#ALSO i’ve seen that it might be cannon THAT HES A CLONE AND THAT HAS ME SOBBING ON THE FLOOR
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i-suc-at-art · 2 months ago
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HAHAHAHAH IM SO NORMAL ABOUT THISSS
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hear me out, animatic, 3 parter, for 2 of the videos, all to TØP music
“I uncovered minecraft’s greatest secret”- Backslide
“I broke into minecraft’s most secure Prison”- Vignette
Idk if there will be others but when i first listened to the album i literally had visions of them in SAD-ist animation style to the songs.. SO maybe one day this will happen im not making promises bc I AM NOT an animator, and im in school rn soooooo ahhahahaha
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enigmaticexplorer · 1 year ago
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Mace Windu: A brief character analysis
I’ve always been surprised by the claim that Mace Windu is heartless. That he doesn’t care about other people. I’m assuming those who believe this haven’t actually watched Season 1 of TCW.
Mace Windu is more serious, dogmatic, and aloof than most other Jedi. He’s sarcastic at times. Obstinate in other moments. 
But he’s not heartless. And he’s certainly not uncaring.
There are three moments in TCW 1:21: “Liberty on Ryloth” that contradict the ‘heartless/uncaring’ claims. 
1. The Rescue
In the opening sequence of “Liberty on Ryloth,” Mace’s transport is destroyed. As he escapes, he rescues the driver of the transport. 
It may seem like a “bare minimum” moment, but it’s not. Mace is being shot at by long-range cannons. He needs to join his men behind the protection of another transport. He needs to get to a semblance of safety.
Instead, he orders the men with him to “Take cover.” He doesn’t ask for their help. And then he takes time—that is precious in a life-or-death situation—to rescue the clone pilot. A man he doesn’t even know is alive. And he rescues this clone trooper without hesitation or regard for his own life. 
Again, this seems like such an inconsequential moment but it’s important to Mace’s character. We have seen countless times throughout TCW when other Jedi and clone troopers have left clones who are presumed dead. 
From a battle strategy standpoint, it makes sense. When you’re in the heat of battle, your job is to stay alive and protect those who are alive. You’re not given the opportunity to check on every soldier who could potentially be alive.
But in this moment, Mace risks his own life to rescue a clone trooper who’s not even guaranteed to be alive. 
2. The Bridge
Toward the end of the episode, Mace and two clone troopers are trying to cross the bridge into the capital city of Ryloth. The bridge can be turned on and off. And since the Separatist droids command the bridge’s operation tower, they turn it off. 
Rather than get himself to safety first, Mace Force throws/pushes his two men to solid land. Without hesitation, he saves them first. 
This might seem like another “bare minimum” moment, but it’s significant. Mace is a general. Per military hierarchy, you want to keep your top-military leaders alive. Their lives are more important than those of regular troopers. (Whether you agree with this sentiment or not isn’t the point of this post.) 
“But Mace has the Force, so he could save himself.”
Sure. He does have the Force, and in an impressive display of his skillset, he saves himself. But it was still a risk. He didn’t save the two troopers under the assumption he would survive the bridge’s collapse. There wasn’t a guarantee he would survive. 
He did save those two troopers, and he put them first, because he’s a good leader who values the lives of his troopers.
It's also important to note that Mace is more restrictive with his battle strategies—modest and less inclined to brazen maneuvers. (Obviously, when necessary, he will rise to the occasion, but usually when it's necessary.) Unlike Anakin who, in "Storm of Ryloth" admits his strategies are risky and endanger more lives, Mace is slower to act, contemplating his strategies so that they're effective and minimize risk. It's not outright stated he does this because he values his troopers' lives. But I believe it shows his care for the men under his command.
3. The Politicking 
Returning to the beginning of the episode, Mace is discussing his battle plan to take back the capital city of Ryloth. He’s discussing his plan with Chancellor Palpatine, Senator Taa, Yoda, Obi-Wan, and Admiral Yularen.
Palpatine and Taa immediately dismiss Mace’s plan to engage Cham Syndulla’s Freedom Fighters on the claim Cham is a radical and political rival to Taa. Mace replies, “I’ll leave the politics to you, Senator. I’m going to do whatever I can to help these people.”
Whether you like or dislike Mace Windu is beside the point. He may be dogmatic, obstinate, and aloof. He may be easily irritated by Skywalker, and a self-righteous voice amongst the Jedi Order. But he’s not heartless. And he does care for people. 
As we can see from this scene, Mace is willing to bat against both the Chancellor—the head of the Republic government—as well as a senator in order to help the people of Ryloth. He doesn’t care about politics. He doesn’t care that Palpatine and Taa feel threatened by Cham Syndulla. He doesn’t care because all that matters is saving the victims of Separatist occupation, and he will do whatever is necessary to protect these people.
“But he was mean to Anakin and referred to Ahsoka as ‘Citizen Tano’.”
Okay? Sorry you can’t appreciate the hilarity of his dogmatic pettiness.
All that to say, Mace can be an absolute dick. But he’s not a heartless dick.
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alln64games · 10 months ago
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Doraemon: Nobita and the Three Fairy Spirit Stones
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JP release: 21st March 1997
NA release: N/A
PAL release: N/A
Developer: Epoch
Publisher: Epoch
N64 Magazine Score: 60%
Original Name: Doraemon: Nobita to Mittsu no Seireiseki
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Doraemon is a very popular anime/manga character. I’ve definitely seen the robo cat’s design before. The first N64 outing took inspiration from Super Mario 64 – to the point that multiple reviewers at the time suggested it was close enough for Nintendo’s lawyers to get involved. While it looks a bit like Super Mario 64 (especially the first level, with trees looking like they were stripped out), but it doesn’t play like Mario.
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Doraemon is a 3D platformer and is a lot like Mario, but different in many ways. You have access to five different characters (plus a bonus one after beating the game) – Doraemon himself and the kids he hangs out with. There’s a girl that jumps higher than the rest and throws bombs, there’s kid that looks like Tommy Pickles that punches and does more damage, while Doraemon has an arm cannon. Interestingly, the title character, Nobita, is just a poor gameplay clone of Doraemon, so there’s no reason to ever use him. You can swap between them at will, but the game never makes use of this mechanic.
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Then there’s the actual movement. Mario had a wide moveset, in Doraemon you have one kind of jump. It’s stiff and clunky and to make matters work, your character comes to a complete stop when you land. When the movement of a platforming game is dull, it makes the whole game dull. There are a few minigames thrown in, such as a racing game and a scrolling vertical shooter, but these are similarly boring to control.
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The story is something I had to rely on Google translate, which baffled me as the first line came out as “Is it coronavirus?”, it turned out that the King’s name is “Korona”. Anyway, an ancient danger has awoken, the princess is sent to get help from another world because Doraemon has a magical pocket. The pocket gets stolen, but you get it back early on, but the objects are missing. Oh, and there are some fairy stones that you also need to collect pieces off to defeat the ancient evil.
The stones are simple, as they’re just at the end of levels, but the other objects are hidden in chests across the world. Some are optional, some are required, and you have to do some really random things for some, including repeating previous levels (but only some).
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Doraemon isn’t a atrocious, there’s just nothing good about it. The levels all feel random with no stand out visual design to them, and the gameplay itself is just boring. Japanese speakers who are fans of the show might get something out of the (fairly generic) story and random objects (I’m just guessing that they might be references), but it would still be tedious to play through the game.
A pleasant enough time-waster, then, but never up to the standard of the game it so desperately wants to be.
- Tim Weaver, N64 Magazine #2
Remake or Remaster?
There isn’t much reason to play this game.
Official ways to get the game.
There is no official way to get Doraemon
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deaconusdelirium · 3 years ago
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Um so I don't actually know how to submit a request so, I've never done it before, but I hope this is right.
So I read this enemies to lovers with Tech where the reader is the Batch's new mechanic/medic/pilot (y'know something like that) and Tech is constantly trying to outsmart the reader and is kinda rude to her. So I am requesting either that or Tech and reader are already together and Tech makes a comment that hurts the readers feelings but Tech doesn't understand why she's upset cause he was merely stating "factual evidence". Also can the reader be female or like no gender. I hope I did this right.
Time will tell
(Tech X F!Reader)
Oh yeah! Either way is good, but I prefer taking requests in DM’s. I’m originally from a different writing platform and I took requests directly in messages, but send in an ask like this is good too. I don’t mind either way. That goes for everyone else who doesn’t know how to send in a request!^^
I love the first one, and I have a little something for that
———
“And that’s… Tech” Hunter sounded disappointed as he seen his brother not only did not look up, but didn’t say anything as he introduced you to your new team, Tech just gave a small wave without looking up and walking off. “He’s a busy guy, I presume” you spoke, watching ‘Tech’ walk off and into their ship. “You’ll get use to him, he’s not all that bad. The worse he could do is fill your head with useless info for hours on end” Hunter explained while putting a hand between your shoulders, guiding you into the Marauder. Ok, so it might have been a bit small but at least you were off Kamino where everything was too sterile and creepy looking. You were all alone in your room after all, no one ever really came in but a few clones, Nala Se and Omega usually handled them all though.
You gave another look around, making sure you tried to memorize everything. “We have a mission in a few hours, so I suggest you grab what you need from your place” “oh, no. I’ve got all I need, I’m going to head back and tell Nala Se we’re leaving soon” you walked out, Hunter nodded in agreement. “Well, we’ll tell you when we’re ready” you nodded, walking away from the ship and back into Kamino to Nala Se
Tech had only ever heard your voice, and by the sound of it. He was already annoyed, since when was there ever another person who does exactly as he does? It was only him, but.. the thought of sharing ideas and thought with someone else ‘smart’ would be nice. But no, he wouldn’t take it. He had to see for himself, he was sure you were going to fail, and he surely wasn’t going to be pushed aside, especially for all he’s ever done for his brothers. You weren’t the one who upgrades their armor for them, you’re not the one who has a datapad much like he has, and you couldn’t possible know anything about mechanics. He’s never met anyone who knew as much as he did, and if he hasn’t within his life, then there’s probably no such thing as it.
He thoughts were cut short, when you sat in the co-pilot seat next to him. Only Echo sat there, maybe Hunter on some occasions, he still didn’t look, and he grew annoyed as you tried to tell him what to do. “Do you even know what planet we are on?” Tech asked, finally looking at you, “what does that have to do with this? You haven’t told me where we are and I’m stuck with you. So if you could just focus on the task at hand then maybe we could actually try and get along” you spoke, his eyes widen at your words, he didn’t want you to know anything. It may sound selfish, but he thought of it as a training, I guess you could say. How would you go about in a situation where you don’t know where you’re at, and what you’re doing? What is your next steps for an unexpected change of plans?
His gaze was still hard on you, how could you know something about flying? “Tech, if you don’t help them, Omega and Hera could be shot down” you sounded desperate, but he was the one in charge. He was the one flying, you weighed your options, you didn’t know what to do. He only sat there, observing you like it was his job. “Forgive me” you apologized to him as you pushed him out the seat and took over the wheel. “Hey” Tech called from the floor, standing up, but soon holding onto your seat as he seen what you were going to do. “Hang on Wrecker!” You warned the man in the back, you pushed the petal as Tech almost flew back and Wrecker yell from the back. You turned the ship around for Wrecker so he could take out the cannons.
Tech held on as your flying was not something he was expecting, once you had all of the turrets down and Wrecker finished off the clones on the ground, you stood up, grabbing your helmet and gun. Tech grabbed your arm before you ran out, “hey-” you spoke, “careful with my ship next time” he glared at you, but Wrecker broke the both of you up by running through his grasp on your arm. “Your ship Tech? Or all of ours? She did great!” Wrecker said, hitting you on your shoulder as he laughed and ran off. “Still, we got what needed to be done, I suggest we drop this.. this argument and actually help. And for your information, we’re al Ryloth” you ran after Wrecker, and Tech stood there. You were stubborn alright, but that doesn’t mean you were better than him. No, he won’t allow it
After Hera was reunited with her parents and uncle, you all took off. For their brother Crosshair was after them, maybe even you now since you were with the Batch. Taking a deep breath in, and letting it out, you continued to clean your helmet, a few new scratches, but nothing bad. “Y/n?” Omega asked you, coming up and holding your shoulder as she stood on one leg. “What’s wrong Omega?” You asked, looking at her leg, “I got a cut, and my legs hurting. Could you look at it for me?” She asked, sitting on the chair in front of you as she turned to meet your body. “Yeah, let me just grab my stuff, stay right there” you told her as you stood up, walking to grab your bag and come back. You pulled her pants up to her knee, seeing a small scrape on it, “hmm, you only scraped it, nothing too bad if we clean it. Glad you came right on time” you tried to lift her mood up. Looking like you did since she laughed and held Lula.
“This might sting a little, but it won’t hurt” you showed her the bottle, calming her down as she was worried what you had in hand. She gave a small nod, handing it back to you, you smiled and slowly poured the liquid over the cut. She winced, hugging Lula tighter as you grabbed a bacta pad and placed it over her knee. “Alright, that should be good. Come back later for another cleaning, I’ll remind you so don’t worry, and if the ache still continues after a few minutes. Tell me so I can give you some medicine, it might be from all the time you haven’t treated it, but be careful next time” you pulled her pants down, patting her lower leg as she set it down. “So you aren’t going to treat the ache she has?” Tech asked, datapad obviously in hand as he watched you, “Tech! She cleaned it up just now, I should be fine. I think it was just dirty” Omega spoke, Tech looked at her, the back at you, he walked over to another seat, making Omega face him as he turned the chair. “What are you doing?” Omega asked as Tech pulled her pants up again.
Taking the tape off and looking at her scrape, he almost nodded in approval, but stopped himself. “Oh come on, I’m not going just throw a bacta pad on there and say I’m done” you told him, “still, you could have left out an important part” he spoke, Omega watched, “and just because you’re a medic, doesn’t mean you know it all” he harshly said, you wanted to just leave, everyone’s been nice except for Tech, “yeah? Well just because your name is ‘Tech’ doesn’t mean you’re actually a technician. You can multitask yet I haven’t spoken one word about your work” you spoke up, gathering your things and leaving. Omega watched as it all unfolded before her, “that was a bit rude Tech, maybe try and be nice, she’s new. You’re probably making her feel bad” Omega defended you
Tech took his helmet off, watching you walk off and disappear down the hall. “Maybe we only needed one, medic aboard. That was only a small scratch Omega, anyone could treat that” he stood up, “maybe you think we only need one medic, but I think differently. You should respect her more, I came to her because you were busy making repairs, and I’m glad to have let you work while she wasn’t busy. She even helped us back on Ryloth” it wasn’t new that Omega put yet another one of her brothers in place. She was right, you did save them, and treat her. He bet, if she would have went to Wrecker, he would have only plugged it up with trash and dirt then throw a bandaid on it.
Omega walked out the cockpit, Lula in her hands as Tech was left alone. So what you knew how to fly and treat a small wound, anyone could do that… anyone who knew what they were doing. And he was intrigued at how much you knew and what you’ve done.
Everyone sat in their seat, you sat behind Echo as he sat in the co-pilot chair. Your hands gripping the pen as you worked an equation out on a piece of paper. Tech heard you whisper quite loudly the numbers, so he worked it out in his head as he watched the stars go by while in hyperspace. “205” he said, you looked up, sighing in annoyance and putting on a fake smile, “thanks Tech, I’m sure me working it out and trying a different way of solving this problem was to easy for you. What a pity, me working with pen and paper as you have a datapad? What was I thinking?” You scoffed out, Echo laughed a bit at your bite back. Tech turned to you, “what do you mean ‘a different way’?” He asked, you threw the paper at him as he caught it then glaring at you for doing so.
His eyes scanned over the numbers, this wasn’t right. None of this was, “give me the pen” he spoke, you looked at him, “what for?” “Just give me the pen” he demanded as you shook your head no. Echo was curious to see what you both were arguing about, his head peaked over the paper and was met with messy writings and scrambled numbers. “How can you read that thing?” You heard Echos disbelief in his voice, “here, I’ll explain it” you reassured him as you clicked the pen. Tech watched as you began to explain what this new trick was. He was fascinated, he found himself looking up your arm until he watched your face as you spoke about something that actually interested you… interested him.
He continued to hold the board with the paper on it for you while you worked it out, circling the answer. He wasn’t sure why, but when you turned to Echo to talk about it, he was quite jealous. Echo wouldn’t understand, but Tech did, why didn’t you argue with him about it. He hesitantly tapped two fingers on your shoulder, you turned and faced him, “perhaps, we could further discuss what you put into motion here? I could teach you some new things as well” he offered, Echo had seen his frail to finally try and get closer to you. He stood up, “excuse me” he walked off, giving you and Tech the time together. “Not sure, I feel like you’re only going to insult me further while thinking you’re smarter, you also offered me something. Don’t know if I should take it that you want something or you hit your head” you crossed your arms, looking at him. “I assure you, I have something’s I would like to share” he lightly laughed.
You thought about it, “fine, but if anything” you threatened him, “there no need to get hostile with me now Y/n, I want to see just how much you know” he leaned back into his seat, arms and legs crossed as he eyed you down. But if anything did happen, the Batch was on board. You sat in the seat Echo sat in before, questioning your choice on agreeing.
It seems Tech had underestimated you to soon, you we’re definitely smarter than he had thought. Was there actually someone just like him? Someone who he could rely on and wouldn’t have to explain too, mainly going into details. But you, oh you… you just gave him this feeling. He didn’t want you to leave the seat when you both sat, it was interesting seeing how you knew some things he didn’t. You both shared theories and facts about unusual things people would have probably brushed off and thought was annoying or just plain boring. He found himself moving ever so closer to you when you both started getting into.. deeper matters. What you did on Kamino versus what he does for the galaxy with his brothers. You told him how you wanted to get off the planet and explore while he suggested he explores all the time.
That was until you both found each other, knees touching while you both leaned forward. It was wrong, you abruptly stood up, “I’m sorry Tech, I shouldn’t have” you fixed your armor and set out. Just what happened there?
He didn’t have feelings for you, if he did. It’d most likely be jealousy and anger, for he didn’t want to be replaced for someone they had just met. He was their brother, you can’t just remove them from their life. Now you were off somewhere in the ship, probably have already forgotten about him. But his thoughts were stuck on you, was he too mean to you? Now that whenever he got close, you either brushed him off or you walked away. But what if he wasn’t, would you two have been closer? Together perhaps? It was like talking to himself, actually finding interest in the conversation. Feelings were never in his area of expertise, so he couldn’t exactly pinpoint what he was feeling at the moment. He was sure to keep an eye on it and write down anything he feels on his datapad, maybe even do some research.
“Y/n!” “Coming!” You replied to Echo as he yelled for your assistance. Walking down the hall to to Echo kneeling before the console trying to fix whatever he was trying to. “Yeah?” You asked, “I need..” he trailed off, trying to get the control panel fixed. “Oh! I’ve done this plenty of times back on Kamino for the clones’ ship when they got back” you spoke while kneeling next to him, undoing the wires as he looked at you, “what are you doing?” “Relax, you can’t just keep the control panel like this, you have to make sure it clean, this this part” you pointed to the corner of the panel as there was dirt inside, “that’s blocking this part, from entering. So brush this aside, and put it back. Now you’re going to want to make sure all the wires and whatnot are still good. Some could burn out and that could ruin the whole thing, and then you’d have to replace it all. But other times, it just needs a little cleaning” you walked him through it, telling him what goes where and how to clean the board without ruining it, while still making it easy for him to understand without using the big confusing words
He nodded, understanding, “Tech would never say anything like this. He does all the repairs like this, the only time he needs help is when he needs tools or for us to hold something” “Ah, I see. I’m sure he means well. I never had anyone to talk to about this and it feels good to finally share some knowledge” you told him to screw the panel back on. He stood up, offering you his hand and helping you up. “Thanks” “no problem, you learn something new everyday” Echo laughed at your joke, giving you a pat on the shoulder and walking off. You kneeled back down picking up the tools and gathering them into a bag. Another pair of hands helped you, as you looked up, you noticed he had no thigh armor. Tech.
“Thank you Tech, you didn’t have to-” you were pushed on your back as Tech was on top of you. You groaned at the pushed, opening your eyes to see Tech giving you a kiss. Your senses finally returning as you felt the harsh action, making your lips hurt. He softened the kiss, making you now blush as you laid there under him. He pulled back, “T-Tech?” You let out the breath you held in, “Y/n. I’m so sorry about before” your brow furrowed in confusion. “What for?” “All those words, bringing you down. It’s wrong now and it was wrong then, but how could I have not appreciated your actions before?” He questioned himself as you now remembered all those things he said and what he did to try and put you down.
“I can’t let someone, so good and loving leave. I’ve seen the way you treat Omega and my brothers when I’m not there too, you’re smart and beautiful. Yet you’re ready for battle when you’re thrown into it. I’ve been thinking, about my feelings, and… and us” your eyes widen at the last part. About, you? Him? Together? You haven’t thought about it, maybe once but that was when you both were talking that night in the cockpit, he was rude and unforgiving when you were introduced and given a task, always saying he knew and could do better than you. And that your tactics were sloppier than his, and to be frank, he didn’t mean that. It was his feelings he was confused about, “Tech.. I actually don’t know what to do. While you say you’ve thought of us, I haven’t, maybe once but that was wrong. We could never work out” you confessed, his gloved hand on the side of your head as he stroked a few hairs out of your face.
He sighed, thinking. This time it was his heart speaking, not his brain, this has nothing to do with what he normally did. So he had to wing it. “Tell me. What do I need to do to show you, how much I appreciate and want you by my side? Tell me what’s making you feel uncomfortable about us and how I can help. I’m willing to give this a chance if you are” he sounded desperate, the first time you’ve heard him like this. But you had to think on it, he was just as smart, maybe even smarter, he was blunt which made you not have to worry about his opinions on others and how you feel. And he was strong, both mentally and physically. You’ve never met someone as close knowing and interesting like you.
“I.. I’m willing to give this a chance as well” your hand came up to his hair, then pulling him down for another loving kiss. All those problems and feelings he couldn’t explain and work out, have now blown away. If seemed like being close to you felt like ecstasy, your aura felt so welcoming and warm. His lips ghosted over yours before coming down for another. This new found feeling was something he could get use to, yours lips felt so soft against his, your fingertips slightly trailed along his jawline and cupped his cheek. “We, better get up before someone sees us” you suggested, he nodded. A quick kiss on the side of your mouth was given before he got up. Pulling you along. He wanted to see where this relationship would take him.
He was excited to have you by his side now, he knew you two could take on anything. The thought of having someone just like him by his side put a warm feeling in his stomach, someone he could protect along with his brothers. Maybe the jealousy before was telling him something, maybe you both were destined to be together since you both could agree that you’ve never met anyone like the other. And he was glad to have someone to return to every time he came back from a mission, or having you on a mission with him in general. He already had hundreds of reasons why he fell in love with you, and if that’s just the beginning, he wondered what being with you forever would he like. Only time will tell
———
I hope you enjoyed, again! If you ever want to send it a request, I take it in DM’s for those who want to stay anonymous, but others can also go to my ask box. Either way is fine, I don’t mind!^^
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ordinaryschmuck · 4 years ago
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What I Thought About The Mitchells vs. the Machines
The Falcon and the Winter Soldier is up there as one of the best installments of the MCU. Sure, the action and CGI sucks, and the season finale could use a bit more polish, but there is so much more of what it does right. It brings up an engaging discussion through Karli; the bromance between Bucky and Sam is incredible; Zemo's surprisingly a riot, and U.S. Agent is a character whose inner psychology is something I would like to study. Plus, the series really dives deep into the themes of race and the realistic hesitance that comes with making a black man Captain America. It's easily an 8/10 series that is worth an in-depth discussion.
But f**k that s**t, because I'm talking about The Mitchells vs. the Machines instead!
I know it might be questionable that reviewing a movie starring a predominantly white family of idiots saving the world instead of the TV series about the powerful journey of a black man taking the mantle of an American icon...but this movie is fun, alright? And yes, I'm going to spoil it to explain how. So if you still have a Netflix account, I highly suggest you check it out when you have time.
Because, random people on the internet who most likely won't read this, this Ordinary Schmuck who writes stories and reviews and draws comics and cartoons is going to explain why The Mitchells vs. the Machines might just be my favorite film of the year (steep contest, I know).
WHAT I LIKE
The Animation: Let's get this out of the way right here and right now: If a single person ever tells you that this movie has awful animation, or the worst animation they have ever seen, just go ahead and assume that person is an idiot. Because holy hot cheese sticks, does this movie look amazing!
Say what you want about most of Sony Pictures Animation's movies, but you have to admit that they nail making a CGI movie looking like it could be in 2D. And The Mitchells vs. The Machines is the peak of that style. Every character in nearly every frame looks like they could work well if the movie was hand-drawn, and I love it. I am addicted to seeing films that look 2D with a 3D makeover because there has to be ten times the amount of effort to get that look just right, what with modeling each character in unique ways to nail that style wherein a hand-drawn film, you could just, well, draw it. Not to mention that the cell-shading and certain hand-drawn elements also add to the aesthetic.
Plus, there is so much attention to details, such as most of Katie's character model being covered in sharpie, or how you can see a hint of Eric and Deborabot 3000's drawn on faces even though their black screens are showing something else. Seriously, you can listen to any criticism this movie gets, but don't you dare let someone get away with telling you that it looks awful. It doesn't. It's incredible, and I SO wish that I could have seen it all on the big screen.
The Comedy: On top of being incredibly well-animated, this movie is also incredibly funny. Like, really funny. I shouldn't be surprised since it's made by the same people responsible for Clone High and The Lego Movie, but yeah, I found myself laughing, chuckling, and snorting with nearly every joke in the film. Not every joke works, to be fair. But because of the fast-paced humor, the bad jokes are almost immediately followed up with better ones soon after. What's even better is that the writers know when to take a break with the humor and let some surprisingly compelling drama take over. And even then, when there are jokes during the dramatic moments, they add sincerity to the scene rather than take anything away. Looking at you, The Amazing World of Gumball...I mean, I love you, but sheesh, you need to learn to let a solemn moment play out.
Anyways, the comedy is hilarious. And while I won't spoil every joke, I will go over some bits that might have gotten to me the most.
Katie Mitchell: Let's just go ahead and add Katie Mitchell to the list of characters I highly relate to on a personal level (which is getting longer by the minute, hot damn). But jokes aside, I really like Katie. Her love and desire to make movies is something I identify with, and her goal to just go to a place where she feels like she belongs is easy to understand. Trust me, if I found out there was a group of weirdos who like the same things I do and enjoy the things I make, I’d be willing to pack everything I have and go to them as fast as possible too. Plus, I feel like a lot of us can relate to a character who lives in a household where people question if our career goal is something we can make a living with. I remember two years ago when I told my aunt that I wanted to make my own animated series, and her reaction is a little too similar to Rick's when Katie showed him her movie. They mean well, but sometimes it's for the best to have a cheerleader rather than a critic, especially if that person is family.
Now, Katie isn't perfect as her enthusiasm can get a little annoying at times, and her desire to leave can be conceived as a little too harsh as well. Still, she's pretty cool and serves her role as a protagonist pretty well...also, if the movie gets a sequel, let's hope she and Jude become cannon by then. GIVE KATIE A GIRLFRIEND, DAMN IT!
Aaron Mitchell: But as great as Katie is, it's this goober that earns the reward for my favorite character. At times it looks like Aaron is nothing more than a source of comedy, but he handles some dramatic moments really well. Partial credit goes to Michael Rianda for that one. Yeah, having a child actor would have made Aaron sound more like a kid, but no other voice could have fit him better than what Michael offers as he comes across as weird but never obnoxious.
Also, let's give the writer points for making a character who is clearly neurodivergent. Yet also refraining from having him be annoying or useless to the rest of the cast. No one ever really disrespects or belittles Aaron and instead chooses to work with him rather than against him. Especially Katie, who forms a solid sibling bond with Aaron as a fellow weirdo. It's genuinely sweet to see, and I loved every minute that the writers showed that just because someone acts on a different wavelength doesn't mean they shouldn't be treated any less because of it. You get that with Katie, a little bit, but I see it much more with Aaron, for some reason. And I love him every minute, so that’s a win.
(Plus, I may or may not have had a dinosaur phase when I was younger, so go ahead and add him to the list of relatable characters too.)
Rick Mitchell: This is probably a character you will either love or hate, and I can see both sides of that argument. Because on the one hand, I really like Rick Mitchell. His motivation is clear and understandable from the first set of home videos with him and Katie, both near the beginning and the end. Sure, he messes up a lot, but he is still a man who cares deeply about his daughter, as well as his entire family. He gets to the point where he would make great sacrifices for all of them, especially Katie. Plus, it's just pleasant seeing a cartoon dad who isn't a complete idiot or overprotective regarding his daughter's love life.
However, there are times when Rick comes across as an irresponsible d**k. When he does things like smash the family's phones without telling them or giving them screwdrivers for "presents," you're either gonna find that funny or you won't. Personally, I enjoy Rick and his antics, and I have no problem with irresponsible cartoon dads. As long as they don't cross the line toward Modern-Peter Griffin territory, I've got no problem with dads like Rick, who I believe has never even got that bad. Still, some people might think differently, and I can't blame them. Because after getting great cartoon dads like Greg Universe, I can understand if some people won't be interested in characters like Rick Mitchell.
Rick’s and Katie’s relationship: Alongside the top-notch animation and gut-busting comedy, Rick and Katie's relationship is what I consider the movie's most essential asset. These two are the main characters of the film, and as such, they develop through each other. And what's crazy is that they have very conflicting goals. Katie wants to escape and be with her people, where Rich just wants one last chance to have a good memory with Katie before she leaves. To do so, they first have to understand each other. Katie has to learn why Rick is so desperate to spend time with her, and Rick has to realize why Katie is, well, Katie. What I love most about it is that they try. These two don't spend the entire movie arguing and being at each other's throats until a sudden "Oh" moment in the end. No, there are actual moments when they genuinely try to understand one another and fix their relationship. It's nice to watch, and I especially love when it cuts to Linda and Aaron celebrating each time Katie and Rick get closer to each other. When recommending this movie, I'd say come for the animation and comedy, stay for the phenomenal relationship building.
Monchi: There are probably people already comparing Monchi to Mater or the Minions due to being a comic relief with nothing else to add...but gosh dangit, do I love this little gentleman. Maybe it's because I'm a dog person, but I find Monchie to be incredibly adorable, and I will fight anybody who disrespects this king of kings. Probably not physically, 'cause I'm a wuss, but I will verbally. So WATCH IT!
“HeLlO. i Am DoG.”: Have I mentioned that this movie is funny?
Rick’s videotapes of him and Katie: And right there. Rick's motivation for everything is set in stone through a solid case of visual storytelling.
PAL: The writers do almost everything they should have with this character. PAL might not have the most creative evil plan in the world, but to me, a villain can have a generic scheme as long as they're funny. Thankfully, PAL is funny. Not only is the idea of a smartphone ruling the planet hilarious in all the right ways, but Olivia Colman delivers such a great cynical energy that the character needs. The way PAL reacts to people explaining why humans are worth living is just the best, and her flopping around in a fit of rage successfully gets to me.
If I had to nitpick, I'd say that I wish PAL had more of a meaningful resolution to her character. The movie builds up that she makes a big deal about Mark dropping her, so it feels weird that neither of them really get any actual closure with each other. I'll get more into that in the dislikes, but I wish PAL had more of a fitting end than just dying after accidentally getting dropped in a glass of water. Other than that, she's a great comedic villain for a comedic movie.
PAL MAX Robots: These guys are the funniest characters in the movie. Half of it is the bits of visual humor, while the other half comes from the solid line delivery from Beck Bennett. Especially with Bennett's and Fred Armisen's Eric and Deborahbot 3000. These two are definitely the comedic highlights, as nearly every line they say is both hilarious and kind of adorable at times. And just like with Monchi, if you dare disrespect these characters, I will fight you. Because they are funny, and I will not hear otherwise.
PAL demonstrating what it’s like to be a phone: Have I mentioned that this movie is funny?
(Don't disrespect your phones, kids. Otherwise, they'll try to take over the world.)
PAL turning off the Wi-Fi: Again, have I mentioned this movie is funny?
“I love the dog. You love the dog. We all love the dog. But at some point, you’re gonna have to eat the dog.”: It's the sick jokes that get to me the most. Everyone booing Rick afterward is just the cherry on top.
Attack of the Furbies: Have I. Mentioned. That this movie. Is funny?
Seriously, if you haven't lost your s**t during every second of this scene, then you never had to deal with the demonic entity that is a Furby. In a way, I commend you. But you also don't get to appreciate the comedic genius of all of this. So I also weirdly feel bad for you.
The Mitchells deciding how to celebrate: You don't have a real family if you spend more time arguing about how to celebrate after saving the world than you do about how to save the world. I don't make the rules. I just abide by them.
The PAL MAX Primes: There's not much to say about them. The PAL MAX primes look and act pretty cool, are brilliantly animated, and raise the stakes while still being funny at times. I love 'em, but I don't have much to analyze with them either.
The origin of the moose: ...I'd make the "I didn't need my heart anyway" joke, but to be honest, it's still shattered after WandaVision.
(For real, though, this is a really effective scene that establishes why Rick makes a big deal with the moose and why he might feel hurt that Katie is willing to disregard it completely)
The Theme of Technology and Social Media: There's a theme about how family is important, and working hard on making things work is worth the effort. But that's a bit too generic for my tastes, so instead, I'm gonna talk about the equally important message this movie has about technology. Because as twisted as she is, PAL makes a great point. The technology we have today helps us in a variety of ways. It's especially useful with sites like YouTube, allowing content creators like Katie to reach out and share their voices. The only issue with technology is how people use it. Take note that the main reason why the Mitchells stand a chance against PAL is by using her own tech against her. Yes, over-relying on all the advancements around us can be dangerous, but if we're smart with how we use them, we can get by just fine. This movie isn't about purging all technology like most robot apocalypse stories are. Instead, it's about using it correctly and not being helpless sheep the second the Wi-Fi gets turned off. Which might just be the most unique thing this movie has going for it story-wise (more on that later).
The Climax: The Mitchells vs. The Machines has everything that I think I climax should have. First off, it utilizes callbacks and jokes that I wouldn't have thought twice on actually coming in handy for how the Mitchells win the day. But showing that Monchi causes the robots to malfunction turns a pretty "eh" joke into a solid case of foreshadowing.
Second, everyone does something. Some characters do more than others, sure, but the fact that every Mitchell, even Monchi, has a hand in beating PAL and her robots is a great sense of writing to me. It shows that you really can't cut anyone from the main cast, as they each add value to how they are essential to the plot. Even Aaron, who arguably does the least in the climax, still manages to be the catalyst to what is easily the best scene in the movie. Speaking of which...
Linda Kicks Ass: By the way, that's the actual name on the soundtrack. I'm not even kidding. Check it.
Anyways, for the most part, Linda seemed like a decent cartoon mom. She's insanely supportive but still has the common sense to keep her foot down, like agreeing with Rick to stay safe in the dino stop the second the apocalypse starts. A pretty fun character, for sure, but nothing too noteworthy...but the second she loses her s**t, Linda Mitchell frickin' SKYROCKETS to the best-cartoon-mom territory! Believe me when I tell you that seeing her slice and dice robots like a middle-aged female Samurai Jack is as awesome as it is hilarious. Does it make sense how she can suddenly do this? No, but at the same time, who gives a s**t about common sense?! Because this moment was epic, and I don't think I'll ever get tired of watching it over and over again.
Rick Learning How to Internet...Again: I consider this the funniest moment in the movie. Trust me, the Furby scene is a close, close, CLOSE, second...but I think this scene was funnier.
The final goodbye: This is what I'm talking about when I say humor adds to the dramatic moments. The Mitchells saying "I love you" in moose is pretty funny, but it's also a sweet moment given that this is absolutely how this family of weirdos would say goodbye to each other. And, yeah, I got a little misty-eyed during this scene. Especially when Rick saw Katie pocketing the moose. That s**t just cuts deep, man.
Alex Hirsch Voices a Character: ...That's it. I look up to Alex Hirsh as everything I want to be as a creator, and the fact that his name is on this movie fills me with joy. He's also a story consultant, so that can also explain why the movie turned out as great as it did...although there are some imperfections.
WHAT I DISLIKE
Katie-vision: What's Katie-vision? Well, throughout the movie, we get to see how Katie views the world as there are these hand-drawn elements that look like effects Katie would add if she was the one who made the movie. At times it can be subtle and cute, like when this little beating heart appears when Katie is talking with Jude and her other friends. It's when the movie is in your face with Katie-vision does it get annoying. Like showing how Katie is lying about being certain she can drive up a vertical ramp or signifying what is the Rick Mitchell Special. Even if you justify that this would be how Katie would edit the movie, it still doesn't change how obnoxious these moments can be. For instance, Monchi is justified to be essential for the plot, but that doesn't mean people won't hate him...I'll still fight them if they do, but that's beside the point.
I can totally accept this being a personal issue, as I'm sure some people enjoy it. As for me, I think Katie-vision works best when used subtly instead of crudely.
The Meme humor: It's something similar here. Because some people like meme humor...but I don't. To me, it just dates your story if you reference memes even once. Now, a show, movie, or book being partially dated is nothing new. We Bare Bears, a series that I love, reference memes, apps, and social media constantly. Yet, the show still has a timeless feel to it as it doesn't rely on those references too much. The Mitchells vs. the Machines doesn't rely on memes as much either. But even then, that doesn't make a difference about how annoying that gibbon monkey joke was. Seriously, what the f**k was that? And how is THAT the joke that gets used twice!?
Underutilizing Mark Bowman: It really bothers me how this guy barely does much. I mean, Mark Bowman is the main reason that anything happens in the movie. Because he mistreated PAL, Mark acts as the catalyst for events to come. So the fact that he could have been written out the second PAL takes control doesn't make sense to me. It's worse since I could see more potential with his character through his relationship with PAL. These two could be anti-Rick and Katie, as Mark and PAL show what happens when people disrespect their family. So separating them halfway through the story, and keeping them as such, is a huge mistake as it results in neither having a proper resolution to their arcs. Like I said, Rick and Katie develop through each other, and the same could have happened with Mark and PAL. It doesn't, making it something that I can't help but feel disappointed about.
The Poseys: These are characters I feel like work better with multiple appearances. Sure, they only have the one joke about being a perfect family, but at the same time, you can make a joke like that work. Look at Yvonne from Shaun of the Dead (Which might just be my favorite movie). That's a bit-character whose only purpose is showing how better she is than Shaun despite being in an eerily similar situation. But she works well as we constantly see how great she's doing in every instance we see her. The same could be done with the Poseys, as using a similar joke for one scene is underutilizing great potential to make an already good movie into a better one.
Plus, if you're gonna shoehorn in a romance between Aaron and Abby Posey, the least you could do is have more than one scene developing that...just saying.
Katie’s and Rick’s “Oh” Moments: I want to make it clear that I actually like these scenes. They're well written and effectively emotional. My problem is that they also happen two seconds apart. There's nothing wrong with having a character realize the error of their ways through a tear-jerking moment. It's a popular tactic for a reason. And given how both Rick and Katie are the protagonists, they both need their own "oh" moment. But you gotta space them out, as it makes things easier to see the emotional manipulation that you're clearly trying to pull on the audience. They work, but putting them back to back is an issue easily solved with at least two minutes of padding, not two seconds.
Katie’s Death Fakeout: This is one of the few instances that a joke doesn't work in the movie, made even more annoying with the fact that I could see the punchline a mile away and kept thinking, "Just get to it already." I'm pretty sure no one bought this, especially when Katie didn't look like she could have gotten killed in any way after throwing PAL. It's poorly handled and proof that even the funniest comedies have a stale joke every now and again.
Nothing New is really being done here: Keep in mind that in terms of style, this movie is incredibly innovative. And here's hoping future animated projects can take notes. But narratively speaking? Yeah, there's nothing really new that this movie is offering.
A story about how technology will be the death of us? Been there.
A story about a group of idiots miraculously saving the world? Done that.
A story about a father forcing their teenager on a road trip so they can spend quality time with each other, thus ruining the teen's chance of hanging out with their girlfriend? Believe it or not, I have seen A Goofy Movie...multiple times...both as a kid and as an adult.
Now, I have no issue with a movie's plot being a bit by-the-books, and in some cases, cliche. If done effectively, and if I still have a good time, I don't think there’s much to complain about. And there isn't with The Mitchells vs. The Machines. The problem lies with that I'll forget this movie along with the dozens of others like it in a couple years. Which might just be the biggest issue any film can have.
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Overall, I'd give The Mitchells vs. the Machines a well-earned A-. It has nitpicks, sure, but it's still a blast to watch. It might not be innovative or groundbreaking as movies like the last Sony Pictures Animation movie, Spider-Man: Into the Spiderverse. However, it is fun. And when the world is burning down around us, it's nice to have a fun movie that can distract us from all of it. So feel free to log in to Netflix the next time you're in the mood for a film that is great for the whole family. You won’t be disapointed
(And I will talk about The Falcon and the Winter Soldier pretty soon. I just needed to get this out of my system first.)
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agoddamn · 4 years ago
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I think TCW suffers from a chronic problem of not understanding war well enough to write it. It's also possible that they just weren't allowed to write more complex battlefields for Children's Television Show reasons, but it ends up being different equations that result in the same product. It makes it hard to take anything in it as seriously as the fandom seems to take it.
"The Jedi are terrible tacticians!" No, the writers are terrible tacticians. The Jedi are so obviously Protagonist Generals that you're expected to judge as at least decent because everyone in-universe judges them as decent, even though they seem to have no idea what cover or mines or literally anything but standing upright in an open field and shooting are. You see them in every damn cartoon with a war in it. Nobody even blinks about the clones who went down with Obi-Wan's ship, and it's not because the Jedi don't care about the clones; it's because the writers don't.
You can also identify this phenomenon when double standards start getting visible; Krell is (rightfully) dragged over the coals for his high unit fatality count, but Anakin's had at least four occurrences of returning with only one survivor and if he ever gets called to task for that, it sure hasn't happened yet. The writers just know that only having one survivor is both narratively convenient and practical (only one dude to bother naming/designing/characterizing) as well as dramatic, and they don't...bother to do the math of how bad it looks in an objective sense to constantly be seeing how often Anakin experiences TPKs.
LMAO what a fucking punk Grievous is; the magnaguards stand back while Grievous has the advantage but step in and electrocute Koth as SOON as Grievous starts to lose. What a little bitch
Grievous looks naked without a cape, but I guess I've mocked TCW's antipathy for cloth already
Obi-Wan is really good at Professional Lastnaming of Anakin. Anakin is good at it too
Wew, wielding both a lightstaff AND a saber at once, good job overachiever Obi-Wan
Hilariously obvious that Grievous has no strategy past "helicopter roleplay"
It's NOT Cody who indulges in the madness of using a grappling hook on Grievous! It's...someone without a visor but with a yellow stripe. Look, I have yet to find a helmet identification resource. At least this madlad seems to survive
I'm v curious about the distinction of clones in greys vs clones in armor. I don't think I've seen Cody out of armor once; he's always kitted out like he's about to go into the field
Once more, medical droid but no live medic
I was vaguely under the impression that TCW was supposed to patch up holes in the narrative but Grievous has a huge personal hateboner for Obi-Wan already? With no explanation?
Oh HELLO, who is this blond dude with actual hair? He's with Obi-Wan and Cody, which doesn't necessarily mean he's command but he might be. Crys, going back and double-checking?
Oh hey, finally Kix. He's also...quite mild, compared to his fanon portrayal? Maybe he grows a temper as time goes on, but here he's almost delicate in telling Rex he has authority
Cut looks visibly older than Rex. Also, yeesh, Jango was really rocking them male pattern baldness genes, huh
I like the snideness of this exchange; Rex demands Cut ID himself by serial number, Cut declines altogether and answers with his name instead, and asks Rex his number back, to which Rex also instead replies to with his name and is annoyed that Cut seems to have assumed he didn't have enough brain to name himself
Rex puts Jesse in command after himself, so he's likely higher-ranked than Kix and Hardcase
Rex, Crys, and Cut all have dark eyebrows in spite of their diverging hair colors
So this is interesting? Rex says that he's never really thought about his name and vaguely conjectures that it's more efficient for leadership to use names. Cut snipes back "I doubt the Kaminoans think that way"...which means the situation was ambiguous enough for him to say "I doubt" instead of "are you fucking hallucinating". Meaning, clones have used names for a long time, and even if using names wasn't explicitly approved of, it wasn't "you use a name and you get decommissioned". Cut is being mildly condescending, but he's not treating Rex like he's totally broken from reality
Cut leaning over Rex and declaring they're the closest that two beings can be is...a little homoerotic for dinner with the kids, fellas
I mean, Cut is right in the most meta ways possible (we literally know that the clones were programmed to be tools), but he's also quite dismissive of the idea that Rex could have faith in an idea that Cut doesn't. While I do think Rex is a bit naive, Cut outright dismissing the idea that he could be making his own decisions also doesn't help lol his "well, to each his own" at the end of the lecture feels quite false
Cut is wearing a wraparound tunic, like Luke & company. Nice standardizing of "wraparound tunics are just totally standard and not Jedi gear" wwwww. The prequels created this awkward situation where all Jedi dressed like old Ben in spite of the fact that Ben was dressed the same as the Lars family
On the subject of "what is ammo in this universe": a guy says that the cannons are overheated. At least a degree of Mass Effect-style heat sinks? I'm almost certain that ammo is mentioned at some other point, but the specific note of overheating is interesting
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allofthismatters · 4 years ago
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love the head cannons for felicity meeting ava, any about sara introducing ava to the rest of team arrow (diggle, roy, thea, quentin, etc)?
I got two very similar asks so I’m answering them together. :) (The other one was “Can you do one for when Ava meets the teams from the rest of the Arrowverse please?”) 
I think Team Arrow would LOVE Ava. I wish it were logistically easier to show Sara maintaining her relationships w/ them. They’ve known Sara since the beginning, they know her family well (Laurel 1.0 and Quentin at least), they’ve seen her go through absolute hell. Diggle literally named his daughter after her. They’ve seen her in a place where she never thought she’d have anything good or light for herself. I think they’d be so happy to know she was happy and loved. I also think they’d find it really funny that Sara ended up with someone so...normal?? Like, Sara is totally the weird cousin of the Arrowverse, and Ava is, in Sara’s words, “the kind of girl you take home to your parents”. 
I’m especially weak for Sara and Felicity. Felicity was the first person to treat Sara like a person when she got back from the League ( “Thank you for not making me feel like what I am” “Hey, we’ve all joined clubs we wish we hadn’t”), and she has a way of making people feel at ease about their insecurities. Like, if she found out Ava’s past, she’d probably sit her down with genuine enthusiasm and ask her questions that ended up making Ava actually feel really awesome about being a clone. 
Diggle loves his chosen family and I think he’d be really sentimental and warm, and be the one to give Ava a shovel talk, but without any real feeling behind it because he can tell Ava’s one he doesn’t need to worry about with Sara. He’d also say “Hey, try to keep this one from dying anymore, ok?” 
Thea’s known Sara her whole life and probably just wants the best for her; plus, Thea spent a lot of time with Nyssa destroying the Lazarus Pits, so that might be a little awkward. But I think Thea knows that while Sara was the love of Nyssa’s life, Nyssa wasn’t necessarily the best thing for Sara to move forward and find light again. Thea probably rags on something annoying Sara’s always done, and catches Ava smirk at it, so after that they’re buddies lol.
If you look in my Quentin Lance tag, you can find alllllll the feelings I have about him meeting his daughter’s wife :)
-Alex Danvers and Ava meeting would be gold. They have a lot in common career-wise, and Alex might feel weird because she had a one night stand with Sara, but Ava just rolls her eyes and is like ‘Don’t worry, this happens all the time’. 
Sara comes in the room at some point and has a silent moment of ‘Uh oh, i’ve slept with everyone in this room’ and Ava just raises an eyebrow at her and says, “So. You got a thing for Directors, huh?” and Alex tries to hide her laugh in the background.
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revasnaslan · 5 years ago
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My reading on Hordak’s flashback scene from S3E2 is this… I do not believe it’s an accurate telling of the situation. To be clear, I don’t mean that I think Hordak was lying intentionally. On the contrary, I actually think he was being as truthful as he could have been, given the circumstances. He believes what he was saying to be true, even though I think canon was framed some things differently that throw his flashback into question when it comes to accuracy.
The tl;dr here is that I think Hordak has conflated his health issues with Prime’s dismissal of his agency and autonomy, due to memory issues brought on by previous mind wipes and/or his crash landing on Etheria.
One thing I’ve noticed is that all of the other flashback sequences in the show (e.g., the entirety of Shadow Weaver’s flashbacks in Light Spinner) are animated in the same style as the show proper. In contrast, Hordak’s flashback in animated in an entirely different style, one that is very sketchy and rather vague. In his flashback, faces do not have distinct features aside from their eyes, and the palette is rather simplistic. It is also told in the span of only a few minutes (if that), rather than spanning an entire episode’s B-Plot like Shadow Weaver’s flashbacks did, or how the entirety of Promise was framed. This could be interpreted as a stylistic shift that indicates how vague his memories actually are, in comparison to someone like Shadow Weaver or Catra, who remember their own memories very vividly.
I believe this vagueness is due to the aforementioned memory issues Hordak might have that were caused by a previous mind wipe. I do not imagine that having your brain stem hacked into really does anything good for your ability to recall old memories or create new ones. There is evidence that Hordak has had his mind wiped in the past. We see it in the flashback sequence I previously mentioned. During that sequence, Hordak is clearly lifted by his neck by Prime. Without any additional context brought on by the S4 finale, you wouldn’t be able to tell what was going on aside from Hordak being grabbed.
I highly suspect what we saw there, was Hordak being mind wiped by his brother. However, Hordak does not remember the context of it fully. You’d think he’d mention being mind wiped if he remembered it happening, but he doesn’t, and I suspect that framing is intentional. The only thing he remembers is being grabbed by his brother.
The context we have for why Prime grabbed Hordak in the first place is also sketchy to me upon deeper examination. Hordak tells Entrapta, and the audience, that his defect became apparent during a strategy meeting which caused him to faint in front of Prime. However, we have seen Hordak faint exactly once in canon, outside of that flashback. It was the result of him being upset and/or angry at Entrapta intruding on him when he was in a very vulnerable state. I suspect Hordak fainted during that strategy meeting because he was upset about a plan that Prime was trying to push through… as in, he didn’t agree with what it was Prime wanted to do.
So, he fainted, and Prime was angry because Hordak had argued against him, rather than because of his health issues.
Now, it is not my intention to suggest that Hordak is stupid for conflating his health issues with dismissal of his agency and autonomy. On the contrary I think Hordak is actually pretty intuitive, which is why I suspect he did the conflating in the first place. He was trying to put two-and-two together as best as he was able, with what context clues he had, and ended up coming to a conclusion that makes sense but was ultimately wrong.
And that is because Hordak is an unreliable narrator. However, I only came to that conclusion after the finale of S4, after seeing Prime for the first time. Most of my assumptions about him came from that flashback sequence, as I think a lot of people’s did. There’s a reason we all assumed that Prime would just look like a taller version of Hordak, perhaps with a couple more scars. I’m not going to go on a two thousand word long explanation for why I think Prime was and still is fond of Hordak—which I feel the need to stress, is not a good thing—but the tl;dr for that would simply be that Prime’s main motivation is control and the framing of his relationship with Hordak strikes me as that of a possessive family member who feels entitled to them.
I also want to be clear here. Hordak does not have plot armor. If you are unsure of what constitutes plot armor, I direct your attention to Catra, who survived the season finale despite having Hordak shooting his arm cannon at her for half an episode, which she proceeded to break with her heel. That is plot armor. Hordak doesn’t have it. If he was going to die, he would have done so in the season finale when he was reunited with Prime, and his death would have actually served two narrative purposes. The first is that he would have been fridged for Entrapta’s development, as a gender flip on the much more common trope of a woman being fridged for her male love interest’s development. The second is that his death would have easily set the stakes for the final season, for both the audience as well as Glimmer and Catra who would have witnessed it.
Which brings me to an important question. If Prime wanted Hordak dead so damn badly (as is implied by Hordak’s flashback), why didn’t Prime kill him? Hordak has already proven himself to be a liability at least twice that we know of, and yet Prime did not kill Hordak. He merely sent him away for reconditioning. I have my own theories for why, ranging from Hordak not actually being a clone at all but rather Prime’s younger sickly brother to Prime genuinely being fond of this one clone in particular for whatever reason…
But I guess we’ll just have to wait and see when season five rolls around.
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elenathehun · 4 years ago
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Watching the Clone Wars, part 2
Another week, another batch of episodes watched.  Some of these were (dare I say it) actually good, and some of these are rather bad.  Read on for the details of my opinion on “Clone Cadets”, “Supply Lines”, “Ambush”, the three-episode “Malevolence” arc, and “Rookies”. 
“Clone Cadets” (3x01)
This was very clearly a way to capitalize on the success of episode 1x06 “Rookies”, one of the top five episodes in the first season of TCW, providing background on the mostly-doomed Domino Squad.  Unfortunately, I couldn’t really warm up to it, even though I liked all the characters, and was excited to see 99 and Shaak Ti.  I think the core issue is that it was framed as a coming-of-age story, but coming-of-age stories imply agency.  No clone has agency in this war - or if they do, it’s something they have to carve out themselves.  Their entire existence is dependent on their martial performance, damn all their other qualities.  Success throws them into the meatgrinder of the war; failure dooms them to an ignomious existence as janitorial staff.  There is a lot a viewer can pick out regarding how physical disabilities are seen by the Kaminoans and the trainers, as well as how those values are transmitted to the clones, in 99′s story, as well as further hints of some kind of inter-clone caste system, but none of this is ever elaborated upon, at least in the episodes I recall.  
Either way, Domino’s “success” left a sour taste in my mouth.  TCW insists on portraying war as worthy and necessary, and in certain situations, that can be true.  But the Clone Wars is not one of those situations.
“Supply Lines” (3x03)
Another day, another episode where we see some cool characters die!  RIP Captain Keeli, you deserved better.  TCW did not have a military advisor, as the tactics used as abominable.  Like, I’m not asking for much, but hey, a little bit of mass fire wouldn’t go amiss, or even the use of an infantry square...  
There is sort of an interesting theme in this episode about the duty of the government to it’s people. Cham Syndulla is right to be upset that his people are being hung out to dry, but on the other hand...it happened to Naboo ten years previously.  It’s honestly surprising the Republic hasn’t fallen apart faster.  I’m rather neutral on the mission to Toydaria.  On one hand, it’s nice that Star Wars is trying their best to redeem Lucas’ very obvious and horrible stereotypes.  On the other hand...idk, Bail Organa vs Viceroy Gunray wasn’t really a great showing for what either side believes in? I’ve already forgotten most of it  
However, I feel like this is the first time I’ve ever seen Jar Jar Binks subvert his own reputation for good.  If he was always like this, he would be much better as a character.
“Ambush” (1x01)
This episode is mostly a showcase for Yoda, an 874-year-old murder machine.  This guy is basically a one-man army.  I like all the clone companions, and it was nice of him to give them a pep talk, but they were sort of superfluous to his reign of destruction, you know?  It would have been nice if we had seen the obvious end result of this natural-born killer fighting and beating Asajj Ventress.  Not really sure he actually has any mercy in him in the heat of the moment.
Boy, the writers are trying so hard to make these battle droids personable!  It’s should be funny, and it occasionally is, but it mostly leads to many questions about computer programming in the GFFA.  I like to think that Dooku has pulled a Krennic (or did Krennic pull a Dooku?) and he has a whole team of unwilling computer programmers writing the code for the droids, which is why they are so badly programmed. 
Of course, the  real answer is that Star Wars is space fantasy, and the real answer to the droids is magic!  Bad magic.  One might even say...incompetent magic.
“Rising Malevolence” (1x02)
I really intensely enjoyed this episode.  Finally, a superweapon that makes sense!  A giant ion cannon to be used against capital ships!  That’s actually brilliant.  Now, I have my quibbles with the design: since the CIS is mostly staffed by droids and drones, it doesn’t really makes sense for there to be a missive ship superstructure around the cannon.  It would make more sense for it to basically be like the old Legends Darksaber, which was basically the Death Star laser sans the battle station.  The ion cannon, repulsors and a hyperdrive, turbolaser emplacements and attached hangar bays for starfighter drones, as well as a screen of protective cruisers to defend the cannon against more maneuverable ships - that would make more sense.  But of course, it would have a much different silhouette in that case.
More truly graphic clone death.  Seeing several men get spaced is not PG, idek how this managed to get past the censors.  That is actually a real war crime, and I have no how parents explained this to Little Johnny and Sally (age six) when it aired on Cartoon Network.  And although I do love the relationship between Ahsoka and Plo, the central emotional question of the episode was left unresolved.  Who would come for a clone?  As it happens, a Jedi, but only if they’re looking for another Jedi :(
“Shadow of Malevolence” (1x03)
This was an OK-but-not-great episode?  Unfortunately, I read the X-wing novels multiple times as a pre-teen and teenager, so I have pretty high standards for starfighter combat and this didn’t really measure up to it.  I did love the space manta ray scene, though, it was very pretty.  Also a nice shout-out to the Y-wings, the perpetual butt of all the jokes in the X-wing series.
Again, I have no idea why “it’s a kid’s show!” was ever even tried as an excuse for the shoddy writing.  This is the third episode ever released, and the CIS is deliberately targeting a hospital.  Again, this is not appropriate for small children to watch!
On the bright side, a fun AU would be to play with the fact that this ion cannon apparently shorts out anything.  It would be pretty funny to see a story where the 30,000 walking wounded (I think) who were being medically evacuated, as well as Wolffe, Boost, and Sinker (plus Shadow 7, 8 and 10) are spread throughout the GAR when Order 66 comes through - and it doesn’t work for them, because the cannon shorted out their chips and no one realized.
Just a thought, that’s all.
“Destroy Malevolence” (1x04)
This episode mostly exists to show that Anakin will definitely put the greater good aside for the purpose of rescuing his main squeeze. I think it could have been cut for that reason alone.  Also to have some standard R2 and C-3PO hijinks, as well as Obi-Wan just being insufferable in general.  
Honestly, I would like this episode better if Padme was a Sith apprentice that Palpatine was trying to kill, that would at least make it more interesting.  Aside from that, it could have easily been cut.
“Rookies” (1x06)
This is definitely one of the better episodes of the first season.  Finally, Filoni gives the people what they want: an episode mostly dedicated to clones!  For a show about the clone wars, they’re in awfully short supply.  This was a nice war story, artfully executed.  I wouldn’t call it original, but honestly, originality is over-rated.  Cody and Rex are delightful as always, and unlike “The Hidden Enemy” (or “Clone Cadets” for that matter) it portrays clone relationships in a more positive, wholesome light.  
I also loved the droid commandos.  Kudos to the animators, who gave them a unique, more menacing walk and style.  However, I do dislike the continuing use of instantaneous communications through hyperspace even in star wars.  It’s a shame that the writers are either unwilling or unable to use the tension of time in their stories so far.
Next Week: “Downfall of a Droid”, “Duel of the Droids”, “Bombad Jedi”, “Cloak of Darkness”, “Lair of Grievous”, “Dooku Captured”, and “The Gungan General”.
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autumn-foxfire · 4 years ago
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I get that everyone has their own opinions but I find it really frustrating when villain stans will make all the Heroes terrible people who do all kinds of shitty things to villains in fics and act like they would be that way in cannon. I get Endeavor, but they'll write Aizawa, Mic and even All Might torturing or being okay with torturing villains and be like 'they'd do that'. They like the lov so much they can't write the heroes at all favorably. They have be evil to make the lov look better.
I’ve been told about small snippets of a fic that someone is writing where the villains are captured and forced to fight in inhuman death matches in prison and it’s endorced and supported by the heroes. If it was potentially a mirror-verse fic then I could understand but apparently it’s not and the writer genuinely believes the heroes would actually support something like this.
The heroes, who treated Overhaul in prison and helped him to be able to use his quirk in a different way. The heroes, who have in both BNHA and BNHA Vigilantes treated percieved villains with respect (Aizawa allowed a young man to watch the rest of a concert before letting the police take him in for questioning, multiple heroes have learned the identities of the vigilantes but have kept it a secret and allow them to continue what they do, Hawks reached a hand out to Twice when he confronted him and offered him to help him reintergrate back into society). It’s asinine to think that these people would support inhumane death matches for entertainment.
I’ve also seen people bring up the torture argument before and it’s so dumb. Dabi was apparently tortured by Aizawa because he tried to break his arms. While it’s an extreme reaction, people who make this argument forget that Dabi waltzed into a classroom with students and tried to set it alight. Restraining Dabi with his capture weapon probably wouldn’t have been enough when fire isn’t something easily restrained so he probably reasoned that stopping him from using his arms would limit his ability to produce flames (either because of the pain or the fact that Dabi tends to create fire from his arms).
I’ve seen people complain about the heroes striking the villains first even though the villains were the ones making plans to kill everyone. I’ve seen people say that Hawks tortured Twice in his confrontation (which I also don’t get considering Hawks again cut him up because it was the only way he was capable of restraining Twice, he hoped by doing so Twice wouldn’t be able to move or produce clones). People really go out of their way to woobify the villains and villify everything the heroes do.
And yet we’re the ones who are said to woobify the heroes? Bullshit.
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yeonchi · 4 years ago
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Doctor Who 2021 New Year’s Special Review: Revolution of the Daleks
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Air date: 1 January 2021
New Year’s Day is the new Christmas Day for Doctor Who. Two years ago, I was writing the review for the 2019 New Year’s Special, Resolution. One year ago, I was writing the review for the first episode of Series 12, Spyfall Part One (which essentially served as the 2020 New Year’s Special). Today, I'm writing this review for the 2021 New Year’s Special. Whether the change was because of political correctness, low ratings or just to change up the status quo, I think we should be glad that we even have a festive special, unlike the English dubs on Koei Tecmo’s Warriors games.
Amazingly, this special was filmed alongside Series 12 last year and kept on hold to today, meaning that production was largely unaffected by the coronavirus. Even with the anticipation and uncertainty for Series 13, which has already been reduced to eight episodes (with festive special status unknown), this episode serves as a good icebreaker given everything that’s happened in 2020 and the Timeless Child arc of Series 12.
Here is my spoiler-free thought for this episode: “It’s epic, heartbreaking and ridiculous at the same time.”
Spoilers continue after the break. Also, please don’t forget to check out my look at Doctor Who: Lockdown and the hiatusbreaker update for some post-Series 12 review thoughts.
Introduction
Chibnall mentioned that the recon scout Dalek from Resolution give birth to the new Dalek variant that was seen in this episode, thus making this episode a sequel to said episode. As such, this was the case.
367 minutes (about 6 hours) after the Doctor and her extended fam fought the recon scout Dalek at GCHQ, its shell was recovered. Jo Patterson, then Technology Secretary, tipped Jack Robertson (he will be referred to by his surname hereafter to differentiate him from Jack Harkness) off about it and managed to acquire it. After acquiring the plants of car firms that had abandoned Patterson and Rugazzi Technologies, Leo’s company, Robertson had defence drones developed (and 3D printed) based on the design of the Dalek’s shell.
The production of this episode was concluded by April 2020, with Chibnall stating that post-production work was continuing during the lockdown. This was before the death of George Floyd and the Black Lives Matter protests, meaning that the scene showing the testing of the defence drones was likely inspired from the Hong Kong protests. We see people throwing bricks and molotov cocktails, and the Dalek is shown to be fitted with a water cannon, CS gas sprayer and a sonic deterrent. That’s about all the allusion we get - if we had any more then we would have had a serious problem.
Doctor and companions separated
At the end of The Timeless Children, the Doctor was sentenced to life imprisonment in a maximum-security prison, while Graham, Ryan and Yaz were brought back to Earth along with Ravio, Yedlarmi and Ethan. We don’t get to see those three in the episode, sadly.
Over the next ten months, Graham and Ryan had moved on with their lives while Yaz became obsessed with finding the Doctor (yeah, just forget that you have a family and a job as a policewoman lol). Graham shows Yaz some leaked footage of Robertson at the defence drone testing. They go to confront Robertson, but are turned away by his security guards.
Meanwhile, the Doctor had been in prison for decades, accompanied by a Weeping Angel, an Ood, a Sycorax, a Silent and even a Pting. Unbeknownst to her, Captain Jack Harkness had managed to get into the same prison as her, spending 19 years just to get the cell next to her, before making himself known and breaking out of the prison together. The Doctor and Jack head to Graham’s house, where they catch up and set out to find Jack Robertson.
There are a couple of one-to-one scenes that really got me thinking. When Jack and Yaz investigate traces of Dalek DNA in Osaka, they talk about their separation from the Doctor and what their time with the Doctor has changed them into. Jack tells Yaz, “Being with the Doctor, you don’t get to choose when it stops. Whether you leave her, or she leaves you.”
Let’s break that line down with information from the TARDIS Wiki page on companions. There are several ways that a companion can join the Doctor - they stow away on the TARDIS, they were “kidnapped”, or were assigned by higher powers, like UNIT, the Time Lords or the White Guardian. Just like that, there are several ways that companions leave the Doctor - they might choose to leave, the Doctor decides or is forced to leave them behind, or they die.
The interesting thing is that Jack says that they don’t get to choose when they leave. In the case of companions who decided to leave of their own will, you might think it was an easy decision for them, but in truth, there is context behind their motivation to leave. In Series 2, Mickey Smith stayed on Pete’s World to help defeat the Cybermen after that world’s counterpart of himself (Ricky) died and he became increasingly disillusioned with Rose favouring the Doctor over himself. In Series 3, Martha Jones decided to leave the Doctor after seeing her family enslaved by the Master for a year, travelling around the world to get people to think of the Doctor, and realising that her feelings for him would never be reciprocated. In the classic series, Tegan Jovanka left the Fifth Doctor after being sickened by the death and destruction she witnessed. From this, I can deduce that what Jack meant to say isn’t that the companions don’t get to choose when they leave, but that they don’t get to choose the circumstances that lead to them leaving. In some cases, that also applies to the companions who get left behind by the Doctor or killed.
The other one-to-one is between Ryan and the Doctor in the TARDIS. The Doctor apologises to Ryan for leaving him, Graham and Yaz behind for ten months and Ryan tells him that during this time his relationship with his father has improved and that he got to catch up with friends. Ryan asks the Doctor what has changed with her since they last met and the Doctor tells her that she isn’t who she thought she was (that storyline’s never going to go away, isn’t it? Hope to learn about the full story of the Timeless Child in Series 13). This scene really highlights how the companions can be a source of support for the Doctor, just as the Doctor is a source of support for them.
Ryan tells the Doctor that she is the same as she has always been. The Doctor comforts herself by saying that nothing’s changed, but Ryan says that it wasn’t what he meant; things change all the time and we might be scared of the new, but in the end, we have to confront the new, or the old. This bit was definitely made with the Timeless Child twist in mind. Yes, things change (particularly when it comes to Doctor Who), but some changes can be good or bad; just as there are people who saw the Timeless Child twist as good, there are people who saw it as bad (including myself). It’s like what I said in the hiatusbreaker update about The Timeless Children pulling an Ultraman Orb and trying to lessen the impact of the twist when it didn’t make sense and caused more damage than expected.
Human-created Daleks (sort of)
When the recon Dalek’s shell was salvaged, some traces of its DNA remained in it. Since, according to Missy in The Witch’s Familiar, every cell of a Dalek is genetically hardwired to survive, their consciousness can live within the tiniest fragment of their DNA. Leo managed to clone the recon scout Dalek out of those traces and hooked it into the neural network. Disgusted after being shown the creature, Robertson tells Leo to incinerate it, but when he tries to do so, it escapes and takes possession of him. In a way, the recon scout Dalek was resurrected in this episode, but it didn’t feel like the same character.
While hooked into the neural network, the Dalek managed to make more clones of itself using Robertson’s resources, feeding them with the liquefied remains of the people who worked on them. After being confronted by the Doctor and the others, the Dalek uses the UV light to activate the Daleks, transport themselves into the shells that it augmented, then kills Rob and begins subjugating Earth.
Just as Jo Patterson introduces the defence drones in her first speech as Prime Minister, she gets exterminated by them quickly after they are activated. If Jack Robertson is an expy of Donald Trump, then Jo Patterson is an expy of Theresa May - a forgettable Prime Minister whose claim to fame (defence drones for the former, Brexit for the latter) backfired on them. To be honest, when I heard that they would be in this special, I almost thought that they got married or something.
There was a similar situation like this in the Series 3 two-parter, Daleks in Manhattan and Evolution of the Daleks, only this time, the Daleks were more involved. In that story, the Cult of Skaro were attempting to find a way to survive beyond the Dalek shell, to the point of creating Dalek-human hybrids, a new race with the intelligence of Daleks but with the emotions of humans. In both cases, the new Dalek variants were considered impure due to the human elements within them.
I’ve compared this episode to Victory of the Daleks when the trailer came out. With the addition of the conflict between the two Daleks (as I will outline below), there are additional contrasts to the Seventh Doctor story Remembrance of the Daleks and the Big Finish Eighth Doctor audio story Blood of the Daleks.
The nuclear option
With thousands of defence drone Daleks on the move and no weapons to deal with them, the Doctor seems to do the only thing she can think of that doesn’t involve destroying the Earth ala the Moment (which was what I was thinking) - signal a ship of Death Squad Daleks (SAS Daleks, but more brutal) to Earth to deal with the impure defence drones.
The two groups of Daleks confront each other on a bridge (specifically the Clifton Suspension Bridge in Bristol). After seeing his Daleks get exterminated, Robertson takes his nuclear option - part with the Doctor and side with the Daleks. That’s right, Jack Robertson does an Utsumi (Nariaki Utsumi from Build, if you didn’t know) and sides with a race that would kill him the first chance they got. Give him a cane to break and we would have gotten the first tokusatsu meme in Doctor Who.
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For someone who seems to be so obsessed with protecting himself (normally by using other people), I must say that this was a strange step for Robertson to take. Given that Robertson is an expy of Trump, one can only wonder what Chibnall and people like him think of Trump. Would Trump sell himself or humanity out to invading aliens? Personally, I don’t think he’d be stupid enough to do so. I think he’d bomb them with everything he has.
Robertson convinces the Daleks to take them aboard their ship and meet their commander. Meanwhile, Jack, Graham and Ryan board the ship and plant explosives on it. Graham tries to get Ryan to fistbump him, but he just tells him to “stop talking weird”. We’re back, fellow kids. Missed us?
Robertson tells the Daleks that the Doctor summoned them. The original Dalek returns and offers to be purified, only to be exterminated. Graham, Ryan and Jack find Robertson and they get off the ship together just as it is destroyed.
The Doctor floats her TARDIS in the sky among the Daleks and lures them inside, which would normally be an impossible feat if it weren’t for the fact that it isn’t actually the Doctor’s TARDIS, but the other TARDIS from earlier. She sets it to fold in on itself and send itself to the heart of the Void, thereby destroying them.
Soon after that, Robertson claims that he was acting as a decoy and so, he is lauded as the saviour of humanity. A honorary knighthood and a revived presidential run is mentioned after the toxic waste scandal (Arachnids in the UK) ruined his previous attempt. This is where my comparison to Utsumi weakens - Utsumi pledged himself to Evolto so that he could find a way to bring him down, but there doesn’t seem to be any ulterior motive in Robertson’s actions. Frankly, I’m surprised that he wasn’t exterminated at all.
Parting ways (for now)
By the time Graham and Ryan return to the TARDIS, Jack has left and is on his way to see Gwen Cooper, who has apparently had another child, a son. Honestly, his departure feels quite lackluster.
The Doctor offers to take the fam to a restaurant apparently named the Meringue Galaxy, but Ryan decides to leave the Doctor since he believes that his friends and planet need him. Graham struggles to decide, but in the end, he decides to leave with Ryan, leaving the Doctor and Yaz on the TARDIS. The Doctor gives them some psychic paper as a parting gift.
The final scene is a throwback to the beginning of The Woman Who Fell to Earth. Graham is helping Ryan ride his bike when they bring up some strange incidents around the world, like a troll invasion in Finland or gravel creatures in Korea. Ryan begins riding his bike one more time when they see Grace looking back at them in the distance. This is the last episode where Ryan’s dyspraxia is explored. Shame Chibnall never managed to do a lot with it.
We’ve known that Graham and Ryan would be leaving the series for months now, and we’ve also known that there would be opportunities for them to return. Let’s hope we see them again in Series 13.
Going back to my discussion about companions leaving, the major factor in Ryan and Graham’s decision to leave was that they had spent ten months away from the Doctor and unlike Yaz, they had already moved on with their lives. Additionally, for Graham, he doesn’t want to leave Ryan given the relationship they built up during their time with Doctor and possibly also for fear of abandoning Ryan, given how his father wasn’t there for him previously. This doesn’t feel as deep compared to other companions’ motives for leaving the Doctor, but it’s still quite deep.
At the end of Can You Hear Me?, we see Ryan talking to Yaz about spending their lives with the Doctor and forgetting everyone back home. I’d always thought that the human element of being a companion was annoying, but we have to remember that companions are people too and they had their own lives before they met the Doctor.
Other general thoughts
I know this is kind of irrelevant given that this episode was produced at the end of 2019, but could Leo be considered an Uncle Tom for inventing something designed to suppress protesters? By the way, don’t let China know about this or we’re all screwed, even in Hong Kong or Taiwan.
Jack gets a gold star for rescuing the Doctor. That puts Jack and Graham at 10 points and Yaz and Ryan at 20.
Jack also has his sonic blaster back as well. Will Jack also be back for Series 13? We’ll just have to see it to believe it.
The title cards are jarring again. Can the production team not be inconsistent with their fonts?
I swear, all the Yaz favouritism in the last two series must have given her Stockholm syndrome. Who’s to say that Mandip Gill wanted to leave, but Chibnall asked her to stay?
Taking a look at the designs for the Daleks, the defence drones are alright. They glow a bluish-white colour normally, but they glow red and shoot red beams when the Dalek creatures took control of them. You could probably mistake them for being red in the dark, which is highlighted when they are shown shooting people in the streets. As for the Death Squad Daleks, they’re basically just the basic bronze Daleks, including their leader. They should’ve brought back the multicoloured New Paradigm Daleks just so the Death Squad Daleks could be differentiated from ordinary Daleks.
Following the premiere of this episode, a new companion was announced for Series 13, with John Bishop playing the role of Dan. Honestly, with the Timeless Child mystery still looming and the lack of character development for Yaz, a new companion is the last thing this series needs, particularly since Series 13 would be Jodie Whittaker’s third series and possibly, her final one (if we’re going by previous Doctors). At the moment, Bishop is currently isolating after being tested positive for the coronavirus. I wish him well and look forward to seeing him in Series 13.
The reduced number of episodes in Series 11 or 12 may have contributed to the lack of focus on Ryan’s dyspraxia or character development on Yaz, but that’s no excuse. Chibnall had plenty of opportunities to factor them in, but he was too focused on not having a story arc in Series 11 and destroying canon in Series 12 to even think about it (Graham and Ryan got more character development in those two series than Yaz did). Now that Series 13 has been reduced to eight episodes (not counting the possibility of a split series or another New Year’s Special out of the eight), I fear that Chibnall won’t have enough opportunity to factor in Dan’s character development with Yaz’s character development, the Timeless Child, Ruth and/or the Master, particularly when he delegates half of the series to other writers and does very few good things in the remaining episodes he writes (or co-writes). Honestly, Series 11 and 12 felt like a waste of time in some aspects.
Summary and verdict
Like I said at the start, this episode acted as a good icebreaker in the long break between series. However, ever since my red-pilling in The Timeless Children, I’ve started to see this series in a new light, particularly with the help of YouTubers like Bowlestrek or Nerdrotic. Despite this, I’m reluctant to hop on the #RIPDoctorWho bandwagon because we still don’t have the full details for the Timeless Child arc, so I’m reserving most of my judgement until we get it.
Most of the episode was good, but the ridiculous part for me was when Robertson Utsumi’d himself and somehow managed to survive. Jack’s departure felt lackluster, Ryan and Graham’s departure felt lackluster to other companions’ departures and Jo Patterson was just... ehh. Let’s not forget that we didn’t see or hear a mention of the surviving humans from the previous episode because Chibnall just forgot about them.
Rating: 6/10 Series 12 total: 77/100 (77%) Series 12 total with Revolution of the Daleks: 83/110 (75%)
Overall, this special brought down my total score for Series 12, but it still did slightly better compared to Series 11. If it weren’t for Jack Harkness, my score for the episode would have been lower. Robertson, being a Trump expy, essentially represented all the SJW red flags in this episode; pointing them out is unnecessary at this point given my red-pilling.
That’s it for my review of the New Year’s Special. There is a certainty that Series 13 will premiere this year, so the next time I return with another review will presumably be in late 2021. As long as Jodie Whittaker is the Doctor, my mission to review her episodes will continue. Follow me on Facebook and/or Tumblr and keep an eye out for my future posts, Doctor Who-related or otherwise, such as the Kisekae Insights series where I give insights on my personal project, which was heavily influenced by Doctor Who.
Stay safe and I’ll see you then.
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disneyplusfan · 4 years ago
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Revisiting our first viewing of The Mandalorian S01E01
A look back at our reactions to Season 1 episodes as the new season of The Mandalorian begins.
November 24, 2019
The Mandalorian: Chapter 1 recap by K (includes detailed spoilers)
A Mandalorian bounty hunter tracks a target for a well-paying client.
Directed by Dave Filoni
Written by Jon Favreau
Music by Ludwig Gӧransson
Airdate: Nov 12, 2019
As I write this, I have watched the first three episodes of The Mandalorian three times now. I’m hooked. I did not expect to be. I expected to like it well enough — but not to love it. 
I’m a Star Wars fan for *cough* many years, since childhood. Adore the original trilogy, intrigued yet annoyed by the prequels, less than wow’ed by the final trilogy. I like Rogue One. I also liked Solo, although I get that I’m one of maybe three people in that camp. I have not watched Clone Wars. So this is my frame of reference.
Boba Fett is perhaps my favorite character. He is one of the best characters in the franchise, and I will die on that hill. You know next to nothing about him, and that adds to his mystique. I read Tales of the Bounty Hunters and Tales of Jabba’s Palace back in the day, and “Last Man Standing: The Tale of Boba Fett” and his showdown with Han Solo will always be the quintessential Boba Fett/Mandalorian story for me, canon or not. I was enraged when they changed his voice in the original trilogy to Jango’s (like he couldn’t just be disguising his voice??). 
For me, Boba Fett is the original Mandalorian against whom all others will be measured. I have spoken. 
All this to say, my standards were high. My expectations for The Mandalorian in particular would have been even higher, if I wasn’t somewhat disappointed by the final trilogy of films. And this was the first live action Star Wars television series, so it’s uncharted territory. 
I also managed not to be spoiled at all for this show going in, which was how I like it. Everything came to me fresh as I watched.
From the establishing shot, the cinematography is like the original series movies. Check. You feel immediately immersed in the Star Wars universe. Check. It’s a snowy ice world, like Hoth but greyer and flatter in terrain.
The titular Mandalorian, who is all but certainly not Boba Fett, as he looks a bit different in his armor (and the show is set 5 years or so after Return of the Jedi, which you don’t know yet in the show itself but meaning Boba Fett should be dead by now, or at least dying in the Sarlacc’s belly), looks good. Same imposing figure, same mysterious-yet-badass immediate impression in his imposing armor and weaponry. Can he pull it off? I mean that for the actor as much as the character. I know nothing about which actor is playing him (Pedro Pascal, from Game of Thrones, I learn later). I’ve remained completely unspoiled. 
He’s holding a tracking device. So, also a bounty hunter. Check.
He’s heading for an establishment, a darkened bar, or saloon, or cantina. Inwardly I eyeroll a little. Another cantina?
From inside the bar we see the round spiral blast door opens from the middle outward and the Mandalorian is darkly silhouetted against the icy white exterior landscape. 
Nice, iconic character-establishing shot. I am interested.
Simultaneously, the music starts. A soft, repetitive, lulling theme of eight wind notes vaguely Native American in tone that we will come to know quite well. For now, it adds a touch of mystery and suspense. The lulling, almost hypnotic aspect of the music gives the sense this is all just routine, and the Mandalorian’s short, almost imperceptible shake of the head as an insult is hurled at him seems to add to this effect.
Two patrons of the bar, a couple of aliens, have been roughing up a meek, chubby merman guy, some kind of aquatic creature. He’s a new species so that’s interesting. They are bullies, who threatened to cut off his glands, so the violent type, and it feels like Mos Eisley or worse. Inwardly I eyeroll again because we’ve seen this before in the original Star Wars film, A New Hope. Don’t they have any new ideas? 
The Star Wars universe has at least one entire galaxy to play with. Yes, establish place as the Star Wars universe with familiar things. But within that we don’t need to keep seeing so many of the same things we have seen before. Give us some easter eggs because we’re fans, but give us new things to love, too. It’s a balance, and I personally want more new than repeat. One of my main gripes with the final trilogy is that it’s too much of the same, just with new characters who aren’t fleshed out and developed enough for me to care about them. But that’s another review.
So it’s a cantina, and they want Star Wars fans who are perhaps not as well versed as me (like say, my sister) to be oriented. Fine, I’ll be patient. I don’t doubt a bounty hunter will frequently find himself in such places.
All the patrons’ eyes are on the Mandalorian as he enters and stands at the bar counter. If you haven’t started to feel vaguely Western elements yet, they start to come now. He’s got his back to the rest of the bar, waiting. Almost baiting. The bullies immediately shift focus leaving the merman alone to go pick on him instead. It’s a mistake and everyone knows it. But they must test our hero. And I too, as if just another patron at this cantina, want to see them test him. I’m curious. 
The loud one calls him “Mando!” and we have something of a name to call him for now. But it might be an insult and I’m not quite sure yet. 
They seem interested in his armor — Beskar Steel — and this is something I personally have not heard of before. I’m interested.
A bit of Mandalorian taunting and a quick fight later, one of the bullies who tried to escape the bar is pulled into the blast door entryway as the Mandalorian’s grappling hook yanks him halfway back inside, and closes it, severing him in half. I let out a bitter laugh. It wouldn’t be Star Wars without some bully losing a body part in a bar fight, right? Check. And the Mandalorian proved himself badass, so far. 
He goes over to the merman, who first just tries to thank him, then bribe him with credits and a drink. The stoic, imposing Mandalorian simply places a disc on the table in front of him, and immediately a holographic image pops up showing his face and name in Basic. 
“Is that a bounty puck?” the merman asks. A device that’s new to me, perhaps not to others. Further interested. The weak man tries bargaining some more.
The Mandalorian brings a hand to his blaster and speaks for the first time. 
“I can bring you in hot, or I can bring you in cold.” 
Cut to opening title credits. 
Perfect first line. 
The voice itself doesn’t immediately wow me. It’s not as grizzled as Fett’s, it’s younger and somehow... unseasoned? I’m not sure. But it’s not Jango’s voice, so I’m willing to accept it. And again I think, why couldn’t Boba Fett have kept his original Jeremy Bulloch voice? 
Title credits. Nice font. The drum beat theme music that also sounds vaguely Western. I like it. 
Then we are back outside on the ice world, walking back up the path where we first saw the Mandalorian. He’s got the merman in handcuffs. 
“I need passage, to the yards.”
An Ortollan, a species from the original series, plays a little flute and a land speeder comes up piloted by a droid. 
“No droids.” 
I find it interesting that our Mandalorian would prefer a living creature to a machine as a programmed droid should be more reliable but perhaps machines can be remote controlled, or else there’s a story there that I really want to hear.
The Ortolan plays his flute again and the next speeder comes up, a red one. It's considerably more broken down than the previous one, driven by an older guy in a hooded coat. “Where to?” 
They pull up to a silver-colored ship of some kind, bigger than the Slave IV I think. Kind of clunky, really, more like a C-130 cargo transport than an F-16 fighter jet — not what you’d expect to be necessary for a bounty hunter to make quick getaways. Merman agrees with me. 
“You’re kidding me, right? I’ll hire us a Livery Cruiser. I’ll pay for it. Just trying to make it pleasant.”
The speeder pilot meanwhile is scanning the horizon anxiously and demands payment. The Mando pays him. “I’d stay off the ice if I were you.” Something’s gonna attack, and probably from beneath the ice. Can’t wait.
Merman is worried and watches the speeder depart into the distance as the Mando readies the ship. 
Something launches up from under the ice and consumes the speeder, and a snakelike body with dragon-like spinal plates disappears beneath it again. Merman freaks out and demands they hurry as the ice cracks in their direction. 
The Mando yanks him out of the way just in time for a giant walrus-tusked creature with a long body launches out next to the ship. It catches part of the ship’s landing gear in its mouth as they try to take off and there’s a familiar sound effect like the Falcon losing power. 
The Mandalorian grabs his tuning-fork weapon from outside the cabin doors (where it stays when it’s not on his back) and heads out to fight. The creature has one of the landing gear legs in its mouth as the music swells very tribal. One zap from the tuning fork weapon and the creature is electrified, immediately lets go, and they escape.
The ship is more impressive in air than on the ground as two enormous jets fire. It seems heavy though. I don’t see any weapons except two forward cannons of some kind, but of course there is probably ample hidden weaponry. Can’t wait. 
Once in space the merman starts bargaining and conversing but the Mandalorian is silent, having none of it. 
“I like your ship,” the merman says, now trying to butter him up. “She’s classic. Razor Crest, am I right? Pre-Empire?”
So it’s an older ship. The cockpit, entryway and ramp, halls and hull are quite wide and roomy. It makes sense that a bounty hunter needs room to carry cargo. I suppose some quarry may be quite large depending on species. I’d like to see him have to capture something large. I wonder if he has a larger ship because he’s young, and can’t yet afford something speedier. Or perhaps he loves it, despite being old and possibly rickety, like Han loved the Falcon. It doesn’t look like it’s been through the wars, though, so that’s a mystery. Can’t wait to learn more about the ship. 
Merman goes below on the pretense of having to use the evacuation tube. There’s some funny toilet humor here. There’s no restroom, the evac tube is in the middle of the floor against a wall--kind of like a New York City basement apartment I viewed once. To the right of the evac tube is a wall with what looks like a palette inside -- I guess that’s where the Mandalorian sleeps? It’s hard to tell.
Merman keeps exploring as he talks. Finds a cache of weapons but surprisingly just closes it again. And then he finds the other bounties.
This actually pissed me off on first viewing. The Mandalorian has several other quarry below deck--all encased in carbonite. I did a massive eyeroll here. Boba Fett (really, Vader) encased Han in carbonite as a matter of convenience at the location they were at in Cloud City. It was a test to see if he could transport Luke that way to the Emperor--IF he survived. But it’s NOT like it was the preferred mode of choice for bounty hunters to transport their quarry. So why would this Mandalorian just happen to have not just bounties in carbon freeze on his ship but has a carbon freezing /chamber/ on the ship, as he shoves the merman into it. 
This really annoyed me until a friend suggested maybe the other hunters heard about Fett and Han at Jabba’s Palace and it became a thing once they knew it wouldn’t kill the bounty. After some thought I have accepted this idea, even though it seems quick if this is only set 5 years after Jedi. Still, the other Mandalorians would have been among the first to know, and it’s a more practical mode of transport allowing low risk of escape and not having to address your quarry’s various biological needs. Also easily stackable while protecting them. So okay, I’ve come to accept it. 
Mando arrives at a spaceport in a semi-large desert city, that actually looks a lot like Tatooine--both what we’ve seen from the original trilogy and the prequels. They never actually state where we are at any of these locations, but this is my theory. There’s a droid like Red, there are people walking around dressed like Tatooine inhabitants. More evidence comes later in the series.
He enters another drinking establishment that seems to be the meeting place for his contact. The feel is very much like the bar where Han shot Greedo, and I wouldn’t be surprised if it was even the same one years later. Aliens of all types, again, watching him closely.
He meets his contact and returns the fobs. Payment is arranged. The Mandalorian says the Empire is gone, and he accepts Calamari flan at half than Imperial credits at full payment. 
The question of the next job comes up. Guild rates are high. The Mando wants the highest. 5,000 doesn’t cover fuel these days. 
The contact says “Well, there is one job.” No puck. Face to face, direct commission. Pays well. “Underworld?” No codes. The Mandalorian accepts the chip.
More of the city. Goes to a back-alley establishment. Arrives at a door with a  TT-8L/Y7 gatekeeper droid, like at Jabba’s Palace. Inside is a walking garbage-can droid like in the Jawa’s ship. I take this as more evidence we are on Tatooine, though of course these items could be sold throughout the galaxy.
Inside there are four Stormtroopers. An older man with an Imperial pendant who is clearly the leader and client. “Greef Carga said you were coming.” So that’s the Mando’s contact back at the bar. “He said you were the best in the parsec.” Haha, at least we are using parsec correctly now.
A side door opens, which startles the Mandalorian and he draws his tuning fork weapon (a modified amban phase-pulse blaster rifle). The four Stormtroopers draw also. A younger man with glasses comes in, shielding his face, apologizing profusely. The client introduces him as Doctor Pershing. A scientist. The Mandalorian still has weapons drawn in both hands, facing off with the Stormtroopers. “We have you four to one.” “I like those odds,” he responds. “He also said you were expensive. Very expensive.” 
All calms down and the client invites him to sit. He unfolds a block of beskar steel as down payment. He has more upon delivery of the asset -- alive. Proof of termination is also acceptable for a lower fee. The Doctor protests. 
No puck. Tracking fob, age, and last known positional data only. The quarry is 50 years old. 
“It is good to return the beskar back to the Mandalorians. It is good to restore the natural order of things after so much disarray, don’t you agree?”
The Mandalorian pauses here and almost imperceptibly again cocks his head. He touched a nerve. Amazing how an actor can still convey so much behind a helmet. I still don’t know this actor but he’s pulling it off. 
More of the city. Whatever that laughing thing was at Jabba’s feet, two of his species are roasting on a spit. One more is in a cage. (It’s a Kowakian monkey-lizard like Salacious Crumb. I had to look that up.)
The Mandalorian ducks in behind a curtain. Down some steps. Strings here that sound very Star Wars. A long hall with other Mandalorians about. Some have the helmet antenna like Fett. Some are small, running. Children.
At the end of the hall over the archway is a Mandalorian skull emblem. Within is a person working at a forge, hammering metal and heating it over a ring of open gas flames like Bunsen burners. The blacksmith, which IMDB tells me is Armorer, comes forward and sits down with our Mandalorian. There is fur around the collar, the helmet is different, golden with two small horns, and looks more like a gladiator helmet. From the way she moves, and especially once she speaks, this is a woman. I am intrigued, since I have not seen a female Mandalorian before. They nod respectfully to one another. The Mando produces his payment: the Calamari flan--and then, the bar of Beskar steel, marked with an Imperial insignia at one corner. She is visibly surprised and impressed.
“This was gathered in the Great Purge. It is good it is back with the tribe. A pauldron is in order. Has your signet been revealed?”
“Not yet.” 
“Soon.” 
A pause here to discuss armor. Any show about Mandalorians was going to have certain elements. Ships, weapons, lore, armor. 
Mandalorian armor is famous in the Star Wars universe. Beskar steel, the material it is made of, is strong, and can withstand almost anything, yet very light, rather like mithril in the Lord of the Rings universe. It would seem the Great Purge by the Empire included not just Jedi but Mandalorians, and their armor was melted into bars, as currency or for transport. (This is speculation on my part.) And that a goal of the Mandalorians is to reclaim as much beskar as possible, and reforge it back into Mandalorian armor. 
The blacksmith does just this and makes him a pauldron, or shoulder cover, from the bar of beskar. She tells him this is extremely generous and the excess will sponsor many foundlings.
“That’s good,” he responds. “I was once a foundling.”
“I know.”
A bit more of our hero’s background. 
Her forge is a combination of computerized part designs and heavy iron machinery, like a 3-D printer on steroids. And as it bangs out the new pauldron each loud clang of metal on metal shows us a brief flashback of our Mandalorian’s memories. A battle with fire and sparks all around. A woman in dark red robe carrying a boy also in dark red robe. He is terrified. Presumably this is our hero. She is carrying him, he’s maybe 8-10 years old. A man is with her, her husband? People getting shot--massacred--all around them as they run. Explosions. She opens an underground container of some sort, deposits the boy. He has brown hair, brown eyes, and olive skin. He reaches for her as the doors close. And then the pauldron is completed; the flashbacks stop.
Having viewed 3 episodes already, this becomes a pattern and I love this device. You get a little more of his backstory with each piece of armor, with each clang of the forge. It’s perfect. It makes sense that in these moments as he waits in this safe place, he might slip into memories. Or perhaps they come unbidden at this time for some reason. There’s also a nice theme of memories being buried beneath his armor, along with his emotions. And only when there’s a chink in the armor, does it show through.
The pauldron goes on, shiny and new, and for the first time I notice the wipes. A center point wipe expanding outward, with fuzzy borders, and so very Star Wars that it makes you smile. 
He heads to another planet that looks from space like Tatooine. If we weren’t on Tatooine before, we might be now. We are at least in the vicinity. It’s a desert planet with jagged sandstone cliffs all around. He lands his shiny ship, and gets out with the fob. He looks through his turning-fork weapon’s scope, and spots two distant creatures I can only describe as land grouper with legs and long tails. Suddenly he is attacked by one, sinking its teeth into his arm before he can get a shot off, and then a second, and though he fights with flamethrower and even fists, it looks like we will lose our hero until someone shoots them with taser darts. 
It appears our hero is not wounded, but his arm pieces are damaged. 
A small man with a piglike face and a kind, wise voice and goggles on his head. An ugnaught. Remember them from the original trilogy? IMDB tells me his name is Kuill, although this is never actually said in the episode, so I will refer to him as the ugnaught. 
I suspect anonymity is a running theme in this show, as part of the Western genre. So far we’ve heard almost no character names (which makes writing reviews a little difficult). I’m wondering if there’s any significance to the ones we do know, vs. the ones we don’t.
“You are a bounty hunter. I will help you. I have spoken.” This last part is his trademark line, as we’ll see. I love it. 
We go to what looks like a wind or moisture farm. There is, from what I can see, only one sun. 
The ugnaught tells the Mandalorian that others have come looking and died. He will show him the way for half of the blurg they caught. Mando will have to learn how to ride them to pass to the compound. 
On the first few attempts the blurg throws him. Apparently it’s a female; the males are all eaten during mating. (Thanks for that tidbit, Kuiil.) He gets thrown again and loses patience, asking for a speeder. 
The ugnaught challenges him. 
“You are a Mandalorian. Your ancestors rode the great mythosaur. Surely you can ride this young blurg.” 
Our hero is challenged; the words touched him. He approaches the blurg like a wild horse that needs breaking in, and the Western theme is back, even in the music. Eventually he succeeds, a triumphant moment that impresses the ugnaught, and they’re off across the landscape full of ravines that only the blurg can jump, apparently. The theme music swells until they arrive at a cliff where they can spy on the encampment. This is where the bounty hunter’s quarry is. 
Mando tries to pay him off. Ugnaught reveals his motive: it’s been an endless stream of warriors trying to get this quarry, breaking the peace. He’s read the stories about Mandalorians and believes ours can make quick work of it and bring peace back to his land. 
Our boy does some recon with a hand telescope and the place is swarming. Then he spots a bounty droid, and groans. The droid is just walking right in, and demands the asset be produced.
The bounty droid looks like IG-88 from The Empire Strikes Back and again, for a moment, I almost eye rolled because really, can’t we see something new? All bounty droids look the same? But whereas IG-88 just stood there, this one moves, and the way he moves is COOL. Although humanoid in appearance like 3PO (head, two arms, two legs), unlike 3PO he appears to operate around a central pole or spine, allowing his parts to rotate 360 degrees. This includes his head, his eyes, his arms and therefore weapons, and his waist/hips. It gives him an amazing advantage as he can just keep spinning and shooting. The way he steps over a body is awesome. He’s also really skinny and thus hard to hit. Whole new respect for the IG series. 
This IG unit is also funny, and his repartee with our Mandalorian is instant comedic chemistry. There’s a fantastic shootout, where they team up, and as they are outnumbered, the bounty droid seeing no way out, keeps trying to self-destruct. “Do not self destruct!” our Mando keeps shouting at him, and after a very badass moment with an [ion machine gun], by the end they win, and everyone in the yard lies dead. Mando helps him up, saying “You’re not so bad for a droid,” and the droid replies likewise. I saw a sidekick in the making. They shoot their way inside, kill a few more people until there’s no one left, and determine the quarry is just before them in the corner. 
Except there is no one there, just a white ball looking thing with a net over it that the fobs indicate is the target. 
They remove the net, and open the ball, which is really more egg-shaped. 
And then it opens, it looks more like a bassinet with a blanket inside. 
“Wait--” says Mando. “They said 50 years old.”
“Species age differently,” replies the IG unit. And we get our first glimpse over the top of the blanket as he says “Perhaps it could live many centuries. Sadly, we’ll never know.” And as he’s speaking, a little head peeks over the blanket.
Oh. My. God. And in this one moment, I am glued to this show forever. 
It’s a baby Yoda. 
Except it isn’t Yoda, because Yoda’s dead. But we don’t know Yoda’s species name, and we don’t know the baby’s given name, so we will call it what the internet has dubbed it in the meantime: Baby Yoda. 
And this moment, above all, is the biggest reason I am so glad I wasn’t spoiled. 
Baby Yoda is the most adorable, most precious, most endearing thing you have ever seen. And in a franchise that has at times been criticized for its more saccharine “cute” creatures that appeal to young children (Ewoks, anyone?), this is one we can all get behind.
Baby Yoda is CUTE. <3
Baby Yoda is everything.
Remember my aversion to anything we’ve seen already? I NO LONGER CARE. Looking at those huge brown eyes and long floppy ears, this doesn’t even cross my mind. 
I would give my life for Baby Yoda. I know this all in one second.
And the IG unit is about to kill it. 
Apparently our Mando feels something similar. 
“Wait,” he says, and reaching out he lowers the IG unit’s weapon. “We’ll bring it in alive.”
“The commission was quite specific. The asset was to be terminated.” The IG unit raises his blaster again, aimed squarely at the crib.
The camera closes in on the Mandalorian’s helmet, fixed on the bassinet, and there is a red blaster flash from his right, reflected in the helmet. The Mando’s head never moves. 
But the IG unit falls to the floor, shot in the head. Sizzling. He’s toast. 
Our guy shot him without even looking. He’s fixated on Baby Yoda, as we all are. He puts his own blaster away, and tilts his head.
The camera cuts to a gorgeous profile, backlit from a doorway. The Mandalorian stands before the crib, which is now floating in the air at waist height. He raises a finger towards the crib, as a tiny finger comes up from inside it. They don’t quite meet. 
End credits. 
End credits for this show are a series of beautiful concept drawings and if you know Star Wars at all, these are some stunning art. The whole theme also plays over the end credits and it is hauntingly beautiful. Ludwig Gӧransson’s score is perfect. 
Thoughts.
Themes: Space western. Anonymity. (Even the ship still has no name, just a model.) Foundlings. Characters that seem to have no family, but instead bond in other social ways (covert/religion, bounty hunter guild/profession). Remnants. Loss.  
I LOVE the concept art at the end. Fans love this concept art, and I have a couple of books of it myself. Nice way to incorporate it into the series. You can see how the original concept and final product differ (very little, in most cases) and a few intriguing pieces that were either filmed but cut from the final edit or never filmed. I love how they add the 3-D effect to some of the drawings, and I still don’t know how Hollywood achieves that. 
Concept art round-up: 
Mando and Baby Yoda’s ET moment 
Some intriguing glow-dice game between two Mandalorians? I need to know more about this.
Mando firing a blaster
Mando entering a cantina
Mando and Kuiil on Blurrback
Mando and IG-11 taking cover during battle
Mando and Kuiil entering Kuiil’s home
Mando walking on the icescape with his back facing the camera
Mando battling the ice creature while hanging out of the Razor Crest
Mando and IG-11 standing shoulder to shoulder
Mando on Blurrgback
Taika Waititi is amazing as the IG unit bounty droid. Never would have guessed it was him.
Werner Herzog is perfect as The Client, I love his voice, and the article/video about him crying over Baby Yoda. 
This show is going to get me writing fanfic again, dammit. 
*****
The Mandalorian: Chapter 1 recap by K (includes detailed spoilers)
A Mandalorian bounty hunter tracks a target for a well-paying client.
Directed by Dave Filoni
Written by Jon Favreau
Music by Ludwig Gӧransson Airdate: Nov 12, 2019
Run Time: 40m
Greef Karga (Carl Weathers)
The Client (Werner Herzog)
Dr. Pershing (Omid Abtahi)
Kuiil (Nick Nolte, voice)
IG-11 (Taika Waititi, voice; Rio Hackford, performance artist)
Mythrol (Horatio Sanz)
Alpha Trawler (Tait Fletcher)
Beta Trawler (Ryan Watson)
Quarren Trawler (Dmitrious Bistrevsky)
Armorer (Emily Swallow)
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Text
THIS PART
“After a few minutes of uncomfortable silence, Castle speaks. “I was just telling Kenji,” he says, “that he should be the one to talk to Warner.”
 Brendan looks up. “That’s a great idea.” I shoot him a dark look. “No, really,” he says, carefully choosing a piece of potato to spear. Wait —where did they get potatoes? All I got was salad. “Someone definitely needs to talk to him.”
“Someone definitely does,” I say, irritated. I narrow my eyes at Brendan’s potatoes. “Where’d you get those?“
This is just what they gave me,” Brendan says, looking up in surprise. “Of course, I’m happy to share.” I move quickly, jumping out of my seat to spear a chunk of potato from his bowl. I shove the whole piece in my mouth before I even sit back down, and I’m still chewing when I thank him.
He looks mildly repulsed. I guess I am a bit of a caveman when Warner isn’t around to keep me decent.
 “Anyway, Castle’s right,” Lily says. “You should talk to him, and soon. I think he’s kind of a loose cannon right now.”
 I stab a piece of lettuce, roll my eyes. “Can I maybe eat my lunch before everyone starts jumping down my throat? This is the first real meal I’ve had since I got shot.”
 “No one is jumping down your throat.” Castle frowns. “And I thought Nouria said the normal dining hours went back into effect yesterday morning.”
“They did,” I say.
 “But you were shot three days ago,” Winston says. “Which means—”
 “All right, okay, calm down, Detective Winston. Can we change the subject, please?” I take another bite of lettuce. “I don’t like this one.”
 Brendan puts down his knife and fork. Hard. I straighten. “Go talk to him,” he says again, this time with an air of finality that surprises me. I swallow my food. Too fast. Nearly choke. “I’m serious,” Brendan says, frowning as I cough up a lung. “This is a wretched time for all of us, and you’ve more of a connection with him than anyone else here. Which means you have a moral responsibility to find out what he’s thinking.”
 “A moral responsibility?” My cough turns into a laugh.
 “Yes. A moral responsibility. And Winston agrees with me.”
 I look up, raising my eyebrows at Winston. “I bet he does. I bet Winston agrees with you all the time.”
 Winston adjusts his glasses. He stabs blindly at his food and mutters, “I hate you,” under his breath.
 “Oh yeah?” I gesture between Winston and Brendan with my fork. “What the hell is going on here? This energy is super weird.” When no one answers me I kick Winston under the table. He turns away, mumbling nonsense before taking a long pull from his water glass. “Okay,” I say slowly. I pick up my own water glass. Take a sip. “Seriously. What’s going on? You two playing footsie under the table or someshit?” Winston goes full tomato.
 Brendan picks up his utensils and, looking down at his plate, says, “Go ahead. Tell him.”
“Tell me what?” I say, glancing between the two of them. When no one responds, I look over at Ian like, What the hell? Ian only shrugs. Ian’s been quieter than usual. He and Lily have been spending a lot more time together lately, which is understandable, but it also means I haven’t really seen him much in the last couple of days. 
Castle suddenly stands. He claps me on the back. “Talk to Mr. Warner,” he says. “He’s vulnerable right now, and he needs his friends.”
 “Are you—?” I make a show of looking around, over my shoulders. “I’m sorry, which friends are you referring to? Because as far as I know, Warner doesn’t have any.”
Castle narrows his eyes at me. “Don’t do this,” he says. “Don’t deny your own emotional intelligence in favor of petty grievances. You know better. Be better. If you care about him at all, you will sacrifice your pride to reach out to him. Make sure he’s okay.”
“Why do you have to make it sound so dramatic?” I say, looking away. “It’s not that big of a deal. He’ll survive.”
Castle rests his hand on my shoulder. Forces me to meet his eyes. “No,” he says to me. “He might not.” I wait until Castle is gone before I finally set down my fork. I’m irritated, but I know he’s right. I mumble a general good-bye to my friends as I push away from the table, but not before I notice Brendan smiling triumphantly in my direction. I’m about to give him shit for it, but then I notice, with a start, that Winston has turned a shade of pink so magnificent you could probably see it from space.
And then, there it is: Brendan is holding Winston’s hand under the table. I gasp, audibly.
“Shut up,” Winston says. “I don’t want to hear it.”
My enthusiasm withers. “You don’t want to hear me say congratulations?”
 “No, I don’t want to hear you say I told you so.”
“Yes, but I did fucking tell you so, didn’t I?” A wave of happiness moves through me, conjures a smile. I didn’t know I still had it in me. Joy. “I’m so happy for you guys,” I say. “Truly. You just made this shitty day so much better.” Winston looks up, suspicious. But Brendan beams at me. I stab a finger in their direction. “But if you two turn into Adam and Juliette clones I swear to God I will lose my mind.” Brendan’s eyes go wide. Winston turns purple. “Kidding!” I say. “I’m just kidding! Obviously I’m super happy for you two!” After a dead beat, I clear my throat. “No but seriously, though.”
 “Fuck off, Kenji.”
 “Yup.” I shoot a finger gun at Winston. “You got it.”
“Kenji,” I hear Castle call out. “Language.”
 I swivel around, surprised. I thought Castle was gone. “It wasn’t me!” I shout back. “For the first time, I swear, it wasn’t me!” “
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emperorsfoot · 5 years ago
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In this chapter, Entrapta and Hordak board the Monstron in preparation for their journey back to Etheria. (With a few stopped added to the itinerary so Hordak can maintain control of his Bother’s Empire.)
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And then, Skeletor finally makes an appearance. 
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Hope you enjoy! 
...
The Imperial docking bays were a whirlwind of activity. It seemed like too much was going on, and, at the same time, nothing was happening at all.
Imperial guards, both clone trooper and enlisted blocked off more than half of the ship docks. Anything within half a kilometer of the Princess Entrapta’s shuttle was shut down. Merchants and pilots could not get to their own ships. Ships awaiting clearance could not land. To those on the outside, it seemed like the world was put on pause. On hold, and frozen while their leaders dithered around doing nothing.
Inside the perimeter of guards, it was organized chaos as servants loaded, not only Princess Entrapta’s shuttle, but an Imperial freighter as well. Baggage belonging to the Princess, the Ladies of her party, Imperial Prince Hec-Tor, and his son went into the shuttle. As well as tanks of fresh water, food stuffs, and sanitary supplies. Into the freighter went the Empires first down payment of supplies and materials for Entrapta’s research.
Administrative assistants stood on either side of the loading gangways checking off crates as they were hauled on. Making sure this went on this ship, no that goes on that ship. Where is the Prince’s arm cannon? Has anyone seen the Princess’ back-up tool kit?
While all that was going on at the space docks, back at the Imperial palace, Prince Hec-Tor was meeting with his lieutenants.
The plan was for the Prince and his son to ride with the Princess in her shuttle up to Monstron, Prince Hec-Tor’s flagship, the twin of the Velvet Glove. Entrapta’s shuttle would then dock with Monstron and they would take the Prince’s ship the rest of the way to Etheria.
Except, Hec-Tor was adding a few stops to the agenda.
“We will stop in the Krytis system to address the uprising in the mines.” He said, walking circles around Mantenna and Grizzlor as they took notes on their own personal datapads. Visuals of the flight plan, its detours, troop accompaniments, and so on were displayed on a screen behind him. “If necessary, we will leave a contingent of our own clone troopers there to maintain order. Then we will go to Denebria and take back the base on the Nordor moon.”
Grizzlor’s stylus danced wildly over his datapad, taking notes and making lists. Working out the logistics of not one, but two military strikes during their journey to Etheria.
Mantenna raised a hand. “Your Highness, are you sure this is how you want to spend you honeymoon?”
Hec-Tor frowned at him.
“I just-“ The Rebrunk Nuru faltered under that critical gaze. “You only just got married. Don’t you, I donno… spend time getting to know your new spouse instead of going off to battle.”
“Keeping this Empire together and stable is far more important that my learning what flavor of carbonated beverage Entrapta favors.” The Prince reminded his lieutenants.
Grizzlor held his stylus to his lips, feigning deliberating over the military logistics. His large paw hiding the smile of a silent laugh behind his hand. Prince Hec-Tor might not know his wife’s favorite flavor, but he did at least know that she only drank fizzy drinks, and that was information no one told him. He just noticed it on his own.
Things did not finally calm down until the royal couple and all their attendants were aboard Monstron.
Entrapta’s shuttle docking in the main hangar bay, the exterior blast doors sealing shut behind them. The hatch to Entrapta’s shuttle was opened with a hiss of equalizing pressure and the gangplank lowered.
Rows upon rows of clone troopers greeted them. All arranged in disciplined formations, standing at parade rest. They snapped to attention when Prince Hec-Tor and Princess Entrapta exited the shuttle. A satisfying display of military pageantry.
Behind him, Hec-Tor’s pointed ear picked up a snickered remark from Catra, “Cute action figures. They’ve got the full set.”
Admiral Callix was commander of the Monstron when the Prince was not aboard, and he stepped forward to greet Hec-Tor and his new wife, and cede control of the ship to him.
Callix was not a clone. Clones lacked the independent thinking necessary to fill any leadership position higher than a sergeant. Any officer of rank in the Imperial military was an enlisted alien that had proved themselves and risen through the ranks. Callix was a Stoneman from planet Quarry. Very few beings in the military were taller than Hec-Tor and Horde Prime, but Stonemen grew big and Callix towered over Hec-Tor. A mountain next to a tree.
“Your Highness, congratulations on your recent nuptials.” He said. “And to you, Princess, I welcome you to-“
He was cut off when Entrapta rose up on her hair, a tape measure inexplicably appearing from out of nowhere. “Ooh! You’re a Stoneman, right?” She asked excitedly. “I’ve read about you. You don’t usually leave Quarry. I never thought I’d get to meet one of you up close before.”
Moving on her hair, she drifted around the Admiral. Using her tape measure to gauge the circumference of his arm, the width of his shoulders, the length of his chin.
Callix was a military man. He was disciplined. He held his composure. That did not mean he wasn’t confused or uneasy. “Your Highness?” He looked to Hec-Tor for help. Or, at the very least, an explanation.
“Princess Entrapta is keenly curious.” He tried to sooth the Admiral. “About everything.” Then, to Entrapta, “Perhaps we should let the Admiral go for now. I’m sure he has work to do. There will be time to invade his privacy once we are in hyperspace.”
It was the ‘invade his privacy’ remark that made Entrapta stop. It was something she struggled with. Not exactly knowing what was and was not a boundary unless explicitly stated in words. As Entrapta told him very early on, she did not understand body language or subtle social cues. She needed to be told when her attentions were an ‘invasion’.
Entrapta clapped her hair together excitedly. “I’d love to see the engines as you charge up the hyperdrive. How long is the turn around time between powering up the drive and actually making the jump to hyperspace? With all the technology of the Empire, I would imagine very fast, but my research has also told me that it takes longer for larger vessels and this is one of the largest ships in the universe!”
Callix looked concerned again, turning his attention back to the Prince for guidance.
“Entrapta is an Imperial Princess and my wife.” He informed the Admiral. “She is to have free reign of the ship. All decks, all chambers –except private personnel quarters, of course. If her inquiries or explorations raise any concerns, you are to bring them to me directly.”
“Yes, sir.” Callix nodded.
Entrapta twirled on her hair excitedly. She was gonna learn so much about the Empire’s capital ships and technology! Monstron was one of the most advanced ships in the universe, second only to the Velvet Glove. And Hec-Tor had just given her permission to do whatever she wanted! (So long as she didn’t barge into anyone’s bedroom.) He probably didn’t want her taking apart vital systems. But there was still so much a person could learn without taking things apart first.
She wrapped her hair around Hec-Tor in an enthusiastic hug. Just her hair. Not her arms or her body. “This is gonna be so great!”
Behind them a loud squawk issued from the shuttle and Imp flew out. Sailed circles around the hanger –he’d never been inside a war ship before, he’d never left the Imperial Palace- then came to land on his father’s shoulder.
“My son is not to have free reign of the ship.” Hec-Tor informed the Admiral. “He is to be accompanied by an adult at all times, and if you see him unaccompanied, he is to be brought to me immediately.”
Imp crawled down his father’s arm enough that he could be in the older man’s line of sight when he Signed, ‘But, why?’
“A spaceship is not a play place.” He informed the boy. “You cannot carry on here as you carried on at the Palace.”
He did not want his son trying to climb into one of the ship’s ventilation ducts and getting stuck.
Imp gave a forlorn little trill.
Entrapta wrapped a tendril of hair around him. “I’m an adult. I can accompany you if you wanna explore the ship.”
He gave a more optimistic noise, then looked sideways at his father. He did say Imp had to be accompanied by an adult at all times. He didn’t say who that adult could or could not be, or where he could or could not go. Imp really, really liked Dad’s new wife. She was crafty. Exactly his kind of crafty. Entrapta was easily becoming Imp’s new favorite adult.
Hec-Tor cast a disapproving frown at both of them.
“Oh, unclench.” Entrapta smiled at him. “I was already gonna explore the ship anyway, and Imp and I seem to get along okay. It wouldn’t be an inconvenience for me, and I can keep an eye on him –even if I’m looking at something else. I’m good at multi-tasking.”
“No vents.” Hec-Tor declared firmly.
Entrapta smiled at him. “Is that a ‘yes’?”
Hec-Tor made an ambiguous throat noise. He set the terms and the boundaries and Entrpata found a way to work within them. Still giving Imp a variation of ‘free reign’ of the ship without violating any of his stipulations. Imp would always be with an adult, and Entrapta would keep the child out of the ship’s ventilation system. She would adhere to the literal letter of his rules without breaking them and still give Imp what he wanted. She was smart. Smart and crafty.
“Yes.” He groaned. “But remember that Imp must take medications three times a day and they must be taken with food. He is to report to the galley or one of my personal staff to be served. If he misses even one done, you both will lose privileges.”
Imp whined.
Entrapta nodded. “Understood.”
Then they both scampered off together to explore the ship.
Hec-Tor groaned again.
Callix only remained standing still. “I’ve been told children often have a difficult time accepting a step-parent, but Prince Imp seems quite taken with the Princess Entrapta.”
“Imp would be taken with anyone in a position to let him get away with half the things he tries to pull.” Hec-Tor told the other man. Then cleared his throat. These were not the things one confided in a military subordinate. “Take me to the bridge. As soon as the Princess’ shuttle is unloaded and her party is settled, we will make the jump to lightspeed. The Krytis system will be first.”
Krytis was a prison colony first and a mining operation second.
That meant it was very difficult to sneak into, and even more difficult to smuggle weapons into. But Evil-Lyn was a master sorceress and clever to boot and she found a way.
After that, it really did not take much to motivate the prisoners of Krytis to rise up and overthrow their wardens. Not every inmate and prisoner of Krytis was a rapist or a murderer. Most were political prisoners, deserters, or defectors. ‘Decent’ people who presented one challenge or another to the Empire or the Imperial family and ‘disappeared’ for it. It really did not take much, after furnishing them with weapons and promising some magical backup, to convince them to revolt.
That was over a week ago by now, and the Empire was yet to retaliate.
“Good work, Lyn.” Her colleague praised over a video screen. His face covered by a hood so that it was hard to make out his features. The only she visitible was a bone-white chin, and the lower pallet of exposed teeth. No lips or flesh to hide them.
“We experienced only a little resistance at first, then when no backup from the empire came, they all just laid down their arms and surrendered.” Evil-Lyn was telling him.
Her hooded partner nodded. “Prince Hec-Tor is the one who really runs the Empire. With him distracted by his wedding, no orders to retaliate would have been sent. But now that that’s over he will retaliate, and with force. You should leave Krytis right away. I am almost done here in Denebria. We’ll rendezvous at Snake Mountain on Eternia.”
“Understood.” Nodded Evil-Lyn. Then hesitated. Then asked anyway. “After we get back to Snake Mountain do you wanna talk? About the Prince, I mean, and the fact that he’s… remarried.”
The one on the other end was silent a beat longer than Lyn felt was necessary.
Then, “We will need to discuss how this marriage will affect the Imperial military and our own plans. Dryl is an industrial arms manufacture and Princess Entrapta is the mind behind it. Our missions might become more complicated in the future because of this.”
“That’s not what I meant and you know it.” Lyn shot back. “I mean, how do you feel?”
“Nothing.” The hooded figure assured her. “I feel nothing. It is absurd to think that Horde Prime would let him remain a widower this long. It was a waste of resources. Hec-Tor would have had to remarry eventually. Horde Prime was just holding out until he could get the best price possible for his brother’s hand. And look, he got the most powerful weapons manufacture in the universe. My opinion does not matter.”
Evil-Lyn smirked. He let something slip. “But you do have an opinion.”
If that bare, bone-white chin and teeth still have flesh and muscle on it, he would have frowned. Instead, the jaw just clenched. “Get off Krytis before Hec-Tor rains fire down on you from space. I’ll see you at Snake Mountain, and I don’t want to be asked about my ‘feelings’ again.”
He ended the transmission.
On the other end of the transmission, half a galaxy away, in the Denebria system, Skeletor leaned back on what passed for a throne on the Nordor base. He reached a hand under the collar of his hood and pulled out a chain. A plain, unassuming metal chain, with a plain, unadorned silver ring hanging from it.
Skeletor held the ring in his hand. A plane band. Utilitarian. Silver, because the one who gave it to him felt the gray metal complemented his naturally blue skin better than gold would have. And he was right. The silver had looked very good on his hand, for many years.
But that was a lifetime ago. Skeletor was a different man back then.
He thought about throwing the ring away more than once. It was a hold out from another life. One he left behind and shoulder hold any sway over him anymore. But, each time he tried, something always held him back. Some small voice reminding him, you never know. It might come in handy some time. You never know. Remember: the ring has a twin somewhere out in the universe. On the hand of the second most powerful man in the Empire.
Well, it wouldn’t be on his hand anymore. Prince Hec-Tor would have a new ring now. A new ring to match his new spouse.
Skeletor should throw it away.
He should.
He didn’t need it.
It wasn’t relevant anymore.
He unclipped the chain from around his neck. Holding the ring out in front of him. He could just drop it on the floor and one of the mutants of Nordor would find it and could claim it as their own. It was silver. Who would pass up the chance to claim a precious metal as their own? There might even be a fun fight over it. Or, he could get up and toss it in the garbage compactor. To be squished and compressed in with all the rest of the base’s waste before it was jettisoned into space.
No. Not that. Not the garbage.
Skeletor should throw the ring away. But no method for disposing of the item seemed appropriate to him.
He would just keep it until a solution presented itself.
That was all. That was why he was re-clasping the chain back around his neck and tucking the ring back under his hood. He did not have an appropriate method of disposal. That was it. There was no other reason.
Skeletor stood from the throne.
He needed to get moving too. After Hec-Tor finished with Krytis, Denebria and Nordor would be his next stop. Skeletor had to be gone before then.
He was not ready to meet with Hec-Tor skull to face.
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a-crimson-lion · 6 years ago
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MHA/BNHA AU Dump (#1)
I forgot people did this!
*Ahem* And now, to cope with the fact that I'll probably never get to most of these, here's some MHA AU Plot Bunny Dumps!
#1: All Due To One Mistake [Deku (Villain) AU]
We've all seen this at some point or another, but here's my take on it: Izuku's life follows cannon... up until the [first] sludge villain incident. All Might saves Izuku, crushes Izuku's dreams on the roof, typical school day. Only, the sludge villain never leaves All Might's pocket. Katsuki never gets a reality check. Izuku walks on the street, heading home, briefly contemplating killing himself... and then he gets captured. Perfect. But... these villains are different. Sureb the hands guy is only midly annoying, but Kurogiri is courteous, and the man behind the screen, "Sensei," is completely supportive of Izuku. At such a low point in his life, Izuku never thought that villains of all people would treat him with respect... treat him like he's human.
That's the day where, instead of All Might discovering the next Symbol of Peace, All for One discovers his second successor.
Things go about as well as you'd expect. Izuku disappears completely off the radar, leaving Mama Inko in a panic and Katsuki aggitated. Izuku eventually leaves a note for his mother (no such luck for Katsuki), telling her everything will be alright, and that he misses her. Since joining the League of Villains, Izuku's changed a great deal. His analytical skills are used to disect the quirks of both heros and villains, making the villains stronger and heroes steadily weaker. Izuku merely observes at the USJ incident, and is completely unsurprised when good ol' Kacchan goes and ruins Thirteen's noble attempt to restrain Kurogiri. Shoto never learns that it's his power. At Hosu, the heros valiantly defend against the Nomu while Stain quietly kills off Tenya. Izuku doesn't witness it. Class 1-A is absolutely floored. Regardless, the final exams come and go. The training camp is quickly approaching.
The League still wants to capture Katsuki; Izuku will not help them in the slightest.
Instead, while the Vanguard Action Squad is out causing chaos, Izuku knocks out Muscular (who tried to kill Kota), delivers him to Eraserhead via Kurogiri, and proceeds to keep Himiko from cutting Ochako and Tsuyu. Unfortunatley for Izuku, Ochako strikes up conversation. In an odd OOC moment, Izuku takes the time to listen. He accidentally spills a few tidbits about himself, and he honestly doesn't see the problem... until Katsuki is successfully kidnapped. Izuku warns Ochako to either try saving Katsuki or go back to camp and tell no one of their meeting, and Kurogiri warps him away.
Kamino Ward is a lot worse.
There is no Kamino Rescue Squad, the police get lucky and find Katsuki after the battle between All Might and All for One. He doesn't seem physically injured, but mentally speaking, he's got a few bruises. Turns out All for One enlisted Izuku's help in the climactic battle, but when Izuku comes face to face with All Might, he hesitates. Izuku's admiration of heroes has been stubbornly fighting to stay alive, and that costs him greatly. Not only does All Might die, but All for One has used the last of his power in order to kill him.
Izuku is devastated. All Might's last gift to the boy he let down is a teary "I'm sorry." All for One's last gift to his successor is his quirk.
The dorms are implemented, and the Provisional Liscence exams are underway. Through it all, Katsuki is pissed. All Might is gone, Deku is still on the loose, and nobody is doing crap! Not getting a provisional liscence alongside Icy Hot doesn't help things. What really sets him off is that Round Face has been acting... off lately. She hasn't been talking to others as much, and she aewms focused on something Katsuki can't quite figure out. When she sneaks into one fo U.A.'s fake cities after curfew b Katsuki follows. What happens next shocks him to the core: Round Face has been meeting with Deku in secret.
I'll leave the rest to your imaginations; I've already said too much.
-Funfact!: This AU is called Deku (Villain) because it's one of the few AUs where another Izuku uses "Deku" as his alter ego. By this logic, the Deku (Hero) universe is the cannon My Hero Academia universe. In my opinion, there are four universes that make up the "core" of the MHA Multiverse. Here's the third one:
#2: You Can Do It, Izuka! [Dekiru (Fem-Izuku) AU]
Everything's the same, except:
Everyone's now the opposite gender than they were in cannon.
Katsumi (fem-Katsuki) actually realizes she's been a total bitch to Izuka (fem-Izuku), and she makes amends with her after their second fight.
Here's the obvious one: instead of using the hero name "Deku," Izuka instead chooses to call herself "Dekiru" because of Ochakuto's (male Ochako) personal interpretation of the name.
That's all I've got clear cut for now, but I'll leave you with this: male Midnight and Mount Lord (male Mount Lady) cat fighting and a loving father-daughter relationship between Shoko (fem Shoto) and Rin (male Rei).
-Funfact!: This AU was inspired by Horikoshi's (BNHA/MHA's creator) official genderbend artwork. Also, Izuku's female name depends on her status in the AU. If she's the main "Izuku" in her universe, she's "Izuka." If she's a relative or clone to the original Izuku, then she's "Izumi." I'm fairly certain "Izuki" could also make a good fem Izuku name.
So right now we have a Hero Izuku, a Villain Izuku, and a Fem Izuku making up the multiverse's core. What could the fourth one be? Oh, I think you know...
#3: Quirkless Ain't Worthless [Dekiru (Vigilante) AU]
This AU is a more "cannon" take on vigilante Izuku. (My own Vigilante Izuku fic is merely self-indulgent, and has a varying degree on being unrealistic.) Izuku still gets bullied and is arguably depressed, but unlike cannon Izuku, he decides to do something about it a LOT sooner. He starts teaching himself self-defense around his first year of middle-school, which catches the attention of Mr. Oguro, his next door neighbor. Mr. Oguro decides to take Izuku under his wing, and teaches him the ropes of self-defense, amongst other things.
Around his second year, Izuku discoveres vigilantes.
Well, more like he's saved by the vigilante Knuckleduster (Mr. Oguro's alter-ego), and Izuku is immediately hooked at the time. When Izuku starts getting into the mix, his first few operations are close, but overall successful. Mama Inko is oblivious, but she's aware that something's up.
Mr. Oguro moves away just before Izuku's third year. He at least tells Izuku goodbye, unlike a certain Hisashi Midoriya.
Luckily, Izuku meets Mei after rescuing her sometime in his third year, and he may have duped her into making... say, a gigantic sword, a high tech scabbard, a grappling hook, and a bulletproof hood? Mei is suspicious, but ultimately complies. Later on, Izuku also buys a new black All M bandana, dark green fingerless biker gloves, and a pair of yellow lensed pilot goggles.
No one is suspect of what Izuku does most nights.
Eventually, Izuku reunites with Knuckleduster (still oblivious of his real identity) and occasionally joins him and the other Naruhata Vigilantes (Pop☆Step and The Crawler) on several occasions. Izuku still saves Katsuki when it comes to the sludge villain incident, and he brushes off All Might's rejection of his dream; Izuku figured it would be his response. All Might doesn't catch up with Izuku in the end, and they end up going their separate ways.
Izuku doesn't go to U.A.; he's kinda given up on being a hero when he's already saving people as a vigilante.
Unfortunately for Izuku, being a vigilante isn't easy. Pro Heroes and the police alike are always after him, he barely sleeps, and he becomes a recluse to anyone who isn't his mother. Eraserhead and Detective Naomasa Tsukauchi are the two most driven individuals for Izuku's case. Eraserhead happens to be passing by an alleyway during the Hosu incident when he notices the vigilante Dekiru saving one of his students from the Hero Killer. In the midst of the battle, Izuku's disguise slightly slips, revealing his bushy green hair and freckles. This is enough for Eraserhead to get Naomasa to run through the database, and the discover Dekiru and Izuku are one and the same. They'd arrest him right then and there, if it wasn't for one thing: his lack of a quirk. The two spend hours upon hours trying to figure out what to do.
Erasehead comes to a decision: Izuku will transfer to U.A. so they can monitor him.
Izuku isn't suspicious when a letter regarding his potential transfer is sent to the Midoriya apartment. To be safe, Izuku fills out the paperwork for the Gen Ed. Department. But then Eraserhead invites Izuku to the Hero Course Summer Camp, and NOW he's suspicious. He brings his vigilante gear as a precaution; Katsuki is not happy to see his former punching bag in the slightest.
Of course, then the Vanaguard Action Squad attacks, leaving Izuku with a difficult decision...
Well, that's all I got!
Hope you enjoyed my AU concepts! I'll post more later. And remember, PLUS ULTRA!
-CrimsonLion (12 March 2019)
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sebeth · 6 years ago
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Young Justice: The Return (Animation)
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In an earlier post, I wrote my thoughts on the upcoming return of the Young Justice comic book. Now it’s time for the cartoon series.
I’ve tried to avoid most interviews but I have seen the promo images and watched the two trailers repeatedly.  I like to go in as spoiler-free as possible when watching/reading media but I only have so much self-control.
Let’s start with the main plot –
There will be a time jump between season 2 and 3 – we’re just not sure of the exact length.  
The formation of the Outsiders, along with the rescue of Terra, will be the main arc of season three.
Dick reunites with Conner and Artemis in the beginning of the season for “one last mission”.  Black Lightning accompanies the trio to Markovia to shut down the metahuman trafficking ring.  Why?  Besides the fact that human trafficking is bad.  Black Lightning has no previous connection to Young Justice but he has long-standing connections to Batman.
Has Batman already formed the Outsiders minus Geo-Force and Halo?  We briefly see Batman, Katana, and Metamorpho jump from a plane and later brawl with Deathstroke.  Batman formed the group in the comics - it would make sense for him to be behind the group’s organization in the cartoons.  A covert group for more adult missions he wouldn’t want the Young Justice children to participate in.
I’m guessing the Markovia mission reveals the metahuman trafficking ring is way more extensive than previously thought – leading Dick to reunite with - and resume leadership – of Young Justice.
The Light and the Reach experimenting with metahuman activation began in season two.  Per Wonder Woman, the Justice League “have confirmation that on multiple worlds, earth’s metahumans are being deployed by the enemy as weapons of mass destruction.”
Wonder Woman’s comment suggests the abducted metahumans are being subjected to brainwashing along with experimentation.  I highly doubt the newly activated metahumans would rampage across the universe without mind control directing their actions.
The “multiple worlds” comment ties together Bart’s “we have a mission in space” with the glimpses of the New Gods, Superboy’s brawl with Lobo, and Dick and Conner fighting Sensei/Silver Monkey on a foreign world.
New Genesis might be one of the world’s affected by the “metahumans of mass destruction”, Lobo could have been hired by the Light, and Sensei/Silver Monkey is guarding one of Ra’s Al Ghul’s headquarters.
On to the characters:
First up, the Outsiders –
Geo-Force, Katana, Halo, Metamorpho, Black Lightning
Terra
The Markov Royal Family
As I said above, I’m fairly confident Batman has already formed the Outsiders before the beginning of the season.  Possibly as a true “covert” group – as in without the Justice League’s knowledge or permission.
Young Justice was told they were a “covert” group by the Justice League but mostly it was a “training wheels” type group – smaller missions while being trained by the more experienced heroes.  They did covert missions but were still in the press and public’s eyes.
The Outsiders will be the true covert group – sticking to the shadows, away from the press, down and dirty missions, etc.
As for the individual Outsiders:
Geo-Force - Brion is an adorable big brother.  Noble, protective, eager to find his sister and stop the bad guys.  Visually his powers should be awesome – they are similar to Terra’s.
Terra – Not a member of the Outsiders but I wanted to include her with Brion.  The big question: will Terra be a villain?  I’m guessing “yes”.  Comic cannon dooms her to this fate.  I do believe it will be the result of the Light’s brainwashing instead of the general “evil” nature.  Possibly making her a tragic villain.  Will Deathstroke be involved with Terra’s brainwashing?  Comic cannon says “yes”.  Could Batman, Metamorpho, and Katana storm the island looking for Terra?  Is that why the Outsiders end up fighting Deathstroke?
Black Lightning – Jeff appears serious and mature.  Love his visual design.  Can’t wait to see him in costume.
Metamorpho – We only have a visual impression.  Very nice. I wonder if we’ll see Sapphire or Simon Stagg?  Rex will be the one who gives Deathstroke the most trouble in the upcoming fight.
Katana – Not much to go on yet except visually.  Katana’s design reminds me of a more adult version of her DC Girls attire.  Excited to see her in action.
Halo – Will be entirely different from the comics.  She is a person of color and possibly Muslim?  Let’s skip all the drama and hatred over the race change.  Please?!  She’s seems to be a new character.  I highly doubt her name is going to be “Violet Harper”.  For those unfamiliar with Halo, she wasn’t a great character.  Apologies to Halo fans.  Violet was a sociopath who was murdered by the 100, a criminal organization.  Aurakle, an alien entity, merged with Violet’s deceased body.  The “resurrection” caused amnesia.  It gets more complicated from there.  Let’s agree to start fresh and give the new Halo a chance.  Halo’s powers are light-based – different colors have different effects.  Halo’s colors were the same ones used by every color Lantern corps.  However, Halo predated the emotional spectrum Lantern corps by twenty years.  I’m betting Halo receives her powers in the cartoon due to the Light’s genetic manipulation. The one thing I would like to see carry over from the comic books is the maternal/big sister role Katana has in Halo’s life.
On to the Young Justice newbies:
Spoiler – I’m excited – I love Stephanie.  She had a brief cameo in Season Two.  How and why did she join the team? Is she involved with Tim?  Will this cause friction with Cassie?  I hope not as I would love to see Steph and Cassie bond. Cassie is very exuberant in the cartoon and Steph has the same approach to life – I would love to see the two become close friends.
Arrowette – A surprise choice since we already have Artemis, Roy, and clone Roy in the series.  Glad to see her as she was a prominent member/supporting character in the comic book series.  Will she develop a close friendship with Cassie and Bart?  Those were her two besties in the comics.
Thirteen/Traci 13 – Another surprise choice. Traci can easily step into the void Zatana left when she joined the Justice League.  Will Traci have a romance with Blue Beetle?  They were a cute couple in the pre-New 52 era.
Oracle – Not a true new character but Barbara has clearly been through some changes since season two. Will we see a Killing Joke flashback? Or did Babs become Oracle in a different way?
Static – Like Oracle, Static is a returning character but with an upgrade.  The writers seem to love electricity this season – we have Static, Black Lighting, and Live Wire also makes an appearance in the trailer.
Notable absences:
Miss Martian – I won’t miss M’gann if she’s absent this season.  She started out cute in season one, became creepy with the Conner-molding, and became worse in season two with the unrepentant mind-frying and toying with Lagoon Boy.  So no thank you unless Miss Martian has learned from her mistakes and expresses honest regret over her actions. Feeling bad for mind-frying Kaldur does not count as honest regret.  M’ganns the easiest case for a “hero goes bad” if the show writers wanted to go that route.
Aqualad, Lagoon Boy, Aquaman, etc – Atlantis has had zero representation in either trailer.  Did something happen to Atlantis during the time jump?  Will that be one of the mysteries during the season?
Miscellaneous thoughts on the upcoming season:
We are all but guaranteed a fourth and fifth season of Young Justice.  We know it’s going to be one of the heavyweights of the DC Universe streaming service so I don’t want various plotlines rushed.
Season Three will have 26 episodes.  The majority will focus on the Outsiders and the metahuman trafficking ring alongside a “mission in space”.    That leaves room for some “done in one” episodes or time for the development of various subplots.
The two big questions on fan’s minds: Will we see the return of Wally West or the debut of the Red Hood?
I would bet Wally’s return will be near the end of the season.  The writers will want a “wow” ending for the season finale and that would be it.
As for Red Hood…I feel it’s a strong possibility.  I don’t think the writers would have had Jason’s memorial hologram if they didn’t have any intention of using the Red Hood.
The writers could have Red Hood’s debut be similar to Jason’s appearance in the Teen Titans comics:  Jason attacks Tim, and leaves the “Jason Todd/Red Hood Was Here” message on the walls.  I’m not sure if the writers want to redo the entire “Under The Red Hood” storyline.  At this point, it’s been done in the comic books, an animated movie, and a video game – most fans are familiar with the details by this point.  Jason’s attack on Tim would allow Dick to fill in the rest of the team on the details of Jason’s resurrection.  Dick has been keeping his distance from the team as indicated by his “one last mission” line.  Dick’s distance would easily explain why the rest of the team is unaware of Jason’s return. Tim wouldn’t explain “Gotham business” to his teammates – he’s much more introverted and was way more intent on respecting Batman-imposed boundaries than Dick.
A developing friendship between Arsenal-Roy and Jason is a must.  Not only because of the “Outlaws” comic book but because it’s a natural development between two traumatized boys prone to lashing out.
What I Don’t Want:
A Conner-M’gann relationship – The pairing started cute but is now toxic.  Creepy molding combined with mind manipulation = abuse.
No Damian Wayne, Cassandra Cain, Starfire, Cyborg, or Raven.  At least not this season.  We have multiple new characters debuting this season, new characters who didn’t receive much focus last season, and a possibly debuting Red Hood. The seating capacity is full – no new debuts until season four.
I’ve rambled enough for now – so excited for January!
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