#ABSOLUTE RAMBLE

[ashertickler]

The first time Asher realizes he had feelings for David is when he comforted him after he fell off the tree in his backyard. The first time he kissed David was a little after Gabe's death.

~ 🦇🦑

STOP STOP OH MY GOD I CAN IMAGINE IT WAIT-

brain dump ramble about David x Asher below teehee 😸

Asher's softly sobbing after his arm got fixed and in a sling, and David isn't mad at him or grouchy... he looks worried? Concerned. David didn't comprehend the concept of death at that young age but in the moment where he saw Asher wailing and screaming on the ground with his arm looking... unnatural, scarily bent, blood pooling beneath it, he assumed the worst. And it hit him, what if that was death? And... if it happened to Asher? It mentally broke him, and in the aftermath David wouldn't leave Asher's side, always watching. Making sure Asher didn't slip away when he wasn't looking, making sure Asher was still with him.

Asher noticed the change in David instantly. He knows his best friend like the back of his hand. He knows all too well how easily he gets under David's skin, so to see his usually grouchy buddy so... soft? Always around Asher, holding his hand, helping him up and down stairs, even helping him eat anytime they had a meal together... Asher felt something more than friendship. His heart swelled... but he couldn't name this feeling. Oh, it's probably just super friendship! Yeah... like we're soul buddies! I don't want him to stop being this way around me...

---

After Gabe's post mortum, the Shaw Pack was inconsolable. Especially David, who'd now lost both parents and had the responsibility of being pack alpha imminently upon his shoulders. It broke everyone to hear about the passing of their beloved alpha, but for Asher... he couldn't stop worrying about David. How could he cope? How could he function? How lonely must he feel... and how sick with worry Asher felt at the thought. His thoughts were consumed my David, and it reached a point where he couldn't bare to spend time away from him. Asher swore he would always be by David's side, cos that's what soul buddies do, right? At night, he would hold David as he wept in only Asher's arms, then put a reassuring hand on David's shoulder during the day as David mustered up what little energy he had to tend to the pack and deal with the funeral arrangements. Asher could only watch with pained eyes as David struggled with all the duties he and Frank would soldier through, noting every laboured exhale his best friend shuddered out.

Asher noticed a lot of painful behaviours in David in the days after Gabe's death... but one struck him hard. Not out of worry, but instead with how his heart would swell. David became clingy. Which for David was incredibly difficult to decipher and point out. But Asher noticed. As he had always done, as he had always noticed whenever David's behaviour changed. Whenever it changed towards Ash.

Lingering touches. Hugs that lasted too long. Brushes of his hand against Asher's arm. Leaning into Asher's reassuring and grounding touch. Small nuzzles when crying into Asher's chest and shoulders when the pain of his father's death hit hardest, particularly in the lonely nights where he would have to sleep in his family's apartment alone. One night, David couldn't handle it. He needed Asher. One short call later, Asher had packed his bags and decided to move into the Shaw apartment for David. For his soul buddy. During the night, with Asher cradling David in his arms as he rambled about the funeral to come in the following days, David felt content. For the first time in the days that felt like years after Gabe's passing, being in Asher's arms felt like home. He finally felt warm again. Whole again. All it took was a sharp gulp and a yearning, tear-stained look at Asher for Ash to realise the feeling from his best friend in front of him. Asher cupped David's face and stroked his cheek, I'm always here for you David, and David choked up before breaking into a smile. A small one, but his first smile in... too long. He's smiling... I made him smile. Asher couldn't contain the surge of emotion any longer, it had remained dormant since he broke his arm. The unrequited yearning, the naive hoping, maybe this was the moment-

Thank you, Ash. For always being the one stable force in my life. David, smiling as a tear trails down his cheek, leans in to peck a kiss on Asher's cheek. And Asher freezes, his cheeks turning a soft pink. David stares, his heart skipping a beat, worried he'd been too bold, if this was stupid, if he fucked up, if he'd lose asher too-

Until Asher tilted his head and kissed David, closing his eyes and smiling into the kiss, cupping David's face as David brought his hand to Asher's head and held it before breaking apart. Foreheads touching, they stared into each other's eyes and smiled, before Asher broke into a giggle and David followed suit.

We'll be ok.

(tagging @dawnofiight lucid pookie for when you come back... my fellow dasher stan I hope you like this absolute word dump brain fart of a thingy about our sillies dasher... miss you dookie)

[kitsu-katsu]

I'm gonna make this post as condenaed and abridged brainrot to explain why Victor Frankenstein is my boy from 200 yr old media prompted by a tag question from @samathekittycat in a post I reblogged because that highjacking would've been too much

So. Basically every adaptation ever is way off, Victor in the og novel is a guy from a rich family, yes, but one that has it's own fucked up occurrences that shape him even though he says his life is the peak of idyllic and that can lead to really good character analysis

He becomes an alchemy fanatic at 13, completely obsesses over it, even harder when his father claims the whole subject to be trash and he's in general somewhat fascinated by natural occurrences as well, so he gets it into his head that he wants to change the world by attaining the alchemist dream of basically defeating death, and this is all exacerbated when he's about to be sent away to study in Ingolstadt at 17 and just days before his mother dies of an illness his cousin-sister-future wife (it's complicated, it's a whole mess with hiw mother's involvement too) contracted first, so his trip is delayed a bit, but he never really processes his grief and is not that interested in actual science at first until a professor he meets there validates the alchemists ambition and he starts to hyperfixate on science so bad he's surpassed his professors in 2 years, and with all this baggage, at 19, he decides he's going to decode the secrets of death basically, because as he sees it at this point, if applied enough in the right direction with a scientific method any mediocre man could change society

So he builds his creatire after 2 years of isolating himself completely to do it, so he finishes it at like 21, and the thing is, the guy basically did all of this in a hyperfocused state he started at 19 and influenced by All That Baggage and grief he has Not Processed, so he wasn't really thinking about the consequences of anything. So his creature opens its eyes and suddenly the weight and terror of everything falls upon him along with a good mix of uncanny valley, and he just. Collapses. He sleeps a bit, his creature's still there, and he's so scared he runs away from his dorm room and by chance meets with his bff who was back in Geneva with the rest of his family he hasn't talked to in 2 whole years, his creature sneaks out while this is happening, and when going back, Victor is so mentally collapsed and strained and also scared he mighr be called crazy that he's just glad that the creature's gone and enters a fragile state where he's just completely physically sick and done for for a Big While, he can't take care of himself anymore and can't even look at anything relatingnto science anymore

When he's getting better, he has to go back to Geneva because his brother died. Whoah-oh, it was the Creature. He confronts it eventually and it asks for a bride and promises to go away with her, this is a Whole Conflict, because Victor can't reveal what he knows or he'll be labelled insane, he also doesn't wanna finish the bride because she'll also be her own person and what if she doesn't wanna run away with og Creature as his bride? While all of this is happening, one family servant is being accused of the murder and trialed, Victor is squealing in a corner

Basically, he's very autistic, he's seen a hysteric, his creation of the Creature can be analyzed from so many different angles, from teenage pregnancy and postpartum depression, trans experiences (both transmasc and transfemme! I've seen excellent analysis from both perspectives, though I have a personal bias towards the transmasc reading), the process of artist in general (like, that point when you start drawing something and you start zooming into every detail for hours and once you zoom out again you realize you don't like how it came out at all even though you put so much time into it), his illnesses and disabilities both mental and physical are really interestingly depicted as well, overall, he's a very meaty character who was FAR from making everything right, in fact, he did a lot wrong, but he's also a victim of his circumstances, a teen/young adult in the whole duration of the thing, and is suffering tons of pressure from everywhere while losing his purpose and selse of self to his opposition to his own creation. They are the definition of "they can make eachother worse" and Victor loses everything. He's a tragedy. A tragedy that a lot of people wanna ignore and just say he's plain evil because the Creature must be plain good and they feel smart if they say the typical "Small brain: Frankenstein was the monster vs Big brain: Frankenstein was the scientist, not the monster vs Galaxy brain: Frankenstein was the monster all along" and they completely skip out on all the depth this character has

I went super aurface level in a lot of parts here, but I hope it's somewhat understandable

I recommend reading the novel though! It's Good

[tomsmusictaste]

New Found Glory have gotta have one of the hardest discogrophies to rank just for like. What’s canon, I guess?

Like there’s the official LPs, but then there’s stuff like From The Screen To Your Stereo, International Superheroes Of Hardcore, I’m pretty sure they’ve got a full album of Ramones covers kicking around somewhere, if you include ISOH do you also include What’s Eating Gilbert… it’s like, where do you draw the line

Anyway Sticks & Stones still number one no matter what

[louistonehill]

A new tool lets artists add invisible changes to the pixels in their art before they upload it online so that if it’s scraped into an AI training set, it can cause the resulting model to break in chaotic and unpredictable ways. 

The tool, called Nightshade, is intended as a way to fight back against AI companies that use artists’ work to train their models without the creator’s permission. Using it to “poison” this training data could damage future iterations of image-generating AI models, such as DALL-E, Midjourney, and Stable Diffusion, by rendering some of their outputs useless—dogs become cats, cars become cows, and so forth. MIT Technology Review got an exclusive preview of the research, which has been submitted for peer review at computer security conference Usenix.   

AI companies such as OpenAI, Meta, Google, and Stability AI are facing a slew of lawsuits from artists who claim that their copyrighted material and personal information was scraped without consent or compensation. Ben Zhao, a professor at the University of Chicago, who led the team that created Nightshade, says the hope is that it will help tip the power balance back from AI companies towards artists, by creating a powerful deterrent against disrespecting artists’ copyright and intellectual property. Meta, Google, Stability AI, and OpenAI did not respond to MIT Technology Review’s request for comment on how they might respond. 

Zhao’s team also developed Glaze, a tool that allows artists to “mask” their own personal style to prevent it from being scraped by AI companies. It works in a similar way to Nightshade: by changing the pixels of images in subtle ways that are invisible to the human eye but manipulate machine-learning models to interpret the image as something different from what it actually shows. 

Continue reading article here

[youhavethewrong]

Advantages of being an elf:

- you get the pointy ears

- youre never in a hurry again, ever

Disadvantages of being an elf:

- every other race assumes youre racist

- every other race makes fun of your bland cooking, with good reason

- you gotta walk up a thousand stairs to make it to the 2nd room of any building bc the architect thought making it tall and ornate af was a good idea for some reason

- no other race laughs at your jokes, with good reason

- theres always some fucker high up the chain of command whos like "elven kind never interacts with the brutish orcs...." and youre like "who voted for this guy anyway" and then you find out he was chosen royal advisor 10,000 years before you were born

- every other race makes fun of your garbs. With good reason.

[secondbeatsongs]

for anyone too young to know this: watching The Truman Show is a vastly different experience now, compared to how it was before youtube and social media influencers became normal

before it was like, "what a horrifying thing to do to a human being! to take away their autonomy and privacy, all for the sake of profits! to create fake scenarios for them to react to, just to retain viewership! to ruin their happiness just so some corporate entity could harvest money from their very humanity! how could anyone do something so evil?"

and now it's like, "ah, yeah. this is still deeply fucked up, but it's pretty much what every influencer has been doing to their kids for a decade now. probably bad that we've normalized this experience"

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[shadebloopnik]

Radioapple twitter goin thru a thing rn

LIKE AMIR????

AMIR???? CHAT???? AMIR WHAT IS THIS BEHAVIOR?????

[gleeokenspiel]

i like it when games just upsize the sprites with no regard of how fucked up it looks in the end

[lazylittledragon]

y'know every time i feel guilty about bothering someone by singing along when i'm listening to music, i just remember that i have to tolerate my dirtbag brother screaming at his ps5 for hours every day so listening to muffled off-key fall out boy is probably preferable

[welcomebacktohoimicraf]

one thing about Joel Smallishbeans is that he's always giggling. I think most people overlook this in the fandom because most of the time his delivery is just so deadpan and sarcastic, but its when he's doing a bit with another person you can always hear him loudly giggling in between sentences trying not to break character. He is ESPECIALLY prone to doing this with Etho. Its so damn cute it makes me insane and I think more people deserve to notice this!!

[lizzybeeee]

DATV Spoilers - The Story We Lost

Posted earlier that I was compiling a list of lore/story threads that have been dropped with DATV's handling of Southern Thedas. The sheer number of things means that I've made this into two parts - this one focusing on all the story threads that have been effectively dropped.

Spoilers for the game ahead, of course.

If you've played the game then you'll know that Southern Thedas - everything from the past three games - was basically swept away by the blight.

A double blight should have catastrophic consequences for the entirety of Thedas, I don’t deny that, it’s nothing short of a mass extinction event – the absolute worst case scenario for all of Thedas.

However, waving away the fact that Southern Thedas - specifically every area you ever traveled to and interacted with in previous games – is gone, devastated by the blight, in a codex entry and line of dialogue makes it abundantly clear that BioWare is attempting to clean the slate so that they can move forwards with the game series with no ties to the previous ones.

The Warden, Hawke, and the Inquisitor effectively accomplished nothing.

As I put it in another post: I never expected them to consider every decision in game outside of the three options they gave us, but I certainly didn’t expect them to go scorched earth on the possibility of ever seeing the results of those decisions either.

How the lore has been handled in this game, summarized to “the elves did it” and “there’s been a shadowy organization in the shadows pulling the strings on everything” is absolutely devastating to the franchise.

The lack of care with which this was treated just bleeds, “There, we’ve answered all questions and finished with this era of Thedas. Moving on now.” At the same time, this destruction absolutely obliterated whatever story threads remained from the first three games.

Could BioWare bring these threads back? Yes, I suppose. But it doesn't change that it was so carelessly thrown aside in the first place.

If they didn't want people to care about their decisions and the impact they made on the world, perhaps they shouldn't have made that a feature of all the previous games.

-------------------------------------------

Story Threads/ Plot Points that were dropped:

Limited my points to what was in the Dragon Age Keep and what points were brought up frequently in codex entries, conversations, etc...

Edit: I never expected all of these points to be answered in DATV - this is just a list of what was effectively brushed to the side through very bad handling of lore and story.

-------------------------------------------

Dragon Age: Origins

What is the line of succession in Ferelden?

Things are looking very grim for Ferelden's succession and the Theirin/MacTir line if nothing is done. And nothing was done. The entire plot of DAO literally culminated in resolving this issue, yet no one seems to have learnt a thing from it?

- Anora ruling alone is unmarried with no heir - Alistair ruling alone is unmarried with no heir - Ruling together they have no heir - Alistair and a Cousland Queen have no heir - Anora and a Cousland King-Consort have no heir

The only potential candidate that can fit into several of those world states is Kieran.

Fergus Cousland, according to lore, is the second closest to the throne that is confirmed to be alive in DAI - potentially the brother in-law to the King/Queen of Ferelden.

Ferelden's succession with Alistair as King hinges on whether or not the Warden was able to cure the blight. Alternatively, it is hinted that he may be more resistant since he has dragon blood in him from Calenhad.

The potential implications of Kieran being the bastard son of the King of Ferelden.

Kieran being used as a political pawn to depose Anora using the Theirin bloodline.

DAI took away whatever destiny Kieran had with the Old God soul – that didn’t mean that BioWare had to take away everything else too. Regardless, it doesn't matter. Denerim and Redcliffe have fallen to the Blight - it's unlikely that any of this will ever be brought up again.

2. Did the Warden find a cure?

Unknown. Irrelevant.

Ferelden ended up blighted. Denerim fell. If Ferelden rises from the ashes, it will be without any sign of their influence. Any mention of them will likely be their title alone - no mention of their accomplishments.

3. General Questions about the Landsmeet

What happened to Anora if Alistair is named King? Who rules the teyrnir of Gwaren following the blight?

What happens to Alistair if he's exiled? We know Teagan finds him in DA2 but what happens after?

If Leliana becomes divine does that mean that Connor Guerrin is potentially an heir to Redcliffe?

4. Companion Plot Threads

Morrigan's sisters - the many daughters of Flemeth.

Shale's quest to reverse the process of becoming a golem.

Whatever the hell Nathaniel Howe was going on about when you run into him in DA2 in the blighted thaig.

What, if anything, Avernus leaned from spending a literal age or two studying blighted blood.

5. Zevran's Crusade against the Crows

RIP Zevran's one-man crusade against the Crows and their child slavery ring.

DATV messed up immensely by portraying the Crows as more of a ‘found family’ rather than the horrifically abusive organization it was set up to be.

The very same organization that preys on the weak and disenfranchised - honing them to be tools for the nobles/powerful of Thedas - are now the heroic freedom fighters of Antiva.

The literal decade he spent hunting down the Crows and their leaders is up in flames. No mention in DATV whatsoever.

Wasted a perfectly good opportunity to have a schism in the Crows, with Zevran at the helm of kicking out the antaam, taking in Crows who are are sick of what's happening.

6. The Dwarves of Orzammar

The impact of Bhelen/Harrowmont's reign - ruthless progression verses strict traditionalism

The rumours of an uprising of the casteless dwarves in DAI

Will we ever hear of noble House Brosca or Queen/Lady Rica? Nope.

Will we ever hear of the son that Aeducan can have with Mardy? Nope. (RIP Duncan Jnr - I still love you)

The Anvil of the Void and potential links it may have to the Titans.

If Branka lives what happened to her?

No more fine goods direct from Orzammar

The entire caste system has been simplified by Harding in DATV to effectively be: 'surface dwarves' and 'deep roads' dwarves.

7. The Magisters Sidereal / Awakened Darkspawn

According to a codex in the Descent: one went mad, consumed another, and the final magister fled into the Deep Roads.

Corypheous + Codex Magister + the Architect (most likely) = 4/5 magisters remaining? Possibly?

Reminder that it's hinted that there's an eighth Old God that was struck from the records of Tevinter.

The Architect and his Awakened Darkspawn.

No, it was all the elves. They're all dead now anyway. Thanks BioWare.

8. The Guardian and the Urn of Sacred Ashes

"Where did you come from, where did you go? Nobody in Thedas will ever knowwwww."

-------------------------------------------

Dragon Age 2

Dragon Age 2 was pretty self-contained, with most things being tied up in Trespasser or DAI. The worst of the plot points abandoned relate to the companions in the game and the lack of closure/answers about them.

General Questions:

Kirkwalls, apparently, endless line of 'provisional' viscounts and constant political instability since Varric ran off to go after Solas.

According to DA: Absolution the Red Templars are still in Kirkwall...yet the show is set after Trespasser - when Varric is viscount? When he mentions that they threw a parade when getting Meredith out of the Gallows?

Aveline, Varric, Merrill and whoever remains of the Kirkwall crew apparently just allowing red templars take over the Gallows?

What happened to Petrice if she lived?

What happened to Feynriel if he went to Tevinter?

If Hawke lives following DAI - where are they?

I have a whole list of lore that's also been brushed over: the Sundermount, Corypheous, the Band of Three etc... I decided to put them in Part 2 since I feel they fit in more with 'lore obliterated' rather than 'abandoned plot points'.

2. Companions

Merrill's Eluvian:

Merrill spent years fixing an eluvian with a piece of string, a potato, and some gum - managing to actually do it.

And it meant nothing.

Eluvians are now a fast travel hub - all mysticism and awe at this marvel of magic are completely gone. Whatever sacrifices Merrill went through to save her sliver of elven history is meaningless.

Imagine if Merrill's eluvian aided in the fight against Solas - if having it intact gave you an advantage against him. Imagine Merrill weeping as Bellara fixes every other single eluvian in ten seconds with her magical omnitool.

Fenris and Slavery in Tevinter:

DATV utterly trivializing slavery in Tevinter is abominable.

Disregarding everything Fenris went through, everything he ever fought for, and making it something barely touched upon in DATV is insanity.

You wouldn't know there was slavery in Tevinter if the Shadow Dragons didn't drop a line or two about it.

Fenris' entire story of going to help free the slaves is diminished because no one wanted to show the ugly, dark side of Tevinter in DATV.

DATV has retroactively made this choice for him to be so unfulfilling.

Where is Anders?

What happened with Sebastian's crusade against Anders? Was he ever captured? Was he executed? Are you telling me that no templars ever pursued this man fanatically after what happened in Kirkwall?

Does his fate vary if Hawke was friends/romanced him?

Varric appointing a new Viscount’s Keep healer called ‘Banders’ who just happens to sleep in the same room as Hawke and their children call him ‘daddy’ lmao

Does his fate vary according to who is Divine? Vivienne hunts him down, Cassandra puts him on trial, while Leliana pardons him?

How does he react to Leliana abolishing the Circles? How much does he weep when the rebellion fails and the mages are destroyed? This man instigated the starting event for DAI and drove most of DA2's major plot and he's just...gone.

The Hawke Siblings:

From DAI we know that Warden Bethany/Carver are safe, but what happened to them if they're in the Circle?

Give us Knight-Commander Carver and First Enchanter Bethany Hawke, you cowards! Have them dismantle the Gallows and be the shining examples of human decency we know they are.

What happens to them after DAI and the Mage/Templar War is concluded? In a world that can embrace or reject them - how do they find their place?

Varric

Trespasser gave him a satisfying conclusion - he's viscount, he's in his shit hole of a city, he's surrounded by the people that he loves and cares about. He has the chance to truly build up Kirkwall after all the shit its gone through.

It just feels so bitter, so meaningless, that they gave him the end that they did in DATV. Varric should never have been the one to go after Solas - the only reason it was him was because he's a popular character in the franchise and was used to draw interest.

Why not Cole?! Who was literally mentioned in Trespasser as being on hand to help his friends - who has the ability to get through to Solas in a way no one else could?

No proper send off - no acknowledgement from those who loved him as to his fate...Varric was reduced to a marketing gimmick to draw people in who wanted to see if he died or not.

Isabela

Isabela's story was brought to a close in DAI - she became an admiral, got a fancy hat, helped the Inquisition, and kept in contact with those she loved/Hawke if defended from the arishok.

Imagine bringing her back in a terrible outfit, having the most sex/gender positive character misgender another person, and making her part of the group that steals cultural artifacts from others.

The tomb of Koslun and Aveline would like a word with you?!

The entire Lords of Fortune group is also extremely bland? No commentary on the ethics/effects of colonialism/cultural appropriation - because confrontational topics/ideas are not allowed in this game. Just like topics of slavery/indoctrination.

Her entire character just seems to have regressed from DA2. Why bother having her cameo in the game if she's not going to meaningfully contribute/comment on whats happening?

Edit - Thanks to bunnyiscthulhu for reminding me that Isabela's mother sold her into marriage...yet she does nothing when Taash's mother is outright forcing them into a life they don't want. Isabela, who believed that everybody should be free - that no one should be forced into a life they don't want, just...lets it happen to another person?

-------------------------------------------

Dragon Age: Inquisition

What's going to happen to the Red Lyrium that's popped up across all of Thedas?

Ferelden, Orlais, Kirkwall - all areas are reported to have red lyrium on the surface.

What happens to the Red Lyrium in Suledin?

DAI speaks about how they can never stop the spread of red lyrium, only slow it – animals, insects, organisms - whatever life is in the ground is all susceptible to becoming blighted by red lyrium. Suledin Keep in particular was utterly devastated by the Red Templars - what happens to life there?

2. What happened to Corypheous' Inner Circle?

What happened to Samson? How long did he live *if* he’s given the chance to help Cullen? Can something good come from his cooperation?

What happened to Calpernia?

Looking at previous concept art for DATV she was a companion - freeing slaves, gossiping about Samson & Corypheous. Just...what a waste. Any potential insight we could have gotten into Corypheous is gone.

3. The Mage / Templar War:

How does the world vary if you conscripted vs allied with either?

How do the remnants of what faction was not chosen fit into this new world?

How does the world deal with abominations and weird magic shit now? Is an alternative to the Order made if it's wiped out in DAI?

How is Cullen's templar clinic doing? If the templars still exist, how is Divine Victoria changing/adapting the Order to better support mages/templars?

4. Wicked Eyes and Wicked Hearts:

How do Orlesian politics reflect who was made ruler?

Is Gaspard looking to expand into Ferelden once more? Are the elves being brutalized under his rule like they were by his chevaliers? Does he do away with the grand game like he threatened in DAI?

How does this differ if Briala has collared him? How do his supporters feel that Briala has his balls in a vice?

Do Celene and Briala stay together? Do things improve for the elves and for the culture of Orlais at large?

Do improvements for the elves mean that Solas' arguments to his elven agents are less persuasive?

If Florianne is alive what the hell is going to happen to her? How quickly does she fall on her blade after being forced to wear flat shoes for the rest of her life?

How quickly does shit fall apart if you get all three to cooperate lmao

Friendly reminder that DATV sets up that all of Orlais, except for the Winter Palace has been overrun by the Blight - and that a coup from the Venatori is inevitable, likely resulting in any ruler dying.

5. What is the line of succession in Orlais?!

Why does every noble family in Thedas have no contingency plans for if their head of government dies?!

Part of why we needed to resolve the leadership problem in DAI was because there was no clear, direct heir if Celene died!

Celene has no heir Gaspard has no heir

Florianne planned to frame Gaspard, murdering Celene herself, leaving no clear heir to the throne - Orlais was already in a civil war, the council of heralds/nobles would have all campaigned in their own interests...that was why this was so important!

Orlais shortsightedness and pride in their nation being the greatest in Thedas led to them almost falling in a single night!

6. Here Lies the Abyss:

What are the ramifications of having the Warden's exiled verses remaining in the south?

Trespasser literally states that there's a schism in the Order because some Warden's believe they should touch grass more often and not listen to some bloke up in Weisshaupt for what they do down in the south.

Perfect opportunity to have the wardens remaining in the south mean something! Greater numbers in the south means that there's a greater chance of holding against the blight - while greater numbers in the north can effect if Antiva/Tevinter end up blighted in the first attack!

How does public perception towards the Wardens/King of Ferelden change when they learn they were exiled for committing human sacrifice to demons?!

Give us a warden coup and First Warden Alistair / Blackwall, you cowards!

7. The Well of Sorrows:

What was the point of drinking Mythal's bathwater?!

It's been set up as something that changes you. Bound to Mythal forever?!

Retroactively, Solas feels like he's going mental about nothing! One of the few times he ever breaks - he begs you not to - and...for what? Nothing.

DATV does not acknowledge that in the slightest. Such a waste and disappointment of what was made out to be an impactful decision in DAI.

Imagine if the Inquisitor drinking from the well made us forced to fight against them during the fight with Solas - imagine if Solas, in a world state who hated the Inquisitor, used them as a puppet! Just like the envy demon in DAI - and no one notices until its too late. Imagine Mythal herself, wanting Solas to go through with his plan - (or one of the other evanuris) using an Inquisitor/Lavellan he loved as a puppet - imagine the horror he feels as another one of his friends is reduced to nothing more than a mindless slave of the evanuris once more. Imagine the devastation as he watches Lavellan lose all sense of self - perhaps swaying him to, maybe, not go through with his plan?! Imagine having Cole come back to help save the Inquisitor - or Solas begging Rook to save them.

8. DLC Implications:

What happens if Hakkon is not slain? What happens to Southern Ferelden and the Avaar?

How does the rest of Thedas react to the truth of what happened at Red Crossing and the Dales? How do they react to learning that Inquisitor Ameridan - First Inquisitor and leader of the Seekers - was a dalish, elven mage?

What happens if you do not save the mines in the Descent DLC? How badly is Orzammars economy crippled? There are already rumours of riots occurring within Orzammar - it this enough to push the caste system over the edge?

9. Elven Uprising and the War with the Qun:

The elven uprising that was implied to be occuring all over Thedas as a result of years of oppression, systematic abuse, and Solas’ influence? What happened to it?

Where are the agents of fen'harel?!

It was set up that Solas was planning to use this rebellion as a smokescreen for his plans - the elves, all rebelling for good reason, rallying to his cause while Solas planned to restore the world that once was. The rest of Thedas would only see an elven uprising, not knowing the true face behind it until it was too late!

The war between Tevinter and the Qun?!

Everyone conveniently forgetting that the Qun literally attempted to assassinate every noble family in Thedas? Why was there no exalted march because of this? This should have destroyed any accord between the chantry and the qun. There would absolutely be blood for this – Tevinter could have attacked the Qun and all of Southern Thedas would have applauded - no one would have differentiated between extremist qunari and the normal qun, especially not after Kirkwall.

The implication at the end of Trespasser that we could convince Solas to abandon his plans? Him saying that he welcomed giving us the chance?!

The difference that the Inquisitors friendship, love, or hatred could have in either convincing Solas to take another path or damning him to go ahaead with his plan, no matter the cost?

Have our decisions in previous games matter! How we treated the elves - if we worked to better their lives or 'put them in their place' - can be used to convince him that the world can change! Have the ripple effects of these decisions be seen when the elven gods return, blighted - does the world turn against the elves, hardening Solas, or does the world defend the elves from those who would blame them?

Why was Sandal in the Crossroads?! Where is Bodahn?!

10. Divine Victoria!

How does the world of Thedas change with Leliana, Cassandra, or Vivienne at the head of the chantry?

How does Tevinter react to having a mage divine?!

Do relations change between both nations because of this?

Leliana allowing elves, dwarves, and even qunari to join the Chantry! Leliana also allowing members of the chantry to get married if she's romanced by the warden.

What happened to the Seekers? Are they being rebuilt?

Does the chantry inform the masses, the rest of the mages, that they can CURE tranquility?!

If either Leliana or Cassandra was romanced - what are the implications that may have on the chantry?

-------------------------------------------

No wonder the writers insisted that none of the past choices would have an impact on Veilguard - they literally went scorched earth on everything we ever did.

Ferelden is blighted - any legacy of the warden is gone.

Kirkwall is destroyed - any impact Hawke had is gone.

The hard won peace/order of the Inquisition was rendered meaningless since every single place that you went to and helped is now destroyed by the blight.

Orlais' ruler will likely be assassinated by the venatori who are plotting a coup with the nobles - making whomever you chose obsolete.

AND IT WAS ALL THE WORK OF THE MAGICAL ILLUMINATI FROM ACROSS THE SEA???

[morganmnemonic]

I can't stop thinking about the relationship between Jon and Helen as perhaps one of the most important ones in the entire show. They are narrative parallels for each other, and they both know it. They've both known it from the very start!

Helen walks into the Archives, paranoid, unsure of who to trust, and Jon sees himself in her. And he thinks "If i can help her, maybe there's hope for me too." Then he can't save her. The next time they meet, she's a monster. They're both monsters. There was never any other way their stories could have gone, their fates entwined from the very start.

And Helen answers his original thought with one of her own: "Maybe if we can help each other, there's hope for us both." But Jon looks at her and sees everything that he fears becoming, and so he turns her away, and refuses to accept that their stories are still one and the same.

Helen went to the last person who was ever kind to her, the only person who both knew her as a human and had the context to understand what she'd become, and he hated her. He hated her because he liked Helen, and told her that she couldn't be Helen.

So she stopped trying to be Helen, and embraced being a monster. Reveled in it even. Then Jon wakes up from a six month coma, more monster than person, and tries so hard to cling to the things that mattered to him when he was human. Even with no support, even with the entire archives staff against him, he chooses humanity and compassion over and over again.

And this is a direct threat to Helen's world view. Their stories are entwined. If Jon can continue to be a person even after everything he's been through, then she could have clung to her humanity too, if only she'd tried a little harder. And that terrifies her! She wants to conceptualize herself as someone who was completely overwhelmed by forces beyond her control, who never had a choice but to become a monster. She want's to be an innocent victim. But Jon argues with his actions that they'd both had choices.

And, Jon, in turn, holds out hope that she might make better choices until the very end.

This is the conflict between them for all of season 4 and 5. Jon wants to prove that they can both be decent people, and Helen wants to prove that they were never going to be anything but monsters. This is why she's so devoted to trying to goad Jon into enjoying his newfound godhood. She knows that they are the same, and wants that to mean that he has a spark of evil inside of him, and not that she was always capable of doing good.

When Jon kills her, she loses her life, but wins the argument. Helen is nothing but a dangerous monster who needs to be killed for the good of everyone, and in the moment he decides that, Jon dooms himself to the same fate. Their stories are one and the same. "If i can help her, maybe there's hope for me too." he thought. But he couldn't help her, refused to, even, in the one moment when it actually mattered. And thus, there was never hope for him.

[terapsina]

Taking a moment to away from squeeing about Vidarkness...

Let's talk about Lorna Wu.

This woman loved her daughter so freaking much. Like, imagine being in her shoes, suffering under potentially centuries long generational curse that she knows is going to kill her.

Doing everything to make sure it doesn't get her daughter too.

I mean she literally crafted a spell out of a much much older very powerful different spell. Which is huge in itself.

But then. BUT THEN, she must have dedicated every bit of time and energy to make SURE that her spell song would become as famous as it possibly could be.

Not because she wanted to be a star... but because as long as someone, somewhere was playing that song her daughter would remain protected.

And I bet Alice felt forgotten, like she wasn't as important as being famous. Except that it turns out fame was just a means to an end, what mattared to Lorna - the only thing that mattered to Lorna - was saving her daughter.

And here Alice finally knows that.

[egophiliac]

I have SO many thoughts about everything and they are in no kind of order yet, so here's just some quick little bits in the meantime!

I am not normal about any of these characters!

[purplepenguintime]

Thank you for finally giving them a happy ending