#African American Art
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jareckiworld · 17 days ago
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Noah Purifoy (1917-2004)—Sir Watts II [sculpture, assemblage, 1996]
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miamaimania · 9 months ago
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Kerry James Marshall's 'Vignette', acrylic / fiberglass, 2003
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the-cricket-chirps · 1 year ago
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Betye Saar, Rojo Toro, 1964
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Betye Saar, The Beast that Pounds the Devil's Dust, 1964
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389 · 4 months ago
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HIGH NOON by Kadir Nelson
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nancydrewwouldnever · 9 months ago
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Joyce J. Scott, Three Generation Quilt I, 1983, mixed media (Artist's Collection)
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taf-art · 9 months ago
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When Frustration Threatens Desire (1990). Kerry James Marshall.
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nemfrog · 2 years ago
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Quilt. Cotton and synthetic metallic knit. 85 × 77 in. (215.9 × 195.6 cm). Nettie Jane Kennedy. ca. 1955.
Museum of Fine Arts, Houston
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piroshky · 2 years ago
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Jules Verne’s 20,000 Leagues Under the Sea illustrated by Leo and Diane Dillon, 2000. 
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image-junkie · 2 years ago
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Aesthetics of Funk - Crocheted mandalas by Xenobia Bailey
Xenobia Bailey is a trash alchemist, a single stitch, urban crochet aficionado, designer, artist and community activist, whose practice industrializes the visual aesthetic of “Cosmic-Funk,” practiced by African-American homemakers since Emancipation, into utilitarian “Funktional” design. Media exposure ranges from an Absolut advertisement to a design consultancy with Disney World, and a subway mosaic commission from the MTA in New York. She has shown internationally, with such institutions as Creative Time, the Sharjah Art Foundation, and numerous U.S. Embassies. Her work is held by numerous museums, as well as in academic, corporate, public and private collections.
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louandlillie · 4 months ago
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A recent piece from wood that's been sitting in my shed since 2016 or so.
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scarlett-bitch69 · 25 days ago
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instagram
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jareckiworld · 6 months ago
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Charles McGee (1924-2021) — Color Modules [acrylic on canvas, 1971]
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aiartwerk · 3 months ago
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Bedtime Story
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the-cricket-chirps · 1 year ago
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Betye Saar
House of Tarot
1960
MoMA New York
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afrodytis · 2 years ago
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Annie Lee,Blue Monday
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fyblackwomenart · 2 years ago
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"Carmen Portrait" by Tamara Downes
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