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On Living for Posterity
by G.K. Chesterton
WE all remember the story of that excess of aspiration, in the sense of the use of aspirates, which led somebody to say of somebody, ‘If you give him a Hinch, he’ll take a Hell.’ Some recent extensions of social liberty have made the accident of the last word sound strangely like an omen. But what strikes me as even more curious is this: that there are some people who are perpetually demanding an ell but cannot be persuaded to accept an inch. They demand certain forms of social liberty in the large, but refuse them in the small, and especially in the solid. They are like people who should furiously demand a hundred head of cattle, and then flee in terror at the first appearance of a cow. Or they are like a king who should claim to rule the waves and be afraid to have a well or a pond in his own garden. The little more, and how little it is and how lightly they will take the larger responsibility! The little less, and what miles they will run in order to be worlds away!
For instance, I read in any number of New Leaders and Labour weeklies, and all sorts of papers supposed to be both progressive and popular, that the working-classes will now take over the government of the country; that the majority of manual workers will have their proper proportional right to rule in all matters of education and humanitarian reform; that the poor will at last inherit the earth. But if I say that one workman is capable of deciding about the education of one child, that he has the right to select a certain school or resist a certain system, I shall have all those progressive papers roaring at me as a rotten reactionary. Why the workman should be clever enough to vote a curriculum for everybody else’s children, but not clever enough to choose one for his own children, I cannot for the life of me imagine. If I say that a decent costermonger is to be trusted with a donkey, or a decent rat-catcher with a dog, I shall be denounced as an obstacle to humanitarian legislation. But there is no objection to trusting a crowd of costermongers and rat-catchers to decide about the humanitarian legislation. And what is true of these particular cases of proprietorship is true of the whole ease of property. When the meek inherit the earth, it must only mean that the mob inherits the earth. It must not mean that the man inherits even the smallest portion of the earth. The mob is meek enough, certainly, when it is thus herded to its pastures by its sociological and educational pastors. It does not really mean that the many sheep, but that the few shepherds, will rule over all the meadows. And when the nomadic shepherd finds himself confronted with the static or domestic peasant, with the man who is actually ruling his own small meadow like a realm, there is always a collision and a sort of civil war in the country-side. In any case, the original paradox remains: that it was regarded as a simple thing that all the meadows should belong to all the men, but a frantic and fantastic thing that any man should own any meadow.
But there is another ease that is even more curious. In the works of Mr. Wells, and all the typical Utopias and futuristic world-systems of recent times, it is incessantly and impressively repeated that we must live for the Future, for the Young, for the Rising Generation or the Babe Unborn. The traditional obligations of the past are nothing, and even the temporary contracts and compromises of the present are comparatively little; but we really do have a duty to the future generations. It is apparently the only duty that remains. While we are kicking our grandfather downstairs, we must take care to be very polite to our great-great-grandson, who is not yet present; and if a more enlightened ethic should ever justify us in painlessly poisoning our mother, it will be well to distract the attention by dreaming of some perfect Woman of the Future who may never need to be poisoned. These examples are quoted but lightly and from memory, but nobody will deny that current culture is in fact full of this notion of living for posterity. It is preached as a democratic doctrine in the democratic organs to which I have referred. But it is always the People as a whole that is to live for the Posterity as a whole.
But if we present precisely the same idea, in a present and practical form, it is called antiquated. Its practical form is called Marriage or the Family. It really does demand that a man and a woman should live largely for the next generation. It does demand that they should, to some extent, defer their personal amusements, such as divorce and dissipation, for the benefit of the next generation. And whenever we suggest that, a wail goes up about the wickedness and cruelty of depriving the poor dear parents of the innocent gaieties of divorce. How can a poor father get any real fun out of being divorced, if his enjoyment is to be dashed by a morbid memory of the existence of his own son? Nay, can we even be certain that the mother will keep up her high standard of dancing all night and every night, if there is a new-born baby who (with curious taste) is crying for her all night long? When the problem of Posterity is presented in this practical form, poor old Posterity gets the knock pretty badly. The Present suddenly becomes much more important than the Future; and the rising generation is a mere drag on the risen generation, which intends to dance until it drops. In this case also, the new thinkers are only thinking of the general, and are afraid to think of the particular. Just as the Socialist must not confront a peasant with one concrete piece of land, so the Sociologist must not confront the parent with one concrete piece of Posterity. Otherwise the new parents will fly screaming, and in some cases adopt measures to ensure that there shall be next to no Posterity at all.
I grieve to say that I am not moved to a profound respect or admiration for this intellectual compromise. If the social idealist would take his inch I might be ready to trust him with his ell. If he could trust a poor man with the care of a cow or a cottage, or a common or garden child, I might believe he was sincere in wishing to trust all poor men with the destiny of all cottages and cows. As it is, I suspect that he is not going to trust that destiny to a democracy of poor men, but to an official or oligarch appointed to organize the poor men. Similarly, if the new social philosophies fervently encouraged people to think more about domesticity and less about divorce, I might believe that they really were preferring the future generation to their own. As it is, I think they want to procure all possible pleasures and amusements for their own, including the mild amusement of prophesying some Utopia that can only come long after they are dead. If their novels and newspapers were less filled with the sublime spiritual liberation of eloping with the chauffeur, and more filled with the duty and dignity of remaining with the baby, I might admit that their faces are set towards the Future and their souls full of the song of ‘A Good Time Coming’. As it is, it seems to be an impatient and even pessimistic lyric about ‘A Good Time Now’.
I am not at all pharisaical about these weaknesses considered as weaknesses, but I am rather bored with the pretence that they are strong with the strength of vigilant Watchers for the Dawn. And I am increasingly tired of the whole tone of that inverted idealism, which is terrified when told to make use of a single talent, but quite confident of its fitness to rule over ten cities. But I suspect, if I may describe the fashionable mood in terms of old-fashioned sentiment, that these people are only filling the Castle of Indolence with the Pleasures of Hope.
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what is the best panel in homestuck and why is this one of the top contenders. like its funny with no context but its even funnier with the context that prior to this dave exploited the hell out of time travel to monopolize their stock exchange and make bank
#THESE HOES TREATING ME LIKE A CORNDOG BOILING ME IN OIL#hs#i mean he kind of had to since they only had 24 hours until the reckoning and they needed all the grist they could get
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btw not to make everything about My Fucking Guy but i honestly think one of the things that seperates q!phil out from the other islanders is the approach he takes to dealing with the lack of agency + control all the islanders have over whatever the fuck the federation's doing.
it shows up most prominently whenever tubbo is excitedly telling him about the 'progress' he's made with cucurucho or various investigations (ie: trapping him into a corner with the 'do you have free will' questions), and phil always shoots it down w an immediate 'that doesn't mean anything. curucuho will say anything to mess with you. you can't take anything he says as true.'
and it's not that phil is... a paticularly pessimistic character? he's just EXTREMELY practical. like, he's yet to give up on anyone EVER finding ANY answers (he was the one who initially gave the federation that one week ultimatum w the cage for a cage stream), he just doesn't trust the idea that curucuho is ever going to voluntarily give them. they're uncontrollable + senseless - you might as well argue with the weather.
and like, if that's how he sees the one (1) and only point of contact the islanders HAD with the federation for months, it explains a lot abt his characters lifestyle! ofc he sits on the wall all day, talking to his kids, and keeping his head down. he believes that the federation wants nothing more than to drag the islanders into sick games + tasks just so they can fuck with their head (ie: curucuho revealing he was the one cellbit gathered all that information for). and while he can't totally PREVENT any of that from ever impacting him, he can make sure his kids are well fed, well protected, and as happy + comfortable as he can manage. this is objectively not a perfect situation, there is a guaranteed amount of suffering + fear that he can't mitigate, but he can at least account for it.
like, he REFUSES to engage. whenever curucho shows up, he treats them with total ambivalence. he's not going to get riled up by anything they do, he's not going to get super attached to the guy, he's just gonna laugh it off and irish goodbye it when things drag on. the ONLY time he's strayed from that general guiding principle has been since he's lost his eggs, and can no longer afford to let the federation's fuckery go: those are his fucking kids.
hence the completely unprecedented levels of outward rage and sadness and terror he shows throughout the birdcage streams - almost all directed directly to cucurucho. it's all a completely fair + proportional response to the horror the islanders are being subjected to, but it feels so different bc until now, q!phil has been so dedicated to not reacting, and not giving the federation any sign that they're actually getting to him.
#qsmp#q!phil#LIKE. does anyone else think this! i genuinely believe its like one of the major#traits of his character i feel like u can trace it through Everything.#the man lives with the constant knowledge that sometimes all it takes is a tempting ravine and a badly timed creeper to end a life#whether that life belongs to a stranger or someone you love more than anything else in the world#you COULD rage against that. you could scream and shout and tear your hair out and grieve for the futility of it all#but what does that change? the days march on. death waits either way#and that's not to say he's a laizesfair kind of guy. anyone who's seen him stress out abt chayanne's risk taking + freak out#whenever his kids don't have enough autofeed grist can see that he cares DEEPLY. which resolves into his very distinctive#defensive + protective playstyle. the goal is not to win the fight the goal is to *survive* the fight etc#but the only way that mindset doesn't spill out into unchecked paranoia + complete agoraphobia is with acceptance#'shit happens: the philza minecraft story'#i also think it even manifests in the nightmare sequence w his last words to chayanne? 'they didn't want us to live. we were never supposed#to survive' or whatever the exact wording was#he is FURIOUS and deeply hurt and sad abt the deaths he says so explicitly later#but at the time the first thing he reaches for is. exhausted acceptance. it wasn't their fault. it wasn't his fault. they did their best.#they could only do so much in the face of the federation's Overwhelming Hostility. y'know?#mine
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Sometimes when you're having a slow week at work because you have a backlog of digitized materials and you're by yourself in the office you end up finding delightful things on JSTOR. Bottom!Faustus is totally canon.
Also, this read on the "talk not of a wife" exchange, from the same article, is not groundbreaking (nor is meant to be) but is extremely well articulated:
#this is a pretty cool article all around#it's basically about how DF is an inverted version of calvinist striving for god#and the ways in which it's framed as addiction#doctor faustus#hot faust summer#otp: as many souls as there be stars#faustposting at work again 🙃#also this is grist for the sexy demonic possession fic i am starting to sketch out#working title: two sickos one body#my smutfic is A+ character analysis you know
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The Brothers Rico (1957)
"Okay, okay, so nobody's blaming you! Let's just say something happened way back, huh? So maybe I am gonna die. But, Eddie, you've got even bigger troubles. You're gonna live."
#the brothers rico#1957#film noir#american cinema#phil karlson#lewis meltzer#ben perry#georges simenon#richard conte#dianne foster#kathryn grant#larry gates#james darren#argentina brunetti#lamont johnson#paul picerni#harry bellaver#paul dubov#william phipps#richard bakalyan#mimi aguglia#US noir adaptation of a Simenon novel; i haven't read this one i dont think but I'd bet good money the book doesn't feature the same#syrupy sweet (and frankly quite implausible) ending. that aside‚ this is very decent stuff indeed. it's character led‚ rather than being#too plot heavy‚ allowing Conte (an old favourite of mine since he stole The Four Just Men tv series away from his international co stars)#to shine in his role as a former mob accountant gone straight but dragged‚ by younger brothers‚ back into the grist of it all#he's brilliant‚ particularly in the early domestic scenes with Foster which are genuinely very sweet and charming‚ with a realism and#natural rhythm that this kind of film so often fails to find in contrast to the stylized violence and hyper cool dialogue of the more macho#setpieces (not that i don't enjoy those too!). nor is Conte alone; this is a good film for actors‚ and every part down to the most minor of#middlemen‚ henchmen and goons (and there's a lot of those here) feels like a fully realised‚ honest creation by a talented actor#the melodrama comes a little thick in the back half and as said the very ending is.. far fetched. but definitely a superior whole of a film
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been playing minestuck with wife (she's never heard of homestuck) and it's fun seeing her confused about all the random complicated bullshit like the alchemy system or captchaloging things
also she put a cruxtruder on my roof
#it really is an amazing mod#nearly everything associated with sburb is in it (with the rest apparently planned to be added)#it's got the unique land based on your aspect (wife is a space player so got a frog land which she greatly enjoyed)#alchemy system (i made a raw steak sword earlier)#server/client player stuff and grist and all that#gates to go between lands#consorts you can chat and trade with#etc etc etc etc#it's so good#skaia IS in it but you can only get there via creative mode so i assume it isn't done
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thinking about her (Gith the Liberator)
Thinking about how much I wish she were the deliciously messy, morally complex, and believably motivated protagonist of a Space Lesbians vs. Empire trilogy instead of a flat villain/historical footnote in the Fiend Folio. Unfortunately, DnD.
#mother gith apologia#but SERIOUSLY#they really created this leader of a successful uprising that freed a people who'd been enslaved so long their original name had been lost#and made her a one-dimensional villain with no real personality/motivation#not only does she not get to be the centre of her own story#she barely even has a story#it's all just grist for the “eeeevil-aligned species” mill#we don't really know why she decided conquering the planes would be a great idea#or why vlaakith i betrayed her#because the big assumption underpinning those plot points is “this is what happens when oppressed peoples become Too Liberated”#where's my chonky book series about her + vlaakith i + zerthimon fomenting rebellion together and developing irreconcilable differences?#in the right author's hands it could be so good#let Gith be an actual character 2k23#githcourse#slavery cw#oh dnd lore#as with all their historically “evil” species: there's a lot to unpack here#and I completely understand why some people would rather throw away the whole backpack#sorry about the giant tag essay rant. it will happen again.#I started essaying in someone else's tags and then realised it would be more polite to just make my own post#githyanki
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“emerich dreadway, am i a machine?”
emerich, stuttering: i- i’m not sure- i’m not the best person to ask that—
*adds another notch to the Emerich Is Hardlight column*
#taz steeplechase#i know they’re all Real Boys#but there’s so much grist in the episode for the hardlight theories#montrose’s childhood being pay it forward#and that being something all the creations know
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All faith restored! Just finished Rift War. It has a excellent plot, good art(Paul Grist my beloved) and accurate characterisation. The pacing was done well and I could even follow when characters were on different timelines! It had (for the most part bc of course it was one whole story) each comic part focusing on a different Rift related shenanigan which I enjoyed. A good, predictable enough*, plot twist and plenty tension to keep you happy. All in all would definitely recommend if you're wanting to buy some EU this is a good start. (It is a full team story have no clue why the compiled graphic novel has only Ianto, Jack and Gwen on the cover...)
#*as in you could see it coming with the hints they were giving you but not predict it all 100% yk#also personal taste not all the art was good bc there were multiple artists but majorty i liked#it has such bad reviews on storygraph but its a 5/5 from me#certainly has done everything right that the ''barrowverse'' failed at#rift war (comic)#paul grist#torchwood#(ooh also might post some pics cause there is some absolute gold in here)
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There is no “track.” This is your life. It ebbs and flows and twists and halts and speeds up. It all belongs.
You’re a human. Be alive to it all.
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On no Longer being Very Young
by G.K. Chesterton
THERE are advantages in the advance through middle age into later life which are very seldom stated in a sensible way. Generally, they are stated in a sentimental way; in a general suggestion that all old men are equipped with beautiful snowy beards like Father Christmas and rejoice in unfathomable wisdom like Nestor. All this has caused the young people to be sceptical about the real advantages of the old people, and the true statement of those advantages sounds like a paradox. I would not say that old men grow wise, for men never grow wise and many old men retain a very attractive childishness and cheerful innocence. Elderly people are often much more romantic than younger people, and sometimes even more adventurous, having begun to realize how many things they do not know. It is a true proverb, no doubt, which says ‘There is no fool like an old fool’. Perhaps there is no fool who is half so happy in his own fool’s paradise. But, however this may be, it is true that the advantages of maturity are not those which are generally urged even in praise of it, and when they are truly urged they sound like an almost comic contradiction.
For instance, one pleasure attached to growing older is that many things seem to be growing younger; growing fresher and more lively than we once supposed them to be. We begin to see significance, or (in other words) to see life, in a large number of traditions, institutions, maxims, and codes of manners that seem in our first days to be dead. A young man grows up in a world that often seems to him intolerably old. He grows up among proverbs and precepts that appear to be quite stiff and senseless. He seems to be stuffed with stale things; to be given the stones of death instead of the bread of life; to be fed on the dust of the dead past; to live in a town of tombs. It is a very natural mistake, but it is a mistake. The advantage of advancing years lies in discovering that traditions are true, and therefore alive; indeed, a tradition is not even traditional except when it is alive. It is great fun to find out that the world has not repeated proverbs because they are proverbial, but because they are practical. Until I owned a dog, I never knew what is meant by the proverb about letting a sleeping dog lie, or the fable about the dog in the manger. Now those dead phrases are quite alive to me, for they are parts of a perfectly practical psychology. Until I went to live in the country, I had no notion of the meaning of the maxim, ‘It’s an ill wind that blows nobody good’. Now it seems to me as pertinent and even pungent as if it were a new remark just made to me by a neighbour at the garden gate. It is something to come to live in a world of living and significant things instead of dead and unmeaning things. And it is youth in revolt, even in righteous revolt, which sees its surroundings as dead and unmeaning. It is old age, and even second childhood, that has come to see that everything means something and that life itself has never died.
For instance, we have just seen a staggering turn of the wheel of fortune which has brought all the modern material pride and prosperity to a standstill. America, which a year or two ago seemed to have become one vast Eldorado studded with cities of gold, is almost as much embarrassed as England, and really much more embarrassed than Ireland. The industrial countries are actually finding it difficult to be industrial, while the old agricultural countries still find it possible to be industrious. Now, I do not pretend to have prophesied or expected this, for a man may cheerfully call a thing rotten without really expecting it to rot. But neither, certainly, did the young, the progressive, the prosperous, or the adventurous expect it. Yet all history and culture is stiff with proverbs and prophecies telling them to expect it. The trouble is that they thought the proverbs and history a great deal too stiff. Again and again, with monotonous reiteration, both my young friends and myself had been told from childhood that fortune is fickle, that riches take to themselves wings and fly, that power can depart suddenly from the powerful, that pride goes before a fall, and insolence attracts the thunderbolt of the gods. But it was all unmeaning to us, and all the proverbs seemed stiff and stale, like dusty labels on neglected antiquities. We had heard of the fall of Wolsey, which was like the crash of a huge palace, still faintly rumbling through the ages; we had read of it in the words of Shakespeare, which possibly were not written by Shakespeare; we had learned them and learned nothing from them. We had read ten thousand times, to the point of tedium, of the difference between the Napoleon of Marengo and the Napoleon of Moscow; but we should never have expected Moscow if we had been looking at Marengo. We knew that Charles the Fifth resigned his crown, or that Charles the First lost his head; and we should have duly remarked ‘Sic transit gloria mundi’, after the incident, but not before it. We had been told that the Roman Empire declined, or that the Spanish Empire disintegrated; but no German ever really applied it to the German Empire, and no Briton to the British Empire. The very repetition of these truths will sound like the old interminable repetition of the truisms. And yet they are to me, at this moment, like amazing and startling discoveries, for I have lived to see the dead proverbs come alive.
This, like so many of the realizations of later life, is quite impossible to convey in words to anybody who has not reached it in this way. It is like a difference of dimension or plane, in which something which the young have long looked at, rather wearily, as a diagram has suddenly become a solid. It is like the indescribable transition from the inorganic to the organic; as if the stone snakes and birds of some ancient Egyptian inscription began to leap about like living things. The thing was a dead maxim when we were alive with youth. It becomes a living maxim when we are nearer to death. Even as we are dying, the whole world is coming to life.
Another paradox is this: that it is not the young people who realize the new world. The moderns do not realize modernity. They have never known anything else. They have stepped on to a moving platform which they hardly know to be moving, as a man cannot feel the daily movement of the earth. But he would feel it sharp enough if the earth suddenly moved the other way. The older generation consists of those who do remember a time when the world moved the other way. They do feel sharply and clearly the epoch which is beginning, for they were there before it began. It is one of the artistic advantages of the aged that they do see the new things relieved sharply against a background, their shape definite and distinct. To the young these new things are often themselves the background, and are hardly seen at all. Hence, even the most intelligent of innovators is often strangely mistaken about the nature of innovation and the things that are really new. And the Oldest Inhabitant will often indulge in a senile chuckle, as he listens to the Village Orator proclaiming that the village church will soon be swept away and replaced by a factory for chemicals. For the Oldest Inhabitant knows very well that nobody went to church in the days of his childhood except out of snobbishness, and that it is in his old age that the church has begun once more to be thronged with believers. In my capacity of Oldest Inhabitant (with senile chuckle), I will give one instance of a kindred kind. A man must be at least as old as I am in order to remember how utterly idiotic, inconceivable, and crazily incredible it once seemed that any educated or even reasonably shrewd person should confess that he believed in ghosts. You must be nearly the Oldest Inhabitant to know with what solid scorn and certainty the squire and the parson denied the possibility of the village ghost; the parson even more emphatically than the squire. The village ghost was instantly traced to the village drunkard or the village liar. Educated people knew that the dead do not return in the world of sense. Those who remember those times, and have lived to see a man of science like Sir Oliver Lodge founding quite a fashionable religion, are amused to hear a young man say the world is moving away from the supernatural. They know in what direction it has really moved.
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Helloo music questions! 1, 23, and one of your choice!
1 - a song you like with a colour in the title
Greenpath (Hollow Knight Soundtrack)
hollow knight my beloved
23 - a song you think everybody should listen to
picking another one for this since someone else asked it too! ↓
De Selby (Part 2) by Hozier
this rewrote my brain chemistry and I feel everybody should have this same opportunity
my choice - 21 - persons name in the title
Francesca by Hozier
this was also a contender for 23 - I am so feral about this song it's actually not healthy
music ask game!
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The heavy 'I thought doing this would bring you into Iomedae's light' overtones of Galfrey recruiting a non-Iomedaen Knight Commander is delicious to me.
So much of the Crusade (like many wars, naturally) is about the Propaganda and the legitimization of Iomedae's church. I wonder if Galfrey sees it as something of a personal failing if the KC chooses any path other than Angel, more than just the frustration and jealousy she admits to later. She is Iomedae's first Paladin, after all. She's staked so much on her new Goddess being what they need, what is necessary, and what is good for her people; for ALL people! The idea that she'd be unable to inspire one of her own vanguard to convert to her Goddess must be maddening.
It’s the way all ontological wars are waged, the insistence that if you aren't already a part of or willing to convert to the singular 'correct path' then failure is imminent. It's the fallacy that Only (unquestioned) Good Can Triumph Over (unexamined) Evil.
#pathfinder wotr#pf wotr#Queen Galfrey#I really love how Olwcat fleshed out her character and I cannot stop chewing on that grist#like damn they really made A PALADIN and she's so COMPLEX#my first playthrough I was so angry at her and it was like being back in church again#and examining it since it's like yeah she IS the church in all it's beautiful and terrible complexity#'church' here of course is doing a lot of heavy lifting - there's more to be examined wrt what facets of christianity are 'iomedaen'#And here's the thing she never ever actually evangelizes to KC which is important here#she's such a FIGURE that the assumption would be that she doesn't need to try and convert someone#they would just need to see her in action and decide Iomedae is the way to go#Because she's THE Paladin and THE Queen#Forgetting conveniently that her influence only extends as far as her territory#which is why Mendev MUST win this war under Iomedae's banner#It perpetuates the myth that began when the Shining Crusade was one: This is the only group that can actually triumph over evil#(CONVENIENTLY FORGETTING THE WHISPERING TYRANT ISN'T LIKE. GONE. JUST AWAY.)#Every 'Triumph over Evil' the Iomedaen crusade takes credit for has just been a really big bandaid on a broken bone#Deskari wasn't destroyed; The Whispering Tyrant is just sleeping; etc etc#A legitimate victory against 'the forces of evil' means less in the grand scheme than the ideological victory of more converts#'Convert to the only side that will win. Pay no attention to the 70 year deadlock'#'also do not pay attention to the 10 years we refused to do anything because it was more convenient to let those savage kellids die out.'#anyway#navel gazing
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I WILL GET DIAMOND OR DIE TRYING GJFBDIDBD
gristTorrent+
A Homestuck suika game
I made this in a weekend, I am not good at this game LMAO
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New Scotland Yard: Shadow of a Deadbeat (2.6, LWT, 1972)
"Anything wrong?"
"Anything wrong? She knows how to contact Eddie Moffett, you can bet your life on it!"
"I'm betting Lee Collins' life on it."
"She's gonna go to the nearest phone and she's gonna tell Eddie just where Collins is."
"That's right."
"It's too dangerous."
"Oh, it's been dangerous ever since Moffett pulled that trigger!"
#new scotland yard#shadow of a deadbeat#lwt#1972#don houghton#bryan izzard#john woodvine#john carlisle#richard mathews#john rees#alex marshall#paul grist#david webb#gil sutherland#john graham#kenneth gilbert#eric allan#terence mountain#barbara grant#gangsters again! and another set of new subordinates to be slightly uncomfortable around Kingdom's Big Police Chief. actually this feels#very connected to the prev ep in a number of ways; Kingdom takes risks in developing this case which are quite similar the risks Ward took#in the last one (and which blew up in his face and for which he was roundly told off); of course it all works out fine for our hero..#the case is one of a murdered vagrant‚ mistaken for a gangland bigwig. thus the script splits fairly neatly between covering the#mob plot stuff whilst also doing a little half hearted soul searching about alcohol abuse and homelessness among#those on the margins of society. it's weakly handled compared to some of the other social issue stuff the series has tried its hand at and#it has a strangely pointless downbeat ending (there's no real reason for that side of the plot to end so hopelessly and sadly)#i will say it makes a change to have Ward acting carefully and showing disapproval of Kingdom's ethically dubious attempts#to provoke action; quite a character reversal for the two‚ all the more clear for mirroring so closely their opposite views in the prev one#no big draws in the guest cast but i did enjoy kenneth gilbert's weary forensics guy. oh and there's a WDC but it isn't Pauline Stroud#ig she's gone the way of other minor recurring faces from s1 (including Kingdom's journalist brother in law) and disappeared into the ether
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lost the original poll post collecting data on monotropism score vs autism diagnosis but your girl sure scored higher than 99% of neuroboring people [even trying to give "I think know what this question is testing for so I'll go for my neuroboring setting" leeway] what could that mean
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