#Akira first appearance

[arcadebroke]

[ozzingtonavenue]

Third sem girls + a haircut

[unma]

Saw the Epilogue for Liar Satsuki just now and yeah no, I was coping when I thought it'd make things better. I still can't believe Akira and Satsuki didn't end up together. After EVERYTHING these two have been through together. Komachi is not even slightly as relevant for most of the manga, and you can say what you want about both their abilities tying them together thematically and what not, but frankly the entire manga set it up such that Akira x Satsuki was the obvious choice.

[ocean-stuck]

dang, couldnt fit sophie or wolf

[nerds-yearbook]

Iconic manga and anime "Akira" began life as a serialized manga story in the seinen "Young Magazine" in December 20, 1982. ("Akira", Young Magazine, Comic, event)

[aria0fgold]

I'm watching p5r again cuz I wanna see Madarame punished (+ his boss fight) and did Yusuke just admit he's gay?

[swampjawn]

God I love animation. I love it for the way it can bring anything to life beyond the constraints of boring ol' reality, but also the ways that it's inextricably linked to, and draws on the conventions of live-action film-making.

So fuck it, let's look at how Hayao Miyazaki straight up copies some camera framing techniques from his predecessor and the other most influential Japanese filmmaker of all time, Akira Kurosawa! (Kurosawa really was the master of framing scenes around his characters, so he's a great source of inspiration)

(btw, this is a screenshot from this TV special where the two met for the first time just after the release of Kurosawa's final film. It's pretty interesting, and also very cute how nervous Miyazaki seems to be to meet one of his idols.)

Specifically, how the two each choose to break the 180 degree rule (well, not technically 'break' in the case of Kurosawa) to show their protagonists' changing destiny in "Throne of Blood" and "Princess Mononoke".

For anyone who doesn't know, the 180 degree rule is a basic film-making rule of thumb which states that in any scene where two characters interact, you should draw an imaginary line between them and the camera should always stay on one side of that line.

("In the Mood for Love" - Wong Kar-wai)

This way, one character is always looking to the right of the camera, the other is always looking to the left, and the audience doesn't get confused by the geography of the scene. Crossing this line can be disorienting, but when done intentionally, it can convey a paradigm shift of some kind in the scene.

In this scene from "Throne of Blood," (a feudal Japanese retelling of Macbeth) Washizu's wife Asaji discusses tactics with him and tries to convince him to aspire to the throne and to assassinate his lord Tsuzuki while he sleeps.

As two servants appear to notify them that Washizu's sleeping quarters are prepared, the camera dollies left and around the characters' backs. This camera movement is motivated by the motion of the servants' torches outside the room, but it also signifies a change in Washizu's outlook.

Washizu is completely silent for most of this scene, contemplating his wife's advice. But as the camera slides behind his back and across the line of action, the scene is now re-framed, illustrating his change in perspective.

He's been convinced and the trajectory of his life is about to change - and now, facing away from the camera, is the time for action.

Because the camera slides smoothly across the line, Kurosawa isn't technically breaking the 180 degree rule. Miyazaki on the other hand, takes it a little further.

The complimentary scene in Princess Mononoke comes near the start when the wise woman of the village reads Prince Ashitaka's fortune after he's cursed by the wild boar spirit. She tells him that it is his fate to leave the village and travel to the west, where he may be able to lift the curse on his arm. The trajectory of Ashitaka's life changes in this moment too. As he accepts his fate, the change is symbolized by him cutting off his hair, but also by the camera jumping the line.

Throughout this dialogue scene and even as he cuts his hair, the simulated camera sits just slightly to the side of Ashitaka's left shoulder.

But once it's done, for the final shot, the scene is reframed and we jump to the other side, where Ashitaka is now looking to the right of the camera instead of the left.

Making the camera dolly across a scene like Kurosawa's version in 2D animation is no simple task, so this transition with a simple cut is in a way subtler, in another way a bit more jarring, but it conveys the same meaning.

This is the moment when our protagonists make the choice to embark on a new destiny and re-frame their lives.

This has been an excerpt from a short video essay I made a while back, which not many people watched. I think this is at least in part due to my failure to package it well, and it seems you tumblheads like this animation/cinematography analysis stuff, so this is an experiment to see if, with the help of y'all, and a new title and thumbnail, it's at all possible to give this video a second wind in the eyes of the Youtube Gods!

So if you found this interesting, I'd appreciate if you checked it out! Thanks for reading!

[kroosluvr]

present day

if every day will be like this from now on, i'll look forward to every single one.

ok. Sits down. help meeee i tried using csp's comic tools for once (and also gradient maps + coloring w monochrome) to save time bUT I ENDED UP SPENDING THE USUAL AMT ANYWAY SO. . erm. WELL IT WAS FUN ANYWAYS

hiiiiiiiii i wrote this script 4 months ago nd finally did it (had this on the backburner for 20 million yrs bc i wanted to get out other angst bullshit first)

the parallels of goro's back (x3) on the first 2 pgs are kinda not 1:1 as i'd like but REGARDLESS i still like them. goro, who had utmost control over his life, running it like a machine, regardless of how he feels or if he's tired or if he wants to give up.......he was in control. knowing, of course, that his life is on the line at every waking moment, but since he was always on edge, always alert, he was still in control.

but now, surviving the long winter and coming out to the other side, he's lost that control AND that edge. now what is he left with? what is there left?

very speficially in the 2nd page.... i think its so <3 YAY <3 that goro, now, doesn't feel the need to take such spic-and-span clean-cut care of his appearance.., guy who rolls out of bed and throws on a shirt to go hangout w akira and sumire. he decides to tie up his hair and forgoes his gloves... feels more "comfortable" to change his apperance, to let down his guard a little. <- was the rough symbolism JKDSHKFS

sumire getting the choco croissant but letting goro have the first bite YEAHHHH WHATEVER

4th page symbolism is also rough i didnt think abt it too hard LMAO. 3rdsem goro watching his detective prince self leave. he knows acutely well that chapter of his life is over - whether he survives the long winter or dies in it. all that he knew - even though it was miserable and awful and frustrating and dangerous - is gone.

and now there's just this: the present day. whatever that means.

i think something important to me abt royal trio is just the idea of Learning To Just Exist: no need for a "purpose" or a "calling" or some overarching "goal". they just learn to exist.

and of course none of them really have a benchmark for "wow i like this i want to live like this" so they just roll with the punches, as they always have, but yknow. finally getting to live their honest student life as they always deserved

edit: and most importantly for goro, i think, is learning to cut himself some slack. "despite everything" he says, despite all the shit he's endured AND all the shit he's done, he feels like this is "right." whatever that means, he's ready to take it day by day to figure it out. AND THATS THE WHOLE THING Punches wall really hard

edit: I ALSO FORGOT. i think the sentiment of "being waited for" for goro means a lot. since he had to do everything by himself, fight for himself, decide everything for himself frm such a young age, the idea of akira and sumire waiting for him, inviting him out simply for him to be there -> is really meaningful to him, more than they could know.

edit AGAIN: also goro sleeping in means a lot to me. i imagine that guy has pretty terrible insomnia. ALSO HE HAS A BEDFRAME! i like the thought of his apartment being so /r/malelivingspaces throughout the game. he doesn’t deserve a bedframe. BUT HE HAS ONE NOW!

goros expressions in the last page gve me a hard time. sparkly....

also im SO freaking sorry if his voice isnt too well-written... i had a crisis over the wording while draiwng htis so much DSKHASKDASJK AND THE PANELING AND WHATEVERRR IDEK WHAT IM DOINGGG but it was fun!!!! exploratory..... regardless i will keep workign to do him and royaltrio justice. THUMBSUP EMOJI.

[sigmasemen]

WHEN YOU GO ON A DATE WITH THEM. (1/2)

multiple blue lock characters x reader

tags: romance, cute relationships, established relationships, fluff.

taglist: n/a currently

characters: alexis ness, akira endoji, ryusei shidou, nijiro nanase, ranze kurona, michael kaiser, bachira meguru, rin itoshi, chigiri hyoma.

word count: 2668

extra notes: i originally had sae in this but he didn’t make it into the 9 character count i usually do.

ALEXIS NESS:

- Ness is very strategic about dates and things of the sort. He always thinks about the best ways to make you feel special, how to plan things out for you to enjoy yourself, he's particular.

- Though he tends to stick to romantic dinners in a nice restaurant, private to just you and him, sometimes you suggest something a bit more daring. Like, "Let's go to a yoga class!" or "Let's head over to the local water park!"

- But, arguably, his favorite non-romantic-dinner-date is definitely when you two went out shopping. Not to a mall or anything, just a town square, traditionally built with intricate patterns in the rocks.

- Ness, at first, was just window shopping and letting you pick everything. Whenever you looked at something for a prolonged second, he grabs it, buys it, and gives it to you. Especially if it's matching.

- He's a bit touchy on dates. Mostly wrapping his hands around your waist, occasionally glaring at people who stare at you for too long then pressing a firm kiss onto your lips, face, wherever he can reach.

- Ness enjoys taking you to fancy wine and dine restaurants, though gets confused if you order something more normal. He always gets you extra food just in case. (On most dates though, he's cooking for you.)

- At the end of the date, he walks you home and has his usual V-shaped smile plastered on his face while he waits for you to tell him bye. He then leans down, presses a kiss on your hand, then trails kisses up to your cheek and smiles.

- "I will see you soon, my love." He then walks off, leaving you dazed (with, of course, a soft smile on your face.)

AKIRA ENDOJI:

- Akira blushes bright red whenever you do literally anything slightly cute on the date. If you give a small giggle, he'll grip the table with a huge grin and bright blush on his face.

- He holds open every door for you, pulls out your chair, adjusts your outfit when people are looking. He'll do anything for you and your praise.

- He loves his first date with you. He remembers you went to a garden, and as he was chasing you around in there, he somehow stumbled into the fountain. He looked sad that he had ruined his appearance, so you jumped in right with him.

- He adores going on as many dates as he possibly can with you. You're practically going on one every other day.

- Akira, whenever you're going up an elevator or doing something before a ride, will bounce on his heels and smile as he's excited.

- Each date is extremely eventful though. You cannot say you've ever had a bland one. Whether the idea is skydiving or Akira just accidentally does something dumb, it's a 50/50 chance.

- One time, you went to a zoo and stepped on a bug. You didn't really care, however your (lovely) boyfriend's arms and legs were wrapped tightly around you as he stared at the guts of it. Then proceeded to act cool until he saw another one.

- He enjoys when you touch the tuff of orange hair in front of others because he practically chirps like a bird.

- Always buys souvenirs after every. Single. Date.

- He also loves going on coffee or hot chocolate dates in the winter because you always shiver and he gets to give you his coat. He's very proud of himself after that.

- At the end of each eventful date, you lean on his shoulder while listening to music with him. He fools with your hand until you both fall asleep.

RYUSEI SHIDOU:

- Oh expect the most eventful dates to the point your legs are trembling after from running around with him.

- He adores to pamper you and give you all his attention on dates. And grab your ass. Also a very important part.

- Most dates include going to parks and beating kids on the jungle gym, going to a carnival and competing to see who's better (if he wins, he gives you the stuffed animal regardless), going to rave concerts, or staying home and fucking. Whatever he wants that day.

- He actually took you to see A Clockwork Orange. You didn't understand what he saw in it, especially considering the foulness of it... However, he explained how he fucking loved the gore. Weird, but you had learned to accept it after seeing that kick to the face Rin got...

- Shidou adores randomly slapping your ass on dates and making you yell. He finds it hilarious and will press kisses all over your face as a thank you for letting him.

- He sometimes invites you on sudden notice to feed strays with him, which then spirals into a long and loving date.

- You teach him how to slow dance. He does it to impress you, but beyond that he'd suck.

- Always asking you to wear revealing outfits but accepts it when you don't. He enjoys how you gawk at his muscles when he flexes though.

- He also finds it fun to take you to cat cafes and to place all the cats on you, then take a picture and run.

- He buys you a lot of small trinkets, especially clips and plushies. He even gets a custom plush of him to put on your phone. (He has one of you on his too.)

- All dates end back at his place after a few rounds, having you curled up against his chest. For once, even though he feels empty as usual, he enjoys the sight of you on his chest. His breath and your face made you both drift to sleep.

NANASE NIJIRO:

- Nanase is over the moon when you ask him out on a date. He's a bit scared to ask you out on dates but he appreciates when you ask him. The only time he ever asked you to take him out on a date was when he asked you to prom. (His mother was dolling him all up while he looked a bit embarrassed.)

- Most dates have you two holding hands or interlocked arms.

- Also getting dirty.

- Nanase sometimes takes you on remote dates to picnics so you can remain distant from everyone as it's nice to have just your company around.

- He loves dates where you two get to go on adventures together to try new things. Like rock climbing! (You found out he had a fear of heights with that.)

- A few times on your dates, he'd say a metaphor wrong to a snow cone vendor and you'd just giggle and kiss his cheek.

- He's very much a gentleman and will hold open doors for you constantly.

- Tried to slow dance with you when it was getting dark and it was raining, except he slipped and you both fell. It took a while for you to stop laughing.

- Usually you buy large drinks early on in the date to quench your thirst for the entire date.

- Whenever the date ends, you walk him home and shake hands with whatever parent is there at the time. You then wave and walk home. (He's texting you the entire way home to make sure you get home safely.)

RANZE KURONA:

- He practically rushes to ask you out as he doesn't want any other guy to come sweep you up and take you away. 

- Dates usually are random, he'll go anywhere you want to go. The aquarium is the main spot. Not because he picked it, but because you did. You'll stare at the sharks for a few prolonged moments, then look at you and trail your fingers along his teeth.

- You always wear lipstick to your dates so you can press a kiss onto his cheek.

- He usually dresses pretty casual for dates. Shorts and a tank top. You always go all out and it's cute to see your contrasting styles.

- Sometimes you'll bring a Nintendo switch and show games to him that he enjoys.

- Most dates are actually at either of your houses as you two like having alone time together. Sitting in bed together, sharing his jacket as you lean against his shoulder and keenly watch the movie you had put on.

- He enjoys playing music in the background when you two do work out dates. By the end, Kurona is still going while you're face first on the ground.

- Kurona hates going to restaurants and instead picks up fast food for you two. He's always trying new things at places. Though he especially likes snowcones from a certain corner store.

- Dates ends with silent walks late at night, content with each other's company and nothing more. Though, not much more is needed for you to be satisfied.

MICHAEL KAISER:

- Oh how he loves to spoil you rotten and pamper you. He sometimes runs his hands down your back and tells you how good you look. Asks you to wear outfits he specifically buys for you.

- He constantly takes you slow dancing and tells you that he has to show you off to the town. You're used to a lot of attention but it's even worse when Kaiser is flaunting you. Kisses you for the paparazzi.

- He pampers you a lot. Mostly dates on the town where he can show you off. Or he takes you in a helicopter and flies you around, taking you across buildings sight seeing.

- He loves how the cities reflect in your eyes and will randomly kiss you because of it.

- Always takes you to big, nice musicals and plays after renting out the entire theatre. He enjoys comparing you and his relationship to one of the relationships in the show.

- He adores feeding you German cuisine, says he made it but he most definitely did not.

- Most dates are very formal, however he doesn't mind any sort of date with you. He adores the look you get in your face after you've been pampered silly. 

- You have at least 50 different pieces of jewelry encrusted with a blue diamond or sapphire that he bought for you.

- Kaiser sometimes randomly reaches around your waist and presses firm kisses onto your neck, mumbling how beautiful your body looks in the outfit you have on. He just chuckles when you get embarrassed.

- All dates end with him dropping you off at home in some extra way, then telling your parents how great you were. He always has to make a grand gesture towards them as well.

[chaos0pikachu]

4 Minutes and the Cinematography of Nipples

I said before that I thought 4 Minutes was pretty instantaneously the best looking BL on the market for 2024 after one episode. Which, not gonna lie, is a pretty big fucking claim. There’s been a lot of BL that’s come out that’s looked good, and I do think there’s been a steady improvement overall in the market in the last few years. Personally I think Japanese and Korean BL have a stronger production quality over a majority of Thai BL but like, if that’s a hot take I guess I prefer my food spicy. 

The point being~ if I’m gonna make such a hyperbolic statement, well I better back it up right? 

So I’m gonna break down a few scenes from the first episode, what I liked about them, why they worked for me, and why on a technical level I think 4 Minutes has just got it going on.

For better readability you can also check out this essay here.

Sidenote: my google docs kept trying to autocorrect “Bible” to “the Bible” and idk how to teach google I mean the hot Thai actor and not the book of Jesus. 

To start, I’m going to break down this scene featuring Great and his nepo baby cat: 

I thought starting with this scene would be good because it’s such a low-key scene and honestly making these simplistic scenes visually interesting is very difficult! But if you have the basics down, the foundations of cinematography and film making, these simpler scenes can be really memorable. 

Like yeah we’re all gonna remember this scene because shirtless Bible and oh my god Akira!? - I have only recently learned who Akira is; why is this cat getting a bigger bag than me? - but beyond that, what makes it cool to watch? What makes it interesting? What information does it showcase to the audience? 

One thing I added to the video was a grid for the rule of thirds. 

Rule of thirds is a shot composition technique applied to both film and photography. It’s the grid you see if you film a homevideo and helps a Director and Cinematographer figure out where to place the subject or subjects of the shot. The idea is the gridlines show you where you “should” place the subject(s) of said shot. 

Like everything, the rule of thirds is a guideline in filmmaking, not a hard and fast unbreakable rule. Filmmakers like Wes Anderson like to play more with central composition shots, rather than ROT. 

Anyway on to the opening shot, right after our credits and we’re moving into the shot. 

To start, the first thing I notice is the scene’s color grading. Color grading in film is the manipulation of raw film footage to create specific color tones throughout a project. Sometimes this grading is more pointed and obvious, think The Matrix, while in other films it’s not as obvious but still very prominent, think Killers of the Flower Moon. 

It’s not that the before credits scene looks entirely, jarringly different from the opening scene, but the hospital scene is surrounded by whites and blue tones, it’s darker, and only a single source of light exists. It gives the entire scene a much more frantic, uneasy aesthetic but it’s not so far off from the darker muted tones of the next scene that it feels jarring or out of place. 

The second big thing I noticed in the episode is the use of aspect ratio. I’m not 100% sure what aspect ratio the production used exactly, but the use of widescreen as opposed to full screen in my opinion, gives the episode a more cinematic feel to it in comparison to other Thai BLs. 

Example, if you look at Century of Love (2024) it appears to be filmed in the standard full screen - which I believe is 16:9? - while 4 Minutes is widescreen (thus the black bars at the top and bottom). Widescreen can give a show a more “movie like” quality to it which is part of the vibes I get from 4 Minutes. 

(source)

Onto Great’s actual introduction scene.

We’re not starting the shot with static movement, but with a camera panning right. I’ve talked about camera panning and such in BL before and it’s something I’ve found doesn’t happen as often as it should. Which is a shame! It’s such a simple technique but it adds so much. 

Imagine if we entered the frame with a static center shot, and then a cut to Great sleeping and turning off his alarm clock, and then another cut to above the bed. Think about how much more boring that could be visually. 

Instead, we enter the scene with movement, panning over and creating some interesting visual framing. 

So here’s our opening shot, do you notice anything interesting? To start, what I like about this shot other than the panning movement in, is that we don’t see Great’s face yet. In fact we don’t see his face in full until about 30 seconds into the scene. This builds anticipation, yeah we all know what Bible looks like, but for the audience who doesn’t this helps build anticipation. 

Who is this character? What does he look like? What’s his deal? 

It also engages the audience more, if you notice part of the composition of the shot has Great in the mid-ground slightly blurred out, while the foreground emphasizes the things on his desk. He’s distant from us, the audience, sleeping off his hangover not yet ready to “join” the world yet. 

Here’s another two more things I like about this shot:

Lines. 

Using lines and shapes can make a scene more visually interesting and invoke different feelings to the viewer. In this shot, I get a sense of symmetry, the camera panning right, lightly drags across the screen alongside the lines below and above Great, almost creating a frame within a frame effect. As if Great is boxed into a clock in and of itself. 

You can also see the use of balance in the scene as well, connecting back to that visual theme of symmetry as well as blocking our view of Great’s face. The lava lamb and champagne bottle are almost the same height, which helps create balance in the shot. The champagne bottle informs us Great has been drinking or does drink since it’s positioned so close to his bed, whilst also continuing to hide his face away from the viewer. 

I also like that the lava lamp is a bright spot of color. The tone of the scene is mostly muted greens, and gray, but the bright orange lava lamp and even the pink champagne bottle draw our attention but don’t overwhelm us either. It provides the scene with some warmth but doesn’t offset the overall tone of the color grading. 

And then, the last bit of this shot:

We have Great knocking over the champagne bottom, and turning off his alarm clock. Notice that the alarm clock and the champagne bottle hit those ROT dots almost exactly. There’s also the use of lines by the length of Great’s arm - I just forgot to add a line I’m a failure, a fake, fml - we see him knock over the bottle, and then we follow the line of his arm directly to the alarm clock which is also a shape, a circle. 

I like that they used a clock with a specific notable shape, since by the end of this scene the clock is relevant to the story as a whole. Using a shape makes the clock more visually noticeable and memorable to the audience. 

So in the next cut we’re above Great - just like Great’s gonna be above Tyme, fuckin hell I’m corny - in a medium-full shot and there’s a couple things I really like here. 

I really like the use of lines here with the bed going in one direction but Great’s body going another. It’s disconcerting, and off kilter a bit. 

The use of patterns plus the opposing symmetry, whereas in the previous shot the lava lamp and champagne bottle were providing balance, here one side of the bed is patterned, while the other isn’t. This creates a sense of imbalance and makes the shot more visually interesting.

This medium-full shot at a high angle makes Great smaller, and continues to showcase his dishevelment, keeping him distant from the world itself. Also notice the lack of color here as well. 

What could this say about Great as a character? Or his story? 

So this next cut is the one that actually inspired me to write this essay to begin with and know what I’ma eat some crow here. I originally said it was a great ROT shot but I was wrooooooong. It’s definitely a center composition shot. 

Notice as well, the bed itself is its own shape - rectangle - center in the frame, and yet the shot almost looks unbalanced again because of that singular patterned rug. It’s the only pattern in the entire shot, not even Great’s pillows have noticeable patterns on them. 

The above view camera angle in a full shot creates almost an omnipresent feel, as if the audience - or something else? - were looking down upon Great. Whose face we still haven’t seen! It makes him smaller, less powerful, and almost vulnerable. Shots like this are often used in horror films like James Wan’s Malignant (2021) where the horror spector will be looking down above the would-be victim. 

Another thing I like about this scene though is we have Great moving. It would be simpler and easier to have his phone just by his alarm clock, or under his pillow, but think about how much more visually interesting it is that he has to move down the bed and reach for his phone. It creates action in an actionless low stakes scene. 

And now, 30 whole seconds in and we’ve finally seen Great’s face! 

Fun fact, with the ROT grid the gridlines fall right across Bible’s nipples. That’s not a film analysis, just something I noticed entirely intentionally. Thanks Madam Director Ning Bhanbhassa Dhubthien.

The actual shot is in center composition again, as Great rolls over and reveals his face the camera begins to zoom in. 

This creates movement in the scene instead of leaving the camera to statically observe it’s now, finally, inviting the audience to meet Great. Pulling us in towards him whereas before we were kept at a distance. Great’s awake and, well as ready to meet the world as somebody with a raging hangover can be. 

I also like how Bible is moving constantly in this scene; he rubs his eyes and nose, he twitches his fingers, titles his head back and forth, etc it’s nothing revolutionary but it’s appreciated. 

When the scene cuts, we get this shot: 

I didn’t put the red dot on his nipple, it just landed there. This is all Madam Director Ning chepie. 

But you can see how Great’s body is landing on all those gridlines pretty solidly. Also in the background we see his alarm clock again, a bright blurred circle in the distance. I also like the angle of this shot, as it creates depth in the frame, with Great’s head being in the foreground his lower body in the mid-ground and the background blurred out. 

What follows is Akira appearing in frame. Which was really difficult to capture so I don’t have a screenshot. But what I really like is Akira entering the frame out of focus. They could have just cut to Akira, but instead they opted for Akira to enter the frame which is more interesting. 

When we do cut, Akira is firmly on one of those dots so we don’t miss them in the frame. I think it’s also interesting that we’ve pulled out again, into a mid-full shot, hanging above Great, and we see that clear symmetry line again between the patterned rug and the regular carpet. 

I also really love that when we got to Great sweet-talking Akira and feeding them we’re not just doing a cut, we’re panning downwards which continues to add movement to the scene. And we get that moneyed sponsor shot! 

Durex can’t pay for everything okay?

So in the final bit of this scene we get focus on Great, who’s in focus, before he gets up and leaves the frame where the camera then focuses on the clock behind him. 

See how in the first frame the background is all blurred out, but once Great walks out of the frame - again, great that he walks out, movement!! Y’all don’t understand how boring 1000 Stars was for me to watch because of the lack of this stuff okay? - and then the focus shifts to the clock. Which is round. 

God I know that sounds so dumb, but imagine the clock without that ring light bit on it, it’s just a tiny little rectangle. Not as fun or interesting to look at right? Or as noticeable especially from a distance? 

This shift in focus also tells us “this is important” whatever “this” is. The subject of the shot goes from Great to the alarm clock but they are positioned as equally important. We’re meant to pay attention to this seemingly innocuous item, which we learn later in the episode is time. We’re meant to remember and note that time will be important to the story - I know with a title like 4 Minutes you’d fucking hope time would be important but have y’all ever read Youtube comments? It’s rough out there for visual comprehension okay? 

So all in all this scene is only 1 minute and 40 seconds give or take. It’s very short, but I don’t think it was boring at all. I think it’s a really solid introduction to a main character. Think, Korn didn’t get this much time to showcase his introduction, his scene is shorter - though also well done - which showcases which character is more of a story priority. 

This scene eases the audience into the story, inviting us to wake up into the world like Great is. It uses techniques like lines, shapes, symmetry, color and focus to make what could be a very boring scene into an interesting one. 

There’s so so much I probably and certainly missed, I’m far from an expert, but I hope I was able to articulate what I liked about this scene, and why I think it looks good. 

Stay tuned for more if I can manage to focus long enough to breakdown more scenes lol

Also red dots on Bible’s nipples are just funny to me it be what it be. 

Further Reading: 

Composition in Cinematography / THE LAST OF US

Center-Framing vs Chaos-Cinema: Mad Max vs Transformers

Camera Framing: Shot Composition & Cinematography Techniques Explained [The Shot List, Ep 2]

The Ultimate Guide to Camera Shots (50+ Types of Shots and Angles in Film)

Color Grading 101 - Everything You Need to Know

Mixing Film And Digital Footage: Killers Of The Flower Moon

In Praise of Subtle Cinematography

[ryescapades]

can i request narumi x gojo like reader (like extremely overpowered and yk gojo stuff 😝) because ur dazai fics are just mwah! could they be and captain and they're vc is like suguru :>

thank you !!!!

limitless | kaiju no. 8

characters: narumi gen x gn gojo!reader

contents: sniper!reader, attempt at humor, fluff, some OCs, a lot of made up plots bcs this fic wouldn't exist otherwise (feels like i was world building ngl), reader's division number is not mentioned, narumi appears like in the second half of this, hint of rivals(?) + idiots to lovers

a/n: i hope i did your req justice, tqsm nonnie! lmk if you're satisfied with this or not (bcs im kinda not) almost made reader and their vc become a doomed yaoi couple just like satosugu 2k wc

"ehhh, another mission?"

your vice-captain, akira rolls her eyes at your grumble. "yes, another mission, captain. the higher-ups have requested for us to be there as soon as we possibly can, for the location is said to be in an uptown city of tokyo, a few hours from our base, so we ought to dispatch early," she explains.

"blegh, i bet the old man shinomiya is laughing at me right about now. we literally just returned from a mission like two days ago, akira! he sure loves working us to the bone!" you complain as your hand continues to work, cleaning the glass lens of your sniper rifle's scope.

akira throws a flat look. "maybe because we're the only unit in the defense force that specializes in kaiju intelligence? dummy," she says pointedly, causing you to wave her off. "nah, semantics."

she sighs, shaking her head. "in any case, we need to get ready now. we have to be on the move in about half an hour," your vice-captain's words go into one ear and out the other as your mind drifts away, thinking of how you can possibly sneak away to buy some nice treats while in tokyo.

hm, preferably those ringo apple-custard pies... your mouth waters at the thought.

less than five hours later, you find yourself strutting in the hallways of the ariake base, with akira following close behind.

"how many times do i have to remind you to tell me first if you wanted to make a detour mid-way," akira pinches the bridge of her nose, and you pout slightly. "i didn't even take that long, mind you!" you argue, though the way you dust off the sweet pastry crumbs off your lips doesn't really give the impression that you sound apologetic at all about it.

"captain, you keep forgetting that we have a meeting to get to. you should try to be more considerate towards others' time, you know?" she chastises, making you shrug dismissively. "you're too uptight about everything, akira. loosen up,"

already used to your petty remarks, akira crosses her arms and narrows her eyes at you. "what was that? you wanna take this outside, y/n?" the way she drags the syllables of your name daringly has you smirking, eyes glinting dangerously as you flex your hands. "oh yeah? and what if i say yes?"

what both of you don't realize is that you've walked far enough to reach general shinomiya's office, the sound of the double doors opening snapping off the tense rope that connects your challenging gazes together.

the two of you straighten up awkwardly, whistling a mindless tune and fixing your uniform respectively to pretend like you weren't about to start a scuffle just a second ago.

hasegawa, the one who had opened the doors raises an eyebrow curiously when he sees you and your vice-captain. "seems like they're already here, general shinomiya." he announces over his shoulder before giving a respective nod and taking his leave.

as you enter the office, general shinomiya gives you a long, pointed look. "you're late." your nose scrunches at the comment, "only by fifteen minutes. chill out, old man."

"what they mean to say is—" akira immediately speaks up, frustrated at your lack of manners, but shinomiya isao raises a hand with a shake of his head to interject. "never mind that. we have more pressing matters at hand,"

as he drones on and on about the details of the mission, you're barely listening to any of them when one particular statement catches your attention.

"do your surveillance for at least two days before you clean up and come back to report. i'll send in narumi as well for some extra hands."

like a puppy hearing the sound of kibble food being poured in its bowl, your head perks up in interest.

seems like this mission won't end up being a bore, after all.

˚ ༘♡ ⋆｡˚ˏˋ°•*⁀➷

"akira... i'm bored,"

you can almost hear your second-in-command's teeth gritting against each other. "that's the sixth time you've said that, captain." she says, her voice crackling through your earpiece. "wait, really? maybe i should say it another time—"

"please, don't." she interrupts with a huff. "you don't know how many nights i've spent wondering how your impatient ass got this job,"

you're about to counter when a new voice chimes in through the comms, "they're good at this job, that's why." a smile grows on your face at the statement. "ren, of course! this is why you're everyone's favorite," you cheekily say.

your operations leader snickers at the quiet but still audible vomiting noises akira is making. "i'm flattered, captain. but i do agree with vice-captain akira. given how our division is all about stealth and patience, it is quite the surprise someone like you sits at the top," ren muses.

you click your tongue, the small 'tch' sound only providing more amusement for your two subordinates. "you deserve a headlock for that, ren."

be that as it may, you are indeed good at your job. appointed as the captain of a special intelligence unit for the defense force, your division is tasked to undertake any job that requires kaiju surveillance, where you discreetly observe and study the behaviors of these monsters, especially the new species before subjugating them once your task is completed.

where do you think all those official kaiju encyclopedia books and websites get their information from?

your missions are all basically just field trips, to be frank. you command officers who are specifically trained in stealth and espionage, with your sharp sniping skills second to none in the defense force.

your beloved vice-captain, the talented officer that she is, unluckily holds the job of patrolling the perimeter and taking care of any kaiju that happens to stumble upon where your sniping port is set up. can't have the sniper getting jumped now, can we?

pulling your eyes away from the scope, you mindlessly tap away on the side of your sniper gun. "anyways, how's captain narumi doing?" you ask.

the division has very few recruits every year, due to the fact that not everyone can master the perfect form of stealth and spying when it comes to such untamed creatures. with the unit being the only unique one, your officers are often dispatched at various locations at the same time.

thus, the subjugation after the observation is usually carried out with the help of other divisions. and that's where narumi comes in.

or rather, he actually does come in. like, legit.

"worried about me?" the man himself steps into the empty room of the desolated building you're currently positioned at, his bayonet held close to his side. your brows quirk in amusement at the question, "yes, actually. i was worried your... extravagant method of killing kaiju is going to get us spotted sometime soon,"

narumi feels his blood thrums in his ears. he doesn't know what it is about you, but every time the two of you interact, he just gets frustrated and bothered. how are you so... infuriating?

"excuse me? i know perfectly well how you handle your operations, thank you very much!" he exclaims.

"oh? is that so, akira?" you inquire into your earpiece, wanting to poke fun at the first division captain further. he tenses slightly as he's reminded of his recent kills.

a big tease just as you are, akira hums, "well, i certainly heard him gloating with the other officers after his first kill earlier. he was probably doing his usual egosurfing after that... and the second kill was obscenely loud too. and then there's the—"

"okay, i think they get it now, vice-captain." narumi cuts her off in a snap, crimson hues dusting his cheeks. you smirk, about to make another retort when ren's voice intervenes you.

"emergency, captain! there's a kaiju about less than two kilometers away from the town!" your pupils flare in alarm just as akira voices out her surprise, "wait, what? there shouldn't be any of them so close to the human settlement. is it a stray?"

without focusing on ren and akira's discussion, you sling your sniper over your shoulder and head out of the building, "i'm going after it," you announce.

as you walk past narumi, he grabs your arm to stop you. electric sparks jolt underneath the material of your suits and into your skin, though neither of you seems bothered enough to acknowledge it. "there could be more than just that one. i'm coming with you," he insists, unaware that he's leaning into your space to get his point across.

what is it with him and needing to be closer to you? narumi can never figure out the answer to that even if he was aware of it in the first place.

you didn't expect him to suddenly be all up in your face like that, so your hand automatically shoots out towards him, a palm splaying over his chest to hold him back. realizing how weirdly intimate the touch is, you move to pull away but your hand unconsciously lingers, dragging itself down the metal chestplate of his suit before finally retreating in a matter of seconds.

the loss of contact nearly burns you from the inside out, and you hate admitting that it's not in a bad way. not at all, not ever. something about narumi gen just flares you up deliciously, and you're more than happy and willing to crash into this man's blazing inferno.

perhaps you're just as hopeless as he is in that regard.

with a shrug, you throw a sanguine grin at him over your shoulder, "even if you weren't here, narumi, i can handle them just fine. this is my forte, and i'm the strongest one here." shivers run down the back of his spine, the knowing glimmer in your eyes almost making him visibly and audibly swallow.

he doesn't doubt that sentiment. not at all.

narumi knows how strong and skilled you are. if ashiro mina is known with her extremely explosive power, you're known with your hawk's eye trait. you're good at predicting just exactly where the kaiju's core is supposed to be, courtesy of the years of meticulously studying the monsters.

'how am i different to ashiro? hm, let's see... to put it simply, ashiro is the type to spam her high-damaged gun. like a reaaally offensive dps, you see. while i prefer to go with that one shot one kill style,' you'd often say. as a chronic gamer himself, he understood that crystal clear.

as the two of you exit the building and make a beeline towards the direction of the town, a few kaiju that you had surveyed just a few minutes ago turn their heads in attention when they hear your rapid footsteps.

your annoyance rises when they start advancing towards you, all feral eyed and inhumane. "sorry but i really don't have time to waste on small fries like you," you mutter as you take out your handgun.

the next thing narumi knows, their cores are precisely struck with your bullets, including the kaiju whose humongous tail almost swiped at you two from your common blind spot, one which he could've taken out. with his RT-0001 retina, he was less than one second away from handling it!

"oh, would you look at that! i saved your ass, narumi! ain’t i just the best?" you boast, causing his imaginative feathers to ruffle. the respond he's about to give doesn't get to come out, as you manage to irritate him even more.

"by the way, don't you think you should slip in some more trainings everyday? you play enough games as it is. at this rate, you're gonna get weaker than me, you know?" you remark before swiftly skipping away, your tongue sticking out in jest and leaving narumi to deal with his own agitation.

you're literally a menace in narumi's eyes, but his curiosity is boundless. as he moves to follow after your tracks, he keeps asking himself why he just cannot seem to stop wanting to get know you more.

nah i'd win, *dies immediately after*

ps i love when gojo made that digimon ref in s2 he's such a nerd pls. also there's like one hidden ow2 ref in there somewhere. like using pharah and widowmaker in regards to the difference between ashiro and reader

taglist: @maruflix @iamjellyfish @ouiouimochi @yueliie @justwinginglife @lumiambrose @minasfwoopyponytail @17020

©🅁🅈🄴🅂🄲🄰🄿🄰🄳🄴🅂. do not steal, translate or repost my work anywhere else !

[frickingnerd]

love triangle with ren & akechi

pairing: goro akechi / crow x gn!reader x ren amamiya / akira kurusu / joker

tags: competitive!goro & ren, tons of jealousy, wholesome fluff, rivalry, clingy!akechi, supportive!phantom thieves (of ren)

both boys have a small crush on you at first, but after noticing that the other one is interested in you as well, their rivalry extends to you!

akechi and ren almost act normal when they're alone with you. but as soon as the other one is added to the equation, they begin flirting with you, just to annoy the other one!

both boys also try to one-up each other at anything they can to impress you! whether it's dart, pool or baseball, they can't help compete at everything there is

and there are also quite a few times where you'll be dragged into a discussion over how just the phantom thieves are or if your favorite detective prince is the true just one!

it's always akechi starting those little competitions, but ren is never too shy to try and win any competition akechi starts!

akechi is the more jealous one, which is why he tries so hard to impress you and become your favorite! but ren isn't much of a fan of seeing you too close to akechi either…

it's incredibly obvious that the two boys like you! yet both believe they are so sly, especially akechi. but everyone around them, including you, knows they're in love with you…

akechi is the clingy one, due to his constant jealousy! he likes to take you to his public appearances, to start rumors that he's dating you

meanwhile ren has the support of his friends when it comes to you, who are constantly trying to set him up with you!

[astoundingbeyondbelief]

Actor Akira Nakao died on May 16 at the age of 81. He appeared in six Godzilla films, first as the bellicose Colonel Takaaki Aso in the final three Heisei entries, then Prime Minister Hayato Igarashi in the Kiryu duology, and finally the original Gotengo commander in Godzilla Final Wars. (That turned out to be a fitting sendoff - after years of sitting in meetings and control rooms, he got to take on Godzilla in the field.) He served the same role as Jun Tazaki in the 60s Toho kaiju films: an instantly recognizable authority figure. May he rest in peace.

[gentiliana]

can u (pls pls pls pls) do shin (sakadays) as a bf headcannons ........ thank u, sending u lots of love <3

HI DEAR!! tysm for your request 💗

i’m soooo happy someone requested something for shin i love him sm he’s the loml and this was so fun to write./shin fans get ready for january 2025 cuz sakadays episode 1 means shin is going to appear !!

i’m sorry for any grammar mistakes but english is not my first language, i’m trying my best to improve!

🪷 ; gn! reader, it is mentioned once that reader puts on makeup, Shin being the adoptive son of Taro and Aoi.

SHIN ASAKURA BF HEADCANONA

Did I just hear "best boyfriend ever"? Because Shin IS the best boyfriend ever.

With Shin being a clairvoyant, it was way easier for him to know if his love for you was unrequited or not.

But Shin is really unexperienced, he never had a serious partner or experienced any kind of strong love before he met you.

He even asked Sakamoto for advice! Isn’t he the cutest??

During the first weeks of the relationship compliments were not his best card… he tried okay? but he ended up embarrassed and all red… he really wants to be able to do that but he’s lacking confidence.

when that happens PLEASEE reassure him that is okay to not know how to express his feelings.

he loves receiving hugs and cheek kisses from you.

He likes looking at you while you’re getting ready, especially if you’re putting on makeup. He loves watching your focused face and asks you what you’re doing, it’s his way to show you that he’s interested in everything you do!

He’s not a big fan of PDA but doesn’t mind it; he just does whatever you want to.

He smiles like an idiot whenever you hold his hand! He prefers hand-holding since it makes him think that you rely on him and feel safe around him. (Please hold his hand and go on long walks with him.)

Since he knows whatever you’re thinking about, he always provides you with everything you want or need. Want to watch this movie? He’s buying the ticket. Craving a specific dessert? He’s cooking it for you or suggesting a cooking date.

ACTS! OF!! SERVICE!!!! He does whatever you want, whenever and wherever, just to see you smile! He is, in fact, in love with your smiling face.

He’d do anything you suggest. He even agreed once to let you dye his hair. If you have colored hair, he’d ask you to dye a strand of his hair the same as yours so you can match. . . 🥹

If you’re in college and have trouble studying, he’s going to help you in the best way possible. He might not even know what he’s doing, but please bear with him; he’s trying his best! Expect study dates where he tries to help you but ends up stressing over your exams.

About dates…

Dates with Shin are AMAZING!! In everything he does, you can just feel his love for you and how deeply he cares about you.

One time, you two were walking together in a park and he spotted some pretty white flowers. He decided to put one behind your ear, but he did it so gently that you worried you were going to melt under his touch. And the way he was staring at you?? You died instantly.

You’re never going to be alone because the whole Sakamoto family (mainly Lu and Heisuke) follow you around and take the cutest pictures of you two.

Shin is very embarrassed by it but you love his family and you understand that they just want to protect him.

Taro and Aoi love you and approve of your relationship with their “son.” They even invite you to go on family trips with the whole family, and you have to admit, those are the BEST family trips ever! Not only you spend time with your beloved clairvoyant boyfriend, but you also meet and have the chance to bond with his family.

You and Lu prank him a lot, and every time he scolds her and not you, because honestly, he can’t be mad at you.

(Hana asked you to marry Shin and he became so red you thought he was going to explode)

Introduced you to Natsuki and Akira and honestly they couldn’t believe that he got a partner as pretty as you! He was both flattered and offended by that comment…

“oh uhm thank y- WHAT IS THAT SUPPOSED TO MEAN?” (Akira apologized for both her and Natsuki’s way of wording it)

Honestly I think a part of your relationship includes you taking care of him. Since you know what happened during his childhood, whenever possible, you take the opportunity to hug him and whisper sweet nothings in his ear. He loves and deeply cherishes those moments.

Overall 10/10 experience WOULD RECOMMEND!! nice guy with a nice family?? i’m in!

[tr4gictea]

True Meaning: Act I, Part II

Isekai teen!reader + Genshin Impact

❥Masterlist

Tags: Panic Attack, Reader has an existential crisis, Agnst with comfort, Arataki Gang being silly :P

Including: Itto, The Arataki Gang, and Kuki Shinobu

word count: 2,522 words

A/n: Heyyyy guess who wrote this in two hours <3 (I'm kinda proud of myself for that) And I would like to thank you for the love on part one of this series <3 and other will be a poll at the end of the story for which twin you guys would like to have as the traveler and if you guys want me to write about the two days the reader had with Itto and the gang leave a comment. This short story will be posted along with my normal uploads.

Pervious | Next

True Meaning Table of Content ⋆౨ৎ˚⟡

“Here it is, in all its pride and glory! The Otogi Ramen Stand!” The gang leader said presenting the run-down ramen stall. “Get whatever you’d like we can cover it.” He said with a chuckle. You looked down at the prices, which were between 100 mora and 500. He probably took you here for the cheap price since he doesn't have a deep pocket.

You scanned over the menu looking at all the food but one dish in particular caught your eye. “One bowl of chili oil and beef ramen please.” You heard a gasp behind you as you ordered. Behind you, the boys had their hands on their chests while others had their faces in their hands. They looked like mothers from the 1800s when their kids tells them they're gay. “Um, you guys alright?”

“No! You just disrespected the auxiliary member of the Arataki Gang!” One of the members said while pointing an accusatory finger at you.

Auxiliary member? I don’t remember one of those in the gang. And how would I be disrespecting them by ordering that dish? Maybe I am still dreaming.

“Guys she doesn’t know yet so don’t be too hard on her,” Itto turns back to you. “The Auxiliary Member of the Arataki Gang is my buddy Ushi.” He punches the air and a flash of yellow light appears only to be replaced by a small bull. Ooohhhh, that Ushi! Itto’s bull. “(Y/n), Ushi, Ushi, (Y/n). As you can see Ushi is part bull so we find it a little disrespectful for someone to eat beef.”

“Oh okay, no problem,” You turn back to the seller, “Then instead I will have a chili oil and pork ramen bowl.” The seller, who has been listening to your strange conversation the entire time, gives you a weird look and then makes your bowl for you.

Once it is all paid for by Itto, the gang and you sit down at a table and talk. You don't participate in the conversation that much but you do learn the names of the others in the gang: Akira, Genta, and Mamoru. But you were more focused on the ramen in front of you. It certainly wasn’t the best ramen you’ve had, but it's not the worst. I mean it could use more noodles. It was lacking on that par and- “(Y/n)!”

Snapping out of your food-themed trance you glance back up at the group looking at you like they were waiting for something. “Hm? I’m sorry what were you saying?”

“We were asking if you had any place to stay for the night or were just on the streets?” Mamoru asks.

“Oh, I’m uh, on the streets,” You say putting your head down in shame. You didn’t have a place to go other than that forest area, but that wasn’t the best option.

“How about you stay with me?” Your head snaps up in surprise. You knew Itto was nice in game but you didn’t know he was this nice. “I’ve got one spare bed in my house for ya,”

“But Boss, you only have two beds and one of them is Shinobu’s, she probably won’t like this arrangement.”

“Nocense! Once she sees the noble act I have done for this child she will be proud of me! Plus she’s out for two days so we will have time to come up with a better solution.” He said speed talking the last part.

“I mean as long as I’m not intruding…” you say hesitantly

“Of course not it's my house!” He says a flashes a small at you. “Now come with me, I will show you around!” You said your quick goodbyes to the gang and headed off to Itto’s house.

The first thing you noticed when you got inside was the amount of filth in his house. The sink was filled with dirty dishes, and blankets and pillows were tossed wherever.

“How long ago did your roommate leave?”

“Oh, a day ago,” He says as he grabbed a pillow from the kitchen and dusted it off. He's hopeless without Shinobu, oh my god… There is no way she would have let it get this bad, and within a day he has already managed to wreck the place.

“Anyways, here is where you’ll be sleeping for the time being.” He opened the door to a clean bedroom with a kneeling table in the middle, a futon in the corner, and a dresser on the opposite wall. It was so neat and well put together. You couldn’t even compare it to the natural disaster of a room that was the front room.

“This is so nice…” You walk into the room in awe.

“Yeah, Shinobu is a clean freak, you’ll meet her in 2 days and I’m sure she’ll be happy to meet you and proud of me hehe.” He says with a chuckle. “Oh! And I will get you something to sleep in, I will be right back!” And with that, he dashed off into another room. Leaving you alone. In a room. Of a fictional character's house. Away from home. Away from your family. Friends. Everything you’ve ever cared about and know has gone away from your reach.

Your breathing starts to pick up and the reality of your situation sets in, You are in a dangerous world full of monsters and people who would kill you without a second thought. Why are you here? How is this happening? What do you do when Shinobu comes back to find a stranger in her bed? She’ll probably kick you out and what are you supposed to do then? Your throat tightens up and you feel your self tearing up, you collapse on the floor and hope you disappear. You have no idea what you are doing.

“Woah woah, are you okay.” Itto appears beside you and kneels next to you hesitantly pulling you into his arms. “Hey hey, it’s okay I’m here…” He says trying to comfort you but it doesn’t seem to be helping. “Um, listen I know things are tough right now, and you are a long way from home. But you are strong, and you can make it through this. And don’t worry I can help you every step of the way.”

You look up at him in surprise, “Really?”

“Uh, um… yeah, of course!” He looked like he regretted promising that to you. “Don't worry, for now just get changed and go to sleep. That’s the best thing you can do right now.”

Y-yeah he’s right I just need a bit of sleep to get my mind right.

“Thank you Itto, for everything,” You give him a warm smile and take the yukata from him.

“No problemo sister, anytime!” He says smugly and shoots finger guns at you. “Have a good night and I will see you in the morning.”

The next two days you spent with the Arataki gang were the most fun and the fastest days you’ve had. The first day they took your clothes shopping and ended up getting banned from two shops for improper etiquette. On the second day, they went around challenging children to beetle battles, which caused children to leave crying with less mora than they had originally. This eventually led to Itto getting told off by angry parents. (Let me know if you guys want mini-stories on these events.)

But throughout those two days you still had one thing on your mind. How do you get out of here? Since you knew that sakoku and vision hunt decree were still in act that would mean the traveler hasn’t arrived here yet which is good. Because he could be your ticket out of here. But you had one problem, you had no idea when they would get here. You don’t know if you arrived during their time in Liyue or worse, you guys arrived at the same time. If you arrived at the same time as the traveler, that could be bad for you as it could take a year or two for them to get here. But this fact was out of your control. All you could do was wait a hope they’d come soon.

For now, you were at a restaurant in Inazuma City as the gang said they had something very important they needed to discuss with you. This restaurant was a very middle-class restaurant that would probably have a three-and-a-half review on Yelp, but the price was on the expensive side for Itto and the gang. So they must have had something really important they needed to discuss with you.

You go through dinner with the guys laughing, talking, and enjoying for when Genta nudges the boss and jesters towards you with his head. Itto clears his throat and raises his glass of water while tapping it with a spoon. “Treasured Members of the Arataki Gang, only two days ago have we met this young child all alone in the woods, starving and helpless…”

You quirked your eyebrow up at him, “I wasn’t starving and helples-”

“Starving and helpless!” He pushes a finger in front of your mouth and shushes you. ”And within two days we have nurtured them in a strong individual. This is why I’m pleased to ask, from the gang and myself, if you would like to join the gang of Ara-!” “ARATAKI ITTO!”

A shout vibrates through the restaurant and causes everyone in the restaurant to jump in surprise. The source of the shout was from none other than Kuki Shinobu, the Deputy Officer of the gang.

“Sh-Shinobu! I didn’t know you’d be back so soon!” Itto says with a nervous chuckle.

“I said three days, and I’m back after three days ain’t I?” She says with a dark expression on her face. Her eyes glanced over the table and most of the boys hid their gaze until they landed on you. You don’t know if she is angry at you or what but her eyes never left you. “Itto. Outside. Now.”

“Yes ma’ma.” As they walked away Itto hung his head low in shame. And they walked out of the restaurant and slammed the door behind them. The restaurant hung in an awkward silence until your waiter brought the check out to your table.

“Wait but we're not ready to leave yet,” Genta says to the waitress.

“Um, yes but we are. Please pay your tab and leave, thank you for dining here tonight.” She said nervously while bowing then walked away.

The boys looked at the tab and their faces darkened.

“Shit.”

“Hm? What's wrong?”

“We don’t have the mora for this.”

“Well, how much is it?”

“4,634 mora…”

Shit.

“What were you thinking?! Bringing a kid into the gang, as an official member!?” Kuki Shinobu was currently berating her boss for bringing a kid into the gang without consulting her first. “When Mamoru told me in that letter I couldn’t believe it!”

“But Shinobu you didn’t see how they wer-”

“I didn’t ask for your input, I will allow you to speak when I need you to, yes?”

“Yes…” Itto said dejectedly.

“This has to be the most immature thing you have done in a while and I’ve seen you do some pretty stupid shit. But to bring a child to a gang then allow them to sleep in my room while I was away.” She shook her head at the horned man. “I can’t believe this… Alright, you may defend your case now.”

“Okay, so you see th-,” But before Itto even got a full sentence out Shinobu stopped him.

“Actually, I want to hear this from the kid themself, go get them.” She snapped at him.

Itto let out a sigh, “Fine,” He marched back into the restaurant and grabbed you while the other members frantically figuring out how to pay for this meal. Once you stepped outside and were met with shiobu face to face. She is a short but menacing woman, the mask covering her face made her even more scary.

“My name is Kuki Shinobu, I am the Deputy Officer of the Arataki Gang, you have most likely heard of me through them.” She says gesturing back inside the restaurant. “Now, I'm not mad, I just want to know what's happening. Please tell me your side of the story.” She said giving the floor to you.

“Um, well you see, I was sent on a research mission for the Akademiya here when-…” Kuki listened to your story without interruption and only nodded at you as you explained.

“Hmm, I have a couple of questions. Why don't you go to the Tenryo Commission to take you back?

“I would but it’s still too expensive to go back and I don't have that kind of money right now."

“Hasn’t the akademiya sent a letter to you or anything?”

“In that Strom,” You say pointing to the storm blocking anything from getting in and out of Inazuma. “No.”

“Hm, do you really have nowhere to go?” She says emphasizing 'really'. You shake your head at her. This was the first question you did have to lie to her about. You really didn’t have anywhere to go if Shinobu kicked you out of her house. You didn’t know what you would do… That throat-straining feeling came back to you at that moment.

“Last question, if you were to join the Arataki Gang would not be paid much, and you would have to help around with the gang and keep them out of trouble. But you would be offered a place to stay, eat, and people that have your back. If you are fine with these terms then, would you like to join the Arataki Gang?”

The world stops for a moment, was she offering you a place in the gang? That feeling constricting your heart disappeared and was replaced by an overwhelming joy in your heart. “Y-yes, yes! Absolutely yes!” You rush forward to give her a hug which she hesitantly accepts.

“Hehe, okay let's go back in so we can tell the good news to the boys.” She says smiling with her eyes.

When you walked back into the restaurant you found Itto and the boys hunching over the bill with bags of mora in their hands.

“Come on boys let’s pay the tab and leave.” the masked woman ushers them to hurry.

“We're trying to but, uh, it got a little expensive…”

She quirked her eyebrow up at them. “Hm? Let me see the bill then.” They hesitantly handed her the bill and after one look at it, Shinobu's eyes blew wide open. “4,634 mora…!”

“We’re sorry Shinobu! We swear we will make it up to you but we just need half of that sum for dinner today!”

Shinobu looked like she could kill at any moment right now. “You better or else I’m going to have your heads as dinner the next time!”

You stood behind Shinobu giggling at the fact that a small Japanese woman was lecturing a group of grown men. Maybe you wouldn’t mind if traveler took a little longer to get here…

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[curtsycream]

Kunimi x tsukki x kenma x akaashi x little reader where she Regressed in babyspace and feels sick but cant tell them bc she's non verbal and want to be Held and even when she falls asleep and she feels when she get put down she wakes up and start crying 🥺🥺

(I used in the request the pronoun she her but u can use any pronoun u want)

Poly!Nope Squad x Regressed!Reader

Don’t mind me but this was a requested fic and I think that’s what motivates me most knowing someone is anticipating something on my behalf. But I did try my best because I’ve never ventured into babyspace but I do know someone who has. Also it’s fine I don’t mind writing for any gender or pronouns! It’s just gender neutral is mine own default for inclusivity

It was raining yet again for the fourth time this week in Tokyo. This wasn’t a new revelation as it was spring and heavy rainfall was expected. Sitting up in bed alone Y/N couldn’t help the frown from appearing on her warm face. Normally she would be the third one up behind Keiji and Kei. But today she was the last one which only happened when she pulled an all-nighter or if she was sick.

Rubbing her eyes harshly she let out a small cough with a disgruntled look on her face. This wasn’t a normal cold for her as she felt an added factor to the situation. Sitting in bed alone she felt fuzzy inside and from her watering eyes and quivering lip she knew she couldn’t fight it. Before she knew it she had regressed which wasn’t uncommon for her to do. Her life partners were aware of her regression but she had never regressed into baby space before.

She was lost as she sat in bed until the bedroom door opened and a rather calm Akira walked into the room. On days like this Akira didn’t have to go into work at Eleventh Bank. Something Akira enjoyed as he usually got to sleep in. “Baby…are you okay? You don’t look well..” he said in his usual monotone voice.

All she could do was look up at him with wide teary eyes and a quivering bottom lip. She couldn’t bring herself to speak she felt nonverbal which usually never happened when she was in little space. So instead she decided to raise her arms making grabby hands at him. Understanding fully what she was trying to get across Akira smiled softly at her before picking her up. When she was secure in his arms she hid her face against the side of his neck.

Akira with his arms around her body as he carried her out of the room had a puzzled look on his face. Though this wasn’t the first time he had picked her up this was the first time she was so quiet about it. They all knew how slightly talkative she was even in littlespace. But he picked up on something different she was warm to the touch and so quiet.

Making his way into the living room with her in his arms he looks at Kozume who is playing his switch. “Eh, what’s wrong with, kitten?” he asks Akira.

Akira could only shake his head, “I don’t know…I think she’s not feeling good. But I can’t tell because she isn’t talking.”

Kozume raised an eyebrow at his words before placing down his switch. Standing up from the couch he was slumped on he walks over to Akira and Y/N. Placing the back of his hand against her forehead he sighed, “I think she has a fever..”

Moving his hand to her cheek he smiles at her, “Hey kitten…are you not feeling good? You’re so warm..” he says gently. He could tell from her pout and glossy eyes that she had regressed. “Are you feeling little, kitten?”

She could only nod her head slowly with a pout as she looked at Kozume. Yet she didn’t say anything she still couldn’t speak even if she wanted to. Something in her head was preventing her from doing so.

Not even an hour later after they had bathed her, fed her, and read her a bedtime story she was asleep. The only issue was that she was asleep in Kozume’s arms. He didn’t want to leave her alone in the bedroom but he did have a scheduled stream soon. So against his own want to keep her close to him, he decided to lay her down in their bedroom.

Moments later Kei had gotten home wearing his training with the Sendai Frogs. He still had on his uniform as he cleaned his glasses with a cloth. Making his way past Akira who was cooking dinner in the kitchen, whom he greeted, he walked upstairs. When he made it upstairs he heard the sound of soft sobs and whimpers from their bedroom.

With a confused look on his face, he walked into the bedroom before spotting his princess curled up on the bed in tears. Walking over to her he shakes his head, “Don’t tell me you’re pouting…did Akira say no to sweets before dinner again?” He teased.

Yet his teasing words didn’t go over well with her as she only cried a little louder. Kei found this strange as he removed the blanket from her head. His eyes took in her swollen eyes from tears, her frown, and how she hadn’t spoken to him in return. “What’s wrong, Princess? Are you okay?” He asked worriedly.

She didn’t say a word all she did was crawl over to him on the bed. Her arms wrapped around his midsection as she let out noises of discomfort. Kei seemed to have caught on as he picked her up rocking her a bit. “You’re sick…do the others know? You’re so warm,” he coped out unintentionally.

She nuzzles her cheek against his cheek with a nod as she clings to his tall figure. “You’re awfully quiet today too…” Kei says as he grabs her chin with one hand. He stares into her eyes before shaking his head, “You seem to be in a deeper headspace than usual..feeling smaller?”

All she did was nod and confirm his words which Kei figured. He remembered Keiji speaking about how at times regressors can regress younger than they usually do. This normally happens when they are under more stress than they usually are. “You’re feeling like a baby?” He asked calmly.

Yet another nod as Kei thinks over what he remembers about baby space. This was unfamiliar territory for him as he had never seen his princess in a headspace younger than 5 or 6. “I’m guessing that’s why you’re not talking too…huh?”

He didn’t even need to see her nod, which she did, to know her being in baby space was the reason she was nonverbal. Kei only held her tight in his arms before leaving the bedroom, thoughts of changing long forgotten.

Later that day when Keiji had finally left his home office,which was in a secluded part of the house, he walked downstairs. He was amused to see Kei trying to put down a reluctant and crying Y/N. It seemed the last thing she wanted was to be put down for a nap even if she would be sleeping on the couch next to him.

“What’s going on here?” Keiji asked in his rather caring voice. As he did she perked up making grabby hands at him.

“She doesn’t want me to put her down even when I told her I’ll be right beside her. I think she regressed further than usual as she’s nonverbal right now. She also has a little fever but that has gone down a bit,” Kei said.

Keiji could see the the exhaustion on Kei’s face as he tried to get her to sleep. “Don’t worry Kei, do what you need…I’ll take care of her..” he assures.

Before Kei could protest or she could whine Keiji had already scooped her up in his arms. Sitting on the couch with her in his arms he presses kisses to her slightly warm skin. When he does a flurry of giggles leave her pouty lips. “Look at you dove causing such a fuss..” he said affectionately as Kei walked upstairs to shower and sleep.

After Kei went upstairs Keiji let out the couch so that he could lay down on it with his dove. Since it was a lazy body that could work as an oversized bed he grabbed a blanket off of the back of the couch.

“It’s okay dove..I’ll be here when you wake up..” Keiji cooed as he pressed kisses along her cheeks and nose. With his words of comfort, she did exactly that and fell asleep in his arms as they laid on the couch.

When she woke up hours later she felt better as her fever had gone down fully. Rubbing her eyes she still felt tired but she didn’t feel as small as she did before. Looking around she noticed it was still raining and the TV was playing an episode of Bluey.

Not only that but she noticed all four of her boyfriends asleep on the couch around her. She couldn’t help the smile that appeared on her face as it seemed they wanted to keep her company.

“Kitten…why are you up? Go to sleep..” Kozume said from his position beside Akira. His eyes were partially open as he looked at her. With a nod, she listened before curling up between Kei and Keiji. This time she fell asleep with no issue knowing that regardless of what happened she would always have them there for her.

A/N: I hope you enjoyed anon! I think I’ll be writing a bit more but I don’t know. I recently started grad school and I’ve been occupied with that and settling into adulthood.