#Allen Morrison
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abduloki · 1 year ago
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Surprised to see negative comments on social media poking fun at how they are "big" around the waist as compared to the animated.
For a 60 and 40 year old, I'd say they look really great at their age!
I remember people poking fun at Grant Gustin for being too skinny to be The Flash too, but look at how he stole the show as Barry Allen!
Temuera Morrison who played Boba Fett was made fun for being "fat" too but he took it gracefully by showing his workout video.
It's an example that body shaming happens to men too. Because everyone is so used to seeing fit and muscular male superheroes.
Why can't people just appreciate everyone as they are? They've done superb jobs portraying these characters for many years.
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blackberryjambaby · 1 month ago
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tagged by @gloombby to share nine books i want to read this year
i felt the end before it came: memoirs of a queer ex-jehovah's witness by daniel allen cox / owls & other fantasies: poems & essays by mary oliver / black disability politics by sami schalk / optimism over despair: on capitalism, empire & social change by noam chomsky / ireland & the empire by stephen howe / devotions: selected poems by mary oliver / soledad brother: the prison letters of george jackson by george jackson / beloved by toni morrison / kitchen confidential: adventures in the culinary underbelly by anthony bourdain
i'm tagging all my mutuals. show me show me show me
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onlylonelylatino · 8 months ago
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Blue Beetle and Pax Ameicana by Juan José Ryp
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thesummernostalgia · 2 months ago
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Mary Winship, "Our Gang," March 1924, p.40
ʚ♡ɞ
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astackofsnails · 1 year ago
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It's actually so many and they are all lying on stacks on my night desk (is that the word? The desk(s) next to my bed) so let's look what i've got
If you see this you’re legally obligated to reblog and tag with the book you’re currently reading
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jmunneytumbler · 1 month ago
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Merry Christmas from Rock Stars, Vampires, and Boxers, Oh My!
Merry Christmas from Rock Stars, Vampires, and Boxers, Oh My!
Merry Christmas from the Movies! (CREDIT [Clockwise from Top Left]: Aidan Monaghan/Focus Features; Sabrina Lantos/Amazon MGM; A24; Macall Polay/Searchlight Pictures) A Complete Unknown Starring: Timothée Chalamet, Edward Norton, Elle Fanning, Monica Barbaro, Boyd Holbrook, Scoot McNairy, Dan Fogler, Norbert Leo Butz, Eriko Hatsune, P.J. Byrne, Will Harrison, Charlie Tahan, Ryan Harris Brown, Eli…
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perfettamentechic · 3 months ago
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20 novembre … ricordiamo …
20 novembre … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic
2022: Gunilla Palmstierna-Weiss, costumista, scenografa e scultrice svizzera. Dopo un primo matrimonio con il grafico svedese Mark Christopher Sylwan si risposò con Peter Weiss nel 1964 e la coppia rimase insieme fino alla morte del drammaturgo nel 1980. Acclamata costumista e scenografa teatrale nel 1966 vinse il Tony Award ai migliori costumi per Marat/Sade a Broadway. Tra il 1966 e il 1989 fu…
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vivmaek · 1 year ago
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POETRY FOR YOUR MOON SIGN
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✰ my masterlist poems written by someone who has the same moon sign as you <3
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☾PISCES☽
Edgar Allen Poe, A Dream Within a Dream
“Take this kiss upon the brow! / And, in parting from you now, / Thus much let me avow – / You are not wrong, who deem / That my days have been a dream; / Yet if hope has flown away / In a night, or in a day, / In a vision, or in none, / Is it therefore the less gone? / All that we see or seem / Is but a dream within a dream.”
June Jordan, You Came with Shells
“You came with shells. And left them: / shells. / They lay beautiful on the table. / Now they lie on my desk / peculiar / extraordinary under 60 watts.”
Toni Morrison, It Comes Unadorned
“it comes / Unadorned / Like a phrase / Strong enough to cast a spell; / It comes / Unbidden, / Like the turn of sun through hills / Or stars in wheels of song. / The jeweled feet of women dance the earth. / Arousing it to spring. / Shoulders broad as a road bend to share the weight of years. / Profiles breach the distance and lean / Toward an ordinary kiss. / Bliss. / it comes naked into the world like a charm.”
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☾AQUARIUS☽
W.B Yeats, A Coat
“I made my song a coat / Covered with embroideries / Out of old mythologies / From heel to throat; / But the fools caught it, / Wore it in the world’s eyes / As though they’d wrought it. / Song, let them take it / For there’s more enterprise / In walking naked.”
W.B Yeats, The Lover Tells of the Roses in His Heart
“All things uncomely and broken, all things worn out and old, / The cry of a child by the roadway, the creak of a lumbering cart, / The heavy steps of the ploughman, splashing the wintry mould, / Are wronging your image that blossoms a rose in the deeps of my heart. / The wrong of unshapely things is a wrong too great to be told; I hunger to build them anew and sit on a green knoll apart, / With the earth and the sky and the water, re-made, like a casket of gold / For my dreams of your image that blossoms a rose in the deeps of my heart.”
Louisa May Alcott, The Lay of a Golden Goose
“Oh! Be not rash,” her father said, / A mild Socratic bird; / Her mother begged her not to stray / With many a warning word. / But little goosey was perverse / And eagerly did cry, / “I’ve got a lovely pair of wings, / Of course I Ought to fly.”
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☾CAPRICORN☽
John Milton, Sonnet 19
“When I consider how my light is spent, / Ere half my days, in this dark world and wide, / And that one talent which is death to hide / Lodged with me useless, through my soul more bent / To serve therewith my Maker,”
Jala al-Din Rumi, The Guest House
“This being human is a guest house. / Every morning a new arrival. / A joy, a depression, a meanness, / some momentary awareness comes / As an unexpected visitor. / Welcome and entertain them all! / Even if they’re a crowd of sorrows, / who violently sweep your house / empty of its furniture, / still treat each guest honorably. / He may be clearing you out / for some new delight. / The dark thought, the shame, the malice, / meet them at the door laughing, / and invite them in. / Be grateful for whoever comes, because each has been sent / as a guide from beyond.”
Gwendolyn Brooks, a song in the front yard
“I’ve stayed in the front yard all my life. / I want a peek at the back / Where it’s rough and untended and hungry weed / grows. / A girl gets sick of a rose.”
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☾SAGITTARIUS☽
Lewis Carroll, A Boat Beneath a Sunny Sky
“In a Wonderland they lie, / Dreaming as the days go by, / Dreaming as the summers die: / Ever drifting down the stream – / Lingering in the golden gleam – / Life, what it is but a dream?”
Dante Alighieri, From “Inferno”
“It’s the pain / of the people down there that empties my / face. / It’s pity / that you’ve mistaken for fear. / And it’s the long way / that pushes us now. / Let’s go.”
Victor Hugo, Tomorrow, At Dawn
“Tomorrow, at dawn, at the hour when the countryside whitens, / I will set out. You see, I know that you wait for me. / I will go by the forest, I will go by the mountain. / I can no longer remain far from you. / I will walk with my eyes fixed on my thoughts, / Seeing nothing of outdoors, hearing no noise / Alone, unknown, my back curved, my hands crossed, / Sorrowed, and the day for me will be as night.”
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☾SCORPIO☽
Sarojini Naid, Autumn Song
“Like a joy on the heart of a sorrow, / The sunset hangs on a cloud; / A golden storm of glittering sheaves, / Of fair and frail and fluttering leaves, / The wild wind blows in a cloud. / Hark to a voice that is calling / To my heart in the voice of the wind: / My heart is weary and sad and alone, / For its dreams like the fluttering leaves have gone, / And why should I stay behind?”
Shel Silverstein, Dreadful
“Someone ate the baby. / It’s absolutely clear / Someone ate the baby / ‘Cause the baby isn’t here. / We’ll give away her toys and clothes. / We’ll never have to wipe her nose. / Dad says, “That’s the way it goes.” / Someone ate the baby.”
Henry Wadsworth Longfellow, Aftermath
“When the summer fields are mown, / When the birds are fledged and flown, / And the dry leaves strew the path; / With the falling of the snow, / With the cawing of the crow, / Once again the fields we mow / And gather in the aftermath.”
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☾LIBRA☽
Maya Angelou, Caged Bird
“A free bird leaps / on the back of the wind / and floats downstream / till the current ends / and dips his wing / in the orange sun rays / and dares to claim the sky.”
Emily Dickinson, Good Morning – Midnight
“Good Morning – Midnight – / I’m coming Home – / Day – got tired of Me – / How could I – of Him? / Sunshine was a sweet place – / I liked to stay – / But Morn – didn’t want me – now – / So – Goodnight – Day!”
Elizabeth Barrett Browning, My Heart and I
“You see we’re tired, my heart and I. / We dealt with books, we trusted men, / And in our own blood drenched the pen, / As is such colours could not fly. / We walked too straight for fortune’s end, / We loved too true to keep a friend ; / At last we’re tired, my heart and I.”
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☾VIRGO☽
Robert Hayden, Those Winter Sundays
“Sundays too my father got up early / and put his clothes on in the blueback cold, / then with cracked hands that ached / from labor in the weekday weather made / banked fires blaze. No one ever thanked him. / I’d wake and hear the cold splintering, breaking / When the rooms were warm, he’d call, / and slowly I would rise and dress, / fearing the chronic angers of that house, / Speaking indifferently to him , / who had driven out the cold / and polished my good shoes well. / What did I know, what did I know / of love's austere and lonely offices?”
Jack Kerouac, How to Meditate
“Thinking’s just like not thinking- / So I don't have to think / any / more”
William Faulkner, Study
“Muted dreams for them / for me / Bitter science. Exams are near / And my thoughts uncontrollably / Wander, and I cannot hear / The voice telling me that work I must, / For everything will be the same when I’m dead / A thousand years. I wish I were a bust / All head.”
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☾LEO☽
Walt Whitman, I sing the Body Electric
“I sing the body electric, / The armies of those I love engirth me and I engirth them,”
Oscar Wilde, The Ballad of Reading Gaol
“Yet each man kills the thing he loves, / By each let this be heard, / Some do it with a bitter look, / Some with a flattering word, / The coward does it with a kiss, / The brave men with a sword!”
Ralph Waldo Emerson, Friendship
“A ruddy drop of manly blood / The surging sea outweighs, / The world uncertain comes and goes; / The lover rooted stays. / I fancied he was fled, – / And, after many a year, / Glowed unexhausted kindliness, / Like daily sunrise there. / My careful heart was free again, / O friend, my bosom said, / Through thee alone the sky is arched, / Through thee the rose is red; / All things through thee take nobler form, / And look beyond the earth, / The mill-round of our fate appears / A sun-path in thy worth. / Me too thy nobleness had taught / To master my despair; / The fountains of my hidden life / Are through thy friendship fair.”
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☾CANCER☽
Shakespear, Sonnet 147
“My love is as a fever, longing still / For that which longer nurseth the disease, / Feeding on that which doth preserve the ill,”
Robert Frost, Acquainted with the Night
“I have been one acquainted with the night. / I have walked out in rain – and back in rain. / I have outwalked the furthest city light. / I have looked down the saddest city lane. / I have passed by the watchman on his beat / And dropped my eyes, unwilling to explain. / I have stood still and stopped the sound of feet / When far away an interrupted cry / Came over houses from another street, / But not to call me back or say good-bye; / And further still at an unearthly height, / One luminary clock against the sky / Proclaimed the time was neither wrong nor right. / I have been one acquainted with the night.”
William Blake, Auguries of innocence
“To see a World in a Grain of Sand / And a Heaven in a wild flower / Hold Infinity in the palm of your hand / And eternity in an hour”
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☾GEMINI☽
Rudyard Kipling, Blue Roses
“Half the world I wandered through, / Seeking where such flowers grew. / Half the world unto my quest / Answered me with laugh and jest. / Home I came at wintertide, / But my silly love had died / Seeking with her latest breath / Roses from the arms of Death.”
John Keats, To Sleep
“Save me from curious Conscience, that still lords / Its strength for darkness, burrowing like a mole; / Turn the key deftly into the oiled wards, / And seal the hushed Casket of my soul.”
Lord Tennyson, The Eagle
“He clasps the crag with crooked hands; Close to the sun in lonely lands, / Ring’d with the azure world, he stands. / The wrinkled sea beneath him crawls; / He watches from his mountain walls, / And like thunderbolt he falls.”
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☾TAURUS☽
John Donne, Air and Angels
“Twice or thrice had I lov’d thee, / Before I knew thy face or name; / So in a voice, so in a shapeless flame / Angels affects us oft, and worshipp’d be;”
Audre Lorde, Recreation
“my body / writes into your flesh / the poem / you make of me. / Touching you I catch midnight / as moon fires set in my throat / I love you flesh into blossom / I made you / and take you made / into me.”
Margaret Walker, Lineage
“My grandmothers were strong. / They followed plows and bent to toil. / They moved through fields sowing seed. / They touched earth and grain grew. / They were full of sturdiness and singing. / My grandmothers were strong. / My grandmothers are full of memories / Smelling of soap and onions and wet clay / With veins rolling roughly over quick hands / They have many clean words to say. / My grandmothers were strong. / Why am I not as they?”
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☾ARIES☽
E.E Cummings, Love is more thicker than forget
“love is more thicker than forget / more thinner than recall / more seldom than a wave is wet / more frequent than to fail”
Mark Twain, Genius
“But above all things, / to deftly throw the incoherent ravings of insanity into verse / and then rush off and get booming drunk, / is the surest of all the different signs / of genius.”
Paul Laurence Dunbar, Ships that Pass in the Night
“Out in the sky the great dark clouds are massing; / I look far out into the pregnant night, / Where I can hear a solemn booming gun / And I catch the gleaming of a random light, / That tells me that the ship I seek is passing, passing.”
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whenmemorydies · 7 months ago
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Thank you! I'm glad it resonated. I have neither Storer or Calo's contact details lmao but I wonder how much of this stuff they have access to...like reckon the writers' room has a feedback box?
The legerdemain of racism: demands for season 4 of The Bear
Alright folks, this one has been sitting on my chest like a fucking elephant for the last week. It's a long one (when are they not, I'm sorry lol), so if you'd give me the grace of your time and eyeballs, lets have a cup of tea and do this.
Legerdemain: the magic trick
In 3x07 Legacy, we're introduced to the concept of legerdemain (French for 'sleight of hand') in the form of notes and drawings, etched into one of Carmy's notebooks:
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Other possible definitions of legerdemain include:
'the skilful hiding of the truth in order to trick people';
'skilful tricks done as part of a performance'; and
'cunning, deception or trickery.'
There have been important discussions on this app about the concept of legerdemain in The Bear, and how Storer, Calo and co. appear to have peppered season 3 of the show with references to their own use of the concept in breaking the fourth wall, to comment on filmmaking, on cooking, magic, and perhaps, using the legerdemain of season 3 as a distraction while they take a dish their industry further in season 4.
Have a look at the below metas for some helpful background to what I'm talking about here.
Fourth Wall/Magic Trick Metas for The Bear:
@brokenwinebox's Fourth Wall (being broken)
@brokenwinebox's The New Paradigm
@thoughtfulchaos773's meta on the fourth wall
@currymanganese's Richie's journey is not over (on Richie being the author avatar for creator Chris Storer
@currymanganese's masterful consolidation of fourth wall analysis and their speculative analysis on the role of the Faks
@ago011's analysis of the blurring of fact and fiction during the Ever funeral service
My post Richie and the viewer.
See also this beautiful reblog thread discussing how the creative decisions involved in season 3 have elicited sympathetic responses in the audience that mimic the emotions of the characters on The Bear, possibly contributing to a division in how this season has been received generally. Shout out to @moodyeucalyptus, @vacationship and @greekyogurttragedy for this generous and thoughtful discussion. And this insightful breakdown on the treatment of characters of colour this season between @hwere and @mxmajor + this discussion on the sidelining of Black grief this season with @melfinawins , @suellenalmeida and @moodyeucalyptus.
An ache: POC on The Bear
After I finished my first watch of season 3 (which was an ill-advised binge while recovering from the flu), I felt like I had sat through a year's worth of television. This was purely for the fact that I was emotionally SPENT by the end of it (still didn't stop me from wanting to rewatch the entire thing immediately - I didn't, thank god. Shout out to my nervous system for threatening a revolt and stopping me). Anyway this is to say, I had to really stretch my memory to recall a lot of the content in this season's early episodes. One that stood out though was the beginning of 3x02 Next.
3x02 begins (hilariously) with Syd and Papa Adamu fighting for bathroom time and then Syd leaving the apartment for work. As Syd makes her way to work, we hear Eddie Vedder's cover of "Save It For Later" playing, which @brokenwinebox has referred to in the context of the fourth wall.
We then leave Syd but get a tour of early morning Chicago with documentary-style footage of an array of workers beginning their daily grinds, preparing the city for its day. These workers are diverse in lots of ways including cultural background and employment, running the gamut from food service, hospitality, newspapers (shout out to the Chicago Tribune which will give The Bear its first review in 3x10 Forever), sports, etc.
What is striking about this beautiful opening to 3x02 are the lyrics of "Save It For Later" that are playing as we see all these hardworking people pass by on our screens:
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We hear Eddie Vedder sing, "run away, run away and let me down" over and over while diverse, working class folks wave at us, the viewers. And if I'm being honest, in relation to people of colour and Black folks being represented on this show, this is a good chunk of what season 3 ended up feeling like for me (and undoubtedly, for a lot of other BIPOC viewers too): racialised people waving, hailing the creators behind this show, and screaming DON'T LET US DOWN, DON'T RUN AWAY FROM US. WHY THE FUCK SHOULD WE SUFFER LIKE THIS?
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And then we get the remainder of 3x02, which myself and others have described as having two too many Faks and one too many unnecessary conversations about Claire in lieu of the attention that should have been paid to Marcus and the loss of his mother. Where the fuck was Chester, who looked after Mrs Brooks when Marcus was in Copenhagen? I needed to see their sweet friendship in that episode and was actually blown away when we got none of it.
And things got progressively worse from there.
In this pre-season 3 meta on The Bear, I spoke about how part of the tragedy of Carmy's fridge spiral was the (white) saviourism of his speech to Tina ("I failed you guys") which rubbed me all sorts of wrong ways given that the largely POC crew rallied and turned Friends and Family into a success while our man was stuck in the fridge. White saviourism can also be described as the trope of the 'white man's burden' (itself named after the Rudyard Kipling poem written as a justification for European imperial conquest of the Global South).
I'm not saying that the white saviourism here is intentional or that Carmy would even identify his behaviour in this way (unconscious biases are just that - unconscious - after all). But Carm is the product of the fine dining industry which is predominantly white. His access to those fancy kitchens was predicated on the fact that his family owned their own restaurant to begin with. That access would have been dictated by privilege and power which are inextricably tied to things like race, class, gender, ability etc. Marcus got his start in the culinary world via McDonalds while his single mum busted her ass looking after him. As far as we know, Syd had no connections in the culinary world before she embarked on her career and she's got the imposter syndrome to show for it (this is part of why I will fight to the death anyone who slags her off, she's too precious to me). 3x06 Napkins gave us huge insight into Tina's journey to fine dining which was also not easy. Likewise in 3x07 Legacy when Ted Fak (?!) gives Sweeps the latter's "I know who you are" moment. I'm still waiting on the origin stories of Ebra, Manny and Angel.
These differences between Carmy's journey and those of the characters of colour on this show matter and it was heartening to me to know that the writers of The Bear thought they mattered enough that they made them canon. These stories make it clear that of all of the people at The Beef and then The Bear, Carmy is likely the person with the most race and class privilege. And sometimes, the man acted like it! (e.g. Carmy disregarding all the work put in by the largely POC crew after he got locked in the walk in, dismissing their victorious service led by Sydney and Richie in 2x10 when he talked to Tina. He'd do this again when he spoke to Sydney in 3x01 and she has to remind him that everyone helped get the restaurant through Friends and Family).
Let me be clear: I wasn't and am still not mad that Carmy becomes an entitled, privileged little shit when the shit hits the fan. This is all in character for him (he's been this way since season 1 folks - recall 1x07 The Review).
I even expected the white saviourism to shoot itself into the stratosphere in season 3 while Carmy entered Michelin Mode. Because that is how this white man has been trained (in a largely white industry) to operate in a high pressure culinary setting that prioritises the reputation (and the glory) of the EC at the cost of everyone under them. Add to that Carmy's clear trauma, his learned behaviours from dealing with an abusive mother and absent father, his discordant relationships with his parentified siblings, his psychotic ex-boss, his grief...I was certain the man was going to be a hot, dysregulated mess for at least part of this season. And he was.
BUT...
What I wasn't counting on was the overabundance of the Faks (I am still not over John fucking Cena taking up screen time on this show OR that it was Neil and Ted at the end of 3x08 Ice Chips, visiting Nat and Donna after Nat's delivery), and the overabundance of Claire content, while we had the season running away from our characters of colour.
Sydney spent most of season 3 mediating between two dysregulated white guys (Richie and Carmy - though her character didn't do this without a fight, a la "I'm not your fucking babysitter" in 3x03 Doors) and being subjected to Carmy's tirades all through service and prep, without much exposition at all about her and her motivations for staying at The Bear (we get a glimpse - a beautiful one that absolutely devastated me - just before her panic attack in the season's last episode 3x10). We even had Marcus in 3x03 Doors (this particular choice PISSED me all the way off given the absolute lack of care given to this character and the passing of his mother in the same episode) pushing both the Magical Negro trope and the white man's burden trope as he tells Carmy to "take us there Bear": a plea to Carm to make the restaurant work for the crew's sake. In 3x05 Children, we get Carmy treating Ebra like an actual Magical Negro in one of the few exchanges between the two of them this season, when Carm asks Ebra, "Am I fucking this up?" about, well - in a moment I'd like to think was fourth wall knocking - this entire season/the operation of the restaurant.
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@kensatou in this brilliant gifset (of one of the funniest bits this season) also points out how the restaurant is contributing to the gentrification of its neighbourhood, further driving the restaurant and us viewers towards an increasing whitening of the world of The Bear.
Then we've got one of the most frustrating aspects of racism and misogynoir associated with this show and a seemingly bewildering response from the cast and crew in tackling it: the INSISTENCE at different points in time by some fans of the show, the cast and the crew that Sydney and Carmy are platonic and nothing more. All the cues and subtext in the show itself, be damned. I won't go through all the arguments as to why this is bullshit but will say, many folks have talked about how many m/f platonic relationships there are on this show (Richie/Tina, Richie/Sydney, Marcus/Sydney, Marcus/Tina, Richie/Nat, Michael/Tina, Carmy/every other woman apart from Sydney etc). There’s no shortage so why are folks so pressed with Sydcarmy? *cough* anti-black racism and misogynoir is why *cough*. Anyway...there's been LOTS of exposition about this on Tumblr by folks much more well-versed in this discourse than me. Just search the #sydcarmy hashtag for that brilliance.
Some (including me) have wondered why the cast and creators don’t directly address the obvious racism behind calls for Sydcarmy to only be platonic, or at the very least, just tell people calling for this to watch the damn show and see. Instead Sydcarmies were met with official denials of any kind of romantic relationship between Syd and Carmy right up until premiere of season 3. I know I personally felt that the insistence by the cast and crew to actively deny any romantic relationship between a Black woman and white man on this show was frustrating to the n'th degree. But then I jumped on Tumblr, as we do, and fell into the fourth wall, magic trick and legerdemain discussions and I got thoughts...if you're still here, I promise I'm almost at my point lol, stick with me.
Racism as the sleight of hand, white supremacy as the deception
The singular Toni Morrison famously described racism as a distraction (tres legerdemain-ish, n'est-ce pas?):
"The function, the very serious function of racism is distraction. It keeps you from doing your work. It keeps you explaining, over and over again, your reason for being. Somebody says you have no language and you spend twenty years proving that you do. Somebody says your head isn’t shaped properly so you have scientists working on the fact that it is. Somebody says you have no art, so you dredge that up. Somebody says you have no kingdoms, so you dredge that up. None of that is necessary. There will always be one more thing."
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The above quote is from a talk that Ms Morrison gave at Portland State University in 1975 entitled "Black Studies Center Public Dialogue, Part 2". You can listen to the talk in full here. A transcript of the talk can also be found here.
What if, the racism driving the anti-Sydcarmy antagonism and the cast and crew not addressing it or letting it fester is the point. Racism doing what racism does: distracting and deceiving. What if the pay off from this sleight of hand is that in season 4 we get what we know is destined to happen? An outcome based on the cues and clues that are littered throughout this show for anyone with a modicum of media literacy and without the blinders that a racist worldview grants: Sydcarmy.
And what about what Morrison said next in her talk,
"The distraction is no different than bombing Cambodia to keep the Northern Vietnamese from making their great push. And since not history, not anthropology, not social sciences seem capable in a strong and consistent way to grapple with that problem, it may very well be left to the artists to do it.
For art focuses on the single grain of rice, the tree-shaped scar, and the names of people, not only the number that arrived. And to the artist one can only say, not to be confused, [sigh] not to be confused.
You don’t waste your energy fighting the fever; you must only fight the disease. And the disease is not racism. It is greed and the struggle for power.
And I urge you to be careful. For there is a deadly prison: the prison that is erected when one spends one’s life fighting phantoms, concentrating on myths, and explaining over and over to the conqueror your language, your lifestyle, your history, your habits.
And you don’t have to do it anymore. You can go ahead and talk straight to me."
Now Morrison was speaking directly to Black artists, creators and thinkers when she gave the above talk but I would argue that all creators who are telling stories that feature people of colour, or people from communities that have been systemically discriminated against for whatever reason, have a responsibility to heed her call. Speak DIRECTLY to the communities you are representing in your work. And if you are doing your damn job properly in 2024, that is ALL OF US, in some shape or form. What Morrison is asking folks to do, is de-center the white gaze.
Ok so bearing in mind the above, back to the fourth wall, the magic trick and an invitation to believe. Recall this screenshot from 3x09 Apologies:
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@currymanganese has theorised that Richie is the author-avatar for The Bear creator Chris Storer. Storer is partners with Gillian Jacobs (the actress who plays Tiff, also pictured here) in real life. In essence, we are looking at some version of "mom and dad" of this show (ideally, we'd have an avatar for showrunner Joanna Calo in here instead, but I'm working with what I got). After Tiff says "Well, I know my demographic" in the above scene, Richie/Storer stays looking at the camera long after Tiff turns away from it.
Let’s be real, in any other circumstance, if two white people were looking me dead in the eye and saying they knew who their demographic was, I’d be worried lmao. I'm still worried because for a white showrunner like Storer to even begin to understand just HOW paradigm shifting what I'm going to suggest below is, would be huge.
But...what if the demographic is us? The viewership that was drawn into this show by the unapologetic and unambiguous representation of Black characters and characters of colour in season 1 of The Bear? A show that had Sydney making stew and plantains for the family meal from the jump in 1x01 System, that had Tina calling Carmy a puta while next second claiming no Inglés, that had Marcus, Sydney and Sweeps code switching to AAVE with no explanation to anyone; that had Marcus lovingly applying Palmer's Cocoa Butter (iykyk) to his bedridden mother's hands? A viewership that includes many people of colour who have been so frustrated by the sidelining of the characters of colour this season because of the show's focus on Carmy, the fucking Faks and Claire?
Now there has been some analysis on the purpose of the Faks and Claire which has lightened my heart somewhat. But the treatment of racialised characters this season still doesn't sit completely square with me.
Do Storer and Calo have what it takes to do what Toni Morrison commanded and not be confused? To go ahead and talk straight to us in season 4?
Will they make things square like Carmy alluded to in his description of what he wants his legacy to be, in 3x07?
As much as I went into my issues with this season here in this post, I am hopeful. I love this show. I love how it deals with grief. I love the symbolism and the quality of the writing, I love the acting, I love the cinematography. I love the music. This thing is a veritable feast. And I know it can be yet greater, if it heeds Ms Morrison's demand.
There's glimpses that its doing this and hopefully, will take the thread and run with it head-first into season 4: at the end of 3x10 Forever who is it that brings all of us viewers back to the idea of chosen family (what the showrunners have said the show is actually about)? Which character is seen remembering the original crew of the Beef and their trajectory to the end of season 3? Who has refused to run away from them all throughout the show (and when she did, she came back)? Whose arrival at The Beef kickstarts this whole ride in the first place? Its the CDC of The Bear: Sydney Adamu.
If Storer and Calo want to take this legerdemain shit seriously, then season 4 needs to centre Sydney as the main protagonist. It needs to return to its characters of colour. It needs to paradigm shift the fuck out of this show.
We already got Ayo directing the season premiere for season 4. I am cautiously holding out hope for more of the same next season. Listen, I know I am asking for folks to suspend maybe everything we know about systemic racism in the entertainment industry here lol. But if this season has been about the suspension of belief and distraction, maybe Ms Morrison’s words are more prescient than ever. And if these showrunners are committing to the bit as hard as I think they are, maybe the final season of The Bear is going to be its best yet.
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rmstitanics · 5 months ago
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* FAMOUS INDIVIDUALS WITH YOUR MOON SIGN.
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If you’re looking for suggestions on which authors and music artists to check out next, look to your moon sign! In Western astrology, the moon is said to represent your subconscious mind, emotions, and inner personality, so it is widely believed that we tend to relate to media by artists who share our moon sign.
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♈️ ARIES MOON
WRITERS:
Gore Vidal
George R. R. Martin
Nicholas Sparks
Rick Riordan
Jennifer Lynn Barnes
Christopher Paolini
MUSICIANS:
P!nk
Whitney Houston
Céline Dion
Selena Gomez
Rihanna
Tupac
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♉️ TAURUS MOON
WRITERS:
Jodi Picoult
F. Scott Fitzgerald
Hans Christian Anderson
Clive Barker
George Bernard Shaw
Aldous Huxley
MUSICIANS:
Pharrell Williams
Kelly Clarkson
Bob Dylan
Demi Lovato
Christina Aguilera
Pitbull
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♊️ GEMINI MOON
WRITERS:
C. S. Lewis
Fyodor Dostoevsky
Orson Scott Card
Franz Kafka
Margaret Mitchell
R.A. Salvatore
T. S. Elliot
MUSICIANS:
Ella Fitzgerald
Florence Welch
Art Garfunkel
Billy Idol
Sia
Tina Turner
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♋️ CANCER MOON
WRITERS:
George Orwell
Liu Cixin
Brandon Sanderson
Cassandra Clare
Diana Gabaldon
Lois Lowry
MUSICIANS:
Tchaikovsky
Taylor Swift
Kurt Cobain
Halsey
Aretha Franklin
Janis Joplin
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♌️ LEO MOON
Oscar Wilde
Holly Black
Geraldine Brooks
James Dashner
Jack London
Ta Nehisi Coates
MUSICIANS:
Lana Del Ray
Paul McCartney
Queen Latifah
Niall Horan
Bruno Mars
David Bowie
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♍️ VIRGO MOON
WRITERS:
Leo Tolstoy
John Grisham
Claudia Gray
Isabel Allende
Xiran Jay Zhao
Douglas Adams
MUSICIANS:
Dolly Parton
Nicki Manaj
Madonna
Lorde
Bo Burnham
Lizzo
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♎️ LIBRA MOON
WRITERS:
Jane Austen
Chimamanda Ngozi Adichie
Sylvia Plath
William Shakespeare
Maya Angelou
R.F. Kuang
MUSICIANS:
Ariana Grande
Charli XCX
Bruce Springsteen
Jay-Z
Harry Styles
Fergie
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♏️ SCORPIO MOON
WRITERS:
Veronica Roth
Edith Wharton
V.E. Schwab
Harper Lee
Keira Cass
Meg Cabot
MUSICIANS:
Lady Gaga
Tyler the Creator
Cyndi Lauper
Beyoncé
Bob Marley
The Weeknd
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♐️ SAGITTARIUS MOON
WRITERS:
Stephen King
Victor Hugo
Marie Lu
Suzanne Collins
Samantha Shannon
Adam Silvera
MUSICIANS
Hozier
Freddie Mercury
Adele
Ludwig Van Beethoven
Chappell Roan
John Legend
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♑️ CAPRICORN MOON
WRITERS:
Sarah J. Maas
J.M. Barrie
Jeff Shaara
Joyce Carol Oates
Stephanie Meyer
Angie Thomas
MUSICIANS:
Frédéric Chopin
Neil Diamond
Jon Bon Jovi
Lin-Manuel Miranda
Stevie Nicks
Donna Summer
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♒️ AQUARIUS MOON
WRITERS:
Margaret Atwood
Leigh Bardugo
Louisa May Alcott
Seth Grahame-Smith
Anthony Horowitz
S.E. Hinton
MUSICIANS:
Cody Simpson
Marilyn Monroe
Britney Spears
Billie Eilish
Tim McGraw
Carrie Underwood
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♓️ PISCES MOON
WRITERS:
Toni Morrison
Edgar Allen Poe
Malcolm Gladwell
Lisa McMann
Alice Oseman
Philippa Gregory
MUSICIANS:
Kenny Chesney
Elvis Presley
Frank Sinatra
Prince
Kendrick Lamar
Sabrina Carpenter
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dc-tournaments · 2 months ago
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Okay, due to controversies over past image choices, I am going to be largely crowd sourcing images for the Best Costume tournament. If you submitted a character and want a highly specific image to be used, please attach it in the reblogs of this post or send it to me in an ask. Thank you!
The following costumes (in order of submission) will be in the tournament:
Superman
UTRH Jason Todd
OG Barry Allen
Fear State Scarecrow
80's Starfire
Guy Gardner
B:TAC Riddler
V from V for Vendetta
Discowing
80's Headband Supergirl
Dr. Manhattan
80's Jericho
OG Jean-Paul Valley
Kole
Bombshells Wonder Woman
Authority Superman
Morrison's Red Hood
Hotpants Supergirl
Golden Age Captain Marvel
Billy Batson
Bombshells Mary Marvel
Kingdom Come Captain Marvel
90's Superboy
Spiky Matrix Supergirl
Absolute Wonder Woman
OG Martian Manhunter
Death
Hecate
Queen Pythia
OG Cass Cain
Rebirth Jaime Reyes
Spider woman Gwen Stacy
BOP Cass Cain
Apollo
Penguin
Red Nightwing
Delirium
Parallax Hal Jordan
1998 Troia
Jo Mullein
Unternet Tim Drake
Gold Armor Arsenal
The Creeper
Red Robin
The Wind
Circuit Breaker
Kyle Rayner
Rebirth Robin Tim Drake
1987 Shiva
All American Ma Hunkel
Detective Chimp
Man of Tomorrow Superboy
Any Dr. Fate costume
2004 Riddler
Mr. Sarcastic
Helena Bertinelli
Greta Hayes
Kiran Singh
Ruin
Ray Terrell
Live Action Catwoman
Frostbite
Mother Panic
Eddie Bloomberg
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digitallhell · 10 days ago
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I saw your post about banned books/documents, so here’s a screenshot I took. There was a popular post that listed banned books a few years ago. I typed each one in a Google Doc I would remember what to buy:
The Boy In Striped Pajamas - John Boyne
The Canterbury Tales - Geoffrey Chaucer
Beowulf - Unknown
Sir Gawain and the Green Knight - Pearl Poet
Macbeth - Shakespeare
A Streetcar Named Desire - Tennessee Williams
The Nature of Monsters - Clare Clark
The Passage - Justin Cronin
A Modest Proposal - Jonathan Smith
The Freedom Writers Diary - The Freedom Writers with Erin Gruwell
The Things They Carry - Tim O’Brien
The Awakening - Kate Chopin
Water for Elephants - Sara Gruen
A Necessary Woman - Helen VanSlyke
It Can't Happen Here - Sinclair Lewis
Our Bodies, Ourselves - Boston Women’s Health Book Collection
The Red Badge of Courage - Stephen Crane
The Scarlet Letter - Nathaniel Hawthorne
Sexual Behavior in the Human Male - Alfred C. Kinsey
Stranger in a Strange Land - Robert A. Heinlein
Their Eyes Were Watching God - Zora Neale Hurston
To Kill a Mockingbird - Harper Lee
Uncle Tom’s Cabin - Harriet Beecher Stowe
Where the Wild Things Are - Maurice Sendak
The Words of Cesar Chavez - Cesar Chavez
The Adventures of Huckleberry Finn - Mark Twain
The Autobiography of Malcolm X - Malcolm X and Alex Haley
Beloved - Toni Morrison
Bury My Heart at Wounded Knee - Dee Brown
The Call of the Wild - Jack London
Catch-22 - Joseph Heller
The Catcher in the Rye - J.D. Salinger
Fahrenheit 451 - Ray Bradbury
For Whom the Bell Tolls - Ernest Hemingway
Gone With the Wind - Margaret Mitchell
The Grapes of Wrath - John Steinbeck
The Great Gatsby - F. Scott Fitzgerald
Howl - Allen Ginsberg
In Cold Blood - Truman Capote
Invisible Man - Ralph Ellison
The Jungle - Upton Sinclair
Leaves of Grass - Walt Whitman
Moby-Dick - Herman Melville
Native Son - Richard Wright
Gone With the Wind - Margaret Mitch
Thank you so much! I'll look into these and see if I can either buy a copy and/or borrow it from the library or download a pfd
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onlylonelylatino · 2 years ago
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Flash of Two Worlds by Mike Parobeck
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thesummernostalgia · 2 months ago
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Myrtle Gebhart, "They Get Paid for Playing!" Picture-Play, Sep 1923, p.52
ʚɞ
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molter-writes · 12 days ago
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Just want to say you’re amazing and how do you write such amazing fics? Who were some of your favourite writers growing up and fic wise?
🥹🥹🥹
i think i spent a lot of time trying to develop a style that could embody the way i wanted to use language that was expressive in and of itself and not just a conduit for the individual words (and it's still a fucking sandbox mess)—
writers—hemingway (i know); toni morrison, richard siken, allen ginsberg and the beat poets; dostoevsky and joyce. i'll never forget what it was like to be that teenager reading the book thief by markus zusak; tamar by mal peet; my name is asher lev, by chaim potok, which touched my very soul. zora neale hurston, who taught me to re-imagine what things felt like; and indeed, nancy werlin, whose YA fiction found me by luck at age eleven and has stuck with me tattoo-like since.
i have a limited experience with fics—but i'm big enough to admit watching merlin on bbc as a kid and well (some of) you know what pipeline that leads down and for the brief few months i spent in that era this fic by @valkyrieskwad was truly, so truly, my shayla (and you do not need a shred of the source material to enjoy it)
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girljeremystrong · 28 days ago
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✨️ best books i read in 2024 in no particular order ✨️
CLASSICS
Les Miserables by Victor Hugo
french epic historical novel following the struggles of ex-convit jean valjean and a lot of other characters at the same time. what to even add! it's great! 1.500 pages and absolutely worth it!
David Copperfield by Charles Dickens
beautiful english novel about the adventures of titular character david copperfield as he grows up and becomes an adult. just a perfect novel and the most wonderful characters you'll ever meet!
The Rainbow by D.H. Lawrence
a novel following three generations of the brangwen family living in nottinghamshire in the nineteenth century. you will not believe how incredible this book is! so unique and so full of humanity! ursula brangwen is the best.
The Catcher in the Rye by J.D. Salinger
the great american novel? might be. the story of teenager holden caulfield during a long weekend before christmas. he's sad, he's grieving and he feels so lonely. re-read it for the third time this autumn. fuck the phonies! read this book!
The Great Gatsby by F. Scott Fitzgerald
the great american novel? might be. tells the story of nick carraway's meeting with jay gatsby and the great mess that follows as he gets to know him better. the very best characters and one incredible story. my second re-read and i loved it.
The Bluest Eye by Toni Morrison
her first novel! all about pecola who has a difficult childhood and through all her painful times wishes for blue eyes so she could finally feel beautiful. honestly it's devastating but unforgettable and necessary. nobody uses words quite like morrison!!!
CONTEMPORARY + LITERARY FIC
Martyr! by Kaveh Akbar
a very special book about a man who feels doomed by his traumatic and violent past and becomes obsessed with the idea of martyrdom which leads him to brooklyn to meet a terminally ill artist at her final exhibition. i really did love this book and trying to find the perplexing answer to what's the meaning of life...
Family Meal by Bryan Washington
wonderful and warm and hopeful story of cam reuniting with his estranged childhood best friend as he tries to deal with his grief for losing the love of his life. cried the whole time i was reading this! but let it be known, it is not tragic whatsoever, it's just beautiful and brilliant! it's about old friends!!!
Henry Henry by Allen Bratton
sorta inspired by shakespeare's henriad, so you already know it's good. the story of the eventful first year out of university of hal lancaster as he tries to avoid his father and spirals and looks for a place to store inside all of that catholic guilt. so fun and heartbreaking and sweet and i really loved it.
Demon Copperhead by Barbara Kingsolver
a transposition of dickens' david copperfield and in many ways just as brilliant. set in the mountains of southern appalachia it's the story of a boy growing up through difficulties and addiction and losing his family and finding love. it was wonderful and i loved demon so much!
NON FICTION
Black AF History by Michael Harriot
"the un-whitewashed history of america. a more accurate versionofamerican history." just a very interesting and very important book that thought me so much. granted i'm not american but it was very cool to read this book and find out how much of what i knew was fundamentally wrong and conditioned by a white pov.
The Greatest Nobodies in History by Adrian Bliss
so well written and wonderful and so funny but also surprisingly moving. i absolutely loved all of the stories told in this book. it's just so good!!
There's Always This Year by Hanif Abdurraqib
"on basketball and ascension." abdurraqib was born and raised in columbus, and this book is sort of about lebron james but also about so much more! life and all its struggles and all its joy!! it's beautiful and poetic and comforting and i can't think of a single person who wouldn't enjoy reading this.
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