#AR Content Creation

[simulanissolutions]

Simulanis is an Augmented Reality Company in India that stands at the forefront of the Augmented Reality Companies in India sector. As a leader in the AR space, Simulanis is helping businesses across industries leverage the power of augmented reality to transform their operations, enhance customer experiences, and foster innovation. With a focus on creating cutting-edge augmented reality app development solutions, Simulanis delivers customized AR solutions that cater to various sectors, including healthcare, education, manufacturing, retail, and more

[digitalfractal]

How to Create Interactive and Immersive Content with Tools?

In today's digital age, capturing and retaining the attention of audiences has become increasingly challenging. As consumers are bombarded with an abundance of content across various platforms, the need to stand out and create engaging experiences has never been more vital. Fortunately, the evolution of technology has paved the way for innovative approaches to content creation, with tools and techniques that can transform static content into interactive and immersive experiences. Among these tools, 3D animation studios in Dubai offer a wealth of possibilities for crafting captivating narratives that resonate with audiences on a profound level.

The Power of Interactive and Immersive Content

Interactive and immersive content transcends traditional storytelling by actively involving the audience in the narrative. Instead of passively consuming information, users become participants, driving the experience forward through exploration and engagement. This approach not only enhances retention but also fosters a deeper emotional connection with the content. By leveraging tools such as virtual reality (VR), augmented reality (AR), and interactive animations, content creators can transport audiences to new worlds, evoke empathy, and inspire action.

Leveraging 3D Animation Studios in Dubai

Dubai has emerged as a hub for creativity and innovation, boasting a thriving ecosystem of 3D animation studios that cater to diverse industries, including entertainment, advertising, gaming, and education. These studios combine cutting-edge technology with artistic expertise to deliver visually stunning and emotionally compelling content. By partnering with a 3D animation studio in Dubai, content creators gain access to a wealth of resources and talent, enabling them to bring their visions to life in ways that captivate and engage audiences.

Crafting Interactive Experiences

Interactive content invites users to participate actively in the storytelling process, creating a sense of agency and immersion. With tools like Unity and Unreal Engine, 3D animation studios in Dubai can develop interactive experiences that blur the lines between reality and imagination. Whether it's a virtual tour of a futuristic cityscape, an interactive training simulation, or a gamified educational app, these studios have the expertise to create compelling experiences that leave a lasting impression.

Embracing Immersive Technologies

Immersive technologies such as VR and AR offer unparalleled opportunities to transport audiences to new worlds and create unforgettable experiences. By collaborating with 3D animation studios in Dubai that specialize in immersive content, creators can harness the full potential of these technologies to engage and delight users. Whether it's a virtual museum tour, an AR-powered marketing campaign, or a VR-based training module, immersive content enables brands to connect with their audiences in meaningful and memorable ways.

Enhancing Emotional Engagement

Beyond the visual spectacle, interactive and immersive content has the power to evoke genuine emotions and foster empathy. By incorporating compelling narratives, relatable characters, and interactive storytelling techniques, 3D animation studios in Dubai can create immersive experiences that resonate with audiences on a profound level. Whether it's raising awareness about social issues, promoting environmental sustainability, or showcasing cultural heritage, immersive content has the ability to inspire empathy, drive change, and spark meaningful conversations.

Conclusion: Elevating Content Creation with 3D Animation Studios in Dubai

In an era defined by information overload and fleeting attention spans, the need to create compelling, interactive, and immersive content has never been greater. By leveraging the expertise of 3D animation studios in Dubai, content creators can unlock new dimensions of creativity and engagement. From interactive experiences that empower users to explore and interact with virtual worlds to immersive narratives that evoke genuine emotions and inspire action, the possibilities are limitless. By embracing innovative tools and technologies, content creators can captivate audiences, drive engagement, and leave a lasting impression in the digital landscape. With the right vision and collaboration, the future of content creation is boundless, and 3D animation studios in Dubai are at the forefront of this creative revolution.

[nadas-dirthalen]

A Veilguard Achievement Icon Opened My Eyes on 15 Years of Lore... but Was I Right?

PART ONE: Rambling First Impressions & Overview

[ 2 ]

Hello again, friends and travellers. Now that I've beaten Dragon Age: the Veilguard, I wanted to go through all those 30,000 words of predictions that I wrote in the ~11 days leading up to its release. I'd seen an achievement icon that pieced together a lot of Dragon Age lore for me.

But, I hadn't played Veilguard. All I had was the footage from September 19, the achievement list, and anything else BioWare had released.

So... was I right? And if so, how much was I right about?

This is your warning: This post will contain spoilers for the entirety of Dragon Age: the Veilguard, and all Dragon Age content made before Veilguard.

(no, this screenshot isn't a spoiler, I just like it.)

Welcome Back for Round Two. >:)

Stating right off the bat: I have only played Dragon Age: the Veilguard 1.5 times and so this collection is very, very incomplete. There's no way for me to learn every codex before they're even all on the wiki. If I've missed something, let me know!!

I don't know how many parts this is going to have. This has been a very fun, but very sleep-deprived week. Expect no sensible organization here; we're letting the ADHD reign!

That said, here's what I'm going to attempt to do:

A Recap of My Grand Theory: Solas was the Blight's Beginning, and Mythal was Responsible

How I Made My Predictions: A Study in Context and Pattern Recognition

What Did I Actually Get Right? (An Overview, Anyway)

Early Signs Veilguard Added to My Theories

A Recap of My Grand Theory: Solas was the Blight's Beginning, and Mythal was Responsible

I really don't have space to go in depth on what amounted to 30,000 words of theorycrafting (which still boggles my mind, how did I do that and still find time to sleep). Instead, I'll link every post and make a bullet point list of what big guesses I made in each.

Part One: Solas was created from spirit and lyrium, crafted in one of Mythal's lyrium coffins that we see both in the Temple of Solasan and Trespasser. That means that some part of him was part of a Titan, once. There were hints about this across all three preceding games, and these hints re-contextualize those games and their place in the Dragon Age narrative. The Titans are likely the Forgotten Ones, because Fen'Harel walked among both the Forgotten Ones and the Evanuris in his legends.

Part Two: The Mythal lullaby in Trespasser is the story of Solas' creation, specifically. Da'durgen'lin refers to 'little stone boy.' Solas' twice-used phrase Ar dirthan'as ir elgara, ma sula e'var vhenan is him speaking to lyrium itself, which he does both with Sera (ancient elvhen? andruil memory? people go into more depth on this than I ever do) and the Eye of Kethisca. Elven phrases and pieces of writing/song from everywhere point to Solas' backstory and are all possibly written/sung by Solas. The codices in the Temple of Solasan are also referencing his backstory. There is a larger narrative at work happening in the random elven literature we find, and it suggests a lot of things about the world.

Part Three: The Titans are definitely the Forgotten Ones—at least, part of them (more on that later). They have all been sundered. One part remains in the Abyss; the other in the Fade. The Fade, in fact, is every Titan's consciousness, all sundered by Fen'Harel. This is the "leg" that the wolf chewed off to "escape the trap": Solas' connection to ir sa tel'nal, isatunoll. This is why he loves the Fade: he's reconnecting with the consciousness he broke himself apart from. This is also why he has Titan/Stone magic. This is also why lyrium grows both in the Abyss and in the Fade.

• Oh, and spirits seem like they might be the thoughts of Titans.

Part Four: The Chant of Light tells the story of the Evanuris, from their manifestation as spirits to their mining of lyrium and war with the Titans to the Makers' creation of "everyone else." The archdemons and Magisters Sidereal are also explained in its verses. The Chant also suggests the Maker is a Titan whose mind and body are sundered, and that Andraste's hearing the "voice of the Maker" is her hearing the Titan's song.

Part Five: The tragedy of the Evanuris, part 1/3: Mythal is known to have mined people from lyrium. Elgar'nan probably sundered spirits, notably Dirthamen and Falon'Din. Falon'Din seems to have wanted to attack Titans that "belonged" to other Evanuris to gain more "worshippers" (lyrium people; slaves) for himself.

Part Six: The tragedy of the Evanuris, part 2/3: Sylaise probably made the Scaled Ones. June probably is responsible for not just lots of inventions, but the invention of the geas. Dirthamen's "secrets" are "thoughts" (spirits) forced into the bodies of his worshippers... and animals... and trees (AKA, he made a lot of abominations).

Part Seven: The tragedy of the Evanuris, part 3/3: the blight seems to be the Titans' defence against repeated attacks. Crucially, all of the Evanuris made the Titans this way... but Mythal made them that way first. The reason the Titans are "forgotten" now is because Mythal tried to erase all memory of them so that none would find the blight again. (She failed. Thanks, Andruil and Ghilan'nain).

Part Eight: The story of Solas, part 1/3: Solas came from an un-sundered world where both "mage magic" and "Stone magic" were the same thing. He was created in the Temple of Solasan, where "icy terror" became the first blighted Titan. Solas' existence was significant to the Evanuris because it suggested that one can survive the blight, and his moniker (the Dread Wolf) comes from the fact that he was a wolf (elven general) that came from the terror Titan (dread).

Part Nine: Since Solas' origin story is the start of the blight, then all of Solas' story from that point is not the story of just him, but the story of the blight. This signifies his place in Dragon Age's entire narrative, and also spells out what the overarching Point™ of the series is. Backed into a proverbial corner where none of the Evanuris would stop the things that angered the Titans, Solas' only choice was to sunder the Titans from their consciousness. He misses the Stone, also.

• He also imprisoned the Evanuris in Stone, something called "gangue" in Hissing Wastes codices.

• His ultimate goal is to return consciousness to the Titans, fixing the "wound" he made when the Veil went up.

Part Ten: The Inquisitor is special because their spirit is from the same Titan as Solas. The Breach is a threat because if the Veil comes down too soon, all the Titans will come back blighted and angry. The Veil disintegrating means all the Titans are waking anyway, little by little. The Dread Wolf shape is actually an aspect of Terror that can kill people with fear. The Evanuris who've been killed before have potentially had their spirits "recycled" and might be reincarnating into mortal people now. Oh, and a bunch of predictions on the companions, Solas/Mythal, etc, that I'll go over again down below.

How I Made My Predictions: A Study in Context and Pattern Recognition

I've had a lot of people ask how I... y'know. Did that. How one person could write 30,000 words of guesses in the week and a half before Veilguard, citing so many sources, and... not be that far off, probably.

Honestly the short version of this is, "I read the Chant of Light as it appears in World of Thedas, not with the canticles out of order like they are on the wiki, has anyone else done that?"

The longer version of this sounds even shorter, at first: I started playing Dragon Age games in March 2024, and I have ADHD.

Oh, and I'm a writer who's always been interested in game development, with dreams of maybe one day working in games or on video game IP. That helps shape my understanding of what games might need to accomplish, narratively, and the mechanisms they might use to accomplish those goals.

I was able to play all three games this summer. In fact, I finished Inquisition for the first time after Veilguard's first trailers this year, on June 26. What that means is that my first real experiences learning the finer lore of Dragon Age were all this year, and had the context of Veilguard's trailers. We knew we were getting a narrative followup to Trespasser, and so where did I center my focus? Trespasser. Everything I learned about Thedas, I tried to make sense in the context of Trespasser. Every piece of lore had to fit with Trespasser. Not just the environment of the Crossroads or the companions' banter, but what Trespasser was trying to teach us.

And most of its codices are about the Evanuris warring with the Titans. The Titans, who we'd just seen in Descent. The storytelling point of Trespasser was to make us question the nature and morality of Fen'Harel by giving us context about the Evanuris and their own history, then letting us ask for Solas' perspective on it.

That's the thing about Dragon Age. Very little of it is there pointlessly. Every level, every DLC, every codex, is there to teach you something. Even the smaller codices, which don't seem to mean anything tremendous, are there to teach you how to parse the voice of all the other codices. So even beyond the games, I asked myself: what is Tevinter Nights trying to teach me about how Thedas works? What is The Masked Empire teaching me? Is it the same? And what about World of Thedas, volumes 1 and 2, written from the perspective of Thedosian historians, deliberately written to misdirect the reader with the historians' biases?

Whatever I found had to work with what was promised in Veilguard: a controversial Solas. New understanding of the Evanuris. Harding's new magic. Regions of Thedas we never explored, and why those places would all matter.

Knowing the three act structure, as a writer, and knowing that ensemble casts all need to bring a puzzle piece of the grander theme into the main plot through their own personal quests, I had a vague skeleton of what I would need to find. The shape of the information I found would have to fit the world and the relationship dynamics advertised in the Veilguard. Origins would have to matter to the Veilguard; same with DA2; same with Inquisition. Despite the series being disconnected by featuring different leads, the worldbuilding is very much connected between instalments, and so Veilguard would have to be one logical step past everything that developed in Inquisition. (Nevermind a whole host of other criteria that honestly deserves its own post).

It's very hard to describe how the pattern recognition in some ADHD brains works. What I will say is... I noticed something. Every mistranslated elven codex where it deliberately says it has been mistranslated is an invitation for you, the player, to try and figure out what is correct. Everywhere that World of Thedas says that something must be preposterous to the historian narrating it is an invitation to ask yourself: could this be possible? How would that work?

Things like the linguistic overlaps between the elves and the dwarves are intentional. Words that are phonetically similar are far more often intentional than simple oversight. Every scrap of lore holds some significance.

Because in Thedas, every perspective is right, to some degree. Including the Chant of Light. Including ancient elvhenan. If you try and make them all reconcile with each other, and you've also done so in the context of the Veilguard, and you've also got ADHD and a near-photographic memory that is strongest with emotional memories and rules/systems? Well... You get me. You get 30,000 words of "one single picture of lyrium-spirit Solas cracked all of Thedas for me in the span of one mind-blown week while I power-read World of Thedas to check all my facts and essentially lived inside the Dragon Age wiki."

(AKA, you get Bellara in human form. Sorry, Bellara. It's rough out here. But now you, reader, know the reason that this blog was renamed nadas-dirthalen in late September—and why I, when I embraced my nonbinary identity, chose the name Lore for myself.)

And what was promised in Inquisition, as well as in Veilguard's marketing? The Evanuris, Titans, and the blight. They would all have to tie together—and they did.

What Did I Actually Get Right? (An Overview, Anyway)

I'm going to try and categorize this. Oh god. These are going to be such disorganized posts, but I want them done before much information comes out, so bear with me.

What I Got Right:

Solas and Mythal: Yep. He caused the blight; she made him do it. He created the Veil and wounded himself. They weren't romantic; they were trauma-bonded. She wasn't a paragon of good. They both tried to stop the blight anyway.

Sundered Spirits: The sweet, sweet vindication of learning that Dirthamen and Falon'Din were sundered all along. Thank you, BioWare. We also learned that this happened to the Titans (more on broader implications in the last category in this section).

Titan Stories In Elven: Bellara sang "Ir sa tel'nal Mythal las ma theneras" and my heart soared. :) My ego swelled. :) That's all the confirmation I need right now that I hit the nail on the head with the elven lullabies and Solas' backstory.

The Chant of Light Told the Story of the Evanuris: The demons that would be gods. We know now that all the Evanuris manifested physically from their original spirit forms. The Chant called it.

Mythal, Andruil, and Ghilan'nain's Roles in the Blight: Mythal created it, but wanted it sealed away; Andruil found it again; Ghilan'nain made it grow and grow.

Taash, a little? I hypothesized that fire-breathers might come from the Scaled Ones or otherwise have been engineered by an Evanuris. I know they were engineered for the purpose of war, but not by whom (I... think. Needs a replay to confirm).

Davrin: Yes! Davrin was the one who connected that Solas feels responsible for specifically the blight and conveyed that to the rest of the team. He questioned the nature of the Grey Wardens and helped to choose a path forward without any archdemons left.

Harding: Yup. Titan connection. Yup, our narrative path to finding out about angered Titans.

"Do We Win?/Do We Stop the Blight?" Well, in Solas' good ending, we do get what I thought we would: the Evanuris all gone, the Titans on a path to restoration.

What I Definitely Did Not Get Right:

VARRIC?!?! When I said, "If you know, you know. Lyrium dagger, dwarf. If you don't know, close your eyes and pretend you read nothing" — GUYS I THOUGHT VARRIC WOULD GET MAGIC HE REALLY HATED AND I CRIED LIKE A BABY WHEN I SAW WHAT HAPPENED :(

Lucanis: I really thought Spite would be a Forgotten One. However, it's stated a few times that Spite is not a run-of-the-mill demon, and Lucanis is not your average abomination. I wonder if there's banter I'm missing, or if something will happen with that in DA5. Poisoned fruit, and all that.

Emmrich: I really thought Emmrich would do world-changing "give all the spirits back to the Titans" stuff. I think my error with most of the companions is that I forgot how much information actually can feasibly fit into a game without it being 300 hours long or melting the brains of its players.

Neve: Nothin' happened with gangue mentions, or Archon mentions! I was way, way off with Neve.

The Eclipse: It did not have anything to do with the Bird Boy Evanuris™ :( But Elgar'nan moving the sun and moon was badass as hell, and I honestly loved Elgar'nan far more than even my highest expectations.

What I Haven't Gotten Right... YET:

Bellara….?????? Guys I thought there was a Dirthamen connection and they put a codex in the game that says specifically that Dirthamen held a fondness for frogs, same as Bellara. And then they gave her a brother who... ya know... was... presumed... dead... AKA, on the other side of the Veil... for a while... And then they gave that brother a sundered piece of Bellara's own vallaslin. John Epler, where are you going with this please I wanna KNOW, the Bird Boys™ occupy my mind at all hours. (But also? Surprise Forgotten One mention with Bellara, and surprise Anaris mention specifically, and I'm going to pat myself on the back for being so oddly focused on Anaris in my predictions.)

Chant of Light Confirmations: I actually have yet to see a single Chant of Light verse in Veilguard. I think they're saving that one for later, keeping it up their sleeves for the next games. The needle didn't move with confirming/denying anything in the Chant except for the Evanuris as spirits that manifested into physical shape and then sought to conquer the Titans.

Titans-as-Forgotten-Ones: For a time, I thought they disproved me on this, showing Anaris as a spirit, the "eighth" while the "sixth and seventh" roamed free. Showing Anaris craving a body to wreak his evil (?) machinations upon the world. But then I got to thinking, and I realized: they never said the Forgotten Ones are spirits, they just showed one being a spirit. What did they say about spirits in general, or the Titans' relation to the Fade in general?

Titans-and-Fade Connection: I theorized that the Titans' consciousness is the Fade, and the Veil is what keeps them all sundered. I theorized that spirits are thoughts, either floating around in the Fade or held in lyrium. For a long time in Veilguard, I thought I was being disproven. Solas' memories don't say that the Veil sundered all Titans, and they don't say that Titans' consciousness is the Fade, either. But, as I went through Veilguard, I realized... they also didn't not say it. And that's when I knew.

I have to go digging again. And after 8.5 days, here's what I think I've got. It's a start, but a promising one.

Early Signs Veilguard Has Added to My Theories

Remember how I said that there are very few in things in Thedas that are there for no reason? Well, Veilguard has given us plenty of tie-ins to previous material already, just with the stuff I remember off-hand from the past week, no wiki entries to go by yet.

(Please bear in mind that I have had this game for 8 days and this is just barely scratching the surface of its content!)

Let me re-examine some of the things I mentioned above:

Titans-as-Forgotten-Ones

The Nadas Dirthalen's very first word is Sulahn'nehn. Remember how I said many things in Thedas are there intentionally, and that World of Thedas is a book made up of invitations to solve puzzles? This is no exception. World of Thedas states that, translated literally, this common word for "rejoice" actually means "sing again."

That word might be a rallying cry for the spirits of Titans who'd, I don't know... lost their song. A promise of plot to come, made a decade ago. Why else would they include that word, instead of anything more frequently used by characters/the fandom?

I also noticed: the Nadas Dirthalen looks to be contained in a lyrium crystal, specifically. We already know that lyrium is used to store memories! It may be that the Nadas Dirthalen, the inevitability of knowledge, was Anaris storing his knowledge and memories in an attempt to pre-empt the creation of the Veil. Nadas Dirthalen might be a promise: a promise that the Forgotten Ones will return to sing again, and that their knowledge and memories will guide them to victory.

But if I was going to hazard a guess that this is the case, I couldn't base my theory on just this line of dialogue.

Titans-and-Fade-Connection

First and foremost: Neve and a couple codices say that Solas' ritual to create the Veil went wrong. We all heard Solas cry out in pain at the moment of its creation!

Second: defeating one of the revenants, whose name is something like "The Slaughtered Pillars," made my ears perk up. I noticed in the combat with the Betrayal of Felassan that the dialogue lines are supposed to be Solas' regrets, given voice.

You wanna know what it says when you fight the Slaughtered Pillars?

"Light and song, stolen."

You wanna know what the Chant of Light refers to the Fade as? Three guesses. C'mon. :)))

That's right! Light! But why would the slaughtered pillars of the earth complain about their light AND song being stolen? Well—I'm guessing that their Light is the Fade; their consciousness. And without their consciousness, their dreams, all concept of isatunoll was lost to them.

When I heard this line, I threw out what I thought I had been told about the Forgotten Ones being spirits, not Titans. Now, I have a new idea (one that still needs verifying and much codex-reading): the Forgotten Ones are those sundered spirits that Solas severed from the Titans. The entire Fade being cut off from Thedas was an unintended consequence that hurt him as badly as it did the Titans he meant to put to sleep.

(We don't even know that he was in uthenera by choice, with how often he talks about being weakened.)

Suddenly, "Sing again," makes total sense as a rallying cry for Anaris and the Titans, both. I very much look forward to digging through the minutiae of every codex to see if I can find anything else that backs this up!

Terror/Horror Mentions

I need to really examine this one, ideally with the help of a wiki that doesn't quite exist yet for this game, to get all the exact lines. But I swear that fear is mentioned almost constantly in Solas' memories, and also a lot in conjunction with Anaris and with Harding's Titan.

I'm not letting go of my "Solas was crafted from Terror/Dread" theory. Not yet. Not yet.

Bellara and the Bird Boys™

I think BioWare's favourite game, at this point, is teasing us with sneaky little mentions of Dirthamen and Falon'Din. In Veilguard, we went to Zazikel's skeleton in the Cauldron. In Arlathan, owls were just... glowing. Everywhere. Why? I don't know! Rook also doesn't seem to know! But they mention it many times over, and that is always a cue for us to pay attention and ascertain why.

I don't know what Bellara's sneaky little connection to Dirthamen and Falon'Din could mean for the two sundered Evanuris. I don't know if it means that I'm right, and that Dirthamen escaped Fade Jail when Corypheus and the Magisters Sidereal entered the Black City. I don't know if it means that, when Dirthamen and Falon'Din died, their spirits fused back together (because... Mythal's didn't?).

I just know that this has worsened how I constantly search for the Bird Boys™ in everything. Something is happening here, I just need to figure out what.

What Do I Think This Means?

I think this means that BioWare are about to make good on their promise shown in the Poisoned Fruit post-credits scene. Dragon Age 5: Something Something Something Forgotten Ones, ooohhhh, spooky, Terror Terror Malice Fear Nightmare Time, Featuring Solas (reluctantly or gladly) Helping Heal the Titans. And did we mention that the Forgotten and the Forbidden Ones have always been more closely linked than most of the fanbase thought?

But I can only guess at that for now, and I've got some serious reading to do before I say anything more specific than that.

-----

As always, if you read this far, you're one of the real ones. This has been a jumbled mess of midnight thoughts, but I promise you this: I'm only just digging into Veilguard's finer workings. I'm only just starting to put its many pieces together.

And like every Dragon Age game, I can tell that there is something big lurking between the lines of every one. I just need to read something like 135 mementos and [redacted] codices from everywhere else several times over in order to figure out what it is.

But this is just Part One. I promise: the second it clicks for me, I'll write it all in a rambling frenzy for you, too.

It's still super up in the air, but I think for the next one, I might try and tackle What Dragon Age: the Veilguard Did Narratively—and What DA5's Story Will Likely Do to Follow. We'll see what happens to me 50, 100, or 200 codices from now. :)

[deeriegeist]

Stolas, a pacifistic Prince of The Ars Goetia & Mentor of Baphazel during his time in Hell.

(This character is for “Cult Wyleville”)

Stolas is a Prince in the ranks of a specific group of demons called “The Ars Goetia,” meaning he is of the original fallen. During both his time in heaven and hell, Stolas has been that of an introvert. Often marveling at the creation and the power it holds, rather than paying attention to hierarchies, wars, and disputes. He is a gatherer of knowledge, and due to his great understanding of the cosmos, he played and unwilling but vital role in the original rebellion.

His defiant angelic siblings requested that he provided a map of the stars specifically regarding heaven, so that they may know the ins and outs. After much convincing (and lying), Stolas explained all that he knew. He was promised that if everything were to go as planned, he may study the universe till his heart’s content.

As we know, the rebellion failed, and all involved were cast down, Stolas included. Due to his lacking support he was ranked as Prince, but the promise was kept that he may study for the rest of his existence, and that he did. Never one to take part in trivial disputes, he used his legions to gather knowledge, teach, and trade with other demons and the life that walked on earth. He eventually amassed a mighty collection, both written and physical.

For most of Stolas’ time in hell, he kept to himself. Very few cared to learn, at least until Baphazel came to be. Baph & Stolas were much alike, to Paimon’s disappointment. They were kin, however, and Stolas gleefully taught Baph everything the young heir’s heart desired. Baph became some what of Stolas’ apprentice, and he used his knowledge to tend to the animals that belonged to the kings, as well as pass the time as he was all but banished from his father’s court.

Stolas was the one that taught Baph how to follow the stars & blood moons, and this is how he escaped the massacre that Furcifer led against King Paimon.

[tawakkull]

SPIRITUALITY IN ISLAM: PART 59: ILM (KNOWLEDGE)

Knowledge (‘ilm) means information obtained through the human senses or through the Revelations or inspiration of God.

It is also used to denote information that is in agreement with facts or realities, and to denote understanding something with its real, whole meaning and content. In addition, we come across usage of this term in the simple sense of thinking, under-standing, comprehension, and conclusions drawn as a result of such mental processes. Sometimes the word knowledge can even mean familiarity.

Although it is well known which aspect of the term knowledge in Islamic Sufism is most relevant in the context of this book, we deem it useful to mention some secondary matters, such as the different types of knowledge and its sources.

Knowledge, first of all, is dealt with in two categories: knowledge without means or knowledge that is had without being acquired, and knowledge that is acquired through some means.

Every living being has its own peculiar characteristics and potentials. These characteristics and potentials are the sources of certain, innate knowledge, knowledge a creature has without having to acquire it. (The modern scientific term for this kind of knowledge is instinct.) A human being’s being able to sense and perceive a lack of air, thirst, hunger, grief and joy, etc., a baby’s knowledge of how to nurse, a bird’s knowledge of how to fly and build nests, a fish’s knowledge of how to swim, young animals’ knowledge of how to avoid dangers, in short, these types of knowledge, knowledge of how to deal with the necessities of life, fall into the category of knowledge without means.

Knowledge acquired through the internal and external senses is included in the second category. Knowledge concerning the physical world is usually obtained through the five external senses-sight, hearing, smell, taste, and touch-while knowledge about the metaphysical or incorporeal realm of existence is acquired through internal senses-the mind and heart with their faculties of thought, reason, spiritual discovery and experience, intuition, etc.

As for the sources of knowledge or means of acquiring it, these consist of three, according to Islam:

The five external senses, provided they are sound.

True reports, of which there are two kinds: reports unanimously given by a group of truthful people of such a number that it is inconceivable that they have agreed to lie, and reports given by the Messengers of God, whom He has sent with special messages.

The third source of knowledge is reason. Axiomatic knowledge and the knowledge reached by using the mental faculties are included in this kind of knowledge.

Knowledge is also divided into two groups: that which is acquired through the mental faculties, and that which is reported knowledge. The first can be divided up into three categories:

Knowledge of such matters as health and education, which in Islam are regarded as incumbent upon every individual or a group of people in the community, according to the time and conditions.

Another kind of knowledge acquired through the mental faculties is knowledge of which Islam disapproves. Sorcery, divination and occult sciences are of this kind.

Sciences, such as geometry, mathematics, medicine, physics, chemistry, and history are included in the third category, the study of which Islam regards as obligatory on the community in order to discover God’s laws of the creation and operation of the universe and for the well-being of the community.

Reported knowledge is of two kinds: knowledge based on spiritual discovery and inspiration and knowledge concerning Islam and Islamic life. The second kind has been separated under four heads:

The knowledge of the fundamental principles, which include knowledge of the Qur'an, Sunna (the Prophet’s way of life, sayings, and confirmations), the consensus of the scholars (ijma’) and analogy or deductive reasoning. These are the sources upon which the rules of the Shari'a are based.

The knowledge of the subdivisions, which includes the knowledge of worship (the Prescribed Prayer, the Prescribed Alms-giving, Fasting, Pilgrimage and so on), the daily life of the believers, marriage and relevant matters, such as divorce and alimony (civil law), and legal penalties (criminal law), etc.

Primary sciences, such as language, grammar, meaning, composition, and eloquence, which are ways to properly understand the religious sciences, such as Hadith (the sayings of the Prophet), the interpretation of the Qur'an, and jurisprudence.

The complementary or secondary sciences, i.e. the sciences additional to the sciences of the Qur'an. They consist of sciences relating to the wording and composition of the Qur'an, such as phonetics and recitation; the sciences pertaining to its meaning, such as interpretation and exegesis, and those relating to its commandments, such as the abrogating and the abrogated, the general and particular, the explicit and implicit, the real or literal and the metaphorical or allusive, the succinct and the detailed, the clear and the ambiguous, the direct and firm and the allegorical.

As for reported knowledge based on spiritual discovery and inspiration, it has also been dealt with under two heads: the knowledge that occurs in one’s heart as a gift from God, and the knowledge that arises in the conscience. What we will study among the topics of the “Emerald Hills of the Heart” is this kind of knowledge. Whether it is of the kind occurring in one’s heart as a gift from God or of the kind arising in the conscience, this knowledge is and must be based on the Qur'an and the Sunna. Any knowledge one finds in one’s heart or conscience which has not been filtered through these two pure sources is not reliable. It cannot be binding knowledge for either the individuals themselves or others, it cannot be considered as authentic, sound knowledge. This important point has been stressed by many great Sufi leaders. For example:

Junayd al-Baghdadi says: “All the ways that do not end in the Prophet are closed and do not lead to the truth.” He also reminds us: “Anyone who does not know the Book and the Sunna is not to be followed as a guide.”

Abu Hafs explains: “Anyone who does not continually control him or herself in the light of the Book and the Sunna cannot be regarded as belonging to this way.”

Abu Sulayman al-Darani warns: “I admit the truth of whatever occurs to the heart only provided it is confirmed by the Book and the Sunna.”

Abu Yazid al-Bistami admonishes: “I struggled against my carnal self for almost thirty years and did not find anything more difficult for it to accept than the objective criteria of the Book and the Sunna. You should not be misled by anyone, even if they work wonders like flying through the air, rather you should consider their care in observing the limits set up by the Shari'a and following the commandments of the Book and the Sunna.”

Abu Sa'id al-Harraz sums up the matter: “Any intuitive knowledge which is not compatible with the spirit of religion is false.”

Abu al-Qasim Nasrabadi teaches: “The essence of the Sufi way is strict adherence to the Book and the Sunna, holding back from the misleading inclinations of the carnal self and innovations in religion, being able to overlook the faults of others, not becoming negligent in one’s daily recitations to glorify and praise the Almighty, being strict in fulfilling the religious commandments without applying special exceptions, and refraining from personal, insubstantial opinions regarding religion.”

The Sufi leaders give knowledge precedence over the spiritual state of the Sufis, because that state depends on knowledge. Knowledge is the heritage of the Prophets, and the scholars are the heirs thereto. The Prophetic saying, “The scholars are the heirs of the Prophets,“ is the highest of the ranks recognized for scholars.

The knowledge of the truth or knowledge that leads to the truth is the life of the heart, the light of the eye, the cause of the expansion of the breast (with peace, exhilaration, and spiritual happiness), the stimulus to activate reason, the source of pleasure for the spirit, the guide of those bewildered as to which way to follow, the intimate friend of the lonely, and an invaluable table of heavenly foods offered on the earth and one to which the angels show great respect.

Knowledge is an important step toward belief, a standard to distinguish between guidance and error and between certainty and doubt, and a Divine mystery manifesting the truly human aspects of a person.

There is no exaggeration in the following saying of a friend of God:

A human being is truly human with knowledge;

But without knowledge is entirely bestial.

Action without knowledge is purely ignorance;

So, O friend, you cannot find the Truth without knowledge.

By knowledge, the Sufis mean, rather than the familiarity that is reached with the mind, hearing and sight, the light and radiation that come from the realms beyond the material world and have their source in God’s Knowledge. This light pervades the spirit and bursts like flowers in the meadows of the innermost faculties of the person, and swells and flows in the gifts of the All-Eternal One. In order to be able to receive this Divine gift, one should, first of all, turn with all one’s inner world to the Eternal Sun and, freed from the influences of the body and carnal pleasures, lead a life at the level of heart and spirit, and open one’s breast to God, the Truth, with belief, love, and attraction, and then one should be able to rise to a level where one can be taught by God through inspiration.

As declared in the Divine declaration (18:65),

We taught him knowledge of a special kind from Our Presence, God-inspired knowledge is the rain of mercy that pours down into the depths of a person’s inner world from the Realm of the Holy Presence- the Realm where those who are the nearest to God experience His Holy Presence-without any intermediary and veils. Deep devotion to God, sincere adherence and loyalty to Him as well as the Messenger, being sincerely well-pleased with whatever God decrees or causes to happen for one and trying to please Him, the sincerity and purity of intention in one’s acts or doing whatever one does only to please Him and because He wants us to do it, and having a heart pursuing certainty in the matters of belief over and over again-all this is what is required to be rewarded with God-inspired knowledge, especially in abundance.

Since the Prophets received Divine Revelation and were taught by Him, their knowledge is a God-inspired knowledge that comes from Him without any intermediary. As for the knowledge of purified, saintly scholars and other saintly persons, this is also a God-inspired knowledge, the only difference being that the source is the rays of light of the Prophetic knowledge. Khadr is regarded as the foremost one in receiving this knowledge. However, he can only be so regarded for a certain period of time and spiritual rank and for the state particular to him. In certain particular matters, some people may be superior to those who are superior to them in general terms. Similarly, in certain particularities of God-inspired knowledge, Khadr is superior to those who are greater than him. He is in no way superior to either the Prophet Moses, upon him be peace, or the other great Messengers.

As a Messenger charged with teaching people God’s commandments and guiding them in their lives so that they could attain happiness in both worlds, the Prophet Moses knew God’s commandments concerning the human individual and social life and the sensitive relation between them and the outward and inward aspects or dimensions of things. But, Khadr’s knowledge is restricted to the inward dimension of things. He points to this difference in his conversation with Moses:

“Moses! I have a kind of knowledge which God has taught me and you do not possess, while you have another kind of knowledge which God has taught you and I do not possess.”

In conclusion, God-inspired knowledge is the kind of knowledge which one cannot acquire by studying or being taught by others. It is a special gift from God and a kind of illumination, from a sacred source, that one finds in one’s heart. Rather than being the kind of knowledge about the Creator acquired by studying creation and which therefore leads from the created to the Creator, it is a kind that pours from the Maker to the conscious “works” of His art. It is even regarded as the emergence in the human spirit of the knowledge about some mysteries pertaining to God, the Truth, as special gifts from Him.

Anyway, it is always God Who knows best the truth in every matter.

[aroyaltailor]

Let's talk about Raum, Parak's dad (ramble)

When I first imagined Parak as a character, I knew that I'd want to give him familial ties to one of the Goetia from the original "canon." The Lesser Key of Solomon, that dreadful ye olde medieval book listing the names, sigils, and whatnot of various demons. It was an interesting read. I was able to find an ebook of it easily enough, just because I'm a bit of a [pirate] of such things. I found another site, a wiki called Demonic Paradise, and from there I settled on my decision.

Raum had caught my attention almost immediately.

Raum, discreetly at least, was not too fond of his job and did not believe that him turning the wheels of the Almighty's creations was the highest honor he could achieve. As such he believed there were other treasures that awaited him. Raum would often abandon his posts simply for the sake of peering into the duties of other angels. Raum steals treasures out of kings' houses, carrying them where he wishes, and destroys cities and dignities of men (he is said to have great dispraise for dignities). He can also possess a human body, transform the host's head into that of a crow and also assume the form of a flock of crows.

The list of titles included on his Wiki page was even better. "The Night Killer," the "Archdemon of Deceit," here was a character that would work for me! A liar, a thief, and an inquisitive soul. I've written a semi-indecipherable ramble worth about fourteen pages on him, Parak, and his family, but for now, I'll just summarize for Raum.

Raum was one of those original, founding members of the Ars Goetia, a former Angel of Heaven that fell shortly after Lucifer was banished to Hell. I'm leaving some aspects of it fairly vague for now. I'm trying to write the lore for the official posts (when I eventually finish them) to have plenty of loopholes so that it can be woven/incorporated/blended into the other headcanons people have written about "The Fall." But in short?

Raum was there at the beginning of it all.

He took the form of a crow and fluttered through the Garden of Eden, listening to Lilith and Adam speak. He was there when Lilith refused to submit and defied the purpose for which she had been made. He was there when Lucifer first descended from the sky and spoke to Lilith for the first time. In the events that followed after Eve was given the apple, Raum was there, unseen, listening as the Council of Elders deliberated on Lucifer's punishment. It was Raum who delivered the news to the other angels of Lucifer's emerging faction, just before the sentence was carried out.

Raum had never been content with his duties. As a Throne, he and his brother Lemechiel were created to turn the wheels of Heaven's palaces, and track the paths of constellations as they dragged across the firmament beyond the sky. But unlike his brother, Raum would often neglect his duties whenever he could, whenever he was certain that it would go unnoticed. He had no interest in the tasks he'd been created to perform. So when he saw Lilith stand against Adam, and refuse him, and choose instead to forge a path entirely on her own?

He was inspired.

Nevertheless, he did not intervene was Lucifer and Lilith were cast down, believing it would do him no good. He did not leap to stand alongside Paimon and the others, because his decision had not yet been made. He was there to see Lilith weep, and Lucifer plead, and stood with the other angels in silence as the sentence was carried out. Banishment to the dark pit the rebellious couple had created.

Months passed, but for Raum it was a blur. He peered into his understanding of everything he'd been told, everything he'dseen, and pondered on it all. More trials followed in the aftermath. Angels who had stood alongside Lucifer went on to commit crimes of their own, and one by one more were sentenced. More angels were banished. Some were sentenced in other ways, either being imprisoned or given different tasks in the hope of atoning for their crimes. Raum lasted longer than most of Lucifer's sympathizers, but eventually even he was brought to trial. He was sentenced to be imprisoned for the role he played. He did not comply.

At first, he did. He allowed the angelic manacles to be clamped over his wrists, he nodded his head as if in thanks for the sentence and chose to walk. Lemechiel had been allowed to stand with him. They walked together along the marble paths, crossing a bridge high above the clouds, not a safety railing to be seen. Lucifer had been punished for his acts, and now he would be as well. A century – or several – or even eternity – spent within the confinements of a gilded cage. He had been entrusted with the same tasks as before, but now there would be no escape from the tedium of it all. He would never be free. 

And so Raum made his choice. Defiant, he took one step off the edge. And fell. 

He fell from Heaven, with those manacles still about his wrists. He fell through the clouds, he fell through the void, he fell down to Hell. He fell without access to the angelic powers woven into his soul. He crashed in a heap, dragging a crater across an empty landscape of ash. Part of his beak broke away, the hip on his left side shattered, his ribs broken into a dozen needles stabbing at his insides. He did not curse, he only cried, weeping that it had come to this. He lost consciousness, and when he next opened his eyes...

He saw a figure standing over him. A woman, clad in a long flowing dress, bearing curved demonic horns. She lifted the chain binding his manacles together and squeezed, breaking it. His powers came back to him, and slowly he began to heal. Raum looked up at her, and the former angel recognized her at last. He saw a figure of transcendent majesty and compassion unbound and she offered him a hand.

"Come with me," Lilith said.

The rest I will have to share another time. Yes I know he makes an actual appearance in the show, and that he and Parak look nothing alike. IM WORKIN ON IT

[softrobotcritics]

Large Geospatial Model

Niantic, the company behind the extremely popular augmented reality mobile games Pokémon Go and Ingress, announced that it is using data collected by its millions of players to create an AI model that can navigate the physical world. 

In a blog post published last week, first spotted by Garbage Day, Niantic says it is building a “Large Geospatial Model.” This name, the company explains, is a direct reference to Large Language Models (LLMs) Like OpenAI’s GPT, which are trained on vast quantities of text scraped from the internet in order to process and produce natural language. Niantic explains that a Large Geospatial Model, or LGM, aims to do the same for the physical world, a technology it says “will enable computers not only to perceive and understand physical spaces, but also to interact with them in new ways, forming a critical component of AR glasses and fields beyond, including robotics, content creation and autonomous systems. As we move from phones to wearable technology linked to the real world, spatial intelligence will become the world’s future operating system.”

By training an AI model on millions of geolocated images from around the world, the model will be able to predict its immediate environment in the same way an LLM is able to produce coherent and convincing sentences by statistically determining what word is likely to follow another. ...

The LGM will enable computers not only to perceive and understand physical spaces, but also to interact with them in new ways, forming a critical component of AR glasses and fields beyond, including robotics, content creation and autonomous systems. As we move from phones to wearable technology linked to the real world, spatial intelligence will become the world’s future operating system....

[simulanissolutions]

The impact of Simulanis on education through augmented reality (AR) has been transformative, significantly changing how students engage with learning and how educational content is delivered. Simulanis is a company focused on leveraging augmented reality (AR) and virtual reality (VR) technologies to create immersive learning experiences. By offering advanced simulations, interactive modules, and virtual environments, Simulanis aims to revolutionize the traditional classroom and training methods, introducing a new paradigm in education. This detailed exploration will delve into the numerous ways in which Simulanis has positively influenced education, with specific examples, benefits, and potential challenges.

[digitalfractal]

How to Create Digital Interactive Content for Displays?

In the bustling city of Dubai, where innovation meets opulence, the demand for digital interactive content has surged, making it crucial for businesses to captivate their audience through immersive experiences. This guide explores the art of creating interactive content for displays, with a specific focus on leveraging the expertise of virtual reality companies in Dubai to elevate the digital narrative.

The Essence of Interactive Content

Digital interactive content transcends traditional forms of communication by actively engaging audiences and fostering a two-way interaction. In a world where attention is a precious commodity, creating content that invites participation and captivates viewers is essential.

The Role of Virtual Reality Companies in Dubai

Dubai, a city synonymous with technological advancements and architectural marvels, serves as a hub for innovation. Virtual reality companies in Dubai play a pivotal role in shaping the digital landscape, offering expertise in creating immersive and interactive experiences that align with the city's progressive spirit.

Steps to Create Digital Interactive Content

1. Define Objectives and Audience:

Before diving into the creative process, define the objectives of your interactive content. Whether it's for marketing, education, or entertainment, understanding your goals and target audience is fundamental. Virtual reality companies in Dubai specialize in tailoring experiences to diverse demographics, ensuring your content resonates with the local audience.

2. Choose the Right Display Technology:

The choice of display technology sets the stage for your interactive content. Virtual reality companies in Dubai can guide you through a range of options, from touchscreens and gesture-controlled displays to augmented reality (AR) and virtual reality (VR) setups. Consider the context of use and the desired level of interactivity when selecting the display technology.

3. Collaborate with Virtual Reality Experts:

Engaging with virtual reality companies in Dubai brings a wealth of expertise to the table. Collaborate with professionals who understand the nuances of creating immersive experiences. These experts can provide insights into the latest trends, technologies, and design principles that elevate the impact of your interactive content.

4. Storyboarding and Conceptualization:

Storytelling remains a fundamental aspect of digital interactive content. Work closely with virtual reality companies to storyboard your narrative. Whether it's a virtual tour, product demonstration, or educational experience, a well-structured story enhances user engagement and guides the development process.

5. Customize for Dubai's Cultural Context:

Dubai's diverse cultural landscape requires a thoughtful approach to content creation. Virtual reality companies in Dubai understand the local nuances and can help tailor your interactive content to resonate with the cultural preferences and sensitivities of the audience, ensuring a more impactful and relatable experience.

6. Utilize 3D Animations and Visual Elements:

Incorporate 3D animations and visually striking elements to enhance the immersive nature of your content. Virtual reality companies excel in creating realistic and dynamic animations that bring your narrative to life. Attention to detail in visual elements contributes to a more compelling and memorable user experience.

7. Interactive Elements and User Engagement:

The heart of interactive content lies in engaging the user. Work with virtual reality experts to integrate interactive elements seamlessly. Whether it's touch gestures, voice commands, or immersive VR environments, fostering user engagement ensures that your content is not only viewed but experienced.

8. Optimize for Multiple Platforms:

Consider the diverse range of devices and platforms on which your interactive content may be accessed. Virtual reality companies in Dubai can optimize your content for various displays, ensuring a consistent and enjoyable experience across different devices, from large interactive displays in malls to mobile devices.

9. Performance Optimization and Testing:

Virtual reality experts understand the importance of performance optimization. Rigorous testing is essential to identify potential bottlenecks and ensure smooth performance. This step is crucial for maintaining user interest and preventing any disruptions in the interactive experience.

10. Analytics and Iteration:

Leverage analytics tools integrated by virtual reality companies to gather insights into user behavior. Analyzing user interactions provides valuable feedback for refinement and iteration. Continuous improvement based on analytics ensures that your interactive content remains relevant and engaging over time.

Challenges and Considerations

Creating digital interactive content comes with its set of challenges, including technological constraints, user experience complexities, and the need for ongoing maintenance. Collaborating with virtual reality companies in Dubai mitigates these challenges by tapping into local expertise and staying abreast of the latest advancements in immersive technologies.

Future Trends in Digital Interactive Content

As technology evolves, the future of digital interactive content is poised for exciting developments. Virtual reality companies in Dubai are at the forefront of these trends, with advancements such as extended reality (XR), haptic feedback, and AI-driven interactivity promising to redefine the possibilities of immersive experiences.

Conclusion

Crafting digital interactive content for displays is an art that demands a combination of creativity, technological expertise, and cultural understanding. Virtual reality companies in Dubai play a crucial role in elevating this process, bringing a wealth of knowledge to create experiences that resonate with the city's diverse audience. By defining objectives, collaborating with experts, and leveraging the capabilities of interactive display technologies, businesses can unlock the full potential of digital interactive content and leave a lasting impression on their audience in the dynamic landscape of Dubai's digital frontier.

[asma-al-husna]

Allah calls Himself Al-Muhaymin— The Guardian, The Witness, The Overseer — on one occasion in the Quran. He is the One who ensures the wellbeing of creation. Al-Muhaymin observes, guards, and protects His creation!

The Overseer, Protector and Guardian

Muhaymin comes from the root haa-meem-noon , which points to three main meanings. The first main meaning is to oversee, protect, and guard, and the second is to witness. The third main meaning is to determine the truth.

This root appears two times in the Quran in one derived form. Examples of this form are wamuhayminan (“and a guardian”) and al-muhayminu (“the Guardian”).

Linguistically, the root of muhaymin also means to extend a wing, like a hen protecting her chicks, and is related to the names Ar-Raqeeb (the Watcher), al Haafidh (The One who protects and guards), and Ash-Shaheed (The Witness). Al-Muhaymin is the One who observes, controls, looks after, completely covers us and judges us by the truth.

Al-Muhaymin Himself says: He is Allah , other than whom there is no deity, the Sovereign, the Pure, The Perfection, the Bestower of Faith, the Overseer. [Quran, 59:23]

The Quran is called ‘muhaymin’

Allah ‘azza wa jal calls the Quran muhaymin: And We have sent down to you the Book in truth, confirming the Scripture that came before it and muhaymin (trustworthy in highness and a witness) over it. [Quran, 5:48]

After mentioning the position of His Book Allah Al-Muhaymin instructs to make use of it: so judge between them with what Allah has sent down. [Quran, 5:48] The Quran is to be recited and memorized as well as to be applied in our daily life situations, such as judging between right and wrong in our relationship with Allah ‘azza wa jall and other people.

How can you live by this name?

1. Be aware that Al-Muhaymin is watching you.

The Prophet salallahu ‘alayhi wa sallam said: Be mindful of Allah and Allah will protect you. [at Tirmidhee] Al-Muhaymin sees every deed you do; He observes your reactions to situations and even witnesses your inner thoughts. Remind yourself constantly of this fact and let it motivate you to stay away from sins and temptations. Al-Muhaymin will protect you from harm and even from committing sins if you are mindful of Him and keep remembering Him in your actions.

2. Accept the decree.

Believe with certainty that whatever Allah al-Muhaymin gives to you or keeps away from you is good for you, even though it does not always seem like it. He ‘azza wa jall is overseeing everything and everything is part of His plan. Complaining about your looks, about others’ belongings, about missed opportinuties, etcetera, are signs you have to strengthen your faith in Al-Muhaymin.

Accepting and being content with His qadr (decree) will be your true key to the tranquillity (saakinah) in your heart that you are so badly longing for but cannot find in anything else in this whole wide world.

3. Use the Quran, the muhaymin!

Don’t just read the Quran— interact with it, implement it, and memorize it. The Quran is muhaymin, trustworthy in highness, and a witness. The Prophet salallahu ‘alayhi wa sallam said: Verily, Allah elevates some people with this Quran and abases others. [Muslim] That is, those who fulfil the rights of the Quran will be raised high in this world and in the hereafter; those who leave it will be put down. Make the Quran a witness for you and not against you.

4. Ask Al-Muhaymin.

Indeed the deen of Islam is itself manners, where anyone that surpasses you in manners, is better than you in deen. [Ibn al-Qayyim] While working on your character, never think you cannot change for the better, and ask Al-Muhaymin to help you. Ask Him to protect you from your own desires and weaknesses. Imagine the protection of a hen for her chicks and know that Al-Muhaymin’s protection for you is beyond limits, so whenever you are in a difficult situation, you are scared, or feel lost, invoke Allah using this name.

5. Protect your heart.

The Prophet salallahu ‘alayhi wa sallam said: There is a piece of flesh in the body if it becomes good (reformed) the whole body becomes good but if it gets spoilt the whole body gets spoilt and that is the heart. [Al-Bukharee] Your heart is one of the greatest trusts given to you by Al-Muhaymin and it will be your most important witness when you stand before Him, so protect your heart.

How? Gain knowledge about the types of diseases mentioned in the Quran and Sunnah and their symptoms, assess yourself, and then seek the cure. Scholars mentioned four of the greatest poisons of the heart as: unnecessary talking, unrestrained glances, too much food, and keeping bad company.

O Allah, Al-Muhaymin, we know that You are the One who ensures our well-being. Make us mindful of You in everything we do and aid us in accepting and being content with Your decree in good and bad times. Make the Quran our close companion and a witness for us, protect and cure our hearts from its diseases, and protect us at all times, against others and ourselves, in this life and in the Hereafter, ameen!

[ronsenthal]

🪖 HBOWAR Fandom Q/A 🪖

Thanks @sharkboyandlavalieb, @ronald-speirs and @footprintsinthesxnd for the tags!!

Name/ Alias:

Jess / Jeska / whatever you want really I just don't like my full name

Country:

Brazil, zil, zil

Which of the series have you seen - BOB, P, GK, MOTA:

All of them!!! BoB is a long term relatioship while I finished both TP and GK last year and I'm really looking forward to more MoTA

Use an emoji or ONE word to describe your favourite character in an hbowar miniseries:

😾 LISTEN, IT'S HIM!!!!!

Ultimate ship (if any):

Has to be winnix

Favourite fic (yes I made this q&a just to get fic recs):

SHIIIIT I have tons of fav fics and I list all of them on my #fic recs but I'll list some of the ones I'm always re-reading x Better This Way series by @blurredcolour x Kinky Ron Series: Part 1 and 2 by @@footprintsinthesxnd x In The Bleak Mid-winter by @blurredcolour x He definitely doesn’t hate me by @brassknucklespeirs x Meine Liebe by @mads-nixon x Ares and Athena and the prequels Evaded by Hypnos by @softguarnere x Guiding Light by @holdingforgeneralhugs

What are some ways you interact in the fandom?:

I'm a all-in-one mess because I reblog stuff, create some content like fics, gifs and edits and I try to spread positiviy and love around like giving feedback and sending random love to my mutuals

Favourite colour:

Always changing but somehow blue always comes back to me (rn it's green)

Current favourite song:

I would say Common People by Pulp because it's always blasting on my headphones lately

What would you say if I held up a can of peaches?:

I would stare you down with my amazing thick eyebrows and tell you It's a can of peaches, sir

Complete this sentence: “Where the hell is ___ company?!”

F!!!!!

Other accounts or socials?:

Only this one here but if anyone want my other socials just send me a message

List one other fandom member (mutual or a follower you admire) for some appreciation:

I'll tag more than one because I can't just pick one right? - @ronald-speirs my partner in crime and the other half of ron's last brain cell, really awesome, sweet and precious - @ewipandora my love, my Lew and the one who is contantly making me smile and deserves the world!!! - @easycompanys talented, sweet and lovely, we exchange so many ideas and tips for creations I love our mutual admiration society - @basilone another fellow creator that I admire so much and I'm so happy to exchange ideas, feedback and tips here and there - @sweetxvanixlla my schatzi, truly one of the sweetest and most special souls you'll ever find, her talent and sensibility it's insane - @mutantmanifesto the talent is insane and matches the sweet and precious personality, love everytime we have our convos

Tags:

no pressure!!! @blurredcolour @ewipandora @easycompanys @mutantmanifesto @panzershrike-pretz @georgieluz and everyone else who wants to :)

[katsigian]

✧. ⊹┊     ᴋᴀᴛꜱɪɢɪᴀɴ'ꜱ ʙʟᴏɢ + ᴏᴄ ᴅɪʀᴇᴄᴛᴏʀʏ

✧. ⊹┊     ʟɪɴᴋꜱ

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✧. ⊹┊     ᴛᴀɢꜱ ɪ ᴜꜱᴇ ᴏꜰᴛᴇɴ

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✧. ⊹┊     All content is tagged for easy filtering, including video games, video game characters, and other media. I'll use their acronyms if available. I often use tags such as 'cyberpunk 2077', 'bg3', and 'vg reblogs'

✧. ⊹┊     I tag all NSFW content with both 'nsft' and 'nsfw' - it will be non-explicit and is entirely OTP or OC inspiration. Non NSFW content that's still has nudity will be tagged with 'suggestive'

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✧. ⊹┊     ᴍʏ ᴘʀᴇᴛᴇʀɴᴀᴛᴜʀᴀʟ ᴏᴄꜱ

✧. ⊹┊    ᴛʜᴇ ꜱᴀɪɴᴛ, ᴛʜᴇ ᴅᴀʏᴡᴀʟᴋᴇʀ; ᴠᴀʟᴇɴ ᴋɪɴʟᴀᴡ

☾‧⁺˖⋆ ┊ Valen is my most fleshed out and developed character. He's a competent, aggressive, and charismatic contractor for a private security company called Ares Systems. His work consists of various clandestine wetwork operations and specialized threat mitigation contacts. A headhunter, and a charming one at that when he wants to be. Valen is inherently talented in his line of work. He's the bad guy hunting other bad guys, which has earned him the alias 'the Saint'. He's made a career out of violence, partly because his vampire genetics dictate that he is a designed to be an apex predator. His love of the hunt and his skill as a hunter come naturally to him. Valen likes motorcycles, gin, snake plants, night life, cage fights, thunderstorms, bite marks, sex, and cigarettes. He's also very happily taken and has the ring (and marks) to prove it. Aside from the intimidating exterior, Valen is incredibly sweet and loving to his husband; having been the other half in two toxic relationships, he never wants to treat his loved ones the same way as he was treated.

« valen.png » « lore » « aesthetics »

« valen's pinterest » « valen's profile »

✧. ⊹┊   ᴛʜᴇ ᴅᴀʏᴡᴀʟᴋᴇʀꜱ

« vesper.png » « about vesper »

« vega.png » « about vega »

« saturnino.png » « about sat »

« gemini.png » « about gemini »

✧. ⊹┊    ᴛʜᴇ ᴡᴏʟᴠᴇꜱ

« nikita.png » « about nikita »

« noel.png » « about noel »

« kaito.png »« about kaito »

✧. ⊹┊   ʙɢ3 ᴏᴄꜱ

« Callistus Miresta » « Rhystiel Larkspell »

✧. ⊹┊    ᴍʏ ᴡᴏʀʟᴅʙᴜɪʟᴅɪɴɢ ᴀɴᴅ ᴘʀᴇᴛᴇʀɴᴀᴛᴜʀᴀʟ ʟᴏʀᴇ

☾‧⁺˖⋆ ┊I'm in the process of building my own Cyberpunk world that's modeled off of the TTRPG by Talsorian and Mike Pondsmith. It is a campaign of sorts where I'll be telling my character's stories. I've detached them from the video game itself. While I will still build this campaign within Night City and will retain some ambiguous lore from the game, I'm worldbuilding in a way that is far different from video game lore/canon as a whole. I'm calling it Nyx Aeterna and it blends the supernatural with cyberpunk. Night City looks only partly like it does in the videogame, because in my campaign, it looks more like Los Angeles with residential neighborhoods, more distinct districts, and more varied city design. There are also new gangs that I've created; Archangel, Chimera, Caliban, The Lucianos, and Ghost Run. In my campaign, werewolves, mages, and vampires coexist as Night City is a sort of safe haven, or neutral hub where they can live in relative safety. Conflicts between them still occur, but not to a grand scale.

«daywalker lore» «werewolf lore» «nyx aeterna lore»

✧. ⊹┊    ᴏᴛᴘ ᴛᴀɢꜱ (ᴏᴄ × ᴏᴄ)

« OTP Sun and Moon » « OTP Save a Horse »

« OTP New Tricks » « OTP Partners in Crime »

« OTP Moonlit Howls » « OTP Midnight Drive »

✧. ⊹┊   ɴᴏᴛᴇꜱ

☾‧⁺˖⋆ ┊I'll do my best to keep up with mutuals and to have friendly connections in fandom, but I do reserve the right to unfollow if something makes me uncomfortable. It's never personal or mean-spirited. I do not engage in any fandom or personal discourse/drama because I'm here to create/share things with people that make me happy

☾‧⁺˖⋆ ┊This is an 18+ blog and there will be NSFW here. Please, no minors. Ageless blogs will be blocked

☾‧⁺˖⋆ ┊Do not edit or repost my work anywhere. It's stealing

☾‧⁺˖⋆ ┊No renders, no AI

[eternal-gardens]

الرّزّاق

Ar-Razzāq — (The Ever Provider)

The continual bestower and sustainer of all that exist, who decrees and apportions the entire provisions of His creations in a knowing and wise manner. He provides independently, offers the means or abilities necessary for acquisition and facilitates the efforts needed, along with absolute reliance in Him. His provisions are not only restricted to material or physical gains, but also embody such everlasting inward contentment, the spiritual, as well as emotional sustenance of the heart and soul.

[cookiesnerd]

What Exactly Social Media Is?

Social media refers to online platforms and tools that allow people to create, share, and engage with content, fostering global communication and interaction. From connecting with friends to building brands, social media plays a vital role in personal, professional, and cultural spheres.

Key Features of Popular Social Media Platforms

1. Facebook

Primary Use: Social networking and community building.

Key Features:

Groups and Events for organizing and collaborating.

Marketplace for buying and selling.

Live streaming and Stories for real-time updates.

2. Instagram

Primary Use: Visual content sharing.

Key Features:

Photo and video sharing with filters and effects.

Reels for short, engaging videos.

Stories and Highlights for ephemeral content.

3. Twitter

Primary Use: Real-time updates and microblogging.

Key Features:

Short tweets (posts) with multimedia.

Trending topics and hashtags for discovery.

Spaces for live audio conversations.

4. LinkedIn

Primary Use: Professional networking.

Key Features:

Resumes and job postings.

Articles and posts for thought leadership.

Networking tools for connecting with peers and industry leaders.

5. TikTok

Primary Use: Short-form video content.

Key Features:

Video creation with music, filters, and effects.

Duets and challenges for engagement.

Algorithm-driven feed for content discovery.

6. Snapchat

Primary Use: Private messaging and ephemeral content.

Key Features:

Snaps (photos/videos) that disappear after viewing.

AR lenses and filters for creative expression.

Stories and Discover for broader content sharing.

7. YouTube

Primary Use: Video content sharing and streaming.

Key Features:

Channels for creators to publish content.

Live streaming and Shorts for real-time and short videos.

Subscriptions and playlists for curated viewing.

8. Reddit

Primary Use: Community discussion and content sharing.

Key Features:

Subreddits for niche communities.

Upvotes/downvotes to prioritize content.

AMA (Ask Me Anything) sessions for engagement.

9. Pinterest

Primary Use: Visual discovery and inspiration.

Key Features:

Boards for organizing ideas and interests.

Pins for saving content.

Visual search for exploring similar ideas.

10. WhatsApp

Primary Use: Instant messaging.

Key Features:

End-to-end encrypted chats.

Voice and video calling.

Group chats and status updates.

Why Social Media Matters

Social media bridges gaps between people, facilitates knowledge sharing, and empowers businesses to grow. Its diverse platforms cater to every need, whether personal connections, professional growth, or creative expression.

Embrace social media responsibly, and let it amplify your voice, connect your world, and inspire new possibilities!

Perfect for Tumblr! Let me know if you want any adjustments. 😊