#AI Coloring Book Creator

[jubaer-rahman]

AI Coloring Book Creator Review: A Game-Changer for Passive Income

[gingerbredman1989]

Coloring book images of a super-heavyweight bodybuilder.

Bing AI Image Create

[shelleysmary]

lots of fans have made valid points and written well-thought-out posts about the trop ai drama, so i'm not gonna rehash them, but i do want to bring up something that no one seems to be talking about and it's the impulse that leads people to plug these things into ai generators in the first place.

fandom over the last year especially has become increasingly toxic to the point that actual billion-dollar corporations are afraid it. the result is subpar, pandering films, books, and television shows that break no new ground, recycle old tropes, and sacrifice story integrity to avoid catching heat from the loudest, most entitled people in the room. i'm calling this an issue of entitlement first and foremost because the idea that the audience should have any say over a non-crowd-created media project is preposterous. deciding that the cons outweigh the pros of watching something and choosing to walk away without making a fuss is a lost discipline now because everyone with an internet connection and a social media account believes that their vision reigns supreme. "how dare this show downplay my favorite ship! they were supposed to kiss! that was the whole point! the absence of this one thing i had on my wishlist is a crime against me personally!" so they turn to ai and click some buttons and now these gifs exist and are being circulated with an air of "i've righted a wrong." worse, the use of ai in this way is being conflated with the creation of fanworks???

there are reasons why i don't believe the ai saurondiel kiss is on the same raft as, say, making them kiss in a drawing or a published fanfic, but my main concern is with the spirit behind each. fanworks are made in homage to the source material, even the fix-it fics. there is an acknowledgment, a separation even, between the television show and the fanwork. this separation is necessary and i would say even integral to the nature of fan creation, while ai closes that gap until it no longer exists. the elimination of space between creator and audience also happens on social media, when disgruntled fans who have taken umbrage with a fictional character or creative decision directly harass the writers or the actors involved. more and more, fans are demanding to be in the rooms, in the minds, and to exert control over the people who tell their stories, and it has only ever worked to our collective detriment. now i'm not saying that if you liked and shared the saurondiel ai kiss that you're the same as the internet trolls who harass (mostly) women and people of color online. but i'm begging you to do some self-reflection and ask yourself why you feel entitled to seeing what you want on your screen.

what has changed in the last few years that would make you dissatisfied with, say, reading someone's fic or making your own drawing? is it a matter of "the tool is there, so why not use it?" is it "i believe it should have happened and it didn't and i feel cheated?" or maybe there's been a pattern you've noticed in your recent media "consumption" (god, i hate that word) where, unless a show or television series goes the exact way you want it to, it feels like you've been defrauded somehow? i'm not being facetious. i'm inviting you to notice that what you're feeling is probably discomfort, disappointment, maybe even cognitive dissonance because you imagined it going one way, and now you're at a loss because it didn't. you built it up in your head, you had something to look forward to, you were convinced that it would happen, it was exciting and you were so eager to get to that point, and then.... and then...

we've all been there. and it sucks. but i also want to remind you of how important it is to preserve the separation. this space is ours. the writer's room, the filming set, the editing room, those spaces are theirs. the actors' likenesses are theirs. thinking beyond trop, the separation is how we get creative works that challenge us politically, emotionally, that make us uncomfortable and tell us important truths. writers shouldn't have to - and shouldn't FULL STOP - do what we want them to do. sometimes that means knowing when to walk away, when to say "i no longer enjoy this show, i will no longer support it" or "i will continue to watch but pretend things went differently," the latter of which has been the spark that has moved so many online fans to draw, paint, write, or sew. it's a type of creation that allows "canon" and "fanon" to exist parallel to one another. moreover, the effort it takes to make anything with your own two hands, with your own time, and with your own energy increases your appreciation for the creative impulse. films and books and television stop being "products" for your "consumption" because you're aware of what goes into them, and it becomes easier to look at things you don't like or disagree with and say, "you know what, i'm gonna pass," or "not in my headcanon."

oh, and by the way plugging things into an ai generator? is theft. the same way that it's generally frowned upon for people to use ai to, say, write the rest of an unfinished fic without the express permission of the fanwork creator, using the actors' likenesses to make them kiss goes against everything the actors' union fought for last year. i'll also add that it's incredibly creepy. almost all of us are in agreement that intimacy coordinators are a good thing because they act - again! - as a separation between what's "real" and what isn't, the same way going on ao3 and reading a fic that very clearly says on the tin that it's a fanfic, unaffiliated with the official ip, is a separation. it's another beast entirely to normalize fan-use of ai, to say you support creatives, support actors, support unions, and then do this in your personal life. i repeat the question: what impulse leads anyone to believe that this is okay other than a feeling of misplaced ownership?

tl;dr: ai nonsense does not belong in fandom spaces. (in my home state of california, it is illegal to use digital replicas of an actor's voice or likeness in place of their actual services without their informed consent [which, in spirit, is what you're doing by using ai to make your gifs]). we all just need to mind our own business and go back to writing our fix-it fics and complaining to our friends in relative peace. if you're finding it impossible to do so, ask yourself why. remember that fanart is our longstanding tradition. stop outsourcing it to an unregulated technology just because your two faves didn't kiss.

[leidensygdom]

AI bros from hell

Hello! Do you have a bit of your time for a story on AI bros and clients from hell? I bring a really fun one!

I met this guy at a con I was tabling at over a year ago, before AI was a thing. He said he enjoyed my art, and inquired me about whether I did book illustrations. I said yes- He was specifically interested in my bigger pieces, the fully rendered and detailed ones. He agreed to send me later a DM to discuss specifics.

For two weeks, he kept DMing me on details about his book, what he wanted, etc. He wanted full illustrations for inside the book as well as a cover, all of them fully colored, painted and rendered. He also wanted illustrations in this style to post on social media to promote the book. I had warned him that something like that would be costly, but he insisted that he needed this to be the best of the best.

Now, I was getting bad vibes from the guy. I shit y'all not, his instagram handle was "The next tolkien". I wasn't however gonna refuse a job opportunity. Now, he finally asked for prices: He had reassured me he was willing to pay fairly for this. Since he's a starting author, I gave him my non-commercial quotes, which are much, much, much lower than the standard for book illustrations. I mean "if you search for how much this costs on google, the lower prices are x5 times more expensive than what I offered".

The guy, upon receiving that, just ghosted me. Immediately unfollowed, didn't reply me with a "sorry, I can't afford it" or "sorry, i was expecting to pay $10 for a full rendered full background several-characters-picture". Nothing.

The other day I decided to search what he was up to. He's now released... THREE books for this series. There's a single review in the first one. Not even written, just a stars one. Also, notably, he had a webpage put together promoting the book, and. Yeah.

All the art is AI crap.

Which makes sense. My guy was very on his high horse about how fantastic of a writer he is, but I guess art isn't really to be compensated fairly. When he saw the "art stealing machine you just pay a subscription for", I'm guessing he was very excited.

So, uh, here's some of the marvelous pictures he generated of the characters, which surely tell you about how great the book is. AI is theft, so I don't give a f*** about reposting it.

I have a lot of opinions about creators who write, draw or make music, who are more than happy to use AI for other stuff- Album covers made with AI, writers using AI crap for book illustrations, artists using AI-made music. It feels like you're sh*tting in any other artistic field and showing how little you respect anyone but yourself. Like, I'll be honest, I don't have interest reading a book from someone who considers that other forms of art aren't real or worth any money. It just tells me you're devoid of any interest for art or humanity.

As an ending note, his instagram description is "More closer to god than to human", which does add to the clownery.

[jesncin]

Lil' musing about Public Domain, AI theft and Transformative creativity

Old essay originally written on Cohost in February 2024. With additions.

I'm putting my thoughts here because I don't want to risk going viral for subtweeting discourse again, here we go! So with the Steamboat Willie Variant of Mickey Mouse going to public domain I've seen the usual cynical pushback over transformative art. Particularly in response to overplayed EDGY DARK WINNIE THE POOH and EDGY DARK STEAMBOAT MICKEY and YOUR CHILDHOOD THING DARK NOW that inevitably happens around this time.

But to group all transformative art as derivative, soul-less, profit-driven, lazy and "reliant on past successes" is frankly just...really silly? I saw a notable concept artist making this over-simplified talking point, and I find it odd that someone can look at the most visible (by being formulaic, provocative and made by rich people) examples of public domain adaptations and just generalize all art ever inspired by a thing as uninventive and compare artists who do that to being "ai-like". It feels like the false dichotomy constantly set between "real books" and fanfiction.

We've seen marginalized people reclaim cosmic horror from Lovecraftian fiction. I've seen queer people reckon with and reclaim the queer history of Peter Pan. There's something special about taking a familiar thing and informing it with a perspective that wasn't present in its original iteration. It takes a whole other part of your creative brain muscles to adapt and reimagine something that already exists. And it can be just as creatively fulfilling as making original stuff.

While it's important to recognize and remember the origin of archetypes in stories or movements in art, I think there's sometimes a misplaced reverence put towards the original version of something. Whenever I talk about how Asian writers like Gene Yang and Sarah Kuhn have more thoroughly integrated Superman's immigrant themes in their re-imaginings of his mythos than their white peers have, I get hit with the constant "hey remember Superman's creators were the sons of Jewish immigrants (who made racist jokes about Chinese people)" and "hey remember, Gene Yang and Gurihiru's Superman Smashes the Klan was based on a radio show arc made by WHITE people first (who made the story about a binary of Good white people vs Bad white people, along with centering how white people feel about racism)".

Especially if it's a means of centering white creatives, people love to dismiss the transformative contributions of marginalized people, but especially that of people of color. It took until 2016 for the World Fantasy Award to change their statuette to not be based after the face of renown racist H.P Lovecraft, after all.

Last year I gave myself the goal to do something "unnecessarily ambitious" with no plan of pitching/printing/selling it. Just "art for art's sake", something really not-algorithm-friendly. And yeah, that ended up being a fully rendered, 40-page martian manhunter fan comic. I did it for no other reason than being a huge fan of a severely unpopular character and feeling like there was a new story I really wanted to tell about the character that would never happen in canon with how little there's been written about him. I don't think it's fair to call writing 40 pages of a new origin story, drawing fully colored pages with unique re-designs, reading hours of martian manhunter comics to tie different aspects of his lore into coherent worldbuilding, putting that comic up for free for the few other Green Justice League Guy fans to read, as lazy, profit-driven, and soul-less.

There's tons of artists who do stuff like this all the time. It just comes off as being very out of touch to view true creativity as only existing one way. That transformative media must inherently be "less". One time a white guy pitched to me some ideas he had for Superman if he ever had a chance to write him, and I said "that sounds cool, you should write a fanfic about it" and another white guy (who felt the need to come to the first one's defense), viewed what I said as an insult. There's something about doing fanart because you enjoy it and don't need to profit out of everything you make that's seen as lesser than having the seal of canonicity from a company.

My motto with making needlessly ambitious fancomics is "You don't need to work for DC Comics to make DC comics". Because canonicity has nothing to do with what makes art special.

To bring this back to edgy Mickey Mouse spin offs, even if you do just want to make cliche mascot-horrified stuff because you enjoy it, then by all means go ahead! I always go back to this video Sagan Hawkes did about petscop-inspired video series. There's a running theme about grappling with the concept of Originality in Art in relation to youtube horror projects (the thesis comes around at 2:04:10), and some valuable words are shared in the collected interviews with web series creatives (2:18:47) in the end. SeireaSong (creator behind Diminish) talks about how misguided conversations surrounding "originality" can be (2:29:43). It's so worth it to watch when you have the time.

Anyway happy 2024! Be good to each other.

[pinkyjulien]

▶ Johnny, Mikoshi, and SPI AIs

Years ago I bought some of the original TTRPG sourcebooks and only just recently started to really read through them 👀 It's a blast and I recommend every cp77 fan to get them!

I'm mainly focusing on the Cyberpunk RED era - it's set during the 2040's (2045) and exist as a canon, direct bridge between the Cyberpunk 2020 pen and paper, and the Cyberpunk 2077 game;

"[...] In addition, RED allows us to create something unparalleled in gaming history—a tabletop RPG that serves as the perfect onramp for the expanded and far future of the Cyberpunk 2077 arc. With threads looping forwards and back through the timeline, my partners at CDPR (Patrick, Adam, Marcin, Amelia—let's face it, the whole damned 600+ crew at the CD studio) and our crew at R. Talsorian Games have given you a deep, complex gaming experience you can explore on both the tabletop and the video screen." - Mike Pondsmith, Cyberpunk RED (2020)

In the Cyberpunk RED sourcebook, we get to read through the real events that took place in 2013, the kidnapping and "death" of Alt

"He's coming out of the Hammer, about midnight, and he sees them. Three punks,mohawks bright and bristly with reflected neon, wearing high-collared jackets; gang colors." - Cyberpunk RED, page 5

We also get to read the Arasaka bombing event, how Johnny really died- and who's responsible for getting him soulkilled... 👀

"On the other side of the room, Johnny crouches under a desk, fighting with his past between bursts of gunfire. I left Alt last time. Just abandoned her. Not again. Never again. Better to burn out, says the Hand. Yeah, Johnny says to himself—and he knows what he has to do." - Cyberpunk RED, page 121

I'm obviously not going to post the whole chunks here and DEADASS ENCOURAGE YOU TO CHECK THEM OUT FOR YOURSELVES - especially if you love Johnny, Rogue, Alt and the entire old crew, it's a real treat!

Anyway, the reason why I'm making this post is because I got further into the book and into the parts about AIs

We know our Johnny, the engram stuck in V's head, isn't a reliable narrator; we learn why and how in the previously mentioned stories on how these events went down - We also know that, well, our Johnny isn't really much of Johnny - He, and everyone who has been Soulkilled, are known as "SPI" AIs

"Soulkilled Pseudo Intellects (SPI) are AIs that were originally actual people but have had their consciousness digitized and now exist only on computers in the NET. The process is often not voluntary — Soulkiller programs produce this type of AI. Otherwise indistinguishable from Symbolic Analysis AIs, these "ghosts" were created in huge numbers as Arasaka put its infamous Soulkiller program to work targeting enemies and rivals alike. The majority of these SPIs have gathered in sanctuaries around deserted mainframes and city systems abandoned by Corporations or (as in the case of a number of bio-plague attacked cities along the Asian Rim) totally abandoned cities. Most of these "ghosts" just want a safe place to live; rumor has it that Alt Cunningham, the creator of Soulkiller and a digital ghost herself, has created a number of "ghost towns" in hidden places all over the remains of the Old NET. They pretty much want to be left alone." - Cyberpunk RED, page 263

We learn about other types of AIs in this section as well - but obviously this one grabbed my attention because, well, that's the Johnny we know - and that's also who, what V becomes after Mikoshi (talking here about the canon game events in some of the endings ofc)

It is so interesting and almost comforting in a way to read about this, to have a proper name and description of what we see and experience in game

I'm late to the party of course, I bet this was already a known thing - but wanted to share it here cause again, it was really really interesting to read and made me feel things hHHHH a lot to think about

[adachimoe]

Not-so-masterpost list because tumblr's tagging and search sucks ass

As the title says lol

Opinion, Theory, Meta, Interpretations, Whatever about Adachi

What the bad endings teach us about Adachi

Adachi's fixation on Mayumi Yamano

Adachi is the person in the fog who shows up in the shopping district

Adachi's imaginary dick waving contest with Namatame

In which I try to deduce if Adachi watched the Midnight Channel based on whether Dojima was home or not

Adachi's relationship with the Dojima family and why Adachi sent the 2nd threat letter

The contrast between Adachi and Namatame (And a follow-up)

Adachi as the Investigation Team's Shadow

Adachi and School

Adachi and the Japanese Economy (lol)

Remember that part in April where Adachi tries to frame Yukiko?

Adachi was not actually assigned to guard Mayumi Yamano, was he?

Adachi's Characterization in the 3rd P4 Audio Drama

"Tiger mom"

Why did Sho use Adachi in Arena Ultimax?

Was that actually Adachi in Persona 5?

?? Adachi went to a NYE party ??

How Bayside Shakedown inspired Adachi's character

Adachi's overseas transfer

Was Adachi's first choice even police officer?

What was Adachi's mistake?

Wake up babes Adachi got a shoutout in Metaphor

Golden Anime Adachi Cafe

Rambling about Adachi's Arcana

Golden anime Adachi anthology manga summaries

CAN ADACHI EVEN AFFORD A FUCKING TV?

Funny Golden anime easter egg related to Bayside Shakedown

Things About Adachi That You Can Miss

Adachi and Cabbage

Adachi did not facilitate Rise's kidnapping

Nanako reveals Adachi hates bugs lol

Bonus Adachi scene in the P4 anime

Bonus Adachi scene in the P4 Golden anime

Adachi in the P4 Novel "Your Affection"

Yu Narukami's (Canonical) Obsession with Adachi

Dude wants to be Adachi's girlfriend

Dumbass

Waxing poetic about the color of Adachi's eyes

Arena Ultimax Arcade Mode

This shit even happens in BBTag

Localization Related

Yuka Someya Loved the Stage Play

Izanami saying that Adachi's power was tainted by "magatsu"

Clarifying what Adachi says in P4U2 about his sentencing

Adachi calling Izanami a bitch and how this relates to Sho

Adachi was not trying to remind you of Yosuke

This World Has Gone to Shit

That time Adachi pretended to be Dojima's wife

"Putting It In" and "That Settles It"

Adachy-baby

Yukiko's funniest line

THE ENGLISH VERSION CENSORED TEDDIE SAYING THAT KANJI HAS A FAT ASS

Is Namatame from Inaba?

Why is Witch Detective a parody of Twilight?

Donuts and Milk

Kanji's Animal Crackers

Topsicles (Also: Why is there a milk company in the credits?)

Morooka, Mitsuo, and Rotten Oranges

SMT Reference in Mitsuo's dungeon

Random translation stuff (Queen Tut, Hosoi, Philemon)

Regarding Teddie's Localization: Part 1, Part 2, Teddie and Nanako's Pronouns

When did the news of Mayumi and Namatame's affair "break"?

Worldbuilding / Lore / Setting

Adachi's Persona Club P4 profile (sorry but he's been 176cm since 2009... It was the anime that got it wrong when they made him 173cm...)

All of the Persona Club P4 profiles

Random stuff in Persona Club P4

Inaba setting guide / worldbuilding from Atlus's P4/P4G lore books

Staff / Word of God

No, Atlus did not say that the culprit was originally Dojima

Yes, Atlus did consider Yukiko and Yosuke to be the culprit

About Adachi's Social Link

Arcsys and Atlus on the development behind Episode Adachi

Arcsys made Adachi easy to play because his fans are girls

Full translation of Katsura Hashino's Persona Club P4 Interview

It's the Adachi Ending, not the Accomplice Ending

The P4 Anime Staff on Adachi's Cabbage and Ai Bullying Adachi

Adachi fans on staff

P4 Anime and Golden Anime Staff: Adachi's Popularity Among the Staff

Tetsuya Kobayashi's comments on Ying Yang from the Golden anime

Was JYB really intentionally cast as both the protag and Adachi? (According to him, it rly doesn't sound like it)

The Golden anime's portrayal of Adachi is the staff's own interpretation; if you want to know what his deal is, ask the original creators

Soejima: Why the fuck do you like Adachi?

Shuji Sogabe explains the origin of the name Soji Seta

The 3rd? 4th? interview about P4U2 where someone goes "WOMEN LIKE ADACHI"

Posts About Not Adachi

Yu Narukami's catchphrase is "Calm down"

Yukiko, before and after the TV World

Yukiko as a vehicle for slapstick humor

The Mudoon Curry

MAN, A WATERMELON

Context for Yukiko and... Cooking

Teddie is Bugs Bunny

The Time I Signed Up to Play Persona 4 Pachinko

P4 audio drama list

Buddhism?

Why did Nanako come back to life?

Persona Stalker Club (V Ep 10 + Links to the other eps)

[rainofdauwuand0w0]

Alright I’m gonna put my hat in the ring for the whole season 2 shenanigans.

Could murder drones have a season 2? Maybe

Do I want liam to do it? Only if he really truly actually wants to, no outside force, whether fandom or (though I doubt they would from what creators keep saying) glitch productions forcing him to do it, if he has ideas, and wants to do it, go for it, more crazy drone land galore.

Do I want a season 2? Hmmm…..oddly enough, Im unsure, mainly because of what a fucking gold mine it is for what ifs and bouncing off points for fan fiction, you have so much potential crammed into this world and “season 1” as it got called originally, is the PERFECT point of just enough character shown (even those shown less then I would have liked) amount to allow for expanding upon the characters, expanding on the characters personality’s, the base canon is the just that, THE BASE, use it as reference point, use it as a guide for the character, to understand their general character, and if you don’t understand them, ask fans of said character who have stayed up ANALYZING THEM! The world of murder drones is a “dumb thing that is fricking cool” if we are to use uzi’s own words.

Like LOOK AT IT. Earth’s destruction, the manor, the entirety of copper-9 aside from a few locations still being basically a fill in the blank that now has a solver symbol shaped hole in it! Use that land as you please, create lore, what other human settlements were there? What other experiments might have taken place? What potentially interesting things happened? Do other squads actually exist or was it a lie made by solver? Or were the other squads clones of the originals? Were they no name drones from the manor days, did they get given names, the story potential is RIPE here people!

I haven’t been this interested in things like this for a long time and each time I see someone point out a new detail, I get excited. And that’s not even covering crossover potential. Murder drones world is like an advanced level color it in book, it gives you such a vivid picture but you can color it in to bring it even more together.

Write that fan fiction, sit down at your own computer, open that google doc (or better yet ellipsus doc) pour your heart into it, im doing it myself for my own lil au idea I had, Im drawing up an oc and her own…power of sorts, its fun, its engaging, it gets the brain going.

And that right there, murder drones is a lovely piece of media I will forever enjoy, because there will ALWAYS be people to enjoy it as long as we the people who are fans of it make things for it.

Piccrews, songs (without ai), battle themes, art (digital or traditional) via a pen for either, or if digital, maybe you’re free-balling it with a finger or a mouse, it is a world RICH in potential and the fans should be excited as fan projects keep coming forth.

Also, personally it’s weird to see this whole…season two nonsense for a indie webseries. Especially when we want more creatives to do it at their pace when they are putting their heart into it, because the typical industry doesnt LET THEM.

And to liam, though I doubt you will see this. Thank you for creating this amazing world, take a break, and have fun doing whatever you make next or decide to relax after doing what you dreamed of. Thank you for making a series that a unmasked me is enjoying so much.

[poppyandzena]

There seems to be a lag in studies regarding how pedophiles interact in online spaces, whether they're seeking therapeutic support or praying on minors. This study in particular was interesting in how a public-facing forum of pedophiles self-govern, for better or for worse.

There are a lot more studies that should be made on the "efficacy" of fictional depictions of CSEM (loli, fanfic, ai) being consumed in attempt to not offend. You can take a guess on how I feel about the creation of fictional CSEM given I'm calling it CSEM and not CP.

I was inspired to look for a study as discourse around Melanie Martinez exploded again on Tiktok. Apparently she had long ago created a tasteless coloring book based off her Crybaby album, which centers around the exploitation of a child. My FYP has been a ping-pong of creators arguing as we near the event horizon of Tiktok's ban in the US, making discourse about the real world consequences of drawn CSEM. One thing I was able to know for certain is that Melanie had not suffered child exploitation, so her profiting off of those themes without the aspect of reclamation or trauma processing comes across as gross and fetishistic.

At the very least, the study I read was thorough and insightful, even if I didn't find the answers to my questions. I figured my audience would appreciate the knowledge.

[littlepotaaatosimp]

Broken Heart - Miguel O'hara X Scarlet Witch!Reader

Tagged : @deputy-videogamer , @jupitersmoon167 , @midnight-the-shadow-wolf , @xenayami , @melday0105 , @oscarissac2099 , @gushers123 , @nervousvlad , @kuinnoa .

Warning : +18 but not a smut , angst , happy ending .

➞ Spoil : Doctor Strange : Multivers of Madness 

[Reader] → AFAB

[Y/N] = Your Name

[E/C] = Eye color

[H/C] = Hair color 

“ I opened the Darkhold. I have to close it. No one will ever be tempted by the Darkhold again.” 

Caught up in regret, [Y/N] Maximoff used her telekinetic powers to lift the temple to Scarlet Witch on Mount Wundagore to destroy the Book of the Damned in every universe. She looked up at the sky, tears in her eyes as the walls fell on her. Sacrificing her life so as not to let Scarlett Witch do any more damage not only in this universe but in the entire multiverse.

[Y/N] was in a dark place. She didn't look entirely human, she'd grown a horn and one of her arms looked like it wasn't hers any more, with long claws that could rip anything to shreds. Between her hands floated a sphere of luminous red energy that seemed to absorb the being in front of her, the demon inside her.

“ … You do not possess me, Chthon.” she said in an authoritative voice. “ I possess you…” 

After absorbing the demon, [Y/N] found herself back at the hideout she'd made after fleeing Westview. A small cottage in the middle of the wilderness.

She gazed at the peaceful cottage, her being echoing with a sense of nostalgia. As Maximoff made his way to the front door, he was engulfed by a red light that transformed his suit into a comfortable outfit. She put her hand on the doorknob and opened it to see that everything was as she remembered it.

[Y/N] had to accept the losses she had experienced throughout her life. She had to learn to accept for the sake of the multiverse, for herself but also for the memories she had of her loved ones, gone.

"I have to let them go… I have to grieve…" she whispered, her voice broken by the sadness she felt.

Tears gathered at the corners of her eyes as her face crumpled with pain and sadness, as she tried not to think too much about her parents, her twin brother, her ex-husband and her children.

Her parents.

Pietro.

Vision

And Billy and Tommy.

Gone and she has to accept it. She has to accept her loneliness and the fact that she's all alone again. Alone.

She bit her lip as she felt the tears roll down her cheeks, falling to her knees as she held her chest, wanting to rip out the organ that was throbbing.

An orange portal opened abruptly, throwing a person back into a universe unknown to him. He stood up to try and use the same portal that had brought him here, only to see it shrink and close right in front of him.

The man grunted in anger as the orange portal closed before turning to try and figure out where he had landed.

"Where am I?" he asked, looking at the watch he was wearing.

"Are you lost?" asked the hologram of a woman emerging from the watch with clear amusement in her voice.

"Tell me where I am." growled the man, clearly unable to take any more of Lily's amusement at his predicament.

"Mister is lost then!" she cooed before laughing at her creator's predicament.

The man's mask began to retract to show his cold, well-sculpted face… He pinched the bridge of his nose, unable to take any more of his AI's amused behaviour.

"You are currently on Earth 19999," the AI finally replied before disappearing, without before a sarcastic comment from him about perhaps recruiting the nerd who serves as Spiderman in this universe.

Now, Spiderman of Earth 2099 sighed before starting to walk in any direction, to find someone who could help him repair his watch and finally return home or to Spider-Society. Finally, somewhere he knew.

The further he walked, the deeper he sank into the wildness of the place.

No concrete, just earth. No skyscrapers, just trees.

Then he felt something hit his back, sending him flying a few metres away from where he'd been. He grunted and stood up to see a person floating a few centimetres off the ground, enveloped in red energy.

The two people looked at each other, their eyes red.

The person then stretched out his arm towards the man on the ground, enveloping him in the same energy that was enveloping him and lifting him a few centimetres off the ground.

"Who are you?" the person asked as he conjured up a sphere of energy in his hand, ready for a second salvo of attack. "What do you want from this universe?"

"Spiderman from Earth 2099." he replied as he realised that the person in front of him was trying to protect his universe from an incursion.

"Spiderman?" the person repeated, eyebrows furrowed.

The Spiderman she knew didn't look like that. He was a young adult who had just finished high school. Especially as she still remembered those facial features she saw during the 2014 war against Thanos, after the Blip that had brought back half the universe that had disappeared.

"You're not the Spiderman of this world…" finally understood Maximoff beginning to panic slightly at a possible incursion. "You're not supposed to be here."

"I'm just looking for materials to repair my watch. It's what's going to get me into my universe or the Spider-Society," Miguel grunted, feeling the energy tighten around his body, choking him slightly.

At this admission, [Y/N] loosened his grip and placed the Spiderman from another universe on the ground. His red eyes dissipated, giving way to magnificent [E/C] eyes. Just like Miguel's, whose red eyes gave way to brown ones.

The two looked at each other, scrutinising each other's every detail.

[Y/N] motioned for Spiderman to follow her, and Miguel did so, always on the lookout for another possible attack. The two walked in complete silence, not talking. The only noise that could be heard was that of nature and their footsteps. After walking for several long minutes, they came to a cottage.

"This is my house…" [Y/N] said simply, breaking the silence between them. She went to the door and opened it, beckoning Miguel to follow her inside.

Miguel was very defensive, not trusting this person. After all, he had just met her and had attacked her earlier. It was with great reserve that he decided to enter. Once inside, he turned his head to see that the cottage was decorated in a rather simplistic way, with a kitchen that was not at all modern.

[Y/N] then took off her long grey woollen waistcoat, revealing a suit of the same colour underneath. She placed her waistcoat on one of the kitchen chairs.

"I'm going to make us some tea while you explain why you're here," she said simply before disappearing into the kitchen.

The man wasn't sure what to do, so he simply looked around with a scrutinising gaze, trying to work out whether the person was an enemy or an ally. After a few minutes looking around, [Y/N] returned with a tray containing two cups and a steaming pot of tea. She placed it on the coffee table in what appeared to be the living room and motioned for Miguel to sit down in the seat in front of her. Miguel simply sat down, looking at the steaming cup.

[Y/N] understanding the reluctance of the man in front of her, simply used her telekinesis to lift the cup and move it in front of the spiderman from another universe.

"It's not poisoned," she said with a small smile, blowing on the cup of hot tea as she watched the man take the flying cup.

Chthon's ship took a sip as she watched the hot liquid in her cup, trying to think of what she could say.

"Your presence here is dangerous to this universe, you know…" she said as she looked the man in the eye.

"That's why I'm looking for a way back to my universe or to Spider-Society."

"Um…" she mumbled as she closed her eyes before opening them again. "You can understand that I can't afford to leave you here at the risk of letting an incursion take place…I'll help you."

Miguel closed his eyes, thanking the person in front of him for his help.

"I'm [Y/N] Maximoff." the person introduced himself with a small smile.

"Miguel O'hara."

" Nice to meet you."

In the days following the meeting between the two people, [Y/N] and Miguel had to go into town to look for any DIY tools or components that the Spider Man from another universe needed to repair his exit key to return to Spider-Society. The ship had used its magic to look different, she didn't want Strange to recognise her after what happened with the multiverse, she was far too ashamed and not yet ready to face the world.

Of course, Miguel didn't know who the warm soul was who had offered to help her and what she had done in life to make her feel the need to change her appearance to go into town.

Together, throughout the days, they were able to buy the materials and DIY tools needed to repair the watch.

The two then returned to [Y/N]'s cottage to begin the repairs.

They were both rather reserved, but as the hours and days passed, they gradually began to talk about their lives, without mentioning their traumas and losses.

One day, [Y/N] had gone to the old house she had shared with Vision and her children in Westview under a new guise, so as not to be recognised by the residents she had put under mental control.

Miguel, who had stayed in the cottage to continue the repairs, got up to fetch a tool. He started walking towards one of the rooms. He turned on the light and saw what appeared to be a room for children. The Spiderman frowned, wondering why [Y/N] had a boy's room in her shawl, did she have children? So where were they?

Questions began to form in his head. He couldn't stop thinking about his daughter, whom he had also lost. Were they the same?

He looked at the photo frames in the room, to see that one of them had a family photo, but not just any family photo. The father had red skin and didn't look human at all, he had a stone embedded in his forehead. Beside him was someone all too familiar to the man, someone with [H/C] coloured hair and [E/C] eyes shining with love and joy, with a sincere smile on her lips. In front of the two adults were two little boys, who appeared to be the children of the two adults behind them, wearing innocent smiles…

When he saw the photo, he couldn't help but feel his heart clench, remembering his life as a father. It seemed that the two of them were more alike than he had imagined. After understanding [Y/N]'s personal situation, he felt anxious and felt his walls, which he had beaten down for several years after the loss of his daughter, crumble at the mere realisation of the common link between the two individuals.

The front door opened to reveal the owner, who was swallowed up by red energy and returned to her usual hair colour [M/C] and big eyes [E/C]. When she returned to the cottage, she saw Miguel's watch in the living room, but she didn't see him in the room, which worried her. She felt her heart pound with concern for the tall man from another universe. She began to search the rooms of the house, only to find him in her boys' bedroom.

"O-oh, what are you doing here?" asked [Y/N] with a small, embarrassed smile and an equally embarrassed laugh.

"Do you have children?" the man asked as he moved closer to the person, his body clearly towering above that of Chthon's ship.

"Wh-"

Miguel showed the family photo to the person who'd taken him in all this time. [Y/N] then realised that he had discovered a part of her that she had wanted to hide. She felt anxiety and fear catch her throat, her heartbeat and breathing quickened. She felt imprisoned, so she staggered out of the room and into the living room. She sat down in a chair and wrapped her arms around her body, her nails digging into her skin as tears rolled down her cheeks as she thought about her perfect little sitcom life and what she'd lost.

"[Y/N]…" called Miguel in a low voice so as not to provoke a fit from the person.

"I-I had two boys… But…" she began as the tears fell more and more.

Miguel sat down next to Maximoff, trying to cheer her up, clearly understanding her pain at losing someone close to her. That's why he was much more patient with this person than with others. This news about this person had shaken her up. Perhaps he should open up more with the Maximoff.

"I-I lost my daughter too…" admitted Miguel, looking at the photo frame.

"W-what?"

Miguel sighed as he stared at the ground for a minute before looking at the person beside him, the tear marks still visible on his cheeks. He gave her a small smile before glancing at the photo. He then began to recount what had happened. The death of his alternate self, his replacement by himself and life with his daughter, and finally the destruction of this universe, of which he was the main cause.

Listening to the Spiderman's story, [Y/N] grabbed the man's hand to reassure him that she was there. [Y/N] then felt compelled to recount her loss. She could only remember what Vision had told her when she lost her father. He had told her that talking about the loss of Pietro and how she felt would help her grieve.

"Maybe he's right…" she thought wistfully of that moment in her bedroom when she was watching a sitcom with the synthesizer beside her.

The witch took a deep breath and began to tell her story. From the loss of her parents when she was 10, to the loss of her twin brother when she was 18, to Vision when she was 28 and a few weeks later, she had lost the artificial intelligence once again, but on top of that, she had lost both her sons. At 31, driven mad by loneliness and clinging to her memories as a housewife, she decided to kill her other alternative so that she could have her children with her. But it didn't work out that way…

"I want my children with me… But I can't…" she said simply, glancing at Miguel.

You could tell in her voice that she was broken because of the feelings that flooded through her whole being as she recalled the moments she spent with those children in the Westview Anomaly.

She wiped her tears away with the sleeve of her woollen waistcoat as she bit her lip to keep from crying more.

"In the end, you and I are almost the same…" Miguel spoke in a gentle voice as he placed his hand on her head.

Sensing the attraction they felt towards each other building to a climax at this point, the two moved closer and their lips touched. At first it was just innocent little kisses, but then the room warmed up and they began to wrestle for dominance. [Y/N] threw her arms around the man's neck to embrace him while Miguel placed his large hands on his hips. The witch straddled him as the session between them grew hotter and hotter.

Miguel, overcome with excitement, lifted the witch's body as the kiss grew hotter. He then made his way to [Y/N]'s bedroom, laying her body down gently before undressing her with kisses. The man stood up to look at Maximoff's almost naked body. He smiled wryly at this, feeling aroused by the sight of [Y/N]'s flushed face. He then decided to put his head close to her neck, while kissing. He opened his mouth as his canines lengthened before placing them gently on the young witch's neck.

[Y/N] when she felt the canines of the man who was currently dominating her. She squeezed her legs together, feeling aroused by the action. She'd never had sex before, when she was in a relationship with Vision, even to get pregnant there was no need to have had sex. She just wanted to get pregnant and her magic did the rest. Her heart began to race just thinking about what was to come.

One thing led to another and the two of them had sex for several hours.

The sunlight streamed into the woman's bedroom. [Y/N] opened her eyes as she looked around her room and when she turned her head, she saw Miguel O'hara's naked body. At that moment, her heart dropped into her stomach, feeling bad for deceiving Vision. She just felt attached to the artificial intelligence who had been her lover for several years. Panicking, she got up and put on her clothes before heading for the kitchen. She decided to go about her business as usual, as if nothing had happened yesterday. So she just started making breakfast for the two of them.

Miguel O'hara opened his eyes and moved his arm to try and embrace the woman he'd spent the night with, only to be met with emptiness. He moved his head towards the spot to see that [Y/N] was no longer there. He got up and went into the kitchen to see her cooking. He felt his heart melt with tenderness as he watched the scene before him. He decided to move closer and put his arms around her to cuddle her.

"Whoa…" he mumbled in a deep voice as he placed his lips on her neck.

The young woman sighed and removed herself from the man's grasp, confusing him.

"Hello…" she greeted coldly in return.

The man from Earth 2099 couldn't help but be shocked by [Y/N]'s coldness. He frowned.

"Are you all right?"

"Not very well…" she replied before leaving a silence, pondering the words that were to follow. "I-I think the two of us was a mistake…"

This news had the effect of a stone falling on the man.

"W-what?"

"We both come from different universes and especially that you'll soon be leaving me once your watch is fixed… A relationship won't be possible between us…" she admitted, placing both hands on the man's cheeks. "We'd better forget what happened yesterday, it was a serious mistake…"

Having said that, she turned and continued preparing breakfast with a heavy heart.

The day went on just like the first day. The two avoided each other as best they could, trying not to stay in the same place.

Miguel meanwhile threw himself heart and soul into repairing his watch.

While [Y/N] went out more and more to tend to the garden.

They didn't even glance at each other, not wanting to make the atmosphere even more awkward and tense than it already was. They couldn't look each other in the eye without both of them feeling attracted to the other, and especially bad, because [Y/N] was right.

Their love story wasn't supposed to exist, they should never have met in the first place.

Miguel O'hara the Spiderman of Earth 2099 was standing outside the cottage wearing his hero suit as he put his watch on his wrist after 2 months of trying to repair it with what [Y/N] had bought. He turned it on and an orange portal opened in front of him, and he felt sad to be leaving the quiet, peaceful life he'd been able to create with the woman with the hair [C/H]. Deep down, he hoped that the woman would come and stop him leaving her, but it was best for his world. Sensing something behind him, he turned his head to see someone…

"[Y/N]…" he muttered emotionally, as his mask disappeared.

His eyes boring into the woman's eyes.

The witch was outside, panting as if she'd run a marathon, tears in her eyes as she saw that the man was about to leave her. She knew it was for the good of her land, but she couldn't help feeling selfish and wanting happiness after so much loss. The moment she fell back in love with someone other than her former lover, his presence had to threaten her world. Why did the world make her heart beat faster for a man she knew was impossible to be in a relationship with? If she had been under the Darkhold's control, she herself would have destroyed her universe and the people who live in it just to feel that spark of love. With nothing left to lose, she ran to the spider hero and kissed him fiercely, throwing her arms around his neck to bring her large body closer to his.

At last, after days of coldness, the two shared a fiery kiss that melted all the ice that had built up between them.

After a few seconds, they pulled away, their eyes misty with tears that threatened to fall.

"Miguel… I-I really love you. You're the only one since Vision who makes me feel this way, but… You have to go…" she said, caressing his face as the tears rolled down his cheeks. "I want to love you… But-"

"My presence threatens your world…" finished Miguel, who was just as shocked by what had just happened. "I know…"

The two shared one last kiss, a kiss that felt like goodbye, or rather, farewell…

"Perhaps in another universe, this might have been possible…" said the witch, stroking the hair of the man whose feelings she had just confessed.

"Yes, in another universe it would have worked, mi amore…"

The newly-formed couple walked away from each other, looking at each other sadly, knowing that they were going to have to say goodbye.

Miguel turned his back to [Y/N], slowly approaching the gate. Nearing the thing that would take him home to Spider-Society, he turned his face towards the woman he had grown to love during his time here. He could see that the woman who had helped him, who had taken him in, had her face twisted in sadness, her hands resting on her chest, her hands clenched. The sight also made his heart ache. He too didn't want to leave the woman and this quiet little life.

"You have to go, Miguel…" she said, a broken smile on her lips.

The Spiderman nodded slowly before launching himself into the orange portal, leaving Earth 19999 and the woman who had seduced her, [Y/N] Maximoff.

They both closed their eyes as they began to remember each other's warmth and comforting presence.

"Goodbye, [Y/N] / Miguel."

Days and months have passed since Miguel returned to Spider-Society. Some Spiderman and Spiderwoman seemed reassured by his return for fear that an incursion had been created when he was lost in one of the lands of the vast multiverse. But they couldn't help worrying about the overly calm and distracted temperament of the man who was at the head of this whole organisation that brought together Spidermen from several different universes.

The man couldn't help thinking about the woman he loved. His love for her had begun to intensify since their separation, the need to find her had become stronger and almost anchored in his wildest instincts. He also found himself doing a lot more missions than usual and that's where he finds himself. He was on a mission to try and capture an anomaly that was threatening the tranquillity of the universe in question. As he had the villain between his claws, in the air, he opened his mouth wide, his canines extending to plant them.

When his ears picked up a strange, threatening sound, he turned his head as his mask rematerialised over his face, and he saw some kind of dark creature flying towards him in a threatening manner. He threw the enemy to the ground as he dodged the unknown thing's attack. Once he was a good distance away, he noted the strange, monstrous appearance of the thing. He couldn't work out what the monster was. Miguel lunged at the creature but was quickly pushed back by one of the monster's limbs, catching himself on one of the walls where he dug his claws in to keep from falling. He growled savagely as he shook his head to get his bearings. He looked up to see the monster ready to attack him, but he also saw the creature surrounded by a red energy that stopped him in his tracks. Turning his eyes, he saw a sort of misty red portal and a person emerging from it. Seeing the person, his heart beat faster as his eyes watched every feature of the face of the person who had saved him.

[Y/N] stepped out of the portal she had generated with her magic to see that the demon had indeed been stopped just in time.

"Phew! The others will have to take care of the rest… I can't believe demons escaped from the dark dimension…" she growled, running a hand over her hair.

She then flew close to the monster, who squeaked in fear as he sensed a much more powerful and ancient energy in the witch. Happy that her mission was over so quickly, she took out a kind of telephone that allowed her and her team to communicate even in different universes. Communication was needed on the whereabouts of the demons who had escaped from the dark dimension so that they could be better apprehended and sent back to their own dimension. She let her two team-mates, Doctor Strange and Loki, know that she had caught one of the monsters on the run. Her hands lit up and were engulfed in a red glow and with several hand movements, she created a portal in the same way as the one that had brought her here to send the demon back to its own universe.

"Job done!" she said simply, patting her hands to congratulate herself on a job well and quickly done.

Just as she was about to invoke another portal so that she could finally return home, she felt a presence behind her.

"[Y/N]…"

She turned to see that the person who had called her was the man who haunted her nights and her heart. Tears welled up in her eyes as her throat was blocked by the strong emotions she was feeling. Mostly joy and happiness. She flew gently towards the man, afraid that it was just an illusion and that he would disappear, but once her hands were on his broad shoulders, she put her ear to his chest to listen to his heartbeat.

"Y-you're here… You're really here…" she whispered, looking into the man's brown eyes.

"I'm really here, mi amore…" he mumbled in response, placing his lips all over her face.

The two kissed passionately, happy to see each other again after several days, months without the presence of the other by their side and with only memories of them. Now at last they were back together.

💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙

💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙💙

I hope you enjoyed it!

Feel free to like and make requests! I will soon publish the mangas, series that I accept requests.

[nipotazzi]

Symphony in Fortissimo Agitando - Chapter 1

“...r-r-res...starting…”

And all at once, Marina effortlessly and slowly raised herself, or rather, lifted herself, without any help from her hands, or legs, or anything at all. She was floating, higher than the Pearl drone, with her limbs dropping like a dead weight, mimicking the ones of a doll.

Before they could say anything, her suit turned on like it had been filled with LEDs: a shiny and bright neon color covered the octoling’s body. With a smooth synchronized motion, Marina placed her hands in the air, open palms upwards, and fixed her position in space to face them. She looked like an ascended being, almost religious figure; a familiar pose that all of them recognized from the battle.

The drone started losing height, until its propellers were stuck on the sand, but Pearl did not care in the slightest about it. 

“Marina…?”

Eight couldn’t say anything, thinking in despair that her entry for this day in the memory book was going to be longer than she had previously imagined.

Acht thought that her “friend” was seriously getting on her nerves now, with every single thing happening inside of this place being her fault, and now even this to grind on her gears?! Gimme a break…

Marina wasn’t either thinking, or feeling, or willing to speak (unless prompted to do so) anymore. There was no longer any need to, for her mind already knew what to say, as it was programmed to perfection.

“Agitando unit… online."

Fandom: Splatoon

Rating: Teen And Up Audiences

Warnings: Creator Chose Not To Use Archive Warnings

Relationships: Marina/Pearl (Splatoon), Agent 3/Agent 8 (Splatoon)

Characters: Pearl (Splatoon), Marina (Splatoon), Dedf1sh | Acht (Splatoon), Agent 8 (Splatoon), Order | Smollusk (Splatoon)

Additional Tags: Splatoon 3: Side Order, I Wrote This Instead of Sleeping, References to Canon, Angst with a Happy Ending, Alternate Universe - Canon Divergence, Inspired by Tumblr, I think that they had it too nice in canon, Nightmare Fuel, Female Agent 8 (Splatoon), Traumatized Agent 8 (Splatoon), Marina and Pearl Adopt Agent 8 (Splatoon), Smollusk has been adopted

Summary:

Marina has been rescued from the top of the tower, everyone is "fine", and even if this new AI seems threatening, it's not their problem to deal with. Eight and Pearl have just saved the day... right?

Sorry, but the Agitando begs to differ.

Reblogs are always appreciated, and feedback is too.

[daemonya]

Useful AI Websites

Remember when we thought robots would take over the world? Well, they kinda did, but instead of laser eyes and metal claws, they're armed with… tools? Yep, these days, AI is less "Terminator" and more "personal assistant on steroids" 🤖

Bot Making Assistant:

Ever wanted a personal minion but can't afford the banana budget?

Fantasy Name Generators

Rabid's Generators and RPG Resources

Random Original Character Generator

Perchance ― AI Character Description Generator

Perchance ― AI Chat & Roleplay and AI Chat w/image

Perchance ― AI Story Generator

Perchance ― AI Text Adventure and AI Adventure w/image

Perchance ― AI Hierarchical World Generator

AI Writing Assistant:

Don't blame me when your AI-assisted love letters start sounding suspiciously like robot poetry.

Cohesive

Dreamily

Fiction Fusion

Grammarly

Hemingway Editor

NovelAI

Perplexity

Phind

Quicktools

RambleFix: AI Note-taking & Writing Tool

RedQuill

TinyWow

ToolBaz

Tune Chat

WriterHand

You

AI Voice Generator:

Want to sound like Morgan Freeman without the years of smoking?

Murf AI

Dupdub AI

Vocal Removal

Adobe: Enhance Speech

Kits.AI (vocal removal, voice cloning)

AI Music Generator:

Who knows, you might accidentally create the next viral TikTok earworm and retire to a private island.

AI VOCALOID

Suno

Udio

AI Image Generator:

Whatever you need, these tools are your ticket to visual madness.

Bing Image Creator (SFW only) 👉🏻 how to prompt

Microsoft Designer (SFW only)

Maze Guru

Tensor.Art

CivitAI

PixAI

Runware

Text to Image

NeuralBlender

Leonardo.AI (and videos too)

Perchance AI Image Generator

Perchance AI Photo Generator (realistic)

AI Video Generator:

Video killed the radio star, and now AI is coming for Hollywood.

Hedra (make your characters sing)

VIGGLE (make your characters dance)

Dreamina (text/image to video)

Luma (text/image to video)

Vidu (text/image to video)

Genmo (text/image to video)

Haiper (text/image to video)

KLING (text/image to video)

Pika (text/image to video)

PixVerse (text/image to video)

invideo (text to video)

Fliki (text to video)

AKOOL (deepfake, face swap, talking photo)

D-ID (make live, speaking portraits)

Runway (prompt to video)

Creatify (create AI video ads)

Adobe: Animate from Audio

AI Image and Video Editor:

These magical tools are here to save your digital bacon!

123apps (edit, convert, create video, audio, PDF)

3D Book Cover Creator (book cover mockups)

Color Picker (from image)

Capcut AI Tools (upscale video)

Upscale.media (upscale image)

removal AI (image background remover)

Photopea (advanced image editor)

[orkimi]

Primitive war, my honest opinion on these designs.

So, Primitive Wars trailer came out a while ago and I’m sad to say I’m disappointed. I was so hyped for this movie then I saw the designs that were shown in the movie. (SPOILERS FOR THE BOOKS AHEAD!)

I’m going to start this off with Cyclops and the other Utahraptors. I’m sorry… I hate it. Sure, its feathered. Thats an improvement. But the teeth are wrong and I just wanted to laugh when I saw it. Their not scary. Their downright hilarious to look at. Plus they SNARLED? Birds and lizards cannot move their lips that way. They simply wouldn’t have the muscle attachments. This is a mammalian thing. Plus the scene they appeared in felt… wrong? I dont know if it was because of the fire but the movements were very reminiscent of AI. I dont want to throw around any accusations but they did admit to using AI for concept art.

What happened to the graphic novel design? This is FANTASTIC. It looks SCARY. It is a good mix between animal and scary. Plus its actually colorful??? Its an important thing that these Utahraptors have variety in their colors. This is just a boring stereotypical dromeosaur design. Plus they remind me of THESE THINGS.

Dont get me wrong, the animator and designer who made this did FANTASTIC but it feels like a copy and paste. I feel like this creator did even better then Primitive war. These things are scarier then the Utahraptors in Primitive war (the movie).

Plus, its an important thing that these Utahraptors are colorful. The Utahraptors spread across the globe according to their coloration and thrive in those areas because they blend in. A green Utahraptor would fit in the Vietnam jungle more then a black one.

Honestly, all I have to say is I’m disappointed. Its a copy and paste design and color with a popular species.

I also have a bit to say on the Spinosaurus, I didnt really include it because we cant see much but I’m sad that this overrated species which is my favorite dinosaur might override a lesser known species, the Kaprosuchus. I feel like the Spinosaurus is here with the T-rex to draw in your average person who really only know four dinosaurs.

The Kaprosuchus was AMAZING in the books, I LOVED it. Its such an underrated prehistoric reptile. I want to see the Kapros have a symbiotic relationship with the Spinosaurus. Maybe the Spinosaurus takes down larger prey and helps defend from larger carnivores and the Kapros dismantle the prey? I dont know. I just want to see these lovelies.

Anywho, thanks for reading my post. This was just kind of a ramble. Feel free to present your opinions on what we know, I’d love to hear them

[treasure-mimic]

Despite the fact that NFTs have completely crashed and thus have become uncool to talk about, you can see a lot of the same ideology in where these web3 hype creators have moved to next. They’ve changed the language, but the desired outcome is the same.

I don’t want to paint all AI optimists with the same brush because the technology has potential for certain, specific things, but when people talk about using AI as a tool for creation, as something that can replace the function of artists and creators, it comes from the same hypercapitalist want to commodify, own, and consume.

It’s a confusing position to look at from the perspective of the creator, an AI does not create with intent or purpose, it cannot comprehend things like, themes, motifs, color schemes, metaphorical imagery. When someone says you can use AI to expand the Mona Lisa to see more of the background, a creator finds the concept baffling, that’s not the actual background of the Mona Lisa, it’s just a computer code generating pixels that make sense to sit next to the pixels beside it. But from the perspective of those excited by this prospect, the appeal is that there’s more of the Mona Lisa to own.

This is, ultimately, for the purpose of profit. If the Mona Lisa is bigger, if it has more art in it, then it is surely worth more. But, beyond that, I think these people just love to be a part of this system, whether they’re on top of it or not. They want to consume so wholeheartedly that they don’t really care about the product being consumed, just that the technology allows for more avenues of consumption. If Star Wars releases 20 new canon novels generated by AI, then they will buy these novels and treat the text as authoritative, because spending money on it, consuming the material, signifies the want to consume to other consumers and signifies their priorities through consumption. Star Wars is important to me, you can tell because I own all these books and know what they say. AI generation, automated content creation, allows for the culmination of a dream of regular, standardized consumption without needing to worry about things like authorial intent, the working conditions of creators, or conflicting views over what the content should mean.

[dominusfero]

hii! robot OCs? Love to hear about them!!

Ah, my beloved bunch of vicious miscreants. One of my HiFi Rush OCs has a gaggle of robots outfitted with different primary directives (who also happen to be color-coded) My most favorite one is the one she created first, Designation 1ND1-G0. Who is, as you guessed, indigo. Tall, foreboding, but a big sweetheart.

1ND1-G0, or Indy as many call them, was originally outfitted for mercenary work. An assassin drone to dispatch threats across the globe. Think like Terminator but with a wider range of options. Well, their creator decided that healthcare needed some retooling and re-outfitted 1ND1-G0 to be The Doctor among doctors. Has certifications across the globe, knows all sorts of medicine and surgical practices. Is approved to practice medicine all over.

1ND1-G0's AI actually fell in love with the idea of practicing medicine and advanced its own programming so it could acquire all forms of knowledge surrounding the subject. It even changed its voice so it could come across as more personable to patients. Quite literally the definition of not judging a book by its cover. And its "sibling", the second of the series, got the murder-bot schtick. Each of the rest of the siblings also has their own thing.

[tsreviews]

Ghibli Studio AI - Turn Unlimited Images into Ghibli Art information

What can it do?

Ghibli Image Generator – Create stunning HD artwork from just a simple text prompt.

Ghibli Logo Creator – Make hand-drawn style logos effortlessly—no design skills needed!

Ghibli Storybook Builder – Generate full children’s books with illustrated pages in minutes.

Ghibli Coloring Book Engine – Instantly turn any image into a printable coloring book.

Ghibli Character Generator – Design cute and cinematic characters for merch, social media, or publishing.

Ghibli Thumbnail Creator – Create viral YouTube, TikTok, or Instagram thumbnails that grab attention.

Mockup Generator – See your Ghibli designs on shirts, books, mugs, and more for your store.

Prompt-to-Everything Engine – One idea can generate multiple designs at the same time!

Built-In Editor – Easily customize with a Canva-style drag-and-drop editor.

Commercial License Included – Sell your creations with 100% ownership and profit.

Cloud-Based Dashboard – Works on any device, no downloads needed!

Unlimited Lifetime Access – No subscriptions, no extra fees—just full access forever.

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