#Action ps4

[wastedskins]

Fatal Frame: Mask Of The Lunar Eclipse, 2008

[adam-trademark]

VICE STREET RACER

(August 16, 2022)

[juanpcff13]

Silent Hill (1999) para PlayStation 1.

[rustroachman]

𝕬𝖋𝖙𝖊𝖗 𝖙𝖍𝖊 𝖛𝖎𝖘𝖈𝖊𝖗𝖆𝖑 𝖆𝖙𝖙𝖆𝖈𝖐 𝔟𝔶 @rustroachman

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𝕭𝖑𝖔𝖔𝖉𝖇𝖔𝖗𝖓𝖊 𝟏𝟎𝖙𝖍 𝕬𝖓𝖓𝖎𝖛𝖊𝖗𝖘𝖆𝖗𝖞 𝕿𝖗𝖎𝖇𝖚𝖙𝖊

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[wario-land]

TERMINATOR 2D: NO FATE

By Reef Entertainment, and Bitmap Bureau

Coming soon, September 5th. Releasing on all platforms

[emptytoys]

[avianandloaded]

Hasbro Marvel Legends PS4 Advanced Suit Spider-Man, Assassin Stan Lee and Juggernaut Build-A-Figure wave Deadpool.

[comicchannel]

Jogo Midia Fisica The Last of Us Joel Edition para PlayStation 3

Link para compra BR: -Indisponível-

Buy here: https://amzn.to/3DNw0nF

[shorthaltsjester]

being a huge fan of tlou but also like. thinking that certain stories are built for certain mediums. like the entire theme of tlou2 is grounded and fresh because it’s a railroad/story video game that still affords you mechanical choices in how you navigate the world. i just don’t have a lot of confidence that presenting that story in a tv show with the minimal adjustments that they did in s1 will be fulfilling or compelling in any comparable way. because with tlou1 some of the like. beauty of that story was simply that it was such an emotive story contained in the medium of video games. and some of that was retained just by hitting similar or expanded emotional beats in the show, like the episodes that expanded on the life of the characters and the realities of that world. but truly so much of tlou2 emotional depth and ‘why does this story matter’ rests in the fact that’s it’s your hands on the controller, continually choosing to go forward in the story and have hope that it will work out in your-as-ellie-or-abby-or-somehow-booth’s favour. and you simply cannot get that in a non-interactive medium like television. like i do think tlou2 is a good story but it’s a good story because of the investment required by the player to keep pressing buttons and keep returning and to feel the adrenaline like responses of high intensity moments and be jarringly shifted into backstories that only increase the frustration. in general i’ve been thinking a lot about cross-medium adaptation and on the one hand i am glad that season 1 makes the story of the last of us more accessible to people who wouldn’t pick up a video game but it’s also like. maybe instead we can destigmatize video games as this inaccessible and dangerous medium a bit more instead of just . implicitly agreeing . like no maybe your mom won’t pick up a video game controller and play the last of us . but maybe you can play the game in the living room. sometimes the mediums that stories are told in aren’t just important but are actually foundational parts of how the information of a story is conveyed and that’s not only okay but is fucking fantastic. we should be happy actually that there are so many ways to collect a bunch of themes and ideas and put them together and hold them out to someone else and say “won’t you consider this with me. won’t you feel these emotions and care about these characters with me.”

[wastedskins]

Fatal Frame: Mask Of The Lunar Eclipse, 2008

[adam-trademark]

A Way Out

(April 16, 2018)

[juanpcff13]

[fairybenz]

kind of obsessed w this game,,, played for like 2 hrs straight lmao

[fogaminghub]

✨ It’s a thrilling time in the world of Monster Hunter! 💥 As we celebrate 20 years of epic monster-slaying adventures, we reflect on how this beloved series has evolved over the years—from its humble beginnings on the PS2 to the highly anticipated Monster Hunter Wilds releasing on February 28, 2025!

Ready to join the hunt? Read more about the journey of Monster Hunter in our latest blog post!