#Allan Gardner

[lolajames]

Allan Gardner

[brokehorrorfan]

Supercool Collective is adding The Return of the Living Dead's Tarman to its BigHeadz line. The 7" PVC figure is expected to ship in the first quarter of 2024.

In addition to the standard version, a glow edition is available to pre-order through November 26. They're $35 each, or you can get it autographed by special effects artists Tony Gardner and Bryan Christensen for $50.

[erstwhile-punk-guerito]

[onthebirdroads]

Went to the Aus v Windies T20 tonight and it was a blast! Both teams played very well, and I have nothing but praise for Windies captain Hayley Matthews. When she got out (79 off 40, skied to cover, c. Litchfield, b. Brown), instead of going back to the change room, she joined the rest of her team under the gazebo by the pitch. She won player of the match, which I think was well-deserved. The Aussie bowlers were stunning as always, but the fielding did have a couple of fumbles (still a far cry from the poor fielding of 5 years ago) and there were a couple of silly run-outs

Took my new binoculars on their maiden voyage. I managed to see one of the bowled dismissals through them, which was very awesome

Pez still with her trusty, faded, faded helmet... it'll be a sad day if she has to retire that one

Experimented with taking some photos through the binoculars, cause my phone camera hasn't got the zoom you need for sports. Some of them turned it alright!

Even in their defeat, some of the Windies players still came to give autographs. Unfortunately I'm not sure whose is whose... And of course the Aussie players too, even some of the ones not playing tonight (spot Jess Jonassen's signature). There was one kid who was soooo pleased to meet Phoebe Litchfield, cause her name was Phoebe too

[razistoricharka]

Very interesting + concise article, pertinent with how much I've seen the joke about that "sadness in his eyes you only see in east european gay porn". Warning for pretty much everything you can expect.

Describing the wave of Eastern European gay pornography that flooded the US market following the dissolution of the USSR, Jones said: “They were products of a crude imperialist enterprise: cheap and nasty looking, with an atmosphere of coercion and cultural misunderstanding pervading them. Customers adored these videos, and expressed their breathless admiration whenever given the chance”

It gets pretty rough from here onward.

The Fall… opens with a short clip of a young man in profile, undressing. He looks uncomfortable, alternating between staring forward and glancing in the direction of the camera, his eyes showing a mix of discomfort and contempt. Jones’ voiceover states: “even in an unlikely place, it is possible to find traces of recent history” followed by b-roll taken from the aforementioned porn films including maps of the former USSR, market scenes, beggars and street footage. Their purpose in the aforementioned films appears to be part exoticism and part poverty fetishism, attempting to show the former glory of the Eastern nations as an emphasis on their subsequent fall. They’re an essential part of the set-up, speaking directly to what made this genre of pornography appealing to a western, primarily American, market. It’s easy to comprehend the mixture of exploitation and exoticism that made these videos popular in the US, but Jones goes further, aiming to establish a firm link between the booming Western economy and a more global, less visible form of exploitation.

The latter half of the film compounds the atmosphere of coercion, focusing specifically on the casting and screen tests of performers. The voice from behind the camera probes the subject on their sexual preferences, their motivations for being filmed: “I’m doing it for the money” “That’s a very good reason” Western audiences were turned on by the idea that the performers were under some form of duress—the ostensibly straight man either consuming their sexuality through the guise of pornography, or in the case of several scenes, the performer showing visible discomfort at either the sex or the presence of the camera. The films are low budget, low production value and low brow—by intention, rather than necessity. Jones speculates that the developing Eastern European sex industry, with the influx of Western producers and a Western market in mind, could be seen as an indicator of fertile ground for fascist ideologies—an aspersion confirmed by the global rise of far-right ideologies in tandem with the economic pressure of late-stage capitalism, a point at which more contemporary comparisons can be made.

The brief conclusion on the contemporary form of this exploitation aesthetic is also noteworthy:

In the same way that the fall of communism was exploited by the West, the financial and social insecurity of a generation living in recession, under permanent austerity, is exploited now. The aesthetics utilised in Jones’ film are still broadly present, albeit perhaps in a slightly altered form, now accompanied by a new visual language born from a culture numb to being told to “like, comment, share and subscribe”.

[loveswear]

Allan Gardner’s ‘girls smoking meth’ watercolors @ no gallery nyc

[scotianostra]

On 17th October 1821 Alexander Gardner, renowned photographer of the American Civil War was born in Paisley.

Some of you wmay not know the name but some of his the photographs should be instantly recognisable. As a young man in Glasgow, he had been a jeweller, then he became editor and publisher of a Glasgow newspaper.

Alexander Gardner was a great admirer of Robert Owen, who was largely responsible for the New Lanark Mills. In 1850, inspired by the New Harmony community established by Owen's son, Gardner, his brother and seven others travelled to the United States. They purchased land and established a cooperative community close to Monona, in Clayton County, Iowa. Gardner returned to Scotland to help raise more money and to recruit new members.

In May, 1851, Gardner visited the Great Exhibition in Hyde Park, where he saw the photographs of Matthew Brady, he would be his inspiration.

On returning to the US with his family in 1856 he learned many of his friends in Iowa had died or were seriously ill with tuberculosis, he decided to stay for a time in New York, where he sought out work with Brady, two years later with his mentors eyesight failing he was put in charge of the Washington Gallery.

Through his friendship with fellow Scot with Allan Pinkerton Gardner met Abraham Lincoln, who was then running for President, along with Brady they made 35 portraits of Abraham Lincoln during the 1860 presidential campaign.

On the outbreak of the American Civil War there was a dramatic increase in the demand for work at Brady's studios as soldiers wanted to be photographed in uniform before going to the front-line. Because all the photographs were given the Brady Studio tag it was he who was given the credit for the work, Gardner and around another 20 assistants however took the pictures. Gardner especially went beyond the front line. Now you have to remember that photography was still in it's infancy and subjects had to pose for pics, there was no action pics, with this in mind Gardner took his camera to the ditches and fields where thousands had fought and died, and pictured them as they lay sprawled at the moment of death. In the history of warfare, it had never been done before.

Perhaps it was a byline,commenting on the photographs in The New York Times in 1962 that read "Mr. Brady has done something to bring home to us the terrible reality and earnestness of war. If he has not brought bodies and laid them in our dooryards and along the streets, he has done something very like it. . . .By the aid of the magnifying glass, the very features of the slain may be distinguished.", that caused Gardner to go his own way in 1862, opening his own studio in Washington.

Gardner was back on the battlefields at Gettysburg portraying grisly results of massed cannon and musketry. He recorded the scenes in an album he named Gardner's Photographic Sketch Book of the Civil War. One particular has become more famous over the past 150 or so years, "Home of a Rebel Sharpshooter." Gardner is said to have moved the body of the soldier for more dramatic effect.

After the war Gardner also took what is considered to be the last photograph of President Abraham Lincoln, just 5 days before his assassination. Gardner would go on to photograph the conspirators who were convicted of killing Lincoln, as well as their execution.

In 1867, Gardner was appointed the official photographer of the Union Pacific Railroad, documenting the building of the railroad in Kansas as well as numerous Native American tribes that he encountered.

Gardner gave up photography to start an insurance company in 1871. He lived in Washington until his death in 1882. Regarding his work he said, “It is designed to speak for itself. As mementos of the fearful struggle through which the country has just passed, it is confidently hoped that it will possess an enduring interest.”

I have deliberately not posted some of pics as even now some are pretty graphic, to photograph the dead and especially an execution leaves a distaste in my mouth, the first pic is Gardner himself, the second Lincoln, the third Lincoln again but fellow Scot Allan Pinkerton to his left, the fourth pic shows the Scaffold for the Lincoln Assassination Conspirators, you can imagine the pics that follow this one

You can google his name you can look through many of the pics if you wish, whereas they might not be as graphic as ones you see online nowadays, they do involve shots of many dead bodies.

Read more about the man here https://www.newworldencyclopedia.org/.../Alexander...

[angelofviscera]

I told a lot of lies and called it a compromise to keep you

1 untitled, inès longevial / 2 home horizons, diango hernández / all pastel blue on white text promise, muna / all white on dark blue text good thing, maple glider / 4 (background image) we live inside a dream, danae panagiotidi / 4c part one of the hatchlings series, georgia sydney jones / 5 & 9 chalet 1, kate sherman / 7a moment of hesitation II, miriam beichert / 7c forever, alan gardner / 10 (background image) das bett, ruprecht von kaufmann / 10f part three of the hatchlings series, georgia sydney jones / 11b part 2 of the hatchlings series: full print, georgia sydney jones / 11d los ojos, clara zaragoza / 13, 15 & 17 if only for a moment, allan gardner / 19 I wish I could tell you I forgive you, edie sunday / 20 from here, diango hernández / 21 untitled, edie sunday / 23 work 99, adam jeppesen / caption: promise by muna

[punksvspreps]

Allan Gardner

[czolgosz]

list of pdfs on my phone because i know everyone wants to find out

race, discourse, and the origin of the americas: a new world view (many authors. i'm not writing all that)

what is to be done? (vladimir lenin)

"chemistry and the 19th-century american pharmacist" (gregory j. higby)

the torture garden (octave mirbeau)

"the vane sisters" (vladimir nabokov) + questions for discussion

"the tell-tale heart" (edgar allan poe)

"the lottery" (brainerd duffield)

slideshow about different english cities during the industrial revolution

the compleat works of nostradamus

"terms of endearment in english" (julia landmann)

"speech reflections in late modern english pauper letters from dorset" (anne-christine gardner)

"slopjank prographilose" (rose q. drifting & magnesium oxide)

a few pages of the 1897 sears, roebuck & co. catalog + some other related things

orientalism (edward said)

"in event of moon disaster" (bill safire)

ragtime (e. l. doctorow)

enough to make you blush: exploring erotic humiliation (princess kali)

"you're a mean one, mr. grinch" (dr. seuss) + close reading questions

merry muses of caledonia (robert burns)

"women and the english civil wars" lesson outline

"the concept of the left" (leszek kołakowski)

"kids in the early 1900s" (betty debnam)

"heterosexualism and the colonial/modern gender system" (maría lugones)

"for heidi with blue hair" (fleur adcock)

"flowers for algernon" (daniel keyes)

excerpt of the beginning of m*a*s*h (tim kelly)

tristan tzara poetry collection

"the nature of the beast: the portrayal of satan in the ballads of seventeenth century england" (christopher bailey)

"all the king's horses" (kurt vonnegut)

"conditional divorce in ottoman society: a case from seventeenth-century erzurum" (bilgehan pamuk)

"gender oppression in the enlightenment era" (barbara cattunar)

who's afraid of virginia woolf? (edward albee)

"visual difference & disfigurement in the arts"

"trans-misogyny primer" (julia serano)

the brothers karamazov (fyodor dostoyevsky)

the other victorians: a study of sexuality and pornography in mid-nineteeth century england (steven marcus)

the mistborn trilogy (brandon sanderson)

"the life of an unknown assassin: leon czolgosz and the death of william mckinley" (cary federman)

the brothers karamazov (fyodor dostoyevsky) again

spanish idioms with their english equivalents: embracing nearly ten thousand phrases (sarah cary becker & federico mora)

a sensation novel (w. s. gilbert)

basic principles of marxism–leninism: a primer (jose maria sison)

russia under the old regime (richard pipes)

tristan tzara: dada and surrational theorist (elmer peterson)

pan tadeusz (adam mickiewicz)

psycho nymph exile (porpentine heartscape)

1984 (george orwell)

neath to reach zine: the traveler's guide to [illegible] (i am not writing all that!!)

the dada painters and poets: an anthology (i continue to not write all that)

machine of death (still not writing all that)

"merchants, proto-firms, and the german industrialization: the commercial determinants of nineteenth century town growth" (gavin greif)

"introduction to the history of mental illness"

"girl detective & the mystery of the sap-stained skirt" (porpentine heartscape)

gadsby (ernest vincent wright)

feeling very strange: the slipstream anthology (authors galore.)

english women's clothing in the nineteeth century (c. willett cunnington)

socialism: utopian and scientific (friedrich engels)

the waste land (t. s. eliot)

"debility and disability in edith wharton's novels" (karen weingarten)

death of riley (rhys bowen)

"the black vampyre: a legend of st. domingo" (uriah derick d'arc)

raoul hausmann and berlin dada (timothy o. benson)

flight out of time: a dada diary by hugo ball

art and production (boris arvatov)

"the culture industry: enlightenment as mass deception" (theodor adorno & max horkheimer)

a gilded lady (elizabeth camden)

"changing narratives of martyrdom in the works of huguenot printers during the wars of religion" (byron j. hartsfield)

112 gripes about the french

"the spelling of the country name "romania" in british official usage: from uncertainty to standardization" (paul woodman)

"sarajevo 1914: trial process against young bosnia – illusion of the fair process" (veljko m. turanjanin & dragana s. čvorović)

[byneddiedingo]

Ava Gardner and Gregory Peck in The Snows of Kilimanjaro (Henry King, 1952)

Cast: Gregory Peck, Susan Hayward, Ava Gardner, Hildegard Knef, Leo G. Carroll, Torin Thatcher, Ava Norring, Helene Stanley, Marcel Dalio, Vicente Gómez, Richard Allan. Screenplay: Casey Robinson, based on a story by Ernest Hemingway. Cinematography: Leon Shamroy. John DeCuir, Lyle R. Wheeler. Film editing: Barbara McLean. Music: Bernard Herrmann.

The film version of The Snows of Kilimanjaro is handsome and dull, just like its protagonist, Harry Street, who lies waiting for death on the plains below the mountain as his life flashes past his eyes. Harry is a writer who has spent his life doing all the things he thinks a writer should, which amounts to a men's magazine version of masculinity: hunting big game, going to bullfights and to war, and sleeping with beautiful women. The actor who plays Harry, Gregory Peck, is handsome, too. And if he's also a little dull it's because Peck is miscast: The part needs an actor with a lived-in face, someone like Humphrey Bogart, who was considered for the role. At 36, Peck was about ten years too young for the role. (The 52-year-old Bogart might have been a shade too old.) Still, Peck does what he can, and it's credible that women like Ava Gardner, Susan Hayward, and Hildegard Knef would have fallen hard for him. But the screenplay by Casey Robinson is a rambling muddle that turns Hemingway's spare prose into melodrama, partly by crafting Gardner's role out of nothing -- or borrowing hints of it from other Hemingway works like The Sun Also Rises and A Farewell to Arms. Henry King, one of those studio directors who were handed big projects because they wouldn't mess them up, brings no particular vision or style to the film. The handsomeness of the movie is mostly in its casting, and in the Oscar-nominated cinematography of Leon Shamroy. Bernard Herrmann's score helps, too.  

[artthatlivesattheedgeofchaos]

THIS WEBSITE REPRESENTS THE EVOLUTION OF MY ARTISTIC CAPABILITY AND THE CONCOMITANT EVOLUTION OF MY ENLIGHTENMENT INTO THE MYSTERIES OF THE UNIVERSE, BOTH PHYSICAL AND NON-PHYSICAL. REFERENCE ALBERT EINSTEIN, CARL JUNG, JOSEPH CAMPBELL, ROBERT GRAVES, ALEISTER CROWLEY, SERGEI RACHMANINOFF, JOHNNY CASH, E.A. WALLIS BUDGE, ROY ORBISON, GODFREY HIGGINS, JOHN M. ALLEGRO, WINSTON CHURCHILL, ZOROASTER, RICHARD WILHELM, ALLAN W. WATTS, STEPHEN JAY GOULD, LEIGH HUNT, FRANCIS THOMPSON, LOREENA MCKENNITT.  

I AM SEARCHING FOR A BUYER OF MY ENTIRE ART COLLECTION.

LETTER OF INTRODUCTION 57 PAGE EXPOSITORY MEMO EARLY PERIOD ARTWORK (LOW RESOLUTION) EARLY PERIOD ARTWORK (HIGH RESOLUTION) INTERMEDIATE PERIOD ARTWORK (LOW RESOLUTION) INTERMEDIATE PERIOD ARTWORK (HIGH RESOLUTION) RECENT PERIOD ARTWORK (LOW RESOLUTION) LATE PERIOD ARTWORK (VERY HIGH RESOLUTION) (SEE NOTE BELOW) ATTACHMENTS

NOTE: The various shades of grey background in the images of the Late Period Artwork are an undesirable artifact of the photographic process used to create the digital images. The original color pencil artworks of the Recent Period and the Late Period were created on off-color white pages.

Fred E Howard III 306 Gardner Dr., N.E. Fort Walton Beach, FL 32548 850-244-5465 850-974-1071 (cell: only voicemail) FREDOHOWARD3@GMAIL.COM

CONTACTS PAGE

All of the artwork images on the website are proprietary and cannot be used for commercial purposes without my written consent or the written consent of Pamela Howard.

[styxisms]

// OK I am just gonna list my fcs for everyone so even if I haven't finished their abouts you can see.

Main muses:

Persona 3

Makoto Yuki / Minato Arisato: tba

Yukari Takeba: tba

Aigis

Female Protagonist: tba

Persona 5

Akira Kurusu: tba

Goro Akechi: Yoshizawa Ryo

Final Fantasy XIV

Roi Coello (Warrior of Light.): tba

G'raha Tia

Hlynur Thisbe (Original Character.)

Y'shtola Rhul

Wuk Lamat ( test muse)

Sphene (test muse)

Bakool Ja Ja (test muse)

Bioshock

Jack Ryan: evan peters (main) / dane dehaan (alternate)

Life Is Strange

Nathan Prescott: bill skarsgård

Alan Wake

Alan Wake: ilkka villi

Dead By Daylight

Yun-Jin Lee: Park Shin Hye

Vittorio Tuscano: tba

Phillip Ojomo: Omari Douglas

David King: tba

Sable Ward: Mollie Gallagher

Outlast

Miles Upshur: Cillian Murphy

ANIME/MANGA:

Vinland Saga

Thorfinn Karlsefni: tba

Re:Zero

Natsuki Subaru: tba

Emilia: Freya Allan

Ram

VISUAL NOVELS

Danganronpa

Saihara Shuichi: tba

Nanami Chiaki

Steins;Gate

Makise Kurisu: tba

Mouthwashing

Curly: Jack Lowden

Anya: Lily Sullivan

Daisuke: tba

Private Muses

Ace Attorney

Miles Edgeworth: tba

Phoenix Wright: tba

Maya Fey: tba

Dahlia Hawthorne: tba

Alan Wake

Scratch: ilkka villi

Barry Wheeler: tba

Bioshock

Elizabeth (Ally Ioannides)

Booker Dewitt (tba)

Subject Delta

Code Geass

Lelouch vi Britannia: tba

Suzaku Kururugi: tba

Shirley Fenette: tba

Kallen Kozuku: tba

Danganronpa

Enoshima Junko: tba

Maizono Sayaka: tba

Komaeda Nagito: tba

Hinata Hajime: tba

Kamukura Izuru: tba

Ouma Kokichi: tba

Dead by Daylight

Talbot Grimes: tba

Evan Macmillan: tba

Julie Kostenko: taissa farmiga

Kate Denson: Virginia Gardner

Susie Lavoie: Taylor Dearden

Max Thompson Jr.

Rin Yamaoka: tba

Deltarune

Kris: tba

Everymanhybrid

Evan: see the youtube channel

HABIT: see the youtube channel

Final Fantasy XIV

Thancred Waters:

Violette Roux

Finn Atoel

E'vett Tia

Ryne Waters

Elidibus

Z'jeht TIa

Zerah Aria

Fandaniel

Yotsuyu goe Brutus

Sidrugu Orl

Ysayle Dangoulain

Hythlodaeus

Zenos viator Galvus

Emet-Selch

Deryk

Final Fantasy XVI

Clive Rosfield: tba

Jill Warrick: tba

Joshua Rosfield: tba

Anabella Lesage: tba

Barnabas Tharmr: tba

Hotline Miami

Jacket: ryan gosling

The Girl / Hooker: tba

Corey: tba

Ash: tba

Alex: tba

Life is Strange

Rachel Amber: tba

Victoria Chase: tba

Marble Hornets

Brian Thomas: see the youtube videos

Tim Wright: see the youtube videos

Persona 3

Mochizuki Ryoji

Iori Junpei

Yamagishi Fuuka

Amada Ken

Koromaru

Kirijo Misturu

Aragaki Shinjiro

Yoshino Chidori

Sakaki Takaya

Sanada Akihiko

Persona 5

Sakura Futaba

Okumura Haru

Takamaki Ann

Morgana

Sakamoto Ryuji

Nijima Makoto

Yoshizawa Sumire

Nijima Sae

Takematsu Hitomi (oc)

Yoshizawa Kasumi (AU)

Maruki Takuto

Re:Zero

Julius Euclius

Shaula: tba

Satella: Freya Allan

Capella Emerada Lugunica

Echidna

Rem

Roswaal L Mathers: tba

Rui Arneb: tba

Steins;Gate

Okabe Rintarou: tba

Shiina Mayuri: tba

Vinland Saga

Gudrid Karlsefni: tba

[scotianostra]

On July 1st 1884 Allan Pinkerton, the Scottish-born detective, died.

Allan Pinkerton was born in Glasgow in Scotland in 1819. A cooper by trade he was active in the Chartist movement as a young man. Disillusioned by the failure to win universal suffrage, Pinkerton emigrated to the United States.

Pinkerton settled in Chicago and became a deputy-sheriff. In 1852 he formed the Pinkerton Detective Agency. The first detective agency in the United States, it solved a series of train robberies. In 1861 the agency was given the task of guarding Abraham Lincoln. While in Baltimore, while on the way to the inauguration, Pinkerton foiled a plot to assassinate the president.

In April 1861 Pinkerton, on the suggestion of General George B. McClellan, organised a system of obtaining military information in the Southern states. From this system he developed the US Secret Service, of which he was in charge throughout the war, under the assumed name of Major E. J. Allen.

One of his detectives, James McParlan, in 1873-76 lived among the Molly Maguires in Pennsylvania and secured evidence which led to the breaking up of the criminal organisation. In 1869 Pinkerton suffered a partial stroke of paralysis, and thereafter the management of the detective agency devolved chiefly upon his sons, William Allan and Robert.

He published The Molly Maguires and the Detectives, The Spy of the Rebellion, in which he gave his version of President-elect Lincoln’s journey to Washington; and a memoir, Thirty Years a Detective. Pinkerton died in Chicago on the 1st of July 1884.

The second picture shows Allen Pinkerton with Abraham Lincoln and was captured by another Scot, Paisley man Alexander Gardner.

[ulkaralakbarova]

The eccentric new manager of a UHF television channel tries to save the station from financial ruin with an odd array of programming. Credits: TheMovieDb. Film Cast: George Newman: ‘Weird Al’ Yankovic R.J. Fletcher: Kevin McCarthy Stanley Spadowski: Michael Richards Bob: David Bowe Harvey Bilchik: Stanley Brock Philo: Anthony Geary Raul Hernandez: Trinidad Silva Kuni: Gedde Watanabe Noodles MacIntosh: Billy Barty Richard Fletcher: John Paragon Pamela Finklestein: Fran Drescher Esther Bilchik: Sue Ane Langdon Head Thug: David Proval Killer Thug: Grant James Teri: Victoria Jackson Joe Earley: Emo Philips Gandhi: Jay Levey Cameraman: Lou B. Washington Bum: Vance Colvig FCC Man: Nik Hagler Bartender: Robert K. Weiss Spatula Husband: Eldon G. Hallum Spatula Wife: Sherry Engstrom Spatula Neighbor: Sara Allen Sy Greenblum: Bob Hungerford Crazy Ernie: John Cadenhead Blind Man: Francis M. Carlson Earl Ramsey: Ivan Green Joel Miller: Adam Maras Billy: Travis Knight Little Weasel: Joseph Witt Teri’s Father: Tony Frank Teri’s Mother: Billie Lee Thrash Fletcher Cronie #1: Barry Friedman Fletcher Cronie #2: Kevin Roden Phyllis Weaver: Lisa R. Stefanic Big Edna: Nancy Johnson Betty: Debbie Mathieu Little Old Lady: Wilma Jeanne Cummins Animal Deliveyman: Cliff Stephens Band: Guitar: Jim West Band: Bass Guitar: Steve Jay Band: Drums: Jon Schwartz Band: Keyboards: Kim Bullard Whipped Cream Eater: Barry Hansen Thug #3: Bob Maras Thug #4: George Fisher Guide #1: Tony Salome Guide #2: Joe Restivo Yodeler: Charles Marsh Mud Wrestler: Belinda Bauer Satan: Patrick Thomas O’Brien Conan the Librarian: Roger Callard Timid Man: Robert Frank Boy with Books: Jeff Maynard Promo Announcer (voice): M.G. Kelly Promo Announcer (voice): Jay Gardner Promo Announcer (voice): John Harlan Promo Announcer (voice): Jim Rose Film Crew: Production Manager: Gray Frederickson Original Music Composer: John Du Prez Editor: Dennis M. O’Connor Producer: Gene Kirkwood Producer: John W. Hyde Writer: Jay Levey Director of Photography: David Lewis Production Design: Ward Preston Set Decoration: Robert L. Zilliox Costume Design: Tom McKinley Makeup Effects: Allan A. Apone Special Effects Makeup Artist: Douglas J. White Sound Recordist: Ara Ashjian Sound Editor: Christopher Assells Sound Editor: Charles R. Beith Jr. Sound Recordist: Gregory Cheever Sound Editor: Clayton Collins Sound Re-Recording Mixer: Andy D’Addario Sound Editor: Dino DiMuro Sound Editor: G. Michael Graham Sound Re-Recording Mixer: Jeffrey J. Haboush Sound Mixer: Bo Harwood Sound Editor: Dan Hegeman Sound Editor: A. David Marshall Sound Editor: Diane Marshall Supervising Sound Editor: Dave McMoyler Sound Recordist: Art Schiro Sound Editor: Scott A. Tinsley Visual Effects Producer: John Coats Visual Effects Supervisor: William Mesa Visual Effects Art Director: Richard Kilroy Visual Effects Art Director: Ron Yates Post Production Supervisor: Susan Zwerman Production Supervisor: Bill Carroll Stunt Coordinator: George Fisher Stunts: Bob Maras Stunts: Brent Stice Stunts: T. Alan Kelly Stunts: J. Granville Moulder Stunts: Michael Steven Howl Stunts: Richard Drown Executive In Charge Of Production: Kate Morris Associate Producer: Becki Cross Trujillo Associate Producer: Joe M. Aguilar First Assistant Director: John R. Woodward Second Assistant Director: Benita Allen Casting Assistant: Gregory Raich Casting Assistant: Sandi Black Local Casting: Barbara Brinkley Henry Local Casting: Laurey Lummus Key Hair Stylist: Lynne K. Eagan Makeup & Hair: Roseanne McIlvane Wardrobe Supervisor: Ainslee Colt de Wolf Wardrobe Assistant: Phil O’Nan Boom Operator: Joel Racheff First Assistant Camera: Ed Giovanni Second Assistant Camera: Tiffanie Winton Second Assistant Camera: Brett Reynolds Second Assistant Camera: Cindi Pusheck Production Coordinator: Bonnie Macker Script Supervisor: Carol Stewart Second Second Assistant Director: Lorene M. Duran Third Assistant Director: Pam Whorton Additional Editing: Steve Polivka Assistant Editor: Lewis Schoenbrun Supervising ADR Editor: Karla Caldwell Music Supervisor:...

[nemman-u-l]

god (2023), allan gardner