#All my bad ocs

[chalkrub]

autumnal chill....featuring the girl

[sweetmapple]

@alberichfanpage mentioned that Freyja talks about Jerren but even if we had the option to ask Ansbach about Varre, I’d imagine we’d get something like this

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[figloom]

…….We are so back🗣️‼️

Twisted from the Mouse himself. By all means an art prodigy, Lille longs for the creatively pure years of his childhood. He’s been burned by corporate interest too many times rendering him distrustful and tired. Perhaps he might reignite his passion in NRC…

[heybiji]

[cloudsofteeth]

_(┐「ε:)_ 🧡

[quiddling]

very kissable

[naycelium]

Algae tending to their sea plants 🐇🌿

[odd-chips]

(Tents fingers) So I've had a very indulgent Lethal Company OC concept on the mind for a while, and now that I've drawn it, of course it's spiraled into a 80+ panel comic HILJKFD

Employee names are tentative right now, but they go by Cap'n, Kid (shortie, actual name is Scoot), Skeets (tall one, short for Skeeter) and Mav (wide one, goes by that or Maverick). Genders are also tentative, but I'm warming up to the idea of them all being women with Kid being the only boy!

Value keys for the comic are under the cut, along with some story beats/thumbnails and the uncensored version of Cap'n's injuries from the attack! (It's sketchy, but it is drawn gore so be warned!)

[snartles]

Sorry y'all gotta deal with me being cringe on main with my BG3 tav doodles

[uldren-sov]

the reality (not the expectation) of what it's like sleeping with Seven Lawless. - Camy Rose ~dated five years ago~

Comm'd the amazing and talented @aevari tysm bestie!! Of yet another meme of my OC Camy and @infamous-if 's most divisive clingy sleeper Seven Lawless

Blank version under the cut!

[lokorum]

no one asked me for a stylized version of shadowheart but i did it anyway and i have no explanations why ( ･ᴗ･̥̥̥ )

[fell-e]

'Cause my love is mine, all mine

I love mine, mine, mine

Nothing in the world belongs to me

But my love mine, all mine

Nothing in the world is mine for free

But my love mine, all mine, all mine

[silusvesuius]

properly drew my 2 skyrimlians; Agnes, the tryhard failure, and the recently born Gorshi, the 'neat' one.. sometimes a good guy, sometimes a bad guy. sort of polar opposites maybe.

and their respective horses !!! 😝🐎🐎🐎🐎🐎

[szynkaaa]

kicks down everyone's door folks I might have figured out how tall Sun Wukong/Destined One is in Black Myth Wukong.

Starting with a disclaimer that this is just my speculation and nothing is confirmed unless the dev state otherwise

So y'know how the collector's edition came with this amazing Wukong figurine:

amazing right? I want one too.

The description states that the figure is 40cm tall (according to playasia)

The figure is made by Queen Studio, specifically the INART team that makes 1:6 figures.

So we know that the figure is 40cm tall. It is not clear if that includes stand or not, and I was not able to find any information how tall the stand is

On another website (which I don't want to name because I don't know how serious the website is) lists up the figure as 315mm/31.5cm

If that is the height of the actual figure without stand, and it's a 1:6 figure, that means 31.5cm * 6 = 189 cm

So that means it is very possible Destined One/Sun Wukong is 189 cm / 6 feet 2 inch tall.

that is TALL. a lot taller than I thought he would be tbh LOL cause in the books he is usually described as the shortest (cause well, monkey)

which ALSO means.

Wukong better be paying for her chiropractor with the amount of crancking her neck up she has to do.

[raiiny-bay]

some WIPs from the 80s AU i never finished