#Adieu Philippine

[sacredwhores]

Jacques Rozier - Adieu Philippine (1962)

[eraplatonico]

Adieu Philippine B3 Poster

Jacques Rozier

[unpetitvelodanslacorse]

RIP - ADIEU MONSIEUR JACQUES ROZIER

[miguelmarias]

Adieu Philippine (Jacques Rozier, 1961)

1. Una vez, al preguntársele por qué era tan grande la pantalla de la Cinématheque Française en el Palais de Chaillot, Henri Langlois dijo que era para poder proyectar las películas de Rossellini, que continuaban más allá de los encuadres. Este es el primer punto de contacto entre el maestro italiano y el primer film de Jacques Rozier, Adieu Philippine (1961), que podrán ver si prestan un poco de atención a los programas de los cineclubs, y si las Juntas directivas de éstos se la prestan a su programación. Por tanto, nada de encuadres rígidos, delimitados y exactos: el encuadre es un margen que debe ser flexible para abarcar los signos de vida —los gestos, las miradas— allí donde los haya.

2. Pocos de los intérpretes de Adieu Philippine son actores profesionales. Todos se mueven con libertad, casi todos improvisan. Rozier ha rodado con varias cámaras, como si hiciera un reportaje en directo para la TV. Su punto de vista es, ante todo, documental (de nuevo Rossellini). Sin embargo, esta película no se presenta como un documental, ni pretende ser cinéma-verité. Simplemente, unas personas que no son actores dan cuerpo y vida a unos personajes con los que, sin duda, tienen bastante que ver. Por consiguiente, tras dar un rodeo por la ficción, volvemos a lo real: Rozier filma la verdad de sus intérpretes.

3. Adieu Philippine es una de las películas menos "construidas" y predeterminadas que se han hecho. No cuenta una historia, muestra estados de ánimo, relaciones, movimientos. No tiene un desarrollo claramente estructurado en escenas y secuencias: como la vida, se percibe como algo continuo en lo que siempre pasa algo, hasta cuando aparentemente no ocurre nada. En consecuencia, su motor es el tiempo, y la película un gotear de instantes que se acumulan, segundo a segundo, en nuestras sensaciones (y en las vidas de sus personajes). Pocas películas han sabido recrear con tal exactitud el fluir del tiempo. Ni siquiera La commare secca (1962), de Bernardo Bertolucci.

4. Adieu Philippine es un film sobre la juventud. Pudo haber sido alegre, brillante, artificial, pero Rozier supo no interponerse entre el espectador y la realidad, devolviendo al objetivo su función originaria —como Chaplin, Renoir, Rossellini, Hawks, Rohmer—, y filmando con sencillez y claridad. El orden y la libertad, en el cine, no son incompatibles. Por ello, Adieu Philippine derriba la barrera que separa al cine de la vida, a la ficción de la realidad, y rasga la pantalla que se interpone entre el film y sus —escasos, por desgracia— espectadores. Como Hatari!, Adieu Philippine es un fragmento de vida, y no una película. Godard dijo: "la vida llena la pantalla como un grifo una bañera que se vacía de la misma cantidad al mismo tiempo". Adieu Philippine es la película que mejor cumple esta definición del cine, pues "(la vida) pasa, y el recuerdo que nos deja es su imagen" (Godard).

5. Adieu Philippine es anterior a Forman, Passer, Mészáros y otros cineastas del comportamiento. Godard aprendió mucho de ella —como Rozier de À bout de soufle— y, vampirizándola, la enriqueció en Masculin Féminin (1966). También Maurice Pialat, autor de la capital L'Enfance nue (1968), debió sacar un buen provecho. En España, lo único que se acerca a ella es un mediometraje de Antonio Drove: ¿Qué se puede hacer con una chica? (1969).

6. Con Adieu Philippine, Jacques Rozier paga su deuda a los creadores del realismo cinematográfico: Lumière, Griffith, Chaplin, Stroheim, Renoir y Rossellini, sin olvidar al polifacético Vigo, lo sabrían. Adieu Philippine es la quintaesencia de la "Nouvelle Vague", su película más representativa. Dificultades de producción, de rodaje y, sobre todo, de sonorización, elevaron su presupuesto de tal manera, que Rozier no ha conseguido desde entonces volver a hacer una película, pese a sus esfuerzos. Mal estrenada, Adieu Philippine fue un fracaso comercial. Muchas personas desconocen esta obra maestra; si puede, deje de ser una de ellas.

Publicado en el nº 97 de Nuestro Cine (mayo de 1970)

[lecineaste]

Adieu Philippine by Jacques Rozier

[cleverclove]

Wretched Queen, Adieu for the ask game :)

One of my grandparents, I’d say. Unfortunately, I lived pretty far away from my Philippines-based grandparents specifically :( now that I only have 1/4 of my grandparents alive, I would really love to get together with one of my grandpas or my grandma and just have a discussion about how they grew up, what their greatest pains and triumphs were, etc

[chansonsinternationales]

Il avait fait entrer la Corse dans "La Nouvelle Vague" | Corse Matin

[renesf]

A Poetic Tribute To International Relations Expert Sass Rogando Sasot

Sass Rogando, self-proclaimed sage, In international matters, trapped in a cage. Critiquing the Philippines with audacious glee, Yet her PhD dreams drown in a Dutch sea. Oh, Sass, the scholar with much to say, Fumbles in studies, can’t find her way. Packing bags, bid Netherlands adieu, Back to the islands, where love is askew. In the realm of academics, a tempest’s brew, Her critiques…

[onenettvchannel]

FLASH REPORT TONIGHT: PIE Channel bids farewell to Cable TV, embraces digital era in major shift for Philippine Entertainment and Game Show Programmes

QUEZON, MANILA -- A saddened momentous terrestrial developments signaling a major shift in the landscape of Philippine entertainment, Pinoy Interactive Entertainment (PIE) Channel is officially set to air a final broadcast on Sunday night (December 31st, 2023 at 11pm -- Manila local time) as DWKC-TV 31 in Metro Manila and here in Central Visayas as DYCT-TV 31 in Cebu and Dumaguete. The culmination of this long-standing collaboration of 917Ventures (who is subsidairy of Globe Telecom), KROMA Entertainment and ABS-CBN Corporation, comes as a response to changing viewer habits and the channel's decision to fully embrace the digital era.

The decision to bid adieu to 917Ventures, under subsidiary of Globe Telecom and two other entertainment entities stems from the evolving dynamics of the entertainment industry, with lower viewership on Philippine Cable TV (with the examples of SkyCable and Cignal) prompting a strategic pivot towards online platforms. The move is aligned with PIE Channel's vision to adapt and thrive in the ever-evolving media landscape.

A YouTube aircheck archivist with the moniker "YEOW" obtained a Cable TV recordings overnight on Sunday, an hour before Midnight on New Year's Day by the first week of January 2024, the last programme airing on PIE Channel concludes with the last 30 minutes dedicated to the 'PIE Playlist', offering a nostalgic trip down memory lane for viewers who have been part of the channel's journey since late-May 2022. The emotional farewell will mark the end of an era for traditional television broadcasting in the Philippines, as PIE Channel bids adieu to Cable TV and transitions to a fully digital platform in 2024.

One of the biggest memorable PIE Channel shows with several likes of PIE Silog, Brgy. PIE, PIE-galingan, PIEnalo and PIE Night Long. Even the 2-time individual virtual winner of Tambahayan and PoB: Sana All! named Rhayniel Saldasal Calimpong, whose before promoting his own role of Freelanced News Reporter & Presenter of OneNETnews in late-June 2022 and again in October 2022. Many months later, OneNETtv Channel (DYDZ-DTV Ch. 8 / Cable: Ch. 20) in Dumaguete City, Negros Oriental officially produce the first and only local and regional weekend newscast bulletin in Central Visayas as 'PIEnalo Balita' @ 6pm, 7pm and 8pm.

PIE Channel releases the first of its own Christmas Station ID in mid-November 2022. And the rest is history ends with these current shows of PIE Shorts, Kung Saka-Sakali, Watchawin, Mukhang Perya, Sinong Manok Mo?, Tamang Himala and Ur Da Boss.

In an official statement released by KROMA Entertainment on late-November 2023, the entertainment powerhouse expressed excitement about embracing the new digital era through PIE Channel. The move aligns with the company's commitment to staying at the forefront of innovation and meeting the evolving preferences of Filipino audiences, to catering televised players to participate every single game shows.

This ongoing shift into an online platform isn't just a strategic decision for PIE Channel, but also a reaction to the evolving dynamics of viewer behaviors. With an increasing number of audiences turning to digital platforms for their entertainment needs, PIE Channel aims to meet them where they are – on the web. As part of this shift, PIE Channel will be hosting its content on the PIE Channel website in a coming days or weeks, accessible via the PIE website from 2024 onwards. This move towards digitalization is expected to open up new possibilities for audience engagement, allowing PIE Channel to connect with its viewers on a more interactive and dynamic level.

Fans and followers expressed their sentiments on social media platforms, with many acknowledging the channel's contributions to Philippine entertainment throughout the years.

Subsequent to the final sign-off broadcast on the PIE Channel, a momentous notable transition occurred nationwide. The color bars of the BEAM-TV test card made their debut, supplanting the well-known animated test card synonymous with PIE Channel. The visual change represents the end of an era for PIE Channel's traditional television and the start of a new chapter in the digital realm.

As the curtains draw on the PIE Channel's television broadcast, the move towards a digital future promises exciting opportunities for both the channel and its loyal Filipino and global audience. Embracing change and innovation, PIE Channel sets a precedent for others in the industry, signaling a transformative era for Philippine entertainment.

FILE SCREENGRAB PHOTO COURTESY for REPRESENTATION: IAmPieOfficial via YT VIDEO

SOURCE: *https://www.kroma.ph/post/kroma-entertainment-embraces-a-new-digital-era-with-pinoy-interactive-entertainment-pie [Referenced PR News Article via KROMA Entertainment News Bureau] *https://www.rappler.com/business/pinoy-interactive-entertainment-channel-drops-television-goes-fully-digital-2024/ [Referenced News Article via Rappler] *https://www.facebook.com/100079152185088/posts/360627646585639 [Referenced FB Captioned PHOTO #1 via IAmPieOfficial] *https://www.facebook.com/100079152185088/posts/360987219883015 [Referenced FB Captioned PHOTO #2f via IAmPieOfficial] *https://bilyonaryo.com/2023/12/11/bye-bye-beam-tv-pie-globe-abs-cbn-tv-collab-discontinued-after-piling-up-p180-million-losses-in-18-months/business/ [Referenced News Article via Bilyonaryo News Bureau] and *https://www.youtube.com/watch?v=W35aiweDD_M [Referenced YT Aircheck VIDEO via YEOW]

-- OneNETnews Team

[petalphabet]

adieu philippine

[19blogmk]

Jacques Rozier, Last of the French New Wave Directors, Dies at 96

Jacques Rozier, who directed critically acclaimed films like “Adieu Philippine” and “Du Côté d’Orouët” and who was considered the last surviving member of the French New Wave, if an underrated one, died on June 2 in the village of Théoule-sur-Mer in southern France. He was 96. His death was announced on social media by his friend and former collaborator Michèle Berson. Mr. Rozier was in his 30s…

[18blogmk]

Jacques Rozier, Last of the French New Wave Directors, Dies at 96

Jacques Rozier, who directed critically acclaimed films like “Adieu Philippine” and “Du Côté d’Orouët” and who was considered the last surviving member of the French New Wave, if an underrated one, died on June 2 in the village of Théoule-sur-Mer in southern France. He was 96. His death was announced on social media by his friend and former collaborator Michèle Berson. Mr. Rozier was in his 30s…

[17blogmk]

Jacques Rozier, Last of the French New Wave Directors, Dies at 96

Jacques Rozier, who directed critically acclaimed films like “Adieu Philippine” and “Du Côté d’Orouët” and who was considered the last surviving member of the French New Wave, if an underrated one, died on June 2 in the village of Théoule-sur-Mer in southern France. He was 96. His death was announced on social media by his friend and former collaborator Michèle Berson. Mr. Rozier was in his 30s…

[16blogmk]

Jacques Rozier, Last of the French New Wave Directors, Dies at 96

Jacques Rozier, who directed critically acclaimed films like “Adieu Philippine” and “Du Côté d’Orouët” and who was considered the last surviving member of the French New Wave, if an underrated one, died on June 2 in the village of Théoule-sur-Mer in southern France. He was 96. His death was announced on social media by his friend and former collaborator Michèle Berson. Mr. Rozier was in his 30s…

[15blogmk]

Jacques Rozier, Last of the French New Wave Directors, Dies at 96

Jacques Rozier, who directed critically acclaimed films like “Adieu Philippine” and “Du Côté d’Orouët” and who was considered the last surviving member of the French New Wave, if an underrated one, died on June 2 in the village of Théoule-sur-Mer in southern France. He was 96. His death was announced on social media by his friend and former collaborator Michèle Berson. Mr. Rozier was in his 30s…