#All Time Best Song of S D Burman

[indiejones]

LATA & RD & KISHORE - THE FINAL CHAPTER (NEE DHARAMYUDH)! . . . . . . . . -OF THE MYSTERIOUS HEART ATTACKS BOTH KISHORE & RD WERE AFRAID OF! -OF 1985: THE YEAR THAT CHANGED BOLLYWOOD FOREVER!

This strange (below) Aajtak video clip caught my attention, & got me googling & researching a while.

And what came of it was highly interesting to say the least!

As it turns out, Lata Mangeshkar on average sang only 2 songs per year for R.D. Burman all life/career, while he on average composed 36 songs/year for 36 years straight!

https://youtube.com/watch?v=wr-lDgD6V0U

A further cursory glance reveals even more startling facts- Lata Mangeshkar it seems stopped singing for R.D. Burman for the last ~9 yrs of his life/career, after 1985-early 1986 at most, till his death in 1994! All RD films releasing thereafter (’86-’94),bearing Lata’s voice, if pry a bit, either shot/recorded in '85 or early '86 at most!

.

P.S : Also- Seems this year 1985 has some strange significance in lives of all 3 best friends-Rajesh Khanna (as explained in blogs pertaining to him), R. D. Burman & Kishore Kumar. For Kishore Kumar, we learn, announced his retirement from Bollywood in May 1985, (at the peak of his demand having just recorded 300 songs in 1984), but his pending work lingered, till his death in Oct '87 from his 2nd heart attack (his first having been received in 1982)! https://indiatoday.in/india-today-insight/story/from-

No one till today for certain knows the exact reason for this most surprising & most illogical & obviously highly emotional retirement decision from Bollywood. But one of the public speculations that's been doing the social rounds since those times, & we don't know if this the real or sole reason, is that it could've been borne of his showdown with his brother-in-law & Leena Chandavarkar's brother Anil Chandavarkar, perhaps sometime in the beginning of 1985, on the sets of Kishore's last directorial venture 'Mamta Ki Chhaon Mein' which he'd begun directing in 1984, in which Anil, who'd also acted in films like 1977's Aafat & 1980's Khanjar earlier, was employed as a production assistant by then, the issue for which has not been posted anywhere online, but that was serious enough in Kishore’s eyes, for getting him publicly thrown out of the film, by his own brother-in-law! And that many people believe, certainly contributed to Anil committing suicide just a few days/months later in early 1985, & leading to Kishore's announcement of retirement from Bollywood, just few days/months later, leaving all work on his own film too, that was 90% complete by then, in the process (& perhaps as we see it, merely focusing on completing his pending assignments for others thereon), (a home production that incidentally did make it to screens in 1989 finally, with Rajesh Khanna making a very special appearance).

Anil Chandavarkar, apart from being Leena Chandavarkar's brother, was also the son-in-law of director Atmaram, as husband of his daughter Anjali.

👇

1. https://m.imdb.com/name/nm9507714/bio/ 2. https://www.imdb.com/title/tt0234183/trivia/

3. https://www.imdb.com/name/nm0151293/trivia/?ref_=nm_dyk_trv

Now another highly curious incident from the very day of Kishore da's heart attack has caught mass attention. Per his wife's statement to the media, Kishore before his death, was looking pale since morning, & post-lunch, lay on his bed, after moving some furniture, & upon inquiry by his wife said, "I am feeling weak". His wife immediately tried calling the doctor, to which Kishore got angry & shouted, "If you call the doctor, I will get a heart attack". His eyed were open & he was breathing out. And just a few moments later, died.

👇 https://en.wikipedia.org/wiki/Kishore_Kumar

People online have wondered what made Kishore da so wary of the doctors coming to his house then. Others dismiss it as another joke on his part given how he was a habitual jokester. But remember, this was a man clearly experiencing a fatal heart attack just then (as evidenced by the fact that he succumbed to it just few mins later), yet that even in such agony & strife, found the strength to shout out to his wife to not call the doctors, for fear that he may (actually, in his mind) get a heart attack if they came. Isn't this most perplexing & mysterious???! Why was Kishore Kumar so phobic of his home-visiting doctors??? What kind of experiences had he had with them over time, to make him so afraid of their mere name, during his last moments???!

Questions none of us can now with any certainty answer, yet safely & privately (& oh so obviously) guess. :/

And when Kishore Kumar finally did pass away just 2 yrs after his retirement decision, while completing his huge pile of pending work, on that fateful day of  Oct 13, 1987, his friend R.D. Burman reportedly told Kishore’s son Amit at his funeral, as recounted by Amit in his video interview to Rajeev Bajaj, that it was time for him, the great R.D. Burman, to retire as well, as he knew his innings was up too!

R. D. Burman would go on to have a heart attack in the very next year of 1988, & would have a heart by-pass surgery needed to be performed on him abroad the following year in 1989, having his work-rate reduced by half for the next 5 yrs.

Another interesting publicly available post--1989 interview excerpt has also come to light, drawing further attention to his state of unease & perhaps anger. RD had always been very careful to not make hyperbolic statements about (his brother) Rajesh, most likely as instructed by the latter himself. Yet on this one occasion in 1990, made an exception, & almost purposely, gave a provocative interview about his bro being the best & all, knowing full well as an insider, how this whole silly Rajesh-Amitabh battle was a mere artificial ‘establishment media’ creation:

“Amitabh would best be remembered by historians as a 'Bollywood Legend', but Rajesh Khanna would remain a 'Permanent Superstar' for generations because of his natural charisma on and off screen. Khanna has done vast genres of films, experimented and performed many roles and also has keen interest in story, music and lyrics of songs in his films. Khanna is more versatile.”

This was an obviously angry RD deliberately hitting out the only way he knew how to, & taking “panga” with the establishment, for reasons we can perhaps now well guess.

RD would land up having his 2nd & most fatal heart attack 3.5 yrs later, on Jan 4, 1994, to eventually pass away.

Followed by a years-long media drive on how RD was unhappy & alone & doing very poor work in his final few yrs, while reality is that music stds of Hindi Cinema as a whole had gone down a few notches by the mid 80s anyway. Also that he was leading essentially the same royal life (albeit in poorer physical health)(he came from a super wealthy North-Easthern royal family btw), as also a bachelor's life since his divorce in 1971, as claimed by the musicians who worked with him (incl guitarist Vineet Shrivastava on Yt), whatever the exact truth of his marriage to Asha Bhosle, that apparently was a secret btwn him & Asha till his death, that no one really knew of, till Asha ji herself made it explicitly known to the world after his death.

P.S.:

1. Some interesting emerging tidbits herein, even if people find outta context, being how twas RD Burman, more Lata's gen, being just 9.5 yrs younger, that ended the Lata-SD cold war on since mid 1950s, by going to her house & asking her to sing his 1st song as a independent composer in 'Chhote Nawab' in 1960. The 2 never parted for next quarter century!

2. Further, Chaitanya Padukone's book 'RD Burmaniya' carries a Lata intv, stating how RD asked her to give him a 'counselling letter' of "Do's & Dont's" when he did marry her sis Asha at a time in 1980's, as a gift.

👇👇👇👇👇

https://www.amarujala.com/photo-gallery/entertainment/bollywood/rd-burman-aka-pancham-da-death-anniversary-lata-mangeshkar-remember-him

.

.

To then set into motion the final (as in Rajesh's case, we know for fact) project, by the unseen & unnamed & unknown powers-that-be, for total dismantling of the last & most famous of this legendary trio, Project Rajesh Khanna, as already amply blogged on before.

SIMILAR BLOGS (PLS PLS DO READ):

👇👇👇👇

1. https://www.tumblr.com/indiejones/727496261627936768/final-page-of-the-rajesh-khanna-saga?source=share

2. https://www.tumblr.com/indiejones/726380549968723969/very-interesting-trivia-dhamendra-rajesh?source=share

3. https://www.tumblr.com/indiejones/724655909722259456/sridevis-murder?source=share

4. https://www.tumblr.com/indiejones/726385967000436736/theee-baaalywood-top-tier-clean-slate-oops?source=share

5. https://www.tumblr.com/indiejones/726427005668704256/interesting-trivia?source=share

6. https://www.tumblr.com/indiejones/726358290783764480/divya-bharti-before-after?source=share

7. https://www.tumblr.com/indiejones/726270439209549824/unveiling-few-albeit-hitherto-unknown-greats?source=share

8. https://www.tumblr.com/indiejones/726654132078985216/of-rajesh-khanna-dimple-kapadia?source=share

9. https://www.tumblr.com/indiejones/726640768035536896/of-bollywood-it-weirdest-rumors?source=share

10. https://www.tumblr.com/indiejones/726639497719300096/legendpics?source=share

11. https://www.tumblr.com/indiejones/726633847557636096/the-beginning-of-nargis-raj-kapoor?source=share

12. https://www.tumblr.com/indiejones/726726329521848320/of-the-will-of-god?source=share

13. https://www.tumblr.com/indiejones/726742076381872128/legendpics-for-today-is?source=share

14. https://www.tumblr.com/indiejones/726816692486963200/netaji-never-married-all-life-subhash-bose-never?source=share

15. https://www.tumblr.com/indiejones/726821984245334016/dilip-kumars-greatest-ever-lifetime-achievement?source=share

16. https://www.tumblr.com/indiejones/726816559249620992/friends-who-met-the-same-end?source=share

17. https://www.tumblr.com/indiejones/726915589563695104/of-1963-the-year-that-changed-meena-kumari?source=share

18. https://www.tumblr.com/indiejones/727050607837495296/the-weirdest-rumor-about-the-freemason-family?source=share

19. https://www.tumblr.com/indiejones/727167403716493312/superstar-babydoll?source=share

[indiesole]

Indies (Lifetime) Playlist Tributes to Music Legends ! - PART 8

RAJESH KHANNA 'S TOP 380 (HINDI) SONGS ! :

Yt Link:

🙏 🙏 I N . H O N O R . O F 🙏 🙏

T H E . G R E A T E S T . A C T O R . I N . T H E . H I S T O R Y . O F . W O R L D . C I N E M A .

T H E . N O . 1 . S T O R Y T E L L E R . O F . A L L . T I M E

T H E . G E N I U S . O F . C I N E M A

T H E . M O S T . P O P U L A R . R E C O R D E D . A C T O R . I N . M O V I E D O M

T H E .M O S T .V E N E R A B L E . A C T O R - B A S E D . M U S I C .C O M P I L E . -E V E R

-O N L Y .A C T O R .T O .B E . "T A U G H T" .A S .A .S U B J, I N . H I G H .U N I V . E D U!..

O N L Y .A R T I S T .T O .H A V E .S P L. .T I T L E .C O I N E D , .F O R .H I S . S T A T U R E

(F O R .S P O R T I E S) - N O .1 T 2 0, O D I ,& .T E S T .B A T T E R, O F . F I L M D O M

T H E . U N D I S P U T E D . E M P E R O R . O F . 2 . F U L L . E R A S ( G A R D E N . & . J U N G L E - 1966 -1995) , S P A N N I N G . 3 0 . Y E A R S O F . H I N D I . C I N E M A !

T H E . C A E S A R . O F . T H E . I N D I A N . M O V I E . E M P I R E

-T H E . S U B H A S H . B O S E . O F . M O D E R N . I N D I A ( https://www.tumblr.com/indiejones/710613287715340288/the-only-da-vinci-of-cinema-his-da-vinci?source=share )

Ofcourse, any Music Playlist of the Great One, be incomplete w/o honoring his singing voice- Kishore Kumar. For though other legends like Manna Dey, Mohd Rafi, & Mukesh, did sing handful songs each for him, many even placed at very top of charts, with over 330+ recorded songs as a pair, Rajesh Khanna & Kishore Kumar remain inseparable in hearts & minds of music fans across the globe, as perhaps the greatest musical collaboration of Hin Cin.

And since we mentioned the lording over the different (movie) formats, apt demonstration if ever, be in this particular playlist, encompassing jaw-dropping pop, soul-rendering classy raga, really impactful mood music, & seemingly endless evergreen top-class melody, enveloping within it's awe-inspiring range- sensitivity, chutzpah, & heart-melting grace, all combined with a consistently inspiring & stirring lyrical content..to match the depth, skill, & prowess, of the actor on display.

This actor & his music, perhaps the most unique of all, even revolutionary, in combining beat, raga, & emo, & melody, like very few 've imagined !

This, The Holy Grail Of Film Music Playlists.

The One Playlist, (aside few pre-Independence musical royalties), to encompass the multi-faceted greatness of Indian Cinema, all at once.

And herein, few music directors deserve big credit, first & foremost being his most inspirational collab- with R.D.Burman, together serving ~20 films & ~120 songs, followed by Kalyani-Anandji with another ~100, & the father of them all, S. D. Burman with his own handful in contribution, alongside another ~10 films with Laxmikant -Pyarelal. And last but never the least, another less recalled yet hugely influential name in collab, their lyricist partner for close to half o' entire jt career- Anand Bakshi!

P.S .: 185 Films, over 27 yr Lead career, ie. 7 films per yr, with ~ 4 best actor Indies per yr, throughout ! And 105 officially recorded big money-spinning hits! Incl 48 Platinum Jubilees (those that ran in theatres for 75+ weeks non-stop), 26 Golden Jubilees (50+ weeks), 22 Silver Jubilees (25+ weeks), (ie ~100 ALL TIME BLOCKBUSTERS !), & 9 hits (10+ weeks). (Going by the previous most reliable & foolproof method of counting long-term durability of films in theatres,as barometer for success) (https://tooter.in/IndieSpace/posts/107664040311170448)

A phenomenal monetary & critically successful performance card, atleast 3 times ahead of next best, just on plain statistical regard alone, at Indies….Aside power-steering 20 Films into Indies All-Time Top 100 Films Scroll (incl 3 in Top 30, & 5 in Top 50), 40 Films into the Indies All Time Top 300 Hindi Films Scroll, 50 Films in All-Time Top 400, & 60 Films into All-Time Top 800 !

Another record guaranteed to stay untouched in history,being his unimaginable feat of 44 consecutive hits as lead hero,for 8 consecutive yrs,from 1969-76!

Infact days of his film releases across Ind thru the 70s,were such a cultural phenomena,would be marked by a large pan India absence from schools & colgs alike!

HE ALONE HAS 71 FILMS IN TOP 300 BIGGEST BOLLYWOOD BLOCKBUSTERS EVER! 👇 ( http://www.imdb.com/list/ls564758654/ )

Reason this is also called 'The God's Playlist' or 'Playlist to the Heavens' !

This IS as great as it gets. ⚜

Soak In The Bliss. And The Magic, called Rajesh Khanna 💟❣

Kahin door jab din dhal jaye – Anand

Pyar deewana hota hai – Kati Patang

Ye jo mohabbat hai – Kati Patang

Ye shaam mastani – Kati Patang

Kora kagaz tha yeh man mera – Aradhana

Gunguna rahe hain bhanware – Aradhana

Mere sapnon ki rani – Aradhana

Jeevan se bhari teri aankhen – Safar

Baghon mein bahaar – Aradhana

Mere dil ne tadap ke – Anurodh

Gulabi aankhen jo teri dekhi – The Train

Phoolon ki zubaan - Bebus

Chingari koi bhadke – Amar Prem

Zindagi ka safar – Safar

Zindagi kaisi hai paheli – Anand

Maine tere liye hi – Anand

Yeh reshmi zulfein – Do Raaste

Aate jaate khoobsurat – Anurodh

Jai jai Shiv Shankar – Aap Ki Kasam

Prem kahani mein – Prem Kahani

Roop tera mastana – Aradhana

Aapke anurodh pe – Anurodh

Phool ahista phenko – Prem Kahani

Ab chahe maa roothe ya baba – Daag

Meri pyari behaniya (2nd version) - Sacha Jhutha

Meri pyari behaniya banegi dulhaniya – Sacha Jhutha

Chal chal chal mere saathi – Haathi Mere Saathi

O mere dil ke chain – Mere Jeevan Saathi

Chal dariya mein - Prem Kahani

Hum dono do premee – Ajnabee

Zindagi ek safar – Andaz

Ek ajnabee haseena se – Ajnabee

Chala jata hoon – Mere Jeevan Saathi

Deewana karke chhodoge – Mere Jeevan Saathi

Shayad meri shaadi ka khayal – Souten

Jis gali mein tera ghar – Kati Patang

Rang rang ke phool khile – Aan Milo Sajna

Tum bin jeevan kaisa jeevan – Bawarchi

Deewana leke aya hai - Mere Jeevan Saathi

Hum tum tum hum – Tyaag

Kore kagaz pe likhwa le – Tyaag

Mere dil mein aaj kya hai – Daag

Dil ko dekho – Sacha Jhutha

Nafrat ki duniya ko chhod ke – Haathi Mere Saathi

Nadiya se dariya – Namak Haraam

Ye kya hua kaise hua – Amar Prem

Kuch toh log kahenge – Amar Prem

Gore rang pe na - Roti

Yaar hamari baaat suno – Roti

Rona kabhi nahi rona – Do Raaste

Falak se tod kar – Aan Milo Sajna

Zubaan pe dard bhari dastaan – Maryada

Karwaten badalte rahe – Aap Ki Kasam

Babul mora – Aavishkar

Fauji gaya jab gaon mein - Aakraman

Paas nahi ana – Aak Ki Kasam

Kajra lagake – Apna Desh

Kitne sapne kitne armaan – Mere Jeevan Saathi

Nagma hamara gayega – Bundalbaaz

Na jane kya hua - Dard

Main tum ko doongi – Humshakal

Kaahe ko mujhe bulaya balma – Humshakal

Achha toh hum chalte hain- Aan Milo Sajna

Woh shaam kuch ajeeb thi – Khamoshi

Yunhi tum mujhse baat karti ho – Sacha Jhutha

O kehdo tum jo kehdo – Sacha Jhutha

Mera chain khoya hua hai – Joru Ka Ghulam

Suno kaho kaha suna – Aap Ki Kasam

Yun toh humne dil ke safar mein – Prem Kahani

Sun champa sun tara – Apna Desh

Jawani o deewani tu zindabad – Aan Milo Sajna

Ek muamma hai – Prem Nagar

Itna toh yaad hai mujhe – Mehboob ki Mehndi

Yeh jo chilman hai – Mehoob Ki Mehndi

Kanhaiya kanhaiya – Maalik

Aao kanhai mere dhaam - Mere Jeevan saathi

Bemausam bahaar ke - Bundalbaaz

Saath mein pyara saathi - dil daulat duniya

Masti aur jawani - Dil daulat duniya

Chhup gaye saare nazare – Do Raaste

Chhup gaye saare nazare (Revival) – Do Raaste

Hum aur tum – Daag

Diya jalte hain – Namak Haraam

Bheegi bheegi raaton mein – Ajnabee

Pasand aa gayi hai ek kaafir hasina – Mehboob ki Mehndi

Mere deewanepan ki bhi dawa nahi – Mehboob Ki Mehndi

Dilbar jani chali hawa mastani – Haathi Mere Saathi

Sun ja aa thandi hawa - Haathi Mere Saathi

Aaj na chhodenge – Kati Patang

Jaise karta hai ye dil - Haathi Mere Saathi

Mere naseeb mein aye dost – Do Raaste

Nadiya chale chale re dhara – Safar

Tera dil kya kehta hai – Aashiq hoon Baharon ka

Parbat ke peechhe – Mehbooba

Duniya mein rehna hai toh – Haathi Mere Saathi

Zindagi ke safar mein – Aap Ki Kasam

Kya hua yaaron – Bundalbaaz

Main ek chor tu meri rani – Raja Rani

Main tumse pyaar karti hoon – Maha Chor

Bye bye miss goodnight – Prem Nagar

Mujhse bhala yeh kajal tera – The Train

Hum tum gum sum – Humshakal

Sachai chhup nahi sakti - Dushman

Maine dekha tune dekha – Dushman

Main shayar badnaam – Namak Haraam

Jab dard nahi tha seene mein – Anurodh

Mere naina sawan bhaado - Mehbooba

Kis ka mahal hai kis ka ghar hai – Prem Nagar

Ek tara tha bada pyara tha – Humshakal

Sajna saath nibhaana – Doli

Na jaiyo chhod ke – Shehzada

Dil sambhale sambhalta nahin – Raaz

Baby ghar chalo – Chalta Purza

Rasta dekhe tera – Humshakal

Ram kare babua – Anuraag

Waqt waqt ki baat – Bhola Bhala

Sexy playboy - Mere jeevan saathi

Rim jhim rim jhim – Shehzada

Bina badra ke bijuria – Bandhan

Thokar mein hai – Shehzada

Aayo re sawan aayo re – Bandhan

Jaa mujhe na ab yaad aa – Prem Nagar

Ruk meri jaan – Bundalbaaz

Hasne ki chaah ne – Aavishkar

Gori teri paijaniya – Mehbooba

Bhor aai aya andhiyara – Bawarchi

Nainon mein nindiya hai – Joru Ka Ghulam

Duniya mein sada – Amar Deep

Aarti utaro Radheshyam ki – Maalik

Karm kaho kismet kaho - Karm

Karm kare kismet bane - Karm

Radhe Krishna bol mukh se – Maalik

Do rang duniya ke – Do Raaste

Maine dekha tujhe – Karm

Yeh Hasi Raat Toh Mansoob Tere Naam Se - Majnoon

Dil se dil ki baat ho gayi – Dharm Aur Qanoon

Man pukare – Tyaag

Aaiye aapko main – Joru Ka Ghulam

Yeh lal rang kab mujhe chhodega – Prem Nagar

Yaar dildar tujhe – Chhaila Babu

Dakiya dak laya – Palkon Ki Chhaon Mein

Baras gayee re taras gayee – Joru Ka Ghulam

Ruk meri rani - Dil daulat duniya

O ladki deewani – Maryada

Haan toh main kya keh raha tha – Raja Rani

Jiski jheel si aankhon mein – Mehbooba

Aur kuch der thehar – Aakhri Khat

Aa jao aa bhi jao - Bandhan

Chupke se dil de de – Maryada

Jhuk gayi aankhen teri – Bhola Bhala

Chunari sambhal gori - Baharon ke sapne

Satrah baras ki chhokriyan – Ajnabee

Danton tale dabake hoth – Doli

Naach meri bulbul – Roti

Duniya mein logon ko – Apna Desh

Gussa itna haseen hai toh – Maryada

Kal raat sadak pe ek – Chhaila Babu

Yeh thandi hawayen – Prem Nagar

Public hai sab janti hai – Roti

Jab andhera hota hai – Raja Rani

Humko nikaloge ghar se - Chhaila Babu

Prem hai kya – Prem Kahani

Allah megh de – Palkon Ki Chhaon Mein

Sochta hoon ke tumhein – Raaz

Dekho veer jawanon- Aakraman

Main aashiq hoon baharon ka – Aashiq Hoon Baharon Ka

O maalik mere – Maalik

Akele hain chale aao – Raaz

Hamein aur jeene ki chaahat (duet) – Agar Tum Na Hote

Hamein aur jeene ki chaahat (male) – Agar Tum Na Hote

Sun banto baat meri – Maha Chor

Zindagi pyaar ka geet hai – Souten

Chalo bulaawa aya hai – Avtaar

Safal hogi teri aradhana - Aradhana

Goron ki na kaalon ki – Disco Dancer

Goron ki na kaalon ki (sad)- Disco Dancer

Ek andhera laakh sitare - Aakhir kyon?

Din mahine saal – Avtaar

Mera gham kitna kam hai - Amrit

Neele ambar ke do – Asha Jyoti

Tere payal ki jhankar – Asha Jyoti

Maro bhar bhar pichkari – Dhanwan

Mere lal - Aavishkar

Hamein tumse pyar kitna – Kudrat

Hoti hai kisise jab preet – Prem Bandhan

Mere hosh le lo – Bandish

Main babu chhaila – Chhaila Babu

I am in love – Aashiq Hoon Baharon Ka

Sang mere nikle the saajan – Phir Wohi Raat

Pyar ka dard – Dard (Contd)

[bollywoodproduct]

Lyrics Aaj Phir Jeene Ki Tamanna Hai

Lyrics Aaj Phir Jeene Ki Tamanna Hai

Aaj Phir Jeene Ki Tamanna Hai – Song contents: Lyrics in EnglishHindi LyricsYouTube VideoSong TriviaMore Lyrics in English | Aaj Phir Jeene Ki Tamanna Hai | Guide-1965 | Waheeda Rehman, Dev Anand O…Kaanto Se Kheech KeYe AanchalTod Ke BandhanBaandhi PaayalO…. Koyi Na Roko Dil KiUdaan KoDil Wo ChalaAa… Aaj Phir Jeene KiTamanna HaiAaj Phir Marne KaIrada Hai Aaj Phir Jeene KiTamanna HaiAaj Phir…

[bollywoodirect]

जब कभी भी सुनोगे गीत मेरे, संग संग तुम भी गुनगुनाओगे...

A heartfelt homage to the soul of Hindi film music, on the great Mohammed Rafi Saab's 94th birth anniversary.

In a singing career spanning 35 years, Mohammed Rafi came to be regarded by many as the greatest playback singer the Hindi film industry has ever known.

Famed music director Naushad Ali described Mohammed Rafi as India’s new ‘Tansen’. Apart from Naushad, Rafi worked with all the well-known music directors of his time, including S D Burman, Shankar-Jaikishen, Laxmikant-Pyarelal, Madan Mohan, Kalyanji Anandji and O P Nayyar.

One of his hallmarks was his ability to sing in a variety of styles, ranging from classical and patriotic songs to qawwalis, ghazals, and bhajans, though he is best known for his romantic songs and duets. He became the ‘voice’ of most of the actors across the decades – including Dilip Kumar, Shammi Kapoor, Dev Anand, Dharmendra, and Amitabh Bachchan. It was countless songs like ‘Suhani Raat Dhal Chuki’ (Dulari), ‘O Duniya ke Rakhwaale’ (Baiju Bawra), 'Chahunga Main Tujhe Saanjh Savere' (Dosti), 'Baharon Phool Barsaao" (Suraj) and ‘Chaudhvin Ka Chand Ho' (Chaudhvin Ka Chand) that have made Mohammed Rafi live on in the hearts of millions long after he passed away in 1980.

His voice brought fantasy to life, and he continues to inspire succeeding generations.

[shankarjaikishanfansassnintl]

Kishore Kumar and Shankar Jaikishen- Hysteria that did not coincide

Courtesy  http://arghyatext.blogspot.com/2012/07/18-songs-in-first-13-years-and-then-87.html

No song in the first 8 years of mutual co-existance in the music kingdom ,18 songs in the next 13 years of association and then, 87 songs in last 17 years: the association of Shankar Jaikishen with Kishore Kumar has various interesting aspects. Another intriguing part is, for the first 13 years, SJ were the uncrowned king of Hindi film music and Kishore Kumar a non-considerate in playback singing and in the next 17 years, well, almost vice versa. “Almost” is because Jaikishen- the more prominent of the duo, died in 1971, and upto 1986, Shankar single handedly kept the S-J flag flying. As the musical parallelism goes, many still believe, it was Jaikishen with whom the camaraderie of Kishore would have blended better- and the proof was there with “Zindagi ek safar hai suhana”, the chartbuster Jaikishen had made with Kishore just months after the former passed away. But the fact is, out of 105 songs Kishore recorded under SJ baton, almost 70 songs came for Shankar only, owing to Jaikishen’s early demise.

Kishore Kumar with Asha Bhosle and Jaikishen

Alongwith Rafi-R D Burman and Asha Bhosle-Ravi, Kishore Kumar-Shankar Jaikishen combo has been highly neglected in Hindi film music history, perhaps owing to the reason that the fan groups of the MD and the singer never formed a common set.With their clear cut preference to the trio of Rafi-Mukesh-Manna, Shankar Jaikishen ruled the film fraternity in the 1960s. They could be cult and traditional with equal ease, insisted on heavy orchestration, composed for the poster boys of Hindi cinema and maintained super Public Relations where their counterparts like Madan Mohan, O P Nayyar or S D Burman were not the experts at. They did not want to look beyond their comfort set of singers right from the very beginning in 1949. It is therefore, you will find hardly any association of them with Hemant, Talat, Geeta or Shamshad right from the 50s through the 60s, except for occasional masterpieces(Ae mere dil kahin aur chal or Yaad kiya dil ne kaha ho tum). So high was the S-J mania that time they managed to compose as many as 7 films for Dev Anand(Patita, Love Marriage, Jab pyar kisise hota hai, Roop ki rani choron ka raja, Asli Naqli, Duniya, Pyar Mohabbat)- a hero who never wanted any MD except S D Burman even outside his home production. So, for Kishore Kumar, his association with S-J was confined within the films where he was the hero himself. All the movies they worked together between 1956 and 1969 were mainly with Kishore Kumar as the protagonist- New Delhi, Begunaah, Shararat, Krorepati and Rangoli. So fascinated were the SJ with the trio of R-M-M, that except for in New Delhi, in all the other films they created space for each of the singers to playback for Kishore. Manna De played back only twice for Kishore- both the occasions came under SJ- Begunaah and Krorepati. Rafi played back for Kishore in Shararat- a movie where Kishore played a double role. There were two movies in that period where SJ did use Kishore for playback- one in Duniya(1968), a duet with Asha Bhosle on Dev Anand and one in Bhai Bahen(1969), again a duet with Manna De on a character artist.With Aradhana released in 1969 and the equation changing a bit, S-J started using Kishore sporadically in movies like Umang and Tum haseen main jawan, still sticking mainly to their comfortable “trio” and making some space for the newly arrived sensation. By 1971, the producers started having their say on Kishore Kumar on the MDs. SJ, always known to abide by the industry trends, started suddenly using Kishore lot more. Kishore Kumar had by then, continued his popularity run with chartbusters in 1970 like Kati Patang, Johny Mera Naam, Sacha Jhutha, Safar, Pavitra Papi, Prem Pujari and Aan Milo Sajna. A force too huge to be ignored by now, Shankar turned on to Kishore for a piano solo in Laal Patthar. “Geet gata hoon main, gungunata hoon main” had Kishore responding to S-J just the way they would have wanted. Alongwith Rafi, Kishore had that elasticity to deliver just the way a MD wanted and not sticking to his own singing gambit. S-J used Kishore in the title track of a Shammi Kapoor starrer in the same year. “Jaane Anjaane”, an otherwise forgettable album, is best remembered today for Manna De’s “Chham chham baaje re payaliya” and Kishore’s “Jaane anjaane log mile”. In Andaaz, the unthinkable happened- with only one single solo in the whole film, Kishore’s “Zindagi ek safar hai suhana” overshadowed all the other songs in the album, including the versions of the same song by Asha and Rafi.S-J, in a spree to check the continuous popularity of younger R D Burman and Laxmikant Pyarelal and older and rejuvenated S D Burman post-Aradhana, started signing movies one after the another in 1971. They had 17 releases in 1971, much more than what RD and SD had done, and almost as good as what LP had done. That was the good part, the bad part was except Andaaz, all the other movies bombed at the box office. Duniya kya jaane, Seema, Ek naari ek brahmachari, Albela, Jawan Mohabbat, Pagla kahin ka came and went. In spite of great songs, Lal Patthar and Mera Naam Joker failed at box office. Jaane Anjaane, Kal aaj aur kal received lukewarm response. Andaaz was the only day-saver, that too thanks to only one superhit. Interestingly, SJ used Kishore in almost all their movies in 1971, except for 2-3 Raj Kapoor and Shammi Kapoor movies. They had four releases of Shammi Kapoor that year, and none faring well, also gave a hint at the star’s declining product life cycle.Kal aaj aur kal was a RK production launching Raj Kapoor’s son Randhir Kapoor. S-J decided to put Kishore Kumar as the voice of young Randhir and made him croon the evergreen beauty “Bhanwre ki gunjan”. Interesting to note that, although the media hypes a lot over Kishore’s association with Rajesh Khanna, Amitabh Bachchan and Dev Anand, it was Randhir Kapoor for whom, in terms of percentage, Kishore Kumar had played back the most. Except for Jeet(1972) and Humrahi(1974), Kishore played back for Randhir Kapoor in all the other movies of the hero- an outstanding achievement between an actor and a singer.Jaikishen passed away in 1971 owing to liver cirrhosis. With Shailendra already gone in 1966, Shankar was left alone to carry forward the glorious torch of the past. With already a declining trend in popularity, SJ held intact only one thing- the Filmfare Awards. They received it in 1970 and 1971 winning over the albums of SD,RD,LP and KA with many eyebrows raised. In 1972, a year truly belonging to Rahul Dev Burman, with mesmerizing albums like Mere Jeevan Sathi, Amar Prem, Parichay, Jawani Deewani, Hare rama hare Krishna and Bombay to Goa, SJ managed to win the Filmfare Award again for Beimaan under lot of controversies. SJ used Kishore Kumar again in almost all their movies except Aan Baan(1972)- a Rajendra Kumar starrer, where they decided to stick to their old gun, Rafi. Kishore delivered his job, giving hits under any circumstances, with “Tum kitni khubsoorat ho”(Jungle mein mangal), “ Saath mein pyara saathi”(Dil Daulat Duniya) and “Aankhon aankhon mein baat hone do”(Aankhon aankhon mein).

Shankar and Kishore Kumar in rehearsal can be seen in the original records of Dil, Daulat Duniya-1972. Pic Courtesy: Rajnikanth Ranchod Pithia ji

The next decade saw gradual decline of Shankar amongst mainstream cinema. After giving music to almost 350 movies, the exhaustion showed. With no Jaikishen, Shankar tried to put his foothold intact with occasional hits in Resham Ki Dori(1974), Sanyasi(1975) and Do Jhoot(1975). Many of Shankar’s hits that time came with Kishore like “Chhatri na khol”(Do Jhoot), “Mere dil mein tu hi tu hai”(International Crook), “Chamka paseena”(Resham ki Dori) and “Tu jahan main wahan”(Garm khoon).Both Shankar and Kishore demised in 1987. While one was given a superstar farewell, the other went away quietly. Quite contradicting to the fact that once, in the 60s, Shankar had actually told in an interview that some songs were not singer Kishore’s “cup of tea”. That time, he was the superstar in music and Kishore was obscure. Time changes fast.But, the fact remains that Shankar Jaikishen were amongst the greatest music directors in Indian Cinema and Kishore Kumar was one of the greatest playback singers. Although their peak periods don’t match, in spite of being contemporaries, they did give us some brilliant output together. Here are my top 10:

Nakhrewali- New Delhi(1956).

Chhotisi yeh duniya- Rangoli(1962).

Rangoli sajaao-Rangoli(1962).

Humlog hai aese deewane- Umang(1970).

Geet gata hoon main- Laal Patthar(1971).

Jaane anjaane log mile- Jaane Anjaane(1971).

Bhanwre ki gunjan-Kal aaj aur kal(1971).

Zindagi ek safar hai suhana-Andaaz(1971).

Saath mein pyara saathi-Dil Daulat Duniya(1972).

Kehta hai dil o mere sanam-Chorni(1980).

[bengaliupdatenews]

Pankaj Mullick  biography

Preparing –

Sri Durgadas Bandopadhyay for traditional and light old style music

Sri Dinendranath Tagore (Rabindranath Tagore's fantastic nephew) for Rabindrasangeet

Vocation HIGHLIGHTS

RADIO –

· Pankaj Mullick ( পঙ্কজ মল্লিক ),  joined All India Radio (AIR), Kolkata [initially known as the Indian Broadcasting Corporation] in 1927, inside a month of its beginning.

· He was an indispensable piece of AIR for almost 50 years

· At AIR he set music to the everlasting 'Mahishasuramardini', a program that has turned into a piece of Bengali culture and synonymous with Durga Puja. It is heard each 'Mahalaya' morning even till today. It has had a continuous kept running since its start in 1931.

· He conceptualized and began the gigantically famous unrecorded music class titled – 'Sangeet Shikshar Ashar' which he accomplished for a record 47 years on the jog.

· He was a piece of endless Feature Programs as music chief and artiste during his protracted residency at AIR

Film –

· He turned into a piece of Indian film directly from the quiet period, since 1931

· He was a piece of the ritzy New Theaters Studio group for almost 25 years

· Luminaries like K L Saigal, S D Burman, Hemanta Mukherjee, Geeta Dutt and Asha Bhosle sang under his music course as did a few other conspicuous artistes from Bengal and the remainder of the nation

· He was the principal music chief who presented Rabindrasangeet effectively in films

· He presented interval and interlinking music without precedent for Indian film-tunes

· At when film making was not as productive as it is presently, he sang in, made music for and once in a while acted in near 100 motion pictures

· He was a piece of Indian film from 1931 to 1969, a time of around 38 years

· The motion pictures he was related with were in Bengali, Hindi, Urdu and Tamil 

· He alongside chief Sri Nitin Bose was instrumental in the presentation of playback singing in Indian film

Notable FACTS –

· He recorded his first melody when he was just 18 years of age

· He was the main individual to advance Rabindrasangeet by releasing the enchantment of Tagore's tunes among the majority

· His music profession spread over a dazzling 50 years

· He authoritatively created more than 5,000 melodies in those 50 years

· Singers like K L Saigal, S D Burman, Hemant Kumar, Kanan Devi, Geeta Dutt and Asha Bhosle among others sung his organizations

· His co-stars in movies included K L Saigal, P C Barua and Kanan Devi among others

· He was delegated as the Honorary Advisor to the Folk Entertainment Section of the Government of West Bengal, from 1953 to 1968, by the Chief Minister of West Bengal

· He was viewed as one of the establishing fathers of Bangla Adhunik Gaan, a sub-sort of Bengali tunes

· He had a few famous non-film tunes in Hindi, Urdu and Bengali amazingly

· He was the first to acquaint components of Western Music with Indian true to life and non-realistic tunes

Significant AWARDS –

· He won the National Award for Best Music Direction in motion pictures on a significant number events

· He got the BFJA grant for his work as music chief

· He got Life Time Achievement Awards from AIR and HMV (presently Saregama)

Renowned TITLES –

· Title of "Surosagar" in 1931

· Title of "Sangeet Ratnakar" in 1962

· Padmashree in 1970

· DADASAHEB PHALKE PURASKAR in 1972 – the most elevated honor introduced by the Government of India in the field of Indian Cinema. He was the main music-chief to be regarded so.

· Title of Rabindra Tattacharya in 1977

Uncommon Honors –

· Rabindranath himself enabled him to set tune to a couple of his ballads, the most well known occurrence of which is "Coffee shop sheshey ghumer deshey… 

· He was welcome to sing the debut tune during the dispatch of TV (Doordarshan) in the nation

· At the command of Sri Sarat Bose, Netaji's senior sibling, he sang "kadam barhaye jaa… ", set to his variant of the tune, with Prime Minister J L Nehru being available during the account. Different individuals from Netaji's family also loaned their voices to this record

· On Prime Minister Nehru's solicitation he sang and recorded the Indian National Anthem – "Jana gana mana… " in a style that was considered to set the parameters to be pursued during the singing of the song of devotion by all Indians. The account was additionally played across the nation at pretty much every open spot to acquaint each Indian resident with the song of devotion of their recently shaped free nation

· In the days when 'globalization' was very unbelievable, he delighted in extraordinary acclaim and fame both broadly and universally

After death Honors –

· The Government of West Bengal renamed Ritchie Road as Pankaj Mullick Sarani in his respect

· The Department of Information and Culture of the Government of West Bengal commended his introduction to the world century in 2005 with extraordinary grandeur and magnificence

· The Government of India, paid tribute to his memory by giving a dedicatory postage stamp in 2006

· The Kolkata Municipal Corporation announced his home at Sebak Baidya Street a Heritage Site in 2007

· The Kolkata Municipal Corporation upheld the erection of a statue in his respect at Maddox Square Park on Pankaj Mullick Sarani in 2010

[obedmanwatkar]

#MohammedRafi

“I can’t even utter a word if Almighty God wants it that way. My voice is by his mercy.”

---Mohammed Rafi (Born: December 24, 1924, Kotla Sultan Singh, Died: July 31, 1980, Mumbai)

--------------------------

Today is the Anniversary of Mohammed Rafi the Elvis Presley of India, whose voice brought to life hundreds of melodies, was born in a village Kotla Sultan Singh near Amritsar long before India attained its independence. But music training beckoned him to Lahore where he cut his musical teeth under the hawk-like eye of Ustad Ghulam Ali Khan. He made his singing debut in the Punjabi film Gul Baloch by rendering a duet with Zeenat Begum, 'Soniye Ni Heeriye Ni' composed by Shyamsunder.

Wadia Movietone was a prominent film company and it was Homi Wadia who saw the talent in Mohammed Rafi and insisted that he sing for his forthcoming film Sharbati Ankhen under the Music directorship of Feroz Nizami. The voice of Mohammed Rafi encompassed a tremendous range, which is unparalleled. The peculiar trait that separates a playback singer from a classical vocalist is not the range or ability as a singer but the voice quality. With Mohammed Rafi it was the ultimate combination that helped him reign supreme in the field of playback singing. His voice quality combined with his unsurpassed range made him stand apart from his contemporaries.

His voice suited any genre of music be it a moving ghazal like 'Aap Ke Pehloo Main Aakar Ro Diye', a plaintive bhajan like 'O Duniya Ke Rakhawale', or a wild and whacky Shanker-Jaikishan composition like 'Chahe Koi Mujhe Jungle Kahe'. Mohammed Rafi added his delectable nuances to the melody and made it immortal. His voice had this unique feature of screen adaptability and when it merged with his intelligence as a singer it helped him to tailor his voice across an array of faces that remain entrenched in our memory books. Comedian Johnny Walker had a voice that was queerly rounded. Mohammed Rafi's take on him was phenomenal in songs like 'Sar Jo Tera Chakraye' under S D Burman in 'Pyasa' and 'Aye Dil Hai Mushkil Jeena Yaha' from 'CID'. Mohammed Rafi managed to sound exactly like Johnny Walker would if he sang the song himself. Rafi summoned Johnny Walker a day or two prior to the song picturization and then contributed his bit to add to the character Johnny Walker played on screen.

Actors like Biswajit (Pukarta chala hoon main), Bharat Bhushan (Zindagi Bhar Nahin Bhoolegi Woh Barsaat Ki Raat), Joy Mukherjee (Bade Miyan Deewane) are remembered more for the songs that were picturized on them with Rafi lending his golden voice to their average acting abilities.

Mohammed Rafi was known for his altruistic behavior, which was exhibited on several occasions. He has been known to charge just a token amount as his fees for singing songs of Music Directors who could not afford his regular charges. Many times Mohammed Rafi has sung songs without charging a single penny to the Music Directors. A case in point is the film 'Aap Ke Deewane' with which actor Rakesh Roshan began his phase as a Producer-Director. Rafi sang the title song of the film but did not charge any money because he felt that he liked the song a lot and after all, it was only a line, which he had to render. Very few singers were known to be so good at heart. This innate goodness in him came to the fore when he sang most of his songs.

In his glorious career, Mohammed Rafi won the coveted Filmfare Award of best playback singer no less than six times. He was also decorated with the Padmashri by the Government of India. With the advent of Kishore Kumar as a major singing sensation Rafi Sahab's career received a slight jolt in the late 60s and the early 70s but he bounced back with verve in films like Sargam, Karz, Hum Kisise Kam Nahin, Poonam and his last song under the baton of Laxmikant-Pyarelal for the film Aas Paas. He succumbed to the dreaded heart-attack on the 31st of July 1980 -ironically the man was a teetotaler and a non- smoker. He was in his mid-fifties.

His funeral procession was one of the largest that the city of Mumbai has ever witnessed. The world of music lost one of its brightest luminaries on 31st July 1980 but his melodious voice still stops music lovers in their tracks. Notable Films: Aar Paar, Baiju Bawra, Barsat Ki Raat, Dosti, Ek Musafir Ek Haseena, Hum Dono, Pyasa, Shaheed, Teesri Manzil

Salute To the legendary artist On his anniversary. Long Live his legacy, Long Live the era of Musical Revolution write, Sing and Dance in Revolution.

(Cited From Various Sources)

Obed Manwatkar

[shankerjaikishen-the-unbeatables]

Life and times of Jaidev.

by

Vikram Appasaeb Jadav

*“Dekh li teri khudai, bas mera dil bhar gaya* *Teri rehmat chup rahi, main rote rote mar gaya . .”*

One of the greatest but unsung and unwept composers of yore was Jaidev. In 1933, 15 year old Jaidev Verma ran away from Ludhiana to Bombay, to become a film star. He acted in eight films as a child artist in Wadia Film Company. But owing to his father's blindness, he had to return to Ludhiana. While he was acting in films in Bombay he took music lessons from Krishnarao Jaokar and Janardan Jaokar. After his father's death, it was his responsibility to look after his sister. After he got her married, he went to Lucknow and continued his music studies under Ustad Ali Akbar Khan.

Ali Akbar took Jaidev as his music assistant when he composed music for Navketan's “Aandhiyan” and “Hum Safar”. From “Taxi Driver” he became SD Burman’s assistant. SD had full trust in his genius assistant; each time he entrusted him with a composing or creative job, he would advise him not to complicate it with difficult ‘murkis’ and ‘harkats’. Jaidev’s contribution to the compositions of SD Burman can be gauged through these very intricate nuances, very typical of him, obvious in a number of gems like ‘Phaili hui hain sapnon ki baahen’ (House No. 44), ‘Hum bekhudi mein tumko pukare chale gaye’ (Kala Pani), ‘Hum hain raahi pyar ke’ (Nau Do Gyarah), ‘Dekho rootha na karo’ (Tere Ghar Ke Saamne), ‘Aise to na dekho’ (Teen Deviyan), and ‘Tere mere sapne ab ek rang hain’ (Guide) to name a few.

Jaidev got an independent assignment in “Joru Ka Bhai”, after which he composed music for ChetanAnand’s “Anjali”. Music of both of these films became very popular. But, with “Hum Dono”, Jaidev came into the limelight, and how? Who can forget the bhajan ‘Allah Tero Naam, Ishwar Tero Naam’ sung by Lata! And as long as there are lovers around, ‘Abhi Na Jao Chhodkar’ will be their favourite anthem as if it is a Valentine message. ‘Main zindagi ka saath nibhata chala gaya’ became the life philosophy of Dev Anand. Jaidev built a reputation as a sensitive composer who did not compromise on the quality of music for the sake of applause.

After Hum Dono’s success, a promise was made by Dev Anand that every alternate film of Navketan will have music by SD Burman and Jaidev. Accordingly, SD Burman was entrusted the baton of “Kala Bazaar” and Jaidev ‘signed’ for the music of “Guide” for which he is believed to have composed a couple of tunes too (‘Tere mere sapne ab ek rang hain’, and ‘Din dhal jaaye haye raat na jaaye); however, the film was made and released finally with music by S D Burman, his career best. Jaidev proposed, Dev Anand disposed! Probably, for the first time, Jaidev felt exploited and stifled at Navketan and “Guide” marked the end of his long and fruitful musical association with both Dev Anand and SD Burman. Navketan, too, never called him back, which was the unkindest cut of all. Though the hurt feeling lurked in his mind for long, his respect and reverence for SD Burman remained the same till his last. Besieged by a chain of misfortunes, Jaidev made “Jo kho gaya main usko bhulata chala gaya” the mantra of his life with his spiritual character to ‘guide’ him.

What happened to Jaidev after Hum Dono is the kind of heart-wrenching cruelty that film industry keeps inflicting on its best talents. After the mega success of Hum Dono songs Jaidev was the natural choice of Navketan for their next film Guide starring Dev Anand. Jaidev composed and recorded two brilliant songs and all persons in Navketan management were extremely happy with the songs. But all of a sudden, mysteriously enough Jaidev was thrown out of Guide!

It is said that Dev Anand pressurized Jaidev to work as S.D. Burman’s assistant in Guide. It was a cruel event where a sensitive creative genius like Jaidev was suppressed by the heartless mighty. Jaidev was never again invited by Navketan to compose songs. Dev Anand used both the Jaidev songs in his film Guide. It is said that those two songs were ‘Din Dhal Jaaye Haye Raat Na Jaye’ and ‘Tere Mere Sapne Ab Ek Rang Hai’ sung by Mohammad Rafi. Being cast out of Guide was a very big setback in Jaidev’s film music career. He never really recovered from the shock. Jaidev used to frequently narrate such incidents to his friends, wracked by inconsolable grief.

This was the time when Jaidev met and got introduced to young composers like Roshan and Madan Mohan. This is a great example of the saying ‘genius finds genius’. Roshan invited Jaidev to sing in his very first film. Once, when Roshan and Jaidev were going together to a film company, they saw Madan Mohan. Roshan was reported to have told Jaidev, “I am going to introduce you to a brilliant young composer”. On introduction, Madan Mohan and Jaidev needed no time at all to become best of friends.

Roshan, Madan Mohan and Jaidev had many similarities. They were rare music geniuses. They were unfailingly great human beings too. Their unquenchable thirst ran to music, languages, literature and wine. None of them were given the importance or prominence that they richly deserved. But they lived their entire lives as friends and supporters. Theirs was a rare friendship in the ‘man eats man’ world of cinema.

Film world has its own inviolable rules. It needs people who can achieve mass popularity by shortest possible route. Its impatience with geniuses is well known. Geniuses like Salil Chowdhury, Madan Mohan, Roshan, Vasant Desai and Jaidev failed in this race to huge popularity. They did not have the talent to market themselves. What complicated the matter was group politics that acted as a barrier to fresh music entering the industry. True geniuses who blazed their own path overcoming all barriers in our film industry are very few.

Jaidev also composed the musical score for “Maitee Ghar”, a Nepali film produced by King Mahendra. The King was so pleased with Jaidev that he offered him a blank cheque and asked him to fill in any amount as he wished. But Jaidev returned the cheque and asked for a tiger skin instead!

People who speak of the Golden Age of Hindi film music mostly speak of commercially successful names like Naushad, Shankar Jaikishen, S.D. Burman, R.D. Burman, Kalyanji Anandji and Laxmikant Pyarelal. But there are many composers who established their identities through the uniqueness of their compositions alone. They may not have composed music for a very large number of films. Many of their films might not have succeeded at the box office.

Jaidev had composed music for less than thirty films. The number of songs to his credit may not be more than hundred and fifty. But Jaidev is a name imprinted on the hearts of lovers of vintage Hindi film songs as the genius who gave such fabulous numbers as ‘Kabhi Khud Pe Kabhi Haalaat Pe’, ‘Allah Tero Naam’ and ‘Abhi Na Jao Chhod Kar’. ‘Kabhi Khud Pe Kabhi Haalaat Pe’ is among the best ghazal numbers sung by Mohammad Rafi. There are many who rate the number sung by Lata Mangeshkar for Jaidev ‘Allah Tero Naam’ as the best prayer song to have emerged from Indian films. In a recent televised event, Jaidev’s ‘Abhi Na Jao Chhod Kar’ was rated both as their favourites and the best Hindi film song ever by today’s stars Shankar Mahadevan and Farhan Akthar.

It is possible that an average listener may identify Jaidev as the only music composer from Hindi films to have won the National award thrice. But the lamentable fact is that this composer of incomparable songs, winner of many state awards and winner of ‘Sur Singar Samsad’ award for Lifetime Achievement in Music remains so unknown to common man that we keep hearing the question, “Jaidev? Who is he?” even from people who love his music!

It was Jaidev who introduced ghazal singer Hariharan to film music in the film Gaman (1979) with the song ‘Ajeeb Saaneha’. This is not merely one of Hariharan’s best songs it has become one of the finest ghazals in Hindi film music. It won the U.P. state award and a nomination for National award for Hariharan. In the film Kinare Kinare, Jaidev brought together four leading singers Mohammad Rafi, Talat Mehmood, Manna Dey and Mukesh to sing a song to be picturised on one character played by Dev Anand. It was an event nobody had tried till then.

Jaidev gave Yesudas some of his best Hindi songs that suited the unique pathos that Yesudas carried in his singing style. He even made him sing for Amitabh Bachhan in Aalaap released in 1977. ‘Zindagi Ko Sawarna Hoga’ and ‘Chand Akela’ with a light classical touch and the sad lullaby ‘Koi Gata Main So Jata’ in this film, were Yesudas’ very important Hindi film songs. Another fine ghazal singer Bhupinder shot to fame with a fabulous Jaidev song from his film Gharonda. Who can forget the depth of feeling that the song ‘Ek Akela Is Shahar Mein’ carried with such conviction? Jaidev’s Gaman also saw the introduction of another important singer, Suresh Wadkar to Hindi films with the classical based ‘Seene Mein Jalan’.

Jaidev was admired by producers as a good composer, but they considered him good enough for the small-budget films. Though most of his films failed at the box office, many of them, such as 'Kinare Kinare', 'Reshma Aur Shera', 'Alap', 'Prem Parbat', 'Gaman' and 'Ankahee', are remembered for his imaginative musical score. It is unfortunate that despite his expertise in classical and folk music and imaginative approach, Jaidev had only 'Hum Dono' and to a certain extent 'Mujhe Jeene Do' as the only commercially successful films to his credit.

Jaidev was a lonely man with no house of his own and no family to take care of him except a few friends who were mostly from the literary fields or judges, lawyers, painters, high rank officials and dignitaries. He needed a room to display his awards and trophies but sadly, most part of his life in Bombay, he lived alone as a tenant in a single room at Lily Court, near Ritz Hotel, Churchgate. His “Gharonda” song ‘Ek akela is shehar mein aab-o-dana dhoondhta hai, ashiyana dhoondhta hai…’ was almost biographical and depicted his plight.

A winner of four Sur Singar Samsad awards, the Lata Mangeshkar Award of the MP Government and three National Awards (‘Reshma Aur Shera’, ‘Gaman’, ‘Ankahee’), Jaidev did not get the recognition he deserved and that is a sad commentary on the musical culture of modern cinema. Looking back on Jaidev's career as a music director, his struggles, achievements and set-backs, his pensive melody 'Kabhi khud pe kabhi halat pe rona aya' from 'Hum Dono' suddenly comes to mind and the heart grieves for the talent that was wasted. By a strange quirk of fate, before his composing days, Jaidev also sang songs on All India Radio. Sahir’s “Tang aa chuke hain kashm-e-kash-e-zindagee se hum” was first sung on AIR by none other than Jaidev. He was the first composer who used the 'glockenspiel' for the cigarette lighter tune in “Hum Dono”. (It was Kersee Lord who brought this instrument to India, and also played it to good effect.)

As compared to his contemporaries, Jaidev was underpaid or not paid in time or not at all paid many a times. But, money considerations did not dilute his passion or affect the quality of work. He was a workaholic and had a method to his madness; he took note of the backdrop of the film, the situation, the character, the dialect, the lyrics and worked meticulously on the details of the song, its arrangement and orchestration till the final recording. No doubt he was exploited many a times of which he was well aware, but it was only when he felt so, he cut off his ties with the filmmakers (like with Dev Anand and S D Burman after “Guide”) and dissociated himself from the composing assignment. Not many know that the title track of Ramanand Sagar’s epoch making serial “Ramayan” was by Jaidev. He left the serial at the nascent stage itself as he was not even reimbursed the taxi fare (from Churchgate to Natraj Studios, Andheri East), leave aside the credit or remuneration for composing!!

In Jaidev’s own opinion he gave his best for Hrishikesh Mukherji’s “Aalap”, but when Mukherji and Amitabh Bachchan were ignored, what can be said about Jaidev’s plight? But Jaidev gave his all for the ultimate reward he got from “Aalap”. His association with Harivanshrai Bachchan got him the opportunity to compose the “Madhushala”, which had Manna Dey singing the “Madhushala” into the annals of posterity!

After three decades of continuous struggle as a music director, and with only thirty six films to his credit, Jaidev was a tired man. Age was catching up with him and his health was failing. He had no one except friends to care for him and no house to call his own. Earlier he used to spend his vacant hours over a glass of liquor. But later even that blessing was denied to him on medical grounds. On December 14, 1986, when Jaidev stepped on the stage to receive the fourth Sur Singar Samsad award for his classical music in 'Ankahee', he looked weak but healthy enough to last another decade. The glow on his tired face was probably the last flash of a falling star. On January 6, 1987, he died suddenly, at the age of 68, leaving the film industry to grieve for the loss of a talent it had consistently neglected. Life had been unreasonably cruel to him but death was more than gracious to liberate him from the misfortunes of life.

A Tribute to Jaidev ~ Vikram Appasaheb Jadhav Kolhapur 06/01/2019

जयदेव को देवानंद और s d burman ने दुःख पहुंचाया guide के 2 गाने तेरे मेरे सपने याब एक रंग हैं और दिन ढल जाए रात न जाये की धुने जयदेव नेबनाई थीं।

[mariloudelaney-blog]

Top ONE HUNDRED Soft Rock Songs.

Among one of the most vital elements of a terrific video game expertise is actually the sound. This area features a lot of great music stores, night life, and reside songs sites. This goal series, instructed through Satyen Bose, has songs comprised by S D Burman, and also lyrics created through Majrooh Sultanpuri. True popular music folklores are actually infrequent in today times but 80s tracks undoubtedly showcased a great deal of these. The Eagles have had an extremely remarkable operate of fame and also fortune and also the popular music uses today. College of Michigan at Ann Gazebo: This big public college has an extremely popular institution from songs. The headsets are actually ONE HUNDRED% water resistant as well as sweatproof, that means you can easily still play your favored songs under the water as you take this sort of earphones.

If you are actually very seriously curious about getting a Great Dane after that you should consult your nationwide pure-bred pet organizations including the United States () or Canadian Kennel () Groups to seek conformation receive your region. While the Kazaa innovation that allowed 800 thousand customers to trade songs data online free of cost was actually fantastic for customers, it was actually not so excellent for the songs tags as well as the website was actually ultimately turned off. Its own popular music was actually scored and also prepared through Australian author Brian Could (not to become perplexed along with the legendary guitarist from rock band, Queen ). When many people consider wedding ceremony popular music they consider exactly what google did to me tune to select for their first dancing as husband and wife. It's a fantastic technique to discuss your preferred tune or possess a track from the day component on your profile. This concept from programmaticism was actually held also stricter in the course of this time frame and no music without an accepted program might be performed. Therefore, I feel comfy to make use of PSAM's financial metrics for the appraisal from Sony Popular music. His Ninth Symphony (the Choral), that includes an extract off the fantastic liberty writer Schiller's Lyric to Happiness, has actually been actually selected as the anthem from Europe.

Online Mix Engineer is actually the best internet songs understanding as well as combining company for recording performers. A means to shelter on your own coming from the plain task expectation for music manufacturing majors is actually to ready, for instance, via a teaching fellowship in your junior or even senior year to get a project. It was a good year for popular music, along with considerable amounts of hybridization and also innovation going on. Possibly for the first time in music history, a songs fanatic could possibly locate premium stone, rap, dance, country, and also hooligan put all on the very same graphes. This makes Sony a much less appealing financial investment for investors to margin up on the more resurgence of the songs business. Being a hip hop manufacturer is an extremely highly profitable organisation but the songs field may be an incredibly ruthless spot and this has an unique person with a passion of their art to succeed.

[hookhumor67-blog]

25 Moods Of Asha Bhosle

She sung a song for every mood, every situation. Sukanya Verma dives into Asha Bhosle's magnificent repertoire and pulls out gems on her 85th birthday.

The difference between a good singer and a great singer is that one sticks to the tune while the other brings it to life.

From the era of black-and-white to colour to 3D, the matchless Asha Bhosle has breathed life into thousands of magical songs for numerous decades and regaled us with her endless energy and mastery of sur and taal.

Her inimitable voice -- be it as the heroine, vamp or supporting actor -- is responsible for countless memorable moments on the big screen and off it. Truly, her rare gift has produced a song for every emotion, occasion and ambience.

One of India's most loved voices turns 85 on September 8. Rediff.com celebrates the legendary songstress and her astonishing versatility with a compilation of 25 songs that bring to life various moods and set-ups.

Aiye Meherbaan, Howrah Bridge (1958) Mood: Seductive Music: O P Nayyar

Asha Bhosle livens up the atmosphere with her sensual rendition of this timeless sizzler from Shakti Samanta's black-and-white mystery.

Bhanwra Bada Madaan, Sahib Bibi Aur Ghulam (1962) Mood: Playful Music: Hemant Kumar

Known to modulate her voice to match a song's feel, the singer is at her animated best when she conveys the liveliness of Shakeel Badayuni's lyrics.

Chura Liya Hai Tumne, Yaadon Ki Baarat (1973) Mood: Romantic Music: Rahul Dev Burman

Despite the overexposure, there's much affection and elegance in Asha's admission of love in this chartbusting number from Nasir Hussain's lost and found musical.

Justuju Jiski Thi, Umrao Jaan (1981) Mood: Heartbroken Music: Khayyam

While a misty-eyed Rekha expresses the pathos of the ill-fated courtesan on celluloid, Asha Bhosle exudes her heartfelt agony behind it.

Sabarmati Ke Sant Tune Kar Diya Kamaal, Jagriti (1954) Mood: Patriotic Music: Hemant Kumar

The celebrated singer pays a rich tribute to the Father of the Nation in this melodious creation of Satyen Bose's National Award-winning feature film.

Parde Mein Rehne Do, Shikar (1968) Mood: Mysterious Music: Shankar-Jaikishan

The Padma Vibhushan recipient gets all secretive and guarded while teasing her listeners with a guessing game of concealed identities that is picturised on her namesake, Asha Parekh.

O Mere Sona Re, Teesri Manzil (1966) Mood: Appeasing Music: R D Burman

The two Ashas come together yet again to kiss and make up with their sulking sona -- Shammi Kapoor -- in Vijay Anand's deft whodunit.

Chanda Re Chupe Rehna, Lajwanti (1958) Mood: Maternal Music: Sachin Dev Burman

Asha Bhosle is the sound of motherly love delivering a soothing lullaby, lip-synced by Nargis in this sentimental drama about an estranged maa-beti.

Jawani Jaaneman, Namak Halal (1982) Mood: Glamorous Music: Bappi Lahiri

Nobody blends sophistication and siren quite like Asha Bhosle. And that's exactly what the queen of flamboyance does with this snazzy Bappi beat.

Piya Tu Ab To Aaja, Caravan (1971) Mood: Anxious Music: R D Burman

At a time when women were portrayed as prudishly prim, Asha Bhosle not only acknowledges the aggressively sexy possibility of Monica but gives her a sensational twist, on par with Helen's on screen bravado in this no-holds barred cabaret treat.

Dum Maaro Dum, Hare Rama Hare Krishna (1971) Mood: Hippie Music: R D Burman

Nothing explains the wild aura of the 1970s better than Asha Bhosle's free-spirited rendition of the gypsy soul in RD's equally tantalising arrangement.

Khaali Haath Shaam Aayi, Ijaazat (1987) Mood: Melancholic Music: R D Burman

The pitch-perfect disappointment in Asha's rendering of the serene albeit sad notes of Khaali Haath communicate the loneliness in a hopeless situation perfectly.

Deva Ho Deva Ganpati Deva, Humse Badhkar Kaun (1998) Mood: Devotional Music: Raam-Laxman

Asha Bhosle collaborates with Mohammed Rafi, Shailendra and Bhupinder to celebrate the grand festival of Ganesh Chaturthi in this popular song from a long forgotten Mithun Chakraborty-Ranjeeta potboiler.

Tum Kitne Din Baad Mile, The Great Gambler (1979) Mood: Peeved Music: R D Burman

Do Lafzon may be the most popular on the soundtrack but Asha shows off her awe-inspiring range while letting off steam, anger and sarcasm in Tum Kitne dDin Baad Mile.

Jaane Jaan O Meri Jaane Jaan, Sanam Teri Kasam (1982) Mood: Party-hopper Music: R D Burman

RD's foot-tapping score was easily the USP of this typical poor boy-rich girl romance starring Kamal Haasan and Reena Roy.

And the husband-wife team burns the floor effortlessly with this East-West fusion leaving you a-ha, ha, ha-ing for more.

Nahi Nahi Abhi Nahi, Jawani Diwani (1972) Mood: Shy Music: R D Burman

Asha has this rare ability to act out the emotions of a scene within the song. And for this catchy number featuring Jaya Bachchan (then Bhaduri), the singer is delightfully demure as she resists the hero's eager advances.

Aao Huzoor Tumko, Kismat (1968) Mood: Drunk Music: O P Nayyar

Asha Bhosle humors Babita's intoxicated state and has fun with it to convey a lack of inhibition and control in this memorable ditty from Manmohan Desai's stable.

Yeh Saaye Hain, Yeh Duniya Hai, Sitara (1980) Mood: Reflective Music: R D Burman

Yahan Saare Chehre Hain Maange Hue Se... With grace and skill, a subdued Asha Bhosle brings life to Gulzar's insightful poetry about the emptiness that underlines the hustle bustle of show business.

saare Niyam Tod Do, Khubsoorat (1980) Mood: Rebellious Music: R D Burman

A clearly enthusiastic Asha Bhosle kickstarts a defiant non-cooperation movement, resonating the discipline vs carefree theme of Hrishikesh Mukherjee's feel-good flick.

Mere Mehboob Mein Kya Nahi, Mere Mehboob (1963) Mood: Proud Music: Naushad

Sisters and heavyweights of playback singing -- Lata Mangeshkar and Asha Bhosle -- get together to tussle over the best mehboob in this silvery Naushad composition, brimming with exaggeration and adjectives.

Khatouba, Ali Baba Aur Chalees Chor (1980) Mood: Exotic Music: R D Burman

For Umesh Mehra's Indo-Russian take on the classic Arabian fairy tale, RD employs Middle-Eastern influences while Asha lends it zing and zest with her merry inflections.

Aa Dekhen Zara, Rocky (1981) Mood: Competitive Music: R D Burman

Even as Kishore Kumar (for Sanjay Dutt) and RD (for Shakti Kapoor) spar over words; Asha Bhosle competes with herself -- providing the voice for both Tina Munim and Reena Roy in everyone's favourite song about trash talking.

Jhuka Ke Sarr Ko Puchho, Satte Pe Satta (1982) Mood: Makeover time Music: R D Burman

Asha Bhosle turns romance coach with her how-to-win-a-girl's-heart-in-five-courteous-steps guidebook for her six scruffy brothers-in-law.

Pyar Ke Mod, Parinda (1989) Mood: Persuasive Music: R D Burman

The singer is at her soulful best for Madhuri Dixit in trying to convince Anil Kapoor to commit to a life of love and harmony in this sublime beauty from Parinda.

Rangeela Re, Rangeela (1995) Mood: Happy-go-lucky Music: A R Rahman

The youthful, exuberant and starry-eyed vibe of Rangeela's title track is lovingly captured in Asha Bhosle's eternally vivacious spirit. No wonder it became an instant hit.

This feature was first published on September 7, 2012.

Source: http://www.rediff.com/movies/special/25-moods-of-asha-bhosle/20180908.htm

[indiejones]

RAJESH KHANNA ‘S TOP 380 SONGS !

🙏 🙏 I N . H O N O R . O F 🙏 🙏

 - T H E . G R E A T E S T . A C T O R . I N .  T  H  E   .  H I S T O R Y .  O F .                W O R L D .   C I N E M A . 

 - T H E . N O . 1 . S T O R Y T E L L E R .   O F . A L L . T I M E 

 - T H E . G E N I U S . O F . C I N E M A 

 - T H E . M O S T . P O P U L A R .             R E C O R D E D . A C T O R . I N .           M O V I E D O M

 - T H E .M O S T .V E N E R A B L E .          A C T O R - B A S E D . M U S I C .C O M P I L E . -E V E R 

 -O N L Y .A C T O R .T O .B E .                 "T A U G H T" .A S .A .S U B J, I N .           H I G H .U N I V . E D U!..

 - O N L Y .A R T I S T .T O .H A V E .S P L. .T I T L E .C O I N E D , .F O R .H I S .          S T A T U R E 

 - (F O R .S P O R T I E S) - N O .1 T 2 0,    O D I ,& .T E S T .B A T T E R, O F .            F I L M D O M 

 - T H E  .  U N D I S P U T E D  .                 E M P E R O R .     O F  .  2  .  F U L L  .      E R A S  ( G A R D E N . & . J U N G L E  - 1966 -1995)  ,  S P A N N I N G  .  3 0  .    Y E A R S      O F  .  H I N D I  .           C I N E M A  !  

 - T H E  . C A E S A R  . O F  . T H E  .          I N D I A N  .  M O V I E  .  E M P I R E

 Ofcourse, any Music Playlist of the Great One, be incomplete w/o honoring his singing voice- Kishore Kumar. For though other legends like Manna Dey, Mohd Rafi, & Mukesh, did sing handful songs each for him, many even placed at very top of charts, with over 330+ recorded songs as a pair, Rajesh Khanna & Kishore Kumar remain inseparable in hearts & minds of music fans across the globe, as perhaps the greatest musical collaboration of Hin Cin. As Mr. Khanna himself aptly put it, "Two bodies & One life". And since the 2 worked so inseparably together for 3 decades on end, their lifetime playlist, can actually show the two practically growing up together in the movies..Even with a 13 yr age gap. And since we mentioned the lording over the different (movie) formats, apt demonstration if ever, be in this particular playlist, encompassing jaw-dropping pop, soul-rendering classy raga, really impactful mood music, & seemingly endless evergreen top-class melody, enveloping within it's awe-inspiring range- sensitivity, chutzpah, & heart-melting grace, all combined with a consistently inspiring & stirring lyrical content..to match the depth, skill, & prowess, of the actor on display. This actor & his music, perhaps the most unique of all, even revolutionary, in combining beat, raga, & emo, & melody, like very few 've imagined ! 

 This, The Holy Grail Of Film Music Playlists. The One Playlist, (aside few pre-Independence musical royalties), to encompass the multi-faceted greatness of Indian Cinema, all at once. And herein, few music directors deserve big credit, first & foremost being his most inspirational collab- with R.D.Burman, together serving ~20 films & ~120 songs, followed by Kalyani-Anandji with another ~100, & the father of them all, S. D. Burman with his own handful in contribution, alongside another ~10 films with Laxmikant -Pyarelal. 

And last but never the least, another less recalled yet hugely influential name in collab, their lyricist partner for close to half o' entire jt career- Anand Bakshi!

 P.S .: 185 Films, over 27 yr Lead career, ie. 7 films per yr, with ~ 4 best actor Indies per yr, throughout ! And 105 officially recorded big money-spinning hits! Incl 48 Platinum Jubilees (those that ran in theatres for 75+ weeks non-stop), 26 Golden Jubilees (50+ weeks), 22 Silver Jubilees (25+ weeks), (ie ~100 ALL TIME BLOCKBUSTERS !), & 9 hits (10+ weeks). (Going by the previous most reliable & foolproof method of counting long-term durability of films in theatres, as barometer for success).

 (https://tooter.in/IndieSpace/posts/107664040311170448) 

 A phenomenal monetary & critically successful performance card, atleast 3 times ahead of next best, just on plain statistical regard alone, at Indies....Aside power-steering 20 Films into the Indies All-Time Top 100 Films Scroll (incl 3 in Top 30, & 5 in Top 50), 40 Films into the Indies All Time Top 300 Hindi Films Scroll, 50 Films in All-Time Top 400, & 60 Films into All-Time Top 800 !

 Another record guaranteed to stay untouched in history, being his unimaginable feat of 44 consecutive hits as lead hero, for 8 consecutive years, from 1969-1976!

 There's a reason this is also called 'The God's Playlist' or 'Playlist to the Heavens' !

 This IS as great as it gets. ⚜ Soak In The Bliss. And The Magic, called Rajesh Khanna 💟❣

Kahin door jab din dhal jaye – Anand

Pyar deewana hota hai – Kati Patang

Ye jo mohabbat hai – Kati Patang

Ye shaam mastani – Kati Patang

Kora kagaz tha yeh man mera – Aradhana

Gunguna rahe hain bhanware – Aradhana

Mere sapnon ki rani – Aradhana

Jeevan se bhari teri aankhen – Safar

Baghon mein bahaar – Aradhana

Mere dil ne tadap ke – Anurodh

Gulabi aankhen jo teri dekhi – The Train

Phoolon ki zubaan - Bebus

Chingari koi bhadke – Amar Prem

Zindagi ka safar – Safar

Zindagi kaisi hai paheli – Anand

Maine tere liye hi – Anand

Yeh reshmi zulfein – Do Raaste

Aate jaate khoobsurat – Anurodh

Jai jai Shiv Shankar – Aap Ki Kasam

Prem kahani mein – Prem Kahani

Roop tera mastana – Aradhana

Aapke anurodh pe – Anurodh

Phool ahista phenko – Prem Kahani

Ab chahe maa roothe ya baba – Daag

Meri pyari behaniya (2nd version) - Sacha Jhutha

Meri pyari behaniya banegi dulhaniya – Sacha Jhutha

Chal chal chal mere saathi – Haathi Mere Saathi

O mere dil ke chain – Mere Jeevan Saathi

Chal dariya mein - Prem Kahani

Hum dono do premee – Ajnabee

Zindagi ek safar – Andaz

Ek ajnabee haseena se – Ajnabee

Chala jata hoon – Mere Jeevan Saathi

Deewana karke chhodoge – Mere Jeevan Saathi

Shayad meri shaadi ka khayal – Souten

Jis gali mein tera ghar – Kati Patang

Rang rang ke phool khile – Aan Milo Sajna

Tum bin jeevan kaisa jeevan – Bawarchi

Deewana leke aya hai - Mere Jeevan Saathi

Hum tum tum hum – Tyaag

Kore kagaz pe likhwa le – Tyaag

Mere dil mein aaj kya hai – Daag

Dil ko dekho – Sacha Jhutha

Nafrat ki duniya ko chhod ke – Haathi Mere Saathi

Nadiya se dariya – Namak Haraam

Ye kya hua kaise hua – Amar Prem

Kuch toh log kahenge – Amar Prem

Gore rang pe na - Roti

Yaar hamari baaat suno – Roti

Rona kabhi nahi rona – Do Raaste

Falak se tod kar – Aan Milo Sajna

Zubaan pe dard bhari dastaan – Maryada

Karwaten badalte rahe – Aap Ki Kasam

Babul mora – Aavishkar

Fauji gaya jab gaon mein - Aakraman

Paas nahi ana – Aak Ki Kasam

Kajra lagake – Apna Desh

Kitne sapne kitne armaan – Mere Jeevan Saathi

Nagma hamara gayega – Bundalbaaz

Na jane kya hua - Dard

Main tum ko doongi – Humshakal

Kaahe ko mujhe bulaya balma – Humshakal

Achha toh hum chalte hain- Aan Milo Sajna

Woh shaam kuch ajeeb thi – Khamoshi

Yunhi tum mujhse baat karti ho – Sacha Jhutha

O kehdo tum jo kehdo – Sacha Jhutha

Mera chain khoya hua hai – Joru Ka Ghulam

Suno kaho kaha suna – Aap Ki Kasam (..& Yun toh humne dil ke safar mein – Prem Kahani .. unavailable on youtube right now)

Sun champa sun tara – Apna Desh

Jawani o deewani tu zindabad – Aan Milo Sajna

Ek muamma hai – Prem Nagar

Itna toh yaad hai mujhe – Mehboob ki Mehndi

Yeh jo chilman hai – Mehoob Ki Mehndi

Kanhaiya kanhaiya – Maalik

Aao kanhai mere dhaam - Mere Jeevan saathi

Bemausam bahaar ke - Bundalbaaz

Saath mein pyara saathi - dil daulat duniya

Masti aur jawani - Dil daulat duniya

Chhup gaye saare nazare – Do Raaste

Hum aur tum – Daag

Diya jalte hain – Namak Haraam

Bheegi bheegi raaton mein – Ajnabee

Pasand aa gayi hai ek kaafir hasina – Mehboob ki Mehndi

Mere deewanepan ki bhi dawa nahi – Mehboob Ki Mehndi

Dilbar jani chali hawa mastani – Haathi Mere Saathi

Sun ja aa thandi hawa - Haathi Mere Saathi

Aaj na chhodenge – Kati Patang

Jaise karta hai ye dil - Haathi Mere Saathi

Mere naseeb mein aye dost – Do Raaste

Nadiya chale chale re dhara – Safar

Tera dil kya kehta hai – Aashiq hoon Baharon ka

Parbat ke peechhe – Mehbooba

Duniya mein rehna hai toh – Haathi Mere Saathi

Zindagi ke safar mein – Aap Ki Kasam

Kya hua yaaron – Bundalbaaz

Main ek chor tu meri rani – Raja Rani

Main tumse pyaar karti hoon – Maha Chor

Bye bye miss goodnight – Prem Nagar

Mujhse bhala yeh kajal tera – The Train

Hum tum gum sum – Humshakal

Sachai chhup nahi sakti - Dushman

Maine dekha tune dekha – Dushman

Main shayar badnaam – Namak Haraam

Jab dard nahi tha seene mein – Anurodh

Mere naina sawan bhaado - Mehbooba

Kis ka mahal hai kis ka ghar hai – Prem Nagar

Ek tara tha bada pyara tha – Humshakal

Sajna saath nibhaana – Doli

Na jaiyo chhod ke – Shehzada

Dil sambhale sambhalta nahin – Raaz

Baby ghar chalo – Chalta Purza

Rasta dekhe tera – Humshakal

Ram kare babua – Anuraag

Waqt waqt ki baat – Bhola Bhala

Sexy playboy - Mere jeevan saathi

Rim jhim rim jhim – Shehzada

Bina badra ke bijuria – Bandhan

Thokar mein hai – Shehzada

Aayo re sawan aayo re – Bandhan

Jaa mujhe na ab yaad aa – Prem Nagar

Ruk meri jaan – Bundalbaaz

Hasne ki chaah ne – Aavishkar

Gori teri paijaniya – Mehbooba

Bhor aai aya andhiyara – Bawarchi

Nainon mein nindiya hai – Joru Ka Ghulam

Duniya mein sada – Amar Deep

Aarti utaro Radheshyam ki – Maalik

Karm kaho kismet kaho - Karm

Karm kare kismet bane - Karm

Radhe Krishna bol mukh se – Maalik

Do rang duniya ke – Do Raaste

Maine dekha tujhe – Karm

Yeh Hasi Raat Toh Mansoob Tere Naam Se - Majnoon

Dil se dil ki baat ho gayi – Dharm Aur Qanoon

Man pukare – Tyaag

Aaiye aapko main – Joru Ka Ghulam

Yeh lal rang kab mujhe chhodega – Prem Nagar

Yaar dildar tujhe – Chhaila Babu

Dakiya dak laya – Palkon Ki Chhaon Mein

Baras gayee re taras gayee – Joru Ka Ghulam

Ruk meri rani - Dil daulat duniya

O ladki deewani – Maryada

Haan toh main kya keh raha tha – Raja Rani

Jiski jheel si aankhon mein – Mehbooba

Aur kuch der thehar – Aakhri Khat

Aa jao aa bhi jao - Bandhan

Chupke se dil de de – Maryada

Jhuk gayi aankhen teri – Bhola Bhala

Chunari sambhal gori - Baharon ke sapne

Satrah baras ki chhokriyan – Ajnabee

Danton tale dabake hoth – Doli

Naach meri bulbul – Roti

Duniya mein logon ko – Apna Desh

Gussa itna haseen hai toh – Maryada

Kal raat sadak pe ek – Chhaila Babu

Yeh thandi hawayen – Prem Nagar

Public hai sab janti hai – Roti

Jab andhera hota hai – Raja Rani

Humko nikaloge ghar se -  Chhaila Babu

Prem hai kya – Prem Kahani

Allah megh de – Palkon Ki Chhaon Mein

Sochta hoon ke tumhein – Raaz

Dekho veer jawanon- Aakraman

Main aashiq hoon baharon ka – Aashiq Hoon Baharon Ka

O maalik mere – Maalik

Akele hain chale aao – Raaz

Hamein aur jeene ki chaahat (duet) – Agar Tum Na Hote

Hamein aur jeene ki chaahat (male) – Agar Tum Na Hote

Sun banto baat meri – Maha Chor

Zindagi pyaar ka geet hai – Souten

Chalo bulaawa aya hai – Avtaar

Safal hogi teri aradhana - Aradhana

Goron ki na kaalon ki – Disco Dancer

Goron ki na kaalon ki (sad)- Disco Dancer

Ek andhera laakh sitare - Aakhir kyon?

Din mahine saal – Avtaar

Mera gham kitna kam hai - Amrit

Neele ambar ke do – Asha Jyoti

Tere payal ki jhankar – Asha Jyoti

Maro bhar bhar pichkari – Dhanwan

Mere lal - Aavishkar

Hamein tumse pyar kitna – Kudrat

Hoti hai kisise jab preet – Prem Bandhan

Mere hosh le lo – Bandish

Main babu chhaila – Chhaila Babu

I am in love – Aashiq Hoon Baharon Ka

Sang mere nikle the saajan – Phir Wohi Raat

Pyar ka dard – Dard

Chandni raat mein – Dil e Nadaan

Kiski sadayen – Red Rose

Aisi haseen chandani pehle kabhi na thii – Dard

O my darling – Aakhri Khat

Ye gotedar lehenga - Dharam Kanta

Haay haay garmi hai – Maqsad

Yeh kya hua – Naya Kadam

Meethi meethi akhiyon se – Maha Chor

Ye  raat hai pyasi pyasi – Chhoti Bahu

Ho tere atharoo – Shehzada

Aa gaye hum dildar – Chalta Purza

Gaalon par ye kaise nishaan – Masterji

Sunle Zameen Aasmaan – Hum Dono

Aap ne farz nibhaya hai – Chalta Purza

Rang bhare mausam se - Bandish

Tere bagair ye dil – Wafaa A Deadly Love Story

Ek baat hai hum se kahi nahi jaye – Zamana

Keh de zamane se – Nazrana

O meri pehle se tang thi choli – Souten

Phool jahan jahan – Naya Kadam

Teri aankhon ki chahat mein – Janta Hawaldar

Kaise dekhun - Bharosa

Mashriq se jo aaye – Aashiq Hoon Baharon Ka

Dushman na kare dost ne – Aakhir Kyon?

Samay tu dheere dheere chal – Karm

Samay tu jaldi jaldi chal – Karm

Shakti de maa – Ashanti

Koche qurbaan – Tinku

Koi na tere – Amar Deep

Jagmag jagmag si mehfil – Dard

Pyar ka wada fifty fifty – Fifty Fifty

Main tere pyaar mein pagal – Prem Bandhan

(Electricity song) – Chhaila Babu

Arre sasu tirath sasura tirath – Souten

Bulbul mere bata – Masterji

Dekho idhar dekho – Phir Wohi Raat

Tu lajawab bemisaal – Hum Dono

Devi o baby tu ban ja meri biwi - Maqsad

Zindagi mauj udane ka – Avtaar

Chal chal aage nikal – Chakravyuha

Aadhi roti saara kabaab – Janta Hawaldar

Badi dur se aaya banna – Dharm Aur Qanoon

Main bhola bhala hoon – Bhola Bhala

Mehboob se mehbooba mil gayi – Asha Jyoti

Shuru  hui pyaar ki kahani – Adhikar

Shaadi karne se – Chakravyuha

Sadke sadke – Sawaa lakh se ek ladaun

Ye sheeshe ye rishte  - Khudai

Kis mausam mein – Khudai

Duniya mein jeene ka mujhe shauk tha – Naukri

Awara baap hoon – Awara Baap

Bas meri jaan bas – Aanchal

Paise ka kajal – Aanchal

Ye hawayen sard sard hain – Nasihat

Hunny Hunny – Insaaf Main Karoonga

Shola ulfat ka –Aurat

Aankhen toh kholo swami – Masterji

Aise rang de piya – Babu

Teri aankhon me dhoond li maine – Awam

Agar leta hoon tera naam – Dil e Nadaan

Saaila aaya more mann – Naya Kadam

Dilwala aya hai – Fiffty Fiffty

Jhan jhananana jha – Nazrana

Kuch Humko Tumse – Alag Alag

Ram ho kya tum – Naya Kadam

Tum nahi manoge – Amar Deep

Mera geet adhura hai - Mamta ki chhaon mein

Lanka chale Ramji – Aanchal

Samay bada balwaan – Ghar Parivaar

Kurte ka kya hai – Ghar Parivar

Hari om jab har taraf – Karm

Ajao tum ajao nagraj – Maqsad

Ek khoobsurat ladki mujhe raat mil thi – Shaadi Se Pehle

Arre bhaage arre daudo – Bandish

Shukriya dil shukriya – Bewafai

Kisiko harana kisiko jitana - Bayen hath ka khel

Mera naam dil pe likh lijiyega huzoor - Bayen hath ka khel

Aisa rangeen sama haye – Aanchal

Jamuna ke jal mein – Awara Baap

Pyar tumne kiya na – Maqsad

Idhar aa aa bhi jaa – Dhanwaan

Aaj tu gair sahi – Bandish

Ladkhadane do mujhe – Palkon Ki Chhaon Mein

Sach hai yeh – Agar Tum Na Hote

Tukur tukur dekha karoon – Aaj Ka MLA Ram Avtar

Papa mere papa – Ghar ka Chiraag

Chhalkao jhoom ke – Phir Wohi Raat

Ek raja ka ek beta – Tyaag

Yeh mera jeevan – Babu

Yeh mera jeevan (sad) – Babu

Insaanon se jaanwar achhe hote hain – Jaanwar

Ram Rahim mein antar nahi – Alag Alag

Wade nahi karte – Prem Bandhan

Bhula sako toh bhula do – Wafaa A Deadly Love Story

Ek baras mein ek baar hi – Insaaf Main Karunga

Joshe jawani tauba – Hum Dono

Main toh hoon Shree Ram Avtar – Aaj ka MLA Ram Avtar

Sharafat Ali ko -  Amrit

O mehfil ki shamma – Muqabla

Main kunwari albeli – Babu

Aashiq hoon tumhara – Dharm Aur Qanoon

Sod maaza haath – Fifty Fifty

Yaaron utho chalo – Avtaar

Zindagi kya hai ek lateefa hai – Amrit

Ye saari duniya hai aati jaati – Avtaar

Na tujhse na mujhse  - Ashanti

Aa janeman aaj tujhe – Awaaz

Pyar ki vadiyan – Jaanwar

Akela gaya tha main – Rajput

Akela gaya tha main (sad) – Rajput

Dil mein aag lagaye - Alag Alag

Hazaar raahen mud ke dekhi – Thodisi Bewafai

Lahron ki tarah yaadein – Nishaan

Tere mere pyar  ka (happy song & sad song, together) – Begunaah

Dheere dheere naach ri jogan – Bhola Bhala

Aankhon mein humne – Thodisi Bewafai

Kaagaz kalam davaat – Alag Alag

Ye qismat hai kya (sad) – Ghar Ka Chiraag

Ye qismat hai kya – Ghar Ka Chiraag

Isse pehle ki yad tu aaye – Nazrana

Kabhi bekasi ne maara – Alag Alag

Ae mere dost laut ke aaja – Swarg

Aisa kyun hota hai – Dharm Aur Qanoon

Zamane ne maare – Baharon ke Sapne

Dukh sukh ki har ek mala – Kudrat

Raghupati Raghav raja Ram – Awam

Jeevan saathi saath mein rehna – Amrit

Tirupati Balaji – Aaj Ka MLA Ram Avtaar

Jaane do mujhe yaaron – Fifty Fifty

Hindu hoon main na musalmaan hoon – Maha Chor

Zindagi ka hum itihaas likhenge – Naya Kadam

Tere mere pyar ka - Mohabbat ki kasam

Dil mein aag lagaye – Alag Alag

Tera ghar teri  galiyan – Oonche log

Duniya chhute yar na chhute – Dharam Kanta

Duniya chhute yar na chhute (sad) – Dharam Kanta

Jab prem agan lagi jaye – Dil e Nadaan

Zindagi sau baras ki – Awaaz

“ (sad version) - Awaaz

Humse kaa bhool hui – Janta Hawaldar

Hum se kya bhool hui (song for thumbnail pic) - Janta hawaldaar

Aaj bichhde hain – Thodisi Bewafai

Dil kya chahe – Oonche Log

Tu mera kya laage – Oonche Log

Mera naam yaaron – Maha Chor

Hi porgi konachi – Zamana

Dil geet milan ke gaane laga – Jaanwar

Tera ishq hai meri zindagi – Dil e Nadaan

Woh nazar leke rahi – Suraag

Arre jana hai toh jao – Bandhan

Teri umar – Awara Baap

Tum bahut haseen sahi – Nasihat

Jab tanhai mein do dil – Masterji

Tum sajan ke ghar jaaogi – Swarg

Beliya ab toh ye bahaar – Nishaa

Balle balle bhai reshmi – Dhanwan

Mehbooba meri mehbooba – Jaanwar

Ladki nahi bijli hai - Dushman Dost

Sooraj se kirnon – Adhikar

Main dil tu dhadkan - Adhikar

Chhaila mera chhaila – Chhaila Babu

Humsaa naa payegi – Nishaan

Bolo pyar karogi – Awaaz

Aap ki nazron se – Insaaf Main Karoonga

Lachak lachak jaye jawani – Sitapur Ki Geeta

Bol sakhi bol sakhi – Woh Phir Aayegi

O jiyo jiyo yaaron – Sautela Bhai

Jab dushman ho gaya waqt – Papi Pet Ka Sawaal Hai

Aaj ki duniya mein – Papi Pet Ka Sawaal Hai

Mubarak ho Mubarak ho – Angaaray

Socha kahan tha aisa bhi hoga – Insaaf Main Karoonga

Tere bin jeena kya – Red Rose

Doli ho doli – Rajput

Iski topi uske sar – Shatru

Uparwaale tera jawaab nahi – Avtaar

Ye jhoth bolti hai - Bayen hath ka khel

Dum tana na dum tana – Insaaf Main Karoonga

Kya tan kya man – Woh Phir Aayegi

Kalma kalma – Jaana Let’s Fall in Love

Jhanak jhanak jhanjhar baje – Nasihat

Tum se mohabbat - Jai shiv shankar

Halkisi kasak masak – Amar Deep

Kisi roz mangi thi - Jai Shiv Shankar

Papi pet ka sawaal hai – Papi Pet Ka Sawaal Hai

Kisko kahen hum apna – Zamana

Main kaun tu jadugar - Dushman Dost

Saawan nahi bhadon nahi – Kudrat

Ek bosa humne maanga - Bayen hath ke khel

Sajaa hai sajaa hai – Riyaasat

Jago re jago – Aaj Ka MLA Ram Avtaar

Suraj aur dharti - Aavishkar

[bollywoodproduct]

Lyrics Jalte Hain Jis Ke Liye

Lyrics Jalte Hain Jis Ke Liye

Jalte Hain Jis Ke Liye – Song contents: Lyrics in EnglishHindi LyricsYouTube VideoSong TriviaMore Lyrics in English | Jalte Hain Jis Ke Liye | Sujata-1959 | Sunil Dutt, Nutan Humm..Jalte Hain Jis Ke LiyeTeri Aankhon Ke DiyeDhoondh Laaya Hoon WahiGeet Main Tere Liye Jalte Hain Jis Ke Liye (2)Teri Aankhon Ke DiyeDhoondh Laaya Hoon WahiGeet Main Tere LiyeJalte Hain Jis Ke Liye……….. Antakshari…

[bollywoodirect]

3rd August marks the birth day of one of the legends of Indian film music, Shakeel Badayuni, the shayar supreme Geetkar-e-Azam' was born at Badayun in UP in 1916. Shakeel moved to Bombay in 1944, to write songs for films. He met film producer, A.R. Kardar and music composer, Naushad Ali, who asked him to sum up his poetic skills in one line. Shakeel wrote, Hum Dard Ka Afsana Duniya Ko Suna Denge, Har Dil Main Mohabbat Ki Ek Aag Laga Dengey. Naushad immediately retained him for Kardar's film, Dard (1947). The songs of Dard proved to be very successful, especially Uma Devi (Tun Tun)'s Afsana Likh Rahi Hoon. Only a few are so lucky that they attain success in their first film, but Shakeel deserved success which started with Dard and continued on over the years. Together, he and Naushad became one of the most sought after composer/lyricist duos in the industry. Among the scores they churned out together, are those of Deedar (1951), Baiju Bawra (1952), Mother India (1957), and Mughal-e-Azam (1960), that stand out. Other films they scored together include Dulari (1949), Shabab (1954), Ganga Jamuna (1961), and Mere Mehboob (1963). Although Shakeel Badayuni worked most extensively with Naushad, he also collaborated with Ravi and Hemant Kumar as well. His lyrics for the song Husnwale Tera Jawab Nahin and Ravi's music score both won Filmfare Awards for the hit film Gharana. His other notable film with Ravi is Chaudhvin Ka Chand (1960), while Sahib Bibi Aur Ghulam (1962) is his biggest hit with Hemant Kumar. The title song from Chaudhvin Ka Chand, rendered by Mohammed Rafi, won Badayuni the Filmfare Award for Best Lyricist in 1961. Shakeel penned numbers for around 89 films. In addition, he wrote many popular ghazals sung by Begum Akhtar, and which are still sung by vocalists like Pankaj Udhas and others. The Indian government had honoured him with the title Geet Kar-e-Azam. Association with Naushad Shakeel shared a close friendship with Naushad, Ravi and Naushad's former assistant, Ghulam Mohammed, with whom he enjoyed his life to the fullest. Naushad used Shakeel as the lyricist for his tunes for most of his films for a period of 24 years. Baiju Bawra, which was a milestone in both of their careers, was supposed to go to Kavi Pradeep. Vijay Bhatt, the director of the movie was insistent on using Kavi Pradeep as lyricist, since the film was supposed to have many devotional songs. Naushad requested Vijay Bhatt to hear the lyrics written by Shakeel. Vijay Bhatt agreed. When Shakeel Badayuni was diagnosed with TB, he was put up in a sanitorium in Panchgani for treatment. Naushad knowing that his financial condition was not well, took 3 films to him, getting the lyrcis written in the sanatorium, and got him a payment of nearly 10 times more than his normal fees. Association with Ravi Shakeel also wrote a substantial chunk of his songs for music director Ravi Sharma. Prominent amongst those were Gharana (1961), Ghunghat,Grahasti (1963), Nartaki (1963), as well as Phool Aur Patthar and Do Badan. Association with Hemant Kumar Shakeel wrote for Hemant Kumar for movies like Bees Saal Baad, Sahib Bibi Aur Gulam, Bin Badal Barsaat. Association with S.D.Burman Shakeel penned lyrics for the tunes of S D Burman for movies Kaise Kahoon & Benazir. Others C.Ramachandra – Zindagi Aur Maut, Wahan Ke Log. Roshan – Bedaag, Noorjahan. There is so much that can be written about him, but words will not suffice. At last all we can say is “ये झिंदगी के मेले, दुनिया में कम ना होंगे....अफसोस हम न होंगे" Like बॉलीवुड डायरेक्ट Bollywoodirect

[almostsublimekingdom-blog]

Muhammad Rafi was born in Punjab Kulkata India on date 24 December to 31 July 1980 he is playback and one of the most popular singer of the Hindi film industry. Muhammad Rafi number is one of best singers of India. He is good person and good singer ever. We have mentioned best songs sang by Mohammad Rafi.... 1) Dekhi Zamaney Ki Yaari Film - Kagaz Ke Phool 2) Yeh Duniya Agar Mil Bhi Jaaye To Kya Hai Film - Pyaasa 3) Yeh Duniya Yeh Mehfil Film - Heer Raanjha Music Director - 4) Kar Chale Hum Fida Film - Haqeekat 5) Kya Hua Tera Vada Film - Hum Kisi Se Kum Nahi 6) Maine Poocha Chaand Se Film - Abdullah 7) Puakrta Chala Hoo Main 8) Khoya Khoya Chaand Film - Kala Bazaar 9) Salam Kijiye Janaab Aaye Hai Film - Aandhi 10) Aye Watan Film - Shaheed We are providing all Muhammad rafi video songs in HD Result. Muhammad rafi like in Asia, Pakistan, India, Bangladesh, Kashmir Muhammad rafi is also Ustad in Qawwalis, Ghazals, Bhajans He also sang songs in English, Farsi, Arabic, Sinhalese, Creole and Dutch .Muhammad rafi work with best directors of all industries 1) Work with Naushad 2)Work with S D Burman 3)Work with Shankar-Jaikishan 4)Work with Ravi 5)Work with Madan Mohan 6)Work with O. P. Nayyar 7)Work with Laxmikant-Pyarelal 8)Work with contemporary singers 9)Singing career in other languages 10)Work with Laxmikant-Pyarelal muhammad rafi win Lots of Awards some time nominated #awards list.... 1)Chaudhvin Ka Chand Ho. 2)Teri Pyaari Pyaari Surat Ko 3)Chahunga Main Tujhe 4)Baharo Phool Barsao 5)Dil Ke Jharoke Mei #nominated List.... 1)Husnwale Tera Jawab Nahin 2)Aye Gulbadan Aye Gulbadan 3)Mere Mehboob Tujhe 4)Chhoo Lene Do Nazuk Hothon Ko 5)Mein Gaaon Tum Sojaao

[asksabhaniblog]

Kalyanji Anandji's best recognition came long after they retired! The internationally acclaimed group Black Eyed Peas included tunes (with full credit to Kalyanji-Anandji) from two of their biggest hits (Yeh mera dil from Don and Ae naujawan from Apradh) in their song Don’t phunk with my heart. This song won a Grammy Award and Anandji was felicitated by BMI (Broadcast Music, Inc) on behalf of the duo in 2006, several years after their retirement! This perhaps is a recognition of the evergreen appeal of Kalyanji-Anandji’s music not only to the younger generation but also to a substantial international population. Several of their hits were remade in multiple languages, remixed, and featured in advertisements on TV.

BIRTHDAY GREETINGS to Anandji Virji Shah, Bollywood's renowned music director and one half of the incredible music director duo Kalyanji Anandji, who turned 85 today. Born in Kundrodi, Gujrat Anandji Virji Shah (born 2 March 1933) formed the Kalyanji-Anandji duo with his elder brother Kalyanji in 1953.His father was a business man who migrated from Gujrat to Mumbai to run a grocery shop.Both the brothers composed some of Bollywood's most memorable chart topping numbers from the 60s right up till the 90s.Kalyanji-Anandji's Bollywood entry was feted as a major turning point in the industry. A time when big music directors like Naushad, Hemant Kumar, Madan Mohan, S.D. Burman and Shankar Jaikishan ruled the industry, gaining a strong foothold was difficult, but Kalyanji-Anandji swept a million hearts in spite of the tough competition.The duo’s first major success came with Manmohan Desai’s “Chhaliya” in 1960.Two decisive scores, Himalay Ki God Mein and Jab Jab Phool Khile, established them as composers to reckon with.After this there was no looking back and they scored hits after hits for films like Dil bhi tera hum bhi terey (1960), Bluff master (1963), Dulha dulhan (1964), raaz (1967), Upkaar (1967) , 'Purab Aur Pachhim', 'Johny Mera Naam' etc. In 1965, they won their first Filmfare award for “Saraswathi Chandra”.Their success continued unabated through the 1970’s with films like Haseena maan jaayegi (1968) Apraadhi (1972), Blackmail (1973), Zanjeer (1973), Haath ki safaai(1974), Kora kaagaz (1974, they won their second Filmfare award for this film), rafoochakkar (1975), Dharmaatma (1975), Hera pheri (1976), Muqaddar ka sikander (1978), Don (1978) and Qurbani (1980). By the mid 1980’s their success began to wane a bit, with only a couple of hits like Jaanbaaz (1984) and Tridev (1989).Kalyanji Anandji composed music for over 250 films in a career spanning over 3 decades and had innumerable hits to their credit.Their last film as composer duo was Ulfat ki nayeen manzilain (1994). During the Golden era of film music in the 1950’s and 1960’s, they composed tuneful, soulful melodies, apt to the setting and era, Then when R D Burman arrived big time with Teesri manzil in 1968, they went with the flow of time and gave some of the greatest disco or otherwise western numbers. Who can forget their songs like Too kya jaaney wafaa (Haath ki safaai), Ye mera dil, pyaar ka deewaana (Don-original!), Laila main laila (Qurbani), Oh ya Allah (Muqaddar ka sikander), all of which had either the beats or orchestration heavily westernized? That apart the duo also gave quite a few folk numbers like Main to bhool chali babul ka des (Saraswathi Chandra), salaam-e-ishq meri jaan (Muqaddar ka sikander), khaike paan banaaras waala etc. Though they did not delve into pure or semi classical, their songs of 1950’s and 60’s were definitely based on classical or folk melodies.Kalyanji–Anandji's variety-studded music is complete with some of the topmost songs of all singers and genres. Both Kalyanji and Anandji worked as music composers for over 250 films, 17 of which were golden jubilees and 39 silver. Kalyanji and Anandji started an orchestral group called Kalyanji Virji and Party which organised musical shows in Mumbai and outside.This was the first attempt made for holding live musical shows in India.They were also responsible for presenting the Hindi film industry with some of its brightest singing stars. Kalyanji Anandji discovered raw musical talents such as Udit Narayan, Alka Yagnik, Kumar Sanu, Sadhna Sargam and Sunidhi Chauhan and gave them their first break. They also helped introduce or gave career defining breaks to lyricists like Anand Bakshi, Gulshan Bawra, Anjaan, Verma Malik and M G Hashmat.Kalyanji breathed his last in November 2000 but his younger brother Anandji has gamely carried on their legacy, through shows and the various charitable activities espoused by them through the years.He is a recipient of the civilian honour of Padma Shri (1992).

[gmcalannah6796-blog]

Forumz Is Actually The Best Online Movie Internet Site

Get the Ultimate Rock & Roll Collections for the 50s and 60s at low costs coming from Amazon. This aspiration series, directed through Satyen Bose, has actually songs composed through S D Burman, and verses created by Majrooh Sultanpuri. RECOMMENDATION: Weigh the advantages and disadvantages of learning Popular music Manufacturing at a college, versus instruction in the very same industry coming from a principle like The Audio Connection Sound Institute. Tune and also rhythm go hand in hand and also all together they make songs more fascinating. However during the course of the Baroque time period, 1600-1750, rich people started to tap the services of artists to comprise popular music for them. The principal emphasis for most of these Internet sites is to promote unsigned artists, and also enable their popular music to become heard and supporter a base to become obtained. This seems to be while the early 1980s experienced the thrilling makeover from placing music to video recording, concurrently, this also got rid of the enigma. Miles satisfied and also married the Twenty Years much younger Betty Mabry, which consequently switched him on to new designs of music like Sly And the Household Stone, as well as Jimi Hendrix. She wasn't specific just what making of the technique at first, however when her songs Allow Me Be There, If You Passion Me Let Me Know, I In All Honesty Love You, Possess You Never ever Was Actually Mellow, Please Mr. Please all hit the country charts as well as in 1974 she was rewarded Best Female Vocalist by Region Music Organization, she presumed maybe they were on to something. To prevent these issues, it's commonly better be-pretty-2018.info to bring your music files on a Compact Disc as opposed to transfer all of them to an unfamiliar, third-party personal computer. Ensure to 'just like' other musician webpages in order that your supporters can obtain a tip of exactly what your popular music feels like and which your influences are. There are actually lots of people that ask why you will would like to find out effective ways to document songs and this is actually a great concern. The business has actually altered greatly because the time The Songs Tv Network introduced back in 1981. Tencent Music Home Entertainment Group (TME), a subsidiary from Tencent Holdings, and Spotify will definitely buy brand-new reveals working with minority equity stakes in one another for money, the firms mentioned in a declaration. Total Jazz music was actually quite good for the American lifestyle given that this helped provide honor to the African Americans.

Sirius XM Holdings Inc, the United States gps broadcast provider managed by John Malone's Right Media Corp, is looking for to purchase internet popular music supplier Pandora Media Inc, individuals acquainted with the concern stated. Remember that your credibility as a center are going to include the centers you deliver such as products, music sheets, saxophones, etc Although you might certainly not understand that, however a number of the famous music manufacturers possess classical music or hothouse learning. On y voit les sandales à talons qu'elle portera put les NRJ Songs Honors, mais également plusieurs mèches de cheveux noirs. My Heart Twinkle Twinkle changed the slot from Childbirth of a Charm and very first aired on January 10, 2015. The built-in stereo speaker treatment develops the music really feel little bit much more for the customer. Usually this is actually since the parent was pushed to be involved in a children as well as songs system as a little one and also simply has poor memories of that. Due to the fact that customers are actually continuing to avoid acquiring cds forthcoming, and also they remain to depend on technically evolved sources so as to access their songs, our company can easily rely on the advances in Popular music repeat Tools to play a significant part within this market down the road also.