#AI vs. Human

[blog-truefirms]

The Ultimate Guide to AI vs. Human Writing

Are you wondering whether AI can truly match the creative prowess of human writers? This comprehensive analysis explores the writing capabilities of AI and humans, weighing their strengths and weaknesses in various contexts. Learn about the current state of AI technology in content creation and discover where human writers still have the upper hand. This article is perfect for writers, tech enthusiasts, and anyone interested in the evolving landscape of writing and artificial intelligence.

[echoingbulb]

[lazymonth]

Idk what’s happening to me or why this is happening to me but I’m take this ship seriously than I should

I’m literally thinking it was a funny joke at first but as long I’m thinking about it, I started to like this crack ship…

[skneees]

walks into a dead fandom. hello. i have gifts,

[cognitivejustice]

The International Energy Agency estimates that data centres’ total electricity consumption could double from 2022 levels to 1,000TWh (terawatt hours) in 2026, approximately Japan’s level of electricity demand.

AI will result in data centres using 4.5% of global energy generation by 2030

Data centres play a crucial role in training and operating the models that underpin AI models 

Pledges to reduce CO2 emissions are now coming up against pledges to invest heavily in AI products that require considerable amounts of energy for training and deployment in data centres, along with carbon emissions associated with manufacturing and transporting the computer servers and chips used in that process.

Water usage is another environmental factor in the AI boom, with one study estimating that AI could account for up to 6.6bn cubic metres of water use by 2027 – nearly two-thirds of England’s annual consumption.

[terracebatman]

Asking AI who Pete Davidson should date next.

[smilingdawn]

I think Magneto should make it fair and like have Ultron pull a Genosha on humanity

[joltning]

hand me a siggy

[harbingersecho]

WODtober 14 > Lines Drawn In Blood ⥄ RVBtober 14 > Crossover

"He and I are closer than friends. We are enemies linked together. The same sin binds us."

So. Here's some possible bg/lore mixing - idk if normal, 'non-secret service/intelligence agency' humans in this universe know vampires exist but disregarding that -

I think a lot of the vampires, esp the ones in space, are pretty high generation or thin-bloods (i.e. they're weak). Originally Locus + Felix were on the v edge of being thin-bloods (like gen 13) but... they're not anymore. The wonders of diablerie - not that they really advertise it. Views on that haven't really changed. They're also autarki aka freelance/mercenaries, but I dunno when they were Embraced; could've been before, during or after the War. Doesn't rly matter that much, they can all work imo but at least for Locus post-War works best

Locus could have either the Blood Addiction bane or the Noxious Blood bane since I think both could work for him, and Felix would have the classic Ravnos Bane of needing to move around.

I'll post more thoughts abt why I chose those clans for them + more abt sharky etc a bit later bc I don't want this to be too long lol <3

[harlequinoccult]

Im so embarrassed i didnt know it was AI...

its okay, not everyone has the eye for, or are knowledgeable on how to tell the difference, so lets break it down a bit.

first things first, look for things in the image that do not make sense

such as this. What the hell is this supposed to be? because i couldn't fucking tell you.

secondly, notice how all other text except the one one you're supposed to pay attention to is completely illegible.

These barely even look like actual letters. even simple graffiti like this would still be legible

And the biggest offender to me is-

the main text/ paint job. if this were real, the paint would be faded and chipped to hell and back, and if it were and art piece a la trevor henderson, the drips on the lettering would be more consistent and not as muddled.

[thatoneluckybee]

do y'all ever wonder how shin felt during the last battle with maple? watching the ai of his younger self being destroyed while begging for its life?

I feel like there's some symbolism there maybe

[defaruto]

UTAU will always first and foremost be my #1 engine but MY GOD I love synthv…

[frank-olivier]

When Spirits Inspire: Rosemary Brown’s Musical Mediumship

Rosemary Brown’s extraordinary claims of channeling music from the likes of Chopin, Liszt, and Debussy have long fascinated and polarized audiences, sparking a maelstrom of debate at the nexus of creativity, spirituality, and skepticism. On one hand, her alleged ability to produce works reminiscent of the great masters, despite modest musical training, challenges conventional wisdom on the origins of artistic expression. On the other, the lack of empirical evidence to substantiate her claims invites skepticism, underscoring the tension between the human propensity for belief and the rigors of rational inquiry.

At the heart of Brown’s paradox lies the question of creativity’s essence: is artistic expression inherently personal and earthly, or can it transcend mortal boundaries, tapping into a collective, eternal reservoir of creative potential? Proponents of Brown’s claims point to the advanced harmonies and tonality characteristic of the channeled composers’ styles, suggesting a supernormal origin that defies earthly explanation. Conversely, skeptics dismiss the works as either unacknowledged personal talent or fabrication, highlighting the human capacity for self-delusion and the fallibility of perception. Notably, the decision of renowned pianists to record her works lends a degree of credibility to their stylistic authenticity, yet this does not conclusively prove the paranormal aspect of her claims.

The subjective nature of evaluating artistic merit, particularly when authorship is in question, further complicates the debate. Expert opinions on the compositions’ quality are sharply divided, reflecting the intricate dance between technical skill, psychological factors, and the observer’s predispositions. This dichotomy underscores the need for a balanced assessment, one that considers both the compositional nuances and the contextual influences shaping perception. By acknowledging the complexities of human experience, we may better understand the motivations and beliefs underlying Brown’s claims, and indeed, the broader implications of her case.

Brown’s background, marked by adversity, might suggest a predisposition to seeking comfort in spiritualism. However, investigations revealing no evidence of deception or mental aberration, coupled with portrayals of her sincerity and unassuming nature, complicate skeptical viewpoints. This finding highlights the importance of approaching such cases with empathy, recognizing that the human psyche is capable of navigating extraordinary experiences without necessitating deception or pathology. By doing so, we open ourselves to a deeper understanding of the intricate relationships between art, spirituality, and the human experience.

The far-reaching implications of Brown’s story extend beyond the realm of music or her personal life, contributing to fundamental discussions about consciousness and the possibility of life after death. For some, her channeling serves as anecdotal evidence reinforcing the notion of an afterlife, where creative energies persist beyond the mortal coil. Skeptics, conversely, view it as a testament to human creativity and the boundless potential of the human mind, even in the face of adversity. Brown’s case encourages a thoughtful examination of the interplay between belief, creativity, and the human experience, inviting us to reflect on the mysteries surrounding us.

Mrs Brown and the Great Composers (BBC One, June 1969)

Music from the Beyond? Medial Music by Rosemary Brown (Bernhard Raimond, 1976)

Dr. Keith Parsons: The Rosemary Brown Mystery (Varanormal, June 2018)

Friday, December 20, 2024

[ladyyomiart]

Here's my version of the OCs vs Artist meme! ✍💖

🔸Favorite OC: My poor freckled daughter with self-esteem issues whose life I love to mess up with memory issues and vampiric apocalypses, Furukawa Chie (Hakuouki OC) and her mischievous Shiba Inu stray dog, Yokai.

🔸First OC: April Saito (Digimon OC), who I created when I was only 10 years old! April will grow up to become a Digimon rights activist, so I thought it'd be fun to draw her protesting with a "✅Yes to Digital Intelligence / ❌No to Artificial Intelligence" sign along with Gigimon, who has a matching anti-AI bandana.

🔸Fans' Favorite OC: Rice Ritz, head of the "Kame Warriors" (my troop of Time Patroller OCs from Dragon Ball Xenoverse), who used to be wildly popular back in 2018 when we ran amazing "OC vs OC" tournaments on DeviantArt.

🔸Easiest to Draw OC: Furukawa Kohana (Hakuouki OC), which caused my sister to go "What do you mean Kohana is the easiest one for you to draw?!". 😂 Maiko/Geiko are one of my special interests, so she's one of the few OCs I can draw from memory without having to consult a character sheet, lol.

🔸Hardest to Draw OC: Tani Sanjuro (Hakuouki OC), the arrogant yet skillful captain of the 7th Division of the Shinsengumi that both me and my fic's readers love to hate… and who has features as difficult to draw as his whole wardrobe!

🔸The Artist: Lady Yomi herself! 👀 Referenced from a real photo so that's why I'm wearing my noise cancelling headphones, haha.

[regicidal-defenestration]

Generation Crossing is good fair play to the Archive81 lot they still have it

[spikes-got-anger-issues]

Well, I can sure as hell tell you one of these things is not like the other