#AI Books Software Review

[marketingprofitmedia]

AI Books Review – Create Super Profitable Ebooks in Any Niche!

Welcome to my AI Books Review, This is a genuine user-based AI Books review where I will discuss the features, upgrades, price, demo, and bonuses how AI Books can benefit you, and my own personal opinion. This is a brand new AI-powered application that helps you create and sell super profitable eBooks, info products, eBook Covers and lead magnets in just 60 seconds.

Everyone is aware that eBooks often fetch higher prices compared to physical books, and their market growth could be significant due to the increasing adoption of eBooks among consumers. This innovative software program leverages the power of artificial intelligence (AI) to streamline the book creation process from start to finish. Whether you’re a seasoned author facing writer’s block, an entrepreneur seeking to establish brand authority, or an educator crafting captivating learning materials, AI Books promises to be your one-stop shop for efficient and high-quality book creation. We’ll also address potential drawbacks like limited creative control and originality concerns. Ultimately, this review aims to equip you with the knowledge needed to decide if AI Books is the right tool to fuel your book creation journey.

AI Books Review: What Is AI Books?

AI Books promises to be a game-changer for aspiring authors. It’s a software program that leverages artificial intelligence (AI) to streamline the book creation process. Imagine this: you input keywords or a basic outline, and the AI engine generates text for various sections of your book. This can be a massive time-saver, especially for those struggling to overcome writer’s block or facing tight deadlines.

However, AI Books is more than just a content generator. It offers a drag-and-drop editor for refining the text, a stock library for visual enhancements, and mobile optimization to ensure your book reads flawlessly on any device. This review goes into more detail about its pros and cons, as well as how it stacks up against other AI writing tools.

AI Books Review: Overview

Creator: Ned King

Product: AI Books

Date Of Launch: 2024-Jul-01

Time Of Launch: 10:00 EDT

Front-End Price: $17 (One-time payment)

Official Website: Click Here To Access

Niche: Tools And Software

Support: Effective Response

Discount: Get The Best Discount Right Here!

Recommended: Highly Recommended

Bonuses: Huge Bonuses

Skill Level Required: All Levels

Discount Code: “AIBOOKS5” To Get $5 Off Full Funnel!

Refund: YES, 30 Days Money-Back Guarantee

>> Click Here To Get AI Books Now & Limited Time Access <<

AI Books Review: Features

Create Unlimited st eBooks to in-depth long eBooks as per your marketing needs.

Loaded With 10K+ DFY Ebooks & PLR Articles.

Fully customizable Drag & Drop Ebook cover builder lets you create amazing ebook covers.

Built-in AI Content & Graphics Generator.

Fully Customizable eBook Builder lets you customize ebook templates and create your eBooks in a flash.

Add Your Branding to eBooks.

Specialized Training to Sell Your eBooks on Amazon Kindle, eBooks.com, Smashwords, Google Play Books etc.

Ready-To-Profit Automatic Account Set Up.

Add and manage unlimited chapters to your eBook.

Flipbook Creator plugin to Convert your eBooks into flip books.

Unlimited Stock Media to use in your eBooks promotion and selling.

Add Conversion Boosting Elements, Lead Magnet Inside eBook.

100% Cloud Based Software

Inbuilt Lead Capture Form for Your Website in Addition to Optin Popup.

Training & Tutorial, plus 24 Hours Support

AI Books Review: How Does It Work?

Just 3 Easy Click is All You Need to Create Engaging eBooks

Step #1:

Choose from DFY eBooks & Articles or Create one from Scratch.

Step #2:

Customize your eBook & Design eBook Cover Using Drag & Drop Editor

Step #3:

That’s it! Download your Stunning eBook and use it anywhere you want or sell it.

>> Click Here To Get AI Books Now & Limited Time Access <<

AI Books Review: Can Do For You

World’s Best AI-Based eBook Creator App

Easy Drag & Drop Fully Customizable Templates to Create eBooks in a Flash

Create and Sell eBooks in Every Possible Niche

Built-In AI-Powered Content and Graphic

Generator

No need to write content and design anything.

100% Cloud-Based Tool Hosted On Reliable Server For Seamless Usage on Any Device

No Tech Skills Required, 100% User Friendly.

Turn Any Article into an eBook with ease.

Fully Customizable eBooks Cover Builder to let you create attractive eBook Covers

Add & Manage Unlimited Chapters to your eBooks

Add Conversion Boosting Elements Inside eBooks — like CTA Button, Images, heads & footer, etc.

Free Commercial License Included

Create a Mini eBook or an in-depth long eBook as per your

need.

Full 30-Day Money Back Guarantee!

AI Books Review: Who Should Use It?

Digital Marketer

Entrepreneur

Podcaster

Affiliate Marketer

SEO Expert

Email Marketer

Coaches

Blogger

Social Media Marketer

ECom Store

Owner

Website Owner

Any Other Possible Niche

AI Books Review: OTO’s And Pricing

Add My Bundle Coupon Code “BOOKADMINMAX″ — For $30% Off Any Funnel

Front End Price: AI Books ($17)

OTO 1: AI Books Pro ($27)

OTO 2: AI Books DFY ($47)

OTO 3: AI Books Flipbooker ($47)

OTO 4: AI Books Agency ($47)

OTO 5: AI Books Reseller 100 ($47)

OTO 6: AI Books Reseller Unlimited ($67)

>> Click Here To Get AI Books Now & Limited Time Access <<

AI Books Review: My Special Unique Bonus Bundle

My Special Unique Bonus Bundle will be visible on your access page as an Affiliate Bonus Button on WarriorPlus immediately after purchase.

And before ending my honest AI Books Review, I told you that I would give you my very own unique PFTSES formula for Free.

AI Books Review: Free Bonuses

BONUS #1: Video Training on How to Publish & Sell Your eBook on Amazon Kindle

Amazon is now the biggest and most trusted online marketplace on the internet, so just having your book published on the Kindle site elicits automatic trust. Publishing your ebook to the Amazon Kindle platform is free and will give you a whole new marketplace full of targeted prospects. So, bring your ebooks into the twenty-first century by publishing them in the hottest marketplace available! And make a successful Internet business.

BONUS #2: Kindle eCover Pack

Inside this bonus package, you are about to receive 50 Kindle covers that will help you make a lot of sales online.

BONUS #3: eBook Creation & Promotion Tricks Newbies

Discover How YOU Too Can Create Your Own Collection of In-Demand, Profit-Pulling Info Products In Just Minutes From Now!

BONUS #4: How To Make Money with Kindle

Marketers that aren’t looking into Kindle are sorely missing out on one of the very best means to generate income currently available online. This is the business model that many rely on because it lets us make nearly 100% profit from all our sales.

BONUS #5: Miscellaneous Stock Photos

Inside this bonus is a bundle of high-definition photos that you can use for your own projects freely.

AI Books Review: Money Back Guarantee

And Your Investment is Risk Free with our 100% Money Back Guarantee

You may purchase with confidence because if you have a technical problem that we cannot handle, just open a ticket within 30 days and we will reimburse you everything, down to the last cent. However, we are certain that once you have AI Books, you will not ask for a refund.

>> Click Here To Get AI Books Now & Limited Time Access <<

AI Books Review: Pros and Cons

Pros:

Increased Efficiency: AI can significantly reduce writing time by generating content, outlines, and character profiles.

Overcoming Writer’s Block: Spark ideas, break creative roadblocks, and keep the content flowing even when inspiration dips.

Content Exploration: Experiment with different writing styles and explore new avenues in your writing.

Accessibility for Beginners: The user-friendly interface makes book creation approachable, even for those with limited writing experience.

Cons:

You need to be connected to the internet to use this tool.

In fact, I haven’t found any additional AI Books issues.

Frequently Asked Questions (FAQ’s)

Q. What is AI Books?

AI Books is an advanced AI-powered tool designed to assist in the creation, editing, and publishing of books across various genres, providing efficiency and quality.

Q. How does AI Books improve efficiency in book creation?

AI Books automates many aspects of the writing process, significantly reducing the time and effort required to produce high-quality content.

Q. Can AI Books be used for self-publishing?

Yes, AI Books is highly effective for self-publishing, offering tools and features that cater specifically to independent authors.

Q. What are the main limitations of AI Books?

Some limitations include issues with creative originality and difficulties in genre-specific writing, which users should consider before integrating it into their workflow.

Q. How frequently is AI Books updated?

AI Books is regularly updated with new features and advanced AI algorithms to enhance its capabilities and user experience.

AI Books Review: My Recommendation

AI Books offers a compelling solution for those seeking to expedite book creation. Its AI-powered features can significantly boost efficiency and overcome writer’s block. However, the crucial question remains: is AI-generated content a springboard to success or a shortcut to mediocrity? This review has equipped you with the knowledge to weigh the potential benefits and drawbacks. Ultimately, the decision of whether AI Books becomes your writing companion hinges on your individual needs, expectations, and commitment to crafting a truly unique and impactful book.

>> Click Here To Get AI Books Now & Limited Time Access <<

Check Out My Previous Reviews: Scalar App Review, AI Gigz Hub Review, WP Funnels Review, Gizmo Review, Auto Health Sites Review, Vocal Clone AI Review, TubeBuildr AI Review, & ClickSchedule Ai Review.

Thank for reading my AI Books Review till the end. Hope it will help you to make purchase decision perfectly.

Disclaimer:

It’s important to note that pricing and specific features of AI Books can change. While this review strives to provide accurate information, referring to the official AI Books website for the latest updates is recommended. Additionally, this review is not a substitute for your own judgment. We encourage you to explore AI Books and similar software options to determine the best fit for your book creation journey.

Note: This is a paid software, however the one-time cost is $17 for lifetime access.

[allnewastromarta]

I'm either very stupid or very smart. After reading apocaliptic predictions about AI from people working on AI, I really want to see a computer turning evil without human input that made it evil.

[hedayetullah]

Ai Kid Book Review-Start Generating Sales and Traffic Effortlessly.

Introduction: Ai Kid Book Review

Welcome To My Ai Kid Book Review Post. 

With the appearance of AI, the manner of creating enticing and academic children’s books has been revolutionized. It’s faster, smarter, and tailored to meet the evolving demands of nowadays younger readers.

In place of simply providing a route at the modern use of AI in kid’s eBook introduction, ‘ve taken a jump forward. I gift this course with private Label Rights (PLR).

Why? Due to the fact I envision a ripple impact – in which you no longer only benefit from the insights however can also brand, tailor, and resell this course, transferring its large fee in your clients.

With the AI kids Books Academy, you’re no longer just buying a path; you’re making an investment in a destiny-ready device. A tool that empowers you to

The “AI kid Books Academy” features a wealth of treasured features designed to empower customers with the tools they want to excel in AI kid Books advent and marketing. From complete getting to know materials to professional graphics and advertising assets, this product equips entrepreneurs, entrepreneurs, and content material creators with the method to thrive within the ever-evolving digital panorama.

[cool-wilson-david]

AI Childrens Book Maker - Commercial License by Eric Holmlund Review

AI Childrens Book Maker – Commercial License by Eric Holmlund – You Can Use These Tools To Create Projects For Clients. You Can Offer Your Writing And Illustration Services To Other Authors, Publishers, Or Companies In Any Niche. AI Childrens Book Maker – Commercial License by Eric Holmlund. As you’ll see on this page, this technology is 100% real and ready for you to use today. To order now…

[sl-walker]

Other Fandom Archives

At least, other ones running on the otw-archive software!

SquidgeWorld Archive

Open to all fandoms, SqWA is run under the nonprofit squidge.org! In addition to the archive there, Squidge also offers image hosting, podfic hosting and a bunch of other excellent services. Beyond that, it utilizes more extensive archive warnings than AO3 and also accommodates two additional relationship categories! SqWA has a no-AI policy that is both up front legally and implemented behind the scenes through various coding measures.

The TOS is here. The information about the additional warnings can be found here.

--

Ad Astra :: Star Trek Fanfiction Archive

A single-fandom Star Trek fanfiction archive, this one's home for any and all Trek fandom! Using the same warnings as AO3, but a much stricter (and therefore searchable) tagging scheme, Ad Astra's also connected to one of the friendliest and most supportive Trek communities on the internet! We run weekly challenges, monthly review/comment hunts and like the other archives, we take a very hardline stance against AI both in actual terms and in firewalling the site. AI 'bots can't even reach the server before getting sucked into a black hole of 4XX errors and bannination jail!

There's an additional QPR (Queer-platonic relationships) tag accepted in the form of Character A ~ Character B, as well. Two invitations go out once a day, unless you want to contact me directly, then I can send one immediately.

Find the site FAQs here, please pay special attention to the posting rules!!

--

superlove

Run off of a macbook by a very talented young person, superlove is for all fandoms and original fiction and pretty much whatever else melo wants to open the doors for! In addition to the same archive warnings and relationships available to people using AO3, superlove also has a few more warnings that users can use and both QPR and vs. tags for queer-platonic and adversarial relationships. Given this is largely a private project, please make sure you review the rules carefully.

--

Comic Fanfiction Authors Archive

The CFAArchive is an archive built specifically for comic book and comic animation adjacent fandoms, rather than live-action properties! It uses the same archive warnings as AO3 and Ad Astra, but has the two additional tags QPR and vs. for queer-platonic and adversarial relationships! Much like Ad Astra, the tagging scheme on the CFAA is very strict to maximize searchability and minimize tag-spamming. There's also an attached Discord, where we run a bi-weekly writing challenge, the occasional comment/review hunt and a monthly focus feature where everyone reads a book, discusses it and creates based on it! If you love comic books and comic animation properties, this is the place for you!

Much like Ad Astra, the filtering out of AI 'bots is extremely strict; they get 4XX'd into oblivion and so far, none have gotten through since the new firewall rules were implemented, so you actually can leave works unlocked if you like with minimal (though never nonexistent) concern about them being scraped.

Two invitations go out once a day, unless you want to contact me directly, then I can send one immediately.

The TOS is here; please read the rules carefully! The tagging FAQ is here; don't be intimidated, it's not hard once you get into the swing!

[rediimere]

The leaked “AI Aloy” footage from Sony has left such a bitter taste in my mouth that, hours later, I’m still fuming and have even more words to say about the overall sinister nature of its implications.

Let's talk about it.

I want to start by saying that there is a difference between what is colloquially called "AI" as a tool for artists and developers in which their software uses their own sources to streamline the process (for example, the "Content Aware" fill tool that has been present in Photoshop for at least a decade), and "generative AI/genAI" that relies on unauthorised theft of resources to artificially splice data together based on prompts. I have no qualms with the former as it relies on being fed its own sources and is an aid for specific purposes. It is not artificial intelligence, but a tool. GenAI, on the other hand, is immoral, unethical, planet-destroying garbage.

The latter is what is being pushed in that egregious video footage. It is the epitome of tone-deaf, soulless, capitalistic wet dream, dangerously misogynistic slop and I am not exaggerating. And I think it's also the culmination of years of fandom culture being integrated by people who have never interacted in fandom, never bothered to learn the etiquette of a space that existed long before they joined, demanded changes for their comfort, and see it as another commodity.

I'm not the first to say this and others before me have been far smarter about it, but there has been a marked change in fandom culture the past few years. Many have said it goes back to COVID, when people generally not involved in fandom spaces joined because they had nothing else to do.

The thing about fandom is that for pretty much as long as it's existed, it has been a safe space for marginalised voices. It's no coincidence that the transformative works of fandom—fiction, art, meta, etc.—have been places for queer voices, for women, for people of colour, for the trans and nonbinary community, etc. With more people joining, these safe spaces have become less so. There are demands for people to "stop shipping" characters that aren't a canon, established ship. There are personal and threatening attacks on people who have a different viewpoint on a character or plot. People have been stalked. People have been doxxed. This isn't necessary new, but is happening with increased frequency and ferocity, especially by younger members and the terfy crowd. The safe space fandom provided marginalised voices really seems to be shrinking.

Outside of fandom culture itself, there is a rising trend of needing instant gratification, of sacrificing unique protagonists for the sake of "relatability" and "self-inserts." There are readers who ignore descriptions of female protagonists and male love interests in romance books so that they can self-insert (and others are calling for authors to stop describing entirely). There are booktok-ers who, believe it or not, complain about the amount of words on a page. I'm not saying their opinions are wrong in general—there is a market for what they seek—but their reviews are to encourage these stipulations to become the norm. And these influencers get enough engagement that their views are seen as profitable by the corporations and execs in charge.

So it isn't really surprising that now fandom is being seen as something that corporation can milk for all its capitalistic worth. Why wouldn't corporations invade a space they've ignored for years as inconsequential now that it's mainstream? After all, fandom was just full of the "weirdos" before, and now it's full of "normies!" This is a space that has been established for decades, built from the ground up by people who value the source material(s), now full of anyone and everyone who will soak up one morsel of customized instant gratification for the dopamine hit.

And that's where genAI comes in.

Why is this so sinister in regards to Sony's recent leaked footage using AI Aloy interacting with a user?

First off: It's Aloy.

Look, if you've perused my social media or interacted with me online at all, you know I love Horizon. My computer room is full of fan-made merch. I've written almost a million words of fanfiction in three years. I've drawn fanart. I helped construct a fanmade dating sim. Horizon has been a huge part of my life for the past three years.

I'm not ignorant of its flaws. I'm also aware of the fact that Horizon is often hated as an IP, and Aloy is the target of a lot of rage from certain audiences. Not to generalise, but let's be clear: the complaints are largely about Horizon being "woke DEI garbage" (you know, for having a queer female protagonist, for featuring other women and queer characters in prominent roles, for having people of colour be important in the story, for being anti-capitalist and pro-environmentalism, etc.—the same tired, ignorant arguments we've all heard), and about Aloy being "fat" and "looking like a man" (hopefully they stretch before that reach so they don't pull something).

So why would Sony use Aloy to showcase an AI conversation instead of someone like Kratos or Joel, who come from more popular and acclaimed IPs?

One possibility is Sony trying to sink Horizon or Guerrilla Games as a company, spurring so much backlash from the leak that the franchise is doomed and dropped so Guerrilla either goes under or focuses on old IPs like Killzone.

Or the more disgusting possibility is that something like genAI is made for the people who loudly and proudly proclaim how "anti-woke" they are, who have detested Horizon and Aloy from the beginning, and now they have a way to "like" Aloy. They have a way to make her say or do or react to whatever kinds of depravity they want to throw at her. They have a way to control and manipulate a fictional woman to fulfill their own incel agenda.

On top of that—Horizon? The video game about how a defective AI made by a trillionaire wiped out humanity? The sequel that revealed another rogue AI made by thousand-year-old billionaires is set to wipe out Earth again? That Horizon franchise is what Sony is using to showcase AI slop? Let's not even go into how the character responses are literally so painfully out of character they can't be taken seriously at all. The irony is so heavy-handed it's almost crushing.

The other reprehensible part of this is the fact that video game actors are still on strike, and this strike is to protect themselves from being replaced by AI. This test footage did sound like a messed up Siri, but Ashly Burch (Aloy's actress) has been in support of the strike. The insult of using her character to showcase this slop is beyond words.

All I will say in conclusion is that I genuinely hope this is not endorsed, supported, or aided by Guerrilla Games. If this plays any part in Horizon 3 or any future part of the franchise, I speak for myself but can confidently say I am out.

In conclusion please do not support any genAI slop, especially in fandom spaces. Make them know it is not wanted, not needed, and is in fact detested and will lose them money in the end.

On that happy note I'm off to bed.

[thatstormygeek]

To be extremely blunt: Microsoft is asking its employees to draft their performance reviews based on the outputs of generative AI models — the same ones underpinning ChatGPT — that are prone to hallucination.  Microsoft is also — as I learned from an internal document I’ve reviewed — instructing managers to use it to summarize "their direct report's Connects, Perspectives and other feedback collected throughout the fiscal year as a basis to draft Rewards/promotion justifications in the Manage Rewards Tool (MRI)," which in plain English means "use a generative AI to read performance reviews that may or may not be written by generative AI, with the potential for hallucinations at every single step."

I find this whole situation utterly disgusting. The Growth Mindset is a poorly-defined and unscientific concept that Microsoft has adopted as gospel, sold through Satya Nadella's book and reams of internal training material, and it's a disgraceful thing to build an entire company upon, let alone one as important as Microsoft. Yet to actively encourage the company-wide dilution of performance reviews — and by extension the lives of Microsoft employees — by introducing generative AI is reprehensible. It shows that, at its core, Microsoft doesn't actually want to evaluate people's performance, but see how well it can hit the buttons that make managers and the Senior Leadership Team feel good, a masturbatory and specious culture built by a man — Satya Nadella — that doesn't know a fucking thing about the work being done at his company. This is the inevitable future of large companies that have simply given up on managing their people, sacrificing their culture — and ultimately their businesses — to as much automation as is possible, to the point that the people themselves are judged based on the whims of managers that don't do the actual work and the machines that they've found to do what little is required of them. Google now claims that 25% of its code is written by AI, and I anticipate Microsoft isn't far behind.

[oliviamaitlandauthor]

Comprehensive List of Tips for Self-Publishing Authors

Cover Design

"Never judge a book by its cover" is a philosophy very rarely followed by most readers, so it's important to make sure your cover is as eye-catching, aesthetically pleasing, and true to your story as possible. The cover should encompass what your story is about and it should give the reader a glimpse into the world you've spent years creating.

For most of us who are not artistically inclined, trying to create a cover design on our own is incredibly challenging. When you find yourself unable to generate an exemplary product, you may need to turn to a freelance designer or a company that specializes in poster/book cover graphics. Here are some options for you to explore:

Fiverr - budget-friendly, ample reviews from previous customers, and examples of work are provided by the designer, but make sure to be aware of AI use so your product is made authentically.

BespokeBookCovers - this company asks that you give a short synopsis of your book, along with some basic details, then you will be contacted to discuss more about what you are looking for. They do require a 50% deposit prior to beginning the design, but you do receive the product within 12 business days. They also ensure you are completely satisfied with the product before the transaction is complete. This company may not be the best for fantasy authors as most of their covers have more of a Colleen Hoover-esque aesthetic.

Miblart - This is a wonderful cover design company for fantasy writers, as evident in the examples provided on their website's home page. They do not require prepayment and offer payment installations in case the total cost at once puts a financial strain on you.

Editing and Formatting

Similarly to traditional publishing, you need to thoroughly self-edit your work before submitting it for professional editing. Suppose you feel as though you are proficient enough in editing that you do not require professional services or you cannot accommodate the cost. In that case, I suggest using workbooks or software to make sure your grammar and syntax are as high quality as possible. Here is a list of editing tools that can help you review your work:

Grammarly - a good resource for spelling, but it often flags intentional word-choice and sentence structure to make it more simple, which may be incompatible with your writing style. Also be aware of incorrect suggestions.

The Copyeditors Handbook - offers a guide to book publishing and addresses common writing errors. Does come with a workbook to help you exercise your skills.

It's also important that you understand the risks of self-editing. Sometimes it's hard to see flaws in your own story/writing because you already know all of the details. The reader does not have this knowledge, so certain plot points, wording, or details may be lost on them. Having a second set of eyes is incredibly beneficial to help you solve this problem. Here are some outside editing tools:

UpWork - allows you to list a job and review applicants. Each applicant is verified to be real, and you can sample some of their work and their credentials by viewing their profile.

Reedsy - employs Big Five editors to find a proper match for your writing

Raab & Co. - a self-publishing company that helps match you to a professional editor

ISBN

An ISBN number can help readers identify and find your book across multiple platforms, given that an ISBN is a unique number. You can buy an ISBN through Bowker or ISBN.org. An ISBN number on this website costs about $150 USD. This is not a necessary step, so no worries if you don't get one. It simply helps your book be more recognizable and appear more professional.

Pricing

The best way to figure out how to price your book is to look at similar publications on the platform you intend to publish on. Amazon is the most common, so look at your options. Generally, you can publish the book for a fixed price, or you can use Kindle Unlimited. Here's a list of pros and cons for Kindle Unlimited:

Pros:

Paid per page read, which is amazing for longer works or series

Saves a lot of time and effort as most of the work is done by Amazon, and it can generate more income than other platforms

Gain popularity because each time someone checks out your book or adds it to their library, it counts as a sale in your sales rank, which can boost your profile

Cons:

Unable to publish more than 10% of your book on any other platform while it is available on Kindle Unlimited, which limits your ability to reach a greater audience

Sometimes the length of the book affects income more so than the quality of the writing itself, so your book may be incredible well-written but have a lower sales rank.

[ilajue]

i hope the entire internet collapses and we can finally be free I'm so serious I loathe the internet I need it gone I hate ai I hate chat gpt I hate google docs I hate using the computer for everyone of my godforsaken assignments 300 to 400 word reading response make a video or a podcast or a paper if you want to write a paper you need to jump through 100 little hoops to find peer reviewed sources that are actually reviewed and accessable I hate paywalls I had the commercialization of the internet I hate capitalism I hate that I could never go to school without a computer I hate that all my data is being collected and stolen I hate that I have to use google I hate blackboard I hate canva I hate google I hate Microsoft I hate the money I hate how much money the internet produces for the greedy freaks that run our godforsaken planet I hate it I'm so so tired and I wish that I had options I wish I could just get an assignment, write it up and submit it the next day I hate you 11:59 pm deadlines I hate schoology I hate zoom I hate you zoom classes I hate that I spend so so so much money to attend college and half of it is already online why am I here I hate growing up in the transition period I hate knowing what classrooms where like before chromebooks I hate you chrome books I hate you google I'm so tired guys I want to throw the whole thing out and start over I hate you deregulation I hate you extractive industries I hate you lithuium ion mining I hate you planned obsolescence I hate phones I hate computers I hate all of it I want it gone I hate screens I hate bluelight I hate you bluelight glasses no I should not have to buy a product to fix the problem created from another product get rid of all of it I hate checking and double checking my spelling because I've been conditioned to always doubt my knowledge and why wouldn't I check its so easy the information is right there I hate that I've gotten lazy and complacent with technology I hate you Grammarly I hate you grub hub I hate you uber eats I hate you temu i hate you shein i hate you blackboard i hate you college board i hate you online standardized testing i hate you digital sat i hate you software updates i hate you censorships i hate that in the past few years the internet is so enmeshed into american culture that we dont even use money anymore i hate our dependence i hate our consumption i hate technology in places where we dont need it i hate typing i hate arthritis i hate back pain i hate migranes i hate the fact that i know it was never like this before and i hate the fact that im expected to accept it as normal now i need to throw my laptop into a volcano i need to eat my entire phone and spit it back out and smash it with a hammer and eat it again and then shit it into a volcano i hate the internet release me

[marketingprofitmedia]

MagicStory Books Review – Create & Profits HQ Kids’ StoryBooks

Welcome to my MagicStory Books Review, This is a genuine user-based MagicStory Books review, in which I will discuss the features, upgrades, price, demo, and bonuses, how MagicStory Books can benefit you, and my own personal opinion. This book is professionally designed to achieve the highest quality and originality, making it ideal for entertaining and motivating children. (Unrestricted PLR included.) Unleash the magic of children’s stories and fascinate your audience like never before!

Imagine that you can create and sell captivating children’s storybooks with ease using our unique, high-quality, and fully customizable templates, complete with unrestricted PLR. Each package includes professional illustrations and original stories. Yes, it is Arifianto, and the most recent collection of high-quality Canva Story Books for Kids is now available with an unrestricted PLR license! If you are always looking for high-quality, unrestricted PLR packages, you are in for a treat. You can sell your children’s storybooks for unlimited viewership and revenue. Your children’s storybooks are available for sale in a few seconds, and you keep 100% of the proceeds! No scripting, no downloading, no installations, no stress, and no design knowledge are required!

What Is MagicStory Books?

MagicStory Books is a digital platform that offers a vast collection of pre-written children’s stories ready for immediate use. Designed to streamline the process of creating children’s content, it provides a valuable resource for authors, publishers, bloggers, and educators.

The platform typically includes a range of genres and age-appropriate stories, allowing users to select content that aligns with their target audience. Often, MagicStory Books offers customization options, enabling users to personalize the stories with their own illustrations, characters, or text modifications. This flexibility, combined with the convenience of pre-written content, makes it an attractive option for those seeking to save time and resources while producing high-quality children’s stories.

MagicStory Books Review: Overview

Product Creator: Arifianto Rahardi

Product Name: MagicStory Books [PLR]

Launch Date: 2024-Aug-09

Launch Time: 10:00 EDT

Front-End Price: $14 (One-time payment)

Official Website: Click Here Product’s Salespage

Niche: Tools And Software

Support: Effective Response

Discount: Get The Best Discount Right Here!

Recommended: Highly Recommended

Bonuses: YES, Huge Bonuses

Skill Level Required: All Levels

Discount Coupon: Use Code “MAGICSTORY5OFF” To Get $5 OFF!

Refund: YES, 30 Days Money-Back Guarantee

>> Click Here To Get MagicStory Books & Limited Time Offer <<

MagicStory Books Review: Key Features

100% Created From Canva Free Account

User Friendly

You can change all the elements in our template easily..

Easily Customize

Upload Your Own Unlimited Images, Videos and Audios

Share on Your Social Media With 1 Click

Unlimited Export

40+ HQ Children’s Story eBooks & Cover Designs

500+ Ready-to-Use Children’s Stock Images

50+ Coloring Pages

Unrestricted PLR License Included

Fully Editable using Canva Free Account

Superior Customer Service

30 Day Money Back Guarantee

Secure Access 24/7

MagicStory Books Review: How Does It Work?

Begin Your Digital Product Business in The Popular Kids’ Storybook Niche ONLY 3 EASY STEPS!

STEP #1: Select Story

Simply log into your Free Canva account and select the template you wish to edit. No downloads or installations required!

STEP #2: Customize

Customize your content to fit your niche and audience easily with Canva. Easily update your designs online and include your brand or logo!

STEP #3: Export & Profit

Sell your storybook and start making money and watch your business thrive with sought-after products!

>> Click Here To Get MagicStory Books & Limited Time Offer <<

MagicStory Books Review: Can Do For You

Unlock the full profit potential with Private Label Rights, allowing you to keep 100% of your sales.

Launch your original story book across top platforms like Amazon, Etsy, and Shopify to reach a global audience.

Create a premium membership platform and offer exclusive access to your story book library.

Customize the content to fit your brand seamlessly — edit, modify, or rebrand to resonate with your audience.

No need to download and install anything, you can use the free version of the Canva platform.

Enter the growing market for children’s online content and discover significant revenue potential!

MagicStory Books Review: Who Should Use It?

Affiliate Book Author

Digital Marketer

Content Creators

Marketers

Digital Product Sellers

Freelancers

Business Owners

Entrepreneurs

Bloggers & Website owners

Social Media Marketers

E-Commerce Store Owners

And Many Others

MagicStory Books Review: OTO’s And Pricing

Front End: MagicStory Books ($14 — $24)

40+ High-Quality Children’s Story eBooks include Cover Book Designs

500+ Ready-to-Use Children’s Stock Images

50+ Coloring Pages

Unrestricted PLR

OTO1: MagicStory Books Pro Upgrade Version ($34)

80+ New Children’s Story eBooks include Cover Book Designs

850+ New Ready-to-Use Children’s Stock Images

100+ New Coloring Pages

Unrestricted PLR / Commercial License

OTO2: Dream Books ($44)

Module #1: Little Bear

Module #2: Little Elephant

Module #3: Magic Fairy

Module #4: Beauty Flowers

Module #5: Mushroom Home

Module #6: Ice Cream

Module #7: Various Insect

Module #8: Kids Journey

Module #9: Little Monkey

Module #10: Cute Rabbit

Module #11: Robots

Module #12: SeaHorse

Module #13: Various Shoes

Module #14: Snowman

Module #15: Motorbike

Module #16: Kind of Breads

Module #17: Space Journey

Module #18: Cute Tiger

Module #19: Modern Tractor

Module #20: City Train

Module #21: Truck

Module #22: Little Unicorn

Module #23: Vegetables

Module #24: Fantasy Castle

Module #25: Cute Clown

Module #26: Butterfly

Module #27: Anchient Ruins

Module #28: Candy Island

Module #29: Desert Oasis

Module #30: Farm Village

Module #31: Flower Garden

Module #32: Green Forest

Module #33: Mountain Scene

Module #34: Office

Module #35: Playground

Module #36: Savanna

Total 1000+ Fresh High-quality Coloring Pages

Commercial or Private Label Rights License

OTO3 : DesignRapture ($54)

eBook Design Templates

CV/Resume Design Templates

CD/Album Cover Design Templates

Ads Banner Design Templates

Poster Design Templates

PLR Include

Total 1000+ Brand New Premium Canva Design Templates

OTO4: Visionary Quote Collection ($57)

Quote Animation Slideshows (Upgrade)

Quote Animations Square Format (Upgrade)

Quote Animations Vertical Format (Upgrade)

Quote Titles Animations (Upgrade)

Typography Animations (Upgrade)

Quote Banner Designs (Upgrade)

Social Post Banner Designs (Upgrade)

Story Post Banner Design (Upgrade)

Unlimited Video Renders

Unlimited Access

Private Label Rights Licens

>> Click Here To Get MagicStory Books & Limited Time Offer <<

My Own Customized Incredible Bonus Bundle

***How To Claim These Bonuses***

Step #1:

Complete your purchase of the MagicStory Books: My Special Unique Bonus Bundle will be visible on your access page as an Affiliate Bonus Button on WarriorPlus immediately after purchase. And before ending my honest MagicStory Books Review, I told you that I would give you my very own unique PFTSES formula for Free.

Step #2:

Send the proof of purchase to my e-mail “maketingprofitmedia@gmail.com” (Then I’ll manually Deliver it for you in 24 HOURS).

MagicStory Books Free Premium Bonuses

Bonus #1: 200+ Coloring Pages Canva with Private Label Rights

Bonus #2: Promo Style Video Templates with Private Label Rights

Bonus #3: 200+ Canva Design Templates with Private Label Rights

Bonus #4: Facebook Cover Templates with Private Label Rights

Bonus #5: Invoice Design Templates with Private Label Rights

Bonus #6: Slide Deck Canva Templates with Private Label Rights

Bonus #7: Canva Feed Templates with Private Label Rights

Bonus #8: 500+ Vintage Photos

Bonus #9: 397+ Premium Logo Kits

Bonus #10: Premium Royalty Music Background

Bonus #11: 150+ Slide Animations (PPT Templates)

Bonus #12: Kindle Cover Templates

MagicStory Books Review: Money Back Guarantee

Our 30 Day Money Back Guarantee

Yes, you are correct. We are providing our consumers with a 30-day money-back guarantee, allowing them to experiment with MagicStory Books and return in the next 30 days with a positive attitude. In the event that you are dissatisfied with our product, you can be confident that we will refund every penny without any complications

>> Click Here To Get MagicStory Books & Limited Time Offer <<

MagicStory Books Review: Pros and Cons

Pros:

Time-saving: Can significantly reduce content creation time.

Variety: Offers a wide range of stories to choose from.

PLR License: Provides flexibility for customization and resale.

Potential for Profit: Can generate income through sales or licensing.

Cons:

You need internet for using this product.

No issues reported, it works perfectly!

Frequently Asked Questions (FAQ’s)

Q. What is MagicStory Books?

MagicStory Books is a DFY children’s stroy template, that allows you to create and change a story in any niche with unlimited combinations. It’s NOT Software, no Photoshop, and no Plugin/WP Theme.

Q. How Can I Edit the MagicStory Books?

You can use Canva Free Account to edit, modify, and customize every element of these books. Add your branding to make them uniquely yours.

Q. How Can I Start Profit from MagicStory Books?

Simply get your copy of MagicStory Books and the Unrestricted PLR License. Once purchased, begin selling. There is no need for product study or development; it is a ready-made solution that will provide 100% profit.

Q. Are there any more Upsells or Offers?

Yes, it does. We have expanded it with a massive double your package and other exclusive bonuses. MagicStory Books Pro Version will provide you with new templates and a wider selection of children’s stories.

Q. How I Download it?

After successfully payment, you will receive email to customer page Membership, and you’ll be directed to the access area MagicStory Books.

Q. Will MagicStory Books Work On Both PC and Mac?

Yes, it’s works on any device, including mobile! You don’t have to be stuck in front of a computer to get your project.

Q. Do You Provide Training on The Use It?

YES! You will find HD tutorial for use in our fully featured member’s area. We show you exactly how to use Children’s Stories Book.

Q. Is There any Money Back Guarantee?

No, All Sales Are Final. We DO NOT offer any refund for this product, since you get unrestricted use for the material and We don’t want people to get access, download everything and immediately ask for a refund. It’s unethical and disrespectful to us and other customers, since the module content inside is highly valuable and useful.

MagicStory Books Review: My Recommendation

MagicStory Books presents a compelling opportunity for those seeking to enter the children’s book market or expand their existing offerings. Its vast collection, PLR license, and user-friendly platform make it a valuable resource for authors, publishers, educators, and parents alike. While success depends on various factors, including marketing and competition, MagicStory Books can be a profitable venture with the right approach. By carefully considering your target audience and leveraging the product’s potential, you can create engaging children’s stories that resonate with readers of all ages.

>> Click Here To Get MagicStory Books & Limited Time Offer <<

Check Out My Previous Reviews: OneAI Review, CreateBank Review, VideoCourseAI Review, AutoNichePro Review, MindBuddy AI Review, RapidStoreZ Review, & PetSites AI Review.

Thank for reading my MagicStory Books Review till the end. Hope it will help you to make purchase decision perfectly.

Disclaimer: This review is based on information available at the time of writing and may not reflect the most recent updates or changes to MagicStory Books. It is recommended to conduct further research and consider individual needs before making a purchasing decision.

Note: This is a paid software, however the one-time cost is $14.

[emxly-elxzabeth]

Week 8 Blog #6-

Does a Cyborg try to make up for their lack of origin stories through us? 

In the reading of Cyborg Manifesto by Donna Haraway, we learn how cyborgs are “machine like” along with a hybrid of our own reality. Haraway addresses this as, “machines have made thoroughly ambiguous the difference between natural and artificial, mind and body, Self-developing and extremely designed , and many other distinctions that used to apply to  organisms and machines. Our machines are disturbingly lively, and we ourselves are frighteningly inert"(Haraway 2018). We can compare this to last week's Black Mirror’s episode where everyone is a cyborg trying to fit into the merit system. This concept has me inquiring about do cyborgs not have an initial background. We talked about this inside class, however, we subconsciously implanted reality into these cyborgs. 

Will Visual cyberculture inspire our society in a negative way? (K O'riordan)

In Gender, technology, and visual cyber cultural Virtually Women by Kate O’Riodan we see, a fake woman “the most celebrated virtual persona to date…as the “cyberbabe”(O’Riordan 2000). The concept about how men view women can be interpreted in our everyday lives. The reading also goes on to say, “the female face is thus the future present of the convergence of cybercultural forms such as mobile telephony, computer games, hand held devices, and the internet” (O’Riordan 2000). Our society must err on the side of caution moving forward about how we represent women in the digital world.

Do we socially view all women as maternal figures?

In the documentary we discussed and talked about in class, Seeking Mavis Beacon, we see two young women trying to find a real life woman whose identity has been essentially stolen and used for AI marketing. However one of the most curious parts is how they materialize Mavis. We see her showing off features while talking to kids, teaching them. Most of our childhood teachers are women. They even had a photoshoot with her walking a little boy. For the marketing standpoint, the likeableness and stereotype of a woman is to be forced to be maternal. 

Does AI take away identities and perhaps genders for money?

Talking more into Seeking Mavis Beacon, it was quite alarming to know that the real person that the character was based off of was Renee L’Epernace. She was a Haitian immigrant working at a perfume store when she was approached by one of the creators of a new software. They offered her only $500 to do a photoshoot and that was it, however they used AI to market off her face for future ideas revolving around the software. While the creators were making millions off their new and booming business software. They would use AI features to “soften” her face and hands to resemble Renee. They didn’t even ask permission or allow her the right to forget. This is what we learn in class, they can not be removed from the project essentially. It’s so crazy to me they basically stole Renee’s identity and reprogrammed her to someone she isn’t. You saw her face but you didn’t see her because it was just a fake persona. 

Donna Jeanne Haraway. (2018). Cyborg manifesto. Camas Books. (Original work published 1985)

O’Riordan, K. (n.d.). Gender, technology, and visual cyber cultural Virtually Women [Review of Gender, technology, and visual cyber cultural Virtually Women]. (Original work published 2000)

Jones, J. Olivia McKayla Ross. (2024). Seeking Mavis Davis [Review of Seeking Mavis Davis]. In G. Feiln (Ed.), Neon.

[jennablackmorebooks]

I don't usually even touch AI tools (the current model of content-gobbling and resource usage feels slimy to me, for starters), but when I opened the product page for one of my books on the app and saw it providing questions to ask its AI Rufus thing, I got a bit curious to know the answers. After all, I have a (sometimes flinching, but present) curiosity to know what people think of my writing, even if that "someone" is a piece of software.

It used evidence from "reviews" and I was like, hang on, I know what the feedback on this book says and none of them are using these quotes Rufus is pulling (Never mind that later Rufus really was churning reviewers' words into the content grinder... expletive expletive expletive...). Then it said "according to three reviews" when the book has fewer than three. I thought, "has Amazon been hiding other reviews from me, or is Rufus hallucinating feedback the way AI is wont to do?"

So I went to my most recent book, which came out last month and I was too sick and distracted to promote it for much of that month, which provided, in this case, a chance to see what was going on. No reviews, clean slate. And what did little Rufus have to say?

Rufus, you dastardly liar. Rufus, you false flatterer and sycophant. There are no reviews on this book. No one called it "a real page-turner" because no one, wicked little robot, called it anything. (Not even an 8-year-old son, for whom I would, I disclaim, not recommend this for. I don't think the prose is damningly complex but it's also probably not "simple" by a third grader's standards? But like, whatever, I don't know your eight year old or your life and this might be perfect if you don't mind letting the kid read about things like grief and mild violence, that's not my decision. Just to make it clear THIS IS NOT A CHILDREN'S BOOK BY PROSE STYLE OR THEMATIC INTENDED DEMOGRAPHIC just so we're all on the same page.)

You are spitting out garbled words of what you think a book review is supposed to read like and I don't like you for it.

[thechanelmuse]

My Book Review

"If you're not paying for it, you're the product."

Your Face Belongs to Us is a terrifying yet interesting journey through the world of invasive surveillance, artificial intelligence, facial recognition, and biometric data collection by way of the birth and rise of a company called Clearview AI — a software used by law enforcement and government agencies in the US yet banned in various countries. A database of 75 million images per day.

The writing is easy flowing investigative journalism, but the information (as expected) is...chile 👀. Lawsuits and court cases to boot. This book reads somewhat like one of my favorite books of all-time, How Music Got Free by Stephen Witt (my review's here), in which it delves into the history from birth to present while learning the key players along the way.

Here's an excerpt that keeps you seated for this wild ride:

“I was in a hotel room in Switzerland, six months pregnant, when I got the email. It was the end of a long day and I was tired but the email gave me a jolt. My source had unearthed a legal memo marked “Privileged & Confidential” in which a lawyer for Clearview had said that the company had scraped billions of photos from the public web, including social media sites such as Facebook, Instagram, and LinkedIn, to create a revolutionary app. Give Clearview a photo of a random person on the street, and it would spit back all the places on the internet where it had spotted their face, potentially revealing not just their name but other personal details about their life. The company was selling this superpower to police departments around the country but trying to keep its existence a secret.”

[rhetoricandlogic]

Book Review: ‘Service Model’

A robot valet sets out in search of a brain

June 7, 2024 Dan Friedman

Adrian Tchaikovsky’s new book, Service Model, follows the picaresque adventures of an android valet as he wanders around a post-apocalyptic world trying to execute his task list. Although civilization is in rubble, Uncharles – the service model of the title — is resolutely intent on finding a master whose laundry he can iron and whose clothes he can lay out.

Tchaikovsky is best known for writing multiple series of space opera: thrillers of the future with blasters and lasers galore. Service Model, however, is an intentional change of genre and the wry Service Model, never steps off Earth.

The blurbs hail it as a mix between Martha Wells’ Murderbot—about a laconic, self-conscious, reformed mercenary killer robot — and John Scalzi’s Redshirts — about protagonists who become increasingly aware of their status as protagonists in someone else’s story. And there are similarities, But it has an equally close connection to TJ Klune’s In the Lives of Puppets.

Where Klune pulls deeply on the Pinocchio story for Puppets’ androids in a post-human future, Tchaikovsky takes the Wizard of Oz for his tin man’s adventures. Though he continuously, and fascinatingly perceives her as another tin man, Uncharles even develops a Dorothy when he encounters The Wonk at the Diagnostics department of Central Services.

Uncharles was called Charles when he carried out an unfortunate, fatal razor slice while shaving his master. This murder — which even his memory logs cannot explain or even fully describe — kicks off the plot. After an investigation into the murder by a comically bad android police detective, the AI house majordomo uncouples from the valet, effectively exiling Charles. His search for a software fix and then new station takes up the rest of the book.

He adventures through a wasteland mostly denuded of humans, meeting a variety of other robots fulfilling their tasks in ways that their instructors had not intended: from a repair station that clears its waiting room with a compactor, to a library that archives information down to its minimal binary units, from war robots that must continually fight and then consume one another, to a court robot that has decided everybody is guilty.

All the while, The Wonk—and eventually Uncharles—consider whether Uncharles’ own emerging abilities to deal with life are evidence that he has gone beyond the coding of his own “human-facing” abilities to show symptoms of the mythic “Protagonist virus.” Which is just another way to say, does he have a brain? I won’t spoil the ending, but if you’ve seen the film of the Wizard of Oz, you won’t need spoilers.

No longer just a fictional concept, AI grows ever harder to write about. We feel like children when faced with it, so employ children’s myths to confront it. The Wizard of Oz is a good start for a satirical allegory and — like Gulliver’s Travels which Service Model also resembles — the simplicity of the plot’s premises belie a philosophical depth as they unfold, play out, and layer up. As with Jonathan Swift, Tchaikovsky relishes the absurdities he has invented and, though both the humor and its content can be bleak, it’s often delicious and occasionally laugh-out-loud funny.

There ends up being no place like home for Uncharles and The Wonk, but how they find a place for themselves in a mostly post-human future is worth reading.

[pomegrnteseed]

artificial intelligence is not whimsical magic, it's theft

AI is to art and creativity what the Dementor's Kiss is to wix: extraction of the soul

Artificial intelligence technologies work like this:

Developer creates an algorithm that's really good at searching for patterns and following commands

Developer creates a training dataset for the technology to begin identifying patterns - this dataset is HUGE, so big that every individual datapoint (word/phrase/image etc) cannot be checked for error or problem

Developer releases AI platform

User asks the platform for a result, giving some specific parameters, often by inputting example data (e.g. images)

The algorithms run, searching through the databank for strong matches in pattern recognition, piecing together what it has learned so far to create a seemingly novel response

The result is presented to the user as "new" "generated" content, but it's just an amalgamation of existing works and words that is persuasively "human-like" (because the result has been harvested from humans' hard word!)

The training dataset that the developers feed the tool oftentimes amount to theft.

Developers are increasingly being found to scrape the internet, or even licensed art or published books - despite copyright licensing! - to train the machine.

AI does not make something out of nothing (a bit like whichever magical Law it is, Gamp's maybe? idk charms were never my main focus in HP lore). AI pulls from the resources it has been given - the STOLEN WORDS AND IMAGES - and mashes them together in ways that meet the request given by the user. It looks whimsical, but it's actually incredibly problematic.

Unregulated as they are now, AI technologies are stealing the creative ideas, the hearts and souls of art in all forms, and reducing it to pattern recognition.

On top of that, the training datasets that the technologies are given initially are often incredibly biased, leading to them replicating racist, misogynistic, and otherwise oppressive stereotypes in their results. We've already seen the "pale male" bias uncovered in the research by Dr Timnit Gebru and her colleagues. Dr Gebru has also been vocal about the ethical implications of AI in terms of the ecological costs of these softwares. This brilliant article by MIT Technology Review breaks down Dr Gebru's paper that saw her fired from Google, the main arguments of which are:

the ecological and financial costs are unsustainable

the training datasets are too large and so cannot be properly regulated for biases

research opportunity costs (AI looks impressive, but it doesn't actually understand language, so it can be misleading/misdirecting for researchers)

AI models can be convincing, but this can lead to overreliance/too much trust in their accuracy and validity

So, artificial intelligence technologies are embroiled in numerous ethical issues that are far from resolved, even beyond the very real, very important, very concerning issues of plaigarism.

In fandom terms, this comes to be even more problematic when chat bots are created to talk with characters, like the recently discussed High Reeve Draco Malfoy chatbot that has some Facebook Groups in a flurry.

Transformative fiction is tricky in terms of what is ethical/fair transformation of transformative works. I will argue, though that those hemming and hawings are moot since Sen removed Manacled from ao3 because she is creating an original fiction story for publication after securing a book deal (which is awesome and I'm very excited to support them in that!).

Moreover, the ethical problems redouble when we take into consideration that feeding Manacled to an artificial intelligence chatbot technology means that reproductions and repackagings of Sen's work is out of their hands entirely. That data cannot be recovered, it will never be erased from the machine. And so when others use the machine, the possible word combinations, particular phrasings, etc will all be input for analysis, reforming and reproduction for other users.

I don't think people understand the gravity of the situation around data control (or, more specifically, the lack of control we have of the data we input into these technologies). Those words are no longer our own the second we type them into the text box on "generative" AI platforms. We cannot get those ideas or words back to call our own. We cannot guarantee that someone else won't use the platform to write something and then use it elsewhere, claiming it's their own when it is in fact ours.

There are serious implications and fundamental (somewhat philosophical, but also very real and extremely urgent) questions about ownership of art in this digital age, the heart of creativity, and what constitutes original work with these technologies being used to assist idea creation or even entire image/text generation.

TLDR - stop using artificial technologies to engage with fandom. use the endless creative palaces of your minds and take up roleplaying with your pals to explore real-time interactions (roleplay in fandom is a legit thing, there are plenty of fandoms that do RP; this is your chance to do the same for the niche dhr fandoms you're invested in).

Signed, a very tired digital technologies scholar who would like you all to engage critically with digital data privacy, protection, and ethics, please.

[mostlysignssomeportents]

Dirty words are politically potent

On OCTOBER 23 at 7PM, I'll be in DECATUR, presenting my novel THE BEZZLE at EAGLE EYE BOOKS.

Making up words is a perfectly cromulent passtime, and while most of the words we coin disappear as soon as they fall from our lips, every now and again, you find a word that fits so nice and kentucky in the public discourse that it acquires a life of its own:

http://meaningofliff.free.fr/definition.php3?word=Kentucky

I've been trying to increase the salience of digital human rights in the public imagination for a quarter of a century, starting with the campaign to get people to appreciate that the internet matters, and that tech policy isn't just the delusion that the governance of spaces where sad nerds argue about Star Trek is somehow relevant to human thriving:

https://www.newyorker.com/magazine/2010/10/04/small-change-malcolm-gladwell

Now, eventually people figured out that a) the internet mattered and, b) it was going dreadfully wrong. So my job changed again, from "how the internet is governed matters" to "you can't fix the internet with wishful thinking," for example, when people said we could solve its problems by banning general purpose computers:

https://memex.craphound.com/2012/01/10/lockdown-the-coming-war-on-general-purpose-computing/

Or by banning working cryptography:

https://memex.craphound.com/2018/09/04/oh-for-fucks-sake-not-this-fucking-bullshit-again-cryptography-edition/

Or by redesigning web browsers to treat their owners as threats:

https://www.eff.org/deeplinks/2017/09/open-letter-w3c-director-ceo-team-and-membership

Or by using bots to filter every public utterance to ensure that they don't infringe copyright:

https://www.eff.org/deeplinks/2018/09/today-europe-lost-internet-now-we-fight-back

Or by forcing platforms to surveil and police their users' speech (aka "getting rid of Section 230"):

https://www.techdirt.com/2020/06/23/hello-youve-been-referred-here-because-youre-wrong-about-section-230-communications-decency-act/

Along the way, many of us have coined words in a bid to encapsulate the abstract, technical ideas at the core of these arguments. This isn't a vanity project! Creating a common vocabulary is a necessary precondition for having the substantive, vital debates we'll need to tackle the real, thorny issues raised by digital systems. So there's "free software," "open source," "filternet," "chat control," "back doors," and my own contributions, like "adversarial interoperability":

https://www.eff.org/deeplinks/2019/10/adversarial-interoperability

Or "Competitive Compatibility" ("comcom"), a less-intimidatingly technical term for the same thing:

https://www.eff.org/deeplinks/2020/12/competitive-compatibility-year-review

These have all found their own niches, but nearly all of them are just that: niche. Some don't even rise to "niche": they're shibboleths, insider terms that confuse and intimidate normies and distract from the real fights with semantic ones, like whether it's "FOSS" or "FLOSS" or something else entirely:

https://opensource.stackexchange.com/questions/262/what-is-the-difference-between-foss-and-floss

But every now and again, you get a word that just kills. That brings me to "enshittification," a word I coined in 2022:

https://pluralistic.net/2022/11/28/enshittification/#relentless-payola

"Enshittification" took root in my hindbrain, rolling around and around, agglomerating lots of different thoughts and critiques I'd been making for years, crystallizing them into a coherent thesis:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

This kind of spontaneous crystallization is the dividend of doing lots of work in public, trying to take every half-formed thought and pin it down in public writing, something I've been doing for decades:

https://pluralistic.net/2021/05/09/the-memex-method/

After those first couple articles, "enshittification" raced around the internet. There's two reasons for this: first, "enshittification" is a naughty word that's fun to say. Journalists love getting to put "shit" in their copy:

https://www.nytimes.com/2024/01/15/crosswords/linguistics-word-of-the-year.html

Radio journalists love to tweak the FCC with cheekily bleeped syllables in slightly dirty compound words:

https://www.wnycstudios.org/podcasts/otm/projects/enshitification

And nothing enlivens an academic's day like getting to use a word like "enshittification" in a journal article (doubtless this also amuses the editors, peer-reviewers, copyeditors, typesetters, etc):

https://scholar.google.com/scholar?hl=en&as_sdt=0%2C5&q=enshittification&btnG=&oq=ensh

That was where I started, too! The first time I used "enshittification" was in a throwaway bad-tempered rant about the decay of Tripadvisor into utter uselessness, which drew a small chorus of appreciative chuckles about the word:

https://twitter.com/doctorow/status/1550457808222552065

The word rattled around my mind for five months before attaching itself to my detailed theory of platform decay. But it was that detailed critique, coupled with a minor license to swear, that gave "enshittification" a life of its own. How do I know that the theory was as important as the swearing? Because the small wave of amusement that followed my first use of "enshittification" petered out in less than a day. It was only when I added the theory that the word took hold.

Likewise: how do I know that the theory needed to be blended with swearing to break out of the esoteric realm of tech policy debates (which the public had roundly ignored for more than two decades)? Well, because I spent two decades writing about this stuff without making anything like the dents that appeared once I added an Anglo-Saxon monosyllable to that critique.

Adding "enshittification" to the critique got me more column inches, a longer hearing, a more vibrant debate, than anything else I'd tried. First, Wired availed itself of the Creative Commons license on my second long-form article on the subject and reprinted it as a 4,200-word feature. I've been writing for Wired for more than thirty years and this is by far the longest thing I've published with them – a big, roomy, discursive piece that was run verbatim, with every one of my cherished darlings unmurdered.

That gave the word – and the whole critique, with all its spiky corners – a global airing, leading to more pickup and discussion. Eventually, the American Dialect Society named it their "Word of the Year" (and their "Tech Word of the Year"):

https://americandialect.org/2023-word-of-the-year-is-enshittification/

"Enshittification" turns out to be catnip for language nerds:

https://becauselanguage.com/90-enpoopification/#transcript-60

I've been dragged into (good natured) fights over the German, Spanish, French and Italian translations for the term. When I taped an NPR show before a live audience with ASL interpretation, I got to watch a Deaf fan politely inform the interpreter that she didn't need to finger-spell "enshittification," because it had already been given an ASL sign by the US Deaf community:

https://maximumfun.org/episodes/go-fact-yourself/ep-158-aida-rodriguez-cory-doctorow/

I gave a speech about enshittification in Berlin and published the transcript:

https://pluralistic.net/2024/01/30/go-nuts-meine-kerle/#ich-bin-ein-bratapfel

Which prompted the rock-ribbed Financial Times to get in touch with me and publish the speech – again, nearly verbatim – as a whopping 6,400 word feature in their weekend magazine:

https://www.ft.com/content/6fb1602d-a08b-4a8c-bac0-047b7d64aba5

Though they could have had it for free (just as Wired had), they insisted on paying me (very well, as it happens!), as did De Zeit:

https://www.zeit.de/digital/internet/2024-03/plattformen-facebook-google-internet-cory-doctorow

This was the start of the rise of enshittification. The word is spreading farther than ever, in ways that I have nothing to do with, along with the critique I hung on it. In other words, the bit of string that tech policy wonks have been pushing on for a quarter of a century is actually starting to move, and it's actually accelerating.

Despite this (or more likely because of it), there's a growing chorus of "concerned" people who say they like the critique but fret that it is being held back because you can't use it "at church or when talking to K-12 students" (my favorite variant: "I couldn't say this at a NATO conference"). I leave it up to you whether you use the word with your K-12 students, NATO generals, or fellow parishoners (though I assure you that all three groups are conversant with the dirty little word at the root of my coinage). If you don't want to use "enshittification," you can coin your own word – or just use one of the dozens of words that failed to gain public attention over the past 25 years (might I suggest "platform decay?").

What's so funny about all this pearl-clutching is that it comes from people who universally profess to have the intestinal fortitude to hear the word "enshittification" without experiencing psychological trauma, but worry that other people might not be so strong-minded. They continue to say this even as the most conservative officials in the most staid of exalted forums use the word without a hint of embarrassment, much less apology:

https://www.independent.ie/business/technology/chairman-of-irish-social-media-regulator-says-europe-should-not-be-seduced-by-mario-draghis-claims/a526530600.html

I mean, I'm giving a speech on enshittification next month at a conference where I'm opening for the Secretary General of the United Nations:

https://icanewdelhi2024.coop/welcome/pages/Programme

After spending half my life trying to get stuff like this into the discourse, I've developed some hard-won, informed views on how ideas succeed:

First: the minor obscenity is a feature, not a bug. The marriage of something long and serious to something short and funny is a happy one that makes both the word and the ideas better off than they'd be on their own. As Lenny Bruce wrote in his canonical work in the subject, the aptly named How to Talk Dirty and Influence People:

I want to help you if you have a dirty-word problem. There are none, and I'll spell it out logically to you.

Here is a toilet. Specifically-that's all we're concerned with, specifics-if I can tell you a dirty toilet joke, we must have a dirty toilet. That's what we're all talking about, a toilet. If we take this toilet and boil it and it's clean, I can never tell you specifically a dirty toilet joke about this toilet. I can tell you a dirty toilet joke in the Milner Hotel, or something like that, but this toilet is a clean toilet now. Obscenity is a human manifestation. This toilet has no central nervous system, no level of consciousness. It is not aware; it is a dumb toilet; it cannot be obscene; it's impossible. If it could be obscene, it could be cranky, it could be a Communist toilet, a traitorous toilet. It can do none of these things. This is a dirty toilet here.

Nobody can offend you by telling a dirty toilet story. They can offend you because it's trite; you've heard it many, many times.

https://www.dacapopress.com/titles/lenny-bruce/how-to-talk-dirty-and-influence-people/9780306825309/

Second: the fact that a neologism is sometimes decoupled from its theoretical underpinnings and is used colloquially is a feature, not a bug. Many people apply the term "enshittification" very loosely indeed, to mean "something that is bad," without bothering to learn – or apply – the theoretical framework. This is good. This is what it means for a term to enter the lexicon: it takes on a life of its own. If 10,000,000 people use "enshittification" loosely and inspire 10% of their number to look up the longer, more theoretical work I've done on it, that is one million normies who have been sucked into a discourse that used to live exclusively in the world of the most wonkish and obscure practitioners. The only way to maintain a precise, theoretically grounded use of a term is to confine its usage to a small group of largely irrelevant insiders. Policing the use of "enshittification" is worse than a self-limiting move – it would be a self-inflicted wound. As I said in that Berlin speech:

Enshittification names the problem and proposes a solution. It's not just a way to say 'things are getting worse' (though of course, it's fine with me if you want to use it that way. It's an English word. We don't have der Rat für englische Rechtschreibung. English is a free for all. Go nuts, meine Kerle).

Finally: "coinage" is both more – and less – than thinking of the word. After the American Dialect Society gave honors to "enshittification," a few people slid into my mentions with citations to "enshittification" that preceded my usage. I find this completely unsurprising, because English is such a slippery and playful tongue, because English speakers love to swear, and because infixing is such a fun way to swear (e.g. "unfuckingbelievable"). But of course, I hadn't encountered any of those other usages before I came up with the word independently, nor had any of those other usages spread appreciably beyond the speaker (it appears that each of the handful of predecessors to my usage represents an act of independent coinage).

If "coinage" was just a matter of thinking up the word, you could write a small python script that infixed the word "shit" into every syllable of every word in the OED, publish the resulting text file, and declare priority over all subsequent inventive swearers.

On the one hand, coinage takes place when the coiner a) independently invents a word; and b) creates the context for that word that causes it to escape from the coiner's immediate milieu and into the wider world.

But on the other hand – and far more importantly – the fact that a successful coinage requires popular uptake by people unknown to the coiner means that the coiner only ever plays a small role in the coinage. Yes, there would be no popularization without the coinage – but there would also be no coinage without the popularization. Words belong to groups of speakers, not individuals. Language is a cultural phenomenon, not an individual one.

Which is rather the point, isn't it? After a quarter of a century of being part of a community that fought tirelessly to get a serious and widespread consideration of tech policy underway, we're closer than ever, thanks, in part, to "enshittification." If someone else independently used that word before me, if some people use the word loosely, if the word makes some people uncomfortable, that's fine, provided that the word is doing what I want it to do, what I've devoted my life to doing.

The point of coining words isn't the pilkunnussija's obsession with precise usage, nor the petty glory of being known as a coiner, nor ensuring that NATO generals' virgin ears are protected from the word "shit" – a word that, incidentally, is also the root of "science":

https://www.arrantpedantry.com/2019/01/24/science-and-shit/

Isn't language fun?

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/10/14/pearl-clutching/#this-toilet-has-no-central-nervous-system