#Alistair does know actually

[vigilskeep]

the weird thing is that alistair saying “her name is goldanna and i think she remarried but still lives just outside the alienage” DOES sound like he thinks she’s got elven blood too

[lavellane]

ive played dao like 9 times at this point and still. and STILL the isolde/connor decision has me tearing my hair out gnawing my keyboard stomping around the house ready to lie down and never get up

[cowboysuperhero]

hi i'm back again with Yet Another Redraw

[danielnelsen]

oh no i never realised 'hard in hightown: chapter ???' was based on whoever gets left in the fade because stroud and loghain's entries are so nondescript, but reading the ones for hawke is gonna make me cryyy

[crows-of-buckets]

I miss dao I'm soooo tempted to do a replay of Aviae she's my girl.

Anyways. This is Aviae my original warden. She romanced Alistair but they broke up when he became king, and she also survived so. Slay ig!!! I'm kinda in the middle of redesigning her so <//3

Also zevran looks way too much like Daeran in that second drawing help

[zombolouge]

The thing is, it's not about the Therapy Speak. It's not that everyone who disliked DAV hates healthy communication as a dynamic in fiction. It's not even about only being allowed to be a good guy, really, because most of us did do that anyways (though the option not being there is a loss I grieve even if I never chose it myself, but that's another rant for another day).

It's that DAV does all that stuff at the expense of being believable. At the expense of characters being permitted to have personalities. At the expense of emotions behaving the way emotions actually work for people. At the expense of letting the plot build tension through the stakes we're forced to grapple with.

Half the fics out there take the conflicts between the characters in the previous games and resolve them. I do it myself ALL THE TIME because I like to find a path to resolution through just about any conflict, that's what fascinates me about telling these stories. But the higher the stakes, the harder a conflict is to resolve. You CAN resolve any conflict, you CAN communicate healthily through any emotion, but you can't skip the time it takes to process it all to even be able to communicate it. As someone whose got CPTSD and recovered from many Traumas, I can tell you that the TIME it takes to work through it is not something you can fast track, and the ups and downs of your emotions on that journey can't be skipped. It doesn't matter if you know exactly how to do it, exactly how it's going to feel, or exactly what the end state will be, you CAN'T speedrun it.

DAV has stakes that are astronomical, but nobody treats them that way. Nobody experiences denial - a common psychological reaction to being presented with information that shatters your worldview. Nobody expresses any distrust in the establishments handing out this information - something common among cultures that have at times been at war, even if those wars are "resolved" in the present. Nobody really ever breaks down - something that any person is capable of under extreme circumstances, especially when facing multiple crises of faith that challenge everything they thought they knew about themselves. Nobody blows their lid because they've been repressing the hell out of everything. Nobody grieves for southern Thedas, the entire thing dying off screen and giving you, the player, NO way to engage with it in any way.

Not to mention there are barely any inter-party conflicts, when there should be a lot more. Why is everyone (except Spite) fine with it if Emmrich sacrifices Manfred to become a lich? Why is everyone fine with Illario potentially being set free if he was working with the venatori and Elgar'nan, two sources that have actively attacked everyone in the party? Why doesn't Neve resent Lucanis if Treviso is picked? Why doesn't Harding get pissed off at Nevarra for having a secret society of liches that never helped during the Inquisition's war against the breach and corypheus? Why doesn't Harding feel ANYTHING about Ferelden and the rest of the south? Shouldn't Harding resent the fact that she's stuck in the north while her home dies?

All of these conflicts ARE resolvable, but not easily. And it's not believable that they're never brought up. It's not believable that these characters skip through everything that happens with like, barely a frowny face most of the time. In DAO, Alistair leaves if you don't treat his conflicts with respect. In DA2, your party members try to kill each other if you don't pay attention to their conflicts/emotional needs. In DAI, people can leave or betray you, Cassandra throws a chair at Varric and tries to body him out a window. ALL of these can be resolved but it takes effort, and the characters get to SHOW that they're bothered by them and struggling the way a person would when faced with those emotions.

The problem isn't the therapy speak, or that everyone is loyal and won't leave, or that they aren't mean to each other enough. It's that it's toxic positivity. It's toxic as fuck to imply that anger or grief should be smiled over or else you're giving up, and it's damaging to people to avoid engaging with their own negative emotional responses to extremely negative stimuli. It's pasting optimism over very real, very weighty issues, sweeping it all under the rug, and you keep waiting for the lid to blow off the pressure cooker that creates, but it never does. It never becomes anything that emulates real emotions, which is why the whole damn thing feels hollow. Everything's dying and nobody cares, not even about themselves, and that's NOT healthy communication.

It's bullshit, half-assed storytelling that didn't tell us the actual story, just the vague idea of what it could have been.

[youleftmenochoicebut]

GOLD RUSH — regulus black x reader.

SUMMARY. — your secret relationship with regulus isn’t so secret anymore.

PAIRING. — regulus black x fem!pureblood!reader

WARNINGS. — reader has a 1st year brother; this is shitty;

A/N. — im desperately trying to write something coherent for reggie and it’s not working

“if you stare at that poor girl for a little while longer i’m pretty sure her head’s gonna set on fire.” Barty’s voice is quiet as he leans in closer to your ear, and you tilt up your head at him, quickly hitting his shoulder. you’re standing in front of the potions classroom, and out of your friend group it’s only the two of you - Evan back in his dorm claiming to be sick, Dorcas not every making any excuses as to why she didn’t show up, Pandora being a ravenclaw, and Regulus… well, Regulus.

Regulus is standing in the darkest corner of the hallway, having a conversation with some hufflepuff (a good friend of his who you have known of for a while) who’s batting her eyelashes up at him, and you wonder if he’s truly that oblivious to notice or just chooses to ignore it. either way you shrug, turning to Barty with a grimace on your face that’s supposed to be a smile.

“damn, babe, with that look on your face you might just scare away potential suitors.” he tugs at your braid, swiftly making it fall apart, and your frown deepens.

“not in the mood, Barty.” you roll your eyes with a scoff, leaning back against the wall, looking up at the ceiling. your parents have been bugging you about finding a suitable future husband to marry after you graduate ever since this school year started, and as it all nears spring you’re only growing more restless. of course they don’t know about your relationship with Regulus. sure, they would be over the moon at the news, the younger Black brother being… hot shit amongst the mentally challenged elders, as Evan described it once. which is exactly why you want to keep it under the wraps for as long as you can.

it’s been going pretty well you’d say, both of you not having much problem with acting casual, but lately you’ve been struggling with that. you’re not jealous, Merlin forbid, you’re just… well, maybe you are the tiniest bit jealous. in all honesty, who wouldn’t be? it’s Regulus Black.

you enter the classroom hand in hand with Barty once the clock strikes nine, splitting with him when you make your way to your desk. during this class you actually share your space with Regulus, and so you give him a small smile when he sits down beside you.

the whole day passes in a blur for you, as it usually does, and soon enough you’re in your favorite place of all Hogwarts. you’re sitting on a huge plush couch in the room of requirement, your head resting on your boyfriend’s lap as he runs his slender fingers through your hair. both of you dressed in some comfortable clothes instead of the everyday robes, your wands laying down on the wooden table in front of the sofa.

“i haven’t written back to my mother yet.” you murmur after a moment, eyes set on Regulus’ face, trying to catch every detail of it.

his skin is pale, sheer thin, and if you believed in them you could’ve said he’s a ghost. his lips are always so plump looking, now outstretched in a smile, his gray irises staring right back at you with that loving shimmer to them.

“have Alistair?” he asks, your younger brother’s name leaving his mouth so quiet it’s practically a whisper, and he raises his eyebrows. you shrug, and a moment later you shake your head.

“i’m not sure. i think so.” you reply, internally groaning at the mere thought of your sibling, and you push yourself up on your elbows then fully sit up, reaching out for one of the mugs standing on the coffee table. they’re both filled with hot chocolate, and you take the pink one into your hand, sipping on it slowly. “little bugger is snitching on me, i try to avoid him.”

you watch him chuckle and reach over for his mug, then the two of you lean back against the couch. you can feel yourself sinking into the cushions, and a delighted sigh escapes you, before you catch Regulus’ amused expression and purse your lips together quickly.

“i just can’t wait for all of this to end, so we could move away.” you mumble, setting your cup back down, and he nods. he leans in closer, his hands resting on either sides of your middle, and for a beat he only looks at you. then suddenly his smile widens, and he kisses the top of your nose.

“chocolate on your nose.” he whispers playfully, his lips brushing innocently against your cheek next, then your jawline, your chin, slowly trailing down to set on your neck for a longer while. “just three more months, ma chérie. and we’ll leave it all behind.”

his breath is hot against your skin despite the chilliness of his hands that wrap around your waist, helping you into a laying down position. his caress is gentle, soft, just so so loving.

“a cozy cottage somewhere in a quiet village. maybe wales?” you breathe out, your hands coming up to first rest on his shoulders, but you quickly move them up and tangle them into his dark curls.

“mhm, like we planned.” he nods, making you yelp in surprise as he suddenly sucks on your pulse point, and you swear you can feel him smirk against the column of your throat. “a whole lot of protective spells to keep us safe and hidden from everyone. and then maybe we can focus on what’s good. plant a tree and have a dozen of children.”

“well, i don’t know who’s gonna give you a dozen of children, cause it’s for sure not me.” you scoff, a chuckle escaping your lips as you pull him back from you, and he takes the opportunity to give you a kiss. it quick and sweet, and his hands start to wander under your shirt, ghosting over the outline of your bra teasingly.

you leave the room of requirement in the middle of the night, fingers intertwined, and your guard let down. your clothes are wrinkled up, hair messy and tousled, and there’s already a slight limp to your walk. you’re both sure no one’s going to see you, i mean come on, it’s 2am. but the moment you step a foot outside, and the magic door disappears behind you, you hear a victorious laugh.

your brother is standing right there, just a few strides away from you, grinning from ear to ear. you immediately groan, gaze locking with Regulus’ for a moment before you step forward.

“i swear to Merlin, Alistair, if you tell anyone about this…” you start menacingly, hand clasping on the boy’s shirt collar, but it gives you an opposite result of what you’ve hoped for.

“sod off, Y/N! i’m writing about this to mother right when i get back to my dorm!”

[laurelsofhighever]

A list of potential cures for the Calling, that we know about, that BioWare has apparently forgotten

Andraste's grace: it's not specified whether the flower the kennelmaster has you pick in the Korcari Wilds is Andraste's grace or if the game just needed a one-off asset and decided to reuse one they already had. However, in the dark future in DAI, Leliana is found to have unusual tolerance for the taint, and in DAO she talks about her mother pressing her laundry with dried Andraste's grace flowers, so it makes you wonder. Anyway, the flower stops Barkspawn becoming a ghoul and seems to make them immune to the taint from that point on.

Maric's longsword: he finds it in the Deep Roads and is suprised it isn't covered in the same Blight-rot as everything else - until, that is, he touches the sword to a patch of it and sees it wither away. Whether it's the dragonbone the sword is made of or the runes on the blade is difficult to say, though if it was just the dragonbone then it would make sense for that to be a more well-known property of the material (and would have been an interesting reason for why dragons were hunted to extinction). If Alistair carries it with him, doesit slow the progession of the taint through his body? Does he know its effects, and give it to the HoF to help keep them safer on their journey to find a permanent cure?

That obsidian dagger Duncan finds in The Calling: the dagger belonged to First Enchanter Remille - who also gave the expedition members brooches that accelerated the spread of the taint. iirc the both the dagger and the brooches are made by the Architect with Blight magic, which means the darkspawn magisters have more knowledge of how the Blight works than the Chantry attributes to them.

Whatever the fuck is going on with Avernus: he hasn't managed to cure himself yet, but he's managed to make it to 200 and the Warden can let him continue his experiments if they don't kill him - and he'd be a really useful resource if the Warden later wanted to send him other potential cures for testing.

Dragons: they have an ability to isolate the Blight in their bodies by forming crystaline cysts around the initial infection to stop it spreading. Useful if it can be more widely applied. Also, it's implied that Maric's reaver blood, which Calenhad gained by mixing his blood with a dragon's, is what somehow cured Fiona of the taint, kinda like a reverse STI, BUT in the Deep Roads they went through an area where the walls were coated in a pale, chalky substance suspiciously devoid of Blight-rot and she touched it, so I'm a bit suspicious of that.

Blood magic: makes sense since the taint is a problem that starts with infected blood. There are two major instances in DA canon where blood magic has been used to purge the taint from an object or being (both by elves btw). The first is Isseya using it to draw the taint out of a clutch of unhatched griffon eggs, which she says is only possible because the taint hasn't yet taken over the hatchlings' bodies to the same extent that it had with the adult griffons. The second instance is Merrill purging the Blighted eluvian in DA2. It's insane that Anders - who is a reluctant Warden and who possibly knows the HoF seeks a cure - isn't more excited about this. She literally removed the Blight from a fully tainted object. Since Isseya proved the same can be done with living tissue, it's probably the closest we've come to an actual cure, but since it also took years there's no telling if it could be a practicaly solution for all Wardens

[shoutydwarf]

veilguard spoilers !

literally None of these characters are above b tier for me except davrin and that's carried by him being a grey warden that doesn't need me to therapy speak him into being fixed.

sorry to be a toxic origins bro on main but my favorite characters are always the ones that don't recognize me as the player character pressing the buttons. their development isn't contingent on me making choices for them. they have opinions i don't agree with and which i can't change their mind on, a la vivienne/anders. alistair is one of my top companions because he has LINES in the motherfucking SAND. he will be your brother and/or your lover for the entire game but if you don't put his vengeance above your duty to the wardens, he will leave, if not attempt to seize power and force his ends. same for most all other origins and 2 companions (and inquisition to a lesser degree) - A. the option EXISTS to fundamentally piss them off to the degree they will want to kill you, and B. some of them literally WILL try to kill you. that's how roleplaying games are supposed to work. i am supposed to be a person in this world surrounded by other people in this world and i expect it to feel like that. moreso, i know they CAN make it feel like that, because they DID that in all 3 previous games.

there is no way to fail loyalty missions in VG. characters are so lukewarm that the guild of looting, pirating thieves exercises ethical tomb raiding and does monologue you about it. not a single one has any opinion that beckons you to use your brain cells. these characters do not evoke any emotion from me. i could write whole think pieces on why vivienne has the disposition that she does, why she thinks she's right, why i fundamentally disagree with her but still greatly empathize with her and consider her the best option for divine (out of 2 other companions that are just as complex). i have NOTHING to say about the veilguard companions. there is NOTHING to talk about here.

every single one of their villains are entirely one dimensional and unforgivable. THAT is the true disney aspect of the game. loghain, meredith, samson, calpernia, bhelen, branka, the architect, celene and gaspard, even fucking HOWE all have nuances and complexities to them that, even if you still end up at the conclusion that they're awful, you still have some things to think about. there are reasons leading up to their descents into cruelty and madness beyond just "me wanted power :p for fun :p"

this is also part of why davrin is the only memorable character for me; his villain was someone i knew and, frankly, the only interesting one out of the entire lot but only because she had an entire book's worth of setup. harding's was also great but because of the larger issue with zero catharsis for the titans, i have to kick her down several tiers with the rest of Mid Town.

don't get me started on the hardening system and how it can literally only happen to a single companion as a consequence to a single choice in the entire game. and then that 'hardening' actually has no bearing on their loyalty missions or, in neve's case, their romance.

the game does not make me think at all. it is designed to be consumed but not digested. there is nothing beyond the curtains. there is nothing to discuss. there is no nuance, no spice, no complexity, no grey areas. all that exists to talk about here is "i liked this part" and "i didn't like this part".

it is, like too fucking much of modern media, brain rot soup. and it doesn't even taste good.

[just-some-random-blogger]

Safe Keeping | 7

Part 1 2 3 4 5 6

What say you, lady? Don't you think the Hound would make a fine husband? He would protect you, yes, and you would bear him many babes." I curtsy again but this time, my voice falters when I speak, "I- I think he would," I turn to my left, "Lord Sandor would make a fine husband... a fine father."

Sandor Clegane x Reader | 6k+ | cw: fem!reader, POV shifts!, forced marriage, smut (piv, emotional sex, praise kink, breeding kink), enemies to lovers, slow burn, angst, emotional unavailability, emotional vulnerability, The Hound being abrasive, miscommunication, toxic masculinity, typos, etc.

A/N: YAY WE ACTUALLY FINISHED A SERIES HAHHAH lol. thank you so much to everyone who read safe keeping on here <3 im so luv all of you !! i will be continuing this so HIHHH look forward to it ig 😋 [originally posted on ao3] | [continuation fic on ao3] | [continuation on tumblr]

Tagging: @otteropera @poisonsage808 @glitterandgoldfinds @the-queen-of-sorrows @minttea07 @fluffpudel @j3nn-1 @jelsasnowflakes1 @thestrals-and-firewiskey

We are greeted by a group of men when we arrive at the Alistair dwelling.

Sandor helps me dismount my horse. I thank him, then the stable boy, who takes our rides. Sandor ushers me in and we hand our coats to the servants by the door.

My husband scrutinizes the place, a grave expression on his features as he takes in the halls that were decorated with streamers. As we get deeper into the home, I grab Sandor's arm and carefully word, "remember why we're here."

He turns to me and raises a brow, "and why are we here, darling wife?"

I cannot help the way I react to his words, his term of endearment. I know it is condescending, but my stomach tumbles at the sound of it either way. I look forward, unable to keep his gaze, "we're here to pay out respects to a man that extended generosity to us."

Sandor notices the way my face twitches. He sighs and turns away, "I will not kill the pretty boy. Do not be so upset."

"I'm not upset," I turn to him.

He scoffs under his breath, "what's with the face then?"

"What face?"

"A face fairest in the land, many would say."

Sandor and I stop in our tracks.

My brows raise and I break into a chuckle of disbelief and surprise. The man who had spoken smirks as I greet him, "Lord Baelish."

Sandor feels his blood boil when the Littlefinger bows and reaches out a hand. He tightens his grip on me.

I turn to Sandor, noticing how darkly he was eyeing Petyr, and decide to let out a laugh to ease the tension, "there be no need for such formalities, Petyr."

Petyr straightens up, lowering his hand, maintaining his smirk.

Sandor's lips twitch as he grumbles slowly himself, "Petyr."

"I am glad we're past that, my dear," Petyr says before Sandor tugs me by the arm behind him as he steps forward.

The shorter man looks up and the taller one snorts. I manage to pull my arm away, coming in between them. I nervously laugh and elbow Sandor back, not that it does anything, "if you'll excuse us, we must speak to the man on the hour."

Petyr looks back at me, unfazed and still smirking, "of course. But I do I hope, for your sake, you spare me a moment after. I have something rather important to talk to you about."

"About what?!" Sandor bark. I feel the tension of his form when he presses nearer, flush against my back, to impose upon the lord.

Lord Baelish doesn't spare the Hound a glance, "why, about the monsters plaguing your ancestral home." 

My lips part.

The blue eyed man raises a brow, "you've long wished to be safe from this peril, yes?" he bows, "I believe I have a solution for you."

Before I could even think, Petyr straightens up and smirks as he walks away.

I hear the Hound whisper behind me, "I'll fucking kill him instead."

Before I could respond, a voice calls out to me. I turn and see it is Lord Alistair, making his way over.

He jogs up to me with an excited expression and reaches out a hand. I smile back at him and take it out of instinct. When he is close enough, Cedric kisses my knuckles.

The Hound did not realize this had happened up until he tore his gaze from damned Littlefinger. When he notices Alistair, he nearly breaks his teeth from clenching his jaw so tight.

"I am happy to see you, my lady," Cedric nods with a lopsided smile.

Before the Hound can react, the pretty boy is speaking again.

"And you, my lord," he nods to Sandor.

"I don't share the sentiment," the Hound growls through a strangled breath.

Cedric laughs. He places a hand on his chest as he does, then motions, "forgive me. You must be famished from your travels," he looks to his right then back to us, "please. My servants have prepared my favorite dishes. Help yourself and make merry."

"I'll be merry if I fuc--

"THANK YOU, MY LORD!" I cut off with a massive grin. I curtsy and chuckle, mustering all the sincerity I had, praying it overshadowed my jitters, "may you always be so generous and joyous on your nameday."

Cedric chuckles and waves me off, "please. Spare me the formalities. I pray you go and eat with your husband before he kills someone."

Lord Alistair is the only one that laughs at the joke. A few delayed seconds later, I manage to laugh with him, forcing down my agitation.

Sandor doesn't budge the first time I tug on his arm. He follows after the fourth. He eyes Cedric as we walk away, but the said man is already preoccupied with another guest to notice.

"I don't think this is a good idea," I whimper under my breath as I quite literally run after the buzzing Hound.

Sandor makes his way down the hall in a break neck speed, at least for me. I have to catch my breath when we enter the weapons room. I heave and look around the foreign place, eyeing the axes, the arrows, the swords, and the armor displayed all over.

"Your pretty boy has good taste," Sandor slurs as he grabs a sword mounted on the wall, knocking over a few others as he did.

I cringe at the clank of steel against ground and step back when Sandor begins to wave his blade around. I mumble, "he's not my pretty boy."

Sandor continues to swing the sword. I pull my head back in agitation.

He then picks up the fallen swords but cannot manage to put them back in their place without moving shakily, and dropping a few.

I panic and press my back against the wall, "my love, this is a horrible idea!"

Sandor stops and turns to me, "how is it horrible? Lord Alistair wanted a sword fight with me, and that's what he's gonna get. He chose this nameday gift, not I."

I watch as he finally manages to put away the swords.

"You were there, my jittery bride."

I straighten up and slowly walk towards him with my palms cautiously raised. Sandor is perfectly still when I come close. I release a sigh of relief when I manage to grab his arms, "please listen. I was also there when you downed three ewers of wine, puppy."

He leans down.

I clench my jaw.

I can feel his breath, smell the alcohol in it, as he mutters, "I'm not a lightweight."

I gasp when he comes low enough to kiss my neck.

My skin pricks when he whispers hotly, "and I'm not a puppy."

My heart is racing when he straightens up. He does so in a rather staggering manner, telling of the effects of his alcohol consumption.

"You're drunk."

"Am not," he rebuts.

I scowl at him, "you're a drunk puppy, my dear."

He smiles, "I thought I was your love?"

My stomach churns.

Sandor purses his lips when I do not respond.

I feel my face prick with heat, "would you listen to me if you knew that I loved you?"

He chuckles, turns his back on me, and heads for the door, "well, do ya?"

I feel like vomiting. I whisper under my breath, "I do."

He reaches for the knob and opens the door, "nice try, beautiful," he reaches a hand out, "come. Maybe your pretty boy will manage to ki-"

"WILL YOU STOP CALLING HIM THAT!" I snap and storm over to him. "Lord Alistair is NOT my pretty boy! He's not mine and will never be!" I feel my blood boil and my eyes begin to fog, "and stop calling me names!"

He pulls his chin back. His face hardens. He opens his mouth to speak but beat him to it before he can say a word.

"Stop mocking me! Stop calling me pretty squirrel! Stop calling me beautiful! It's driving me mad!"

"I'm not mocking you," he speaks lowly, "why would I mock-"

"Well, whatever it is, it needs to come to an end," I point at him, "now let's get this over with. I want to go home."

I storm off and head outside.

I make my way to the back of the Alistair dwelling, which had a large field where the sword fighting will be held.

I stand by the crowd of people and sigh through my nostrils. I watch as Lord Alistair does tricks with his sword, enticing the crowd to laugh and cheer for him.

I feel out of place in my spot because I didn't know anyone else, and because was not at all entertained by the spectacle. All I thought of was how badly I wished this to be over. Damn my drunken husband for agreeing to this.

"Trouble in paradise?"

I turn over and find the smile of Lord Baelish. I release another sigh, "please. Not anymore, Petyr."

Petyr chuckles and shrugs, "I've barely said a word, my dear."

His term of endearment triggers my vexation. I cannot help the way I roll my eyes at him.

He laughs harder, "what darling reaction."

I move away from him.

He steps closer, "did you know there are necromancers in Volantis?"

I glare at him just to look away again.

He gives me a smirk, "they are learned of tar monsters who enjoy eating village folk."

I turn back to him.

He nudges me with his elbow and turns front, "I've put in good word for you. All you have to do is take a ship to Essos. A witch there will get rid of your problems for you at a fair price."

"Hmm," I raise a brow, "oh, undoubtedly. It clearly is that simple."

Petyr turns to me, "it certainly is. Once the woodland monsters are gone, you'll be able to hunt and gather timber from the forest again," he nods his head, "and so will I."

Aha. I purse my lips and debate his words for a moment.

"And I trust you will allow me to fish in the Sterling River as well."

I look forward when the crowd cheers. I see before me, Lord Clegane and Lord Alistair, circling each other, the latter laughing in excitement, the former blank faced and stern. I turn back to Petyr, "very well."

He nods once more.

I look straight again.

"Perhaps a trip to Volantis is exactly what the loving couple need."

I roll my eyes at him.

Sandor and Cedric begin to tussle. The sound of steel biting steel fills the air. Cedric is an eager opponent, pressing forward every chance he gets. Sandor is relaxed and playing the defensive.

This continues for a while, metal clashing, boots skidding, voices grunting, and it was a rather showy match, at least on Cedric's end. Sandor is barely trying, I could tell. He must be conserving his energy. I've seen the way he's trained with the boys in Brown Wood. He's definitely trying to tire Cedric out.

"This is going to be a long match," Petyr whispers to me.

I turn to him and sigh, "a very long one."

Sandor catches this and feels his lips twitch. He turns back to Cedric.

I gasp when Cedric manages to disarm Sandor. The crowds gasp as well, and Cedric too seems surprised.

Sandor shakes his head, " 'm too fucking drunk for this."

Cedric straightens from his defensive stance.

Sandor nods, "well met."

Lord Alistair nods back, smiles, and turns about to bask in his victory.

As he bows to his guests, the Hound makes a beeline towards me. I watch as he comes close, my heart slowly speeds.

He grabs my arm, "we're leaving."

"Oh!" Cedric calls and gestures our way "a round of applause for the Hound."

The guests turn and cheer for him.

Sandor pulls me to his side.

"Come now," Petyr smirks, "won't you even try to best Lord Alistair in another round?"

Sandor leans down towards Lord Baelish and growls, "fuck off."

With that, I am dragged away.

"Sandor."

The Hound's horse continues treading in front of me.

"Sandor."

The Hound still does not stop, turn, or respond.

"Sandor!" I say louder.

Still nothing. 

I make the horse I was riding gallop to his side. He had not spoken to me the whole way back, not when we got on our horses, not when we stopped at an inn for the night, not when we started our journey, and not now that we near the gates of Brown Wood.

"Have you chosen never to speak to me again?" I quip, tightening my grip on my reins. When he looks the opposite direction from me, I scoff and roll my eyes, "should it not be I that never speaks to you, Hound? You've been nothing but insufferable the entire time we were at the feast!"

Sandor still does not budge.

I look forward and catch sight of Brown Wood. I give my horrible husband one last glare before growling and galloping away.

Sandor watches this. He does no effort to follow after.

When I get to the gates, I am immediately greeted by many servants. Polly, in particular, excitedly tells me he's taught the puppies tricks, and quickly leads my horse away after I dismount, keen to tell me more about it.

Lucy, though happy to see me, raised a brow at my missing chaperone, "did you lose your Hound, milady?"

I roll my eyes, "do not speak to me of that beast."

Lucy is bewildered.

I sigh and slump forward, regretting the harshness of my words. I shake my head, "have you prepared a bath for me?"

She knits her brows and nods slowly, "....did something happen at the feast?"

"Of course something happened," I muttered, "the gods are truly testing me." I brush Lucy's arm, "I will tell you more of it later. For now, I need a warm bath."

Lucy nods again and watches me walk off.

Before Polly could follow after, Lucy hooks her fingers into his collar, holding him back. The boy makes a choking sound, stops and turns, staring at Lucy.

"Our lady will not be bothered," she says.

"But the puppies!"

"Later," she pulls her hand away, "go finish your chores if you still have some, boy."

Polly makes a face and grumbles, though he does listen.

Just then, Lucy turns and sees the Hound walking towards the gates, leading his stead by the reins. She waits for him to enter, and the moment he does, she runs her mouth.

"Are ye not tired of playing this game?"

The Hound squints but spares Lucy no glance. He heads for the stables and undoes the ties on his horse.

Lucy flares as she follows after him, "can't you just do us all a favor and stop?"

"I'm not in the mood for nagging, wench."

"Then admit it!"

"Fuckin' what?!" he glares at her.

"That you're mad about your wife!" Lucy snaps.

Sandor stills.

"That you would die for her! That you're upset she wanted to go to another lord's nameday celebration!"

He removes his horse's saddle, "that was a formality."

"YOU'RE A FUCKIN' FOOL!"

Sandor whips his head to her.

"And a coward," Lucy raises a finger.

The Hound chucks the undone saddle to the side and steps forward. He looks down at Lucy, but she is unbothered and unafraid. He is shocked when she shoves him. He topples back.

"She's only ever wanted your love, you thickheaded oaf! Don't you see how hard she tries to please ya?!"

"Please me?" Sandor scoffs, taking another step forward.

"YES!" Lucy shouts, "she wants to be your perfect bride but you know nothing but cruelty. You repay 'er with bitterness."

The Hound feels his mouth sour.

"And puppies."

Sandor watches her wipe her face.

"Because you're not as cruel as you make yourself out to be, milord," Lucy says with frustration.

Sandor feels like the wind was knocked out of his lungs.

"I've caught you when you think no one's looking," she speaks softly, "you love her."

Sandor feels his body burn.

"She loves you."

"She d-"

"Fix it before it gets worse. I beg," she sighs.

The Hound is stunned as the maid walks off.

When Polly spots him, the boy unknowingly grates his nerves as he leads the puppies over and shows all the tricks he's taught them. It wasn't much, in all honesty, just a 'stop' and a 'come here', but the three pups did them well.

Sandor couldn't be impressed, he was far too out of it to be anything but queasy.

He tells Polly he's tired and heads to the bedroom. Polly tells him he wants to show Lady Clegane the tricks before they sleep. He doesn't answer the boy. 

Sandor is both disappointed and relieved to find the room empty. His head is heavy as he changes. He feels like he'd sink to the bottom as he goes to bed.

The Hound had been pacing around when I got to the bedroom. He froze when I entered and awkwardly walked back as I headed for the bed.

I didn't speak a word as I went under the covers and laid down. I eyed him as he sat on the edge on the other side, back turned to me. I burn holes into his back with my glare.

It takes a few seconds of him rubbing his lap and him sighing loudly before he breaks his silence.

"I..." he trails off.

I shift in my spot to look at him.

He straightens, "I didn't like the fact that pret-" he cuts himself off and sighs, "that Lord Alistair and Lord Baelish were all over you."

I can't help but scoff, "and you've decided not to speak to me because of some two men's doing?"

"I DIDN'T want to fight," he blurts loudly then softly. 

I watch as he slouches and moves on his side to bring himself under the sheets. He sighs as he covers himself and speaks without looking at me, "I don't like fighting you."

I purse my lips at the thought. His words conflict me. I find it aggravating to hear when it felt like he liked the opposite. A side of me is also unwilling to believe it because it was too hard to believe.

The part of me that was still angry at him for being so petty wants to fight back with equal pettiness. But an even larger part of me felt too exhausted and defeated to argue.

"And yet you always do," I speak plainly as I turn my back on him and fluff my pillow. I take in a deep breath while bringing the sheets over my shoulder. I lay down, facing away from him.

I knew he wouldn't have anything to say to that truth, and yet I take a moment to listen in on him. He doesn't speak nor move at all.

I close my eyes, "go to sleep, husband. It's been a long day."

"Aren't you upset with me? I don't want you to sleep upset with me."

My eyes open. My stomach churns. Did he actually care? My lips part but I can't find myself to speak.

"I didn't speak to you because I know what I'd've done if I did."

I take in a sharp breath and give out a broken whisper, "you've done worse."

Sandor lets out an airy chuckle. It doesn't sound amused at all though.

He doesn't respond anymore. Instead, he shifts in his spot and lays down, as far on his end as he could be. He is on side, staring at the dark corner of the room. He musters all his courage, "forgive me, my lady."

My lips part.

Did he just say that?

"What?" 

I am shocked when I hear him repeat, "forgive me."

I roll on my back and look at him. I feel like I'm going to vomit. I think my body was shaking.

I inhale deeply through my nose, "what would you have done?"

He takes a moment to respond, "what?"

My courage flees me as I find the need to repeat myself. I turn my back on him again and clutch my chest. I can hear my heart pounding, "what-... you said you didn't speak to me because you knew what you would have done..." 

I feel Sandor shift behind me.

I gulp and curl up tighter into myself.

I wait for him to act but he does nothing.

I release a deep breath before speaking, "would you... have hurt me?"

My skin pricks when I hear him sigh, "aye."

I feel sick to my stomach. How could he admit that so easily? 

I think of all the worse things he could have done: smack me, shove me, slay me. I feel body begin to grow hot.

Sandor stares at the ceiling then turns to his side. His chest tightens yet he manages to mutter, "I only want to be gentle with you."

I scoff but it sounds strangled because of how tight my throat was. My eyes begin to well up. My broken voice croaks, "how could you say that?!"

The Hound says nothing.

"What?" I scoff, "you hit me then you tend my wounds?"

He doesn't say a word.

I begin to feel my insides burn.

The longest moment passes.

"How did you want to hurt me?" I snap.

He clenches his jaw then chuckles at himself, "I wanted to make you scream my name as I fucked you against a wall."

My heart leaps into my mouth.

The Hound continues, "I wanted all those fuckers to hear, to know what you were mine, that I was the only one who could do that to you, that I was the only one you'd allow to do that."

My blood runs still.

"The things I'd do to you," he mutters, "you'd be disgusted to know them."

My lips quiver as confusion ripples through me. This was the kind of hurt he wanted to inflict?

"But I want to be gentle," he adds, "I really do."

"Is that why you lied about the pups?" I find myself choking out.

Sandor is taken aback. He also hates how apparent the sound of sadness was.

"I know you were the one that found them and brought them home, not Lucy," I whisper.

"Lucy," he sighs, "she loves you so much, that Lucy. And you love her... You'd take a gift from someone you love."

I shake my head, "that's why you lied? You didn't think I would keep them if they were from you?"

"I didn't want to shroud the pups with my being."

"... I can love more people than just Lucy."

I feel him shift behind me.

My heart thunders in my chest.

"One day... maybe I'll be gentle enough for you to love me."

I feel tears rush down my eyes. I move to turn to him, but then his arm comes around me and holds me back.

"Please," his voice breaks, "I can't stand to see you cry or look at me with pity."

My hand comes atop his arm, "Sandor-"

"Can I kiss you?"

My breath catches in my throat.

His heavy breathing makes my entire body burn.

I slowly nod and manage to squeak out a yes.

Sandor immediately sinks his face into my neck and begins to kiss my skin. His lips were hungry and his beard left scratches all over. He snakes his arm tighter around me and pulls me into his chest. My entire body reacts to him, it burns and pricks and pulses. He kisses my cheek; he kisses my tears away.

My belly tumbles when he rubs it. He props himself up on his other arm, "I'll die a happy man to see you love my babe," he trails kisses up my jaw to my ear, "it's more than I'll ever deserve."

I suck in a deep breath and lean into his touch. I press my body flush against his and this elicits a groan from him. He fists my nightgown into his hand and nips my lobe. He draws in deep breaths and sighs against my ear, "I can be gentle. I can be so gentle."

I take his fist and he immediately releases my clothes. His breathing grows more strangled as he shifts behind me. 

I push his hand down and he shudders when it comes in contact with my thighs. I release his hand and bring my leg atop of his. I pull my skirt up and mumble, "gentle."

"Fucking gods," he kisses my shoulder and pulls my gown up. He rubs my thigh a few times then sinks his hand underneath my smallclothes.

He shushes me as I grow rigid against him and kisses my neck some more.

I whimper when he pulls my undergarments down and moves his fingers into my soft spot. He very much so gently touches me until I begin to melt against him. I arch my back and lean into him.

"Good girl," he mutters, "such a good girl. My beautiful girl."

"More please," I heave.

Sandor presses his body against mine, "don't have to tell me twice."

I whine his name when he sinks a finger into me. My toes curl and my hand grabs onto his bicep.

I make a sound when he pushes deeper, and an even throatier one when he adds another finger.

Sandor brushes my hair away with his other hand then sinks his face into the crook of my neck. He peppers kisses on my skin and my body burns all the more because of it. I turn my face to him and move my mouth close to his.

Flames rage inside my belly when our lips meet.

He goes still for a second when I kiss him. It takes a few moments before his lips move against mine. Though his beard was tickling my skin, the exchange was lovely. It was warm. It was right.

I bring the hand I had on his arm up to his cheek. My fingers find their way to his scalp where I begin to tug his hair gently.

We pull away when I yelp at the feel of his hand going back to work. Sandor does not relent his kisses on my cheeks, nose, and eye lids.

"Does it feel good?" he asks in between pecks.

I whimper as I nod.

Sandor sighs and grazes his teeth against my neck, "so good."

I mewl when he begins to pump his fingers faster into me.

"So sweet and soft and beautiful-- so, so beautiful against me."

"Sandor-"

"I want to feel you," he growls under his breath, "want to be inside you," he nips my lobe again, "want to fill you up, give you the babe you want."

I nod and chase after his lips. I kiss him desperately, "please."

It's not long until his fingers are replaced by his cock. We both tense against each other then slowly relax and reconnect our mouths.

I am surprised when I feel his tongue brush against my lips. I squeak when he begins to buck his hips into me at a slow but purposeful pace.

He presses his fingers into my inner thigh, pulling that leg closer towards him. I bring my hand down to his forearm and grip him for dear life. He pushes his chest into my back and breaks our kiss to allow us both a breath.

Sandor maneuvers himself into a better position. He nearly has me sprawled on top of him. He locks his grip on my hips and snaps into me with all that he's got.

He calls my name. He calls me beautiful. He calls me his wife. He tells me he loves me.

It's all too much that my eyes begin to water and my belly begins to tighten.

Though his movements were wild and sharp, and though the sound we were both making were loud and lewd, there was something sacred about it, something sincere.

I nearly sob when I come undone. I cry out his name as I feel intense pleasure crash all over my body. My mind is too misty to take into account that Sandor had been repeating the same three words as he too fell into bliss.

He doesn't immediately stop moving. He only does so when I'm laid back on my side again.

I nearly jump out of my skin when I feel him shift away from me.

"Don't pull away!" I snap. I grab his arm and wrap it around me, trapping it between my own. I lean back into him, "don't leave me! You keep leaving me."

Sandor, who was just catching his breath, feels like he was winded all over again. He thinks about the discomfort that this position will bring, but he figures sex just leaves people emotional and clingy sometimes.

He kisses my cheek, "we'll stay like this, if that's what you want."

I nod enthusiastically and turn to kiss him.

When I do however, he pulls his face back. It makes me go rigid.

It takes a second for Sandor to realize what he did. He is now overly conscious of the scar on his face and the damned reflex he has for it. He opens his mouth but he doesn't say anything.

I begin to feel my face burn and yet I'm too stunned to move.

The next moment, we speak at the same time then immediately go silent.

I gulp and turn away from him, bursting out as I did, "I beg your pardon. I didn't mean to overstep."

"You did nothing wrong." he shakes his head.

"You asked if you could kiss me," I mumble, "I didn't do the same."

"You can do whatever you want with me-"

"Sandor-"

"-I belong to you. I am your hound. That's all I am."

My eyes glass at his words. I feel him kiss my nape. My skin pricks when he rubs his hand down my belly.

He sighs heavily, "... sorry for being so broken."

I screw my eyes shut.

"... you can kiss me... if you really want to."

I nearly break my neck turning it back so quick. I press my face against his and just remain like this for a moment. I brush my nose against his textured skin and recall the time I did the same during our wedding night. He pulled away then, he pulled away now.

"I'm sorry you can't trust me," I whisper.

Sandor doesn't have the time to react to that.

I leave about a hundred kisses on his scar before my neck begins to tire. I knit my brows and whisper again, "don't let me go."

I face front and feel sleepiness catch up with me.

"Good night, Sandor."

I vaguely hear him whisper I love you behind me.

Sandor woke up with sunshine shining down his face. He was more than well-rested. He honestly doesn't remember the last time he slept this good.

He stretches in bed and groans. It takes him three seconds to realize he was alone.

It's almost enough to make him shoot upright in panic. The only reason he doesn't is because he quickly thinks it was fucking stupid of him to feel anything, any sort of panic or worry-- worse, hurt or sadness for waking up alone.

He did that many times over, left her alone-- too many times to count, surely more times than the good night's of sleep he's had.

So, he lays there with a stone-heavy pit of emptiness in the middle of his rib cage. There was nothing else to do with it crushing his chest. No amount of reasoning, of rational explanations that his wife was the lady of Brown Wood, who was always busy, who was always attending many other people, nothing could lift the stone weighing down on his chest.

He feels like he's slowly choking.

The Hound only gets up when he hears the small barks of the pups coming from outside. Somehow the idea of his wife waking up to attend to the dogs made this ordeal bearable.

He heads to the bathroom first and freshens up.

After, he heads to the living area and tenses when a pair of servant girls greet him good morrow. His lips twitch as he grunts and nods at them. The girls perk up and stare at him for a second as they pass. He vaguely hears them mumbling 'did he just greet us back?' as they each head their way.

"Fuck," he mutters under his breath. He should have said good morrow in return. Fuck. 

It probably doesn't matter. He's been ignoring everyone since they've moved here. Why start now?

Well... he was ignoring everyone except Lucy, who vexingly demanded his attention; Daisy, who used to do the same... and his lady.

Sandor opens the front door and steps outside.

His-

"Lady Clegane," Petyr fucking Baelish nods and reaches a hand to his wife.

Sandor is stunned. This wretched, slimy looking Littlefinger-man was up on his stupidly embellished steed, which, mind you, was too big for the fucker, kissing his wife's knuckles a goodbye.

What the fuck was he doing here so fucking early?

Littlefuckingfinger smiles and straightens up as he releases her. His wife waves goodbye.

As she does so, Littlefinger catches sight of Sandor and his smile pulls into a self-satisfied little smirk. He nods his head once to him and fucking rides off. Even fucking Polly waves him goodbye and it makes him want to chase after him and gouge his eyes out.

"Husband."

The Hound averts his gaze.

Sandor's breath is knocked out of his lungs when he sees his wife gleaming at him.

Fuck, she's walking over.

Everything in him is so overwhelmed by her that he nearly steps back.

She holds something in her hands as she gives him a lopsided smile, "you had a good sleep."

He opens his mouth to speak but a lump in his throat stops him. He gulps.

She laughs. She does so with grace, her pretty teeth all bared to him, "I wished to stay with you until you woke, but I could not leave Brown Wood unattended till late in the afternoon."

For a moment, he is in disbelief and doubts it was actually midday. He looks up and sees, indeed, the sun was at its height.

He looks back to her to apologize for sleeping in, but again, his voice is lost to him. By only taking one step towards him, she renders him powerless. She intensifies it by taking his arm and giving him that look, that look of apprehension that was masked in sweetness. It was maddening.

"Will..." she draws a deep breath, "you let me kiss you?"

What the fuck?

Her brows raise. She pulls her hand away, "y-you don't have to."

"Wait-" gods, did he say that aloud? "-no. You can! You can!" he responds with desperation, "you don't even have to ask."

His wife smiles back at him, but it's not the same. 

Gods, he's ruined it again. 

He is surprised when she still leans over and gives his cheek a quick peck.

He barely has time blush as he's turning his head to watch her as she walks past him. She says something about breaking fast and he mutters something incoherent in response.

Sandor doesn't even realizes that he's been made to sit down on the dining table, until one of the pups take his seat before he can.

Where did they even come from?

"Fuck off then," he says, shooing the small thing. It barks loudly and then he realizes it's the loud one, Lilac. He growls, "off, Lilac!"

Lilac makes a smaller sound of protest but has no other choice but to get off the chair when Sandor tips it over.

He quickly sits down and makes a victorious face to the puppies, who continue to bark at him.

He watches as the pups quiet down as his wife comes back holding a bowl of stew and a spoon. His insides tingle when she leans close to him to set it down before him. She then drags a chair and sits next to him.

He takes the spoon.

She smiles at him and rests her head on her hand, her elbow on the table, "eat up."

Sandor releases a breath and does just that, "thank you."

He realizes just how hungry he was at this moment. He begins to pig out.

"Thank you for holding me throughout the night."

The Hound almost gargles his food in his throat trying to muster up a response.

She laughs and touches his arm again, "it's alright. Just eat."

Sandor doesn't have a moment to say that he would hold her until she gets sick of him.

His wife straightens up and pushes a something towards him, a letter, it seems, "Lord Baelish gave this to me."

He nearly chokes as he swallows.

He doesn't like the way his wife smiles when she continues to speak of him, "he's given me a map and letters to aid my passage to Volantis-"

"Volantis?" he sets his spoon down with more force than necessary, "the fuck is in Volantis?"

She straightens up, "remember we met at Lord Alistair's nameday?"

"Fucking Alistair."

She sighs through her nostrils, "Lord Baelish spoke to me then of someone who knows how to get rid of the monsters in the forest."

"Am I not enough for you?" he turns his body to her, "you need to hire some sellsword on the other side of the world to kill those fucks for you?"

He watches her withdraw before his very eyes. She brings her hands together and places them on her lap. She purses her lips into a soft smile before speaking, "there is no one in the world, this side or the other, that I would trust with handling the monsters in battle. But," she sighs, "Lord Baelish didn't speak to me of a sellsword. He spoke of a witch."

"And you fucking trust him?" he quips impatiently, "you'd trust a witch vouched by Littlefinger?"

She sighs again. She no longer finds it in her to pull a smile, "I do-"

"Well, don't."

"-because he'll get something out of it."

The Hound clenches his jaw and rubs his knuckles with his thumbs.

"In return for his help, I would be allowing Petyr to access to our fish, game, and wood."

The Hound sighs heavily, "Petyr.'

She shakes her head and chuckles. She chuckles until she breaks into a genuine laugh, "but matters not. If my lord does not approve then there is nothing more to do."

Sandor's stomach sinks when she stands up.

"I'll go ahead with my errands now," she nods and offers a lopsided smile.

Just before she walks away, Sandor grabs her hand and weakly mutters, "no, please. Please stay."

She laughs softly; she laughs sweetly. She places her palm on his knuckles then takes his hand in both of hers. She kisses the back of his hand and shakes her head, "I am not leaving, my lord, merely going off to do my errands."

The Hound stops her from letting go. He clutches her hands firmly in his larger one. He parts his lips to beg her to stay.

But then, he sees her change. He sees her slip on a mask of a dutiful wife. She is about to smile, about to tell him that if he insists, she will stay, for him. He knew in his bones that she would.

And so he lets her go and looks away in shame. He can't bear to look at her, so he clears his throat and compromises, "I'd like to eat with you later... if you have the time."

It takes a long moment for her to respond. Sandor, whose eyes were stuck to the floor, find the pups were now sleeping under the table.

"I would like that too, my love."

Sandor chuckles drily at the pet name and grabs his spoon. He rather bitterly says, mostly to himself, "you don't have to call me that."

He waits for her to walk away.

She doesn't.

He turns to her when he vaguely hears her mumble something. He waits for her to repeat herself, but she doesn't.

"What was that, pretty squirrel?"

She shakes her head and curtsies, "I said enjoy your food."

He watches her walk off. He wonders what she actually said, because it sure as hell wasn't that. He swirls his stew around idly.

[felassan]

July 17th DA:TV Game Informer article on returning to Dragon Age 10 years after DA:I - cliff notes:

At one point BW considered making DA:TV a multiplayer game. They did a "hard look" at this

With DA:TV BW want to get back to their roots: storytelling, characters, influencing the world

Gary McKay quote: "And we really felt multiplayer wouldn't do that. But single-player RPG is really where we wanted to spend our time, so after spending that time in pre-production, really honing in on what the vision of this game is, and [being] afforded the opportunity to deliver on the creative promise of this game, [now] we're really excited about what's coming out."

DA:TV's dev team contains both seasoned vets' decades of experiences and new talent with fresh perspectives

Gary McKay quote: "[You] want to have different perspectives, different backgrounds. If you bring a bunch of people together that have only known one thing, that's not where you see creativity. That's not where innovation comes from. Innovation comes when you have [...] that past history and blend it with some new voices and perspectives." 

DA:TV is the game where BW finally said out loud that their greatest strength is storytelling through characters, with intentionality. The game is built around those character moments

In DA:TV BW is doing "storytelling through animation" -

Mark Darrah quote: "If you put on a suit of armor [in previous games wherein each char moves exactly the same way], and you put it on Alistair, you looked exactly the same standing right beside each other. Now, we're able to keep the character coming through in the visuals and the motion, even as you're customizing them, which just wasn't possible in the past."

BW are more confident in and have a better understanding of Frostbite this time

Current game hardware tech is also able to do a lot more and execute it visually to an improved degree

BW worked hard to ensure DA:TV is respectful and referential to previous games while still being understandable by new players

John Epler quote: "So while there are references, there are moments that we have callbacks, it really is its own story, its own continuation with a different cast, with different characters. Historically, Dragon Age has always had a different cast per game, so that gives us a lot of freedom in terms of what we want to lean on in the past and what we want to really bring in that’s new and forward-facing."

Events in DA:TV play out with a storytelling goal for the future of the series. It takes the ball from DA:I, puts its own spin on it in its own direction, and continues the path forward into the future (emphasis mine)

Mark quote: "Dragon Age has always been about change. Every game has had a new protagonist, and it's been exploring its own space all the time, and this game is no different. [Veilguard] does a good job of bridging that gap. The really super fans of Dragon Age have actually made a lot of really educated guesses, and some of them are pretty right about where the franchise is going. The thing we need to make sure is that people who may have only played Inquisition are understanding what the franchise is really about – it's about a new protagonist, it's about change, it's about evolution – and don't come in expecting a direct sequel to a game they played and then are disappointed. This game is something new, something that evolves, something that is greater than what came before, the same as each game [...] before it." [emphasis mine]

Corinne: "For our new players, we're not assuming you know anything about [the DA locations or characters in DA:TV]"

BW took great care in how they introduce each companion and major story figure in the game with that in mind

DA:TV is John Epler's favorite DA game that he's worked on (he has worked on them all)

John Epler quote: "Dragon Age has always been about characters but to some degree, it's almost felt like we've lucked into that," he says. "Inquisition is a story that ultimately, you, the main character [...] have the biggest part to play. We wanted to tell a story this time where you literally cannot save the world without these characters. Beyond that, though, we also wanted to give them their own arcs that can run parallel to the main story and really give them that kind of deep storytelling our fans really enjoy." 

John Epler quote: "They have their friendships, they have their rivalries, and lean into that concept. You're not just pulling together a bunch of people who will do whatever you say. You're assembling a family, and that becomes the core of what the Veilguard is all about. It's about taking this group, this found family, and saving the world, side by side with them." 

[source]

[hyperions-light]

hey I was planning another post today but instead let’s talk about how much I love that there’s not really a ‘good’ ending to the companion plotlines in Veilguard. It reminds me of Leliana and Alistair’s plotlines in DAO in that what you choose says more about the player/protagonist than anything

I just finished Isana Negat a second time, and I did the other ending and I thought it was just as good. Like, yeah, Harding does deserve to be angry! They did fucking get everything taken away from them! It’s so painful and horrific; yes you can, and should, be mad! But also Harding prioritizing her very real love for and compassion towards other people is not wrong. It’s just different! It’s just Rook’s friend/lover asking them for advice, and Rook giving it! You know, like in real life except with huge magical rock giants

And okay I’m never going to kill Illario because I think it would make Luca really sad and he has enough problems, Whoops I misremembered this, I don’t think you can kill Illario actually. I love that for Luca <3 But yk, I’m probably still not going to imprison him. but I can see it! Because the cycle has to end, right? The violence and infighting of the Crows endlessly attacking each other over power is part of what allowed the Antaam to get a foothold in Antiva, because there was like a double agent or something (if I’m remembering right from Tev Nights). Some kind of ending needs to be made to this endless violence. And I suppose it depends on how retributive Rook is, which is a great question to ask of the player (one that is asked repeatedly throughout the game). It’s not like Illario didn’t do anything, you know! He probably deserves punishment. But Rook, as they always can at various points, can be merciful, can choose absolution. Wow no, I’m glad I was wrong I love it more like this.

And oh boy, I LOVED the ending of Emmrich’s quest, don’t even get me started! Like!! I thought it was going to be ‘well obviously we HAVE to save Manfred’, but how Emmrich talks about accepting his death and his sacrifice convinced me! I was like alright man, this is a real choice! I actually did make him a lich last time (made a lot of sense from a Watcher perspective, imo) and not only was the cutscene sick as hell, but the follow-up was so funny and I got some really sad Spite dialogue which fucking wrecked me. It was great— seriously, his plotline is one of my favorites in the whole game.

And Davrin’s! I’ve already expounded at length about how much I like his quest line and how it ties into the Grey Wardens, but I really think both of his options for the griffons are so workable, because you know the Grey Wardens, especially under Antione and Evka, aren’t going to hurt those little guys again! But also the scenes with Eldrin are so endearing, and Davrin’s hope for a brighter future for them is so sweet and genuine. It’s hard to pick! It’s about Rook's perspective!

Neve's I'll admit I don't vibe with as much just because of the like 'trust the authorities' angle, but i haven't tried saving Minrathous yet and I think it would be sooooo involving as a Shadow Dragon especially. Because that's what they're fighting for, right? That better Minrathous where they CAN be sure that if they send the insane cultist lady to prison she’s going to stay there? But there’s always the practical consideration of people’s lives being at stake NOW, of Neve needing her friends safe NOW. And just killing Aelia ensures she will never be an issue again. So I can see both angles for sure

And Taash ;-; oh, Taash. I haven’t posted about them that much yet because they make me very emotional and it’s hard to organize thoughts like that. But I really love their quest, and their struggle to define themselves. And look, I know people wanted the option to tell them they could be both, but like as a person who has lived a similar experience, it really feels sometimes like the world is making you choose. It can feel like you’re not enough of either thing for anyone. And there are parts of your identity that you will have to make a choice on, and I think it’s trying to speak to that. I did the Rivaini one, and it’s like… well, they’re embracing the culture of Rivain, but it’s not like anyone is ever going to look at them and NOT see a Qunari. You can’t get away from that. What you choose to do in response is a real dilemma and I think that if you engage with the text genuinely you can see what Trick was doing. Also, there is a really great dialogue from Rook that I think gives more context to the discussion; they can say that they have been many things, and it’s important to take what works from each experience and make it part of yourself. So I don’t think Taash’s plot is trying to make them throw away any of themselves, just defining priorities. (Sorry, that got long. Feelings, opinions about that one)

And I don’t think Bellara’s is obvious, either, especially with how they involve the Nadas Dirthalen in her personal plot. This is a thing that is really emotionally and culturally significant to her, but at the same time it is part of what hurt her brother and ultimately took him away from her. She’s really preoccupied with not causing harm by her actions; she spends the whole game worried about it! And even though Rook doesn’t see the dangerous elements of the repository, that doesn’t mean they’re not there. The puzzle quest you can find in Arlathan proves that other people besides Cyrian were taken in by Anaris. And also, there’s the plot thread they briefly touched on in the last game which is that the culture the Dalish have built, that they have RIGHT NOW, is not wrong. But it’s also important to remember history, even if it’s unpleasant or could be dangerous, which is another thing you can discuss with Bellara during the game. So there’s no wrong choice! It’s just about Rook and Bellara and what’s important from their perspectives.

Anyway it was super refreshing to have these kinds of choices! It reminds me of the best character choices in DAI and DAO, especially, and I’m so happy they carried those things forward and improved on them.

[casino-lights]

King Alistair vs Warden Alistair discourse always seems to resurface, like all of the other character-centric discourse, with each resurgence of the dragon age fandom. fandom veterans are probably tired of this by now, but since a lot of new people are playing origins and the old arguments about players making Bad Choices in this rpg are getting rehashed, here's my two cents on this topic in particular. 

I was watching my girlfriend play through some of the early levels in origins when I suddenly had a lot of thoughts about Alistair and she encouraged me to share them. throughout his introduction and his subsequent role in Ostagar and the Wilds, we see Alistair being quick-witted and snappy with his humor, but also very focused and dutiful. we see him being (mostly) respectful and polite, but also fairly confident and surprisingly authoritative considering his behavior later in the game. Alistair is comfortable here in Ostagar, and he's comfortable as a Warden not only under Duncan's command, but also over these new recruits. he doesn't shy away from his role as a mentor, the one who's supposed to show everyone the ropes and keep them on task and on schedule. he kindly yet firmly puts Jory back on track when he stumbles, he takes charge when he finds out the Tower of Ishal has been overrun, and he displays thorough knowledge of both the plan and the original expectations of what would be found in the tower. he's also knowledgeable about Blights and some Warden history, and he takes it upon himself to inform Duncan of Morrigan and Flemeth instead of just letting the player talk like he does later on.

speaking of that scene, Duncan is a bit firm but not angry or mean when he says he tells Alistair not to focus on the fact that Morrigan and Flemeth are likely apostates. he tells Alistair in no uncertain terms that this is not his concern and he needs to return his attention to the task at hand. this is not dissimilar from the way the player can later tell Alistair that people are taking advantage of him and he needs to make sure he's standing up for himself, but I'll get into this more a bit later.

what I'm trying to get at is that when we meet Alistair, he's a little closer to his hardened self than to the chronically unserious and incompetent manchild that Morrigan, DA2 and Inquisition, and some parts of this fandom treat him as. post-Ostagar, even Alistair himself seems to see himself as some class clown who can't do anything right, and characters like Wynne enable this by treating him like an ACTUAL child. while Alistair is almost certainly young, he has already proven shortly after meeting him that he's not even remotely stupid and he can obviously take care of himself. Duncan refers to the player, Jory, and Daveth as Alistair's "charges," showing that Duncan clearly trusts Alistair with a lot of responsibility and the safety and guidance of three strangers. he is far from stupid, he's far from childish, and he's obviously a layered character.

this has been said countless times before but a big problem in every fandom is the slow reduction of characters to one or two notable traits, and Alistair is no exception. I have a theory as to why. we know Duncan's death affected him deeply, but I don't think that alone explains his sudden switch from respecting the player while continuing to guide them and share responsibility as the senior Warden to almost blindly letting them lead him around and acting like if he led for five minutes they'd all die horrible deaths because he's just that incompetent. I think that during the time the player was unconscious in Flemeth's house, Alistair experienced an offscreen breakdown where he retreated behind desperate attempts at humor and making himself seem dumber and sillier to appear less competent in the hopes that someone else would be in charge so he didn't have to. if you think back to what age he was when he last experienced such a sudden, tumultuous, confusing loss of stability, routine, community, and a father figure - Eamon sending him to the Chantry as a child - you might even consider this to be a form of partial age regression. when we see him outside Flemeth's hut, he pleads with the player to not abandon him because he doesn't know what they should do or where they should go. he hasn't had this lack of direction ever since he was sent to the Chantry because after that, they dictated his life until Duncan recruited him and then the Wardens dictated his life. he's terrified and tired and grieving, and he begs us to make the decisions and help him figure out what to do. 

Morrigan gives him some shit for being quiet and sad, and he snaps at her, but otherwise we don't see a lot of that confidence and willingness to stand up for himself after this. I don't often play a character who is openly mean to any of their companions, so I don't really take any of the more dismissive dialogue options toward Alistair, but he's obviously hiding behind his humor and trying to make himself seem insignificant. in one line he even jokes that he'd hide behind his shield instead of his humor but the player would see him behind it. I think he really does just wish he could hide and grieve on his own and wait for someone else to give him a purpose again, and I think that if we actually saw the process of this breakdown from his more comfortable, confident, capable self into the Alistair we get post-Ostagar and pre-Goldanna, fewer people might be coddling Alistair and enabling this unhealthy coping mechanism. I wish the dialogue options to harden him were a bit kinder, but as we saw, Duncan was willing to tell it to Alistair straight up, and maybe that's the directness he needed from the player too. maybe Alistair needed to be told in no uncertain terms, by someone he respects and trusts, that most people he interacts with have some kind of ulterior motive and he needs to be more aware of this and stand up for himself and his beliefs. once he understands this, we can see him shift from reluctantly taking on the role of king because you and Eamon think it would be best to taking on the role of king because he understands it would be best.

bioware basically canonized this firmer, more responsible version of Alistair in their comics and even during some parts of Inquisition. we know King Alistair is their canon, but even though he shows some uncertainty about his ability to be King, we don't see any unwillingness. yet bioware also made the unfathomable decision to simultaneously show Alistair being a confident, capable king and then immediately fuck that growth up by having him look like a bumbling idiot who still doodles on royal documents at the fair age of thirty-something and still doesn't know how dictating a letter works after ten years of ruling Ferelden. they somehow invalidated both of his paths in origins at the same time, and perhaps most frustratingly, they just won't let go of the "swooping is bad" style of writing for him. let him grow. let him be as competent and brave and determined as he is in your comics. his progress has been so inconsistent it's painful.

if it wasn't already obvious, I think the best path for Alistair as a character is to harden him and make him king. he just doesn't get to prove himself as a Warden as much as he does when he's king. he's mostly alone, he doesn't seem to have a great rapport with other Wardens outside of his renown as one of the heroes of the Blight, and he just acts tangibly sadder. this could be because of the fake Calling, sure, but if he was still joking around with us during an actual Blight, I don't see why this event would have him this drained of personality and life, especially because he knows that this is not the real Calling. his line when he's left in the Fade - "tell Morrigan... tell her I just stood there looking foolish" - is another testament to the fact that he has not grown at all from his self-deprecating humor and he still hasn't come to see himself as capable and worthy of respect. we don't get to see enough of him as king, but from what little we get he seems to be wielding his power and authority well, and he's an incredibly well-respected and well-loved king. especially with Anora or a Cousland queen at his side, he's brave, commanding, and - just like he was back in Ostagar - he seems COMFORTABLE. he knows what he's doing, he sees his worth and accepts it, and he's more than willing to be firm and tell Fiona in no uncertain terms that Ferelden will not tolerate the events in Redcliffe. he's taking command and he's leading and protecting his charges, even though they're a lot more than just three Warden recruits this time. 

on a personal note, as someone who has dealt with mental health challenges, tough love from someone I respect and trust actually really helped me and I wouldn't be where I am without the occasional "you need to snap out of it." I'm not saying it's best for all scenarios, but I have experienced this firsthand. Alistair hiding from his responsibilities because they're overwhelming and he's terrified does resonate with me, but so does him actually healing a bit more and becoming more confident when someone shows him that they know he's better than this and he just needs to act like it. 

lastly, I think it's important to clarify that I don't believe anyone is playing any rpg the Wrong Way, regardless of what bioware made canon in their comics and other external media. I also think it's stupid to try and say ANY choice or route is inherently right or wrong, and every player is entitled to their opinion and preference. choices made in role playing games are usually done for the sake of playing a role, immersing oneself, and/or exploring the game's full library of content. as I said, I personally find hardened King Alistair with Queen Cousland to be the most satisfying version of his character arc, but I don't mean any of this to shame anyone if they choose or believe otherwise. no hate is intended, so don't purposefully misunderstand or misinterpret my words. no offense is intended if you just prefer one of Alistair's storylines or character arcs over the other. full offense is intended if you're the kind of person who bullies, shades, or otherwise belittles people who don't agree with your super special headcanons because you need to be the most correct player in the fandom.

thanks to everyone who isn't one of those people for reading all this <3

[xbomboi]

how Ever After High characters treat ice in drinks

raven: asks for no ice when she remembers to, otherwise chews on the ice cubes

apple: barely even takes a sip of her drink at all

briar: asks for no ice

maddie: asks for no drink in her ice

ashlynn: doesn’t gaf

cerise: chews on the ice cubes

faybelle: duplicates the ice cubes with magic

darling: does the same shit apple does

dexter: asks for no ice; they give it to him anyway

daring: looks at his reflection in the glass

cedar: are you stupid? she’s a puppet.

duchess: doesn’t order a drink but regrets it later

sparrow: chews on the ice cubes

blondie: it has to be just right.

cupid: drinks the ice cubes after they melt

hunter: asks for Extra ice

lizzie: off with the ice!

kitty: nobody knows. she doesn’t eat out.

alistair: plays with the ice cubes with his straw

bunny: idfk but instead of a fruit her weird ass puts a carrot on the rim of the glass

chase: drinks exclusively from water bottles

courtly jester: probably drinks dangerous chemicals.

humphrey: asks for no ice but orders Two drinks

hopper: asks for no ice because he sits in his drink. weirdo…

holly: too busy being a chatterbox to order

poppy: orders for her and holly; they both get ice

ginger: is probably making the drinks tbh

melody: doesn’t gaf

meeshell: terrified of ice in her drink

justine: drinks the ice cubes after they melt

ramona: eats the ice cubes First.

jillian: doesn’t gaf

nina: gets ice and shrinks down to stand on it while sipping from the straw

farrah: has whatever ashlynn gets

crystal: take a guess. no take an actual fucking guess as to what Crystal “Winter” does.

[anam-mana]

Genuinely, the reason they actually didn’t bring back Zevran is not because of any of this kinda acephobic conspiracy theory stuff where they paint Corrine Busch as not knowing who Zevran is. (The edited video claiming that’s the case makes sense with the context that Corrine is an out asexual and does not want to romance Zevran BECAUSE she knows who he is, and also picked friend instead of kill. Like come off it. Asexuals are aloud to decide if their sexuality is compatible with a fictional character’s portrayal or not, geez.)

The real reason Zevran was not included is because, as much as I love the Crow cast member, Zevran would completely break the illusion surrounding the crows as the brave freedom fighters and “patriots” they portray themselves as in Veilguard.

Not only did was Zevran an Antivan citizen, he was also bought into slavery, from a sexually indentured Dalish woman with no other options after her antivan city elf husband passed. He was horrifically physically abused and raised in the cramped apartments over leather factories and made to fight for bread with other children. He was forced to turn his sexuality into a tool to such a degree that when he realizes he’s in a loving relationship he actually abstains from sex for a while out of a trauma response that makes him automatically assume he is being used as an object. He was literally tortured as a teenager to teach him how to withstand torture and not reveal crow secrets.

His experience with the Crows was so traumatic that when he finally escapes, we find out he’s made it his life’s goal as of Inquistion to dismantle crow power in Antiva and hound the talons who’s system of power made his early life a literal hell.

Not only that, he personally was a soldier in the war of the crows, where crow houses were bought out by the highest bidder to fight eachother to the death over squabbles in the nobility, and only narrowly survived cause he was knocked out in a ditch.

If he was present for even half the conversations going on between Lucanis and the other crow cast members he’d be laughing in their faces.

And if they had Zevran show up and do any less than that, it would amount to character assassination at that point. Character assassination as bad as if Alistair showed up and declared he was leaving the wardens to reinstate the Templar order, considering the two are set up as mirror images of what happens to the abused child soldiers in Thedas regardless of how “righteous” their masters pretend to be.

So given that BioWares options were, actually challenge that sanitization of the Crows that we’ve put in place throughout this game, or assassinate Zevran’s character until he’s mangled and unrecognizable to the degree that we’re forgetting the POINT of his writing, I’d say the best option for them was to leave him out.

[vigilskeep]

do you have any opinions/speculations about the potential for a succession crisis in ferelden? ik depending on worldstate there may have already been a mac tir and/or cousland holding the throne without incident for the past 10+ years w the last living theirin dead/frolicking through a field of flowers, but breaking hundreds of years of precedent like that does seem like it could kick up some instability, even if it was offscreen? and obviously even if alistair is king his womb is barren, so like, what gives.

oh i mean we’re definitely extremely fucked and there are no good options!

the theirin line is done for, for a start. even if the sole remaining one does become king, he’s a bastard with bad chances of having a child at all. his two known possible queens are a fellow warden���making the chances of conceiving even worse! near impossible, in his own words—and anora mac tir, who never managed it with her non-warden husband, and regardless of whether or not she is actually infertile as is rumoured, seems to be actively avoiding even trying, based on loghain dialogue if she marries cousland and her unwillingness to marry at all if she becomes sole queen

since anora and alistair are both unlikely to have children either alone or together, and a cousland spouse only lessens the chances for both of them, and those are... all our options... yes we will see a succession crisis in ferelden. it’s not a maybe. if anora and/or alistair clearly declare a chosen heir before their deaths we might be able to avoid it being an open conflict but whoever they choose will definitely suffer for lack of legitimacy

assuming no royal children, the only obvious contenders for the throne are teagan guerrin and fergus cousland, and any heirs thereof. both are alive in any worldstate

the guerrins are closely related to the royal family—cailan’s mother was the elder sister of eamon and teagan—and widely respected. alistair actually suggests passing the throne to eamon in dao, and he usually has a pretty good read for what’s reasonable. i don’t think this is a bad idea. on the other hand, teagan spent his youth in the free marches, and is headstrong and not particularly politically gifted. there’s also the question of his own marriage and heirs; since the epilogue slides aren’t canon, there’s no need to accept the one where he inexplicably marries what very much seemed in game to be an underage girl, but he definitely can lose his heart to a warden of any origin in like two conversations, and all in all you’d want him settled with an acceptable queen before we could take this seriously. otherwise we’ll just have another crisis about that. i mean, one hopes he’s married and a father already by dai for this to be anything. his free marcher connections might be a boon here bc i’d like ferelden to marry into them more

the couslands are second only to the royal family, and it was suggested by some even back during ferelden’s rebellion against orlais that bryce cousland should take the throne instead of the theirins. his son would certainly be an acceptable contender. fergus may not have any living children, but he has at least proved he’s capable of having children, which is somehow as good as it gets around here. he is trained as a capable leader and ruler, is very fereldan, and maintains good diplomatic relations with factions like the inquisition. the downside to this is that it alters the political makeup of ferelden quite a bit, in that the couslands have kind of survived as the only remaining family of such power by not trying for the throne. their rule would be even more absolute than the theirins because there would be no teyrns left at all to contend with it. someone like anora in particular would be very aware of this and also simply of how dangerous it is to promise ferelden’s future to him before her death. suddenly everyone would look to the couslands as the future and not to her

there aren’t many other options that we know of at this time. there’s alistair’s kieran, but i don’t take that seriously, morrigan would never allow it and a bastard’s apostate bastard raised half in the orlesian royal court is several steps too far. if connor guerrin lives and leliana is divine, assuming the ending of the circle of magi means that mages can hold titles now, he could be a possibility

it isn’t completely impossible for anora or alistair to have children, of course. if sole king alistair actually got around to marrying at some point, that’s probably the best chance for it out of the landsmeet options?