#Alistair does know actually

[vigilskeep]

the weird thing is that alistair saying “her name is goldanna and i think she remarried but still lives just outside the alienage” DOES sound like he thinks she’s got elven blood too

[rivilu]

ok you know. the Ellu in dav crossover au is very fun but i am a little bit enchanted by the concept of him AND Rynn at once. Best of both worlds in a sense.

[rosykims]

ive played dao like 9 times at this point and still. and STILL the isolde/connor decision has me tearing my hair out gnawing my keyboard stomping around the house ready to lie down and never get up

[cowboysuperhero]

hi i'm back again with Yet Another Redraw

[crows-of-buckets]

I miss dao I'm soooo tempted to do a replay of Aviae she's my girl.

Anyways. This is Aviae my original warden. She romanced Alistair but they broke up when he became king, and she also survived so. Slay ig!!! I'm kinda in the middle of redesigning her so <//3

Also zevran looks way too much like Daeran in that second drawing help

[zombolouge]

The thing is, it's not about the Therapy Speak. It's not that everyone who disliked DAV hates healthy communication as a dynamic in fiction. It's not even about only being allowed to be a good guy, really, because most of us did do that anyways (though the option not being there is a loss I grieve even if I never chose it myself, but that's another rant for another day).

It's that DAV does all that stuff at the expense of being believable. At the expense of characters being permitted to have personalities. At the expense of emotions behaving the way emotions actually work for people. At the expense of letting the plot build tension through the stakes we're forced to grapple with.

Half the fics out there take the conflicts between the characters in the previous games and resolve them. I do it myself ALL THE TIME because I like to find a path to resolution through just about any conflict, that's what fascinates me about telling these stories. But the higher the stakes, the harder a conflict is to resolve. You CAN resolve any conflict, you CAN communicate healthily through any emotion, but you can't skip the time it takes to process it all to even be able to communicate it. As someone whose got CPTSD and recovered from many Traumas, I can tell you that the TIME it takes to work through it is not something you can fast track, and the ups and downs of your emotions on that journey can't be skipped. It doesn't matter if you know exactly how to do it, exactly how it's going to feel, or exactly what the end state will be, you CAN'T speedrun it.

DAV has stakes that are astronomical, but nobody treats them that way. Nobody experiences denial - a common psychological reaction to being presented with information that shatters your worldview. Nobody expresses any distrust in the establishments handing out this information - something common among cultures that have at times been at war, even if those wars are "resolved" in the present. Nobody really ever breaks down - something that any person is capable of under extreme circumstances, especially when facing multiple crises of faith that challenge everything they thought they knew about themselves. Nobody blows their lid because they've been repressing the hell out of everything. Nobody grieves for southern Thedas, the entire thing dying off screen and giving you, the player, NO way to engage with it in any way.

Not to mention there are barely any inter-party conflicts, when there should be a lot more. Why is everyone (except Spite) fine with it if Emmrich sacrifices Manfred to become a lich? Why is everyone fine with Illario potentially being set free if he was working with the venatori and Elgar'nan, two sources that have actively attacked everyone in the party? Why doesn't Neve resent Lucanis if Treviso is picked? Why doesn't Harding get pissed off at Nevarra for having a secret society of liches that never helped during the Inquisition's war against the breach and corypheus? Why doesn't Harding feel ANYTHING about Ferelden and the rest of the south? Shouldn't Harding resent the fact that she's stuck in the north while her home dies?

All of these conflicts ARE resolvable, but not easily. And it's not believable that they're never brought up. It's not believable that these characters skip through everything that happens with like, barely a frowny face most of the time. In DAO, Alistair leaves if you don't treat his conflicts with respect. In DA2, your party members try to kill each other if you don't pay attention to their conflicts/emotional needs. In DAI, people can leave or betray you, Cassandra throws a chair at Varric and tries to body him out a window. ALL of these can be resolved but it takes effort, and the characters get to SHOW that they're bothered by them and struggling the way a person would when faced with those emotions.

The problem isn't the therapy speak, or that everyone is loyal and won't leave, or that they aren't mean to each other enough. It's that it's toxic positivity. It's toxic as fuck to imply that anger or grief should be smiled over or else you're giving up, and it's damaging to people to avoid engaging with their own negative emotional responses to extremely negative stimuli. It's pasting optimism over very real, very weighty issues, sweeping it all under the rug, and you keep waiting for the lid to blow off the pressure cooker that creates, but it never does. It never becomes anything that emulates real emotions, which is why the whole damn thing feels hollow. Everything's dying and nobody cares, not even about themselves, and that's NOT healthy communication.

It's bullshit, half-assed storytelling that didn't tell us the actual story, just the vague idea of what it could have been.

[zenruu]

A Needlessly Thorough Analysis of What Hardening Actually Means for Alistair

You can also read this analysis in a Google Doc if you find that format more palatable: here.

(I do recommend desktop for the comfiest viewing in either case, but both should be serviceable.)

Disclaimer: If critical discussion of a character’s feelings, motivations, and reactions to certain in-game choices could be personally upsetting to you, maybe don’t read this. None of this analysis is me judging you/your choices as a player, I am simply looking through the lens of Alistair’s characterization and the in-universe consequences of choices. Of course this analysis will be colored by my own bias, it’s inevitable. I can’t realistically include every potentially relevant line of dialogue, but I’m always happy to discuss if you think there’s something crucial I left out.

Hardened Alistair is often described as learning to stand up for himself and becoming more assertive, but why? Is it an accurate assessment? Even Alistair himself reacts to the hardening dialogue by saying he’s going to start thinking for himself and looking out for himself more, so surely it’s true… right?

To the contrary, I would actually argue that hardened Alistair tends to put others before himself more than unhardened Alistair. Let’s start by looking at how he becomes hardened.

The Hardening Process

After meeting Goldanna, Alistair is understandably devastated to find that the family he’s been dreaming of his whole life is not what he had hoped. He’s just been yelled at and turned away by the sister he’s never met, the only family he’s ever had a chance of knowing. He’s lost his hope at finding that sense of connection and belonging he’s always been looking for.

If the Warden wants to harden Alistair, they need to tell him, “Everyone is out for themselves. You should learn that.”

The message being sent is basically: suck it up, move on, grow up. This is the way the world is. Stop being so idealistic.

The message Alistair seems to receive, however, is a bit more complicated. In the follow-up conversation after meeting Goldanna, Alistair tells you that his takeaway from the hardening dialogue was that he needs to look out for himself more. This is, obviously, perfectly in line with the common belief that hardened Alistair is more assertive and more willing to stand up for himself.

But is that the reality that we see reflected in hardened Alistair’s choices?

Pre-hardening, Alistair tells you many times that he feels like no one cares what he wants; he believes it’s unfair and openly complains about it. Hardened Alistair, however, knows that no one cares what he wants and he accepts that as the way things are and must be. Unhardened Alistair will freely say he doesn’t want to be king and fights against it until he can fight it no more, while hardened Alistair will accept it, even going as far as to say he wants it.

Why would he change so suddenly from saying it’s his worst nightmare to saying he wants it? Does he mean it fully? Is this truly him seeking to fulfill his own wants and meet his own needs?

What actually changes if he’s hardened?

he is seemingly less reluctant about becoming king

if romanced, he will agree to a threesome with Isabela

he will agree to make you his mistress if you push the topic

if not married to Anora and chosen to fight Loghain, he will execute Loghain and take the throne

if not chosen to fight Loghain, he will insist on being made king

if married to Anora, he will become king instead of being exiled if Loghain is spared (Alistair will still leave your party, however)

he will approve of executing Jowan in Redcliffe

With the idea of “hardened Alistair putting his own wants/needs first” in mind let’s break them down one by one:

Note: some lines of dialogue have flags for “hardened”/“changed”, alternatively referred to as Alistair’s motivation being changed from “good to glory” or “Alistair 2”. These all refer to the hardening mechanic. The screenshots do have text that’s a bit small, because I wanted to be sure that I included the flags that show when lines are exclusive to hardened Alistair.

Less reluctance about becoming king

All along he’s said he doesn’t want it. You could potentially make a case that he didn’t truly feel that way and was only saying it because he’s insecure (which he is), but I don’t find this to be a terribly compelling argument. 

This is hardened Alistair’s response to being told he would be a good king after he’s decided to sacrifice himself. There are several lines like this that I feel contradict the theory that unhardened Alistair only says he doesn’t want to be king because he’s insecure in his abilities. It’s not that his insecurities are not a factor, it’s that hardening him doesn’t get rid of those things, meaning that this factor alone would not change his attitude about accepting potential kingship. In fact, he still believes that realistically Anora is better suited.

I’d argue that someone who has consistently said one thing without fail and is now only changing the tune after basically being told to shut up and grow up may not be expressing their truest desires. He is going along with what Eamon is telling him, with what the Warden is telling him, with what he’s told is his duty and responsibility. For the greater good, not for himself.

And you might be saying that can’t be true, hardened Alistair says he wants to be king!

Personally, I’d argue that Alistair saying he wants to be king is much the same as your average person saying they want a job. Do most people want to go to work every day? No, not really, but you have to because it’s just what you need to do. So when asked, you’d say you want a job. Of course you would, because you have to have one. But removed from that necessity, would you still say the same? Likely not. I believe the same holds true for Alistair. If he wasn’t being told at every turn that him being king is what must be done, he wouldn’t feel a need to bow to that.

Hardened Alistair confidently wanting to be king is often accepted as plain fact, when it’s really not so cut and dry. We can dig into some of his dialogue and really look at his feelings on the matter.

Hardened Alistair is saying he wants to be king. Even he’s surprised by it. But what is the context of this line? He’s about to sacrifice himself. He believes that his sacrifice–not living to rule–is the single best thing he can do as king.

But is it pure happiness and willingness, or is it a man simply trying to make the best of a situation he’s locked into? I vote for the latter.

I often see the argument that having a Warden queen would make him happier with the idea of being king, but by all evidence it really doesn’t seem to be the case. Here is his response to the Warden confirming that she does want to be queen. Alistair still doesn’t like the idea of ruling. This isn’t a line exclusive to hardened Alistair, he will always have this line available.

“I wouldn’t be in this position if it weren’t for you” … “you owe me” … Even hardened, Alistair seems to see being king as something negative being thrust upon him. A punishment, perhaps? What would his response be to being told that being king is not a punishment?

On the surface, he agrees, but take a look at that VO comment for his actual feelings on it. He does consider it a punishment. This is indeed a line for hardened Alistair, as it occurs during the mistress conversation, which is a hardened Alistair exclusive.

Even if hardened, Alistair would prefer to stay a Warden if he can.

And if you don’t make hardened Alistair king? He’s grateful. Happy. Happier.

Agreeing to a threesome

Unhardened or hardened, he will push back when you suggest this. However, only hardened Alistair will relent and agree to it. Unhardened Alistair will simply refuse. Which one sounds more like someone standing up for his own wants?

This is the path the conversation goes if Alistair is hardened. His initial refusal and discomfort with the situation remains, but if you tell him to go along, he will.

He is, regardless, clearly not as comfortable with the situation as one should be. It certainly isn’t the kind of enthusiastic consent one would look for when asking someone to engage in a particular sex act. But he had fun, so it’s okay, right?

Well… did he have fun? Isabela jokes about borrowing him in the future and it seems quite clear that he isn’t interested in a repeat occurrence. Not only is he not interested, he’s awkward, uncomfortable. “Oh, but he makes a joke about wet frocks right after this!” He does. But it’s Alistair. He’s constantly making jokes to mask his discomfort.

Agreeing to making the Warden his mistress

Again, he will push back on this at first, only relenting if he’s hardened and you push the issue. If unhardened, he’ll stand by his original statement that he feels it would be wrong. Is he just saying he believes it’s wrong, or is that what he truly believes? Based on what we know of Alistair, I’d say it’s far more likely that he truly does find the idea of making the Warden his mistress to be disrespectful both to the Warden and to his wife, and that he is somewhat disregarding his own beliefs on that to bend to the Warden’s insistence that he take a mistress.

Whether he’s marrying Anora or not, his views on the matter are the same. He intends to be loyal to whoever he marries, and he knows he cannot do so if he continues the relationship with the Warden.

It’s clear that he finds the entire idea distasteful.

Much like the threesome, you do have to press him to get him to agree. He’s quite set in his beliefs on the matter, but he will acquiesce if the Warden pushes it.

Insisting on becoming king in the context of dealing with Loghain

These are the choices where I’d say there is potentially a case to be made that Alistair is making the decision he wants to make. However, I wouldn’t say that the decision being made is that he wants to be king. I would argue that becoming king is simply a means to an end to give him the power to get revenge in the way he wants.

In the first potential scenario here, Alistair will insist on being made king if he is not chosen to fight Loghain. Why? He wants Loghain dead, and he isn’t being given the choice to make that happen. He wants the power to make that choice, all else be damned.

Here you can see that hardened Alistair insists on taking the throne while making it abundantly clear that the reason for doing so is to take care of Loghain in the manner he wants.

Unhardened Alistair does the same. Why? Because the motivation remains the same whether he’s hardened or not. Unhardened Alistair simply hasn’t become so resigned as to pretend he’s any less displeased with it than he is.

In the second potential scenario, Alistair is chosen to fight Loghain and kills him. He finally achieves the goal he’s been working towards all along: getting his revenge on Loghain. He’s running on that high when Eamon immediately suggests he take the throne, he says yes, he’ll do it. There’s not really anything to break down dialogue-wise in this scenario, as his acceptance of the throne is the exact same dialogue as it would be in any other case. He simply says he accepts when it’s proposed.

Is it what he truly wants? Maybe. You could make a case for it. However, I interpret it more as running on that adrenaline high, feeling powerful and not fully thinking it over in the moment.

Accepting being king & marrying Anora if Loghain is spared

Alistair has been tunnel visioned on getting his revenge on Loghain the entire time, and this is the only circumstance in which sparing Loghain will not result in Alistair leaving and becoming a drunk. He both accepts marrying Anora (which he isn’t happy about) and sparing Loghain (which is very counter to his wishes).

He doesn’t like Anora and doesn’t want to marry her, but he does anyway. Hardened Alistair knows that marrying Anora is politically advantageous and prioritizes that over his personal desire to enact his vengeance, though he makes it clear to the Warden that his personal feelings on the matter have absolutely not changed.

Hardened Alistair goes along with marrying Anora after Loghain is spared and leaves the party, unhappy with the Warden’s choice to spare Loghain. If this line alone didn’t make his displeasure clear enough, there’s also this one:

He refers to the Warden’s actions as a betrayal. He’s obviously not happy.

Unhardened Alistair, however, stands his ground and refuses.

Approving of executing Jowan

Another case of a changed tune to go along with what the Warden is doing. Unhardened Alistair actively disapproves of the Warden executing Jowan. We could assume that hardened Alistair is just more pragmatic, or perhaps simply more willing to accept it when the Warden tells him this is what must be done.

There is no Alistair specific dialogue to look at here, just the approval points, so it’s really just a matter of looking at what we know of him and the situation. I would say in general Alistair values life and values mercy. Are there exceptions? Yes. Loghain, for example, whose crimes Alistair has judged worthy of death. Clearly unhardened Alistair does not feel that way about Jowan. Hardened Alistair though? He approves of his execution, but is it because he personally thinks it’s best or is it because he accepts the Warden’s judgment?

I would argue that it’s the latter primarily because it’s completely in line with everything else we’ve seen from hardened Alistair. There really are just no solid cases of hardened Alistair asserting his own will when compared to unhardened Alistair, so I don’t see this case as being any different.

In Review

In each case of behaviors changed by hardening Alistair, we see him putting his own wants and needs on the backburner in favor of an externally imposed sense of duty or to bend to another’s will because he accepts that his personal feelings are irrelevant. I’d go as far as to say that hardening is really a misnomer, because what we’re really looking at would be better called resignation.

I actually didn’t include every single line I found of hardened Alistair expressing the sentiments I’ve laid out in this analysis because I didn’t want it to be too long, but there is more in the game. Now I will get into less concrete analysis and a bit more of an explanation of my own personal opinions on hardening.

Aside from looking at what hardening actually means for Alistair, we can also question its necessity. Do you need to do it if you want to do certain things in Origins (threesome, mistress ending, etc.)? Yes. But I often see people argue that hardening Alistair is necessary for him to grow or mature as a person, and I completely disagree.

My personal opinion is that hardening Alistair is neither necessary nor kind.

In terms of helping Alistair to grow as a person, I maintain that Alistair will become more naturally “hardened”, or more accurately, he will mature on his own if you give him the chance to do so. Why do I say so? Look at Alistair in Inquisition. That is not the same idealistic young man we see in Origins, and this remains true regardless of hardening status. Whether it’s Warden Alistair or King Alistair, he’s clearly grown and changed.

Sure, you can mod the game to make the hardening dialogue more palatable, but that’s an entirely different discussion. As is, you’re required to essentially kick him when he’s down, and I simply do not find it to be necessary for his own personal development.

If it’s not already completely obvious by me doing all of this in the first place, I really, really love Alistair. Of course I’m quite settled and happy as an unhardened Warden Alistair truther, but I’m always happy to discuss and debate. I’m very interested in any thoughts you might have, whether you agree with my assessment or not (as long as you’re nice).

Thank you for reading my (almost sickeningly thorough) little analysis if you made it this far!

As a treat (or unhardened Warden Ali propaganda depending on your perspective), here's my Warden, miss Neria Surana with her very happy unhardened Warden husband:

[youleftmenochoicebut]

GOLD RUSH — regulus black x reader.

SUMMARY. — your secret relationship with regulus isn’t so secret anymore.

PAIRING. — regulus black x fem!pureblood!reader

WARNINGS. — reader has a 1st year brother; this is shitty;

A/N. — im desperately trying to write something coherent for reggie and it’s not working

“if you stare at that poor girl for a little while longer i’m pretty sure her head’s gonna set on fire.” Barty’s voice is quiet as he leans in closer to your ear, and you tilt up your head at him, quickly hitting his shoulder. you’re standing in front of the potions classroom, and out of your friend group it’s only the two of you - Evan back in his dorm claiming to be sick, Dorcas not every making any excuses as to why she didn’t show up, Pandora being a ravenclaw, and Regulus… well, Regulus.

Regulus is standing in the darkest corner of the hallway, having a conversation with some hufflepuff (a good friend of his who you have known of for a while) who’s batting her eyelashes up at him, and you wonder if he’s truly that oblivious to notice or just chooses to ignore it. either way you shrug, turning to Barty with a grimace on your face that’s supposed to be a smile.

“damn, babe, with that look on your face you might just scare away potential suitors.” he tugs at your braid, swiftly making it fall apart, and your frown deepens.

“not in the mood, Barty.” you roll your eyes with a scoff, leaning back against the wall, looking up at the ceiling. your parents have been bugging you about finding a suitable future husband to marry after you graduate ever since this school year started, and as it all nears spring you’re only growing more restless. of course they don’t know about your relationship with Regulus. sure, they would be over the moon at the news, the younger Black brother being… hot shit amongst the mentally challenged elders, as Evan described it once. which is exactly why you want to keep it under the wraps for as long as you can.

it’s been going pretty well you’d say, both of you not having much problem with acting casual, but lately you’ve been struggling with that. you’re not jealous, Merlin forbid, you’re just… well, maybe you are the tiniest bit jealous. in all honesty, who wouldn’t be? it’s Regulus Black.

you enter the classroom hand in hand with Barty once the clock strikes nine, splitting with him when you make your way to your desk. during this class you actually share your space with Regulus, and so you give him a small smile when he sits down beside you.

the whole day passes in a blur for you, as it usually does, and soon enough you’re in your favorite place of all Hogwarts. you’re sitting on a huge plush couch in the room of requirement, your head resting on your boyfriend’s lap as he runs his slender fingers through your hair. both of you dressed in some comfortable clothes instead of the everyday robes, your wands laying down on the wooden table in front of the sofa.

“i haven’t written back to my mother yet.” you murmur after a moment, eyes set on Regulus’ face, trying to catch every detail of it.

his skin is pale, sheer thin, and if you believed in them you could’ve said he’s a ghost. his lips are always so plump looking, now outstretched in a smile, his gray irises staring right back at you with that loving shimmer to them.

“have Alistair?” he asks, your younger brother’s name leaving his mouth so quiet it’s practically a whisper, and he raises his eyebrows. you shrug, and a moment later you shake your head.

“i’m not sure. i think so.” you reply, internally groaning at the mere thought of your sibling, and you push yourself up on your elbows then fully sit up, reaching out for one of the mugs standing on the coffee table. they’re both filled with hot chocolate, and you take the pink one into your hand, sipping on it slowly. “little bugger is snitching on me, i try to avoid him.”

you watch him chuckle and reach over for his mug, then the two of you lean back against the couch. you can feel yourself sinking into the cushions, and a delighted sigh escapes you, before you catch Regulus’ amused expression and purse your lips together quickly.

“i just can’t wait for all of this to end, so we could move away.” you mumble, setting your cup back down, and he nods. he leans in closer, his hands resting on either sides of your middle, and for a beat he only looks at you. then suddenly his smile widens, and he kisses the top of your nose.

“chocolate on your nose.” he whispers playfully, his lips brushing innocently against your cheek next, then your jawline, your chin, slowly trailing down to set on your neck for a longer while. “just three more months, ma chérie. and we’ll leave it all behind.”

his breath is hot against your skin despite the chilliness of his hands that wrap around your waist, helping you into a laying down position. his caress is gentle, soft, just so so loving.

“a cozy cottage somewhere in a quiet village. maybe wales?” you breathe out, your hands coming up to first rest on his shoulders, but you quickly move them up and tangle them into his dark curls.

“mhm, like we planned.” he nods, making you yelp in surprise as he suddenly sucks on your pulse point, and you swear you can feel him smirk against the column of your throat. “a whole lot of protective spells to keep us safe and hidden from everyone. and then maybe we can focus on what’s good. plant a tree and have a dozen of children.”

“well, i don’t know who’s gonna give you a dozen of children, cause it’s for sure not me.” you scoff, a chuckle escaping your lips as you pull him back from you, and he takes the opportunity to give you a kiss. it quick and sweet, and his hands start to wander under your shirt, ghosting over the outline of your bra teasingly.

you leave the room of requirement in the middle of the night, fingers intertwined, and your guard let down. your clothes are wrinkled up, hair messy and tousled, and there’s already a slight limp to your walk. you’re both sure no one’s going to see you, i mean come on, it’s 2am. but the moment you step a foot outside, and the magic door disappears behind you, you hear a victorious laugh.

your brother is standing right there, just a few strides away from you, grinning from ear to ear. you immediately groan, gaze locking with Regulus’ for a moment before you step forward.

“i swear to Merlin, Alistair, if you tell anyone about this…” you start menacingly, hand clasping on the boy’s shirt collar, but it gives you an opposite result of what you’ve hoped for.

“sod off, Y/N! i’m writing about this to mother right when i get back to my dorm!”

[ranger-danger]

Alright tumblr putting Athel’s fate in your hands

HOWEVER there is a caveat. If one option wins in an absolute landslide, to the point where none of the others even had a chance, then I’ll probably go for the second most voted option.

(Also reblogs help a lot <3)

[gyrovagi]

it's literally all about this for eloy. his opinion of alistair was truly just 'this guy -_-' until he thought he was dead and then realized alistair was, in fact, the only other person in that tower left alive, followed by the more horrific realization that he was absolutely going to die, and eloy couldn't do anything except stare out the window and lie to him about it. it was the most crushing sense of helplessness eloy had ever felt in her life and she would do anything to avoid feeling that way again. which also means she is fucking trapped there reliving that moment for eternity.

their relationship is sooooo. it's so. like alistair is definitely having the worst timed deeply embarrassing bisexual awakening during the fifth blight, which is made worse and more confusing by the fact eloy simultaneously has Something Going On with both morrigan and zevran that he has no fucking idea how to feel about. and eloy inarguably loves alistair the most but would be absolutely incapable of viewing him romantically/sexually. and eloy loving alistair the most also means she has an overwhelming need to make sure alistair is Safe and being a grey warden isn't safe. being trusting and content to go with the flow isn't safe, he needs to learn to guard himself and his expectations so he doesn't get burned.

maybe it's even a good thing that he trusts eloy less after he conscripts loghain! because as much as his resentment hurts and eloy spends the following decades trying desperately to mend that rift with complicated results, she can survive it. what she couldn't survive is having to watch him die again 👍

ohkoing myself thinking about eloy being the last one standing against the ogre in the tower of ishal, fully convinced alistair is dead as she drags herself over to light the signal fire and collapses by the window to try and see what's going on. until alistair coughs wetly from the floor and asks is that thing really dead? did we do it? and eloy, watching loghain quit the field, tells alistair, yes, we did it. they're coming. you're going to be fine

[yokelish]

Solas sees himself in Rook is the lie in Veilguard I cannot get over.

"Solas sees himself in Rook, perhaps even things he doesn't like to acknowledge", they said. There are no two people more diametrically opposed than Rook and Solas. Outside of Rook doing that thing that pissed off a bunch of people in some sort of authority over them, there is nothing between the two to connect them. All their parallels are utterly superficial.

Well, they are both leaders! Solas lead armies, agents, spies against seven powerful mages with armies, agents and worshipers of their own. He had to be ruthless, to sacrifice, forge alliances knowing he'll break them, to manipulate. His friendship with Felassan suffers because it's exceptionally difficult to be emotionally open with a person you give orders to, who you know might die in your name, for your cause, willingly. Solas know it. That's why Felassan writes about how Solas is planning something and is not telling anyone, even his closest friend. It's nothing good. Both know that and neither can do anything about it because there is massive wall between them made of their complex relationship, their cause, Solas' devotion to Mythal and his vengeance for her murder. Solas cannot be a true friend to Felassan just as Felassan can be a true friend to Solas. Love and care are there there but there are things bigger than them and their relationship at play. Solas had to go along with the Dread Wolf narrative even if he hated it. Rook has to prove they are a really good guy to factions and therapyspeak their team of professionals into working under a lot of pressure. Rook suffers none of the consequences of leadership unless they utterly ignore their companions' side quests. What does Rook lose? Their moral codex? Not once did they have to do anything morally questionable. Their relationships? Hardened mechanics is utterly meaningless in the narrative. Since Hardened mechanics is the only thing that was brought from Origins, it's fair to compare it to Origins: Neve is not Leliana who becomes ruthless and thinks murder might actually be an answer to many questions; Lucanis isn't Alistair who accepts that he must become First Talon. What does Rook lose? One companion who willingly sacrifices themselves.

Solas made choices. Stupid ones, yes, but choices. His actions had terrible consequences. Rook is not active in the narrative. They only react. The choice between cities is so in the moment that it isn't about what Rook is willing to sacrifice, what terrible consequence they are more likely to accept, it is not about "all choices are terrible and you have to choose" but reacting to having to choose at all with very little information based on your companions 3 seconds explanation before they ran away. In inquisition, the choice between mages and templars is also quite early in the game. But it influences how you meet Cole and Dorian, it influences who comes to attack Haven, which enemy you are more frequently encounter in the world. Antivan Crows and Rivain apparently have business dealings going all the time, about supplies and Antaam, but after a dragon attacks Treviso, the Lords of Fortune do not offer a dragon hunter (who is big Crow fan) to help out their assassin business partners and consequently Rook. No, it's on Harding to find the dragon hunter. They see a blighted dragon in D'Meta Crossing, hear Ghilan'na speak through it, and not even say that this might be a big fucking problem very quickly and no one nearby knows how to handle it. It's after a city gets blighted that Solas is telling you to find a dragon hunter. Thank you, dear, but I knew that 6 hours ago. Rook somehow didn't tho. The choice between the cities is utterly superfluous, influencing only your gameplay (which companion can't heal you, which city's side quest get cut, which merchants aren't available) rather than the world. Minrathous is no better for fending off Elgar'nan in the end whether you save it or not. UNFORTUNATELY, due to AMA and John Epler, they resolved the artificial moral quandary of this choice as well. Because the Blight in Minrathous will calcify and die at the end of the game, the blight in Treviso will not. Thanks, I hate it. Though the Archon you choose is very much aware that there are blighted gods with an equally blighted dragons but no preparations for any war marches, attacks, sieges will be made. Antiva doesn't reconsider its governance after having a city invaded and blighted. You chose Treviso? Cool. MInrathous' blight will die at the end, Dorian will become Archon and outlaw slavery and cults. Crows rule unchallenged. You chose Minrathous? New Archon is outlaw slavery and cults, your blighted mage will be just fine, Crows rule unchallenged, not a single Talon is blighted. Sad about Treviso, though, that place might just have to be Chernobyl of Antiva.

Solas had moral complexity. Rook doesn't. Varric handpicked the goodest, goofiest little guy to go against a morally dubious ancient being (MW Rook seems to have committed some cultural taboo but don't worry that will not influence how Emmrich views you. MW is EASIER to gain rep with instead of harder. Strife being that way about VJ Rook who saved lives of their people is nonsensical because Strife sided with helping a human mage instead of cutting off said mage's limbs to free himself. LoF background is nonsensical. Why a bunch of pirates give a shit what nobles think? Because trade? They trade fucking lost treasures, not freshly caught salmon. If not those guys, it's gonna be the other guys. Every nation has insufferable rich people who like to put "exotics" into their home decor.) WHY Varric picked the goodest, goofiest little guy in Thedas to stop an ancient mage who fooled an entire organization (and possibly his lover) a decade ago before disappearing into mist that Spymaster of Inquisition couldn't find him until he wanted to be found makes no sense. The man who has lived and actively participated in the shit happening in Kirkwall and Inquisition. The man who fucking lies for a living. Yes, Varric is a overall a good man, but he isn't the paragon of goodness, far from it. It's not Varric who approves you helping refugees in Inquisition. In fact, Varric approves of Inquisitor deciding to let soldiers to fend for themselves. Varric greatly approves of bullshitting your way through thing, including lying, and protecting what is yours. Hawke was never the goodest guy, they are either a smuggler or merc he hired to go through the Deep Roads. Without committing to either choice presented in DA2, Hawke was presented with moral choices where either pick can be dubious. Hawke had to have picked either mages or templars. A bunch of people who are without a doubt dangerous. Or an order who will commit atrocious crimes because they can get away with given that the crime is against a mage. Hawke had some sort of relationship with the guy who bombed the Chantry and either executed him or let him run, either choice without being canonical presents a moral quandary of its own. Varric writes books about how underhanded tactics, lying, spying, and manipulation with a dose of blackmail can actually be for the benefit of the greater good if done with right intetions. But by choosing Rook, it's like Varric thinks that goodness of Inquisitor is what gets one through Wicked Eyes and Wicked Hearts, and not ruthlessness, self-service, and a lot of Varric's own favourite hobby - lying. Why Varric you meet in DA2 and Inquisition picks Rook? Well, he CALLS Rook clever and adaptable, but all Rook's cleverness is bulldozing through obstacles and killing obviously evil guys. Rook is stubborn, determined - no doubt. But Rook isn't clever, cunning, or crafty. They prioritize saving life in droves, which is something that would be on Varric's mind IF Varric was to believe Solas was a heartless bastard with no regard for the damage he causes and we know that's NOT what Varric believes about Solas.

Solas has to fight against his downfall - pride. I genuinely don't know what Rook has as a flaw they struggle against. Their compassion doesn't get them in trouble, they don't get tricked or betrayed. But Solas puts them in prison! Yes, but the reason Rook gets caught isn't due to Solas's trickery but because they can't do shit in the moment. They just fought against Ghilan'nain and her darkspawn puppets alone while trying to free their companions, get knocked on the head a few times, hangs upside down like cattle while their friend gets skewered. How Solas gets them into the prison is TACTICAL. Rook is weak, Rook is tired, Rook is vulnerable, and the Veil is thin so he can actually reach through. It's not trickery. But Rook and Co couldn't shut up about Solas' inevitable betrayal so the payoff is due in whatever way possible. Solas thinks he alone can fix what he has broken, he alone has to face Elgar'nan because many ancient grudges and regrets are knotted up in there. Solas turns on his friends because he thinks what he must do is the thing he must do or all is lost (elven immortality, magic, spirits, knowledge, the world he knew and its history). He thinks he alone knows better than anyone. Partially because he is one of the very few beings who lived since it all began, before the world was changed by the Veil. The Prison sequence wants you the player to believe Rook carries the responsibility in some internalized way, but it's not fucking written in any way until this point, so why would you consider it an issue Rook has to actively face and has struggled with and not just an excuse to have Solas out? My brothers and sisters by the Maker's grace, Leandra scolding Hawke for their sibling's death was more scathing than choosing a whole damn city to be left to burn.

"I've molded you into someone the prison can accept in my place". How? You've done nothing. We had like 4 conversations. 3 of which you spent telling me about the Evanuris, the Blight, their dragon thralls, and how much you fucking hate Elgar'nan. Solas says nothing that changes Rook in any way, how they view their leadership, their actions, or themselves. I think the prison will accept anyone with a formed frontal lobe, honestly. Solas makes you say "I'll do whatever it takes" in the dialogue! Again, that attitude Solas tries to push on you is: a. fucking necessary? you have immortal beings with pet dragons and almost unlimited power to fight against. b. the attitude is more embraced by your companions than Rook. c. Rook is never pushed into doing anything morally questionable or even debatably interesting to reach their objective. Not once is Rook saying "i don't want to do this, i hate to do this, but i have no choice." Rook doesn't even have to lie! Not fucking once!

Tricking someone doesn't make you right. It's one of the things Rook and Solas will discuss. And regardless of anything, Rook will go Shiro Emiya "just because you are correct doesn't mean you are right" on Solas's ass. And that's good. It shows that Solas is shit with introspection just like Elgar'nan and Ghian'nain are. It shows why he is stuck in the prison. On the other hand, his fucking murals are shows very nicely why he is stuck in the prison: he immortalizes his regrets that he wishes to forget instaed of working through them. And by bringing the point of trickery without engaging with what it actually menas to trick... It creates a problem. Well, two problems, actually. A. Where the Solas you meet in Inquisition and Trespasser and when can we get him back? Where is the man who tricked a whole ass organization, played chooms with a Seeker of Truth, Qunari spy, published liar, Spymaster of the Divine, and most ruthless diplomat? Never once does Solas feel superior or above the people he tricked there. He is in fact very fond of the Seeker of Truth who not once found truth on her own (I love you Cassandra). He is very fond of the Antivan diplomat who cheats, lies, manipulates, blackmails probably even better than he did as Dread Wolf and he doesn't feel any superiority for having outplayed Josephine. The reason Solas is the trickster is because it's his only weapon. He was never as powerful like Elgar'nan or Mythal, doesn't have a bunch of other somewhat powerful egomaniacs standing for his cause. Wits, trickery, deception are his only damn weapon, were his only damn weapon for centuries. That's why he is so good at it. The problem of Solas isn't in being a fucking trickster who thinks he is right because he can outsmart you, Veilguard, it's that he goes about solving the problems he creates the same way he goes about making them in the first place: alone, through deception. His trickery is a double edged sword and he constantly cuts himself, refusing to lay it down. He alone tricks the Evanuris into containing the Blight with their life force. Boom! The Veil. He lets the Venatori get his orb and bring it to Corypheaus, thinking he outsmarted them all and soon will unlock his orb and tear down the Veil he created. Boom! Corypheus lives, there is hole in the sky! So he slithers his way into the only force he thinks can fix what he just fucked up - the Inquisition - through deception, alone. That's his torment nexus. You tried and you came close, Veilguard, I giveyou that, but you slightly misrepresented the issue. B. The other problem is that Rook never has to trick anyone. Not even their enemies. Rook can never truly testify for the claim "outsmarting someone doesn't prove you were right" because they never had to. Rook is never confronted by the idea that tricking someone might actually good, put you on that high horse and it can be hard to get off. So Rook's words are just lipservice and not proven experience or tested issue.

"Solas sees himself in Rook". Only if Solas views himself as an insufferable goodie-two-shoes fool who thinks in straights lines and is about as easy to trick as a toddler.

[laurelsofhighever]

A list of potential cures for the Calling, that we know about, that BioWare has apparently forgotten

Andraste's grace: it's not specified whether the flower the kennelmaster has you pick in the Korcari Wilds is Andraste's grace or if the game just needed a one-off asset and decided to reuse one they already had. However, in the dark future in DAI, Leliana is found to have unusual tolerance for the taint, and in DAO she talks about her mother pressing her laundry with dried Andraste's grace flowers, so it makes you wonder. Anyway, the flower stops Barkspawn becoming a ghoul and seems to make them immune to the taint from that point on.

Maric's longsword: he finds it in the Deep Roads and is suprised it isn't covered in the same Blight-rot as everything else - until, that is, he touches the sword to a patch of it and sees it wither away. Whether it's the dragonbone the sword is made of or the runes on the blade is difficult to say, though if it was just the dragonbone then it would make sense for that to be a more well-known property of the material (and would have been an interesting reason for why dragons were hunted to extinction). If Alistair carries it with him, doesit slow the progession of the taint through his body? Does he know its effects, and give it to the HoF to help keep them safer on their journey to find a permanent cure?

That obsidian dagger Duncan finds in The Calling: the dagger belonged to First Enchanter Remille - who also gave the expedition members brooches that accelerated the spread of the taint. iirc the both the dagger and the brooches are made by the Architect with Blight magic, which means the darkspawn magisters have more knowledge of how the Blight works than the Chantry attributes to them.

Whatever the fuck is going on with Avernus: he hasn't managed to cure himself yet, but he's managed to make it to 200 and the Warden can let him continue his experiments if they don't kill him - and he'd be a really useful resource if the Warden later wanted to send him other potential cures for testing.

Dragons: they have an ability to isolate the Blight in their bodies by forming crystaline cysts around the initial infection to stop it spreading. Useful if it can be more widely applied. Also, it's implied that Maric's reaver blood, which Calenhad gained by mixing his blood with a dragon's, is what somehow cured Fiona of the taint, kinda like a reverse STI, BUT in the Deep Roads they went through an area where the walls were coated in a pale, chalky substance suspiciously devoid of Blight-rot and she touched it, so I'm a bit suspicious of that.

Blood magic: makes sense since the taint is a problem that starts with infected blood. There are two major instances in DA canon where blood magic has been used to purge the taint from an object or being (both by elves btw). The first is Isseya using it to draw the taint out of a clutch of unhatched griffon eggs, which she says is only possible because the taint hasn't yet taken over the hatchlings' bodies to the same extent that it had with the adult griffons. The second instance is Merrill purging the Blighted eluvian in DA2. It's insane that Anders - who is a reluctant Warden and who possibly knows the HoF seeks a cure - isn't more excited about this. She literally removed the Blight from a fully tainted object. Since Isseya proved the same can be done with living tissue, it's probably the closest we've come to an actual cure, but since it also took years there's no telling if it could be a practicaly solution for all Wardens

[shoutydwarf]

veilguard spoilers !

literally None of these characters are above b tier for me except davrin and that's carried by him being a grey warden that doesn't need me to therapy speak him into being fixed.

sorry to be a toxic origins bro on main but my favorite characters are always the ones that don't recognize me as the player character pressing the buttons. their development isn't contingent on me making choices for them. they have opinions i don't agree with and which i can't change their mind on, a la vivienne/anders. alistair is one of my top companions because he has LINES in the motherfucking SAND. he will be your brother and/or your lover for the entire game but if you don't put his vengeance above your duty to the wardens, he will leave, if not attempt to seize power and force his ends. same for most all other origins and 2 companions (and inquisition to a lesser degree) - A. the option EXISTS to fundamentally piss them off to the degree they will want to kill you, and B. some of them literally WILL try to kill you. that's how roleplaying games are supposed to work. i am supposed to be a person in this world surrounded by other people in this world and i expect it to feel like that. moreso, i know they CAN make it feel like that, because they DID that in all 3 previous games.

there is no way to fail loyalty missions in VG. characters are so lukewarm that the guild of looting, pirating thieves exercises ethical tomb raiding and does monologue you about it. not a single one has any opinion that beckons you to use your brain cells. these characters do not evoke any emotion from me. i could write whole think pieces on why vivienne has the disposition that she does, why she thinks she's right, why i fundamentally disagree with her but still greatly empathize with her and consider her the best option for divine (out of 2 other companions that are just as complex). i have NOTHING to say about the veilguard companions. there is NOTHING to talk about here.

every single one of their villains are entirely one dimensional and unforgivable. THAT is the true disney aspect of the game. loghain, meredith, samson, calpernia, bhelen, branka, the architect, celene and gaspard, even fucking HOWE all have nuances and complexities to them that, even if you still end up at the conclusion that they're awful, you still have some things to think about. there are reasons leading up to their descents into cruelty and madness beyond just "me wanted power :p for fun :p"

this is also part of why davrin is the only memorable character for me; his villain was someone i knew and, frankly, the only interesting one out of the entire lot but only because she had an entire book's worth of setup. harding's was also great but because of the larger issue with zero catharsis for the titans, i have to kick her down several tiers with the rest of Mid Town.

don't get me started on the hardening system and how it can literally only happen to a single companion as a consequence to a single choice in the entire game. and then that 'hardening' actually has no bearing on their loyalty missions or, in neve's case, their romance.

the game does not make me think at all. it is designed to be consumed but not digested. there is nothing beyond the curtains. there is nothing to discuss. there is no nuance, no spice, no complexity, no grey areas. all that exists to talk about here is "i liked this part" and "i didn't like this part".

it is, like too fucking much of modern media, brain rot soup. and it doesn't even taste good.

[grimrevolution]

i'm seeing this a lot lately, especially on this post here, so -

why does a rook laidir not talk openly about their time as a slave?

there are a few reasons, so i'm going to go over rook as a character as well as what it would mean for the narrative of veilguard and struggles from a game play perspective.

i will not be going into a comparison to real-life stories of survivors, because this is not the post for that nor will any i make in the future if i continue to talk about this topic. if you would like to read actual stories of survivors, how they were impacted, and their own struggles before and after liberation, you can read them here on end slavery now, or in books like long way gone by ishmael beah and a crime so monstrous by e. benjamin skinner.

Rook at the very base of their character has adopted the mindset of 'it's not about me', which is a fascinating choice for an rpg character. no matter if you play a student of the mourn watch, a volunteer for the veilguard, a abolitionist of the shadow dragons - the idea is always the same. rook is, at their core, always selflessly and radically kind. they can give away all their money to the beggars of treviso and minrathous. they are devastated by the wreckage of the city they didn't save so much that it sits in a place of honor next to wiesshaupt in the regret prison.

what this means is that rook is a listener, not a talker. they are a yapper, of course, by which i mean that when they say something unprompted it tends to be about the environment (the hand puns are pretty legendary at this point) or about others (trying to awkwardly ask about catarina while everyone is uncomfortable in the ossuary elevator).

this serves two purposes. 1) we get to know more about the base of the character we're playing. the first portion of the game has already shown that rook is kind, the rest of the game just continues that. 2) when an rpg character speaks up about their history, it means that you, the player, get to headcanon less. everything that rook says about their past is simple, basic facts. they came from x country. they were taken in by y. some brush deeper things - thorne and mercar were adopted, laidir used to steal, and ingellvar lived on the streets for a while. these are little things and easily ignored for those who have a set character in mind and those who want to adapt those kinds of tidbits into their story.

see, the more a character talks about their past in game, the less you the player get to say. if laidir said they spent 5 amount of years as a slave in tevinter, it changes a lot than just a line about how they 'learned how to survive as a tevinter galley slave'. in the second line, you the player get to decide how long that was for. was it years? was it a couple grueling months? are they lying and didn't serve time at all?

my laidir is different from that person's laidir and their laidir is different than another person's. that's the whole point of an rpg. you have the same base, but how your perceive your character could change drastically just with a few seconds of canon dialogue.

now, the argument that generally comes up with dragon age - and veilguard in particular - is that your past actions had an effect on future games. except... did they really? no matter if the warden is alive or dead, they are still absent from ferelden in dai. no matter what request the warden makes of king alistair, nothing is ever actually done. abolish the mages? politics are involved. give the elves land? politics are involved. in order to not spend fifteen years in development hell to recreate every single person's little scenario that would have world-wide implications - everything is limited to codexes and cameos.

this kind of base-line writing is why rook isn't in the book club. what if my rook doesn't like books? what if that person's rook can't read? on and on and on. it is better for game developers to provide a place to explore imaginatively than to make something strictly canon for all. does your rook like to cook? nothing is saying that they can't do that. in fact, the companions are often shown trying to do things to take the weight off rook's shoulders. lucanis and bellara cook because rook is exhausted every day - that's an easy headcanon. but also maybe there's days where rook does cook for people. that's not disrupted by canon either.

you can imagine whatever you want because that is the point. it was not out of maliciousness or laziness. in fact, these types of narratives are extraordinarily difficult to write.

which is why laidir doesn't talk about slavery. the moment they do, everyone who doesn't think of their laidir as a slave is going to become frustrated. in fact, a whole host of people flooded the lord of fortune tag when the game first came out to bitch about that fact in particular. some even created a new character in a new faction because one single line that never comes up again pissed them off so much that they didn't want to keep playing that character. and that's their right, because this is an rpg and they have the ability to make the type of rook - not character, but rook - that they want.

you have the ability to create, to headcanon, to fulfill the gaps with your imagination. Everything is possible because nothing is fully cemented as canon. all the game does is enable you.

oh, and since people showed interest in the book list:

a promise to nadia by zana muhsen

sold also by zana muhsen

i am not your slave: a memoir by tupa tjipombo

[just-some-random-blogger]

Safe Keeping | 7

Part 1 2 3 4 5 6

What say you, lady? Don't you think the Hound would make a fine husband? He would protect you, yes, and you would bear him many babes." I curtsy again but this time, my voice falters when I speak, "I- I think he would," I turn to my left, "Lord Sandor would make a fine husband... a fine father."

Sandor Clegane x Reader | 6k+ | cw: fem!reader, POV shifts!, forced marriage, smut (piv, emotional sex, praise kink, breeding kink), enemies to lovers, slow burn, angst, emotional unavailability, emotional vulnerability, The Hound being abrasive, miscommunication, toxic masculinity, typos, etc.

A/N: YAY WE ACTUALLY FINISHED A SERIES HAHHAH lol. thank you so much to everyone who read safe keeping on here <3 im so luv all of you !! i will be continuing this so HIHHH look forward to it ig 😋 [originally posted on ao3] | [continuation fic on ao3] | [continuation on tumblr]

Tagging: @otteropera @poisonsage808 @glitterandgoldfinds @the-queen-of-sorrows @minttea07 @fluffpudel @j3nn-1 @jelsasnowflakes1 @thestrals-and-firewiskey

We are greeted by a group of men when we arrive at the Alistair dwelling.

Sandor helps me dismount my horse. I thank him, then the stable boy, who takes our rides. Sandor ushers me in and we hand our coats to the servants by the door.

My husband scrutinizes the place, a grave expression on his features as he takes in the halls that were decorated with streamers. As we get deeper into the home, I grab Sandor's arm and carefully word, "remember why we're here."

He turns to me and raises a brow, "and why are we here, darling wife?"

I cannot help the way I react to his words, his term of endearment. I know it is condescending, but my stomach tumbles at the sound of it either way. I look forward, unable to keep his gaze, "we're here to pay out respects to a man that extended generosity to us."

Sandor notices the way my face twitches. He sighs and turns away, "I will not kill the pretty boy. Do not be so upset."

"I'm not upset," I turn to him.

He scoffs under his breath, "what's with the face then?"

"What face?"

"A face fairest in the land, many would say."

Sandor and I stop in our tracks.

My brows raise and I break into a chuckle of disbelief and surprise. The man who had spoken smirks as I greet him, "Lord Baelish."

Sandor feels his blood boil when the Littlefinger bows and reaches out a hand. He tightens his grip on me.

I turn to Sandor, noticing how darkly he was eyeing Petyr, and decide to let out a laugh to ease the tension, "there be no need for such formalities, Petyr."

Petyr straightens up, lowering his hand, maintaining his smirk.

Sandor's lips twitch as he grumbles slowly himself, "Petyr."

"I am glad we're past that, my dear," Petyr says before Sandor tugs me by the arm behind him as he steps forward.

The shorter man looks up and the taller one snorts. I manage to pull my arm away, coming in between them. I nervously laugh and elbow Sandor back, not that it does anything, "if you'll excuse us, we must speak to the man on the hour."

Petyr looks back at me, unfazed and still smirking, "of course. But I do I hope, for your sake, you spare me a moment after. I have something rather important to talk to you about."

"About what?!" Sandor bark. I feel the tension of his form when he presses nearer, flush against my back, to impose upon the lord.

Lord Baelish doesn't spare the Hound a glance, "why, about the monsters plaguing your ancestral home." 

My lips part.

The blue eyed man raises a brow, "you've long wished to be safe from this peril, yes?" he bows, "I believe I have a solution for you."

Before I could even think, Petyr straightens up and smirks as he walks away.

I hear the Hound whisper behind me, "I'll fucking kill him instead."

Before I could respond, a voice calls out to me. I turn and see it is Lord Alistair, making his way over.

He jogs up to me with an excited expression and reaches out a hand. I smile back at him and take it out of instinct. When he is close enough, Cedric kisses my knuckles.

The Hound did not realize this had happened up until he tore his gaze from damned Littlefinger. When he notices Alistair, he nearly breaks his teeth from clenching his jaw so tight.

"I am happy to see you, my lady," Cedric nods with a lopsided smile.

Before the Hound can react, the pretty boy is speaking again.

"And you, my lord," he nods to Sandor.

"I don't share the sentiment," the Hound growls through a strangled breath.

Cedric laughs. He places a hand on his chest as he does, then motions, "forgive me. You must be famished from your travels," he looks to his right then back to us, "please. My servants have prepared my favorite dishes. Help yourself and make merry."

"I'll be merry if I fuc--

"THANK YOU, MY LORD!" I cut off with a massive grin. I curtsy and chuckle, mustering all the sincerity I had, praying it overshadowed my jitters, "may you always be so generous and joyous on your nameday."

Cedric chuckles and waves me off, "please. Spare me the formalities. I pray you go and eat with your husband before he kills someone."

Lord Alistair is the only one that laughs at the joke. A few delayed seconds later, I manage to laugh with him, forcing down my agitation.

Sandor doesn't budge the first time I tug on his arm. He follows after the fourth. He eyes Cedric as we walk away, but the said man is already preoccupied with another guest to notice.

"I don't think this is a good idea," I whimper under my breath as I quite literally run after the buzzing Hound.

Sandor makes his way down the hall in a break neck speed, at least for me. I have to catch my breath when we enter the weapons room. I heave and look around the foreign place, eyeing the axes, the arrows, the swords, and the armor displayed all over.

"Your pretty boy has good taste," Sandor slurs as he grabs a sword mounted on the wall, knocking over a few others as he did.

I cringe at the clank of steel against ground and step back when Sandor begins to wave his blade around. I mumble, "he's not my pretty boy."

Sandor continues to swing the sword. I pull my head back in agitation.

He then picks up the fallen swords but cannot manage to put them back in their place without moving shakily, and dropping a few.

I panic and press my back against the wall, "my love, this is a horrible idea!"

Sandor stops and turns to me, "how is it horrible? Lord Alistair wanted a sword fight with me, and that's what he's gonna get. He chose this nameday gift, not I."

I watch as he finally manages to put away the swords.

"You were there, my jittery bride."

I straighten up and slowly walk towards him with my palms cautiously raised. Sandor is perfectly still when I come close. I release a sigh of relief when I manage to grab his arms, "please listen. I was also there when you downed three ewers of wine, puppy."

He leans down.

I clench my jaw.

I can feel his breath, smell the alcohol in it, as he mutters, "I'm not a lightweight."

I gasp when he comes low enough to kiss my neck.

My skin pricks when he whispers hotly, "and I'm not a puppy."

My heart is racing when he straightens up. He does so in a rather staggering manner, telling of the effects of his alcohol consumption.

"You're drunk."

"Am not," he rebuts.

I scowl at him, "you're a drunk puppy, my dear."

He smiles, "I thought I was your love?"

My stomach churns.

Sandor purses his lips when I do not respond.

I feel my face prick with heat, "would you listen to me if you knew that I loved you?"

He chuckles, turns his back on me, and heads for the door, "well, do ya?"

I feel like vomiting. I whisper under my breath, "I do."

He reaches for the knob and opens the door, "nice try, beautiful," he reaches a hand out, "come. Maybe your pretty boy will manage to ki-"

"WILL YOU STOP CALLING HIM THAT!" I snap and storm over to him. "Lord Alistair is NOT my pretty boy! He's not mine and will never be!" I feel my blood boil and my eyes begin to fog, "and stop calling me names!"

He pulls his chin back. His face hardens. He opens his mouth to speak but beat him to it before he can say a word.

"Stop mocking me! Stop calling me pretty squirrel! Stop calling me beautiful! It's driving me mad!"

"I'm not mocking you," he speaks lowly, "why would I mock-"

"Well, whatever it is, it needs to come to an end," I point at him, "now let's get this over with. I want to go home."

I storm off and head outside.

I make my way to the back of the Alistair dwelling, which had a large field where the sword fighting will be held.

I stand by the crowd of people and sigh through my nostrils. I watch as Lord Alistair does tricks with his sword, enticing the crowd to laugh and cheer for him.

I feel out of place in my spot because I didn't know anyone else, and because was not at all entertained by the spectacle. All I thought of was how badly I wished this to be over. Damn my drunken husband for agreeing to this.

"Trouble in paradise?"

I turn over and find the smile of Lord Baelish. I release another sigh, "please. Not anymore, Petyr."

Petyr chuckles and shrugs, "I've barely said a word, my dear."

His term of endearment triggers my vexation. I cannot help the way I roll my eyes at him.

He laughs harder, "what darling reaction."

I move away from him.

He steps closer, "did you know there are necromancers in Volantis?"

I glare at him just to look away again.

He gives me a smirk, "they are learned of tar monsters who enjoy eating village folk."

I turn back to him.

He nudges me with his elbow and turns front, "I've put in good word for you. All you have to do is take a ship to Essos. A witch there will get rid of your problems for you at a fair price."

"Hmm," I raise a brow, "oh, undoubtedly. It clearly is that simple."

Petyr turns to me, "it certainly is. Once the woodland monsters are gone, you'll be able to hunt and gather timber from the forest again," he nods his head, "and so will I."

Aha. I purse my lips and debate his words for a moment.

"And I trust you will allow me to fish in the Sterling River as well."

I look forward when the crowd cheers. I see before me, Lord Clegane and Lord Alistair, circling each other, the latter laughing in excitement, the former blank faced and stern. I turn back to Petyr, "very well."

He nods once more.

I look straight again.

"Perhaps a trip to Volantis is exactly what the loving couple need."

I roll my eyes at him.

Sandor and Cedric begin to tussle. The sound of steel biting steel fills the air. Cedric is an eager opponent, pressing forward every chance he gets. Sandor is relaxed and playing the defensive.

This continues for a while, metal clashing, boots skidding, voices grunting, and it was a rather showy match, at least on Cedric's end. Sandor is barely trying, I could tell. He must be conserving his energy. I've seen the way he's trained with the boys in Brown Wood. He's definitely trying to tire Cedric out.

"This is going to be a long match," Petyr whispers to me.

I turn to him and sigh, "a very long one."

Sandor catches this and feels his lips twitch. He turns back to Cedric.

I gasp when Cedric manages to disarm Sandor. The crowds gasp as well, and Cedric too seems surprised.

Sandor shakes his head, " 'm too fucking drunk for this."

Cedric straightens from his defensive stance.

Sandor nods, "well met."

Lord Alistair nods back, smiles, and turns about to bask in his victory.

As he bows to his guests, the Hound makes a beeline towards me. I watch as he comes close, my heart slowly speeds.

He grabs my arm, "we're leaving."

"Oh!" Cedric calls and gestures our way "a round of applause for the Hound."

The guests turn and cheer for him.

Sandor pulls me to his side.

"Come now," Petyr smirks, "won't you even try to best Lord Alistair in another round?"

Sandor leans down towards Lord Baelish and growls, "fuck off."

With that, I am dragged away.

"Sandor."

The Hound's horse continues treading in front of me.

"Sandor."

The Hound still does not stop, turn, or respond.

"Sandor!" I say louder.

Still nothing. 

I make the horse I was riding gallop to his side. He had not spoken to me the whole way back, not when we got on our horses, not when we stopped at an inn for the night, not when we started our journey, and not now that we near the gates of Brown Wood.

"Have you chosen never to speak to me again?" I quip, tightening my grip on my reins. When he looks the opposite direction from me, I scoff and roll my eyes, "should it not be I that never speaks to you, Hound? You've been nothing but insufferable the entire time we were at the feast!"

Sandor still does not budge.

I look forward and catch sight of Brown Wood. I give my horrible husband one last glare before growling and galloping away.

Sandor watches this. He does no effort to follow after.

When I get to the gates, I am immediately greeted by many servants. Polly, in particular, excitedly tells me he's taught the puppies tricks, and quickly leads my horse away after I dismount, keen to tell me more about it.

Lucy, though happy to see me, raised a brow at my missing chaperone, "did you lose your Hound, milady?"

I roll my eyes, "do not speak to me of that beast."

Lucy is bewildered.

I sigh and slump forward, regretting the harshness of my words. I shake my head, "have you prepared a bath for me?"

She knits her brows and nods slowly, "....did something happen at the feast?"

"Of course something happened," I muttered, "the gods are truly testing me." I brush Lucy's arm, "I will tell you more of it later. For now, I need a warm bath."

Lucy nods again and watches me walk off.

Before Polly could follow after, Lucy hooks her fingers into his collar, holding him back. The boy makes a choking sound, stops and turns, staring at Lucy.

"Our lady will not be bothered," she says.

"But the puppies!"

"Later," she pulls her hand away, "go finish your chores if you still have some, boy."

Polly makes a face and grumbles, though he does listen.

Just then, Lucy turns and sees the Hound walking towards the gates, leading his stead by the reins. She waits for him to enter, and the moment he does, she runs her mouth.

"Are ye not tired of playing this game?"

The Hound squints but spares Lucy no glance. He heads for the stables and undoes the ties on his horse.

Lucy flares as she follows after him, "can't you just do us all a favor and stop?"

"I'm not in the mood for nagging, wench."

"Then admit it!"

"Fuckin' what?!" he glares at her.

"That you're mad about your wife!" Lucy snaps.

Sandor stills.

"That you would die for her! That you're upset she wanted to go to another lord's nameday celebration!"

He removes his horse's saddle, "that was a formality."

"YOU'RE A FUCKIN' FOOL!"

Sandor whips his head to her.

"And a coward," Lucy raises a finger.

The Hound chucks the undone saddle to the side and steps forward. He looks down at Lucy, but she is unbothered and unafraid. He is shocked when she shoves him. He topples back.

"She's only ever wanted your love, you thickheaded oaf! Don't you see how hard she tries to please ya?!"

"Please me?" Sandor scoffs, taking another step forward.

"YES!" Lucy shouts, "she wants to be your perfect bride but you know nothing but cruelty. You repay 'er with bitterness."

The Hound feels his mouth sour.

"And puppies."

Sandor watches her wipe her face.

"Because you're not as cruel as you make yourself out to be, milord," Lucy says with frustration.

Sandor feels like the wind was knocked out of his lungs.

"I've caught you when you think no one's looking," she speaks softly, "you love her."

Sandor feels his body burn.

"She loves you."

"She d-"

"Fix it before it gets worse. I beg," she sighs.

The Hound is stunned as the maid walks off.

When Polly spots him, the boy unknowingly grates his nerves as he leads the puppies over and shows all the tricks he's taught them. It wasn't much, in all honesty, just a 'stop' and a 'come here', but the three pups did them well.

Sandor couldn't be impressed, he was far too out of it to be anything but queasy.

He tells Polly he's tired and heads to the bedroom. Polly tells him he wants to show Lady Clegane the tricks before they sleep. He doesn't answer the boy. 

Sandor is both disappointed and relieved to find the room empty. His head is heavy as he changes. He feels like he'd sink to the bottom as he goes to bed.

The Hound had been pacing around when I got to the bedroom. He froze when I entered and awkwardly walked back as I headed for the bed.

I didn't speak a word as I went under the covers and laid down. I eyed him as he sat on the edge on the other side, back turned to me. I burn holes into his back with my glare.

It takes a few seconds of him rubbing his lap and him sighing loudly before he breaks his silence.

"I..." he trails off.

I shift in my spot to look at him.

He straightens, "I didn't like the fact that pret-" he cuts himself off and sighs, "that Lord Alistair and Lord Baelish were all over you."

I can't help but scoff, "and you've decided not to speak to me because of some two men's doing?"

"I DIDN'T want to fight," he blurts loudly then softly. 

I watch as he slouches and moves on his side to bring himself under the sheets. He sighs as he covers himself and speaks without looking at me, "I don't like fighting you."

I purse my lips at the thought. His words conflict me. I find it aggravating to hear when it felt like he liked the opposite. A side of me is also unwilling to believe it because it was too hard to believe.

The part of me that was still angry at him for being so petty wants to fight back with equal pettiness. But an even larger part of me felt too exhausted and defeated to argue.

"And yet you always do," I speak plainly as I turn my back on him and fluff my pillow. I take in a deep breath while bringing the sheets over my shoulder. I lay down, facing away from him.

I knew he wouldn't have anything to say to that truth, and yet I take a moment to listen in on him. He doesn't speak nor move at all.

I close my eyes, "go to sleep, husband. It's been a long day."

"Aren't you upset with me? I don't want you to sleep upset with me."

My eyes open. My stomach churns. Did he actually care? My lips part but I can't find myself to speak.

"I didn't speak to you because I know what I'd've done if I did."

I take in a sharp breath and give out a broken whisper, "you've done worse."

Sandor lets out an airy chuckle. It doesn't sound amused at all though.

He doesn't respond anymore. Instead, he shifts in his spot and lays down, as far on his end as he could be. He is on side, staring at the dark corner of the room. He musters all his courage, "forgive me, my lady."

My lips part.

Did he just say that?

"What?" 

I am shocked when I hear him repeat, "forgive me."

I roll on my back and look at him. I feel like I'm going to vomit. I think my body was shaking.

I inhale deeply through my nose, "what would you have done?"

He takes a moment to respond, "what?"

My courage flees me as I find the need to repeat myself. I turn my back on him again and clutch my chest. I can hear my heart pounding, "what-... you said you didn't speak to me because you knew what you would have done..." 

I feel Sandor shift behind me.

I gulp and curl up tighter into myself.

I wait for him to act but he does nothing.

I release a deep breath before speaking, "would you... have hurt me?"

My skin pricks when I hear him sigh, "aye."

I feel sick to my stomach. How could he admit that so easily? 

I think of all the worse things he could have done: smack me, shove me, slay me. I feel body begin to grow hot.

Sandor stares at the ceiling then turns to his side. His chest tightens yet he manages to mutter, "I only want to be gentle with you."

I scoff but it sounds strangled because of how tight my throat was. My eyes begin to well up. My broken voice croaks, "how could you say that?!"

The Hound says nothing.

"What?" I scoff, "you hit me then you tend my wounds?"

He doesn't say a word.

I begin to feel my insides burn.

The longest moment passes.

"How did you want to hurt me?" I snap.

He clenches his jaw then chuckles at himself, "I wanted to make you scream my name as I fucked you against a wall."

My heart leaps into my mouth.

The Hound continues, "I wanted all those fuckers to hear, to know what you were mine, that I was the only one who could do that to you, that I was the only one you'd allow to do that."

My blood runs still.

"The things I'd do to you," he mutters, "you'd be disgusted to know them."

My lips quiver as confusion ripples through me. This was the kind of hurt he wanted to inflict?

"But I want to be gentle," he adds, "I really do."

"Is that why you lied about the pups?" I find myself choking out.

Sandor is taken aback. He also hates how apparent the sound of sadness was.

"I know you were the one that found them and brought them home, not Lucy," I whisper.

"Lucy," he sighs, "she loves you so much, that Lucy. And you love her... You'd take a gift from someone you love."

I shake my head, "that's why you lied? You didn't think I would keep them if they were from you?"

"I didn't want to shroud the pups with my being."

"... I can love more people than just Lucy."

I feel him shift behind me.

My heart thunders in my chest.

"One day... maybe I'll be gentle enough for you to love me."

I feel tears rush down my eyes. I move to turn to him, but then his arm comes around me and holds me back.

"Please," his voice breaks, "I can't stand to see you cry or look at me with pity."

My hand comes atop his arm, "Sandor-"

"Can I kiss you?"

My breath catches in my throat.

His heavy breathing makes my entire body burn.

I slowly nod and manage to squeak out a yes.

Sandor immediately sinks his face into my neck and begins to kiss my skin. His lips were hungry and his beard left scratches all over. He snakes his arm tighter around me and pulls me into his chest. My entire body reacts to him, it burns and pricks and pulses. He kisses my cheek; he kisses my tears away.

My belly tumbles when he rubs it. He props himself up on his other arm, "I'll die a happy man to see you love my babe," he trails kisses up my jaw to my ear, "it's more than I'll ever deserve."

I suck in a deep breath and lean into his touch. I press my body flush against his and this elicits a groan from him. He fists my nightgown into his hand and nips my lobe. He draws in deep breaths and sighs against my ear, "I can be gentle. I can be so gentle."

I take his fist and he immediately releases my clothes. His breathing grows more strangled as he shifts behind me. 

I push his hand down and he shudders when it comes in contact with my thighs. I release his hand and bring my leg atop of his. I pull my skirt up and mumble, "gentle."

"Fucking gods," he kisses my shoulder and pulls my gown up. He rubs my thigh a few times then sinks his hand underneath my smallclothes.

He shushes me as I grow rigid against him and kisses my neck some more.

I whimper when he pulls my undergarments down and moves his fingers into my soft spot. He very much so gently touches me until I begin to melt against him. I arch my back and lean into him.

"Good girl," he mutters, "such a good girl. My beautiful girl."

"More please," I heave.

Sandor presses his body against mine, "don't have to tell me twice."

I whine his name when he sinks a finger into me. My toes curl and my hand grabs onto his bicep.

I make a sound when he pushes deeper, and an even throatier one when he adds another finger.

Sandor brushes my hair away with his other hand then sinks his face into the crook of my neck. He peppers kisses on my skin and my body burns all the more because of it. I turn my face to him and move my mouth close to his.

Flames rage inside my belly when our lips meet.

He goes still for a second when I kiss him. It takes a few moments before his lips move against mine. Though his beard was tickling my skin, the exchange was lovely. It was warm. It was right.

I bring the hand I had on his arm up to his cheek. My fingers find their way to his scalp where I begin to tug his hair gently.

We pull away when I yelp at the feel of his hand going back to work. Sandor does not relent his kisses on my cheeks, nose, and eye lids.

"Does it feel good?" he asks in between pecks.

I whimper as I nod.

Sandor sighs and grazes his teeth against my neck, "so good."

I mewl when he begins to pump his fingers faster into me.

"So sweet and soft and beautiful-- so, so beautiful against me."

"Sandor-"

"I want to feel you," he growls under his breath, "want to be inside you," he nips my lobe again, "want to fill you up, give you the babe you want."

I nod and chase after his lips. I kiss him desperately, "please."

It's not long until his fingers are replaced by his cock. We both tense against each other then slowly relax and reconnect our mouths.

I am surprised when I feel his tongue brush against my lips. I squeak when he begins to buck his hips into me at a slow but purposeful pace.

He presses his fingers into my inner thigh, pulling that leg closer towards him. I bring my hand down to his forearm and grip him for dear life. He pushes his chest into my back and breaks our kiss to allow us both a breath.

Sandor maneuvers himself into a better position. He nearly has me sprawled on top of him. He locks his grip on my hips and snaps into me with all that he's got.

He calls my name. He calls me beautiful. He calls me his wife. He tells me he loves me.

It's all too much that my eyes begin to water and my belly begins to tighten.

Though his movements were wild and sharp, and though the sound we were both making were loud and lewd, there was something sacred about it, something sincere.

I nearly sob when I come undone. I cry out his name as I feel intense pleasure crash all over my body. My mind is too misty to take into account that Sandor had been repeating the same three words as he too fell into bliss.

He doesn't immediately stop moving. He only does so when I'm laid back on my side again.

I nearly jump out of my skin when I feel him shift away from me.

"Don't pull away!" I snap. I grab his arm and wrap it around me, trapping it between my own. I lean back into him, "don't leave me! You keep leaving me."

Sandor, who was just catching his breath, feels like he was winded all over again. He thinks about the discomfort that this position will bring, but he figures sex just leaves people emotional and clingy sometimes.

He kisses my cheek, "we'll stay like this, if that's what you want."

I nod enthusiastically and turn to kiss him.

When I do however, he pulls his face back. It makes me go rigid.

It takes a second for Sandor to realize what he did. He is now overly conscious of the scar on his face and the damned reflex he has for it. He opens his mouth but he doesn't say anything.

I begin to feel my face burn and yet I'm too stunned to move.

The next moment, we speak at the same time then immediately go silent.

I gulp and turn away from him, bursting out as I did, "I beg your pardon. I didn't mean to overstep."

"You did nothing wrong." he shakes his head.

"You asked if you could kiss me," I mumble, "I didn't do the same."

"You can do whatever you want with me-"

"Sandor-"

"-I belong to you. I am your hound. That's all I am."

My eyes glass at his words. I feel him kiss my nape. My skin pricks when he rubs his hand down my belly.

He sighs heavily, "... sorry for being so broken."

I screw my eyes shut.

"... you can kiss me... if you really want to."

I nearly break my neck turning it back so quick. I press my face against his and just remain like this for a moment. I brush my nose against his textured skin and recall the time I did the same during our wedding night. He pulled away then, he pulled away now.

"I'm sorry you can't trust me," I whisper.

Sandor doesn't have the time to react to that.

I leave about a hundred kisses on his scar before my neck begins to tire. I knit my brows and whisper again, "don't let me go."

I face front and feel sleepiness catch up with me.

"Good night, Sandor."

I vaguely hear him whisper I love you behind me.

Sandor woke up with sunshine shining down his face. He was more than well-rested. He honestly doesn't remember the last time he slept this good.

He stretches in bed and groans. It takes him three seconds to realize he was alone.

It's almost enough to make him shoot upright in panic. The only reason he doesn't is because he quickly thinks it was fucking stupid of him to feel anything, any sort of panic or worry-- worse, hurt or sadness for waking up alone.

He did that many times over, left her alone-- too many times to count, surely more times than the good night's of sleep he's had.

So, he lays there with a stone-heavy pit of emptiness in the middle of his rib cage. There was nothing else to do with it crushing his chest. No amount of reasoning, of rational explanations that his wife was the lady of Brown Wood, who was always busy, who was always attending many other people, nothing could lift the stone weighing down on his chest.

He feels like he's slowly choking.

The Hound only gets up when he hears the small barks of the pups coming from outside. Somehow the idea of his wife waking up to attend to the dogs made this ordeal bearable.

He heads to the bathroom first and freshens up.

After, he heads to the living area and tenses when a pair of servant girls greet him good morrow. His lips twitch as he grunts and nods at them. The girls perk up and stare at him for a second as they pass. He vaguely hears them mumbling 'did he just greet us back?' as they each head their way.

"Fuck," he mutters under his breath. He should have said good morrow in return. Fuck. 

It probably doesn't matter. He's been ignoring everyone since they've moved here. Why start now?

Well... he was ignoring everyone except Lucy, who vexingly demanded his attention; Daisy, who used to do the same... and his lady.

Sandor opens the front door and steps outside.

His-

"Lady Clegane," Petyr fucking Baelish nods and reaches a hand to his wife.

Sandor is stunned. This wretched, slimy looking Littlefinger-man was up on his stupidly embellished steed, which, mind you, was too big for the fucker, kissing his wife's knuckles a goodbye.

What the fuck was he doing here so fucking early?

Littlefuckingfinger smiles and straightens up as he releases her. His wife waves goodbye.

As she does so, Littlefinger catches sight of Sandor and his smile pulls into a self-satisfied little smirk. He nods his head once to him and fucking rides off. Even fucking Polly waves him goodbye and it makes him want to chase after him and gouge his eyes out.

"Husband."

The Hound averts his gaze.

Sandor's breath is knocked out of his lungs when he sees his wife gleaming at him.

Fuck, she's walking over.

Everything in him is so overwhelmed by her that he nearly steps back.

She holds something in her hands as she gives him a lopsided smile, "you had a good sleep."

He opens his mouth to speak but a lump in his throat stops him. He gulps.

She laughs. She does so with grace, her pretty teeth all bared to him, "I wished to stay with you until you woke, but I could not leave Brown Wood unattended till late in the afternoon."

For a moment, he is in disbelief and doubts it was actually midday. He looks up and sees, indeed, the sun was at its height.

He looks back to her to apologize for sleeping in, but again, his voice is lost to him. By only taking one step towards him, she renders him powerless. She intensifies it by taking his arm and giving him that look, that look of apprehension that was masked in sweetness. It was maddening.

"Will..." she draws a deep breath, "you let me kiss you?"

What the fuck?

Her brows raise. She pulls her hand away, "y-you don't have to."

"Wait-" gods, did he say that aloud? "-no. You can! You can!" he responds with desperation, "you don't even have to ask."

His wife smiles back at him, but it's not the same. 

Gods, he's ruined it again. 

He is surprised when she still leans over and gives his cheek a quick peck.

He barely has time blush as he's turning his head to watch her as she walks past him. She says something about breaking fast and he mutters something incoherent in response.

Sandor doesn't even realizes that he's been made to sit down on the dining table, until one of the pups take his seat before he can.

Where did they even come from?

"Fuck off then," he says, shooing the small thing. It barks loudly and then he realizes it's the loud one, Lilac. He growls, "off, Lilac!"

Lilac makes a smaller sound of protest but has no other choice but to get off the chair when Sandor tips it over.

He quickly sits down and makes a victorious face to the puppies, who continue to bark at him.

He watches as the pups quiet down as his wife comes back holding a bowl of stew and a spoon. His insides tingle when she leans close to him to set it down before him. She then drags a chair and sits next to him.

He takes the spoon.

She smiles at him and rests her head on her hand, her elbow on the table, "eat up."

Sandor releases a breath and does just that, "thank you."

He realizes just how hungry he was at this moment. He begins to pig out.

"Thank you for holding me throughout the night."

The Hound almost gargles his food in his throat trying to muster up a response.

She laughs and touches his arm again, "it's alright. Just eat."

Sandor doesn't have a moment to say that he would hold her until she gets sick of him.

His wife straightens up and pushes a something towards him, a letter, it seems, "Lord Baelish gave this to me."

He nearly chokes as he swallows.

He doesn't like the way his wife smiles when she continues to speak of him, "he's given me a map and letters to aid my passage to Volantis-"

"Volantis?" he sets his spoon down with more force than necessary, "the fuck is in Volantis?"

She straightens up, "remember we met at Lord Alistair's nameday?"

"Fucking Alistair."

She sighs through her nostrils, "Lord Baelish spoke to me then of someone who knows how to get rid of the monsters in the forest."

"Am I not enough for you?" he turns his body to her, "you need to hire some sellsword on the other side of the world to kill those fucks for you?"

He watches her withdraw before his very eyes. She brings her hands together and places them on her lap. She purses her lips into a soft smile before speaking, "there is no one in the world, this side or the other, that I would trust with handling the monsters in battle. But," she sighs, "Lord Baelish didn't speak to me of a sellsword. He spoke of a witch."

"And you fucking trust him?" he quips impatiently, "you'd trust a witch vouched by Littlefinger?"

She sighs again. She no longer finds it in her to pull a smile, "I do-"

"Well, don't."

"-because he'll get something out of it."

The Hound clenches his jaw and rubs his knuckles with his thumbs.

"In return for his help, I would be allowing Petyr to access to our fish, game, and wood."

The Hound sighs heavily, "Petyr.'

She shakes her head and chuckles. She chuckles until she breaks into a genuine laugh, "but matters not. If my lord does not approve then there is nothing more to do."

Sandor's stomach sinks when she stands up.

"I'll go ahead with my errands now," she nods and offers a lopsided smile.

Just before she walks away, Sandor grabs her hand and weakly mutters, "no, please. Please stay."

She laughs softly; she laughs sweetly. She places her palm on his knuckles then takes his hand in both of hers. She kisses the back of his hand and shakes her head, "I am not leaving, my lord, merely going off to do my errands."

The Hound stops her from letting go. He clutches her hands firmly in his larger one. He parts his lips to beg her to stay.

But then, he sees her change. He sees her slip on a mask of a dutiful wife. She is about to smile, about to tell him that if he insists, she will stay, for him. He knew in his bones that she would.

And so he lets her go and looks away in shame. He can't bear to look at her, so he clears his throat and compromises, "I'd like to eat with you later... if you have the time."

It takes a long moment for her to respond. Sandor, whose eyes were stuck to the floor, find the pups were now sleeping under the table.

"I would like that too, my love."

Sandor chuckles drily at the pet name and grabs his spoon. He rather bitterly says, mostly to himself, "you don't have to call me that."

He waits for her to walk away.

She doesn't.

He turns to her when he vaguely hears her mumble something. He waits for her to repeat herself, but she doesn't.

"What was that, pretty squirrel?"

She shakes her head and curtsies, "I said enjoy your food."

He watches her walk off. He wonders what she actually said, because it sure as hell wasn't that. He swirls his stew around idly.

[felassan]

July 17th DA:TV Game Informer article on returning to Dragon Age 10 years after DA:I - cliff notes:

At one point BW considered making DA:TV a multiplayer game. They did a "hard look" at this

With DA:TV BW want to get back to their roots: storytelling, characters, influencing the world

Gary McKay quote: "And we really felt multiplayer wouldn't do that. But single-player RPG is really where we wanted to spend our time, so after spending that time in pre-production, really honing in on what the vision of this game is, and [being] afforded the opportunity to deliver on the creative promise of this game, [now] we're really excited about what's coming out."

DA:TV's dev team contains both seasoned vets' decades of experiences and new talent with fresh perspectives

Gary McKay quote: "[You] want to have different perspectives, different backgrounds. If you bring a bunch of people together that have only known one thing, that's not where you see creativity. That's not where innovation comes from. Innovation comes when you have [...] that past history and blend it with some new voices and perspectives." 

DA:TV is the game where BW finally said out loud that their greatest strength is storytelling through characters, with intentionality. The game is built around those character moments

In DA:TV BW is doing "storytelling through animation" -

Mark Darrah quote: "If you put on a suit of armor [in previous games wherein each char moves exactly the same way], and you put it on Alistair, you looked exactly the same standing right beside each other. Now, we're able to keep the character coming through in the visuals and the motion, even as you're customizing them, which just wasn't possible in the past."

BW are more confident in and have a better understanding of Frostbite this time

Current game hardware tech is also able to do a lot more and execute it visually to an improved degree

BW worked hard to ensure DA:TV is respectful and referential to previous games while still being understandable by new players

John Epler quote: "So while there are references, there are moments that we have callbacks, it really is its own story, its own continuation with a different cast, with different characters. Historically, Dragon Age has always had a different cast per game, so that gives us a lot of freedom in terms of what we want to lean on in the past and what we want to really bring in that’s new and forward-facing."

Events in DA:TV play out with a storytelling goal for the future of the series. It takes the ball from DA:I, puts its own spin on it in its own direction, and continues the path forward into the future (emphasis mine)

Mark quote: "Dragon Age has always been about change. Every game has had a new protagonist, and it's been exploring its own space all the time, and this game is no different. [Veilguard] does a good job of bridging that gap. The really super fans of Dragon Age have actually made a lot of really educated guesses, and some of them are pretty right about where the franchise is going. The thing we need to make sure is that people who may have only played Inquisition are understanding what the franchise is really about – it's about a new protagonist, it's about change, it's about evolution – and don't come in expecting a direct sequel to a game they played and then are disappointed. This game is something new, something that evolves, something that is greater than what came before, the same as each game [...] before it." [emphasis mine]

Corinne: "For our new players, we're not assuming you know anything about [the DA locations or characters in DA:TV]"

BW took great care in how they introduce each companion and major story figure in the game with that in mind

DA:TV is John Epler's favorite DA game that he's worked on (he has worked on them all)

John Epler quote: "Dragon Age has always been about characters but to some degree, it's almost felt like we've lucked into that," he says. "Inquisition is a story that ultimately, you, the main character [...] have the biggest part to play. We wanted to tell a story this time where you literally cannot save the world without these characters. Beyond that, though, we also wanted to give them their own arcs that can run parallel to the main story and really give them that kind of deep storytelling our fans really enjoy." 

John Epler quote: "They have their friendships, they have their rivalries, and lean into that concept. You're not just pulling together a bunch of people who will do whatever you say. You're assembling a family, and that becomes the core of what the Veilguard is all about. It's about taking this group, this found family, and saving the world, side by side with them." 

[source]