black coloration on these make them absolutely stand out.

Nebraska

Old: European Honeybee

New: Blowout Tiger Beetle (Cicindela lengi)

A tiger beetle with unique patterns, these guys are active predators and are particularly difficult to spot because they run extremely quickly. They seem to be pretty cold tolerant and exist from Colorado up into Canada.

Nevada

Vivid Dancer Damselfly (Argia Vivida)

This damselfly was picked as Nevada's state insect because it's widespread throughout the state and matches the state colors, silver and blue. That gets my seal of approval!

New Hampshire

Two-spotted Lady Beetle (Adalia bipunctata)

This is fine.

New Jersey

Old: European Honeybee

New: Margined Calligrapher (Toxomerus marginatus)

A pretty hoverfly, they strongly resemble bees in both looks and behavior. Larvae feed on common plant pests such as thrips and aphids, while the adults sip nectar and pollinate flowers. These helpful attributes make it something the Garden State can appreciate!

New Mexico

Tarantula Hawk (Pepsis grossa)

New Mexico wins the official state insect list by a landslide. Not only is the tarantula hawk a super cool and formidable insect to showcase, but New Mexico's state butterfly (Sandia Hairstreak) was discovered in New Mexico. No notes 10/10!

New York

Nine-spotted Lady Beetle (Coccinella novemnotata)

A native species of lady beetle that's been in decline in recent years, New York is one of the last remaining states where they've been spotted. I also appreciate that New York designated a specific ladybug species instead of just saying "Coccinellidae species".

North Carolina

Old: European Honeybee

New: Eastern Rhinoceros Beetle (Xyloryctes jamaicensis)

A large native species of rhinoceros beetle. They breed in ash trees, and are under threat due to competition from the Emerald Ash Borer.

North Dakota

Old: None

New: Nuttall's Blister Beetle (Lytta nuttalli)

As with all blister beetles, these guys have a chemical defense. Unlike the more famous Bombardier Beetle thought, instead of being black and red they are iridescent red/purple and green.

Ohio

Old: Ladybug

New: Bald-faced Hornet (Dolichovespula maculata)

Look, when the one thing everyone knows about your state is that it sucks, it's time to lean into it. Bald-faced hornets, everyone knows them, everyone has opinions about them, and they get a lot of attention. I don't think I have to explain this one anymore.

Oklahoma

Old: European Honeybee

New: Giant Walking Stick (Megaphasma denticrus)

The largest insect in the United States. Being a native walking stick, they're less damaging than the imported invasive walking sticks that are heavily controlled.

Oregon

Oregon Swallowtail Butterfly (Papilio oregonius)

Oregon in the common name and in the species name, and also has a stamp!

Pennsylvania

Pennsylvania Firefly (Photuris pensylvanica)

Pennsylvania in the common name and species name. If fireflies weren't already on this list I would've made sure to include them somewhere.

Rhode Island

American Burying Beetle (Nicrophorus americanus)

When I saw this on the list I was worried. American Burying Beetles are one of my favorite insects, but they're extremely endangered now. I also thought they existed more in the midwest, so I was worried I would have to change this one because it violated the "native to the region" rule. But! To my pleasant surprise, not only did their historic range extend to Rhode Island, but there is actually a carefully maintained wild population on Block Island. They estimate between 750-1000 individuals live there, making it one of the few remaining places where the American Burying Beetle still exists. Excellent work Rhode Island!

South Carolina

Carolina Mantis (Stagmomantis carolina)

This is fine. I wanted to give South Carolina the Palmetto bug but they're actually not native.

South Dakota

Old: European Honeybee

New: Golden Northern Bumble Bee (Bombus fervidus)

"Save the bees" should really be focused on native pollinators, many of whom are in decline. There are a lot of species of native bee you can feature as a state insect, with the Golden Northern Bumble Bee being a particularly large and striking species.

Tennessee

Old: Firefly and ladybug

New: Black-waved Flannel Moth (Megalopyge crispata)

Seriously look them up, these guys are adorable.

Texas

Old: Monarch Butterfly

New: Rainbow Grasshopper (Dactylotum bicolor)

It was really hard to pick an insect for your state. The Texas Unicorn Mantis was a contender but I eliminated it because it's really only found in the southern part of Texas, so it was between the Rainbow Grasshopper and the Eastern Velvet Ant (or Cow Killer). I went with the Rainbow Grasshopper because it's more wide spread and common, and occurs everywhere except the east part of Texas. But the Eastern Velvet Ant only occurs on the east part of Texas, maybe you should get an East and West Texas insect? I also thought more people have probably already heard of the Eastern Velvet Ant than the Rainbow Grasshopper, which is a shame because they're super interesting to look at.

Utah

Old: European Honeybee

New: Mormon Cricket (Anabrus simplex)

Mormon Crickets are not true crickets, and instead closer related to katydids. Their common name comes from an early account of Latter-day Saint settlers in Utah. In 1848, a swarm of Mormon Crickets decimated the settler's crops, so the legend goes that they prayed for relief from this plague of insects. Later that year, a swarm of gulls appeared and ate the crickets, thus saving the crops. This is recounted in the "miracle of the gulls" story. To recognize their contributions, the California Gull is commemorated as Utah's state bird. I thought it was fitting then that the Mormon Cricket be recognized as your state insect.

Vermont

Old: European Honeybee

New: Long-tailed Giant Ichneumon Wasp (Megarhyssa macrurus)

A pretty wasp with an extremely long ovipositor, these wasps are common in deciduous forests across the eastern United States. They can't sting, and instead use their long ovipositor to stab into tree bark and deposit eggs on the horntail larvae that burrow into the trees.

Virginia

Old: Eastern Tiger Swallowtail Butterfly

New: Giant Stag Beetle (Lucanus elaphus)

A large stag beetle native to the Eastern United States. Although not as well known as their similar looking fellow stag beetles from Japan, these guys are a lovely chocolate brown instead of solid black. Like most stag beetles, they breed in decaying wood.

Washington

Green Darner Dragonfly (Anax junius)

I imagine this was chosen because it matches the flag.

West Virginia

Old: European Honeybee

New: Appalachian Tiger Beetle (Cicindela ancocisconensis)

This tiger beetle likes hilly terrain. As with all tiger beetles, they can be hard to spot because they run across the ground in search of prey. They are fast! But this can make it more rewarding when you finally catch up to one.

Wisconsin

Old: European Honeybee

New: Phantom Crane Fly (Bittacomorpha clavipes)

Don't believe old wive's tales about crane flies drinking gallons of blood, they are nonbiting. Those striking black and white legs are hollow, and are held out when they fly, making an extremely distinct sight that's been likened to sparklers or snowflakes.

Wyoming

Sheridan's Hairstreak (Callophrys sheridanii)

This is fine.

[phoenixyfriend]

Making this its own post instead of an ask.

I divide crossovers into categories or types, and here the most basic ones.

Intrusive:

A character from one setting ends up in another, completely unrelated setting. They do not share a universe, do not share a planet, nada. This is "falls through a portal" type of crossover. EXAMPLE: A Witch's Favor, where Wanda Maximoff and Maria Rambeau (Marvel) end up in the Star Wars universe due to an unexplained spell malfunction.

Shared Verse:

The settings could theoretically, in some manner, exist in the same universe without ever intersecting. EXAMPLE: I usually use Naruto for this example, e.g. the Hidden Continent exists in the Pacific but has had minimal influence/interaction with the rest of the setting up to this point because it's magically cut off from the rest of the planet. For Star Wars, this is usually pretty easy by just putting whatever the second canon is as just. A planet in Wild Space. They exist in the same universe! They just haven't found each other yet! A great example is the fic A Star to Steer By, by @norcumii and @dogmatix. A subset of this is fics where one is the distant past of the other, like Muse on This or Red-Eyed Black Widow.

Mixed Verse:

The setting is one that involves both canons influencing each other to a degree, or being in the same verse without being a fusion AU or shared-verse. The settings exist together, both having strong worldbuilding elements of the original, but are not fully themselves and show obvious elements of the other. EXAMPLE: Unfortunately my most recent example is an HP crossover so. Please keep in mind that this is from four years ago, before R*wling outed herself as a massive bigot: Professor Storm.

Fusion:

More or less 1:1 "this character from fandom A would be this character from fandom B" or otherwise "characters from fandom A reimagined in fandom B with none of the original setting." For a long time, HP was the biggest and most constant example, but uhhh that's clearly been falling out of favor like raw eggs. I've seen a lot of good ones for Hunger Games, though, and even wrote my own, but I know some other common ones are Steven Universe (which gem are they?), AtLA (which bender type are they?), or Pokemon (what trainer type are they). Also, arguably, generic AUs that don't take place in canon-verse, like modern or historical or zombie or Generic Cyberdystopia. EXAMPLE: After Me Comes the Flood.

Element Overlay:

A world-building element from Fandom B is applied to the setting and characters of Fandom A. Common examples are Daemon AUs or Sentinel/Guide AUs. I think a fun thing to point out is that, while they don't technically have a source fandom of origin since they were developed communally by fandom, soulmate AUs and omegaverse count as well.

There are other types, like infusing the plot of one narrative into the setting and characters of the other, which is a really fun kind of fusion (I always come back to thinking about Age of Marvels by justplainrii, which only ever got three chapters but still eats at my brain sometimes), buuuuut I'd say most crossovers are some variant of the above.

[marsprincess889]

Vedic astro mini post

Cow Yoni (Uttara Phalguni and Uttara Bhadrapada) trope

In my astro observations post, I said that their dynamic is enemies to lovers and I provided some examples. I'm gonna go further into that.

Not only does their love story involve a physical fight scene, but it also involves a dance, both being full of tension.

Uttara Phalguni is the second sun ruled nakshatra, beggining in Leo and most of it being in Virgo. It's mostly concerned with relationships and defining their identity through their relationships/popularity. People tend to naturally like them and they don't have to do anything, they're just likeable like that. Uttara Phalguni is the "star of patronage".

Uttara Bhadrapada is the last saturn ruled nakshatra, being opposite Uttara Phalguni and all of it being in the sign of Pisces. It's concerned with finding a solid, stable footing in life and doing that the only correct way: through honesty, bravery, hard work, strength and perserverence. It's the "warrior star".

It's not hard to see why they might be at odds. Their rulers_ Sun and Saturn are natural enemies, they're opposite each other, they're both stable nakshatras, they're both warrior caste, they want the same thing but go for it in very different ways. They're also very obviously meant for each other.

Example 1, The Mask of Zorro

Catherine Zeta-Jones (Uttara Phalguni sun and ketu, Uttara Bhadrapada moon)

Antonio Banderas (Uttara Bhadrapada moon)

I know they're both UBh moon but since Catherine has her sun AND ketu in Uttara Phalguni, I think that that in this movie that's the energy she's supposed to be representing, to be the polarity to Antonio's UBh moon.

They have a flirty sword fight AND a dance full of tension. If you haven't watched this movie I don't know what you've been doing lol.

Example 2, Pride and Prejudice and Zombies

Lily James (Uttara Bhadrapada moon)

Sam Riley (Uttara Phalguni moon)

This adaptation of pride and prejudice is the only one where both Elizabeth and Mr. Darcy are both cow yonis, and this one also has physical fights, a lot of them. When Mr. Darcy first proposes, Elizabeth becomes so angry that they physically fight with each other. Also, what's a regency movie without a dance scene? They also have one. Obviously, they're in love, but their stubbornness won't let them admit that they might even like each other. Both nakshatras being of stable nature and warrior caste, they REALLY defend their ground like no other nakshatra.

Example 3, The Great

Elle Fanning (Uttara Phalguni moon)

Nicholas Hoult (Uttara Bhadrapada moon)

In this adaptation of Catherine the Great's life she's a young girl with dreams and passion, eager to meet her future husband_ the young king Peter. She arrives with full intention of being the nicest, best wife possible(which is a very uttara phalguni trope), but upon truly seeing the state of Russia and trying but failing to like her eventual husband, she gets the idea of overthrowing him. Obviously, ultimately, no one wins that battle because they unwillingly fall in love with each other, through endless threats and misunderstandings, they realize that they've always had their common ground.

In all these stories, fighting is a natural expression of love and is weirdly mixed with it. In real life, cow yoni people are some of the most (if not the most) endearing people I know, they won't waste their time with you if they think that you're not worth it. If they fight with you, that means that they think there's hope for improvement. I'm saying this as Uttara Phalguni ascendant, I will distance myself from anyone I don't like without them even knowing about it, but I can be very stubborn with people close to me. I've also had the dynamic I mentioned with Uttara Bhadrapadas, no matter how much we fight, I ultimately love them.

So, if you have them in your life, it's good to know what I just said 😅.

EDIT: So I was rewatching Pride and Prejudice and Zombies and I realized that the dance scene was deleted 😭 oh, well, you can watch it on youtube.

If you're cow yoni or if you know them, let me know if this is true for you. Don't forget to interact with me, COMMENT, like, reblog, anything.

Take care🤍

[low-budget-korra]

The Legend of Korra Fancast

This one was hard to make. Specially the Watertribe that is based manly on the Inuk people but it physical appearance also resemble a lot other native people, like the Maori and other Native American people.

This fancast is based on appearance, ethnicity and vibes.

Korra- Devery Jacobs and Sydney Park

Devery Jacobs is a native actress who stars in Reservation Dogs, a show I haven't watched but it is on my watchlist. She is the first pick for the role, because she is native american, despite being light skinned in comparison to Korra.

The second pick is Sydney Park, I read she is mixed but I choose her based on her appearance only. I haven't seen none of them acting, but in those pictures I could see Korra in both of them.

Asami Sato - Havana Rose Liu and Kelsey Chow

I've Watched Bottoms and in the moment I saw Havana Rose Liu on screen I thought "that's Asami Sato" and, I mean, just look at her. She is gorgeous, sophisticated, charismatic, she even has those beautiful green eyes. And importantly, the acting is there.

I feel the same with Kelsey Chow, especially after watching clips of her in Yellowstone. Sure, she ain't asian or asian American (I've read that she has some native american background) but still, I think she is a good second choice even being too old for the role cuz like Devery Jacobs, who is also in her 30's, they look younger than they really are.

Mako - JJ Jr Mackenyu / Ludi Lin

I haven't watched One Piece but one look at JJ Jr Mackenyu and I saw Mako.

Same with Ludi Lin, sure he is also too old for the role but he has that "cooliness" , that "bad boy" aura that Mako has especially in book 1.

Bolin - Niko Hiraga // Kai Bradbury

I only saw Niko Hiraga in Booksmart and haven't seen any work of Kai Bradbury but look at those eyes, such sympathetic eyes man.

Tenzin - Donnie Yen / Ke Huy Quan

Ip Man himself as Tenzin is a dream and one of the most common fancasting of the character but I think Ke Huy Quan would be The Tenzin, I mean, in Everything Everywhere all at once he shows an heart and an light that justs would fit Tenzin so well

Lin Beifong - Michelle Yeoh // Ming-Na Yen

The same with Michelle Yeoh, I mean just look at her and her works. Ming-Na Yen would also be an amazing choice for Lin, if see her in clips from agents of shield and damn she seems so good in there.

Suyin Beifong - Maggie Q / Lucy Liu

Maggie Q is a baddie with such kind eyes and mother vibe (yes, I loved Nikita) that fits so well with Su. Lucy Liu brings the same as Maggie Q but with some swagger that would be fun to watch.

Amon - Meegwun Fairbrother / Adam Beach

No, Meegwun is not a white man but it is white passing just as Amon. I haven't see any of them acting, I'm going just by looks here. Adam would be the choice if they choose to make Amon look more like a Watertribe man.

Tarrlok - Tatanka Means // Matariki Whatarau

Same with Amon fancasting, Mataraki ain't native american but he is Maori(according to google) and yes, he is too young for the character and that's also why Tatanka is my first choice

Zaheer - Henry Rollins / Ron Yuan

Before y'all jump on me because I pick a white guy has first choice to play Zaheer, let's remember that he has a view of the Air Nomad culture and mentality that he considers superior even in comparison with the only Airbender master at the time, he also is a hypocrite since he let his friends destroy a millennial temple symbol and museum of the culture he said it's inspired him. This is the type of arrogance and disrespect that typically comes from a white man c'mon

I didn't know any of Ron Yuan work but just by his appearance I think he would be a good choice for Zaheer

Kuvira - Sonoya Mizuno / Natasha Liu Bourdizzo

Sonoya and Natasha , can't choose who I like best for the character, both of them has that damn penetrating powerful gaze.

[random-remzy]

The Osemanverse but filmatized

I'll be covering the concepts I had for "Nick and Charlie" "Solitaire" "Radio Silence" and "I Was Born For This" (I won't do Loveless because I haven't read it yet-)

Nick and Charlie

So theres not much to talk about, because it's been confirmed that Nick and Charlie will be covered in Season 4 of Heartstopper.

Solitaire.

This is where we really begin. So canonically, Solitaire takes place between the HS episodes, "Winter" and "Body" so, yeah.

Personally, I think Solitaire would be best in movie form. It would give that feeling of solving a mystery as well as the feeling of suspense. If it were turned to a movie, I think it would be around 1:45 - 2:00 hours, since there is a lot of heavy things that are covered, despite the story only lasting about a month.

I think that the colors would definitely be different. In heartstopper there are more pastels and brighter colors, and symbolism (leaves, butterflies, jellyfish, etc). So i feel like they would tone it down massively, because of Solitaires inherently dark themes.

Radio Silence

Okay so. I feel like Radio Silence would make an epic show!

Aled did go to Truham, but because he's not relevant in HS, i wonder if he'll be introduced as a classmate of Charlies, or maybe it'll actually be Frances and Tori who interact. Or they do a complete 180 and make RS completely seperate from HS, so the only thing they have in common is the classses, and the schools.

BUT CONCEPTS! So I feel like it would be 10 episodes, 1 ep per term (summer term (a), summer term (b), summer holiday (a), etc). AND Every episode would start with and excerpt from Universe City. then, from ep 3- there would be a repetitive gif acompaniying the excerpt (representing Frances joining in on the work) then it'd be gone again after ep 5 (after Aled moved away). I think the main colors would be blue, purple, (maybe white?) And I think they'd utilize the small animation details like they did in HS, to represent a multitude of different things/relatioships.

But yeah, I thing seeing Radio Silence as a show would be really cool!!

I Was Born For This

okay okay. So, this one is a little obvious. 7 episode show, one for each day of the week.

I think this would be almost completely seperate from the HS/Solitaire/RS timeline, (because it canonically is) But it would still be awesome.

I think the most difficult part about IWBFT though, is the dual narrative. I'm still unsure about how they would be able to incorporate it in a way that makes it seem natural and fluid. For now, I think they would simply switch between the narratives of the characters in the usual way. (panning a camera, insert transition, and thought process/monologue of a different character) Okay, so, out of all the other Osemanverse adaptations, i feel like IWBFT would use the most animation incorporation (apart from HS). By that I mean, there would be sparks, and stars, and bubbles, and all sorts of other things. But also the black clouds and glitching and depictions of bad thoughts as well. (Not to mention that at some point, they would absolutely animate Jimmys wings). Color-wise, I think it would actually be a mix of Solitaire, HS and RS. Angel would be more RS/HS, while Jimmy would be more RS/Solitaire, and I think that would be a lovely choice to go with. Becaus it would showcase the similarities and differences between the two. Angel, with her very positive and bright outlook on something, and Jimmys negative and dark outlook on that same thing. All the while, both of them sharing the fact that neither has a complete sense of self.

EDIT: OH MY GOD I JUST REALIZED IWBFT WOULD MAKE AN EPIC MUSICAL SERIES!!! like, maybe a song or two per episode, and it could incorporate songs from The Ark's wikepedia page (or completely new songs, featuring the cast) And it wouldn't even be that weird since IWBFT is canonically seperate from HS/Solitaire/RS. AND EACH OF THE CHARACTERS WOULD HAVE THEIR OWN STYLE OF MUSIC?!

Y'all i'm spiraling-

So. yes. I Was Born For This would make an epic show.

Thank you all for letting me rant about my concepts for the potential filmatization of the other Osemanverse stories.

Feel free to suggest anything or add something on.

But yeah. Thanks for coming to my TAO-Talk (he will be proud of you all)

:)

[merrilark]

Okay, I've only read a few chapters of Young Blood so far, but some of the things I really enjoy (with mild character-related spoilers; I probably won't say anything about the plot itself yet):

That we're given most of the Umbrellas' favorite foods! Klaus likes bubblegum ice cream, Diego likes roast beef with new potatoes and green beans, Luther likes hamburgers, and Allison used to like hotdogs. There's nothing about Viktor or Five's so far, but we can assume Five's has always been fluffernutters.

Diego is implied to be extremely food-motivated and I love that for him. Viktor thinks he could be a star chef if he wanted to ditch superhero work. 11/10, love foodie Diego.

Reginald named his car Hermes (I'm strangely affectionate about this).

Klaus has been hotwiring Reginald's car since 12 and was taught to drive by a dead NASCAR driver. Klaus enjoyed sitting in the garage with the car running, but didn't realize that you could get monoxide poisoning that way. He's apparently died frequently, and thought he was just going to sleep. Pogo would carry him to bed.

This implies Pogo knew that Klaus was immortal, and most likely also knew that Reginald was routinely killing him.

Klaus also has been planning to leave the Academy for a long time, but hasn't gotten up the nerve. We all know that Diego is the first to leave and (at least according to You Look Like Death) Klaus was the last, so I think this is an interesting angle. It doesn't break canon, per se, but it raises a few questions about why Klaus didn't leave like he planned.

Ben asked every day if Klaus had seen Five's ghost. His biggest hope is that they'll one day all be together again. This shatters me.

It's also interesting that Ben is both one of the most obedient and yet most vocal about Reginald's abuse. He seems extremely aware of it, but is far too afraid to defy their father and kills primarily because he knows that he'll be reprimanded if he doesn't.

Ben canonically views himself as a monster. :( I knew this. I suspected this. But still. Seeing it typed out makes me :((( lmao

I'm also really enjoying that it neither shies away from Luther/Allison nor the fact that it's extremely normalized between the Umbrellas to be pretty, unrepentant jerks toward each other. I think that if they removed any of these things, or chose to gloss over them, it'd risk watering down the effects of their abuse too much in a book that already doesn't seem keen on diving too deeply into their trauma. It's also interesting to see how blatantly weird they all are developmentally and socially, straddling a line between considering each other family and treating each other like coworkers. At times, it feels a lot like they just call each other siblings, but there's no real attachment to those terms, even if they do care about each other a lot. They really do not understand how to be a family or normal kids, or hardly even real people outside of the super-powered killing machines that Reginald wanted them to be.

On to some things I'm not totally digging but aren't a deal-breaker:

Mild canon inaccuracies. I've been told that this book is pretty glaring in the department, but so far I haven't seen anything too bad. The only notable ones so far are: - That the Umbrellas, except Klaus, have never sneaked out before. It's been a while since I've seen S1, but I could swear that it's canon that they all regularly sneaked out to Griddy's even before Five left. - Klaus calls himself a telepath. This is common fanon, but there's nothing in canon itself to support that he is capable of telepathy. In fairness, though, Sheinmel, the author, doesn't actually seem to write Klaus as a telepath. It really just reads as if she thinks that telepathy and mediumship are the same thing. - There's a lot of emphasis on Luther being big. He's constantly being described as struggling with his clothes, or fantasizing about how much larger he'll get, and rips the back out of a jacket at one point because... I guess?? he's so large??? He's very much written as if Sheinmel thinks that Luther is a musclebound 17 year old, when teenage Luther has never been big in the same way that post-serum adult Luther has been. He was always tall, yes, but I really don't think he should have been struggling with tearing clothes.

Typos. It's not glaring, but there are some errors here and there with spelling and punctuation. Combined with the telepath thing, I wonder if Sheinmel just didn't have a great editor.

The writing style is really juvenile. I knew that this would be a young adult novel, so I didn't expect beautiful prose, but the writing feels like this book is meant for the younger end of YA. It rambles, restates obvious points, and sometimes the phrasing feels dumbed down to the point of near condescension. Meanwhile, characters still use mild swears, which gives the book this weird feeling that it doesn't quite know what age bracket it was written for.

But I am otherwise really enjoying it so far. It's fun and I appreciate the insight into the Umbrellas' lives as teens and their internal thoughts about each other, regardless of how canon or not-canon this novel is.

[solradguy]

....so got any sol johnny headcanons

:) <3

I don't think there's any actual love between the two, it's purely carnal and situational

Tbh I imagine Sol as the top in most pairings, but Johnny is so smooth and one of the few characters in the GG cast that Sol doesn't seem to view as an existential threat, so I think in certain circumstances Sol might bottom for Johnny

Denki Akiba writes their interactions (in Heliogenoms) with them kicking each others' asses and realizing it's kinda hot seeing another beefy guy sweaty and bleeding and that's probably like 90% of how anything between the two happens. It Just Makes Sense™️

There's a lot of gay chicken between the two and eventually it went too far because neither tapped out and it turned out they were kinda into it

I know Johnny talks about hooking up with hot babes all the time in the actual canon, but he brings it up so much and they show it actually happening like... maybe once... So I think he's actually gay as hell. There's no reason to really lie about that in a setting like GG's where it seems to be pretty chill about LGBT people though. BUT a lot of Johnny's persona comes from how he viewed his dad, so it's possible he's clinging to that memory and overcompensating slightly. Performative heterosexuality as a coping mechanism.

Sol is bisexual. I won't budge on this. Daisuke hasn't outright said it but I know it in my heart of hearts.

SO. Johnny is gay as shit but surrounded by cute women all of the time and May hovers around him like a gnat 24/7. Man has zero privacy at home, he's gotta be dying. There is NO WAY he would EVER phone Sol up and be like "let's bang, ok." Probably. Sol would laugh at him and hang up. I think, if the stars aligned, Johnny would call and be like "there's [x thing] happening at [y place] with a bounty of [z world dollars]. could be worth it" just absolutely dripping with subtext.

Post-GG Xrd it gets harder to imagine Sol and Johnny hooking up though. Their chemistry is best between roughly GGX through Xrd. Once Jack-O' gets more involved I just can't see Sol and Johnny engaging in their ritual "beat the shit out of each other" roleplay anymore, and that's kind of the core of how I imagine their interactions. I also don't think Jack-O' and Johnny have any (sexual) chemistry either, but they'd probably at least be friends. Johnny's cowboy-Zorro thing and Jack-O's disco girl thing are fun platonic dynamics and it's fun imagining them with Sol (and possibly Axl too) just sitting around somewhere drinking crappy beer and laughing about the absurd stuff they've been through together.

Neither Sol or Johnny are very big on opening up emotionally to other people, but the two of them have been through some serious shit, especially with Gears killing loved ones and being forced (willingly or unwillingly) into almost savior-like roles they would rather not have ended up in. Eventually I think they'd realize they have this common ground and it would lead to a massive increase of respect for each other. That said, they're both so weighed down by having repressed their emotions for so long that I haven't imagined a scenario (yet) that feels convincing enough for them to ever talk about it in a major way. This aspect of their dynamic is the most interesting to me though.

Sol and Johnny are incredibly similar, yet process their traumas in completely different ways; they were both beaten down and spit on by the world, and I enjoy exploring that aspect of their characters. While Johnny focused that trauma into something positive—by becoming a father figure for so many girls/young women orphaned by the Crusades and making sure they never had to go through what he went through—Sol isolated himself, blamed himself for everything bad that happened to him and his loved ones, and forged his trauma (and himself) into a literal weapon that he then used to better the world through destructive force. Lighting fires to contain an even bigger fire, in a way.

If Sol had had someone to rely on, that could have kept pace with him, would he have been able to truly prevent the Crusades? Johnny is only a mortal human man, but he can keep pace with Sol, and I genuinely think that's fascinating.

[jokeroutsubs]

Lato w mieście And SloveniaN rock'n'roll – "We kind of expand the definition of our genre called ‘Shagadelic Rock’, but it still sounds like Joker Out."

Original article Written by Paulina Kolber 11.07.2023 English translation by IG z_aneta_z, zielonaherbata_, @shiralupin Proofread by @flowerlotus8

Maybe they haven't taken the top place at Eurovision in 2023, but they have made an excellent advantage of the attention around them and have headed on a tour across Europe, where they have won the hearts of new fans. Joker Out - because we are talking about them - will be visiting Poland for the sixth time, and with Only The Poets, Isaac Anderson, and Franek Warzywa & Młody Budda, will be performing on Letnia Scena Progresji (Summer Stage of Progresja) in Warsaw during the event Lato w Mieście (Summer in the City).The name itself appealed very much to the Slovenians, and has expanded their existing vocabulary of Polish language. About concerts, the new album, Franek Warzywa, and... cheering - I had the pleasure to talk about all of this with Kris Guštin and Jan Peteh - guitarists of Joker Out.

Paulina: Hello! How are you today?

Joker Out: Very good, I think that both of us woke up an hour or two ago, so it is still morning for us, we're drinking our morning coffee now. (It was 1:30pm)

Paulina: It will be your last concert in Poland this year and you said by yourself that "we have a unique and explosive show planned for you". So, what can we expect?

Kris: First of all, it will be our first outdoor concert in Poland, and such concerts are quite different from club concerts. I think that in clubs it's more intimate and you can sweat a lot, and the concerts themselves have very good energy, BUT I always thought that open-air concerts, festivals, etc. are a place where you can see what a real rock'n'roll concert can give and discover what music can really give. So far, we haven't done such a big production as we will have next Saturday in Warsaw, so I hope that there will be a big stage and a big show of lights and special effects.

Jan: As Kris said, outdoor concerts can capture the essence of summer nights, when you listen to great bands under a sky full of stars. I think that it will be amazing. It will also be our first and, so far, only concert with Only The Poets, whom we met yesterday on Instagram live. It promises to be a really good event.

Paulina: Can you say something more about the, I would say, festival? How did it happen that all these bands will meet together in Warsaw to play concerts?

Kris: I think it's mainly thanks to the organiser and promoter of Charm Music and our booking agent Ryan, who has been active in this matter before. He works with us and with Only The Poets, so he said that both bands could have a similar group of fans in Poland. We also decided to work again with Franek Warzywa and Młody Budda, who were our support last year during the tour in Poland. They were great and also in a way they found a common language with our fans, so it makes sense to work together again.

Paulina: Speaking of Franek Warzywa & Młody Budda, I wanted to ask you if it was you who chose them as your support for last year's Polish concerts or maybe it was the organiser's decision?

Jan: I think that it was the organiser's decision, they presented them to us and suggested, that they could be our support. We didn't know them before at all, so we checked out their music. It was a bit strange, it reminded us a bit of the Slovenian band MRFY, in the sense that they're very chaotic and you never know what will happen next. It sounded like it was computer-generated, but in a good way. Then we saw their live performance, where Franek was dressed in a potato costume and it was great. They have something special about them and have a sense of humour that is always welcome in any genre of music. And of course, they are great people that we like to hang out with, so we're very happy to see each other again.

Paulina: Remembering your concerts in Poland, I have to ask you about the outfits you wore recently in Krakow. Jan, your t-shirt was really great. And whose idea was it to dress in white and red colors?

Kris: The show was part of our European tour and it was actually the first big tour in Europe where we played practically the whole month, so we had to pack all our stage outfits. Each of us had a huge suitcase full of clothes from our stylist Karlo Kirri. He gave us a lot of colourful options and we didn't really know what to do with the red outfits.They seemed to match not only when it came to colours, but for example, Nace's outfit was very Slavic, as if from Puma. Others were also like from Adidas, they had an Eastern European climate, so we said: it's white and red, it's Slavic, it's Eastern European, so we should set them up in Poland.

Jan: Such stereotypical football coach outfits. I had a t-shirt, which was actually a gift from a fan, which I got probably during our last tour in Poland and it says: "Jan p*******" and a photo of a beaver with text "Bóbr k****". I love it.

Paulina: Can you say something more about your plans for the near future? You're going to be releasing a new album, so I'm curious if you've tried any new styles or genres that you haven't played before?

Kris: We're still working on the album right now, and we've been doing it since the beginning of this year, whenever we have time. Sonically, it will definitely be on a higher level. We're not in our comfort zone, but I think a lot of things will still be ours in a way, kind of like our last single Everybody's Waiting. It was a lot different from what we had done before, but that doesn't mean that all the songs will sound like Everybody's Waiting. We had this attitude that we tried to do new things and not make the same sounding songs all the time and make another album that sounded the same, because then neither of us would enjoy it at all. Jan played a lot of synthesizers or keyboards, I also tried guitar sounds that I had not had the opportunity to familiarise myself with before. Also, Nace has even tried to play a bass synthesizer, so it's definitely going to be new stuff, but familiar at the same time. Our next single coming out is "Šta bih ja" and it's on a whole new level of Joker Out sound, but in my opinion the character is still similar.

Jan: We kind of expand the definition of our genre called "Shagadelic Rock", but it still sounds like Joker Out.

Paulina: I remember when you played "Šta bih ja" at a concert in Kraków and it was a real banger, so I can't wait for you to release it. And did you think about playing a cover during your concerts? Is there a song you'd like to play in your version?

Jan: Actually, we played a lot of covers when we didn't have enough our own songs to play the whole set, but since we released our second album we didn't play them anymore.

Kris: I think that the last time we played cover as a whole band it was during Eurovision, to one video. We don't really have the need to play covers. I mean, doing covers are great, but when you create it, you have to make it different and better. If you do a cover that doesn't have a unique atmosphere, you're not doing it right. So at the moment I don't think we have the need to do covers and add something to existing songs, so we just stopped doing it for now.

Paulina: Now I have to make a small return to this year's Eurovision. What was your top 3?

Kris: Ireland?

Jan: Yes, Bambie Thug.

Kris: And Armenia?

Jan: Yes, it was Ladaniva. And probably Baby Lasagna.

Kris: Yes, as the countries of the former Yugoslavia, we have to cheer for Baby Lasagna. In addition, I must add that because I have Dutch roots, I have a great affection for Joost. In general, we watched Eurovision, we were in the studio at the time, we saw two semi-finals. However, we did not watch the final performances, but we looked at the results.

Paulina: You were in four Polish cities already, which one of them did you like the most? Did you have time to explore them a bit?

Jan: I think that we managed to see a little of every city. We had a few hours and we went to the city centre for a late breakfast or just walked. I think I liked Kraków the most.

Kris: Yes, Kraków is a beautiful city and we had great weather as well.

Jan: And Wrocław.

Kris: Yes, Kraków and Wrocław, they have architecture in the style of 18th century European cities, which is very comfortable and familiar to us, because this is what a large part of Slovenia looks like. Warsaw is really very big and you can get lost in it. We haven't seen much of Poznań, so in this case I don't have an opinion.

Paulina: And what would you recommend to people who are going to Slovenia?

Jan: Definitely Ljubljana. It's the capital, and yet, is not a big city. You can visit it all in maybe two days? We have a castle, the famous Metelkova street which is full of graffiti, are various clubs, and it's an artistic area.

Kris: Besides Ljubljana, there is the famous Lake Bled, which is very beautiful, but our band prefers better Lake Bohinj, which is half an hour from Lake Bled. There are a lot of caves in Slovenia, so if someone likes these things, there is a plenty to choose from. We have a big cave called Postojnska Jama, in which you ride a train, so it's a unique experience. There are a lot of things you can do, if you like nature and sport.

Jan: But aside from that, there's something interesting for everyone.

Paulina: If I would ever go to Slovenia, I will surely consider your suggestions. Now, I have two questions for you about sport. Are you watching Euro 2024? What are your feelings after Slovenia's recent match against Portugal?

Jan: We were watching it together, it was really intense.

Kris: Over the years Slovenia never have been good at football tournaments, and this year brought us a historic result, when we managed to get out from the group for the first time. I think, that Portugal was an obvious team on paper, but Slovenia showed, that were not afraid of them, and we were playing like equals. We were able to defend well, we wanted to attack, but Portugal wanted to do the same, so I think a draw with Portugal is for Slovenia like a victory.

Paulina: We had a similar situation during Euro 2016, when we also lost in penalty kicks to Portugal, so I know that history very well.

Kris: That is why Poles and Slovenians understand each other so well!

Paulina: Exactly! Are you going to watch the Olympic Games?

Jan: Yes, or at least some disciplines, like basketball, if we qualify. Yesterday we lost against Croatia, but we still have a chance for a promotion. At the last Olympic Games we were fourth, because we lost to Austria, and France. You can say that I'm a basketball fan, so I will definitely be cheering for the Slovenian team, if we qualify. We have also Janja Garnbret.

Kris: Yes, she is a very famous climber, and we are hoping for another golden medal. So Slovenians will definitely be watching Olympic Games. Although we're not good at football, other sports in Slovenia we usually do very well.

Jan: In cycling we literally have two best riders.

Paulina: I don't know if you know this, but you are our nightmare in volleyball. I mean, you are probably one of the hardest opponents, and every time we play a match, it doesn't matter if we are in our best form or not, we always have problems with you, so I'm curious to see how is it going to be this year.

Kris: Maybe we will see each other in the final!

Paulina: Oh maybe, maybe! Thank you for talking, it was a pleasure, hvala lepa, Polska gurom!

Joker Out: POLSKA GUROM!

Paulina: And see you in less than two weeks!

Joker Out: That's right, LATO W MIEŚCIE!

[gffa]

Ahsoka's place in SW can be a complicated thing, because I feel both things about her--I too am often frustrated by how Filoni writes her, but I too am also grateful that her character exists and isn't the "default" straight white cis dude character. (Though, I do wish she were played by someone other than RD because of All That.)

Ahsoka got so much flak when she first appeared, people hated her just for existing, for daring to take up any space in the Star Wars story, and then she swung around to being nearly put on a pedestal by a large chunk of the fandom, she was lionized pretty heavily in some corners, and I think we're now going through the further growing pains of backlash against the hype, especially because Ahsoka is in the position of often being used as a bludgeon against the Jedi.

To be honest, I don't see nearly as much criticism of Ahsoka's character as I do for other popular characters, I see far more of Obi-Wan and Anakin and Yoda, but maybe that's just the sphere of experience I have, but I see that criticism balanced out with a ton of fic, art, and positive commentary about her. And it makes me wonder if she's in that awkward spot of not quite as central to the story as the movie characters, but more important than almost any other SW character (in the sense of any one character ever being able to be more "important" than another, you know what I mean) where we haven't quite settled into a stable balance of how to approach her character.

So, she's high level enough now that she can take some people being critical of her character or even just flat-out not being kind to her, because she has so much support from the story itself and from all across the fandom, even as honestly I haven't seen much that's been notably mean to her character. Sure, I see a few posts talking about how Ahsoka is Filoni's Blorbo, but are they truly more common than the posts that are celebrating her character? Genuinely wondering, because that hasn't been my experience. (Honestly, I would say Qui-Gon fans have it worse, given that he's another of Filoni's Blorbos, just without the added bonus of actually having anything fun to counter balance it, where even the people who say he was a True Jedi don't really care about Qui-Gon, you know? There's no skits, no commentary, etc. Just a handful of fic authors who are quietly doing their own thing and being the good in the world they want to see.)

At the same time, I get what you're feeling, that it feels uncomfortable to be critical of a female character, especially one who is played by a WOC, especially in a fandom that is pretty fucking vicious towards female characters having anything to actually do in the story. That the criticism of Ahsoka's character/status as Filoni's Blorbo isn't always fair or considerate, because people are frustrated and SW fandom wears all our nerves down to the last.

I'm not really sure where I land with all of this, because I get both sides, the frustration and the affection both, and I think there needs to be space for both in fandom just because we can't police other people's reactions to stuff. It's hard to continue liking her when she's being pitted against your faves, it's hard to be kind to Jedi fans when they're frustrated because she's being used as a bludgeon against their faves, it's hard to just walk away from people ignoring that Ahsoka is really meaningful to a lot of people because she's a non-romance-focused female character coded as/played by a woman of color, it's hard not to feel like Ahsoka's such a popular character that she can take a few people on tumblr not liking her.

My best advice is to just keep loving Ahsoka in the way that you think will attract the other friends you want to have around you--like, for me, when I talk about Anakin, I often try to do so in a way that's affectionate towards him and the Jedi, how much they loved him and how much I think he loved them in returned, because that's who I want to gravitate towards in fandom, those who like both. I try to do the same with Qui-Gon now and again, when I start getting frustrated by how he's used to bludgeon the Jedi, I start going HEY GUESS WHAT I'M EMOTIONS ABOUT HOW MUCH QUI-GON LOVED HIS JEDI FAMILY and it makes me feel better! I would love to see more people do the same with Ahsoka! Prop her up by appealing to how much she loves other characters, too! Like, every time I get frustrated at the way some of fandom treats her, I remember SHE WANTED TO GO BACK TO THE JEDI, SHE LOVED THEM, and I'm like THAT IS MY GIRL I LOVE HER SO MUCH SHE IS SO BRAVE TO STRUGGLE THROUGH ALL THIS AND STILL FIND THE LOVE IN HER HEART.

Or sometimes, like with Bo-Katan, I like to lean into them being a hot mess because yessssssss I love a hot mess of a lady because I am a hot mess of a lady and Felt That. I hope Ahsoka gets to be all kinds of deliciously fucked up in her series and making mistakes and learning and being interesting and working her way back to the surface from her own depths because she is SUCH a strong character and deserves to be crunchy as hell/have bite as a character, like HOW MANY YEARS did she stew in her guilt about Anakin, refusing to let it go? How long did she hold onto that fear, so much that even the Force had to smack her in the face to try to make her let it go on Lothal? GIRL, I AM CRYING FOR YOU, YOU HAVE BEEN THROUGH SO MUCH, LET ME GET YOU SOME SOUP AND I HOPE THE FORCE-GHOSTS ALL COME BOTHER YOU TO MAKE SURE YOU'RE EATING ENOUGH, because I love a character that has bite.

This kind of got away from me, but that's usually where I end up when trying to wrap my head around the frustration of a character's place in fandom. I get why people are frustrated with the way Filoni writes her, but also the frustration of feeling like the important representation of her character sometimes gets lost in the shuffle, that both sides have validity, and my best way out of this is to double down on loving everyone in this bar.

[snailchasers-den]

I would love more information about the small changes to the Clans in the False Prophecy!!

Could we pretty please get a small overview of it? :³

Absolutely! >:) Though I can't 100% ensure how small it'll be LMAO

So, with the four clans, it's essentially a sliding scale of how strictly traditional they are- Because I honestly just think it makes things more interesting, I think we should've seen more of a spectrum with that-

So it essentially goes that Thunderclan is the most traditional, and Riverclan is the least, in the order Thunder - Wind - Shadow - River

Just a note that this isn't a serious rewrite, and is just some background for my silly SpottedTiger AU that plays into the themes of the story I've got going and the adjustments I've made for it LMAO Any of this could be changed or tweaked at any time.

Here's kinda vague overviews of each:

Thunderclan: (Pre-Firestar, this is all before he's leader) Very traditional and strict to the warrior code and Starclan's word. They believe in turning away kittypets and the inherent strength of warrior blood. They have a culture focused on bravery, and while they're compassionate, that's mainly focused on their own cats and select allies. All of this can lead them to look judgy or stuck up to the other clans.

Windclan: Though Thunderclan is the most pious to Starclan, Windclan is the actual closest to them. Thunderclan is hidden under the cover of trees, giving the stars less room to look down on them, Windclan doesn't have that issue on the moor. It's full of scrawny, smaller cats, but though they're not the most intimidating, they're some of the most resiliant cats you'll meet.

Shadowclan: Shadowclan is fun, because I leaned really heavily into the secrecy aspect for them. A lot of shadowclan cats tend to be BIG. They're some of the slickest cats you'll meet, and though they tend to be large, they're stealthy, and the other clans don't tend to know too much about them. They've built up skills and strategies the other clans haven't, and are extremely picky about who finds out about them, so they're infamous for not talking at gatherings more than they need to. Cross-clan relationships involving Shadowclan cats are the least common.

Brokenstar kinda fucks this up royally when he comes in, but this is at least how they are before and a bit down the line after him.

Riverclan: Riverclan is flexible, and probably some of the nicest cats you'll meet. They're the least traditional and are more connected to the land and water than the other clans. They tend to be mellow and mindful, and don't mind taking in kittypets or loners half as much as the other clans, which unfortunately has them suffering from the lazy pushover stereotype. They're also the most lax about cross clan relationships. They absolutely do not care as long as you're careful.