#AI content converter

[tryslat]

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[batbeato]

I've legit seen people put up commissions for making these bots, I've seen people make jokes about how we no longer need fanfiction, etc.

kills me inside. if I was motivated by interaction with other people instead of being motivated solely by my own insanity, I'd have quit writing by now

Nature will only heal when y'all stop using Character AI chats and just go rp with your friends

[rosajs]

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[mostlysignssomeportents]

Pluralistic: Leaving Twitter had no effect on NPR's traffic

I'm coming to Minneapolis! This Sunday (Oct 15): Presenting The Internet Con at Moon Palace Books. Monday (Oct 16): Keynoting the 26th ACM Conference On Computer-Supported Cooperative Work and Social Computing.

Enshittification is the process by which a platform lures in and then captures end users (stage one), who serve as bait for business customers, who are also captured (stage two), whereupon the platform rug-pulls both groups and allocates all the value they generate and exchange to itself (stage three):

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

Enshittification isn't merely a form of rent-seeking – it is a uniquely digital phenomenon, because it relies on the inherent flexibility of digital systems. There are lots of intermediaries that want to extract surpluses from customers and suppliers – everyone from grocers to oil companies – but these can't be reconfigured in an eyeblink the that that purely digital services can.

A sleazy boss can hide their wage-theft with a bunch of confusing deductions to your paycheck. But when your boss is an app, it can engage in algorithmic wage discrimination, where your pay declines minutely every time you accept a job, but if you start to decline jobs, the app can raise the offer:

https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men

I call this process "twiddling": tech platforms are equipped with a million knobs on their back-ends, and platform operators can endlessly twiddle those knobs, altering the business logic from moment to moment, turning the system into an endlessly shifting quagmire where neither users nor business customers can ever be sure whether they're getting a fair deal:

https://pluralistic.net/2023/02/19/twiddler/

Social media platforms are compulsive twiddlers. They use endless variation to lure in – and then lock in – publishers, with the goal of converting these standalone businesses into commodity suppliers who are dependent on the platform, who can then be charged rent to reach the users who asked to hear from them.

Facebook designed this playbook. First, it lured in end-users by promising them a good deal: "Unlike Myspace, which spies on you from asshole to appetite, Facebook is a privacy-respecting site that will never, ever spy on you. Simply sign up, tell us everyone who matters to you, and we'll populate a feed with everything they post for public consumption":

https://lawcat.berkeley.edu/record/1128876

The users came, and locked themselves in: when people gather in social spaces, they inadvertently take one another hostage. You joined Facebook because you liked the people who were there, then others joined because they liked you. Facebook can now make life worse for all of you without losing your business. You might hate Facebook, but you like each other, and the collective action problem of deciding when and whether to go, and where you should go next, is so difficult to overcome, that you all stay in a place that's getting progressively worse.

Once its users were locked in, Facebook turned to advertisers and said, "Remember when we told these rubes we'd never spy on them? It was a lie. We spy on them with every hour that God sends, and we'll sell you access to that data in the form of dirt-cheap targeted ads."

Then Facebook went to the publishers and said, "Remember when we told these suckers that we'd only show them the things they asked to see? Total lie. Post short excerpts from your content and links back to your websites and we'll nonconsensually cram them into the eyeballs of people who never asked to see them. It's a free, high-value traffic funnel for your own site, bringing monetizable users right to your door."

Now, Facebook had to find a way to lock in those publishers. To do this, it had to twiddle. By tiny increments, Facebook deprioritized publishers' content, forcing them to make their excerpts grew progressively longer. As with gig workers, the digital flexibility of Facebook gave it lots of leeway here. Some publishers sensed the excerpts they were being asked to post were a substitute for visiting their sites – and not an enticement – and drew down their posting to Facebook.

When that happened, Facebook could twiddle in the publisher's favor, giving them broader distribution for shorter excerpts, then, once the publisher returned to the platform, Facebook drew down their traffic unless they started posting longer pieces. Twiddling lets platforms play users and business-customers like a fish on a line, giving them slack when they fight, then reeling them in when they tire.

Once Facebook converted a publisher to a commodity supplier to the platform, it reeled the publishers in. First, it deprioritized publishers' posts when they had links back to the publisher's site (under the pretext of policing "clickbait" and "malicious links"). Then, it stopped showing publishers' content to their own subscribers, extorting them to pay to "boost" their posts in order to reach people who had explicitly asked to hear from them.

For users, this meant that their feeds were increasingly populated with payola-boosted content from advertisers and pay-to-play publishers who paid Facebook's Danegeld to reach them. A user will only spend so much time on Facebook, and every post that Facebook feeds that user from someone they want to hear from is a missed opportunity to show them a post from someone who'll pay to reach them.

Here, too, twiddling lets Facebook fine-tune its approach. If a user starts to wean themself off Facebook, the algorithm (TM) can put more content the user has asked to see in the feed. When the user's participation returns to higher levels, Facebook can draw down the share of desirable content again, replacing it with monetizable content. This is done minutely, behind the scenes, automatically, and quickly. In any shell game, the quickness of the hand deceives the eye.

This is the final stage of enshittification: withdrawing surpluses from end-users and business customers, leaving behind the minimum homeopathic quantum of value for each needed to keep them locked to the platform, generating value that can be extracted and diverted to platform shareholders.

But this is a brittle equilibrium to maintain. The difference between "God, I hate this place but I just can't leave it" and "Holy shit, this sucks, I'm outta here" is razor-thin. All it takes is one privacy scandal, one livestreamed mass-shooting, one whistleblower dump, and people bolt for the exits. This kicks off a death-spiral: as users and business customers leave, the platform's shareholders demand that they squeeze the remaining population harder to make up for the loss.

One reason this gambit worked so well is that it was a long con. Platform operators and their investors have been willing to throw away billions convincing end-users and business customers to lock themselves in until it was time for the pig-butchering to begin. They financed expensive forays into additional features and complementary products meant to increase user lock-in, raising the switching costs for users who were tempted to leave.

For example, Facebook's product manager for its "photos" product wrote to Mark Zuckerberg to lay out a strategy of enticing users into uploading valuable family photos to the platform in order to "make switching costs very high for users," who would have to throw away their precious memories as the price for leaving Facebook:

https://www.eff.org/deeplinks/2021/08/facebooks-secret-war-switching-costs

The platforms' patience paid off. Their slow ratchets operated so subtly that we barely noticed the squeeze, and when we did, they relaxed the pressure until we were lulled back into complacency. Long cons require a lot of prefrontal cortex, the executive function to exercise patience and restraint.

Which brings me to Elon Musk, a man who seems to have been born without a prefrontal cortex, who has repeatedly and publicly demonstrated that he lacks any restraint, patience or planning. Elon Musk's prefrontal cortical deficit resulted in his being forced to buy Twitter, and his every action since has betrayed an even graver inability to stop tripping over his own dick.

Where Zuckerberg played enshittification as a long game, Musk is bent on speedrunning it. He doesn't slice his users up with a subtle scalpel, he hacks away at them with a hatchet.

Musk inaugurated his reign by nonconsensually flipping every user to an algorithmic feed which was crammed with ads and posts from "verified" users whose blue ticks verified solely that they had $8 ($11 for iOS users). Where Facebook deployed substantial effort to enticing users who tired of eyeball-cramming feed decay by temporarily improving their feeds, Musk's Twitter actually overrode users' choice to switch back to a chronological feed by repeatedly flipping them back to more monetizable, algorithmic feeds.

Then came the squeeze on publishers. Musk's Twitter rolled out a bewildering array of "verification" ticks, each priced higher than the last, and publishers who refused to pay found their subscribers taken hostage, with Twitter downranking or shadowbanning their content unless they paid.

(Musk also squeezed advertisers, keeping the same high prices but reducing the quality of the offer by killing programs that kept advertisers' content from being published along Holocaust denial and open calls for genocide.)

Today, Musk continues to squeeze advertisers, publishers and users, and his hamfisted enticements to make up for these depredations are spectacularly bad, and even illegal, like offering advertisers a new kind of ad that isn't associated with any Twitter account, can't be blocked, and is not labeled as an ad:

https://www.wired.com/story/xs-sneaky-new-ads-might-be-illegal/

Of course, Musk has a compulsive bullshitter's contempt for the press, so he has far fewer enticements for them to stay. Quite the reverse: first, Musk removed headlines from link previews, rendering posts by publishers that went to their own sites into stock-art enigmas that generated no traffic:

https://www.theguardian.com/technology/2023/oct/05/x-twitter-strips-headlines-new-links-why-elon-musk

Then he jumped straight to the end-stage of enshittification by announcing that he would shadowban any newsmedia posts with links to sites other than Twitter, "because there is less time spent if people click away." Publishers were advised to "post content in long form on this platform":

https://mamot.fr/@pluralistic/111183068362793821

Where a canny enshittifier would have gestured at a gaslighting explanation ("we're shadowbanning posts with links because they might be malicious"), Musk busts out the motto of the Darth Vader MBA: "I am altering the deal, pray I don't alter it any further."

All this has the effect of highlighting just how little residual value there is on the platform for publishers, and tempts them to bolt for the exits. Six months ago, NPR lost all patience with Musk's shenanigans, and quit the service. Half a year later, they've revealed how low the switching cost for a major news outlet that leaves Twitter really are: NPR's traffic, post-Twitter, has declined by less than a single percentage point:

https://niemanreports.org/articles/npr-twitter-musk/

NPR's Twitter accounts had 8.7 million followers, but even six months ago, Musk's enshittification speedrun had drawn down NPR's ability to reach those users to a negligible level. The 8.7 million number was an illusion, a shell game Musk played on publishers like NPR in a bid to get them to buy a five-figure iridium checkmark or even a six-figure titanium one.

On Twitter, the true number of followers you have is effectively zero – not because Twitter users haven't explicitly instructed the service to show them your posts, but because every post in their feeds that they want to see is a post that no one can be charged to show them.

I've experienced this myself. Three and a half years ago, I left Boing Boing and started pluralistic.net, my cross-platform, open access, surveillance-free, daily newsletter and blog:

https://pluralistic.net/2023/02/19/drei-drei-drei/#now-we-are-three

Boing Boing had the good fortune to have attracted a sizable audience before the advent of siloed platforms, and a large portion of that audience came to the site directly, rather than following us on social media. I knew that, starting a new platform from scratch, I wouldn't have that luxury. My audience would come from social media, and it would be up to me to convert readers into people who followed me on platforms I controlled – where neither they nor I could be held to ransom.

I embraced a strategy called POSSE: Post Own Site, Syndicate Everywhere. With POSSE, the permalink and native habitat for your material is a site you control (in my case, a WordPress blog with all the telemetry, logging and surveillance disabled). Then you repost that content to other platforms – mostly social media – with links back to your own site:

https://indieweb.org/POSSE

There are a lot of automated tools to help you with this, but the platforms have gone to great lengths to break or neuter them. Musk's attack on Twitter's legendarily flexible and powerful API killed every automation tool that might help with this. I was lucky enough to have a reader – Loren Kohnfelder – who coded me some python scripts that automate much of the process, but POSSE remains a very labor-intensive and error-prone methodology:

https://pluralistic.net/2021/01/13/two-decades/#hfbd

And of all the feeds I produce – email, RSS, Discourse, Medium, Tumblr, Mastodon – none is as labor-intensive as Twitter's. It is an unforgiving medium to begin with, and Musk's drawdown of engineering support has made it wildly unreliable. Many's the time I've set up 20+ posts in a thread, only to have the browser tab reload itself and wipe out all my work.

But I stuck with Twitter, because I have a half-million followers, and to the extent that I reach them there, I can hope that they will follow the permalinks to Pluralistic proper and switch over to RSS, or email, or a daily visit to the blog.

But with each day, the case for using Twitter grows weaker. I get ten times as many replies and reposts on Mastodon, though my Mastodon follower count is a tenth the size of my (increasingly hypothetical) Twitter audience.

All this raises the question of what can or should be done about Twitter. One possible regulatory response would be to impose an "End-To-End" rule on the service, requiring that Twitter deliver posts from willing senders to willing receivers without interfering in them. End-To-end is the bedrock of the internet (one of its incarnations is Net Neutrality) and it's a proven counterenshittificatory force:

https://www.eff.org/deeplinks/2023/06/save-news-we-need-end-end-web

Despite what you may have heard, "freedom of reach" is freedom of speech: when a platform interposes itself between willing speakers and their willing audiences, it arrogates to itself the power to control what we're allowed to say and who is allowed to hear us:

https://pluralistic.net/2022/12/10/e2e/#the-censors-pen

We have a wide variety of tools to make a rule like this stick. For one thing, Musk's Twitter has violated innumerable laws and consent decrees in the US, Canada and the EU, which creates a space for regulators to impose "conduct remedies" on the company.

But there's also existing regulatory authorities, like the FTC's Section Five powers, which enable the agency to act against companies that engage in "unfair and deceptive" acts. When Twitter asks you who you want to hear from, then refuses to deliver their posts to you unless they pay a bribe, that's both "unfair and deceptive":

https://pluralistic.net/2023/01/10/the-courage-to-govern/#whos-in-charge

But that's only a stopgap. The problem with Twitter isn't that this important service is run by the wrong mercurial, mediocre billionaire: it's that hundreds of millions of people are at the mercy of any foolish corporate leader. While there's a short-term case for improving the platforms, our long-term strategy should be evacuating them:

https://pluralistic.net/2023/07/18/urban-wildlife-interface/#combustible-walled-gardens

To make that a reality, we could also impose a "Right To Exit" on the platforms. This would be an interoperability rule that would require Twitter to adopt Mastodon's approach to server-hopping: click a link to export the list of everyone who follows you on one server, click another link to upload that file to another server, and all your followers and followees are relocated to your new digs:

https://pluralistic.net/2022/12/23/semipermeable-membranes/#free-as-in-puppies

A Twitter with the Right To Exit would exert a powerful discipline even on the stunted self-regulatory centers of Elon Musk's brain. If he banned a reporter for publishing truthful coverage that cast him in a bad light, that reporter would have the legal right to move to another platform, and continue to reach the people who follow them on Twitter. Publishers aghast at having the headlines removed from their Twitter posts could go somewhere less slipshod and still reach the people who want to hear from them on Twitter.

And both Right To Exit and End-To-End satisfy the two prime tests for sound internet regulation: first, they are easy to administer. If you want to know whether Musk is permitting harassment on his platform, you have to agree on a definition of harassment, determine whether a given act meets that definition, and then investigate whether Twitter took reasonable steps to prevent it.

By contrast, administering End-To-End merely requires that you post something and see if your followers receive it. Administering Right To Exit is as simple as saying, "OK, Twitter, I know you say you gave Cory his follower and followee file, but he says he never got it. Just send him another copy, and this time, CC the regulator so we can verify that it arrived."

Beyond administration, there's the cost of compliance. Requiring Twitter to police its users' conduct also requires it to hire an army of moderators – something that Elon Musk might be able to afford, but community-supported, small federated servers couldn't. A tech regulation can easily become a barrier to entry, blocking better competitors who might replace the company whose conduct spurred the regulation in the first place.

End-to-End does not present this kind of barrier. The default state for a social media platform is to deliver posts from accounts to their followers. Interfering with End-To-End costs more than delivering the messages users want to have. Likewise, a Right To Exit is a solved problem, built into the open Mastodon protocol, itself built atop the open ActivityPub standard.

It's not just Twitter. Every platform is consuming itself in an orgy of enshittification. This is the Great Enshittening, a moment of universal, end-stage platform decay. As the platforms burn, calls to address the fires grow louder and harder for policymakers to resist. But not all solutions to platform decay are created equal. Some solutions will perversely enshrine the dominance of platforms, help make them both too big to fail and too big to jail.

Musk has flagrantly violated so many rules, laws and consent decrees that he has accidentally turned Twitter into the perfect starting point for a program of platform reform and platform evacuation.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/10/14/freedom-of-reach/#ex

My next novel is The Lost Cause, a hopeful novel of the climate emergency. Amazon won't sell the audiobook, so I made my own and I'm pre-selling it on Kickstarter!

Image: JD Lasica (modified) https://commons.wikimedia.org/wiki/File:Elon_Musk_%283018710552%29.jpg

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en

[whereserpentswalk]

You have a computer that can access the internet of any dimension. You don't have the ability to physically go places, just to observe them and interact with them through this one machine.

Sometimes you'll just do it for fun. Seeing other timeline's versions of sites and the content that's created there. Getting to see work from artists if they hadn't sold out or moved on. Or getting to see what YouTube is like in a world where it never become corpratized. Or get to go on Vine in a world where vine exists in 2024. You've read writing from Shakespeare if he had been sent to the new world, seen stories from Lovecraft if he had unlearned his bigotry, seen experimental films from George Lucas if star wars had floppe, heard music from Kurt Cobain if he hadn't died young.

And you've gone off to weirder places to. You've seen what political discourse is like in a world where Constantine converted to Buddhism instead of chrsitianity, where that's the dominant religion of the west. And you'll see conservatives talking about how sjws are undermining the west's Buddhist values, or YouTube videos talking about chrsitantiy as this forgotten dead religion from the crisis if the third century. And you asked someone in the comments of that video what they thought a world would be like if chrsitanity survived, and they said it was impossible, that it was doomed to die out just because it did.

And you've talked to people from a world where humanity lives underground, where an apocalypse made the surface of the world uninhabitable, and every human on earth lives in massive subterranean complexes. You talked to them about what they wanted, if they wanted to see the sun, see the forests and the birds and the creatures that they knew were above them, and most of them didn't really want it. Most of them didn't really want to see the surface, they had grown up having never seen it, it didn't bother them, they were confused why anyone would be that committed to finally go somewhere that humans weren't. And there was one person who told you they did always really want to see it, that it's their hyperfixation, but that they'd obviously go back with the other humans if they had the chance, that they couldn't live somewhere without them.

And you've seen a world where humans where dead, where only robots and ai and cyborgs were still around. And even though they couldn't touch you, you were afraid, because you thought they would hate you. But they didn't, on every site where they talked about humans they talked about how cool you were, and how much aprication they had for their culture. And when you made a post asking if they'd want to hurt humans if they saw them, everyone who replied called you weird.

You've seen the internet in a world where cryptids and monsters are real. And you ended up on a forum for vampires. And you asked a newly turned vampire how they felt, and they said it was cold, that their body felt so cold, but it was still their body, and that they still wanted to live, still wanted to find a way to enjoy their life even if they didn't like their body.

And you've seen a world where all humans are completely aroace, and don't desire sex or romance at all. And you decided to upload sexual and romantic art, and even fetish art, to one of their sites. And the people there loved it, despite not understanding its purpose, they loved the way the artist depicted the world, saw it as so unique and strange, as something weirdly beautiful, and not at all gross, because nobody ever told them such things were gross.

And you've made online freinds from other worlds. People who you can never touch, never see, but who you see through their words. You've comforted someone who doesn't exist in your world, from a country that doesn't exist in your world, but you've comforted them, and made sure they don't get hurt or hurt themself, from very far away, because despite everything you can't help but care.

Mabye the internet isn't that bad. Mabye the world isn't all horrible. Mabye people aren't that bad.

[remysa]

EA vase and bathtub recolor Divider is EA remesh+recolor All BGC No credits for artists cuz its AI which i found at pinterest DOWNLOAD: SFS

Little announcement: I have very important exams at june, so i take little break from cc-making. Also im working for upgrade my cc-making skill, so next my set will be match better (i hope for it T__T). PS; next set its about stained glass windows and harry potter xD I have some ideas for good convetationsm dont know how long time i need for make them (exams T__T). I thinking about upgrade my prev content for better looking (mageus library set, overwatch convertations, cauldrons). What do you think about it?

@sssvitlanzz @simder-talia-blog

[da-birb-writes-sometimes]

Hi, hi dove!! 🥺🥺💖💖💖 congrats on 400+ :D I'd like to request 'whispers of the past' with poly leona and vil (I am slowly being converted 😔😔😔😔) have this btw :))

Visions of the Past; Leona Kingscholar & Vil Schoenheit

Content; gender-neutral reader, past established polyam relationship

Word Count; 800+

A/N; Hi Soru!!! I whipped this bad boy out surprisingly fast (now that the writer's block is semi-gone) ... I will forgive you for that photo though since I'm conflicted about it in this context.

Please do not put my work into AI. If you would like to see more of my work check out my masterlist!

No wonder the house was a steal. But in this economy? You were willing to do a few renovations, maybe do battle with a spider or two, and make the best with what you had, since there was no way another opportunity like this would show its face any time soon.

Plus you were sick and tired of living with roommates that kept you up, didn’t clean up after themselves, AND ate YOUR leftovers. So yeah, creepy house it is! But a creepy house all to yourself!

You lugged your last box into the living room where you had an air mattress all set up since you didn’t trust the bedroom not to have its fair share of creepy crawlies. So the living room will do for now.

Only downside?

It was freezing, so cold that you could see your breath.

“Place is probably haunted,” one of your friends had chimed when you told them the news.

You huffed out a breath, rubbing your hands over your arms to fight away the goosebumps. “There is no such thing as ghosts,” you muttered.

Lounging on your air mattress though was a being that very much proved that statement wrong — not that you could see him — and another was standing next to you, studying your features.

You shook your head though, grabbed a broom, and made your way to another room, leaving the two figures alone again.

“So,” the man lounging on the air mattress spoke up, side-eyeing the other ghost, “they finally came back.”

The other ghost tutted, “They won’t remember anything, Leona, so don’t—”

Leona sighed and placed a translucent hand over his eyes, “I know better than to interfere, Vil.”

They both knew you, but you were different. Yes you didn’t look the same, but they could both tell your spirit regardless of appearances; that was what they had fallen for too.

The back-and-forth bickering that ended in soft looks. Of lazy afternoons spent resting in each other's laps. Of a tenacious person who wasn’t scared or intimidated by either of them. 

You had captured their hearts in life, and oh, how they missed you in death.

They couldn’t move on, and at first it frustrated them both to no end — such is evident at the state of the house — but now, you were back, and for the first time in decades both Leona and Vil felt like their hearts were beating.

Yes, they had each other as company, but it felt like something was missing, a crucial piece. The crucial piece was you, you helped balance them out. You made it work.

“DAMMIT!” 

Leona and Vil became invisible again as you ran out of the kitchen, chasing a bird out.

There’s that fire.

You slammed the door shut after you made sure there weren’t any more avian intruders making residence in your place.

“Note to self, make sure the house is empty before setting up camp. Yeesh,” you sighed, rubbing at your temple.

“Pft!”

Leona gave Vil a questioning look. Why did you make a sound? 

Vil was wearing a soft smile, even though he had nearly blown their cover. And it made Leona pause; he hadn’t seen Vil smile like that for a long time.

You tensed and squinted your eyes. “Who’s there? Just so you know, I’m armed!” 

With a broom and some attitude, herbivore.

Leona looked at Vil and then at you. And Vil looked at you and then at Leona. They were both trying to decide what to make of this situation. Trying to decide whether or not to pick up where they had left off in the past, or to leave well enough alone. Whether or not to listen to their head or their heart.

Leona grumbled but decided enough was enough. If the three of you were going to be living together again, it was best to get everything back in the open and not waiting around.

Vil raised his brow, but understood what the grumbling was about.

“And we’ve been waiting,” Vil sighed, slowly appearing next to you.

Your eyes widened upon seeing him, and they nearly bugged out of your head upon seeing another man appear right behind him.

They didn’t step forward, instead, they waited, curious to see your reaction. Curious to see if you were still as bold as you used to be.

You took a deep breath, gathering your wits before looking back at them. “Nice to see you too… both of you.”

No such thing as ghosts. That’s what you had told others so they didn’t think you were completely out of your mind. Who would buy a house knowing it was haunted?

You would, especially after seeing the photos of the two men with a third figure that plucked at a heartstring. You felt at home here. This — they — was your home.

“I missed you.”

~~~~~~~

~~~~~~~

Tags; @azulashengrottospiano @eynnwwyjth @inkybloom-luv @ithseem @savanaclaw1996 @syrenkitsune @twistwonderlanddevotee @xxoomiii

[nostalgebraist]

About my fake staff ask

How I made it:

Currently, the tumblr API just... lets you make a post in which you "reply" to an "ask" from an arbitrary user, containing arbitrary content.

In tumblr's Neue Post Format (NPF), responses to asks look similar to other posts. The only difference is that they have a special entry in their "layout," specifying which part of the post is the ask, and who it is from.

Right now, if you try to create an NPF post with this kind of layout entry in it, it just works! You can use this to make an "ask" from anyone, containing anything, and answer it.

This is a huge bug and presumably will get fixed sometime soon?

How I discovered the bug:

Weirdly enough, I find out about it while trying to improve @nostalgebraist-autoresponder's alt text features this past week.

As you may have noticed, Frank now writes alt text differently, with more clarity about which pieces are AI-generated and what role they play.

While making this change, I found myself newly frustrated with my inability to use line breaks in alt text. The API used to let me do it, but then it stopped, hence all the "[newline]" stuff in older alt texts.

After poking around, I found that you can use line breaks in alt text on tumblr, and you can do this through the API, but only if you create posts in NPF.

Frank creates posts in legacy, not NPF. This has been true forever, and it works fine so I've had no reason to change it.

Fully rewriting Frank's post creation code to use NPF would take a lot of work.

Right now, Frank's language model generates text very close to a limited subset of HTML, which I can send to tumblr as "legacy" post content basically as-is. To create posts in NPF, I'd have to figure out the right way to convert that limited HTML into NPF's domain-specific block language.

I wasn't going to do that just to support this one nicety of alt text formatting.

"But wait...", I thought.

"Frank is already making these posts, with the alt text, in legacy format. And once they exist on tumblr, it's easy to determine how to represent them in NPF. I just fetch the existing post, in NPF format."

So all I need to do is

Have Frank make the post, as a draft, with the alt text containing "[newline]" or something in place of the line breaks I really want.

Fetch this draft, in NPF.

Create a new NPF post, with the same contents that we just fetched, in whichever state we wanted for the original post (draft, published, or queued).

Delete the draft we made in step 1.

This was convoluted, but it worked! I patted myself on the back for a clever workaround, and went on to do other stuff for a while...

...and then it hit me.

In the case where the post was a response to an ask, Frank was doing the following:

Responding to the ask.

Fetching the response in NPF.

Creating a completely new post, identical to the response -- including the contents of the original ask.

Deleting the original ask.

Meaning, you can just make asks ab nihilo, apparently.

So after a few more tests, I went and made the @staff ask, as one does.

Unfortunately, once the bug gets fixed, Frank's newlines-in-alt-text solution won't work for asks anymore... oh well, it wasn't a big deal anyway.

[kyokosasagawa]

I started writing "4 srs" this month and I like how free and accessible writing is, so I'm recommending free software I've experimented with that might help people who want to get into the hobby!

“Specifically Created for Writing Stories”

-------------------------------

Manuskript – Story organizer / word processor. Has an outliner and index card function, along with distraction free mode. Lets you switch between different templates such as a non-fiction mode or a short story.

Bibisco – Novel writing software that includes writing goals, world-building, distraction free mode, and a timeline.

“I Just Want to Write”

---------------------------

LibreOffice – Microsoft 365 alternative, but free! LibreOffice Writer is what I wrote this tumblr post in before I posted it. Also if you copy & paste the text into the Rich Text Editor on AO3, it seems that it actually converts it properly. Nice! No need for scripts.

Note-Taking

-------------------------------

Zim Wiki - note taking application that is very, very lightweight (1.1mb). It functions with a tree structure, so I’d personally recommend it for world-building and character bios. There are built-in plugins that also turn it into a good software for task management (it even has a article on how to use it for GTD) and journalling. See also: CherryTree (2mb), which is a more outdated-looking app, but functions similarly.

Obsidian MD – The Big Boy. markdown note editor that has been adopted by personal knowledge management fans---if it doesn’t do something you want it to do, just look in the community plugins to see if someone has already done it. Some unique non-word processing related usages I’ve found is the ability to create a table of contents dashboard, a image gallery for images, embedding youtube videos and timestamping notes, so forth.

Logseq – A bullet point based markdown note editor that also has PDF annotations, Zotero integration, flashcard creation, and whiteboards. Best used for outlining projects due to the bullet point structure.

Joplin – A modern app comparable to Zim Wiki, it’s basically just a note-taking software that uses folders and tags to sort easier. Looks prettier than Zim Wiki and Cherry Tree

Notion – An online-only website that allows usage of different database types. Free for personal use. Note: I dislike the AI updates that have been making the app lag more. I prefer the others on this list.

Mind Maps

-------------------------------

Freeplane – So much goddamn features, including a ton of add-ons. Looks somewhat ugly, but it works for anyone willing to spend a while learning how to use it.

Mermaid – Text-based diagram creator. Can be used in apps like Joplin, Notion, and Obsidian.

Obsidian’s Canvas – A core plugin for Obsidian, it deserves its own mention in that it allows you to create embedded notes of the mindmap nodes. Thus, if you want to create a 20-page long note and have it minimized to the size of a penny on the mindmap, you could.

Other Things That Might Be Of Interest

Syncthing - A free software that allows you to sync between two or more computers. Have a desktop but also laze around on a laptop in bed, coming up with ideas?? This is your buddy if you don't want to use a online software.

[tryslat]

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[bluebelly-sun-serpentine]

Hello! Some info about this blog:

COMMON TAGS:

#bluebellyphotos (original photo posts)

#bluebellytalks (text posts and reblog comments)

#flora (plant and landscape photos)

#fauna (animal photos)

#arthropods (bugs and friends)*

#invertebrates (includes slugs and bugs and other critters)*

#scenes from my father's garden (a little series)

#us politics and #usa politics for your blocklist

*For spiders I also give content and trigger warnings in the tags. You can block spider posts by blocking #cw spiders or #tw spiders. I try to be responsive to reasonable content warning requests so send me an ask if there's anything else you want me to add to my tags.

FAQ:

What camera and lenses do you use?

I use a Sony A7Riv (a mirrorless digital camera) and most often I am using a 35mm prime lens (the FE 1.4/35 GM) or the less fancy but still serviceable 85mm prime (FE 1.8/85). I bought them all used off KEH, which I really recommend for anyone in North America trying to spend less money on gear. The majority of the photos posted here were made using that camera body and one of those two lenses, although I do occasionally use converters and lenses from old analog SLRs. I don't post my film work to this blog, but if you want to know about analog cameras and film photography, shoot me an ask.

Where was this photo taken?

After deliberating for a long time, I made a decision to not share geolocative information with my photos unless I was making a larger text post about the area and its history. I remember the world before geotagging and instagram, and I have really mixed feelings about – on some level – reducing the landscapes and lifeways I cherish to their aesthetics. While I do trust most of you to treat the places you visit with care, I've also seen a lot of trampled superblooms and summit queues for that one perfect shot. So if I'm going to tell you where something is, I also want to include information about why that place is so special. Unfortunately, most of the time I am too tired to write something long enough to do the place justice.

How do you edit your photos? Do you use presets, and if so, which ones?

For years this has been my workflow: I import everything into Adobe Lightroom Classic, which I like for its organizational capacity more than anything else. I built my own presets, each for specific lighting conditions, weather conditions, and landscape types, which I apply as photos come in. Then I do a second pass and make adjustments on each photo. I may share preset packages at some point – I just have to get around to it. I delete a lot of work, because the Sony a7riv files are enormous. I export everything for tumblr at or below 2000 pixels on the long edge, so the file sizes you guys see are comparatively small (want a larger file for some reason? send me an ask). I do work with photoshop as well, but generally not for the photos I post to this blog. I have been considering moving everything over to Darktable, which is open source.

NEW FOLLOWERS:

I get a lot of bot followers. If your blog has a profile pic, a header image, and some text in your info section that was clearly written by a human I’m much less likely to accidentally block you. I don't need you to list identity information or post a picture of yourself (I am glad you protect your privacy). Even just changing your blog’s colors can help signal you are human to other tumblr users, but if you get blocked it's almost certainly because you looked like a bot and I was going through the motions of clearing them out. If I notice your blog posting AI content I will block you even if you appear to be human and friendly. My only real aim with bluebelly-sun-serpentine is to encourage us all to pay attention to the world around us and to celebrate what that attention can do to connect us to all kinds of life, and I feel like ai is just kind antithetical to that, so I do my best to keep it off my dash.

[lauravanarendonkbaugh]

Nightshade

Guys, this is really easy. I just ran my first render on Nightshade, and it's very simple to use.

What is Nightshade?

It's software to "poison" the AI image-"generating" models which scrape your art without permission. It works by telling the AI software that this car is really a cow, or something similarly improbable, so that someone using that scraped art to "generate" a car will get a cow instead. This makes stealing art dangerous and costly and ineffective.

Thieving tech-bro: "That's so mean! They're poisoning our data!"

Hey, you know the absolutely guaranteed way to make sure you don't eat brownies full of laxatives? Don't steal brownies out of someone else's lunch in the break room fridge. This will only poison data that's stolen. Be ethical, be unaffected.

Download Nightshade here.

How To Use Nightshade

First, you can choose how intense to make the poison. :D It does increase render time, but that's okay, we know wars aren't won in a moment.

You can specify a tag for your primary image content ("fire," "rabbit," "forest," etc.) to establish content for the scrapers, and it reminds you to use this tag in the alt text and description, and in the post, for maximum impact.

Nightshade takes a while to download and then again to update libraries on first open, but that's a one-time thing. And then it takes a while to render, but again, we are here to preserve art and save the internet, so I can wait a bit to post.

And the output quality is good! Allegedly there are some image effects, but I'm not good enough to spot the difference when I have the before and after together.

Tips:

The guide says to run Nightshade last, after resizing, watermarking, etc. This will be most effective.

Do Nightshade before Glaze, if you choose to do both.

Render in PNG for best results but it's okay to convert to JPG after.

Remember to use your content tag in alt test, description, and your post! This is exactly where you'd be putting accessibility text anyway, so it's good practice with or without Nightshade.

Please share, please protect!

Note: I'm not an artist, I'm a writer, but I'm using Nightshade on promo images I'm putting together for a future project, because those software companies didn't buy that stock art either and I won't make it available to them for free on the license I purchased.

Please share, please protect!

(Now, speaking as a writer, I wish we had something similar for text!)

[lulu2992]

Exploration of the now-offline Far Cry 5 official websites

Part 3: Game Info 2 (America)

Recovered content

On July 13th, 2017, this is what the Overview, on the Game Info page of the American website, said:

OVERVIEW Welcome to Hope County, Montana, land of the free and the brave, but also home to a fanatical doomsday cult known as The Project at Eden’s Gate that is threatening the community's freedom. Stand up to the cult’s leader, Joseph Seed and the Heralds, and spark the fires of resistance that will liberate the besieged community. In this expansive world, your limits and creativity will be tested against the biggest and most ruthless baddest enemy Far Cry has ever seen. It’ll be wild and it’ll get weird, but as long as you keep your wits about you, the residents of Hope County can rest assured knowing you’re their beacon of hope. Join the Resistance on February 27, 2018, with Far Cry 5. Available on PlayStation 4 system, Xbox One, and PC.

Then, it was moved to the Game Features page and only said this:

OVERVIEW Far Cry 5 is a massive open world that’s filled with something new around every bend. The enemy AI behavior is more realistic and the exploration is almost endless. Even when you feel like taking a break from the campaign, you can take in some leisurely fishing before diving back into your quest. It’s your mission. With it comes the freedom to take on a world that hits back by any means necessary. Join the Resistance now with Far Cry 5. Available on PlayStation 4 system, Xbox One, and PC.

On this Game Features page, which was only archived three times on the Wayback Machine (and remained unchanged at least from May 18th, 2019, to February 7th, 2020), there was also information about Hope County’s three main regions:

REGIONS WHERE ONE MISSION ENDS, ANOTHER BEGINS Three diverse regions and three really bad Heralds stand between you and The Father. How you conquer them is up to you.

HOLLAND VALLEY - John Seed's Region Named for the Dutch immigrants who originally settled here, Holland Valley feels like a postcard from the West. It is home to farms, grazing animals, and a small community named Fall’s End. Because of all the goods that are grown and transformed here, this is also where the cult is planning to reap whatever they need before The Collapse.

HENBANE RIVER - Faith Seed's Region Henbane River was once a place where people came to heal. Its landscape was dotted with cottages, hot springs, and the flowers that give the region its name. Over time the hot springs business fizzled out and the Project at Eden’s Gate moved in. This area is the cult’s heart in Hope County and a place of field labor and worship. Its economy revolves around converting souls into a docile workforce through use of drugs.

WHITETAIL MOUNTAINS - Jacob Seed's Region Whitetail Mountains are a true wilderness where nature’s raw power is on display. Teeming with wildlife, this is a place to hide secrets—from both society and the law. It’s here that the cult is building an army to protect their followers from the Collapse. While Eden’s Gate controls this region, those who reject the cult can also find safe haven here. Preppers and survivalists have encamped themselves in these hidden mountains as they await the right moment to strike.

You could find the Activities as well:

HUNTING Aim a bit off? Practice your marksmanship on some of the wild animals that are roaming throughout the different regions in Hope County. But beware, the animals fight back. FISHING Need a breather from ousting a doomsday cult and their maniacal leader? Take a break and cast a line in any of Hope County's scenic lakes and rivers. WINGSUIT Do you believe you can fly? Nothing says freedom like soaring high above Hope County like a bald eagle. CRAFTING While you make your way through the diverse landscapes of Hope County, Montana, you will encounter all manner of animals and natural resources. Use them to your advantage, when crafting your upgrades.

There was also an introduction to the For Hire system, and notably this:

GUNS FOR HIRE Not only do you have unique skills to bring to the table, so do your Guns For Hire. You can meet and recruit them in the open world, although they may need some help sorting out their own problems before lending you a hand. If you like to travel in numbers, you can recruit up to two for hire at a time, which should help increase your chances of survival.

FANGS FOR HIRE It's not only the human residents of Hope County who are prepared to fight back. As a part of the Guns for Hire system, Fangs for Hire are animal companions for the player. Each is unique, and can enhance whatever playstyle you choose.

“Read More” took you to the News section, to an article titled “Meet Far Cry 5's Characters” (more details in future posts), and another one that was apparently not archived, sadly...

Commentary

The changes in the Overview are interesting to me because they initially called Eden’s Gate “the biggest and most ruthless baddest enemy Far Cry has ever seen”... and then didn’t.

I like that we learn more about the three regions, especially details such as Holland Valley getting its name from the Dutch immigrants who used to live there or the Henbane River being a reference to the flowers that grow in the region. That said, the Bliss flowers we see in Far Cry 5 seem to be inspired by Datura, not Henbane, so I don’t know if this is a mistake or if the developers had other real-life flowers in mind when they came up with the concept of Bliss. Henbane flowers contain the same psychoactive substance as the drug used by the cult: scopolamine (although its hallucinogenic properties were greatly exaggerated in the game).

The site also says we could craft upgrades using “animals and natural resources”, but while plants can indeed be used to make “homeopathics”, crafting upgrades with animal skins, for example, wasn’t a mechanic in Far Cry 5 anymore.

Under the cut are all the available source files, saved directly from the website, of the images you see in the screenshots:

Next to the flag above, on the right, is the (barely visible here) “intaglio” pattern, used in the background of most pages on the site.

Small and barely visible white eagle with a transparent background below.

Small and barely visible white eagle with a transparent background above.

[just-my-insufferable-existance]

The Internet was once a great source of information, now

- It's cluttered with AI regurgitation. (This is particularly infuriating to me. If anyone is interested, I could make a post about my thoughts.)

- Old sites are dead and gone.

- Reddit destroyed itself. (I can go on a rant about this too.)

- Too much marketing bullshit.

- Ads! Ads! Ads! Ads! Ads!

- Stupid paywalls.

- Search engines suck at getting you what you want. SEO is a cancer.

- People trying to make a quick buck. I don't mind paying for some things, I'm talking about the 0 effort get-rich-quick crap.

- Propaganda, psyops, scammers, etc.

See enshitification and dead internet theory.

It's hard to filter all this crap out! It's particularly worse for people with conditions like ADHD, Depression, Autism, etc.

It also makes it harder for me to do my job. Sometimes I need specific, slightly in depth information. Due to SEO, I get surface level AI regurgitated crap. Multiple websites, all the same. They also come with a torrent of adverts. It's a user hostile experience. (Maybe I could write my own, better search engine. One that might allow me to blacklist and greenlist certain websites for certain searches. Or one that detects AI generated content and filters. Actually, a browser extension that detects AI generated content might be pretty helpful.)

I think I've run into webpages that just have AI generated recipes. It's awful. I'm at the point where I just want to use physical cookbooks. Those also don't have a novel about some irrelevant backstory and 69,000,000 ads obscuring the recipe. (Now that I think of it, maybe it would be useful to write an app that can convert a physical recipe into a digital one ...)

I don't know what I want, what really needs to change, or how to fix things. All I know is that I am passionately upset.

[copperbadge]

If you could buy Tumblr, would you?

Hm, an interesting thought!

If I were capable of buying Tumblr this would imply one of two things: either Tumblr is so devalued and has become so cheap to maintain that a single man living in downtown Chicago with two cats to feed could afford to buy it and keep it, or I have somehow come into enough wealth that I am capable of squandering millions on the Hellsite.

(Or I'm running the most incredible con, which is actually the most flattering option.)

If we're talking a situation where Tumblr would cost me roughly the price of a third cat to purchase and maintain, sure. Buy it, keep it like a pet. This is a bit of an unrealistic vision of things, because under what circumstances would this possibly happen, but as long as we're in unreality, let's pretend I could also simply add and remove features at will. That's some fun shit. Sure, I would.

The more realistic option (for a given value) is that I have mysteriously come into a massive sum of money and could afford to purchase Tumblr. In this scenario, I could likely afford to operate it at a loss only for so long, but I don't actually know how much Tumblr costs on a yearly basis to keep it operational. Most of the problems with most social media, however, come from the fact that they don't just have to break even, they have to turn a profit to continue to function, or they have to have regular infusions of venture capital. A thorny issue.

Ideally what I would do once Tumblr was purchased, and presuming all the other share/stakeholders and investors were paid off, was immediately convert it to a nonprofit. What you can do with nonprofit cash is a lot smaller than what you can do with for-profit levels of investment, but turning Tumblr into a nonprofit has the immediate advantage of no longer having to make money. Tumblr can actually run at a "loss" if it's a public service, because it's all donation-supported anyway. I could think of half a dozen immediate easy targets for major gift fundraising for "Tumblr 503", and I would immediately begin planning both an annual campaign (that's what you see Wikipedia and AO3 doing each year) and a capital campaign to create an endowment to protect the org from future depredation.

Depending on funding I would also be willing to create an arm of the Tumblr Foundation that could start separate initiatives like legal protection for activists on the platform, AI that is better at recognizing illegal content so we don't have huge buildings of poor traumatized motherfuckers doing that moderation work, and such things. This isn't at all uncommon -- the nonprofit I work for now is a medical nonprofit, but even as small as we are, we have numerous different initiatives, from political lobbying to pharma outreach to a helpline for the newly diagnosed to a yearly conference for doctors in the field to funding for young researchers.

Would it work? Dunno. Possibly not, I'm not experienced in backend management of a massive website. But I know people who are, and if the money was there I'd take a stab at it. Worst case scenario, we just take it private again and sucker a couple of billionaires out of their money a second time. Promise if the nonprofit doesn't work and we sell Tumblr to the highest bidder, everyone on the site when we do gets a cut.

[sirfrogsworth]

Again, I think people are missing the nuance here.

They are using his voice and his performance and changing it to another language. The spirit of his performance remains intact. I agree, some actors may not see it that way and a system of consent is needed. But she is blowing this particular example way out of proportion.

I see this as an accessibility feature. When I watch a foreign film, my brain fog makes it very hard to parse subtitles. I often have to settle for an unenthusiastic dub that does not match the performance or tone or voice of the original actor. And that always bums me out. Sometimes I will find myself watching a scene in the original language and then rewatching it with the dub. But I just can't do that for an entire movie.

I think using AI to deepfake someone's voice and make them say something they never agreed to is a misuse of this technology. But taking their voice and their performance and converting it into another language seems more valid to me.

I just wish someone other than Justine was the advocate here. She does not understand the technology she is fighting against and she sees any implementation of it as bad. If you remember my previous post, she thought VFX was the same as A.I. and wanted to give a "stamp of approval" to movies that did not use CGI. Thus trying to throw talented artists under the bus even though their work has nothing to do with generative A.I.

If you actually watch the video she is enraged by, it was a tech demo. They did not take an entire Cary Grant movie, convert it to Spanish, and then release it commercially.

It was a 10 second clip to show the possibilities of this tech. I don't know if they got permission from Grant's family. And perhaps it would have been better to use a different performance with permission. But I don't think we need to yell at this delightful nerd from Adobe for making a small mistake in a tech demo.

I would hope for a major studio movie, they would get releases and agreements from all of the performers to do this. But this response is a little melodramatic.

This could be a game changer for small content creators too. A small YouTuber could increase their reach worldwide by releasing their videos in many languages. Foreign audiobooks would be more accessible. People with visual impairments who cannot read subtitles at all can enjoy foreign content.

I keep saying this, but A.I. is a tool. It is not inherently good or bad. We just have to be careful how we use it. And I agree we need to get consent from performers whenever this tech is used. But it is a real shame that Justine couldn't see the possibilities of this particular tool.