#Actually I might tag this dynamic

[ozzinbloggin]

This is what they call a Character Establishing moment.

ASM #37

[katabay]

desmond & friends modern day assassin sequences…..I miss you……..

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[little-mouse-adventures]

@orangerosebush's post here, with my comment and @fowlblue's tags today got me thinking.

Artemis Senior has been teaching his son matters of business from a young age. Not only was Artemis, at 11 years old, discussing stocks with his father, but Fowl Senior had been imparting his wisdom onto his son for years by that point, discussing the ever-increasing value of gold with him before tucking him into bed. Even outside of pure monetary value, Sr. had tried to go legitimate with his business dealings, leading Artemis to have a few legal ventures of his own.

We also see very early on in the books that Artemis has been regularly using Butler as a resource for his plots: bouncing ideas off him was apparently a fairly common tactic when he was scheming.

Both Artemis Senior and Butler are interested in (or at least, not opposed to) educating Artemis on the ways of their lifestyle(s). It would be Artemis Senior who would have taught his son the value of banks and safety deposit boxes and hidden safes but it was Butler who was actively working with Artemis to rob those safety deposit boxes.

In the same vein of breaking-and-entering, TLC also gives us the fun little moment where Butler hands Artemis his own lockpicks, to get into the workings of the bomb.

With one line we learn that Artemis knows how to pick locks, but does not have his own set of lockpicks. Butler, on the other hand, has both the tools and knowledge how to use them. Partnered with a brief mention in TTP of some the specific trades of those previously employed by Artemis Senior (including such things as crime lords, insider traders, and cat burglars), we can extrapolate that Artemis Senior would generally hire someone to pick a lock for him, rather than do so himself.

It's pretty logical to conclude then that Artemis learned big-picture management from his father, and day-to-day skillsets from his bodyguard.

Essentially, Artemis Senior taught Artemis how to run a criminal empire. Butler taught Artemis how to be a criminal.

[rip-headphones-users]

My Headcannons for how Infected and Kasper operate

Buckle up, this is a long post. Thinking about how characters function in relation to the world around them is basically a hobby of mine, so expect more. (I have others planned for both lampert and unpleasant at the very least)

(Not ship related) (angst heavy sorry)

Kasper’s infection is a brain-rooted/cognito-hazardous parasite

He got it after purposely ignoring a chainmail curse, both as a sort of “fuck around and find out” as well as an outright form of self-harm/self-sabotage.

The parasite is the one that primarily controls all the conscious actions of infected, while kasper now acts sub-consciously.

Its less of a split-mind situation and more of a Venom + Eddie or Gundam + Pilot situation they are two separate entities inhabiting the same body that can potentially act at the same time

It just so happens that the parasite from the chainmail curse has VERY similar desires/interests/motivations to Kasper, so the host/parasite relationship actually works very well.

Infected accidentally makes Kasper lose a decent chunk of weight after it takes over, due to it not being able to feel when Kasper is hungry and forgetting to let him eat

Kasper and Infected can be addressed separately (Lampert, UnpleasantGradient, Folly and maybe a few others know this) and Kasper tends to choose not to respond due to his own apathy, instead opting to let Infected take the lead.

Being able to respawn/no permadeath on the regretevator is the reason why Kasper opted to infect himself, as he saw it as the next closest thing to death/suicide.

Allowing infected to enter his mind has radically reduced Kasper’s lifespan. (He’d be lucky if he made it to his late 30’s)

His nose bleeds when Kasper and infected try to act at the same time

Infected is only transferrable via chainmail

Infected doesn’t feel any of the bodily necessities that kasper has, so its not uncommon for him to collapse of exhaustion, dehydration, hunger, ect. If someone doesn’t remind him.

Infected doesnt feel pain either

Kasper feels it though. A lot.

In fact the whole process of infected entering his mind was incredibly painful as is.

Infected isn’t the reason why things in the elevator/on his own body suddenly lose their texture, neither of them know why that happens now.

They personally aren’t physically effected by it and both find it cool, so neither are bothered.

It’s probably just the result of infected’s malware (thats only technically supposed to effect machines) managing to attach itself to a human. Or maybe Kasper could do that and never previously knew. Who knows. ;)

Kasper/infected can phase through objects that are textureless, including parts of his own body. Anything else will collide as it normally would, and take damage.

Infected will always talk with full leetspeak, (L13k D1$) while Kasper will only have one letter/number substitution (L1ke Th1s)

UG unintentionally named infected that. Basically just looked at Kasper, who had just let a parasite into his mind, and looked at the chainmail virus on his computer, and it went “huh… Bro’s Infected”

Bro is, in fact, infected.

[thepatchycat]

Fives!

[the-way-astray]

alright everybody can we please stop tagging me/talking about me in the notes of pro keefe/sokeefe posts. i know strieefe has made it so that it's really funny to talk about how much i love him and how much i'm in denial when i say negative things about him under those posts (and that's all in good fun and not the problem), but we have to think about the fact that the ops are just trying to make a positive post and probably don't want a keefe hater in their notes /srs

[cozymochi]

I started following you recently, I think Tia is very pretty and your drawings are beautiful, is she in a romantic relationship with some character?

(💕💕💕💕)

Well, no but technically yes. But also yes, but technically no 🫣 I’ll explain as best as I can because Tia and romance is complicated.

Tia isn’t actually in any romantic relationship at all. So, my first gut answer is just “no, she isn’t.” (Which is the most concrete definitive answer, I suppose.)

She was kind of built from the start to just be her own character to put in a version of the twst story I’d wanna see (As any usual MC does.) 😩 So, romance just wasn’t really on the table. Though, mind, Tia is also just … the way she is. She’s a “princess tiana” type. It’s not a priority for her, so naturally it’s rarely- if ever- brought up.

THAT SAID!! I’m just really casual about shipping Tia in general, so she’s just sort of shipped with almost everybody without any real commitment on my end. I just like dynamics being explored should they go in that direction. So, it’s not completely out of the question.

I do have some pairings I ended up leaning more towards than others, to the point even I was surprised by them (y’know how when characters may take on a life of their own in a way? It’s like that), but otherwise I try to stay ��hands off” with this stuff. I don’t think I’ll ever truly have her “canonically” be in any romantic relationship. If only to stay open ended. But, others are free to think what they want. I wouldn’t want to stifle anybody.

BUT - listen - I do enjoy a good romance 😩 and i like the thought of setting her up like I’m a stuffy aristocratic mom showing off her daughter to the many bachelors at a debutante ball kgjfjdulgjfh I like the hypotheticals. If a twst menu voiceline or innocuous piece of dialog in a story sends me into brainrot, then of course im going internally crazy jfhdgfhdh

Besides, Tia isn’t gonna get ANY romance if he has anything to say about it——

(she deserves love)

TL;DR: Nope.

[citrusinicake]

Vitalasubzam Week 2024 Day 2: AU / Roleswap

for this day i decided to make a roleswap of my tourney au (name tbc)

this is supposed to be the scene where the runaway prince turned pirate zam's crew (captained by ro) take vitalasy and zam as hostage but instead decide to keep them in order to use vitalasy's knowledge to find some ancient and powerful artifacts

in this version vitalasy takes over subz' role as protector, zam takes vitalasy's role as leader, and subz takes zam's role as rebel

and rather than the cast returning to old experiences they instead have new ones: vitalasy goes from a shut-in wizard who's less a defender and more an advisor to the closest thing to a knight a shapeshifting wizard can be, zam goes from spoiled prince who basically never gets into any real danger even when hunting to a seasoned adventurer capable of fending for himself, subz goes from a guy whos only alliance was a friendly yet ultimately transactional partnership with reddoons and woogie to intensely caring for two ppl that at first were nothing but burdens to him that he was only really helping out of pity

[ccbatman]

actually so evil how much of hal's internal world gets obliterated with the rewriting of his relationships with jessica and martin.

[aceofstars16]

The temptation to make a gravity falls community for people that didn’t read or like book of bill is so strong…or even just people who don’t like Bill (appreciate as a villain, sure, but that’s different than liking him and…thinking he’s some sort of victim or poor little guy) Literally just a place to post wholesome gravity falls content and nothing gross or uncomfortable (though I’m sure that varies depending on the person lol)

[moe-broey]

You see, Moe isn't in the business of fixing people, *remembers Moe is quite literally in the business of "fixing" people as a healer* *stares out into yhe fucki g

[hyacinths-in-a-storm]

Y'ALL WHO WAS GOING TO TELL ME PEOPLE SHIPPED AZULA AND URSA

[please-let-this-work-oh-my-god]

2.0 spoilers under the cut

Oh...

[syn4k]

yo so since pix had that whole "beating minecraft dungeons without using any weapons" series, i like to think that in series like the survival guide cubitoriffs has hand wraps and stuff like that, especially during the early game. or like fingerless gloves or something like i've seen people draw for his esmp s2 design. in conclusion: give this man some cool ass gloves or glove adjacent things!!! he uses his hands a lot!

[lupucs]

Gosh I love your art!

But uh whats your favorite deltarune ships?

Thank you so much!! Oh gosh, you really caught me off guard with this one hah!

Well, uh I think it should be pretty obvious which ships I like by now...

It's clearly-

It-

It's obviously...

THOSE GUYS!