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astrologyandlife · 4 years ago

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your chart ruler + the stage of your life

generally speaking, where the ruler of your chart is sitting sets the stage for your life. this means that your focus will be more intense in that area. the ruler is also important, as it can indicate the nature of things occurring there! for example, having jupiter as your chart ruler sitting in the 1st house is vastly different from having saturn as your chart ruler sitting there. read on to learn more!

part i: the chart ruler

MARS

you are generally high-energy and active. you are never sat still for too long, and for the most part, you handle things head-on rather than waiting for them to wrap themselves up. as a result, this can lend itself to an almost pushy impression on others, unless mars is aspected positively with another planet like venus, neptune, or saturn.

VENUS

you act with a certain kind of grace and charm. you have a certain personal touch that you imbue things with, and you aren't one for conflict or discord. in fact, you seek harmony as often as you can, and comfort is one of your top priorities in any situation. typically, it either isn't easy to anger/upset you, or you are very good at hiding when something does.

MERCURY

flighty and restless are your most prominent qualities. in life, you easily move from one thing to another, never quite settling the way others do, and you may even find you are doing multiple things at once. you have a curiosity and thirst for knowledge that tends to drive what you do. you will also find that you are pretty good at conversation and possess natural wit.

MOON

like the moon, your disposition and emotions seemingly go through cycles. you are blessed with a form of intuition that a mother would display--when your friends need something, you just know what it is, and unspoken emotions are picked up by you subconsciously. you find it hard not to care about things, and people can usually tell when you are upset or going through something.

SUN

like the sun, you are full of vitality and light, with seemingly endless energy. you just have this glow about you. your personality is very strong and well-developed, and you have a good sense of who you are. you possess natural leadership qualities. you are just generally a very genuine person and don't try to deceive others about who you are. maintaining your health and vitality is of utmost importance.

PLUTO

you are magnetic and mysterious in a way that either draws others in or intimidates them. you radiate a subtle power that you can use to your advantage. when it comes to your passions and goals, you have a ferocity that is unmatched, bordering on obsession. you aren't the kind of person to be casual or dip your toes into things, you absolutely immerse yourself in them. you are very private.

JUPITER

you possess a heart of gold--generous, kind, and loving towards others. your view of life is positive, and you maintain a faithful and optimistic attitude whenever possible. it is safe to say you are a pretty lucky person, or at the very least, you create your own luck. you aren't afraid to dream big. sometimes you can go a bit overboard when expressing yourself.

SATURN

you are mature and responsible. people find that they can rely on you when they have your word, and it is very important to you to keep promises. it is easy for you to get stuck in negative thought patterns and to be hard on yourself, as you have very high expectations. You are ambitious and generally like the feeling of working towards your goals, knowing it will pay off in the future. you are very concerned about how people see you and your reputation.

URANUS

you are an individualist at heart. you believe in the freedom of people to live their lives and pursue whatever path they want, and if someone tries to stifle your freedom, you are quick to leave them in the dust. You also have a mind that is powerful and creative, able to learn new information lightning-fast. you like to consider the facts and have an open mind.

NEPTUNE

artistic and dreamy, you give the impression of being a sensitive, almost spiritual soul. you are particularly swayed by music and art because your mind is very abstract. you have the unique ability to be something akin to a social chameleon. you are very compassionate towards others and have a high sensitivity to your environment. your tuition is extremely strong

part ii: the stage

1st house;

you're very focused on yourself more than other people, and your dominant sign comes out in pretty much all facets of your life, but especially upon first meeting someone. if your chart ruler is very different from the rest of your chart, this can lead to someone getting the 'wrong' impression of you. developing a strong personality is of utmost importance here. you care a lot about your appearance and how you are perceived.

2nd house;

forming a strong sense of self-confidence and security is your primary focus. you care a lot about financial security and your own sense of personal comfort in a physical sense. you feel attached to the things you own. possessiveness isn't uncommon here, especially if pluto sits here. you either have strong values that you hold close to your heart, or you feel the need to develop them.

3rd house;

what motivates you very often is your curiosity and desire to connect to others. you enjoy good conversation and want to make friends. you tend to move from one thing to another, and you are very good at multitasking. you have a distinct style of speaking that is colored by your chart ruler, and people find you to have a good sense of humor and a lot of intelligence.

4th house;

there is a deep need to have a place that you can call 'home.' you are a relatively private individual and enjoy a lot of separation between work and home. your family has a high amount of influence on you, and it is very likely you will stay close to home. your background comes into play very often and informs your actions. anything sentimental has a big impact on you.

5th house;

you live your life for the things you are interested in. your hobbies can take up a lot of your time and energy, and if you don't get enough time with them, you feel drained or on edge. you love having fun and expressing yourself creatively. this could be someone who likes or wants kids. you do enjoy attention from others, especially if it comes from their admiration of you.

6th house;

your body is certainly a temple. you care a lot about taking care of yourself, and you have very specific routines in your daily life. these rituals contribute heavily to your wellbeing. you can also find yourself to be a bit of a workhorse (or workaholic if you aren't careful). you are dedicated to the service of others, even if it simply means lending a helping hand or giving advice.

7th house;

the focus in your life is other people. you define yourself based on your relationships with them, and if you aren't too careful, you can get lost in other people and lose your purpose. it's almost as if you need partnership to live a happy life. your biggest skill is your ability to create harmony, because you are a good mediator and try to compromise when possible.

8th house;

this makes you extremely private and secretive. you could live an entirely separate life and nobody would know! you also tend to know more about others than they think, and you never reveal more than you want to. i think a persistent theme of your life could be very intense situations and circumstances. transforming yourself is going to be very important, as is processing and working through your past.

9th house;

You live for the pursuit of knowledge, especially that of a higher level. You want to expand your mind through new experiences, meeting people of different backgrounds, and traveling to new places. It is entirely possible you will live your life in another country or a completely different part of your country. you view life as an adventure and are always in search of something new.

10th house;

your future and career are of utmost importance to you. you feel like you have to make a name for yourself. if you don't have accomplishments under your name, you feel like you have failed. so much of your life is spent in the pursuit of success. you shine in your career and could end up rising to the top. you make huge efforts to influence your reputation for the better.

11th house;

more than anything, you want to say you belong to some group. your friends are your life, and they are your family. it is likely you are involved in groups or organizations, whether it be through your school, a hobby you have, or something else. you also strive to create change within your community. in this house, you are always in pursuit of your personal goals and are very future-minded.

12th house;

a lot of your personality is hidden in a way, unlocked mostly when you are completely alone. you spend a lot of time in solitude and don't mind it. loss, sorrow, and grief could be a consistent theme in your life. truly, you express yourself most when nobody is watching. people see the fruits of your labor, but not the work you put in behind the scenes. you could have extensive daydreams or vivid dreams.

and if you want to learn more, here are a couple awesome resources:

https://notanastrologer.tumblr.com/post/649828538510426112/ascendant-lord-in-houses

https://cassieaurora.com/astrology-class/chartruler/ (super good if you're not familiar with finding your chart ruler)

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frcya · 4 years ago

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JOSEFINE FRIDA PETTERSEN, CIS WOMAN + SHE/HER | you know FREYA MORGAN, right? they’re TWENTY-THREE, and they’ve lived in irving for, like, THEIR WHOLE LIFE? well, their spotify wrapped says they listened to TOUCH BY DAUGHTER like, a million times this year, which makes sense, ‘cause they’ve got that whole WAITING FOR 5 PM TO NOT FEEL GUILTY ABOUT DAYDRINKING, SPENDING ALL HER DAY WORKING ON A PAINTING WHILE IGNORING ALL HER CALLS AND TEXTS-STILL NOT BEING SATISFIED WITH THE RESULT, WEARING A RAVENCLAW SCARF ON A COLD DAY thing going on. i just checked and their birthday is MARCH 9TH, so they’re an PISCES, which is unsurprising, all things considered. ( cassie, 20, gmt+3, she/her )

Full name: Freyja Freya Amelie Morgan

Birth Date: March 9th, 1997

Pronouns: She/Her

Sexuality: Bisexual

Zodiac Sign: Pisces

Languages: English, Norwegian

Eye Color: Blue

Hair Color: Blonde

Height: 5’7

Tattoos: 9 different minimalist tattoos on her arms, legs, shoulders, ankles, chest (some of them are her own drawings)

Piercings: Had a septum piercing for a while, now only so many piercings on her ears

Favorite Color: Blue

Clothing Style: Sweatshirts, mom jeans, cardigans, crop tops, sweatpants, trench coats

MBTI: INFJ

Hogwarts House: Ravenclaw

+ Traits: Reliable, sincere, passionate, intelligent, kind

- Traits: Fragile, know-it-all, anxious, inconsistent

Background Info:

Freya was born when her parents were both 22 years old. They met in the college that her mother came from Norway to attend. They were in an on again off again, considerably toxic relationship that was about to end for good finally just before her mother got pregnant. Her pregnancy kept the couple dependent on each other, struggling to work things out and trying every possible way to become a family after years of being together, for a few years later on. Finally, however, they split up for good. She spent her weekdays with her mother and weekends with his father and it seemed like a normal life that a child with split parents would have, only it wasn’t. She just couldn’t communicate with either of them. None of them shared the same interests with her, cared enough about her education, tried to bond with her more, or even understood the impacts that their rivalry caused on Freya. Everything they did, they did just to prove one of them is a better parent than the other. Freya found her escapism in drawing. Ever since she was a kid, she always had a special talent and interest in art. She was intelligent, but just not into her classes in school. That remained the same in high school too. Her teachers complaining about how she was “wasting her potential”, her parents losing interest in her completely now that she was grown up and nobody was buying the acts like showing up to the parent-teacher meeting. By the time she graduated high school, she developed serious insecurities, and unfortunately severe anxiety. Her childhood memories gave her serious trust issues and made her an introvert such that she never had any close friends or never had a date until she went to college. She attended college to study graphic design, and graduated successfully. College times were much simpler for her now that she was away from her toxic household. She made friends, dated some people, fell in love for the first time, got her heart broken for the first time, partied, laughed, cried; basically experienced everything she couldn’t when she was in high school. After graduating college, she returned to Irving, which wasn’t her plan, but her mother’s struggles with alcoholism caused many troubles that even though she doesn’t like her very much, she wanted to be near her so she doesn’t feel completely lost and hopefully got a bit better. She is living in her apartment now, visiting her mom to clean up the place once a week. She makes a living out of freelance graphic designing, but she is currently in search of a roommate to split up the rent.

Wanted Connections:

Best friend: Could be someone from college, or someone from her childhood that she got along well but got much closer when she came back to Irving and started to live alone Roommate: She is looking for one!! Let’s split up the rent she’s broke Ex (first love): First person she ever truly loved, opened up about herself to. She is still in the process of getting over them Flings: Yeah, she definitely had once or twice Those are some basic ones that I can think of, but if you have any other ideas at all please let me know I’m down for anything!!

#{ intro }#irvingintro

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greatworldwar2 · 4 years ago

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• HMS Prince of Wales

HMS Prince of Wales was a King George V-class battleship of the British Royal Navy. She had an extensive battle history, first seeing action in August 1940 while in her drydock when she was attacked by German aircraft.

In the aftermath of the First World War, the Washington Naval Treaty was drawn up in 1922 in an effort to stop an arms race developing between Britain, Japan, France, Italy and the United States. This treaty limited the number of ships each nation was allowed to build, and capped the tonnage of all capital ships at 35,000 tons. These restrictions were extended in 1930 through the Treaty of London, however, by the mid-1930s Japan and Italy had withdrawn from both of these treaties, and the British became concerned about a lack of modern battleships within their navy. As a result, the Admiralty ordered the construction of a new battleship class: the King George V class.

The main armament of the class was limited to the 14-inch (356 mm) guns prescribed under these instruments. They were the only battleships built at that time to adhere to the treaty, and even though it soon became apparent to the British that the other signatories to the treaty were ignoring its requirements, it was too late to change the design of the class before they were laid down in 1937. Prince of Wales was originally named King Edward VIII but upon his abdication the ship was renamed before she had been laid down. This occurred at Cammell Laird's shipyard in Birkenhead on January 1st, 1937, although it was not until May 3rd, 1939 that she was launched. She was still fitting out when war was declared in September, causing her construction schedule, and that of her sister, King George V, to be accelerated. During early August 1940, while she was still being outfitted and was in a semi-complete state, Prince of Wales was attacked by German aircraft. One bomb fell between the ship and a wet basin wall, narrowly missing a 100-ton dockside crane, and exploded underwater below the bilge keel. Buckling of the shell plating took place over a distance of 20 to 30 feet (9.1 m), rivets were sprung and considerable flooding took place in the port outboard compartments in the area of damage, causing a ten-degree port list. The flooding was severe, due to the fact that final compartment air tests had not yet been made and the ship did not have her pumping system in operation. The water was pumped out through the joint efforts of a local fire company and the shipyard, and Prince of Wales was later dry docked for permanent repairs. This damage and the problem with the delivery of her main guns and turrets delayed her completion. As the war progressed there was an urgent need for capital ships, and so her completion was advanced by postponing compartment air tests, ventilation tests and a thorough testing of her bilge and fuel oil systems.

She was powered by Parsons geared steam turbines, driving four propeller shafts. Steam was provided by eight Admiralty boilers which normally delivered 100,000 shaft horsepower (75,000 kW). This gave Prince of Wales a top speed of 28 knots (52 km/h; 32 mph). She also carried 180 long tons (200 t) of diesel oil, 256 long tons (300 t) of reserve feed water and 444 long tons (500 t) of freshwater. Prince of Wales had a range of 3,100 nautical miles (5,700 km; 3,600 mi) at 27 knots (50 km/h; 31 mph). Prince of Wales mounted 10 BL 14-inch (356 mm) Mk VII guns. The 14-inch guns were mounted in one Mark II twin turret forward and two Mark III quadruple turrets, one forward and one aft. The secondary armament consisted of 16 QF 5.25-inch (133 mm) Mk I guns which were mounted in eight twin mounts, weighing 81 tons each. Along with her main and secondary batteries, Prince of Wales carried 32 QF 2 pdr (1.575-inch, 40.0 mm) Mk.VIII "pom-pom" anti-aircraft guns. She also carried 80 UP projectors, which were short range rocket firing anti-aircraft weapons used extensively in the early days of the Second World War.

On May 22nd, 1941, Prince of Wales, the battlecruiser Hood and six destroyers were ordered to take station south of Iceland and intercept the German battleship Bismarck if she attempted to break out into the Atlantic. Captain John Leach knew that main-battery breakdowns were likely to occur, since Vickers-Armstrongs technicians had already corrected some that took place during training exercises in Scapa Flow. The next day Bismarck, in company with the heavy cruiser Prinz Eugen, was reported heading south-westward in the Denmark Strait. At 20:00 Vice-Admiral Lancelot Holland, in his flagship Hood, ordered the force to steam at 27 knots (50 km/h), which it did most of the night. His battle plan called for Prince of Wales and Hood to concentrate on Bismarck, while the cruisers Norfolk and Suffolk would handle Prinz Eugen. However the two cruisers were not informed of this plan because of strict radio silence. At 02:00, on 24 May, the destroyers were sent as a screen to search for the German ships to the north. At 05:37 an enemy contact report was made, and course was changed to starboard to close range. Neither ship was in good fighting trim. Hood, designed twenty-five years earlier, lacked adequate decking armour and would have to close the range quickly, as she would become progressively less vulnerable to plunging shellfire at shorter ranges. She had completed an overhaul in March and her crew had not been adequately retrained. Prince of Wales, with thicker armour, was less vulnerable to 15-inch shells at ranges greater than 17,000 feet (5,200 m), but her crew had also not been trained to battle efficiency.

At 05:53, despite seas breaking over the bows, Prince of Wales opened fire on Bismarck at 26,500 yards (24,200 m). There was some confusion among the British as to which ship was Bismarck and thirty seconds earlier Hood had mistakenly opened fire on Prinz Eugen as the German ships had similar profiles. Hood's first salvo straddled the enemy ship, but Prinz Eugen, in less than three minutes, scored 8-inch-shell hits on Hood. The first shots by Prince of Wales two three-gun salvoes at ten second intervals were 1,000 yards over. The sixth, ninth and thirteenth salvos were straddles and two hits were made on Bismarck. One shell holed her bow and caused Bismarck to lose 1,000 tons of fuel oil, mostly to salt-water contamination. The other fell short, and entered Bismarck below her side armour belt, the shell exploded and flooded the auxiliary boiler machinery room and forced the shutdown of two boilers due to a slow leak in the boiler room. Both German ships initially concentrated their fire on Hood and destroyed her with salvoes of 8- and 15-inch shells. Prince of Wales fired unopposed until she began a port turn at 05:57, when Prinz Eugen took her under fire. After Hood exploded at 06:01, the Germans opened intense and accurate fire on Prince of Wales, with 15-inch, 8-inch and 5.9-inch guns. A heavy hit was sustained below the waterline as Prince of Wales manoeuvred through the wreckage of Hood. At 06:02, a 15-inch shell struck the starboard side of the compass platform and killed the majority of the personnel there.

At 06:05 Captain Leach decided to disengage and laid down a heavy smokescreen to cover Prince of Wales's escape. Following this, Leach radioed the Norfolk that Hood had been sunk and then proceeded to join Suffolk roughly 15 to 17 miles (24 to 27 km) astern of Bismarck. Throughout the day the British ships continued to chase Bismarck until at 18:16 when Suffolk sighted the German battleship at 22,000 yards (20,000 m). Prince of Wales then opened fire on Bismarck at an extreme range of 30,300 yards (27,700 m), she fired 12 salvos but all of them missed. After losing Bismarck owing to poor visibility and after searching for 12 hours, Prince of Wales headed for Iceland and took no further part in actions against Bismarck.

Following repairs at Rosyth, Prince of Wales transported Prime Minister Winston Churchill across the Atlantic for a secret conference with US President Franklin D. Roosevelt. On August 5th, Roosevelt boarded the cruiser USS Augusta from the presidential yacht Potomac. Augusta proceeded from Massachusetts to Placentia Bay and Argentia in Newfoundland with the cruiser USS Tuscaloosa and five destroyers, arriving on August 7th. On August 9th, Churchill arrived in the bay aboard Prince of Wales, escorted by the destroyers HMS Ripley, HMCS Assiniboine and HMCS Restigouche. At Placentia Bay, Newfoundland, Roosevelt transferred to the destroyer USS McDougal to meet Churchill on board Prince of Wales. The conference continued from 10 to 12 August aboard the heavy cruiser USS Augusta and, at the end of the conference, the Atlantic Charter was proclaimed.

In September 1941, Prince of Wales was assigned to Force H, in the Mediterranean. On September 24th, Prince of Wales formed part of Group II, led by Vice-Admiral Alban Curteis. The force provided an escort for Operation Halberd, a supply convoy from Gibraltar to Malta. On September 27th, the convoy was attacked by Italian aircraft, with Prince of Wales shooting down several with her 5.25-inch (133 mm) guns. Later that day there were reports that units of the Italian Fleet were approaching. Prince of Wales, the battleship Rodney and the aircraft carrier Ark Royal were despatched to intercept, but the search proved fruitless. The convoy arrived in Malta without further incident, and Prince of Wales returned to Gibraltar.

On October 25th, Prince of Wales and a destroyer escort left home waters bound for Singapore, there to rendezvous with the battlecruiser Repulse and the aircraft carrier Indomitable. Indomitable however ran aground off Jamaica a few days later and was unable to proceed. Prince of Wales reached Colombo, Ceylon, on November 28th, joining Repulse the next day. On December 2nd, the fleet docked in Singapore. Prince of Wales then became the flagship of Force Z, under the command of Admiral Sir Tom Phillips. Japanese troop-convoys were first sighted on 6 December. Two days later, Japanese aircraft raided Singapore; although the Prince of Wales's anti-aircraft batteries opened fire, they scored no hits and had no effect on the Japanese aircraft. A signal was received from the Admiralty in London ordering the British squadron to commence hostilities, and that evening, confident that a protective air umbrella would be provided by the RAF presence in the region, Admiral Phillips set sail. The object of the sortie was to attack Japanese transports at Kota Bharu, but in the afternoon of 9 December the Japanese submarine I-65 spotted the British ships, and in the evening they were detected by Japanese aerial reconnaissance. By this time it had been made clear that no RAF fighter support would be forthcoming. At midnight a signal was received that Japanese forces were landing at Kuantan in Malaya. Force Z was diverted to investigate. At 02:11 on December 10th, the force was again sighted by a Japanese submarine and at 08:00 arrived off Kuantan, only to discover that the reported landings were a diversion.

At 11:00 that morning the first Japanese air attack began. Eight Type 96 "Nell" bombers dropped their bombs close to Repulse, one passing through the hangar roof and exploding on the 1-inch plating of the main deck below. Despite reports to the contrary, Prince of Wales was struck by only one torpedo. Meanwhile, Repulse avoided the seven torpedoes aimed at her, as well as bombs dropped by six other "Nells" a few minutes later. The torpedo struck Prince of Wales on the port side aft, abaft "Y" Turret, wrecking the outer propeller shaft on that side and destroying bulkheads to one degree or another along the shaft all the way to B Engine Room. This caused rapid uncontrollable flooding and put the entire electrical system in the after part of the ship out of action. Lacking effective damage control, she soon took on a heavy list. A fourth attack was conducted, this one scored hits on Repulse and she sank at 12:33. Six aircraft from this wave also attacked Prince of Wales, hitting her with three torpedoes, causing further damage and flooding. Finally, a 500-kilogram (1,100 lb) bomb hit Prince of Wales's catapult deck, penetrated to the main deck, where it exploded, causing many casualties in the makeshift aid centre in the Cinema Flat. Several other bombs from this attack scored very 'near misses', indenting the hull, popping rivets and causing hull plates to 'split' along the seams and intensifying the flooding. At 13:15 the order to abandon ship was given, and at 13:20 Prince of Wales capsized and sank; Admiral Phillips and Captain Leach were among the 327 fatalities.

Prince of Wales and Repulse were the first capital ships to be sunk solely by naval air power on the open sea (albeit by land-based rather than carrier-based aircraft), a harbinger of the diminishing role this class of ships was to play in naval warfare thereafter. It is often pointed out, however, that contributing factors to the sinking of Prince of Wales were her surface-scanning radars being inoperable in the humid tropic climate, depriving Force Z of one of its most potent early-warning devices and the critical early damage she sustained from the first torpedo. The wreck lies upside down in 223 feet (68 m) of water at 3°33′36″N 104°28′42″E. A Royal Navy White Ensign attached to a line on a buoy tied to a propeller shaft is periodically renewed. The wreck site was designated a 'Protected Place' in 2001 under the Protection of Military Remains Act 1986, just prior to the 60th anniversary of her sinking.

#second world war #world war 2 #royal navy #british #british history #wwii #ww2 #naval history #prince of wales #british navy

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aidenhollow · 4 years ago

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( KAT MCNAMARA, CIS-FEMALE) - Have you seen AIDEN EVELYN HOLLOWAY? EVIE is in her SENIOR year. The Journalism Major is 24 years old & is a SCORPIO. People say SHE is CARING, COMPASSIONATE, JEALOUS and SARCASTIC. Rumors say they’re a member of WINTHROP SOCIETY. I heard from the gossip blog that EVIE has a two-year old daughter that is back home with her parents and she hasn’t told the dad about the child. She makes money by being a burlesque dancer . (KT. 21+. PST. She/her.)

Hello! My name is KT, Im 28 and currently awaiting a transplant! Im pretty chill, whenever Im at appointments or anything, Im always lurking on mobile and I also have discord! Which will be a better way of getting a hold of me, because I don’t ever log off out of that thing. Uhmmm, Im getting ready to get a bone marrow transplant but I have my computer with me and will bring it to the hospital once I go in. Also, feel free to message me and hit me up for plots! Here a few things on Aiden <3

Bio:

Aiden Evelyn Holloway was born to Jackie and Hank Holloway, making her the youngest child and made her younger than her twin brother, Adam by five minutes. Their older three brothers Jack, Kinsley and Felix were excited to have a pair of twins in the family. You can say that the Holloway house was filled with laughter, crying, screaming, cursing and they got hurt a lot. Aiden and Felix were known to be double trouble when they were younger, since Felix was the youngest boy and Aiden was the youngest, the two of them bonded rather quickly. They would chase each other in the yard, while Jack and Adam worked on their cars in the garage while Kinsley worked on his motorcycle and the two youngest sometimes would climb their parent’s apple tree. In which, resulted Aiden getting her hand split opened and the four boys rushed their sister to the hospital, where their mom found out that they were climbing the tree after her and her husband told them not to. All of them ended up grounded, the three oldest brothers had to take the youngest ones to school and picked them up from their after-school activities and had to come straight home.

DEATH TW

You can say that the Holloway family had the perfect life, until one rainy night where their father was coming home from his office when a truck rear-ended his car. Jackie was working twelve nights straight that night and had to see her husband on a stretcher. Throughout the night, they didn’t know if he was going to be able to make it. That December, they had to bury their father, and nothing was the same again. Aiden noticed that her mom worked overtime a lot more, her older brothers picked up other jobs and her double trouble buddy ended up distant and cold. She knew that Adam was struggling, she was struggling herself. As she grew up, Aiden often turned towards superheroes, skateboarding and anything that would catch her attention more than five seconds.

DRUGS, DEATH TW

About three years after Hank’s death, Aiden started to notice that her mother would wear makeup and bring a duffel bag to work. She started to follow her with her bike, until she saw that her mother was going on secret dates and seeing someone new. She sped home and told her twin brother about what she had seen, and j was asleep in front of the tv. She would go onto the roof to look at the stars, hoping that they would some kind of answers and then she would go on a search for a party, knowing that she can get score some drugs and alcohol. Nothing would help her cope with the loss of her dad, but that didn’t mean she gave up trying. She met a guy named Roman, who you can say is the “bad boy” of the school and had been living with his grandmother. She wouldn’t say it was love at first sight, it was more of a toxic relationship and she was addicted to it. They would often fight for two days and make up like they never said hateful words to each other. However, that all stopped when Aiden spotted Roman with another woman and turned out that he was also dating the girl. So, that kind of made her straighten up a bit, along with her brothers holding an intervention for her to get help to cope with their father’s death.

PREGNANCY TW

Two years later, Aiden graduated from high school with a GPA of 4.0 and full ride (Thanks to George for helping her out a bit) to Yates. Aiden didn’t want to leave without her twin, so she asked Adam to tag along and he got accepted into University of Vermont-Johnson, that way she wouldn’t get home sick. Aiden also got accepted into the Winthrop Society, where she felt that she belonged and called home for the next four or five years. However, one thing that Aiden didn’t plan for, was having a daughter at twenty-one. One night, during a heavy make out session in the parking lot of the Sugar Shack, a burlesque club where she was working, she snuck away with some guy after her shift and ended up having a one night stand. She quickly slipped out of his car when she noticed that he was on the phone and headed straight to her car, with her clothes in her hands. Fast forward nine months later, she welcomed a beautiful baby girl named Odette Evelyn Holloway and promised that she was going to give her a great childhood like she had when she was younger. She never contacted the father, since she doesn’t remember the name and figured that it would be a waste anyway, she accepted that she would be a single mother and knew that she could do it. Especially with the help of her brothers and friends. However, she knows that Yates has a reputation to uphold, she made a deal with her brothers that they act like Odette is their baby sister in public but behind closed doors and to close family & friends, she’s Aiden’s daughter. Recently, Aiden’s been sending money to her brothers and Odette, to make sure that they’ll keep a roof over their heads while she’s studying Creative Writing. She also thought of a book idea, which can be considered as a Young Adult novel.

WANTED CONNECTIONS:

sex money feelings dies - a one-night stand but on top of that a frequent hook up. every time they say that they won’t hook up with each other again. it’s not healthy, you both want past the relationship and let it go, but the moment y’all see each other from across the bar or at a party you just know you’ll end up in each other’s bed again. -OPEN

i saw you in a dream - they were close. so close. thought there would never be a time they wouldn’t talk, but one thing lead to another and Aiden’s left thinking about them when it’s just her and her thoughts. without them in her life really hasn’t been the same, but is it worth getting past what happened to pick up the phone and call them?- OPEN

painkiller - best friends forever. literally. this person knows Aiden inside out and she can’t see a day without them. they’re essentially her painkiller. She tells them everything and them back to her. they can tell if she’s feeling down just by the way she send her snapchat streaks that morning. She can’t see a day without them.- OPEN

call your girlfriend - this one is pretty messy. one of them is in a relationship, but there’s a huge flirtationship between the muses. the flirtationship essentially becomes to both of these people attached to each other and maybe... even in love. but there’s still that relationship that’s in the way... YIKES- OPEN?

Looks a lot like a tragedy now- details will come soon <3- Miles

perfect places- party buddies but make it you guys just getting lost in the vibes because you don’t want to deal with life. it’s a good friendship. you guys get the thoughts in your head to go numb, but at a point it’s like what’s the point ?- OPEN

will add more if needed <3

Interesting Facts on Aiden:

Wears a leather jacket, along with sometimes combat boots but she’ll wear tennis shoes.

Has been working as a Burlesque dancer for three and a half years, goes by the name Cherry Bomb. Her parents doesn’t know that she’s been getting her money from there.

Has a two-year old daughter named Odette Evelyn Holloway, born on the 9th of December. She makes sure to Facetime her every night and ends up reading her favorite book to her, which she has a lot of favorite books.

Has a rough time trusting people right away because of past trauma, but has a few people who she trusts with her secret and her life.

Sometimes skateboards to classes or to her brothers’ house, learned how to skateboard back in her middle school days.

Won’t pass up the chance to put someone into their place, though she comes off timid when you first meet her.

Has a rose tattoo on her right hip, wanting to get a sleeve on her left arm, but isn’t for sure.

Wears wigs when she’s working and covers up her tattoo with makeup.

#yatesintro #cancer tw #death tw #depression tw #pregnancy tw

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nikosokolov · 4 years ago

Photo

quick facts.

Name: Nikolai Sokolov. Age/DoB: 37 / March 9th. Occupation: Mechanic & Bartender. Sexuality: Heteromantic Heterosexual. Nationality: Russian-American. Languages Spoken: English. Hair Color: Dirty Blond (Garbage Blond). Eye Color: Light Blue. Height: 6′5″. Build: Athletic - lean muscle.

triggers for death, car accident, chronic injury / pain, terminal illness.

biography.

Some people are made cruel by the machinations of their lives - instances that happen that turn a formally kind and compassionate individual into something hardened and thoroughly frigid. Niko Sokolov is not one of those people - he was just born an asshole.

Raised by a strict father (who some might allude to being overbearing, but Niko never quite saw it that way) and a loving mother, there were many pressures settled onto the shoulders of the only Sokolov child. Allusions to some great future in store for him where grades mattered and participation in extracurricular activities meant a padded resume for college applications in the future. He was always kept busy, always behaved when it mattered, but never with his peers. Perhaps it was genetic, or just a bad attitude in general that lead Niko down the road he walked, but his position in life was that of the antagonist, of devil’s advocate. Never a bully in the most dire of senses, Niko allowed sarcasm to drip from him even at an age where that sense of humor was advanced of him - maybe it was learned. Who knew. He was well-liked by his peers despite it (those he didn’t tease) and somehow managed to stay afloat even through the weight he faced at home.

When he was fourteen Niko was involved in a car accident that resulted in the death of his father. It was the first real excuse he had to change, to become something bitter ---even through the consistent pain that would plague him for the rest of his life. After multiple back surgeries and months recovering in the hospital, Niko was discharged and schooled from home for the remained of his freshman year of high school, where physical therapy became the most important staple of his life. Grief stuck to his mother life an invisible parasite, but she managed to carry on for her son, though Nikolai understood that even his physical state added more onto her fragile mental state. He pushed through his recovery, speeding through the process, for her. When he came back in his sophomore year he was almost an entirely different boy: colder, reactive rather than aggressive with his harsh words, which somehow managed to be even more cruel than they ever had been before (where perhaps before he was just teasing in a mean fashion, now they seemed sincere in their desire to injure).

Nikolai withdrew, isolated himself, and soldiered through the rest of high school. He was accepted into his first-choice college and briefly moved away from San Amore when he was 18 to dorm, the dream and desire to become a surgeon the ultimate goal. However 2 years into his schooling his mother was diagnosed with a terminal illness and quickly lost her battle. With no family left and no desire to carry forth, Niko dropped out of college, moved back home, and took care of the estate.

He’s been in San Amore ever since, a staple figure of general malice to anyone who presses the wrong buttons. For the first year home he lived off of his inheritance (or rather, what remained of his parents - and to date he still lives in his family home on Riverside View) before he began working at Cupid’s Chokehold at 21, first as a busboy and later as a bartender. You can still find him there most nights, serving drinks and refusing to play that titular Gym Class Heroes song the bar shares a name with. At 25 he began trade school and became a mechanic, finding employment at a local autoshop once he completed the program.

And so it goes that Nikolai Sokolov, San Amore’s greatest underachiever, still exists within the town - almost haunting it with his sarcasm and dry humor (if you can guess whether or not he’s serious). Everyone knows that you can get a discounted drink on the right nights when he’s working, if the mood suits him, but you don’t ask for it. He’ll just give it, maybe, unless it’s cold and he’s bitter because of his old car accident injury flaring up once again. The life and death of the man with no dream.

tidbits.

---Has 3 cars at all times, though they rotate: an every-day car, a flashier car, and a tuning car.

---Still occasionally attends physical therapy when his injury flares up. He’s notably pissier when this happens, for any number of reasons.

---Major fan of horror flicks. Has a decent collection of everything in the genre, and regularly consumes horror media to scratch the itch.

---No pets, and never had a desire to have children. He’s a non-traditional kind of person: if he did get a pet, it’d likely be a snake or a lizard of some kind.

---Had one somewhat serious relationship in his life, which lasted a little over a year. Otherwise he’s been known to go on short dating spurts, or simply participate in one-night stands.

connections.

---( ARMIE HAMMER ) NIKOLAI SOKOLOV is searching for AN EX GIRLFRIEND (THIS IS NOT GOING TO END ROMANTICALLY) with the following suggestions of ANY FEMALE FC 30-35. You DO have to contact the player prior.

---( ARMIE HAMMER ) NIKOLAI SOKOLOV is searching for COWORKERS AT CUPID’S CHOKEHOLD with the following suggestions of ANY FC. You DO NOT have to contact the player prior.

*I am always, 100% open to discussing more connections for Niko. He’s been a resident of San Amore for thirty five years, and I am sure we can otherwise work out any form of connection you might have in mind!

#i. about

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goldenkamuyhunting · 5 years ago

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Ramblings and crazy theory time about GK chap 239 “Discharge”

So… well, Noda continues with a chapter whose sense of humor makes me feel what Kikuta is feeling.

Yeah, really, sorry, but this is not my sort of thing.

The cover is…

… well, it’s apparently based on this video from the movie “She Hate me” by Spike Lee. I warn you, watch at your own risk.

So we go back on the story that see Usami and our wannabe ‘Jack’ that after just a moment of standoff… pardon, jack-off attack each other with the ‘weapons they have at hands’ (I’m sure you can figure what I’m talking about without having me to spell it out), Usami yelling to a shocked and grossed out Kikuta that guy is the killer before… well, ‘firing’. In a “Matrix” like scene ‘Jack’ avoids and fires back only for Usami to avoid in a beyond spectacular manner.

Jack then runs away, only for Kikuta to pull out a more conventional weapon, one of his many Nagant M1895 and fire at him multiple times before chasing him with Usami, the two going to two separate ways to try to encircle ‘Jack’.

Too bad that Jack as a horse and, with it, slams against Usami, sending him flying.

Kikuta manages to hit both him...

and his hat, which falls.

If the image we’re shown is reliable Jack has short hair. Kikuta then tosses his now completely discharged beloved Nagant away (his eyes aren’t shown to better deliver how this pains him... will he managed to recover her later?)...

...and runs to ‘Jack’, managing to grab on him and climb on his horse. He then grabs another of his Nagant (honestly, if this was another manga I’ll expect Kikuta to have a hammerspace filled with them but more ‘realistically’ he has just more than one holster under his coat) and point it to Jack’s head.

Unluckily for him ‘Jack’ still has a good hold on his ‘very personal peculiar weapon of choice’ and is reading it to fire.

Kikuta, who might face an army of Russians trained to kill him but not THIS (and I don’t blame him that’s a job solely for people like Usami though I think Ushiyama might do good as well) starts sweating and, instead than blasting our convict’s head away, tries protecting himself with poor results.

In fact ‘Jack’ gets him in the eyes and causes him to fall off the horse (I guess congratulation are in order to ‘jack’ for his ability to accurately aim behind himself while riding on a horse with such weapon).

Usami reaches Kikuta, whcih complains ‘Jack’ managed to get his eyes (trust me Kikuta, you aren’t the only one who was screaming ‘my eyes!’ through this chapter), then the two resume running after ‘Jack’ but they’re neither Koito nor the Tsukinator and so ‘Jack’ on his horse, can easily distance them. They hear a woman screaming but get there too late, only to find her dead.

Kikuta wonders if he did this while in the middle of running from them. The scene switches to a running and panting ‘Jack’ who evidently has discharged the horse and, with his already bloody knife attacks another prostitute, murdering her as well.

I wonder if he’s panting also due to the shoot he got from Kikuta. He doesn’t seem to be blending though. On a sidenote our ‘Jack’ confirms himself to be left-handed. The first time he killed he used his left, he took care to… ‘charge his gun’ with his left and now he’s stabbing again this woman with his left.

It’s worth to point out that Japan at the time wasn’t a left-handed people friendly environment, with people being discriminated and people were afraid they wouldn’t get married if they were left handed and only from 1989 the percentage of children undergoing correction steadily began to drop -- although still around 60%... and it’s also worth to remember Japan isn’t the sole country which had bias against left-handed people.

I’ll quote Wikipedia on this just to give you a general idea as I find meaningful they even have a page devoted to this:

‘In many religions, including Christianity, the right hand of God is the favored hand. For example, Jesus sits at God's right side. God's left hand, however, is the hand of judgement. The Archangel Gabriel is sometimes called "God's left hand" and sits at God's left side. Those who fall from favor with God are sent to left, as described in Matthew 25: 32–33, in which sheep represent the righteous and goats represent the fallen: "And he shall separate them one from another, as a shepherd divideth his sheep from the goats. And he shall set the sheep on his right, but the goats on his left." In 19th-century Europe, homosexuals were referred to as "left-handed". In Protestant-majority parts of the United Kingdom, Catholics were called "left-footers", and vice versa in Catholic-majority parts of Ireland and Irish America. Black magic is sometimes referred to as the "left-hand path", which is strongly associated with Satanism.’ [Wikipedia: Bias against left-handed people]

… so, if ‘Jack’ is from another country there’s a huge chance he moved from an unfriendly environment to another.

It’s worth to mention that the original ‘Jack the Ripper’ was originally assumed to be left-handed when they speculated he would kill his victims standing in front of them. Later they figured out he first would render his victims unconscious by strangling them and then kill them while they were on the ground, likely positioning himself behind them so that blood wouldn’t fall on him.

So either our ‘Jack’ isn’t the original ‘Jack’ or Noda is constructing him according to earlier theories on his modus operandi (he doesn’t strangle, he kills the victim as she’s standing in front of himself, he uses his left hand).

Now, back to the story… I got the impression Kikuta managed to hit ‘Jack’ when he shoot him… but ‘Jack’ doesn’t seem to be leaving a trail of blood as he walks so it’s hard to say if he’s panting and running that way due to a wound whose bleeding he managed to stop or just due to fatigue.

It’s the day after.

Takuboku Ishikawa, our journalist working for Hijikata, is on one of the crime scenes,

still pesteringon details about the murder the weird policeman we met in chap 239 (remember him?)...

...while the latter is ignoring him. The policeman has the hat lowered on his eyes.

There’s another known face and it’s the photographer.

(Remember? He was there too and lol, in the exact some pose it looks as if Noda has copypasted him there.)

He doesn’t seem to be left-handed but since left-handed people were corrected, in everyday life ‘Jack’ probably can’t use his left hand so it might be useless to search for a left-handed guy using his left hand in a normal situation.

Everyone else among the bystanders seems to be a new guy... okay, maybe the old and partially bald guy might be the same in both pictures but I’m not sure. In this chapter he seems curious but, who knows, he might be a different character just drawn for background. Besides his hair seems too long to be ‘Jack’s’.

Well, to be honest there’s another guy who’s not a new guy but we’ll get to this in a moment.

Kikuta comments ‘Jack’ this time killed two women and wonders if he was just trying to create chaos to escape or was merely doing it to taunt them. According to ‘sperm detective Usami’ it can be just something he decided in advance.

It’s worth to mention the canonical victims of the original ripper were:

Mary Ann Nichols, found on the 31th of August 1888

Annie Chapman, found on the 8th of September 1888

Elizabeth Stride and Catherine Eddowes, both found on the 30th of September

Mary Jane Kelly, found on the 9th of November 1888

So yes, on his third murdering attempt Jack killed two women so we can speculate this is a copycat or, if he’s meant to be the real Jack, his backstory would include a reason to murder 2 women at his third attempt (in the real Jack’s case it was speculated he murdered 2 because he was interrupted during the murder of the first woman so it wasn’t planned).

Anyway Kikuta wonders if Jack will come back and how it’ll be troublesome for them to track him now that he has 4 ‘sacred places’.

However Kikuta now tells us something relevant. He managed to get a look at the side of his face… and at his dick. I hope he doesn’t plan to go demand people to show them to him so he could identify ‘Jack’…

Usami suggests they’ll go check the other crime scene so that Kikuta might try to spot him. Kikuta though, has spotted something else so he tells Usami to go ahead that that he’ll join him later.

What Kikuta has spotted is the ‘fail master of disguise’ Private First Class Ariko Rikimatsu, which starts sweating as hell as Kikuta speaks to him and who tells him not to turn around and that basically he could recognize the sexy bulky build of Ariko’s body everywhere.

Okay, Kikuta didn’t exactly said that but really, there are PLENTY of men with a bulky build so, unless Kikuta is a bulky build bodies expert, his words sounds a bit… unbelievable unless it’s Ariko’s bulky build body itself who’s special to him.

And anyway, really Ariko, don’t get so nervous. You fail at deceiving people it seems.

Kikuta says he never heard Tsurumi talking about Ariko being there so he asks him if he came there with Hijikata.

We don’t get to hear Ariko’s reply but it’s likely he confirmed it. Still it’s interesting it was cut as well as the fact Kikuta wanted to speak with Ariko away from Usami’s ears.

Did Kikuta want clarifications on why Ariko betrayed him? Or just make sure Usami won’t attack him again? Or has Kikuta his own plan?

We’ll see.

And is Ogata overlooking that meeting from somewhere? I bet he knows Ariko isn’t trustworthy so can it be he’s keeping tabs on him? Or is Hijikata who’s doing so? Or both?

Anyway the scene switches to the coast of the sea of Okhotsk…

and I find this interesting because we see that there’s a city there… but we aren’t given its name. As long as they weren’t Ainu villages Noda had always given us the names of the places in which the characters were from big cities to minor spots like, for example, the village of Fukagawa, regardless of them spending a lot of time on the place or just a chapter, like the coal mining town of Utashinai.

When this first happen in chap 225

I though it was because Tsurumi was on the move, from coastal city to another, although it really didn’t persuade me… and maybe it could also be Noda for some reason didn’t have material on that part of Hokkaido so the whole thing would be edited in the volume version with the name of the place. However quite a while has gone from chap 225 and we still don’t have an EXACT idea of where he is, not even through a map.

There are big cities on that coastal area, from Wakkanai, the city ship on which Asirpa rode was supposed to reach, to Okoppe to the well known Abashiri… but also various small cities.

They could have said he’s still in the Wakkanai area instead…

Is there a reason to leave us in the dark even when Tsurumi clearly is in Japanese cities?

Is it a Watsonian reason or a Doylist one?

Anyway Tsurumi informs his men he received a telegram from Kikuta (who therefore knew in which city he was and this means either Tsurumi warned him where to find him day by day or he’s not exactly moving around a lot).

He doesn’t tell us what Kikuta said but that he’ll only leave two men behind to continue searching for Asirpa (meaning he hadn’t figured she has long moved from the coastal area) and the rest will go with Tsurumi to Sapporo.

The final page shows both Tsurumi and Hijikata (who’s apparently outside the city looking at something… Ogata practicing with the rifle? Ariko secretly meeting with Kikuta? Sugimoto’s group ALSO coming to Sapporo?).

The implication seems to be that Ariko has tattled out Hijikata’s presence in Sapporo and Kikuta has relied the information to Tsurumi therefore Tsurumi plans to go there and have a faceoff with Hijikata.

Tsurumi didn’t see the need to move for just a convict but if it’s Hijikata, who might have the remaining tattooed skins as well as info... well, the thing becomes much more interesting.

So with everyone being or going to Sapporo, I wonder if Sofia (currently in Hokkaido), the candy seller convict (last time seen in Utashinai) and the still missing convict (whereabouts unknown) will also go there.

Only 3 more chapters are needed to end volume 24 but I wouldn’t dislike it if, before the end, Hijikata and Ogata were to have a chat. This volume showed us some of Sugimoto’s past.

More on Ogata’s past would also be appreciated but, if I’ve to be honest, I’m also looking forward to more info about Kikuta and about Kadokura.

When Hijikata finds the room in which Inudo kept all the material he had collected about him in his fangirlish obsession to get Hijikata, we can see on the wall a list of all the convicts that had been cellmates with Hijikata but also Kadokura’s name.

Or better ‘Kadokura Tanuki’ (門倉タヌキ), Tanuki being the nick Inudou gave to Kadokura.

Let’s start with this.

A Tanuki (狸 or タヌキ) is a Japanese folklore animal, commonly associated with the Japanese raccoon dog, which in folktales often played the part of foolish animal, often with really big testicles (that’s why Inudou said he pictured him as pathetic Tanuki with big balls in chap 118)… however if we compare it to the Kitsune (fox), which are the epitome of shape-changing animals, one saying is "the fox has seven disguises, the tanuki has eight (狐七化け、狸八化け)". The tanuki is thus superior to the fox in its disguises, but unlike the fox, which changes its form for the sake of tempting people, tanuki do so to fool people and make them seem stupid. Note that 8 is a lucky number, which might tied to how Kadokura is actually lucky. However it’s also worth to mention the kanji used to write Tanuki (prior to the linguistic reform of 1947) was "貍", and referred to all the middle sized mammals, especially to wild cats.

So… why all this rambling?

Well, not only Inudo didn’t write down Kadokura’s name, just the surname plus his nick but near Kadokura’s name there’s also written ‘real father’ and then what look like 4 kanji, none of them similar to the kanji used to write Kadokura’s surname.

So basically not only we don’t know Kadokura’s name but also Kadokura’s surname and we’re facing someone who, for association, is compared to an animal much more expert at disguising than the fox (Inkamart).

Now I wouldn’t question Kadokura’s loyalty to Hijikata. In vol 18 he was willing to die to save him. He also seems confident he’s unlucky… and he might have been forced to change surname because his father was on the losing side of the Boshin and therefore carrying his father’s surname would have been bad for him.

The point is if not even his surname is… well, his surname, Kadokura is a men shrouded in mystery, about whom we know nothing except he moved to Abashiri 7 years ago, with Sugimoto commenting he’d been looking over Nopperabou by 7 years… meaning he moved there when Nopperabou moved there (note that Asirpa said the gold incident happened 5 years before but then everyone when with the 7 year thing so maybe there was a retcon).

In short maybe this is all for fun and the truth behind Kadokura is nothing special… but it can also be there’s much more to him it looks like. We’ll see.

#Golden Kamuy #Usami Tokishige #Ariko Rikimatsu #Hijikata Toshizou #Tsurumi Tokushirou #Asirpa #Golden Kamuy Ramblings and Theories #Ishikawa Takuboku #Michael Ostrog #Kikuta Mokutarou

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fiymywings · 6 years ago

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a brand new one eyed ripper masterpost!

“ira you already made one just update-” bold of you to assume i have energy to do that (also because it’s been a while, making a new one to show up in the search might bring in more fans of shitoo)

general content/trigger warnings: murder (if not obvious), kidnapping, stalker behavior, and other things you might expect from a yandere themed series

synopsis: The protagonist, Mebuki Meme, had a peaceful everyday life. A dear friend, and a dear brother, she held them closely. However, that mundane peacefulness came to an abrupt end. Because of the "murder case" which revolving around her. "The One Eyed Ripper." Remembering that name, Rumors created by someone had created a murderer. Those peaceful everyday's have ended. Now begins the story of a person killing another. For love, for desire, for the sake of finding the right answer.Well then, who's the culprit?

the series “one eyed ripper” is currently a song based series, however, two pixiv mangas have been uploaded revolving around the characters, and there is a game in production.

character intros

Mebuki Meme

Height: 156cm (5′1″) Birthday: 6/17 (June 17th) A second year in high school.

She lives together with her young stepbrother, Akihiro. She has a bright personality, but she’s not quite capable of thinking too deeply on things. She possesses a “let’s forget about bad things!” mindset. However, she is burdened by concerns towards her brothers distrust in humans, as well as his sister complex (an extreme attachment to his sister, aka her), as she has a strong caring side to her. As a result, she worsens his sister complex without realizing it. She constantly pokes fun at Haruhiko’s idiocy, but she herself isn’t much better.

With the One Eyed Ripper murder case, she learns the truth about human nature, and falls into despair.

Tabako Haruhiko

Height: 182cm (5′10″) [if the img size difference doesnt show how big this boy is......] Birthday: 3/18 (March 18th) A second year in high school, however, he’s assumed to be older than Meme as he’s had to repeat year(s) (?)

A young man with a green muffler and a very distinct height. He’s in the same class as Meme, and has been friends with her since the start of high school. He looks like a disruptive delinquent, but that’s not really the case. He doesn’t skip class, but his test scores and grades aren’t the best. While he’s not in any clubs, he possess great reflexes. He has a strange sense of justice, and is the type of person to consider his friends. He’s worried about the hardships of his friend since middle school, Chifuyu. He also sympathizes with the sense of responsibility towards Meme’s younger brother. His hobby is teasing other people. It’s inevitable that he has fun teasing Meme.

In Meme’s words, “He’s a big mischevious kid.” In Chifuyu’s words, “He’s a rare chattering moron.” Well, it’s scary to make light of a moron.

Mebuki Akihiro

Height: 152cm (4′10″) Birthday: 9/9 (September 9th) A first year in high school.

A boy with distinctive freckles and heterochromia. He’s Meme’s younger brother, and possesses an extreme sister complex. As you’d expect from his short and slim appearance, he lacks physical strength. It looks like he wasn’t the type to play outside when he was younger, and he’s bad at working out. He has extreme distrust towards anyone who isn’t Meme. Especially towards Haruhiko, who he doesn’t hide his disgust for. It doesn’t look like he has anyone he’d call a friend, nor does he want one. After becoming Meme’s stepbrother, they had first met during middle school. Essentially, even though they’ve been family for a short time, from the very beginning, he’s never felt any distrust towards Meme. Rather, it seems he already trusted her. Even though Meme herself thinks it’s strange, he won’t explain his reasons.

To no surprise, he thinks “in this world, I don’t need anything besides big sis.”

Minowa Chifuyu

Height: 162cm (5′3) Birthday: 11/18 (November 18th) A second year in high school.

Even though he wears an eye patch over his left eye, he’s a pretty average looking boy. He’s in the same class as Meme, and he, Meme, and Haruhiko are often with each other. He has excellent grades, is the vice president of the student counsel, and is an outgoing person. Furthermore, he’s the head of his household. He’s the legitimate heir of the Minowa family, which has lived in his town for a very long time. At school, however, the formalities that come with it are almost unnoticeable. In front of Meme and Haruhiko, he’s bright, smart, and sarcastic, and he enjoys teasing the both of them and riling them up. It’s said there’s not a single day where either of them could win against his teasing. His philosophical views he’s acquired from wherever often causes Meme to think, “Chifuyu’s pretty mature, huh?”

He has a soft expression that’s rarely seen towards others, but it can be seen when he’s with Haruhiko and Meme. From the bottom of my heart, I treasure those two. What’s tormenting me so much, is my own intelligence. Surely you can understand.

songs

pretty much all of the one eyed ripper songs have translations from various sources! the most accurate ones will be on the vocaloidlyrics wikia, but for basic listening, CC on youtube will also be good! (most of the time, lyrics from there are reprinted onto CC anyway, so don’t worry too much.) here’s the songs in release order:

one eyed ripper murder case

considered the very first song in the plot chronologically (as of right now), as well as start off for the series, this song details the span of the murder case from start to “finish”. go ahead and listen to it before reading up on the other songs if you want a total “no spoiler” experience.

one eye’s confession

the second song for the series to release, this one focuses much on haruhiko’s character and his developing feelings towards meme. not much to be said! but personally, this is my favorite song in the series

monop’s confession

the third, and currently most recent song to be uploaded for this series! this one focuses on akihiro’s character, as well as provides an “alternate timeline” within the series at the end of the pv.

that being said, please do not rush shitoo to make more songs. i have no idea if they plan on it in the first place! they’re busy with the game and stuff already. if you want more content, however, there’s also mangas as well as the official twitter, which uploads development on the game as well as rt’ing fanart!

mangas

one eyed ripper murdercase (?) [trnslation] one eyes love [translation] [also purchasable on their pixiv booth!] * one’s gaze [translation] * * these are mine, however, i plan on putting the images within a drive so it’s MUCH more easier to read, meaning these documents might change. you will still be able to access the pics from this links, hopefully!

there’s also some varied translations (non-plot related) for the series if you wanna check those out!

that’s p much it!

the game demo that was out on my channel is severely outdated, so i wont link it in this masterpost, but you’re welcome to look for it if you’d like! remember to follow the official twitter, as well as shitoos twitter (@xxxshitoo on twitter) for updates.

#one eyed ripper #shitoo #HAHA I POSTED THIS EARLIER BC I HIT CTRL ENTER INSTEAD OF SHIFT ENTER FOR TH ELOVE OF GOD HELP ME

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the-last-ghost · 6 years ago

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Okay everyone, I've been reading the whole "humans are space orks/fae/weird" tags for a while and have been working on my own story to add to it. This is part one and it's really long so stick with it and hopefully you enjoy the read!

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We have all heard their stories growing up; all heard the myths and legends surrounding them. It’s almost impossible to believe that they were real but there is still proof, scattered among the cosmos, almost as impossible itself. I’ve heard them called many things over the years: wanderers, outcasts, lost souls, fae, immortals, demons, destroyers, even death itself. Every name I have heard, if the stories are to be believed, is true and well earned. I haven’t seen one myself, nor has my father, nor his father; rumor is, they haven’t been seen in nearly 3,000 years… Imagine my surprise finding one now…

I realize you may not know anything about the creatures of which I speak; I guess I should say that most people have heard the stories… Well allow me to tell you about them; these, as they call themselves, Terrans.

The story goes that long ago, back in the early years following the foundation of the United Species Federation (USF) (about 8,600 years ago-standard) they sent envoys and scouts out across the stars to find life and if it showed promise, to bring it into the fold of the USF. No one quite remembers how the first contact went, however, it is believed that it went fairly well, what with the Terrans conducting their own search throughout the stars on what they called their, “Third Golden Age of Space.” Apparently they had already gone to space twice before but some form of internal conflict put the exploration to a halt. Records indicate that they melded swiftly and smoothly with the Federation but were always considered to be the more wild and fearless of the 189 species. It wasn’t until the 9th year as a part of the USF that their home world was formally classed as a category 7 deathworld, 3 tiers higher than our previous maximum (supposedly they had to completely re-do the scale to make it work.) The few holo-picts of the world (if you’re lucky enough to find one) showed a world full of beauty and wonder but as we all know, beauty can be deadly in the cosmos.

After joining the Federation, they primarily set their focus on science and exploration; the things they found were astounding and those they made were breathtaking. I remember once going to the USF capitol on Jurhan-3 and seeing a “small-scale” version of one of their Epsilon-Frigate class starships’ power cell; they called it the “Apollo Reactor” and it, still to this day, harnesses the power of a collapsing star held in perpetual stasis. I am unaware of the science behind it but the Apollo Reactor was nearly 8km long, just as wide, and 6km high and the energy the star gives off can, theoretically, power half of the planet indefinitely-to think they put a larger version of this in their starships! They created works of wonder in ways that are now lost to us, for with them went the skill, knowledge, creativity, and much needed insanity to create these wonders. They came up with ideas and solutions for things we never would have even considered and, true to their nature, set out for a solution with an alarming dedication (although the wonders that came from their accidental discoveries are just as marvelous.) Not only were they the creators of the impossible, they were the seekers of the undiscoverable. They would set out on the planets, moons, asteroids, and among the stars in search of all those things our legends said could not be found; and they would find them! They would purposely seek out our own myths and legends and while many were proved wrong, they in turn were becoming legends themselves…

Then one day there was a request for a team to explore one of the many dead-zones the USF had listed and, since they were aptly suited for hazardous work, they volunteered. As it was, they went out with their usual compliment, a Gamma-class frigate at about 13km in length was the command ship for the operation. The Icarus, is well known for what the exploration lead to; and for that, we can’t hold it against them. The Icarus set out with its two Delta-class cruisers, each about 9km long, in tow towards the dead-zone. This is one of the few aspects of their past that we still know actually happened and its easier to view the formal log…

USF Doc. 1193.34-D164Y228

Icarus Expedition Captain’s Log:

--196-- We have successfully completed our jump into system X33-KL09 and are preparing for our initial scan of the system.

--197-- Initial scan shows little promise of habitable locations as expected; will conduct systematic, thorough, cross-examination of each planet for possible mineral harvesting.

--198-- Outer rim planets, X33-9, X33-8, and X33-7, all devoid of any significant deposits of any usable minerals; moving inward towards the system core.

--199-- X33-6 and X33-5 both show heavy iron, copper, sulfur, and other usable mineral deposits. Locations marked and transmitted to the Federation Fleet Command (FFC.) Moving on to innermost planets.

--200-- X33-4 shows sign of former habitation; holo-picts will follow. No sign of current life, no atmosphere to speak of, no signs of water, no signs of vegetation. Will collect samples and transmit them to the FFC. Ground Exploration Team 3 (GET3) sent to surface, base established. GET3 will remain on surface until we leave the system.

--201-- X33-3 appears strange on our scanners. It’s almost as if there is something…wrong…with it. Unsure of how else to describe it. Standby for holo-pict.

--202-- Contact! All ships requested to pull back to X33-4 and form defensive perimeter; lethal force NOT authorized. Standby for further orders.

--203-- Sentient life has been met; sudden fleet emersion from the warp. Non-USF signals. Attempting to hail unknown contacts.

--204-- All attempts at contact have failed. Will attempt other means of ***BREAK—ALL HANDS TO STATIONS—SHOTS FIRED AT CRUISER: RISING SUN—PREPARE TO ENGAGE CONTACTS***

--205-- All ships, unknown contacts are hostile. Open fire on all Non-USF craft. Engage at will.

--206-- Attached is the video footage remaining of the engagement.

--207-- All ships, damage report. *Silence as ships report in* Confirm: Cruiser: Fallen Star destroyed? *Silence while awaiting confirmation* Understood. Enemy fleet as either been destroyed or fled the system. Remaining craft ordered to collect survivors and GET3, then prepare to warp to nearest USF outpost.

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--236-- Final tally of expedition fleet to system X33-KL09: One (1) Delta-class cruiser, Fallen Star, destroyed. 728 of its crew confirmed KIA, 109 of its crew un-accounted for (presumed KIA), 246 of its crew recovered and accounted for with varying injuries. One (1) Delta-class cruiser, Rising Sun, minor hull damage. 17 of its crew confirmed KIA, 0 of its crew missing, 942 of its crew accounted for. One (1) Gamma-class frigate, Icarus, severe hull damage, thrusters at 48%, and near catastrophic Apollo Reactor failure. 593 of its crew confirmed KIA, 197 of its crew un-accounted for (presumed KIA), and 806 of its crew recovered and accounted for with varying injuries. Requesting immediate support to attached coordinates. Sending Delta-class cruiser, Rising Sun, ahead of remaining vessels to prepare for our non-warp arrival.

--237-- Contact re-established with unknown forces. All crew to stations. Enemy ship determined to be on collision course; prepare to repel boarders. *Screams following the sound of impact—Sounds of metal wrenching itself apart—Silence* Shields down. Thrusters now inoperable. Boarding parties attempting to take ship. Will not allow this to happen.

--238—Cruiser, Rising Sun, has exited the system. Life-support systems failing. Authorizing the Manhattan Protocol*. God be with us.

--239—Attached video contains the final moments of the Icarus before the Manhattan Protocol was engaged. All hostile contacts were terminated.

*Manhattan Protocol: If the ship is boarded by hostile forces with no hope/chance of rescue or survival and no friendly forces remain in the system, the detonation of the Apollo Reactor is authorized. Said detonation will result in the immediate atomization of the host craft and nuclear explosion centered on the craft powered by the energy of the dying star. Possible outcomes could leave the system uninhabitable or create a minor black hole (if an Alpha-Class Capitol/Command Frigate is detonated.) This protocol only to be used as an absolute last resort.

----------End Formal Log-----------

As you saw, this no doubt lead the USF to mobilize a task force to secure the dead-zone and establish the identity of the unknown, openly hostile species and determine where they came from. Up until then, we had yet to see these Terrans in open conflict; there had clearly been minor skirmishes but nothing of real note. We were quite unprepared for their way of making war for these simple, bi-pedaled creatures seemed to pose little threat and were believed to have been primarily peaceful; quite at odds with their tier 7 deathworlder status. Apparently this had been the first ship lost in war in over 450years for them, a fact that they were extremely proud of, and so naturally they took it personally and set to it with there trademark dedication. Their sciences switched from focusing on exploration to tracking, from genetic mapping to mapping the weak-points of starships, from creating stronger mining tools to creating near indestructible hull armor; and it was beautiful. That’s when they were rumored to have been called the Fae, after myths from their own past. Beautiful beings capable of untold devastation. And so, the USF went to war against an enemy they knew little to nothing about, with these Terrans on point.

When contact was made again, after nearly 4 years of searching the dead-zone and the surrounding systems, hostilities were immediately established and our foe finally identified. They were called the Xulrata; fierce bi-pedaled creatures that would stand nearly 13ft tall and weigh upwards of 1200lbs. They were covered in a thick, leathery hide that seemed impervious to most of the federations weaponry but somehow the Terrans were able to find ways to pierce it. They had two massive canines that jutted from their lower jaw, deeply set eyes the size of my fist, and hands with the strength to crush a grown Sarlot as if it were nothing. We learned real fast that the only sure way to kill one, was to remove the head; even then, sometimes the body would continue on until its heart failed it, they were nightmare creatures and we lost a good many men and women to them in the following millennia. The Terrans had their own name for them, as they so often did; they called them Orks, after yet more creatures from their myths and legends-although, these myths appeared to be very, very real.

------------End Part One------------

I hope you enjoyed reading it as much as I did writing it. Please share it around and I'll get to work on part two!

#scifi #science fiction #humans are weird #humans are space orcs #humans are space oddities #humans are space australians #humans are insane #storytelling #short story #story #first post

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scifigeneration · 6 years ago

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2019 PHILIP K. DICK SCIENCE FICTION FILM FESTIVAL ANNOUNCES BI-COASTAL EVENT IN NEW YORK AND CALIFORNIA

The Philip K. Dick Science Fiction Film Festival, the annual festival that honors legendary novelist Philip K. Dick through the dynamic power of science fiction film, is returning for its seventh outing with a full schedule of events. For the first time since its inception, the festival will hold a bi-coastal gathering presenting a lineup of films, premieres and panels for audiences in New York City, Los Angeles and Santa Ana, CA. The ambitious endeavor will provide a platform for independent filmmakers who tackle a variety of themes that empower the narratives of Philip K. Dick, whose work continues to serve as a profound mark on the literary and entertainment worlds.

The festival will open in New York City on Thursday, March 7th and Saturday, March 9th. Following its long history in New York, the festival regards the city as an exemplary location to utilize science fiction as a means of connecting with audiences. "We have developed a strong following here," said Daniel Abella, the founder and director of the festival. "Our fans have become loyal supporters of our films and platform so we acknowledge their support by bringing back great sci-fi year after year." Features include Saku Sakamoto's ARAGNE: Sign of Vermillion about a young woman's discovery of a mysterious class of insects and the U.S. premiere of Taking Tiger Mountain Revisited, the remastered version of Kent Smith and Tom Huckabee's post-apocalyptic 1983 film starring Bill Paxton. Then, a lone survivor searches for answers after the human race vanishes in the World Premiere of John Norby's Assimilation.

The west coast edition of the festival will run in partnership with Media Arts Santa Ana (MASA), a non-profit organization that supports its community's cultural empowerment through special resources and initiatives. "We are excited to bring the festival to Santa Ana and allow fans to see some great films," said Victor Payan, the director of MASA who worked with the festival to organize a divine salute to its namesake, a resident of the city in his final years where he wrote several of his last major works. "This will help create discussion about how Santa Ana and Orange County influenced Philip K. Dick's vision and celebrate one of Santa Ana's most treasured and influential artists."

Festivities begin on Thursday, March 14th in Los Angeles with the city serving as a prime destination to bring the festival. "Blade Runner is set in L.A. in 2019," said Abella when referring to the 1982 adaptation of Philip K. Dick's novel Do Androids Dream of Electric Sheep? "There is no better honor than by holding the festival in the very city and year depicted in one of the greatest sci-fi films of all time." Screening titles include Matthew Evan Balz's Corvus, which follows a woman's perilous efforts to build a machine capable of hypnosis and the depiction of extant technology in Emily Dean's Andromeda about an android's awakening of human emotions. Closing the night is Josh Gibson's atmospheric Pig Film about a woman's work on a hog farm during the impending end of the world.

The festival then opens in Santa Ana, CA from Friday, March 15th through Sunday, March 17th. Essential films include Unzipping, the cinematic directorial debut of actress and writer Lisa Edelstein about the poignant unfastening of a marriage and Star Trek veteran Walter Koenig's confrontation with fate in Michael Baker's Who is Martin Danzig? Holding its World Premiere is Tony Dean Smith's mind-bending thriller Volition about a clairvoyant man's quest to avoid his own murder and the U.S. and L.A. Premiere of Sarah K. Reimers' Bitten about a dog's rabid night of risk and adventure. Dive Odyssey kicks off a lineup of feverish documentaries as Janne Kasperi Suhonen takes viewers on an absorbing aquatic journey and Colin Ramsay and James Uren decipher what makes "good" artificial intelligence in the dawn of ethics and technology in Good in the Machine. Observing the 90th anniversary of Philip K. Dick's birth and the 50th anniversary of Blade Runner's origin novel, the two organizations joined forces for the Philip K. Dick Multicultural Dystopian/Sci Fi Short Film Challenge, a short film competition that invited participants to develop projects that analyze contemporary life in view of themes associated with Philip K. Dick. The challenge also evaluated Philip K. Dick's cultural influence on the Santa Ana community and to encourage the representation of multicultural stories by traditionally underrepresented sci-fi filmmakers. "Anyone who has ever felt alienated should look up to PKD," said Abella. "Because the heroes in his stories were everyday people attempting to retain their dignity in a progressively dehumanized world." The festival's expansion has also furthered its commitment to feature a more inclusive brand of filmmaking with 31 percent of the official selections directed or co-directed by women and minority filmmakers. Many films are seen from the perspectives of racially and gender diverse characters. "There is a new freshness entering the genre," said Abella, who curated an equality-driven showcase of films from the emerging talent strengthening the industry. "Science fiction is based on exploring the 'other' and no one is more qualified than those groups who have been marginalized to tell their story using the tools of sci-fi." THURSDAY, MARCH 7, 2019: Museum of the Moving Image (36-01 35th Ave, Astoria, NY 11106) Block 1: Best of Philip K. Dick Short Films Time: 6:00pm - 8:00pm Glitch Noir 2 - The Rise of el Pelon (2018) Director: Cody Healey-Conelly Run Time/Country: 1 min, USA Synopsis: A trailer to the sequel of Glitch Noir tells the story of a futuristic private eye who with the help of an A.I. that processes big data, tracks and unhinged killer through the murky neon streets of the Sprawl. The Last Office (2018) Director: Trevor Hoover Run Time/Country: 12 min, USA Synopsis: In an alternate 1940s, a switchboard operator must endlessly serve as the link between two worlds, connecting calls across the barrier line of life and death. One day, he fields a call from someone he knew in a past life. Harsh Reality (2018) Director: Iain Marcks Run Time/Country: 18 min, USA Synopsis: A cynical professional gamer's life is turned upside-down when he's forced to see the world in a different way. Some of Her Parts (2018) Director: Abie Sidell Run Time/Country: 11 min, USA Synopsis: When future medicine allows people to live past the human body's shelf life, a young woman visits her grandmother in the hospital and is forced to question the value of immortality when you still end up in a box. How I Got to the Moon by Subway (2018) Director: Tyler Rabinowitz Run Time/Country: 13 min, USA Synopsis: After being diagnosed with ALS, a curmudgeonly older man goes to the hospital with his partner to record his voice bank before he loses the ability to speak. Regulation (2018) Director: Ryan Patch Run Time/Country: 11 min, USA Synopsis: In the near future, a young social worker named travels to a small community to administer behavior-modifying 'patches' that guarantee happiness for the wearers. She then must decide what to do when a precocious 10-year-old girl refuses to accept the patch. To Be Forgotten (2018) Director: Masa Gibson Run Time/Country: 25 min, USA Synopsis: A recovering addict trying to erase the online records of his past transgressions gets a call from a mysterious company that claims it can help him be forgotten - not only by the Internet, but by all the people that ever knew him and by the natural world itself. The Desert (2018) Director: Ben Bigelow Run Time/Country: 14 min, USA Synopsis: In a suburban mansion, a woman sneaks into her son's virtual reality chamber. Here, he wanders through a desert with extraordinary powers. The machine is intended as a psychiatric treatment, yet Martha's trespass sets in motion a series of threatening events. The virtual reality, it seems, has begun to leak into their home. Post-Film Q&A: Screenings will be followed by an in-depth discussion with filmmakers. Block 2: International Sci-Fi Short Films Time: 8:00pm - 10:00pm The Ticket (2018) Director: James Villeneuve Run Time/Country: 11 min, Canada Synopsis: A man's life takes a dark turn when he accepts a ticket to board a giant space craft. Synthia (2018) Director: Maria Hinterkoerner, Bernhard Weber Run Time/Country: 12 min, Austria Synopsis: In the near future of Vienna, every household is supported by a personal assistant robot called Synthia, built by tech giant ENYO. The robot is equipped with a neuronal network and has access to all electronic devices. Synthia listens, and she learns. N (2018) Director: Iacopo Di Girolamo Run Time/Country: 14 min, Italy Synopsis: An expressionist nightmare in which an inventor and his colleague test the 'Automaton,' a machine able to create things from nothing. The machine works perfectly as long as the items it is asked to create start with the letter "N" in German. The results of the test will be predictably catastrophic. I Want To Kill (2017) Director: Dan Yadin Run Time/Country: 5 min, USA Synopsis: An unhinged, psychedelic romp through the bleak depths of space. Into the Dark (2018) Director: Benjamin Berger Run Time/Country: 12 min, USA Synopsis: In the wake of a widespread viral epidemic, two U.S. soldiers stranded during their mission must fight to survive while an old man and his ailing daughter, running low on food, wait to be rescued. Destroyer of Worlds (2018) Director: Samual Dawes Run Time/Country: 44 min, UK Synopsis: A precocious teenager must reluctantly leave his life in 1954 behind when his father makes the most devastating discovery to date: Leap Theory. Post-Film Q&A: Screenings will be followed by an in-depth discussion with filmmakers. SATURDAY, MARCH 9, 2019: Producers Club (358 W 44th St, New York, NY 10036) Block 1: Japanese Anime Feature Time: 11:00am - 12:30pm ARAGNE: Sign of Vermillion (2018) Director: Saku Sakamoto Run Time/Country: 76 min, Japan Synopsis: Directed by the digital effects producer of Ghost in the Shell 2: Innocence, a college girl moves into a building on the outskirts of town and sees an insect coming out of the arm of a woman. She learns that they are called "Spirit Bugs," and have existed since ancient times. Unravelling the mystery, she discovers this is only the prelude to a new form of terror. Block 2: International Sci-Fi Short Films Time: 12:30pm - 3:00pm The Vault (2018) Director: Sara Martins Run Time/Country: 10 min, Canada Synopsis: In this post-apocalyptic sci-fi web series, a ragtag group of survivors live in an underground military bunker known as Vault 175. Seedling (2017) Director: Stevie Russell Run Time/Country: 13 min, Ireland Synopsis: A young couple have an encounter with a strange, unknown life form. Graffiti (2017) Director: Barcsai Bálint Run Time/Country: 19 min, Hungary Synopsis: A delinquent sees graffiti of his future self and tries to understand what is happening. Compatible (2018) Director: Pau Bacardit Run Time/Country: 15 min, Spain Synopsis: In this web series, a man has an opportunity to upgrade himself for greater electronic compatibility. Colony (2018) Director: Catherine Bonny Run Time/Country: 15 min, Australia Synopsis: Indentured servants try to establish a new planet but something is alive in the ocean. Eva (2018) Director: Xheni Alushi Run Time/Country: 15 min, Switzerland Synopsis: An introverted young girl discovers a gateway to a parallel world, in which she finds comfort and ease for her guilt. Birth (2018) Director: Andrea Cecconati Run Time/Country: 16 min, Italy Synopsis: Inside a waiting room where people choose to be born or be deleted forever, a little girl tries to drive people who have chosen not to exist into the row of birth. Space Between Stars (2018) Director: Samuel W. Bradley Run Time/Country: 10 min, Canada Synopsis: A group of ethereal creatures exploring a derelict space station are drawn out into the vast, unsettling environment. As their fate begins to crystallize, questions are raised about the nature and ambiguity of conflict. Space Flower (2018) Director: Pam Covington Run Time/Country: 13 min, USA Synopsis: A young woman longs for a forbidden love. From Life (2018) Director: Uli Meyer Run Time/Country: 8 min, UK Synopsis: An amateur artist sketching in a churchyard has a series of encounters with a young woman believed to be a ghost. In fact, the truth is stranger than that. La Supercafetera (2018) Director: Vektorjack, HD Carlos Run Time/Country: 10 min, Spain Synopsis: Three friends share a very special coffee maker but instead of coffee it produces pin badges which give superpowers to those who wear them. By using these superpowers, the three geeks get involved in a quest that will eventually take them to a post-apocalyptic future. Post-Film Q&A: Screenings will be followed by an in-depth discussion with filmmakers. Block 3: Best of Philip K. Dick Short Films Time: 3:00pm - 5:00pm The Last (2018) Director: Samuel Turner and Andrew Dobson Run Time/Country: 9 min, UK Synopsis: Struggling to survive in isolation, a scientist carries out vital work. The Last Dance (2018) Director: Chris Keller Run Time/Country: 8 min, UK Synopsis: In the not-too-distant future, an old man works alone in his garage, click-click-clicking the hours away on an old desktop computer. He is making something great and the not-too-distant future will become the not-too-distant past. The Jump (2017) Director: Andy Sowerby Run Time/Country: 10 min, UK Synopsis: An astronaut braves a pioneering solo mission into deep space, leaving behind her loving husband. Through disjointed communications, she discovers her life on Earth has changed forever. Baby I'm Yours (2017) Director: Hadley Hillel Run Time/Country: 12 min, USA Synopsis: In the future as it was imagined in the 1950s, a boy notices his mother acting strange and begins to question whether or not she is a robot. Uncle Griot (2018) Director: Paul Charisse Run Time/Country: 6 min, UK Synopsis: A young girl takes her uncle for a walk. The Drone (2018) Director: Wojciech Lorenc Run Time/Country: 14 min, USA Synopsis: DJ, a small quadcopter is simply trying to fit in. Zoe (2018) Director: Leif Brönnle Run Time/Country: 17 min, Germany Synopsis: A young woman without identity or memory. Two scientists with great ambition. A sequence of tests that will bring them all to their psychological frontiers. The Photographer (2018) Director: Mazhar Kamran Run Time/Country: 18 min, India Synopsis: A woman appears to a photographer but sometimes not in his photos. Faulty Father (2018) Director: Benjamin Welmond Run Time/Country: 10 min, USA Synopsis: In the near future, a young father's morning routine is put on the fritz when he uncovers his wife's bizarre secret, one that forces him to question his sense of self and his role in the family. Post-Film Q&A: Screenings will be followed by an in-depth discussion with filmmakers. Block 4: Horror and Sci-Fi Short Films Time: 5:00pm - 7:00pm Headcleaner (2018) Director: Nick Scott Run Time/Country: 29 min, UK Synopsis: A documentary filmmaker follows a working class recluse from Scotland who can control his environment through the power of sound. Over a fractured timeline, viewers witness the struggle to reconcile the recluse, his mastery of sound and a found footage tape of a sonic weapon called The Drone Tape, tested on humans in the seventies that will ultimately lead to horrific consequences for the filmmaker's family and the world at large. Post Mortem Mary (2017) Director: Joshua Long Run Time/Country: 10 min, Australia Synopsis: A girl and her mother run a post mortem photography business in 1840's Australia. Whistler's Mother (2018) Director: Robbie Robertson Run Time/Country: 18 min, USA Synopsis: The artist James McNeill Whistler spent years trying to capture the essence of his mother for his most famous work of art—not to create a masterpiece but to save his mother from possession by the Baba Yaga, an evil Russian witch. The Observer Effect (2017) Director: Garret Walsh Run Time/Country: 19 min, Ireland Synopsis: A woman is haunted by a dark watcher, a man obsessed with thoughts of her vicious murder but as the fateful hour draws near bizarre events unfold to reveal truths they could never imagine and a secret that will change their lives forever. The Cold Dark (2018) Director: Mikko Löppönen Run Time/Country: 19 min, Finland Synopsis: A woman wonders off into the dark to search for medicine for her wounded father. As she rummages a cabin, she stumbles upon two men who grant her cover for the night. But something outside is listening. Thursday Night Basic (2018) Director: Mike Hay Run Time/Country: 5 min, UK Synopsis: The story of a man who is changed and ultimately transported to another place, maybe even another dimension, due to watching some strange 8mm footage and drinking something even stranger. Beyond the Wall of Sleep (2017) Director: Peter Miller Run Time/Country: 10 min, Australia Synopsis: An exploration of sleep, sanity and space via H. P. Lovecraft and The Rules and Regulations of the Insane Asylum of California. Post-Film Q&A: Screenings will be followed by an in-depth discussion with filmmakers. Block 5: Feature Presentation Time: 7:00pm - 8:30pm Taking Tiger Mountain Revisited (2018) — U.S. Premiere Director: Kent Smith, Tom Huckabee Run Time/Country: 77 min, USA/UK Synopsis: In this remastered version of the 1983 film, an American draft dodger in a dystopian future is brainwashed and programmed by militant feminists to assassinate the Welsh minister of prostitution. Lurching unwittingly toward his goal, he makes a series of furtive connections with societal outliers like himself, including a feral child, a gentle prostitute, a sadomasochistic delinquent, a lovelorn androgyne, a hippie dope dealer, and a mute nymphomaniac while fending off predators who would sell him into sex slavery. Eventually, he is forced to focus on his mission and face the dreadful dilemma tormenting his psyche: to kill or not to kill. Starring Bill Paxton (Aliens). Written and directed by Tom Huckabee and Kent Smith. Co-written by William S. Burroughs, whose source material Blade Runner (a movie) provided a basis for the film. Block 6: Experimental Sci-Fi Feature Presentation Time: 8:30pm - 10:00pm Assimilation (2018) — World Premiere Director: John Norby Run Time/Country: 79 min, Ireland Synopsis: In the near future, exponential growth in technology triggers an event that wipes humankind off the face of the Earth. But from where did the grand plan for this event come and who or what is behind it? A lone survivor searches for answers in her quest to reconnect with life. THURSDAY, MARCH 14, 2019: Echo Park Film Center (1200 N Alvarado St, Los Angeles, CA 90026) Block 1: Sci-Fi Short Films Time: 7:00pm - 9:00pm Corvus (2018) Director: Matthew Evan Balz Run Time/Country: 10 min, USA Synopsis: A woman builds a machine with hypnotic capabilities. No Country for Old Lizards (2018) Director: Emiliano Rago Run Time/Country: 4 min, USA Synopsis: A conspiracy theory fanatic finds out an unpleasant truth. A Psalm of Sight - Verse 1: Zerfall (2018) Director: Julian Curi Run Time/Country: 15 min, USA Synopsis: Gifted with eternal life after drinking from the Holy Grail, a medieval knight spawns an alternate history where technology is God, and man is machine. Dace Road (2018) Director: Silk Run Time/Country: 9 min, France/UK Synopsis: On a night ride, a female cab driver tries to convince her client he is in a coma and that a collision is the only way for him to wake up. The Golden Record (2018) Director: Rachel Goldfinger Run Time/Country: 7 min, USA Synopsis: An alien crosses her barren planet and stumbles upon a record from Earth. While she is mesmerized by the record's bold, beautiful images, she undergoes a harsh awakening that only her own reality can truly comfort her. The Well (2018) Director: Adam Wheeler Run Time/Country: 19 min, USA Synopsis: When Ted, a withdrawn bachelor discovers a mysterious book while searching for his recently disappeared mother, he enlists the help of an old high school science wiz to piece together a confounding puzzle that seems to center around his family home. The Great 60 Days (2018) Director: Tae-Woo Kim Run Time/Country: 9 min, South Korea Synopsis: A doctor experimenting on fruit flies develops a substance that can dramatically increase activity in brain cells. After a series of failures, one fruit fly finally has a huge reaction when its intellect becomes mutated. Andromeda (2018) Director: Emily Dean Run Time/Country: 15 min, USA/Australia Synopsis: An android who, through her friendship with a little girl, becomes alive. Void Vision (2018) Director: Alexander Stewart Run Time/Country: 8 min, USA Synopsis: An abstract short in which real and the simulated are equally constructions; a space where doubles, twins, duplicates, re-creations, and copies blend into one another. Post-Film Q&A: Screenings will be followed by an in-depth discussion with filmmakers. Block 2: Feature Presentation Time: 9:00pm - 10:00pm Pig Film (2018) Director: Josh Gibson Run Time/Country: 60 min, USA Synopsis: In an empty world, a solitary female mechanically follows the protocols of a factory hog farm. Her labors are sporadically punctuated by musical rhapsodies as she moves toward the impending end. Is it the end of the world, a program malfunction, or the beginning of a film? FRIDAY, MARCH 15, 2019: Ebell Club (625 French St, Santa Ana, CA 92701) Block 1: Philip K. Dick Multicultural Dystopian/Sci Fi Short Film Challenge Time: 7:00pm - 8:00pm Winning films to be announced at the screening. Filmmakers will be present for a post-film Q&A. Block 2: "When Worlds Collide" Short Films Time: 8:00pm - 9:00pm Deep Dive (2018) Director: Mohammad Soleimanifeijani Run Time/Country: 6 min, USA Synopsis: A young Persian refugee arrives at the border of Los Angeles and is given a mandatory set of government-issued immigrant transition AR lenses. Shut out of other people's reality she slowly descends into a new form of digital alienation. Who is Martin Danzig? (2018) Director: Michael Baker Run Time/Country: 11 min, USA Synopsis: A mysterious old man sits in the park feeding pigeons, ruing the refuse of humanity encroaching on his sanctuary. He then meets his much younger replacement and learns to accept his future - with the fate of all humanity in the balance. Starring Walter Koenig (Star Trek) and Kevin Page (RoboCop). Precipice (2018) Director: Sean Young Run Time/Country: 4 min, Canada Synopsis: The planet's organics-engineer must decide if we are a species worth salvaging or if eradicating all life on Earth is the answer. Unzipping (2018) Director: Lisa Edelstein Run Time/Country: 15 min, USA Synopsis: A woman feeling unfulfilled discovers a zipper tab under her husband's tongue. Unable to resist, she pulls it and her entire life changes. But when newness turns into the new normal, she is once again unfulfilled and realizes her mistake: the problem has always been her. Starring Lisa Edelstein (House, Girlfriends' Guide to Divorce) in her cinematic directorial debut. Tomorrow, Shall We All Be Transhumans? (2019) Director: Benoît Schmid Run Time/Country: 9 min, Switzerland/France Synopsis: Jump into a mesmerizing journey into the spirit of the first man who succeeded to digitize his own brain, algorithm his soul, and who injects himself some Holy Transgenic Fluids in order to transcend his flawed flesh. Post-Film Q&A: Screenings will be followed by an in-depth discussion with filmmakers. Block 3: Special Guests Time: 9:00pm - 10:00pm A panel of special guests to attend the festival with an announcement made at a later date. SATURDAY, MARCH 16, 2019: Orange County Museum of Art: OCMA (1661 W Sunflower Ave, Santa Ana, CA 92704) Block 1: New Frontiers: Documentaries From The Edge Time: 11:00am - 12:45am Dive Odyssey (2018) Director: Janne Kasperi Suhonen Run Time/Country: 9 min, Finland/Norway Synopsis: A meditative journey into the depths of water and mind, viewers enter on a journey into crystal clear darkness where the only light ever is man-made. Weather and Chaos: The Work of Edward N. Lorenz (2018) Director: Josh Kastorf Run Time/Country: 11 min, USA Synopsis: The first film about Edward N. Lorenz and his role in Chaos Theory produced with the participation and of scientists who worked alongside him. With their help a closer look is taken at what the "butterfly effect" actually meant in the context of Lorenz's work and why it should make all rethink the understanding of the universe. Nobody Dies in Longyearbyen (2017) Director: David Freid Run Time/Country: 9 min, Norway Synopsis: Permafrost in a northern island of Norway is affecting Global Seed Vault, infectious diseases like anthrax, influenza and global warming. Good in the Machine (2018) Director: Colin Ramsay, James Uren Run Time/Country: 15 min, UK Synopsis: The question of how to make "good" AI, what it means for a machine to be ethical, and who or what is the agent of the machine. Every Ghost Has An Orchestra (2017) Director: Shayna Connelly Run Time/Country: 7 min, USA Synopsis: What happens after we die is a universal question explored by paranormal researcher and experimental composer Michael Esposito. He straddles the line between spiritual and material and asks the audience to reflect on our purpose, legacy and what our actions say about who we are. UnderSee (2018) Director: Margie Kelk, Lynne Slater Run Time/Country: 6 min, Canada Synopsis: Sea creatures with large eyeballs are curious about invasive gray sludge. Beth's Three O'Clock with Dr. Harlow (2018) Director: Emma Penaz Eisner Run Time/Country: 3 min, USA Synopsis: A woman discloses a recent dream to her analyst. A vivid study of casual brutality and failed empathy, this surrealistic film intermixes stop motion animation with live action sequences. Musa Malvada (2018) Director: Liz Tabish Run Time/Country: 15 min, USA Synopsis: In London 1929, a fortune teller with dark secrets of her own visits various clientele throughout the city. As she navigates the tempestuous personalities and shocking visions, she must choose between telling the truth and her own survival. Extent (2017) Director: Paul Michael Draper Run Time/Country: 13 min, USA Synopsis: Time stands still as two old friends attempt to grapple with a question that defines their very existence. If you could live forever, would you? Post-Film Q&A: Screenings will be followed by an in-depth discussion with filmmakers. Block 2: Feature Presentation Time: 1:00pm - 2:30pm Mechanical Telepathy (2018) Director: Akiko Igarashi Run Time/Country: 76 min, Japan Synopsis: The depiction of love and skepticism through the relationships between researchers who visualize human hearts. Block 3: International Sci-Fi Short Films Time: 4:00pm - 5:45pm I Don't Want To Be Alone (2019) Director: Sergio Rozas Run Time/Country: 19 min, Spain/Japan Synopsis: A lonely girl walks around a future Tokyo chased by weird huge monsters. Even though she fights them, the monsters just keep growing in size and number so the girl has to make a decision. Blink (2018) Director: Atmaja Bopardikar Run Time/Country: 15 min, India Synopsis: A man is unable to understand what is happening to him and as his wife slowly loses her patience, he tries in vain to regain control of his perfect life, until one day he finds out it is not him but his shifting realities. Zilly's War (2018) Director: John Broadhead Run Time/Country: 25 min, USA Synopsis: A brilliant young woman on a four year mission to an alien planet finds herself remembering her childhood and facing her inner demons. The Nine Billion Names of God (2018) Director: Dominique Filhol Run Time/Country: 15 min, France/Switzerland Synopsis: In New York 1957, a Tibetan monk rents an automatic sequence computer. The monks seek to list all of the names of God. They hire two Westerners to install and program the machine in Tibet. A short film is based on the book by Arthur C. Clarke. Tatu (2018) Director: Garcerón Alejo Run Time/Country: 2 min, Argentina Synopsis: In this trailer, monster robots in a car junkyard battle it out. The Picture of Dorian Gray (2018) Director: Michal Janicki Run Time/Country: 9 min, USA Synopsis: A stop-motion animated journey through Oscar Wilde's iconic story about a man who sells his soul for eternal youth. The Desert (2018) Director: Ben Bigelow Run Time/Country: 14 min, USA Synopsis: In a suburban mansion, a woman sneaks into her son's virtual reality chamber. Here, he wanders through a desert with extraordinary powers. The machine is intended as a psychiatric treatment, yet Martha's trespass sets in motion a series of threatening events. The virtual reality, it seems, has begun to leak into their home. Post-Film Q&A: Screenings will be followed by an in-depth discussion with filmmakers and cast members. SUNDAY, MARCH 17, 2019: Ebell Club (625 French St, Santa Ana, CA 92701) Block 1: Best of Philip K. Dick Short Films Time: 11:00am - 1:00pm Subverse (2018) Director: Joseph White Run Time/Country: 10 min, USA Synopsis: In this web series, in an alternate reality where everyone spends all their time indoors staring at computer screens, a man agrees to go on a date in the 'outside' world but it doesn't go well. Filled with self-loathing, he returns home and plunges headfirst into a drunken, hallucinogenic trip through the dark net. Ladies and Gentlemen, We Are Floating in Space (2018) Director: Tristan C. Pina Run Time/Country: 10 min, Canada Synopsis: An unfulfilled high school senior becomes obsessed with an ominous radio broadcast containing steps to a cryptic puzzle. Thinking he is being pursued by a sinister organization, his search for clues takes over his life. Ultimately putting the pieces together, it becomes unclear whether or not it was all real. Beyond the Door (2018) Director: Em Johnson Run Time/Country: 20 min, USA Synopsis: One day Hedy brings home a cuckoo clock to decorate the baby's room, unbeknownst that the cuckoo clock has the ability to love and hate just like humans. The cuckoo clock tests the couple's love by mimicking the presence of their deceased son. Based on a short story by Philip K. Dick. Enthusiasm Abounds (2018) Director: Mark Ross Run Time/Country: 13 min, USA Synopsis: In a world where social justice is automatic and absolute, enthusiasm abounds. Flies (2018) Director: Baobab Run Time/Country: 14 min, UK Synopsis: In the faded beauty of the house of his ancestors, a man waits for the return of the love of his life. Dark fantasies and crushing reality weave a dangerous journey as a struggle unfolds for his mind and ultimately his life. Avicenna (2018) Director: Daniel Stanush, Diego Chavez Run Time/Country: 5 min, USA Synopsis: In a remote location, a solitary researcher scours the landscape for a rare mineral. The Hereafter (2018) Director: Paul-Anthony Navarro Run Time/Country: 11 min, USA Synopsis: When a woman awakes into an afterlife of her own design, she discovers that her paradise might just be purgatory. Mise En Abyme (2018) Director: Edoardo Smerilli Run Time/Country: 11 min, Italy Synopsis: An eccentric and aristocratic gentleman devotes most of his time to a bizarre activity. Obsessed by beauty, he wanders everyday in the wood nearby the city, hunting the most rare butterflies. Once captured, he frames them and put in a massive and disturbing collection. He will soon realize to be himself part of a bigger collection. Axium Effect (2018) Director: Ari Dassa Run Time/Country: 11 min, USA Synopsis: A woman drifts through her traumatic memories after overdosing on a drug pilfered from android processors. Post-Film Q&A: Screenings will be followed by an in-depth discussion with filmmakers. Block 2: Feature Presentation Time: 1:00pm - 3:00pm Volition (2018) — World Premiere Director: Tony Dean Smith Run Time/Country: 101 min, Canada Synopsis: Blending genres, this mind-bending sci-fi thriller about a man afflicted with clairvoyance who tries to change his fate when a series of events leads to a vision of his own imminent murder. But as he sets out to avoid his certain death, he comes to see that his pre-sentient condition is not quite what it seems. Starring Adrian Glynn McMorran (Arrow), Magda Apanowicz(The Green Inferno) and Aleks Paunovic (Van Helsing). Post-Film Q&A: Screenings will be followed by an in-depth discussion with filmmakers and cast members. Block 3: Horror and Sci-Fi Short Films Time: 3:00pm - 5:00pm I Am the Doorway (2018) Director: Simon Pearce Run Time/Country: 20 min, UK Synopsis: After a journey to investigate desolate Pluto, an astronaut returns home a shattered man. He sees eyes forcing their way through the skin of his hands, eyes that distort his friends and the landscape itself into monstrous visions. Believing himself the doorway to alien invasion and gruesome murder, he must take desperate action. Based on the short story by Stephen King. Grey Canyon (2018) Director: Zeshaan Younus Run Time/Country: 13 min, USA Synopsis: A couple encounters a presence in the wilderness that they cannot comprehend. Ulysses (2018) Director: Jorge Malpica Run Time/Country: 8 min, Mexico Synopsis: Warned by the goddess Circe, Ulysses ordered his men to tie him up to his ship's mast, thus preventing him from surrendering to the enchanting mermaid's call, which devoured the unwary men seduced by it. Based on the The Odyssey. Sereget (2018) Director: Dempsey Tillman Run Time/Country: 13 min, USA Synopsis: An emotionally detached husband (with a child on the way) gets a rude awakening when aliens invade his home and target his family. They Wait For Us (2018) Director: Lukas Schrank, George Run Time/Country: 20 min, UK Synopsis: In a near future end-of-life care facility, a reclusive hospital worker starts to believe a coma patient is attempting to communicate with him. Megan (2018) Director: Greg Strasz Run Time/Country: 8 min, USA Synopsis: The story of a woman, who along with the elite Delta Force team, investigates a mysterious attack by in present day Downtown Los Angeles. Bitten (2018) — U.S. and L.A. Premiere Director: Sarah K. Reimers Run Time/Country: 11 min, USA Synopsis: A mysterious and violent encounter sends a dog on a night of adventure and possibility. Spectres (2017) Director: Nick Phillips Run Time/Country: 11 min, USA Synopsis: After losing his family in a car accident, an introverted man interacts with the spirits of the dead who have yet to pass on. Post-Film Q&A: Screenings will be followed by an in-depth discussion with filmmakers and cast members. Block 4: Sci-Fi Short Films Time: 5:00pm - 6:00pm A Timely Reminder for Time Parter Partners (2019) Director: Jamie Gower Run Time/Country: 1 min, USA Synopsis: Time travel is a tough job and filling out your timecard is the toughest part. Especially if you're a part-time Time Parter at Time Parter Partners. The Watchers (2018) Director: Andrew McGee Run Time/Country: 9 min, UK Synopsis: Impact in T-minus 97 minutes. 220 miles above our doomed planet, four astronauts on board the International Space Station are forced to confront their fate as the last members of the human race. Consciousness: Awakening (2018) Director: Rafhet Guerola Run Time/Country: 15 min, Mexico Synopsis: At the Universe's final moments, two men take separate paths due to ideology differences. When their environment and their lives are in danger, one of them attempts to retake their relationship. Together, they must to overcome their differences in order to survive at the imminent end of everything they know. Midnight Delivery (2018) Director: Nathan Crooker Run Time/Country: 10 min, USA Synopsis: A mysterious gift is delivered to an unsuspecting woman's door at the stroke of midnight. Her morbid fascination entices her to examine the gift, unleashing a sinister evil from within. Zoe (2018) Director: Leif Brönnle Run Time/Country: 17 min, Germany Synopsis: A young woman without identity or memory. Two scientists with great ambition. A sequence of tests that will bring them all to their psychological frontiers. Post-Film Q&A: Screenings will be followed by an in-depth discussion with filmmakers. Awards Ceremony Time: 6:00pm - 7:00pm Guests and filmmakers will be in attendance when awards are presented to the category winners as The 2019 Philip K. Dick Science Fiction Film Festival concludes.

#movies #science fiction #film festivals #Philip K Dick #PKD #Philip K Dick Science Fiction Film Festival

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sage-thrasher · 7 years ago

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Extra: “Sanitize” and Sen’s Story

This is a side story for Sanitize, and it takes place after Chapter 8. It contains spoilers, and it won’t make any sense unless you’re caught up. This is more of a... what if? It has no link to the story canon. Is this actually what happened? That’s up to you. But I wanted to write it, so I did. With no further ado, here’s Decay.

Sebastian didn’t like his name. It felt like a shirt that didn’t fit, pinching under the arms, tight in the wrong places and loose in the others. He was six when he told his parents that he wanted to be called only by his nickname—Seb. It still wasn’t right. There was a sound that didn’t fit. But it was closer, much closer, and easy to ignore.

His parents indulged him. They usually did. He was a surprise baby born to an older couple who’d long given up on their dreams for children. (Seb didn’t know why being an only child made him so sad. He felt like there was a hole in his family; he always expected soft smiles and chattering and sharing things he’d never have to share.)

Seb knew he was lucky. His parents were upper-middle class, one a lawyer and the other an engineer. They loved, if not spoiled him, providing everything he’d ever needed or wanted. So why did he hate wasting food and throwing things away? Why was he so frugal, storing his allowance like it could be taken away any minute? (Why did he have these dreams?)

In school, he knew things that other kids didn’t. Seb had to learn the alphabet with the other kids, he had to read the history textbooks and study, but things came easier for him. Part of it was his parents, both who spent hours helping him learn, but some of it, he couldn’t explain. When he saw a dandelion, he didn’t want to make a wish. He didn’t admire the flower. Seb instead thought inflammation and liver problems.

Still, he was happy. Seb liked people, he liked talking to them and making friends, he liked basketball and video games and bad science fiction, and he liked to learn. He went through elementary and middle school as a gifted, social child, one who almost everybody liked.

(Sometimes, he’d pick up a printed book and marvel at how flawless it was. Sometimes, he’d look at a car or a computer and part of him would dismiss it like a normal teenager, and other times he’d stare, thinking it was magic.)

When Seb started 9th grade in a decent private school, one of the requirements was taking a foreign language. For some reason he couldn’t explain, he chose Japanese. Any of the other options—Spanish, French, Chinese, Latin—would be more practical. But something tugged at him to do it, so he did. His intuition was rarely wrong.

When Seb sat down in his first class and somehow knew the letters and words for a language he’d never heard before, he began to remember. Nothing concrete, nothing that made sense, but he remembered.

The next day, he started a garden.

The day after that, he decided to become a doctor.

Seb worked hard, in school and in his garden. He threw himself into academics with the same stubbornness he used to pull up weeds or argue with his friends. Seb was still a regular teen. He flirted with girls, went to homecoming and parties and football games. But everyone, his parents and teachers and friends, knew something was different.

He had a sense of focus, a sense of grounding and understanding that made no sense for a rich teenager to have. (Why would someone like Seb know how to splint a broken leg with a stick and a shirt without first aid training? How could he speak Japanese so well? Why did his eyes become unfocused because of the strangest things?)

In college, he majored in plant science and took all the classes he needed for medical school. When he took medicinal botany, he fell in love again, and he knew he was doing the right thing. When Seb volunteered in hospitals, shadowing and writing notes, some procedures rung a faint bell. His favorite place to observe was the ER, a place where that feeling of half-remembrance was the strongest.

He applied in his junior year and was quickly accepted into multiple programs. He picked the one with a focus on emergency medicine. Med school was one of the hardest things he’d ever done. (One of, because the dreams of holding a dying child and being unable to save her still made him wake up in cold sweats.) His fellow students joked and marveled about his steady hand in the practicals, telling him that he should become a surgeon. His professors had said so too, but Seb knew his calling.

As soon as he was able, after graduation and exams and residency, Seb joined a nonprofit and left straight to rural health clinic in the middle of nowhere.

It felt like home.

He had two colleagues: Reid, a dark-skinned Briton with Jamaican heritage, and Akari, a sharp-tongued Japanese woman. They helped him man the desk, deliver babies, conduct surgeries, drive ambulances, and everything else. The three of them had to do everything, and Seb had never felt happier or more fulfilled. Sure, the internet was spotty, he got homesick for his family, and he always had a real craving for french fries, but this was what he’d always wanted to do. It never disappointed.

The first time Seb spoke to Akari in Japanese, it had been an accident. She’d mumbled and cursed to herself after their failing ultrasound machine broke again. “Stupid piece of trash. Why do we even bother fixing it?”

“Ye, ‘tis more suited for waste heap, yet mayhap it be better than none,” he’d replied without thinking.

Startled, Akari had stared at him for several seconds, expression changing to mortification as she tried to remember all the other times she’d spoken Japanese in front of him. Her first question was then “You speak Japanese? Since when?” which was followed quickly by “You speak Japanese like that?”

“What do you mean?”

“Your Japanese sounds... old, like a thing from a period drama. As if you were a peasant for a samurai or lord,” she said, laughing. “But it is very good,” she quickly added. “Almost flawless. Did you learn from TV?”

He shrugged and hummed noncommittally, letting her draw her own conclusions. Akari took his agreement at face value, But, after a moment, she said, “Would you like me to teach you? How to speak more normally?”

Seb squashed down the instinctive feeling of ‘I already speak normally!’ and instead smiled. “I’d like that.”

After that, their friendship became something more. Japanese lessons became long conversations. Their brief moments of free time in the clinic were spent entirely with each other. It got to a point that their patients would giggle, asking if they should call a priest or gather flowers. Even their colleague Reid had begun to crack jokes, even complaining that the lovebirds made him homesick for his own boyfriend.

Well. They weren’t wrong. Akari and Seb did end up married, after a hopelessly long and oblivious infatuation from both sides, after fumbling dates and growing love and an even more awkward simultaneous proposal. Reid was his best man, and his speech was long and embarrassing and the funniest thing that Seb had ever heard. Everyone cried at least once, including Seb’s parents, Akari, her parents (though her father tried to hide it during his stilted speech) and Seb himself. It was one of the happiest moments of his life.

(Yet, even at the wedding, he could hear that same voice whispering: You’re twice as old as you were then. You spent twice as long on this world. Why won’t you let go?)

Akari and Seb had decided on two children. Based on the results of a coin toss, the first child would have a Japanese first name and an English middle one, and the second would have the reverse. As they flipped through page after page of baby names, scrolled through page after page, they couldn’t quite find a first name that fit both their tastes. The middle name would be Madison, for no reason besides they liked how it sounded.

It was during another session of name-searching that his wife had asked, “What do you think of Yui?”

It felt like someone had grabbed his heart and squeezed it.

“Seb?”

“Yui?” he managed to say.

“Yes. I like how it flows, don’t you?”

He walked over, heart pounding, and wrapped his arms around Akari. “How is it spelled?”

“In English, it’d look like this,” she highlighted the letters on the screen, “but there are many kanji combinations that could be used for Yui.”

She scrolled down, showing him each one. One in particular caught his eye, with the symbols for only and robe. Something warm and kind and unbelievably sad enveloped him, and he could hear a voice whisper: It will be better.

He shook his head slowly. “How about this spelling?” he said, pointing at the one below it. Ties, it read. The ties that bind one person to another. One world to the next.

“I like it!” Akari grinned at him, and Seb kissed the top of her head.

When their daughter was born, when Seb sat next to his exhausted and adoring wife, when he held the little wrinkled baby who cried defiantly to the world...

“Yui,” he murmured, and he smiled through his tears.

It will be better.

And it was.

#sanitize fanfic #side #oc-insert #naruto fanfiction #extra #sanitize extra

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sinnhelmingrmoved · 6 years ago

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sneak peek at my historical multi because if i have to type up any more full bios my eyes are gonna bleed.

canon:

john francis de winter // gaspard ulliel // 23 // 16th century // spy // alexandre dumas’ 20 years later

the son of a 'hero’ without virtue and a girl betrayed into villainy, brought up as a noble’s son without privilege, the boy always had a hard life. the end result of continued degradation and loneliness was a cunning young viper who wants nothing more than revenge for his mother’s assination and his own disgraces. now living under the nom de guerre mordaunt, he hunts his mother’s killers for sport while arranging the downfall of a certain monarchy.

mercedes de morcerf // barbara mori // age varies // 19th century // noblewoman // alexandre dumas’ the count of monte cristo

a fisherman’s daughter whose tragedies slowly turned to a pretty lie, mercedes was the guileless fiancee of the novel’s protagonist. little more than a pawn in the games of her later husband, mercedes has made the best of her life since, living content as a rich man’s wife in paris. the return of her former fiance promises to cast her life into chaos, however, and cost her more dearly than she can ever imagine.

daniel molloy // toby regbo // age varies // 1970s-80s // reporter // anne rice’s the vampire chronicles

the all-american everyman whose pet project led him into the very depths of folklore, daniel is the interviewer of the eponymous vampire of the first novel. several years on, the secret he has been exposed to has consumed him, driving him through the night in search of answers in the company of the vampire armand. through various tribulations, daniel eventually gets his wish to join the children of the night, and currently lives in the very lap of luxury.

ocs:

oswine hessing // richard armitage // 40 // 9th century // soldier and general // vikings

a general who is the model of historical virtues and monstrosity alike, oswine has made his name in the slaughter of heathens and travel across the world. the son of a minor saxon lord, the eldest son of the dynasty was raised in the frankish courts and swore fealty to their leaders, especially towards the beautiful and equally zealous daughter of the emperor. after the betrayal that was selling charles’ daughter in marriage to a heretic, oswine abandoned frankia completely, resurfacing many years later in mercia to do battle with the hoard that approaches from the north.

cyneburg hessing // sophie skelton // 19 // 9th century // wise woman // vikings

the fervently mystic sister of oswine, a young woman at once too forward thinking and too held back by tradition for the era of her birth. known to be ‘strange’ even from her early childhood, the girl developed an obsessive love for scripture and God, her odd mannerisms only serving to further sever her from her family. the decision to send her to a convent did not suit cyneburg in the least, and she scandalously fled the nunnery, swearing she was meant for more, that God deemed it so. her father’s rage was soothed by the offers of her older half brother -- if she meant to travel in the name of God, she could be his companion. adored by her brother, mistrusting of the world, and scorned in kind, cyneburg bides her time in the valleys of her thoughts, listening for God, acting on her own seemingly unknowable whims.

cirila montoya // jessica lucas // age varies // 17th century // noblewoman // the three musketeers

in another life, cirila montoya wants for nothing. the eldest child of a fabulously wealthy merchant’s daughter and one of the habsburg's most respected advisors, her life was neatly written from birth, a cossetted doll, a proper lady. even from her birth, her father had different plans for his eldest -- a master with sword and pistol, the equal in education to princes, raised as properly as any eldest son should be. when cirila’s younger brother came along, no plan was deterred. even now, living paris to help her mother with business dealings, cirila holds fast to the belief that she, not her brother, is the worthy successor to the name, riches, and power of the montoya name. to this end, she plays games with the upper echelons of society and their agents, seeking favor and support in taking her rightful place.

mercy lee // kristin kreuk // 26 // 19th century // witch and seamstress // fandomless

what a humbling thing it is, to be the last of a people that you never knew. the daughter of a cantonese merchant sailor and his scottish wife, mercy owes her every strangeness to her mother’s heritage, to the fact her mother was the sole survivor of the church’s attempts to eradicate her heretical bloodline. she has only the stories her mother could offer her in the 15 years they were together, of a god who dwells in some mirror world, who makes sacred both sea and stars, who is ever watchful and master of all things done in the dark. these bleak truths do little to dampen mercy’s spirits, who stays buoyant in spite of the uncomfortable nature of her faith. dedicating secrets and unseen sins to her god, carving prayers into bones she feeds into the sea, even the stitching of runes into her work is done with an abiding joy for the clearness with which she sees the world. terrifyingly powerful for her nearness to the void, mercy spends her off season traveling the world and striking down far more wicked witches.

claude di montoya // fc tbd // 19 // 19th century // spy and revolutionary // the count of monte cristo

direct descendant of the aforementioned cirila. after their mother’s death, claude was abandoned by their caretakers and spent the next several years living as a boy, working ceaselessly to provide for their little brother rafaele. salvation came in the form of a catalan soldier who saw in the ‘boy’ the same ambitions and hatred that motivated him as a younger man, in this soldier who sought to teach this urchin everything they would need to claw their way out of hell. claude proved an adept study, and pulled themselves from the brink by a fencing tournament in which they crushed all competition beneath their heel to great acclaim. it was not long after that claude was set to a new rotation on their wheel of fortune, reclaimed by their mother’s noble family and sent to italy for a few lonely, halcyon years. embittered against the higher classes, claude was picked for service in espionage based on the majority of their life having been spent in paris, beholden to the whims of their handler, the young swashbuckler becomes swept up in old intrigues that put their former savior in the very eye of the storm, leaving claude to choose between obligation to his memory or the acceptance they find with his greatest enemies.

#Out of Mist #tbd //#a coupla ninth century assholes a few cavalier era fools and too many 19th century disasters guest starring a 1980s reporter.#claude is my fav for their character growth and learning to take back their life =w=

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ulearnlms · 2 years ago

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Ways to Check 9th Class Result Gujranwala Board There are different way to check the 9th class result Gujranwala Board. They are outlined in detail below.

Students of 9th class can check their result by: Roll Number Name SMS Gazette

Students can easily verify their result by entering their roll number on the Gujranwala Board’s official website, choosing the year 2022 and then searching the result.

#Result #online result #9th class result #9th class online result #online 9th class result

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raw-output · 6 years ago

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20 Years.

Two-thirds of a lifetime ago, a ten-year-old boy in a scratchy wool sweater sat huddled under an old down blanket. The first proper snow of the season had come the week before, and the boy hadn’t been dressed for building forts. Now here he was - bored, sick and sweaty. His mother entered the room with a mug of undrinkably hot milk with honey and butter. In her other hand was an issue of GAME.EXE, a computer gaming magazine. The words “HALF-LIFE” were plastered across the bottom of the cover. The boy loved reading, and loved computers, and the milk needed time to cool off anyway. He opened the magazine and flipped to page 8 after finding it in the table of contents. The boy grew older and switched languages, countries and continents, but his favorite game never changed.

It’s hard to compress two decades into text, but I will attempt to do so when it comes to my relationship with the Half-Life series that began all those years ago, with that preview article in that magazine.

The article was written in a second-person perspective that really stuck out to me, and was filled with screenshots that would later turn out to be of an unreleased rough beta version of the game. It ran through several dramatized, episodic descriptions of events in the game, then listed out the weapons used in the game, the enemies you would face and the tactics to deal with them. Finally, there was an interview with Marc Laidlaw himself. This single article was sufficient to make me completely insufferable to my parents for the next few months. “I want to play Half-Life,” I would say. At first, this meant asking to go to an Internet cafe a few blocks away from home, and for money to pay by the hour and use one of their beefy gaming PCs. Later on, it meant asking for a copy of the game, and for time on the “main” home computer - the only machine that could run the game at all, in glorious 320x240 resolution that gave me headaches.

A couple of years passed. The move to the US threw everything into a pleasant state of disarray, but the one thing that hadn’t changed was having to ask my parents to use the computer to play Half-Life. I had found one of my own soon after arriving in the States, but it had no sound card. It was there, on my mother’s computer, that I finally beat the game. My thirteenth birthday present was a copy of the newly released Opposing Force expansion. My birthday cake featured an edible photo of myself playing in a fountain in downtown Chicago, which my mother doodled over with brightly colored frosting. I was now knee-deep in toxic green sludge, a crowbar in one hand, and a proud Lambda logo on my chest.

Most kids in my 8th and 9th grade classes didn’t share my enthusiasm for Half-Life. They played console games and were rightfully hyped about the Playstation 2 and X-Box. In search of like-minded people, I took to the Internet. My options for getting online in 2001 were limited to libraries - either during lunch at school, or at the Naperville Public Library, which was a hour-long walk from home. I discovered Planet Half-Life, an offshoot of the Gamespy network. Through it, I discovered the fact that my favorite game was designed from the ground up to be moddable. I learned of Counter-Strike, Team Fortress Classic, and Sven Co-op. I discovered the Handy Vandal’s Almanac and The Snarkpit, two communities focused on level design. Having no reliable internet at home, I downloaded the level editor - then called Worldcraft - onto a floppy drive and brought it home to install. For the first time, I wasn’t simply playing the game. My parents looked on as I worked to figure out the obtuse user interface, trying to remember what I’d read earlier in the day. They raised their eyebrows when I finally managed to compile and run my first level - a hollow, unlit concrete box 512 units across with a single prefab trashcan hovering in the center. There wasn’t much more I could do in the limited time I was allowed to use the good computer, but I had caught the bug. My notebooks were filled with doodles of level layouts, my mind filled with cheesy storylines to match.

Eventually my family moved to a house with proper internet access, and I got a set of hardware with enough power under the hood to run both the game and the editor. It could even produce sound! All the things I could only read and salivate about were now within my reach, and I gorged myself on them. Counter-Strike quickly fell by the wayside, but Team Fortress and Sven Co-Op did not. Natural Selection came out and blew me away with how different a Half-Life mod could look and feel from the original game. I stayed up past midnight, playing, building, and playing some more. I learned that projects can die - when the extremely tongue-in-cheek Scientist Slaughterhouse mod went silent.

The release of the Half-Life 2 trailer took everybody by surprise. I had called one of my like-minded friends and we synch-watched it together, pausing every few minutes to let the video buffer and gush about how amazing everything looked and how much we were looking forward to messing with the modding toolkit. The subsequent beta leak and resulting delays taught me to be patient.

The move to California was not long after, and my patience was immediately put to the test as most of my belongings were stuck with the moving company, including my computer. I must have gone through a full pack of printer paper in less than a month, drawing up concepts and layouts for Xen Rebels, a mod centered around a semi-peaceful human colonization of the realm set after the events of Half-Life. Once my computer arrived, it was right back to the late nights and groggy mornings for me. Our home Internet was bad but workable, and I spent countless hours with the new and more creative mods that were being released, including The Specialists - a strong attempt to recreate the gun-fighting and martial arts stylings of Hong-Kong action movies in a multiplayer game. Around the same time I was introduced to the strange new world of anime, and decided that I simply must change the two throwable knives offered by The Specialists into kunai and throwing needles. This of course required me to learn 3D modelling. At the time, this was done with Milkshape 3D, a model editor compatible with most contemporary game formats. Once again, countless hours of figuring out the interface and the workflow followed, set to the calming tones of the Unreal, Deus Ex and Half-Life soundtracks. Creating models felt a lot more freeform than levels as I wasn’t constrained to a unit grid or forced to use convex geometry, and one day the new throwing weapons were in. I published the modified models on a forum to exactly zero fanfare. Around the same time, I began learning the basics of Photoshop in school, so modelling and texturing went hand in hand. To say my early textures were atrocious would be an affront to honest, hard-working atrocious textures the world over, but I continued my studies. My experience with working in 3D even netted me a 2nd place award at the school art contest - money which I immediately put back into upgrading my computer.

Half-Life 2 came out in November of 2004, to universal praise and celebration. I received the collector’s edition as a present for New Year, along with a copy of Raising The Bar. I beat the game the same morning, without a wink of sleep between unwrapping my present and the final darkness of the credits screen. The SDK didn’t ship with the game, but as soon as it was released I dove in. Soon after, the modding community blossomed, bigger and more vibrant than the original game’s, driven by the incredible flexibility of the engine. One of the first mods that appeared was made by a British man named Garry, and was called simply that, “Garry’s Mod”. It let players interact with the physics engine, and slowly sprouted more and more features. Many players used these features to pose character ragdolls, eventually creating entire comic series with storylines ranging from the comedic non-sequitur to dark and serious. Of course I felt the need to try my hand at it. That lead to the creation of The Plane - the story of Beet, a Combine Elite who managed to break free of his overseers’ indoctrination and find friendship, love, and revenge on his old masters. The only redeeming feature of that story was that it taught me how not to write stories.

I began getting more attached to the Gmod community than the expressly level design one at The Snarkpit. The few levels I publicly released were designed specifically as sandboxes to play and build in. The most popular ones were gm_orbit and rp_bahamut, maps set in space and featuring zero gravity for physical objects, allowing players to build smaller spaceships, or roleplay as the crew of a salvage and exploration vessel. Posting teaser images on the forums taught me a valuable lesson - what it felt like to be the one creating hype, instead of experiencing it. The constant demands were overwhelming. Some would simply want more work-in-progress screenshots. Others would drop ultimatums that unless a certain feature was designed a certain way, they would refuse to use the map. Others yet attempted to worm their way into getting the map early, offering to test it and provide feedback. I had almost deleted each project multiple times before finally releasing it.

Life happened, and things with Half-Life slowed down. When the Orange Box came out in 2006, I attempted to get it at a five-finger discount at a local Target. I got caught. Indirectly thought it was, Half-Life taught me that idiocy often leads to consequences. Buying it legitimately later in the year and playing through Episode Two reminded me that some stories aren’t written to end neatly.

It was in 2007 that I bought a membership for the Something Awful forums, and discovered an avid and very exclusive community of Gmod players. Over the course of the following decade, most of these people remained in constant contact with me, and will probably remain so for the foreseeable future. I became an admin once we opened our serves to the public - moderating the newcomers and mentoring the unskilled. One of the people had a project in mind, and I began creating models again. Miraculously, Milkshape 3D remained compatible with the Source engine, so I worked with it until I learned Maya. This project would eventually become known as Armored Combat Framework, and be released to the Gmod community at large. I learned how to iterate designs based on feedback, and how it felt to work in a well organized team.

Frontier happened around 2010, and was another lesson in teamwork - specifically what happens when things break down without role redundancy. Ambitions ran high, and the hype mounted. The programmer eventually left, and all that remains of the project is the very videos and images that were used to hype it in the first place, and a folder full of now-useless models, maps and textures. That was probably what prompted me to start pulling away from Half-Life and Gmod in general.

Black Mesa came out in 2012 and breathed a new life into my old obsession. I played through the original Half-Life again, then through the remake, noting the differences and the tweaks to make the gameplay more palatable to modern-day players. It felt good, like putting on an old but comfortable jacket. I’d fire up the SDK now and then, mostly to help newer, more driven designers. Two of the guys from Team Frontier went on to work in the industry full-time. There were whispers of a new game in the works, minor leaks of file and folder names hidden away in Valve projects. Episode 3 turned into Half-Life 3. A full sequel, rather than another short episode, as originally planned. “HL3 Confirmed” became a meme, but the people at the top remained silent.

Life kept happening, as it does. I lost people, I found people. I left home. Every now and then I’d fire up HL or BM again, or drop by the old Gmod server. I’d build things and model things, and release none of it to the public. I watched as the Dota International became the most widely spectated event in gaming, making players, sponsors, and Valve millions. The realization slowly started settling in. Then Marc Laidlaw retired, and later posted the Epistle. The workers at Valve spoke of a lack of direction and stagnation that comes with a cornered market. Modding for an engine over a decade old, no matter how advanced, slowed down.

It’s a different world now. Unity and Unreal engines rule the scene. Survival and Battle Royale have become the new buzzwords. Microtransactions. Loot boxes. Streaming integration. Freemium. E-Sports. Mobile gaming. Virtual Reality. If a new Half-Life were to appear today, would it be changed by the zeitgeist, or would it stay the course set by its predecessors? I don’t know. But there’s one thing that the escapades of a mute, bespectacled research associate have taught me more than anything else: hope.

#half-life #anniversary #20 years #textwall #nostalgia

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