#ALONZO MY BELOVED

[arrghigiveup]

ALONZO. ALONZO YOU CANNOT JUST SAY THAT AND THEN LEAVE ME HANGING COME ON. GIMME CHIBI ALONZO DAMMIT

[pinksilvace]

This dynamic is so incredibly important to me

(version without arrows under the cut)

[emimii]

cats doodles from class

[millenari]

watching this video again it's extremely funny how Macavity just drags Munk off and the others don't even blink

[procrastinatorproject]

@jazzfic, while I'm on the extremely shameless self-promo train:

Remember this? 😁😁😁

help. forgot about this

[afairytalestray]

OK so on Saturday I got to go to Milan to see the Cats Il Sistina tour and HOLY GOD IT WAS AWESOME. I'm glad I studied the character designs in advance because a lot of the costumes are really different. I'm not typically a huge fan of nonreplicas but Il Sistina may well change that!

I've compiled my thoughts on the show here! Nb, I do not speak Italian so I'm not sure how close to the original lyrics the translation is 😅

There were no green goggles, but the Cats did come in through the audience. I had an aisle seat and Cassandra walked right past me! She was right there and so beautiful omg.

I've gotta get in right at the start that Simone Ragozzino is my new all-time favourite Mungojerrie. The most ever! A little guy. He got most of the acrobatics that Tumblebrutus usually does - apparently Simone used to be an acrobat/gymnast so that makes sense. He and Rumpleteazer were sufficiently chaotic but also clearly valued and beloved members of the tribe. Idk man Simone just got it. Tumble-jerrie ftw. 

The cathedral from "round the cathedral" was changed to a Colosseum reference which I loved 😍

I'm obsessed with Demeter’s makeup from this tour actually. I'm personally not the biggest fan of cryptid-style makeup and looks in Cats in general, but I feel like Deme was balancing just on the edge and it really worked and I loved it. Maybe it was Viviana Salvo's acting as well - she was fabulous at toeing that line between stunning and unnerving!

Tugger and Munkustrap were super close! Munk was less annoyed by Tugger’s antics than normal and they did this thing at one point where Tugger was holding onto Munk who leant fully backwards off the edge of the stage - it was like a trust exercise and I was a fan. Their rendition of Old Deuteronomy was lovely and their voices worked so good together! Tugger was definitely Munkustrap’s second in command of the tribe. I wish Tugger was a bit more Tugger in appearance, he seemed very yellow with not a lot of detail on his costume, but the personality was hundo p present and accounted for. He did the "bite is worse than your bark" line in Jellicle Songs and legit barked at the end.

Jennyanydots was fabulous! Instead of a big coat she literally wore a giant ball of wool, and one of the props was giant knitting needles and the start of what might have been a giant scarf - it took 6 of the Cats to carry it. It actually worked super well for Milan, which is known for fashion and fabrics - there's even a giant sewing needle sculpture outside Cadorna Station! It was probably a happy coincidence but I enjoyed it!

Victoria's role was changed quite a bit, her solo was totally different and the pas de deux was gone. There also kinda just... wasn't the big small first touch Vic and Grizabella moment, which I was sad about, but if Griz's big moment wasn't "TOUCH MEEEEEE" in the translation, I'm not so bothered by it. I wish Vic had a bit bigger of a role because I love her, but she was killing it whenever she was on stage.

We are all stan pink Jemima, she had such a lovely voice too. Her and Alonzo were playing with a tennis ball during the interval and it was adorable.

My beloved Coricopat and Tantomile were lying in the Mouth of Truth prop after Moments of Happiness; they had their usual role of translating Old Doots through Jemima so I thought their placement here was deliberate! They weren't always fully in sync which I kinda liked, it was like they were allowed to be their own characters rather than just "the twins". I definitely got the impression that Tantomile was the older sister which hella backs up my hcs about her!

Gus was absolutely WILD. He comes in after Jellylorum has done her whole first part of the song in this raggedy old tradiotional Sherlock Holmes-style beige plaid coat instead of being there but kinda out of it the whole time. At first he wasnt keen on replaying any of his roles, but then all the others were like please please please and he relented. I think they were calling him (or his role) Romero? Idk if that's an Italian reference I just don't get? They did Pekes and Pollicles (one of the above had been changed to chihuahuas!) and then the bold Rumpus/Romero appeared... in a red satin bath robe and holding a sabre??? I need to look up this reference! Dude didn't just intimidate the pollicles, he straight up cut a couple of them down with his sword! Grandpa woke up and chose violence 😂

There was no trash train in Skimbleshanks 😭😭 there were giant glowstick things that changed colours though. Skimble and Bustopher were played by the same actor which is a combo I haven't seen before. Skimble was definitely still everyone's favourite train dad, all the characters were totally hyped for his song. HE DID TAP LIKE IN 2019. It was really cool how they did it, all the music stopped and he started a call and response tap dance with some of the other characters. The background showed an animated video of going through a train tunnel, like from the perspective of a train driver! The tap was gradually speeding up and became the sound effects of a train setting off and moving through the tunnel. I'm not explaining this super well but it was SO cool.

The Macavity Fight was quite different. There wasn't him disguised as Old Deuteronomy and then unmasked. What happened was he showed up and caused some shenanigans and then disappeared. There were about 4 of him around, so it looked like he was teleporting around the stage and audience! Bombalurina and Demeter performed his song which was absolutely fantastic (seriously how do these actresses actually manage to dance like that and sing at the same time?? Goddesses), after that he showed up again and the full cast was involved in the fight. Munkustrap still got the good choreography, but the whole tribe was involved trying to protect Old Deuteronomy. Tugger was definitely a protector in this production, he was very involved. Jerrie got KO'd a good few times, and Macavity absolutely destroyed poor Jenny! It felt like all of them were trying to protect their family and I really liked that. Despite that, Macavity was still able to win and successfully kidnap Old Doots!

"Mungojerrie, RUMPLETEAZER, Griddlebone" they let my girl do crime again!

Mistoffelees and Quaxo were besties, and Misto was REALLY enjoying Tugger's song I'm just saying. Delighted to announce Il Sistina Misto was a fruity little guy. He didn't get the terrible bore line, sad face, that went to Quaxo, but tbh idk how they translated that so it could be totally different! At one point Alonzo was holding him back at the start of Tugger’s song! We then saw a sponge-like Misto who picked up behaviours from the others around him, like he wasn't too sure of himself. This is actually one of my favourite Misto hcs so i was so chuffed to see it so clearly. He then helped Alonzo rein George (at least I think it was George!) in from going mental fanboy at Tugger. He was originally curious about Griz but then adjusted to hissing upon seeing the others. This fully went forward into his song. They did some big choreo changes. It was significantly less dance-heavy than traditional Misto performances and had a stronger focus on him being magic. There was a levitating box that they spent a lot of time with - Magician's Assistant Cass got in, but then she didn't disappear? She just popped back out again after the box had been rotated a few times. Some of the Kittens were waving their hands under the box to prove there was nothing holding it up and looking amazed which was adorable though. There was also a bit where Misto put some cards into a hat, the hat got passed down a line of Cats and then at the end they just sort of flew out? Like idk maybe they changed the lyrics where they're describing different magic tricks and it all makes sense! I THOUGHT THE CONJURING TURNS WERE GONE, but they were just moved to the very end of the song and cut down quite a bit.

Ok BUT LISTEN, à la 2019, the poor boy tried and failed twice to bring back Old Deuteronomy and then just sort of flopped in the corner all defeated but then BOYFRIEND TUGGER HELD HIS HANDS AND GOT RIGHT UP CLOSE AND WAS LIKE I BELIEVE IN YOU BABE and omg for real those actors knew EXACTLY what they were doing Tuggoff nation RISE. I'm always a red-sheet-turned-cape stan but I can definitely get behind the sparkly tail coat and playing card bowtie. He also had this handkerchief that he threw up in the air and it became a magic wand. I have no idea how and it was very silly so obviously I loved it. Although I wasn't massively into the choreo changes (ballet dancer Misto 5eva), Pierpaolo Scida was a magnificent Misto and I adored him - he was so cute! The little background actions and looks he did were so in character with how he interpreted Misto! Also he was beautiful you can't change my mind.

Malika was such an intense Grizabella - 10/10. She was proud but so vulnerable. She walked right past me when she first came in and lads, she did the whole show in these massive stilettos - absolute queen. At one point it literally rained on her on stage! During her first Memory, Old Deut was really watching her, and at the end of it he approached her, but she ran off when she saw him. I thought it was a super cool character moment, like she knew she wanted to be accepted, but wasn't quite ready for it. Even after the big Memory and Old Deuteronomy declared her the Jellicle Choice, Victoria approached her, but she was still too scared to let her, and it was Jemima who finally was able to reach her and bring her in. At the end she just kinda disappeared off stage - there were no flying tyres or magic stairs in the circus tent!

During the bit after the bows some of the cats were out in the audience and Tugger scared the absolute crap out of this one woman by poking his head in between her and the person sitting next to her. Iconic. Also during the latter part of the interval the audience was allowed to come up to the edge of the stage where some of the actors were goofing about in character. This mf pretended to cough up a hairball and now I have it on video. I also got some close ups of Teazer and the beautiful Bomba!

The Italian Junkyard was fabulous! It was mostly roman landmarks like Piazza Navona and Bocca della Verità, but there was also Michelangelo's David (which I'm pretty sure is in Florence) above the orchestra! There was also a giant marble foot, an Italian-style water fountain, and a broken column. My favourite prop was the bench, it's elevated at the back left of the stage and the cast were using it like a slide to enter the stage! Also it seemed to be Misto’s preferred location to lounge.

In conclusion, I will never get over this.

[kokolencha]

Hey hi, guess who revived their tumblr account

Alonzo my beloved

[cryptidvoidwritings]

Beloved has blessed my holidays, added years to my life, watered my crops, etc. I miss this production 😭😭😭

Several angles from several performances because Matthew Levick and Stephen Martin Allen are both up there as Mistoffelees and George Maniadis can be seen as both Admetus and Alonzo.

source

[uppastthejelliclemoon]

Ok, so after some hunting on insagram and based on my own personal knowledge, I’ve filled in the blanks!!! the only cat I am completely lost with is the queen right in the middle of the third row next to the cat that i am assuming is Plato

And also after looking at all these cats… the hcs are being reignited…

Ok, so i just stumbled across this:

And i thought I'd go through and try and identify all the cats. I got this:

Pretty good considering i haven't studied this non-rep as closely as others, tho a couple of these are guesses. And i feel like the second on the third line and the last pic on the first art the same cat.

If anyone can help me identify the rest, that would be great.

@uppastthejelliclemoon

[alliluyevas]

for my beloved followers interested in mormon polygamy name discourse, i have compiled and presented a list of the children of four different 19th century mormon polygamist men, ranging from 30 to 66 children. I included middle names when I could find them and the children are listed in chronological order of their birth.

Brigham Young:

Elizabeth, Vilate, Joseph Angell, Brigham Jr., Mary Ann, Emma Alice, Luna Caroline, John Willard, Brigham Heber, Edward Partridge, Oscar Brigham, Hyrum, Joseph, Moroni, Mary Eliza, Ella Elizabeth, Alva, Alma, Fanny Decker, Emily Augusta, Marinda Hyde, Clarissa Maria, Jeanette Richards, Zina Presendia, Evelyn Louisa, Hyrum Smith, Caroline Partridge, Ernest Irving, Nabby Howe, Willard, Eudora Lovina, Mahonri Moriancumer, Emmeline Amanda, Shamira, Alfales, Brigham Morris, Phoebe Louisa, Jedediah Grant, Arta DeChrista, Joseph Don Carlos, Louisa Wells, Susa Amelia, Lorenzo Dow, Miriam, Albert Jeddie, Feramorz Little, Alonzo, Josephine, Clarissa Hamilton, Charlotte Tallula, Ruth, Phineas Howe, Lura, Daniel Wells, Rhoda Mabel, Adella, and Fanny van Cott

Heber Kimball: 

Judith Marvin, William Henry, Helen Mar, Roswell Heber, Heber Parley, David Patten, Adelbert, Charles Spaulding, Henry, Brigham Willard, Sarah Helen, David, Margaret Jane, Abraham Alonzo, Isaac, Solomon Farnham, Samuel Chase, David Orson, Prescinda Celestia, Murray Gould, David Heber, Joseph Smith, Augusta, Cornelia Christine, John Heber, William Gheen, Susannah, Samuel Heber, Joseph Smith, Harriet, Newel Whitney, Willard Heber, Jacob Reese, Jonathan Golden, Horace Heber, Rosalia, Albert Heber, Lydia Holmes, Jedediah Heber, Hyrum Heber, Enoch Heber, Peter, Daniel Heber, Ann Spaulding, Sarah Maria, Jeremiah Heber, Mary Melvina, Andrew, Alice Ann, Eliza, James Heber, Joshua Heber, Washington, Mary Margaret, Moroni Heber, Sarah Gheen, Joshua Heber, Eugene, Wilford Alfonzo, Franklin Heber, Lorenzo Heber, Abbie Sarah

Joseph F. Smith:

Mercy Josephine, Sarah Ellen, Mary Sophronia, Leonora, Hyrum Mack, Donette, Joseph Richards, Alvin Fielding, Heber John, Joseph Fielding Jr., Alfred Jason, Rhoda Ann, David Asael, Edna Melissa, Minerva, Albert Jesse, George Carlos, Alice, Robert, Julina Clarissa, Willard Richards, Elias Wesley, John Schwartz, Franklin Richards, Emma, Emily Jane, Lucy Mack, Calvin Schwartz, Zina, Rachael, Jeanetta, Samuel Schwartz, Andrew Kimball, Ruth, Edith Eleanor, James Schwartz, Jesse Kimball, Asenath, Martha, Agnes, Silas Schwartz, Fielding Kimball, and Royal Grant

Parley Pratt:

Parley Parker Jr., Nathan, Olivia Thankful, Susan, Moroni Llewellyn, Alma, Helaman, Nephi, Julia Houston, Belinda Marden, Cornelia, Agatha, Abinadi, Lucy, Ether, Mormon, Mosiah, Malona, Lehi Lee, Henriette, Marian, Omner, Teancum, Mary Wood, Moroni Walker, Phoebe Soper, Isabella Eleanor, Sarah Elizabeth, Evelyn, Mathoni

also who had the best name taste and who had the worst

[pinksilvace]

"There are merits to the Broadway revival choreography," I say. The crowd boos me off the stage. I walk, dejected and with my head down, to the wings.

"They're right!" A voice cries out. I look up, and there he is: Alonzo catsthemusical himself,

[shai-manahan]

Hollowed Minds Progress Update 1/08/2023

Action scenes my beloved. There are more scenes I have to go back to at the start of this section, but I decided to move forward for now. And it’s plenty fun. It’s full of variations, and there are “nice” surprises waiting for readers who would choose to go through this route. 

I can’t promise anything with regards to romantic interactions, though. The dynamic between Alonzo and the Ripper can be filled with begrudging respect, but the two of them becoming friends anytime soon is out of the question for now. For now.

Still, there’s this one bit I can’t wait to show 👀 

It involves a small, intense confrontation :)))

Happy weekends!

[jonathanbyersdeservesbetter]

You know how almost everyone's name matches with their faces? So what do you think Jonathan's name would be if it wasn't Jonathan?

And also I have made up his middle name to be Jasper so Jonathan Jasper Byers, but I'm pretty sure everyone has other options, so what do you think his middle name would be?

Honestly? He gives me Sam vibes, or Adam. That's the name I give Charlie Heaton's character whenever I daydream about him in shows I like (The Walking Dead, Shameless). Something that fits a mousey, quiet character who's kind, smart and knows his shit but has #trust issues and is socially awkward, definitely has baggage and trauma. That's what these names feel: someone normal and plain at first glance, but has a lot going on on the inside.

Not too sure about middle names because that's not in my culture—I thought it usually has a meaning to it (e.g. beloved relative)? Or is it just smth that the parents think sounds nice or matches well with the chosen first name? I saw a post where OP said Lonnie would be the type to force his kids to have his name as a middle name so it'd be Jonathan Alonzo (Lonnie can be a nickname for Alonzo) Byers 💀 Otherwise I feel like Joyce would be sentimental and have the middle name be like, her dead grandma who loved her more than her own parents or smth (I have a feeling that her parents weren't the greatest lol)

[uppastthejelliclemoon]

💛🧠🎬

💛 What's your favorite familial ship?

Deuteronomy brothers... beloveds... specifically Munkustrap and Tugger

Alonzo, Tumblebrutus, and Pouncival being brothers!!! Patched siblings fr!!!

Amunet and Cassandra being sisters!!!

🧠 Share a headcanon/theory about the show that you like!

one of my FAVORITE hcs is that Bustopher and Jennyanydots used to be a couple when they were younger cats, amicably broke up, and then Bustopher was the ultimate Wing Man for Jenny and Skimbleshanks when he realized they liked each other!! More oldie squad hcs please i love them so much

🎬 What's your favorite moment from the show? (can be from any production)

06/07 Dutch tour version of Mr. Mistoffelees with the grainiest potato quality background moment of Demeter and Munkustrap cuddling and being the cutest pair in the entire universe while Tugger and Mistoffelees are dancing together!!!

[courfeyracs-swordcane]

teddy, king, beloved, sunbright,

what the fuck are the ballad brothers

Therse guys in my head. I don’t know very much about them but maybe making a masterpost will help? Literally I cannot emphasize enough how much I was just listening to music while I was driving and. now there’s guys in there. With a lot of implied sci-fantasy worldbuilding I don’t understand yet. Anyway!

Kyrie Aleidis Ballad

29, she/her, former sword-for-hire, current fugitive. The older Ballad Brother. Priorities include vibing and keeping things good for her baby brother (before) and trying to fix the world after it broke (metaphorically) while she was gone (after). Diagnosed big fuckoff “microchip sword like that guy from Transistor”

The Horatio to FG!C. The Gojo to Haibara. The Mordred to Gawain (HNOC). Also Guinevere (HNOC). Laertes (Hamlet). If Roddy was a little more serious and had less responsibility. Little bit of Cyclonus aswell but in a Whirl way. Dyker robobs if he was marginally less traumatized.

Alonzo ‘Toro’ Ballad

(Except only Kyrie is allowed to call him that)(Ari tried it once to be obnoxious and he punched them)

25, he/him, former Little Guy, current sword-for-hire. The younger Ballad Brother. Priorities include: being just like his sister when he grows up (before) and do you think he fuckin knows he’s just trying to get from day to day over here (after). Terminal funny bitch (emphasis on the bitch). He’s even asexual.

If Feldspar DM grew up to be FG!C/Underhill Jay Sleepaway. The Haibara to Gojo. Gawain HNOC. Tien Stormlight. Cyrus Planegays. They’re both kind of Zoro also actually. If Miki RGU grew up to be John-or-Benny OSCU. If you combined the entire Ricosquad robobs into one guy.

Ari Basil Finch (Seneca)

25, any pronouns, several jobs best summed up as Mad Scientist. (Weapons tech guy. Intern. Part time front desk in the financial department. Necromancer. Not the order they would put those in.) Priorities include: bringing their [somebody] back from the dead, causing problems on purpose. (No I don’t know who they’re trying to bring back I just know they can’t do it.)(why? good question.) Nepo baby extraordinaire. There’s something wrong with them in the brain <3

Other Things I Know:

there’s an organization

Kyrie fucked off to work there as a sword for hire when Alonzo was like 14 without saying anything (first time they had ever been meaningfully separated)

These bitches don’t have parents (possibly sci-fi shenanigans)

Alonzo found out that’s where she was a couple years later and joined up as soon as he could

Shortly before that she quit and/or got fired very very dramatically and became the organization’s Public Enemy Number One

Alonzo was kind of underground during that and he still doesn’t really know what’s going on. He’s not gonna get her ass tho.

At some point they have a confrontation swordfight on a roof. I don’t know what the deal with that is.

Alonzo and Ari have a weird fucked up gay thing going on best described as Part Time Boyfriends. Kind of dating. Also Ari is 100% milking the sugar daddy angle of Running Front Desk In The Financial Department. And also they’re kind of just coworkers (derogatory). (TLDR. POV you have to wrangle with the financial department at work to get your expenses account in order for your next assassination but you got a little too close to the guy running the front desk over there and now they think it’s funny to fuck with you)

Alonzo doesn’t have any faith in the necromancy. Heehoo!

That’s about it??? Rotations to follow.

[millenari]

if you aren't tired of "bitching" about the broadway revival, what are your thoughts on the changes to tugger's number? i find a lot of the characterization in the choreography got destroyed but i'd like to hear your take

My first problem with Tugger's number happens before the song even starts.

It's that little bit they changed, where Munk sings the 'Jellicles ask because Jellicles dare / who will it be?' and then Tugger echoes him for the start of his song. I get why they added that bit (to strengthen the plot, to remind the audience that the Jellicle Choice is the point of all of this) but I've mentioned why I dislike the idea that the cats are ALL competing for the Choice before, and of all of the cats I think reasonably Tugger ought to be least interested in the honor. So having him echo Munk as if indicating interest in being the Choice is bleh to me.

Believe it or not I don't hate Tugger's new number… I don't like it, but I don't dislike it as much as Jenny's number. Given that John Partridge's Tugger in particular is so iconic & beloved, nothing they were going to do was going to satisfy me (or most of us tbh) and I admire that they tried to go at Tugger's character at another angle instead of trying to blindly recreate something they knew they wouldn't be able to recreate.

That being said. I don't like it. In Cats, the way a cat moves is indicative of their personality. The styles they're assigned speaks of their nature, I mentioned that in the Gumbie post: Jenny has tap because it has more of a militant vibe than flowy ballet. Victoria's very romantic and sensual subplot does get flowy ballet. The dances/songs that Bomba leads are all jazzy and sensual and provocative like her. I could go on. Tugger in particular is based off of the glam rockers of the 70s and 80s. He's a rockstar, and like those rockstar figures he's sexual, provocative, unapologetic, wild, fierce, ambiguously bisexual--

He's confident and horny. Let’s put it at that. And the way he moves and dances reflects that. He doesn't crawl much, (In 98 he doesn't crawl ever I don’t think), he struts when he moves, his 'default' position has his hands on his belt right near his crotch, like a solid 30% of his choreo in Lynne's version is hip thrusts… That's how he's been characterized for a long time. In the Bway revival, they take him in a different, less slutty direction.

& to be frank, you usually would have immediately lost me at 'less slutty' but I'll admit that some of the heavy-eye-contact-plus-pelvic-thrust elements of 98 are a little. Weird. So I do protest removing the sexuality from his number (not only because I'm pro-horny and not only because I respect Gillian Lynne's horndog vision but also because I think it's vastly unfair that the Macavity number is barely touched but this one is toned down pretty aggressively. Even in the Bombadance the female dance is present and just as sexual (you know, the bending over part) but the bit where the boys join in is pretty much removed. Why are women shaking their asses as objects to be admired acceptable but abstract depictions of actual sex/sexual elements aren't? Ugh.) buuuuut I see why they would have wanted to change it. Less slutty doesn't inherently mean less good, after all, right? And he is still a little slutty, it's not like they Kids Bop'd him.

But then they also add this element of insecurity to him. Where original Tugger is oftentimes unshakable, Revival!Tugger tries to slap the shit out of Munk and Alonzo for delivering the 'terrible bore' line (And usually I prefer Misto having this line but plenty of productions give it to these two instead so whatever), he hisses at the group of cats sliding up on him near the end, and you can see him kind of primping in the background when Old Deut is announced, like he's nervous.

This… is fine, I guess. Giving your characters more depth is usually not a bad thing, but I protest Tugger + insecurity on the grounds that

A) Bomba and Demeter's (the main Female Horny Cats) sole interesting skill is apparently flirting, and yet Tugger (the main Male Horny Cat) has to have all these hidden depths, and

B) this element in addition to how they seemed to be deliberately casting (for the bway revival AND us Tour 6) Tugger as younger-sounding and also kind of sillier, he comes off more to me as somebody's lost fratboy who needs therapy instead of a famous star. And it really leaves me questioning why all these characters are supposed to like him so much when, again, he kind of gives the impression of being a bratty frat boy.

So yes, I agree on the characterization. I admire that they tried something new, but I just don't really care for what they tried, and I think the changes actively work against the core of the character, which is: the obnoxious horny guy with so much charisma and confidence that he keeps pulling anyways.

But enough on Tugger, onto the actual song.

I really like the layout of the classic Tugger number because everyone is pretty finely split up by how they think of him. You've got:

his baby fangirls on his left doing their cute little fangirl dance

his hornier, older fans just to his right (Plato in the front) who are doing a dance that's a bit more provocative

his backup buddies on the far right who seem to be less attracted and more deferential to him

a group of cats just behind him doing a dance that strikes me as neither particularly sexual nor particularly platonic (who melt into the previous two groups during certain sections of the song)

the elders in the far back, watching on with disapproval

Bomba, Munk, and Misto, who each watch on alone(ish), indicating perhaps that each of them has a unique relationship to Tugger there.

(Sometimes there are additional watching cats, depending on how the number is set up. In 98, Alonzo also watches him alone, as well as Cori).

But I love how after only a minute or so of watching, you can tell what the majority of the cast thinks of Tugger, and who agrees with who. It's super efficient storytelling. In Broadway Revival Tugger, pretty much everyone is one of Tugger's backup dancers. There are some elements of Elder Disapproval (Jenny standing up to him, Skimble trying to shoo others away) and you can see some sections of the dance are the girls fawning over him while some are the boys backup dancing for him, but they're real quick. The song has a lot of [group of cats do a dance near Tugger] [group of cats move away] [Tugger spends a couple seconds there just kind of doing nothing] [another group of cats come up] [repeat]. Compared to the classic, there's not a lot going on, and yet it still feels more disjointed.

So anyways, the song starts, Tugger poses for Google Earth, (always taking pictures), some cats come and go & backup dance for/with him, Alonzo and Munk do the terrible bore and nearly get slapped for it, Jenny and Skimble try and fail to interrupt, and then Bomba's section happens.

I don't like this part especially; it bothers me that Tugger and Bomba don't really dance with each other during her section. They just sing their lines while staring at each other and kind of walking around. Not only does it feel kind of boring, but I really love that butt-to-butt dance they do in the original, and it makes me so sad that it was removed. [smacks fist against desk] it was SO bisexual. So, so bisexual…. Plus having Bomba kneel in front of Tugger for the following 'nah' is so strange, because honestly it looks more sexual than Tugger dipping her, and makes it way less obvious that he's rejecting her after (potentially) leading her on. I'm not sure a first-time viewer watching from far away would even realize he's saying no to her. Also this section includes the entire(ish) cast lining up behind Tugger in two different ways over the course of like 15 seconds. Why.

Then Tugger admires himself in the mirror after 'Horrible muddle'— which is fine, but I like it less in conjuncture with the self-esteem thing. After that comes the little dance break, which is my favorite part of the whole song.

First, I love having Plato and Victoria doing a little dance in the background, it kind of builds up to their later dance and I think the idea of them bonding over liking Tugger is the cutest. Second, I love the Tuggoff dance that happens at the same time.

It's weird, because a lot of the time I look at the bway changes and I can't really figure out if the new choreo means anything or is trying to say anything the way the original often was. (Like that screenshot I posted just a couple paragraphs up. Why is everyone lining up behind Tugger? To show that they're all on his 'side' in regard to his interaction with Bomba? Why do they do it twice? The answer is probably just 'because it looked cool'. Tragically.) But this little Tuggoff dance is weird because it’s one of the few sections where I can easily make a guess as to what they were trying to say do/say with the choreo. I talked about it in the tags on this post, I won't type it all up again.

Tugger deliberately passing by his attention-hungry fans and grabbing Misto chilling off by himself, and then pulling him into the literal spotlight is just so on point to their relationship I made a post about the same concept not too long ago. Like this whole idea of Misto being the only one to give Tugger the space he needs and Tugger returning that sentiment by giving Misto all of the attention and spotlight he needs, is just. 10/10. No notes.

After that point I don't have much commentary. Everyone dances together for the end: I don't love that part but that's mostly just me not liking the overarching style of the new choreo than anything to do with this number in particular. I also don't like the new ending but I can't really pin down why, so I think it's just me not liking change? I'm not sure.

So yeah, don't love it, don't hate it. I have to say though: I think it's kind of incredible how this choreo has already aged in comparison to the original. The bit after the mirror where Tugger basically nae-naes makes me want to beat my head against the wall due to Cringe, and that choreo is only like 8 years old! The original is nearly 40, and it still stands up fine! It's just wild how much effort they put into making Cats 'modern' and before a decade has passed those changes are already dated!

(Though I think the cats taking a 'selfie' with the big prop camera at the end was kind of hilarious. Maybe we can have some modernization.)