#AND THEY'RE ALL GOOD WITH KIDS AND ANIMALS TOO

[post-punk-revival]

Hi if you're autistic, otherkin/therian, or plural and you like playlists about specific things you can relate to but you don't search for them anymore because you never seem to find ones that you can relate to as the type of autistic/'kin/system/etc. you are and/or they always seem to be the same 10 indie folk songs and you have nothing against the genre especially but once in a while you would like variety, some playlists with different genres, lyrics you can't necessarily immediately relate to but can see where the playlist maker was getting the idea from, songs by lesser known artists or types of music not often featured on that kind of playlist,

First of all, are you me? Because that's so specific. Second of all when you lament that you wish there was more content for people with your preferences you usually get told to make it yourself, so since you also somehow have this exact specific complaint, I have bitten the bullet for you and am graciously forcing you to look at my terrible yet pretentious taste in music <3

Hello this is my therian & otherkin playlist, songs about being or feeling any kind of nonhuman, not even just animals but also including ghosts, aliens, robots/computers, and many other less specific and more specific things. There are a good amount of wolf/werewolf songs because that's a popular thing for songs to be about but I'm not a canine at all so I promise it's not overwhelmingly wolf-themed

This is my autism playlist, with fewer songs that have one throwaway line about how Taylor Swift was socially awkward as a kid, and more songs about feeling disenfranchised by allistic society, being dehumanized and ostracized, and dealing with trauma as an adult. Trying to go for something relatable if you're not hyperverbal or you're low masking or you grew up in special ed or you have Autism Rage or you're generally not a quirky white TikTok girlie

This is my plural/system playlist, which was originally just private and made for our hyperspecific experience so in addition to #relatable stuff it also has a lot of songs that might make no sense to other systems, but I feel like sharing it anyway as yet another ploy to get people to listen to Monofader, so.

Also just for the hell of it this is my schizospec playlist, which is actually less edgy and probably more social media pop than most of the ones on Spotify because it doesn't have any Throbbing Gristle on it, but I may as well throw this on here too because it does have Vast on it and I need people to listen to Vast I'm gonna throw myself off a bridge for this having the wrong link when I posted this

I listen to a lot of types of music. They all have vibes for every genre preference. They have Lemon Demon and Miracle Musical and Jack Stauber and even the occasional Will Wood, but they also also a lot of the progressive and metalcore and industrial music and artists with fewer listeners that I miss on these playlists. They're partially sorted by genre/vibe, to varying degrees of effort. I just like playlists with variety, and I like when I find one that's about an experience I share with the person who made it, but it has songs I've never heard by artists I've never heard of, in genres that aren't familiar to me, because yeah, despite this one thing we share, I know that the courses of our lives are different and the art we engage with is different as a result! And for just a moment, I love to experience this condition/lifestyle from a completely different perspective than what I've already heard about a million times

When I see another autism playlist with Mastermind by Taylor Swift on it, I think this person probably has had a different experience growing up autistic than I did. And that's ok that my experience was more How Soon Is Now by the Smiths. But playlists always have Mastermind and never seem to have How Soon Is Now, so if you're more of a Smiths autistic, I got you

[winter-spark]

My brother was watching The Backyardigans episode Robot Rampage and The Backyardigans was my childhood, made me who I am, and probably lowkey the reason I'm even into A3! today so I'm casting Summer Troupe for the plot in this episode!

(Oh! & in case you're unfamiliar with The Backyardigans, it's this kids cartoon from the early 2000s where each episode these (brightly colored animal) kids are in their mostly shared backyard just make up a story and act it out, with musical numbers included, imagining themselves in their set location for the story. Then when they finish the story they go to one of their houses for a snack.

Robot Rampage is an episode where Austin is robot repairman in a world where everyone has like a personal robot they live with that assists them and like is their friend or something, each one has a their own name. Austin's is Robot Rosco. Anyway Austin's problem is that robots never break so he has nothing to do. But then one day all the robots start wil'in and Austin, Rosco and the three he helped first specifically that day get to the bottom what's going on and how to stop Professor Bug.)

Casting! (In order of appearance in the episode)

Austin - Kazunari (I think he’s got the energy for it.)

Robot Rosco - Tenma (chose him last but he'd deliver the "You do not look like robots, you do not walk like robots, you do not act like robots, therefore you'll get caught" speech well imo)

Uniqua - Muku (I think he'd do the cookie scene well)

Pablo, er, Professor Bug - Misumi (I like Misumi's range, I think he can play villains well, let him do the evil robot leader musical number, he'd do great ^^)

Tyrone - Kumon (I have no real reason for this)

Tasha - Yuki (ngl I chose this on vibes. Okay yes and the little loose screw bug on the arm interaction.)

(I casted them in almost completely reverse order if this list reverse order so yes Kumon was like second/third cast as Tyrone just because.)

And since this is kind of a stretch of the question I'll cast the Backyardigans in a Summer Troupe play too ^^

But there's only 5 of them, so I'll do a year one play. And if you know the Backyardigans you know they love pirates and will act as pirates any chance they get so one second let me reread Captain Sky Pirates.

Sky - Pablo (he's got it down pat, no notes, bravo)

Henry - Austin (he's gonna deliver that energy well & play off Pablo well)

Francois - Uniqua (she legit seemed like the best option)

Johnny - Tyrone (took me a second but yea, I think Tyrone would deliver some of the lines quite well, like the ""Don't you 'ehe' me! It's your fault that these navy fleet chasing us!"" line. It's his style)

Paul - Tasha (she's a boss, lol no but seriously, she often played characters of power and/or opposition not always but often enough so I think it's a good role for her)

The first three picks were pretty easy I think they would do pretty well because I really do think they're like most into character exploration/expansion of types. And that they just fit the characters well. (Not to say that Tyrone and Tasha aren't just that they especially are idk how to explain it.) I did hesitate with Tasha and Tyrone because Tyrone also kind of plays positions like hers but when he does, he's more of a loner off to the side doing his own thing and getting tied into the plot whether he wants to or not (Sinbad did not want lol) while Tasha's more likely to play a character actively trying to affect it/change something going on, if that makes sense.

Anyway yea. A3! Cast in a Backyardigans "play" and vice versa. :3

Mankai March 2025 Question 7!

This is similar to yesterday's, but more brainrot-flavored www<3 If you could see one of your favorite pieces of media(game, movie, tv show) adapted into a play performed by Mankai, which one would it be? Any casts in mind? Or maybe vice versa, with characters from the other media sucked into an A3! playverse! Or just the A3! universe? Go crazy! Tell us about it!

[kaen-ace-of-diamonds]

the smallest and saddest club in the universe

[plushie-lovey]

FINALLY!! At long last, I've gotten my hands on a Pumpkin Kitty, after a whole year of wanting and waiting.

Her name is Latte! (Short for Miss Pumpkin Spice Latte) You can also call her Miss Spice!

[sskk-manifesto]

\\

[dark-night-star-light]

Breaking my silence to say: Shane and Abeke were never romantic to me.

[tiercel]

The absolute insanity of warrior cats fans being the one saving grace of a niche book nobody wouldve cared about if not for the vast amounts of children and young adults who learned how to draw, write, and animate purely out of passion for this series only to be spit on by the creators because their support has allowed them to buy “Official” animations 

[gu6chan]

99% just my autism speaking here but something ive been noticing lately that im sorta kinda 😶 about is when ppl are like "I think you'll like this" but not bc they ACTUALLY think you'll like it, rather they just got into it and want you to also get into it so "I think you'll like this" is a nice personal hook. i love chill stuff as much as any other person ofc but given i don't divulge that EVER, what makes you think my berserk reading, made in abyss watching, drakengard playing ass would like YURU CAMP????

[sskk-manifesto]

\

[mr-thundercloud]

OM NOM NOM NOM NOM NOM... Mmmmm GOOD SOUP! (Check the other re-blogs their real tasty)

Prompt fill from the Discord server. This one is courtesy of @tourettesdog

Prompt where Danny keeps showing up like a stray cat at various hero's houses. He just comes and goes and they never know when he'll show up next. He's just this like pseudo-adopted child who will come over for dinner, crash on the couch, and he's gone by morning. No amount of research will tell them who he is past the limited information he's given them

The various heroes are unaware that his stray cat range wanders so far until someone mentions him at a JL meeting and all hell breaks loose.

There's eventually an intervention

Stray Cat Danny

Clark had just got home when he noticed the heartbeat on the fire escape two floors above him. As far as he knew, that apartment was empty, so it couldn't be the residents going out for a smoke. It was weird, very strange, and not his business.

He tried to leave it alone, but the heartbeat stayed on the fire escape for a few hours. Every now and again Clark would hear whoever it was shift, but other than that they stayed quiet. Again, weird, but not his business.

Until it started to snow right when Clark was about to start dinner.

He was just going to make sure whoever it was had somewhere warm to stay. Maybe direct them to a shelter. Clark opened the window and looked up, there was a dark bundle, worryingly still, on the fire escape.

"Excuse me?" Clark called. The bundle shifted but whoever it is didn't respond. Clark grumbled and made his way up to them, squatting down a few feet away.

"Are you alright?"

The bundle shifted, revealing one blue eye and a tuft of back hair.

"''m fine" a young male voice answered. The blue eye closed.

"You know it's going to snow tonight. I'm sure you'd be more comfortable in a shelter than on a fire escape."

"They're full." The boy answered. "All both of them."

Only two shelters for all of Metropolis? That can't be right. Clark looked up to the sky, the snow was starting to come down and he could swear it had gotten colder since he'd been out here. He couldn't leave the kid out here to freeze.

"How about you stay the night at my place? My couch is pretty comfortable, and I'm making beef stew for dinner, Ma's recipe." He let a bit of his Kansas accent show through. Hoping the country accent would put the boy more at ease. He was watching him now with both eyes narrowed in suspicion.

"Did your Ma ever teach you about stranger danger?" The kid asked.

"Not exactly. She taught me to help people out if they need it. Did your Ma teach you stranger danger?"

"No," the boy said, "my mom taught me to put a full-grown man on the ground if I needed to."

That surprised Clark into laughing. "Well, you won't need to with me. What do you say you come inside?"

The boy watched him for another second before shivering violently and glaring at the sky.

"Yeah, alright. Just one night."

"I'm Clark, by the way," Clark said as he closed the window behind the kid.

"Danny." The kid said. He was rooted to the spot just a few steps into the apartment, eyes scanning the room.

"It's nice to meet you, Danny." Clark held out his hand to shake, but Danny didn't take it. After an awkward second Clark cleared his throat. "Uh. The stew is going to be a little while. You're welcome to the laundry and shower if you need it." Danny was pretty clean, but there was visible dirt on his face and clothes. "I might have some clothes my nephew forgot that you're welcome to." Dick was bigger than Danny for sure, but he was closer to Danny's size than Clark was.

Danny gave him a long look, before shrugging off his backpack. "Sure. Might as well."

Clark left to go get the clothes while Danny loaded some of his clothes and blankets in the washer. Once he presented the tee shirt and sweatpants Danny disappeared into the bathroom. When he reappeared he was scrubbed clean, his cheeks rosy either from the hot water or scrubbing.

Danny was even smaller than Clark was expecting. He was downright scrawny. Dick's shirt hung off Danny's shoulders, and Clark could clearly see his collarbones. This kid was not getting nearly enough to eat. Well, he was going to tonight if Clark had anything to say about it.

"The stew should be ready in about half an hour. Feel free to make yourself at home." Clark said. He expected Danny to sit on the couch and watch TV, but instead, Danny found his home office. it wasn't more than a desk with his work laptop on it and some of Clark's better pieces and awards framed and tacked to the wall above it.

"You're Clark Kent, the reporter?" Danny asked, eyes switching between the wall and Clark.

"That's me," Clark said. "You know my work?"

"I read your piece on metahuman and alien rights last year. It was good."

"Thanks. I really liked working on that piece."

"Did you always want to be a writer?"

"uh. No. When I was a kid I wanted to be an astronaut." Clark said, stirring the stew. Danny snorted. "What's funny?"

"Nothing," Danny said, taking a seat at the little kitchen table. "I wanted to be an astronaut, too."

"Yeah? You still could." Clark said.

"Nah. It's hard to be an astronaut without a high school diploma. What made you change to writing?"

"I went through a few different career paths before I landed on journalism."

"Do you like it?"

"I do. I like uncovering the truths people try to hide." Clark said. "You'd make a decent journalist, I'd think. Half of it is just asking the right questions."

Clark served up the stew into two bowls and brought them over to the table with some rolls and butter. "I don't have much in the way of drinks, is water okay?"

"Water would be great, thanks."

They ate in relative silence, Danny was too focused on his food to ask more questions. After they ate Danny nodded off on the couch almost as soon as he sat down. Clark couldn't bring himself to wake him up, so he just covered him with a blanket from the linen closet and headed to his own room.

Maybe in the morning he could make Danny pancakes or waffles and get him some new gloves and a jacket. The question was what to do after that? He didn't want to drop Danny off at a shelter, and taking him to the police would only destroy whatever trust he had gained with the boy. At the same time, he only had a one-bedroom apartment. He couldn't keep Danny here. Clark sighed. He'd have to talk to Danny in the morning and see what he wanted to do.

When Clark woke up he was greeted by the silence of the apartment and it took him a few minutes to figure out why that was wrong. There should be another heartbeat. Fearing the worst, Clark rushed into the living room to find it empty.

The blanket and clothes Danny had used had been neatly folded and placed on the back of the couch, along with a handwritten thank you note.

How did Danny leave without him hearing? Moreover, how'd he leave with the doors and windows still locked?

[maxwellatoms]

Do you think were any kind of specific aspects of the culture, industry, economy, etc that made making cartoons in 90s / 2000s better or worse than trying to make them today?

They're literally different worlds.

As a 22 year old neurodivergent, I was able to pitch show ideas directly to executives. Part of that was because TV Animation wasn't a glamorous profession (quite yet), so the higher-ups were genuinely passionate about the medium. I earned good money for the time and was generally trusted to run my show and tend to the crew. I would periodically be handed portfolios, which I would personally review and pass on to other show runners. For the networks it was always corporate, cutthroat, and ultimately about the money, but as an artist you could still have a voice and make art while being paid a living wage.

The pay for a freelance storyboard in 2005 is almost exactly what it is today, but now you're likely to have less time and be required to do an animatic on top of it. Portfolios are online, and (beyond metrics) you'll probably never know if anyone looks at it or not.

Animation got big. Too big. The executives got "glamorous", then the talent got "glamorous". By then you probably wouldn't get a pitch meeting unless you were a celebrity or knew one willing to be connected to your project. Animation eventually got so big that it popped. And that's where we are now.

Most of the people I know from Kid's TV Animation are currently unemployed. I have been off Jellystone for over a year, and I'm starting to get genuinely worried. Like, "move away to save money" worried. Most of the employed artists I do know are on long-running legacy series, and they're concerned about their futures when/if those series end. Right now is not a fantastic time for "animation as a money-making profession". The "glamorous" part popped years ago.

That being said, there are still opportunities out there. If you're just starting out, apparently there's a planned surge in adult and pre-school animation. It's also a great time (as long as YouTube remains sane) to be crafting your own content. But I think that the time of Big Studio Patronage is over for most of the industry. It's up to the individual artist now more than ever, not only to make but to promote their own content.

Back at the height of Billy & Mandy, we mostly pulled fours and fives in the Neilsen ratings, but we occasionally got a seven. For reference, E.R. consistently got eights. It's difficult to say exactly how many people that actually was due to how those ratings work, but it was a big deal for the time. Millions. Enough people that if I had a dollar for each person that just watched that one episode, I would have been set for life. Now, nobody gets a seven. A four is huge. Back then there were maybe fifteen or twenty channels of programmed content as opposed to the streaming smorgasbord we were all just enjoying (and which now also seems to have popped). Point being, even though I wasn't paid-per-view, I was able to use those views as justification for an eventual raise. In modern times, streaming numbers are seemingly deliberately kept secret. You'll never really know how well your show was doing until it's over. Or maybe never.

In modern times, a million views on YouTube is enough to get you noticed online. It's a lower bar for entry in a way, but you've got to get there all by yourself. Once you're there (hello Hazbin) a network may indeed come and scoop you up. Even if they don't, you can probably make a decent living with numbers like that if you're savvy and willing to take the time.

I feel like I could go on all day, shaking my fist at the sky, gray-ass beard blowing in the wind. Was it better or easier making cartoons in the past? It seemed that way to me, but that was a world I knew. There was no AI to sell you out to, and the media was more of a "Wild West" than it is today. I do think that AI is going to continue to displace artists (and soon others), making it even more difficult to get anyone's eyes on anything at all.

Culturally, we lack the common touchpoints that bonded our society in the 20th Century. I suspect that the media landscape will continue to become more "bubbly" and disjointed unless some powerful force swoops in to mandate a common viewpoint. Those are two very divergent, uniquely tiring futures, each presenting a different challenge for an artist's survival.

Outside of whatever our modern world is, animation was made for a century by photographing drawings. If Émile Cohl could do it in 1908, you can do it now. It's a lot of labor, but maybe that's part of what makes it special.

[cup-o-stars]

Relativity Falls!

Design Concepts (and my unnecessary thoughts):

Excuse the the colors, ig my apps are fighting.

I see Mabel finding success no matter what happens to her, but I really like the thought of her running an insane arts and crafts business in GF. Alternatively, if she fell in the portal, she'd come out acting confident as always, but she probably wouldn't realize how much the constant change and lack of family/stability wore her out until she settled back in. In either case, she's a bit cracked.

Dipper is investigative, but cracks easiest under stress and is not as inherently adventurous as Mabel or Ford- so the portal wouldn't treat him well. If he's not the one in the portal, he'd be into stargazing and real magic to share with people, while also warding tourists away from the dangerous stuff. In general, he'd be an unhappy adult if left to his own devices, lol.

Between Dipper and Mabel, I like Dipper being in the portal more. He's a great protagonist, but as a supporting cast member, he needs to be more insane to match the draw that is 'Mabel taking care of children,' ha. I also love the idea of there being no portal / some other looming threat for these two to struggle with (at least because Hirsche has made it clear that Dipper and Mabel are equally smart, and to me it seems like the portal would reopen way quicker with them), but I didn't plan on posting these and I don't know how my followers feel about me posting lore.

Stanford and Stanley:

Pretty much how they are in canon, but now they're in a setting where they can get over themselves, ha. They aren't quite as mature as Dipper and Mabel were at their age, but after coming to GF, they finally found other people to look out for them. Dipper could be a more emotionally available and level-headed role model (I think having people to take care of is calming for him in turn), and they'd both look up to Mabel as the peak of somebody who knows how to socialize.

Fiddleford:

He's a sweet, southern, farm-raised mechanical engineer just like in canon.

Idk why Fiddleford is in GF (visiting an unnamed grandparent?), but I really like his relationship with Ford in the journal. Following that thought, in this AU, he starts out more of Ford's friend than Stan's, and it's kind of a big deal. Unlike Dipper's arc on learning to be a kid, Stan and Ford clearly struggled a lot with interpersonal relationships / finding security outside of eachother, and that's what I think this AU could be about (it's great they realized they need each other in canon, but the part where they had no one else to turn to is also kinda crazy if you ask me).

Ford gets to meet another smart kid in a weird town, which helps him feel more normal. He has a better idea of what friendship is because of it, but also, since I can't imagine Dipper wanting an apprentice so young/vulnerable/impressionable or Mabel asking only one of the twins to stay- he'd have to come to terms with the fact that he can't live in his dream world forever. (Or maybe the apprenticeship comes from somewhere else, just because the conflict around going back to Glass Shard Beach at all, or sending Stan alone could be pretty good.)

On the flipside, I think Stan's initial jealousy of Ford and Fiddleford's friendship would force him to try finding his own friends / hobbies. I like the idea that he fails at first- and a lot- but Mabel notices his mounting frustration (which he is very keen on hiding), and her consistent and unorthodox support makes him realize he wasn't alone to begin with. He can be more open around her, which makes it easier to open up to others, and then he can make friends without having to pull any tricks. He probably starts with some animals, and then at least gets closer to Fiddleford anyways (I feel like they're both more practical than Ford and value human company more, so they'd bond easier once Stan gets over his personal hurdle).

Anyways- because that was way too much- Mabel's exes are a constant source of antagonists and Dipper is stressed about setting a good example.

(I was more of a Monster Falls fan back in the day, but I can't draw animals, lol)

[nereidprinc3ss]

pretty little things

in which you can't keep hiding your stuffed animals from your boyfriend. spencer would like a formal introduction.

fluff! warnings/tags: gn!reader I think, newish established relationship, they're so cute, reader is still kinda shy around him, I'm really obsessed with this dynamic actually, implied intimacy if you decide to interpret it that way, kissing/maybe mildly suggestive a/n: this is dedicated to my friends @parfaitblogs and @gublersg1rl bc in another universe we are actually just three jellycat plushies on someone's bed which is where the inspo for this little thing came from. and thank u willow for naming your fox. ok bye love u hope u enjoy !! :D

The first time you’d shown Spencer your room, and the handful of times he’s been in it since, you very intentionally hid your stuffed animals underneath the bed. After all, you’re an adult. You have a grown up job. And you don’t need him thinking you’re some kind of freak this early into the relationship. You like him too much. 

Today, however—you didn’t have any warning. He comes over unannounced, which is all well and good, until you bring him to your bedroom so he can sit on the bed while you change from work clothes into something comfier for movie night. As soon as you open the bedroom door, you see them, lined up neatly by your pillow, and you know it’s too late. 

“Uh…”

Spencer runs into your back and takes it as an excuse to settle his hands on your hips as he peers over your shoulder. 

“What?”

You slip out of his easy hold and skitter to your bed, practically throwing yourself on the mattress and sitting unnaturally as the little beaded eyes of your friends dig into your back. Even your brightest smile doesn’t distract Spencer. He’s like a bloodhound for the truth. At least, that’s the sense you’re beginning to get. 

“What are you doing?” He tries again, eyes narrowed and closing the door carefully behind him. 

“Nothing!”

The urgency with which you say it has his eyebrows raising. Obviously delighted by the embarrassing secret he’s sure to uncover, he approaches. You lean back further even as he towers over you until you’re almost on your back and he’s folded over you, menacingly (and dizzyingly) close. This sort of position is still new-ish and has your heart pounding, even if it’s entirely playful and ostensibly innocent. 

“Nothing? Are you sure?”

You nod, still shying away from him into the pile of pillows. Without looking he reaches under you and pulls out your pink bunny. You squeak and hide your face. 

“What is this?” He laughs, and you yank it away, sitting up so he’s forced to give you some breathing room. The bunny is cradled protectively in your arms, though you try to hold it a bit more casually when you notice. 

“I said it’s nothing.”

“What about the other two behind you? The fox and the… what is that? A deer?”

“No—”

“I didn’t even know they made deer stuffed animals—”

“Spencer, stop!”

He does, at the desperate tone of voice and the way you’re still hiding from him. 

“No, no! I’m sorry, I didn’t mean to tease you. Don’t be embarrassed. I’m sorry.”

As usual he’s over apologetic, now sitting knee to knee with you on the mattress and leaning down to try and catch your eye. You huff and grant him some eye contact just so he doesn’t go over the edge with worry. 

“But it’s embarrassing.”

“No, it’s really not,” he laughs. “It’s cute. I can’t believe you’ve been—what, hiding them from me? This whole time? That’s like not telling me you have kids.”

“It is not like that.”

“Hm. I don’t know, I think you should probably introduce me.”

You give him a look, letting your head fall to your shoulder. “Spencer.”

“I’m serious. I’m going to be apart of their lives now. You can’t keep shoving them under the bed every time I stay the night.”

This nerd is going to be the death of you. 

Eventually, you groan reluctantly. 

“Fine. Okay, um—this one is… well—her name is Bunny. It’s not… very creative, but it’s—that’s just her name, okay?”

Spencer doesn’t react to your unjustified defensiveness—only grabs your bunny’s round little pink paw and shakes. “Enchanted.”

“Shut up.” Your face is so hot as you bury your smile and set Bunny aside, making sure she’s comfortable against the pillow before bringing out your deer. Spencer doesn’t have the shit-eating grin you were partially expecting when you glance up at him from beneath your lashes—he’s smiling, but it’s so soft. A little twisted, like he’s holding back the full extent of it for your sake. But you wouldn’t mind it at full power. It’s like he’s hiding the sun in a saucepan and the lid’s not on quite right. And he’s looking right at you. Like you’re the source of all his joy. 

A moment passes. You clear your throat and look back down. “Um—this is Bambi. ’Cause—you know.”

“I do,” Spencer agrees genially, nodding as if this were a normal conversation. “Kind of a dark thing to name your deer, though.”

“You’re judging,” you accuse balefully. He chuckles and his hand finds your knee, rubbing apologetically. 

“I’m not, I’m not! I take it back. I retract it. Continue, please.”

For a moment you only pout, but it doesn’t deter him—he simply looks at you expectantly, and now those syrupy eyes come with the added bonus of his hand on your leg. Fine. He wins. But not without a deep, tortured sigh from you while you’re grabbing your fox that makes the corner of his mouth twitch up. 

“This one is…”

The name dies on your tongue, too ridiculous to be said out loud. 

“Tell me,” Spencer pleads in that gentle voice and with those big eyes that you’d consider burning him at the stake for because that look on his face has to be witchcraft. 

“Okay but you can’t laugh,” you insist in one quick breath, giving him a serious look that he can only partially reciprocate. 

“No laughing.”

“It’s… Mr. Cuddles.”Spencer bites the inside of his cheek to keep his promise. You melt inside both from embarrassment and from the way it only further defines an already superbly sculpted bone structure. “Do not.”

Spencer scoffs at your warning. “Don’t what? I’m behaving.”

“Don’t make fun of Mr. Cuddles!”

“Does it look like I’m making fun of him?”

“Her.”

“What?”

“Her. Mr. Cuddles is a girl.”

“I see… can you explain that to me?”

“If a human person said I am a girl and I would like you to call me Mister, would you question that? Would you ask them to explain it to you?”

“I guess not.”

“Exactly. Don’t be rude.”The way Spencer is looking at you now, eyes so clear and still so full of affection, like you’ve got some sort of heavenly spotlight trained on you, lips parted as if to say something but still silent, has you forgetting your momentary confidence. You shrink. “What?”

“I just… you’re amazing.” You throw Mr. Cuddles at his chest and fall into your pile of pillows with a groan. Spencer only continues rubbing your leg. It’s very nice, actually. He’s gentle. And patient. “You don’t believe me?”

“I don’t believe you came to this conclusion just because I introduced you to my stuffed animals.”

“Not solely because of that. There are a lot of contributing factors. I mean, the stuffed animal thing helped.”

“It’s embarrassing,” you insist for the umpteenth time. 

“It’s adorable.”

Spencer pushes pillows aside and lies next to you so you’re eye to eye. It’s nice how his presence isn’t exhausting the way people sometimes are. He’s easy to exist with. He makes you enjoy existing a little more than usual. Even now. 

You raise your eyebrows and speak, cheek squished against fabric. “I’m a serious adult.”

“I know you are,” he assures with a solemn nod. 

Your eyes narrow ever so slightly. 

“Okay… well… don’t go forgetting that. I’m fun but I can also be not fun.”

“I’d love to see that.”

“No you wouldn’t. You would hate it. You’d be so scared.”

Spencer gives up on holding back a smile and moves his hand to tuck hair behind your ear. 

“You’re right. I’m already terrified. The anticipation… it’s killing me, you know?”

You’re giggling as you roll over on top of him and he roots his hand in your hair, pulling you in for a long, smiley kiss like he knew it was coming. Only when he blindly throws your stuffed friends from the bed do you pull away—just by an inch or so. 

“No respect,” you scold playfully. He kisses you again, tangling your legs and hands wandering. 

“Can I apologize later?”

You’re good with that. 

[pomefioredove]

need overblot boys with epel, and floyd with a reader that randomly lore drops as if they're an old dad like "yeah lol my old school had a shooting once....anyways *SNOREE*" and when asked they just agree and walk away and never elaborate whatsoever💀 if you feel uncomfortable feel free to delete or ignore‼️love ya pookie💥

*ੈ✩‧₊˚ a reader with a backstory

I got u 🫡🫡

summary: wacky reader lore type of post: headcanons characters: riddle, leona, azul, floyd, jamil, vil, epel, idia, malleus additional info: romantic, reader is gender neutral, reader is yuu

you find new ways to raise Riddle's blood pressure every day

little guy is worried enough as it is

you've already got your school work, taking care of Ramshackle, taking care of Grim, taking care of all the other freshmen, taking care of-

well... you get it

the last thing he needs is to hear another one of your stories

"oh, yeah, that's like the time I got stabbed"

"????? WHAT??"

what's entertaining to you and ADeuce is mortifying to Riddle

if you're not careful you'll end up sleeping on the floor in his room

where he can keep a close eye on you

*ੈ✩‧₊˚

you're like Leona's little court jester

and he takes you with him everywhere

it's not easy to get a genuine laugh out of him, after all

besides, what's so bad about a little dark humor? it's not like you died or anything

he knows you're a resilient little thing

and you seem to love telling him about "that time you crawled into a drainage pipe", anyway

you make him laugh; he likes you

*ੈ✩‧₊˚

Azul indulges you

his white noise machine stopped working last month and you make for excellent background ambience

so, he lets you talk yourself in circles about your school work, your friends, Grim, Grim again

and then you drop the most HEINOUS bombshells in the middle

"blah blah blah Grim, blah blah Crowley, blah blah, that one time I got lost in the woods for a day, blah blah-"

he loses his train of thought every time

now, Floyd is the complete opposite

he will hyperfocus on the most mundane details

and ignore the bombshells

will give you an, "oh, that's cool" to your ghost story but will find you the pair of socks you mentioned liking three months ago

*ੈ✩‧₊˚

Jamil is just fascinated by you

you as a person, of course

but also the fact that you're still alive

one night, he's explaining the reason he makes all of Kalim's food and you're like

"oh, yeah, I get it. I got mold poisoning once and hallucinated for a week"

?????

then you go right back to asking him about the recipe

sitting on the counter, as happy as could be

"HOW ARE YOU STILL ALIVE!!!"

*ੈ✩‧₊˚

Vil is used to this

he knows that look on your face

he will shush you with a finger to your lips before you even start

"don't tell me, I'm stressed enough as it is"

he's going to break out if you keep at it

he finds you quite... macabre

which is entertaining until he sees you going down a flight of stairs without holding onto the railing and remembers all those stories you'd told him

he's just... concerned for you, that's all

and he does NOT appreciate Epel for encouraging it

"tell us more about the time you fell down that hill into that pile of rocks, Prefect!"

:D

like a kid in a candy store

learning new Lore is like the highlight of his week

*ੈ✩‧₊˚

"talk about having a high luck stat..."

Idia is more entertained than anything

he thought these kinds of things only happened in anime, but...

...there you are

it sounds like you experience more in a single month than he has in his whole life

and you know what?

GOOD

you can keep your freaky real-world experiences!

he'll just live vicariously through you

*ੈ✩‧₊˚

poor Malleus

he's been putting so much effort into learning and blending with human culture, and now here you are with your terrifying stories

you tell him in such earnest, too

you seem so... unbothered by it

perhaps humans are less fragile than he thought?

of course, he shouldn't have underestimated you in the first place :)!

then you come over for dinner one night

"hahah, yeah, last time I was at someone's house their grandma threw a lamp at my head and I got a concussion"

Silver and Sebek both go >_>

Lilia goes <_<

and then Malleus is there like, "ah, another fascinating tale :)"

[radiance1]

Okay so, Danny is a streamer. A rather small one, actually, but his viewer count is limited to Amity park due to them operating on a different server than the rest of the world.

Now, Danny has been exposed as Phantom, and the reveal went well and by extension, Vlad has been exposed as Plasmius too and they're on somewhat friendly terms.

Most of Danny's streams involves him fighting with ghosts, or exploring the zone (with a device thankfully able to survive in it with both Tucker and his parent's amazing help). Heck, some of it is even just either wandering around Amity Park or involving ghost animals of some kind.

Funny thing is, even though the reveal went good, he's doing all this as a human.

Somehow, his streams get leaked out to the wider world and some havoc is caused for a few individuals.

The Batfamily is so concerned and confused, because there was this kid? Fighting villains??? Then this same kid was also going into some place filled with what looked like some weird strain of Lazarus Water (it isn't Lazarus Water at all, actually, but they don't know that).

Meanwhile, Constantine needs the strongest alcohol available, because he's very, very certain that this kid is fighting with ghosts from the Infinite Realms and stepping into said Realms with no fear for his own life.

"And this here is where the Ghost King sleeps guys! 0/10 would not recommend waking him up, he gets cranky and I barely put him back to sleep last time!"

THIS KID HAS DONE WHAT!?

[writersdrug]

bartender ghost who takes one of your tables who was argumentative and rude after you begged and bargained with him (he only caved when you said you’d ask soap)

Omg he'd totally think he could make you work for it too - you come up grumbling how table three is being so rude and they sent the food back twice, and they're treating you like you spat on your food or something.

"They'd be much nicer if you took them." You say, leaning over the bar.

"An' why's that?" He replies, pouring the contents of a shaker into a salt-rimmed glass.

"You look like you could set them straight."

"'N that's a good thing?"

"You're not afraid to be mean!"

"You jus' smacked the life out of four uni kids last week."

You huff, dropping your forehead against the bar. "You're mean..."

"Y' jus' said I was."

"Pretty please?" You beg, looking up at him. Simon has to steel his gaze to the shaker, pouring liquor and bitters and ingredients into it as he refuses to look at you. You got him last time with this trick - he'd caved like a tower of cards. But now, he's prepared. His eyes don't meet your pout (or your breasts pushing up against the bar), instead focusing on the drink before him.

"Not happenin." He says, shaking the drink with a strong arm. "This is your job, remember?"

You sigh and give up the act. "You can't even say anything to them?"

"Like wot?"

"Like- I dunno, just go as them 'is everythin' ok?' Like you do, you know, all scary."

He chuckles. "Ya got t' stand up for yourself, luv. Can't fight your battles."

You groan in defeat just as Soap pops out from the kitchen, placing two plates of food in front of you. "Got tae bring out yer own scran, Bonnie - 'm not yer food runner."

"Johnny!" You exclaim before he can disappear back into the kitchen. He gives you a quizzical look.

"Could you bring it to the table for me?"

Simon stops pouring the drinks, frozen in his spot.

"I jus' said nae!!"

"Please? They're being assholes about the food-"

"Oi, lower your voice." Simon barks, and you shoot him an apologetic wince.

"They're gonna complain about the food again if you don't talk to them yourself."

"Bullshit, I'm not doin' tha'."

Ghost smirked behind his mask. Taught Johnny well.

"I'll give you half of their tip."

Soap paused. "Nae, gimme the shot where ye slap me after."

"Deal!"

"No- no deal-" Simon growled, putting his drinks on the bar. He's not letting you drench Soap in water and slap him across the face, because he knows the lad will be more turned on than a lightswitch. "Fuckin' animals you two." He grabs the plates, and glares down at you. "'M not doin' this for you again."

"I won't ask again - promise." You giggle, and he wants to be mad at you, he wants to hate the sound... but he'd make a fool out of himself a thousand times, over and over, just like this, to see you looking up at him with that smile - you know you've got him wrapped around your finger, he fears, grumbling as he goes to have a chat with the bothersome table.