#90's abstract
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Ink 199X
#vaporwave#80s#mallsoft#colorful#1980s#abstract#pop art#pastel#art#aesthetic#v a p o r w a v e#abstract calligraphy#a e s t h e t i c#90s kids#nostalgia#nostalgiacore#pink#artists on tumblr#photoshop#1000
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Something about the specific ambience of certain psx era games, the stilted quality of models and how they are animated, but especially the sheer sense of darkness, the insufficiency of lighting sources to properly convey the warmth of a flame painting color across a pitch black canvas. And then you toss in a synthy, industrial score, which creeps in your ears and sounds a thousand times louder if such a game lacks any form of voiceover, downright foreboding as it underscores this vacuum where words are conveyed by text if at all. But there's this underlying sense of disconnection, like these awkward 3D puppets exist independently of the signs and signifiers intended to lend them narrative meaning. It's this deep sense of emptiness, the oppressive loneliness born within the trappings of technical limitations and experimentation. It's fascinatingly discomforting. Disorientingly, hauntingly irresistible
#busting it down textual style#I watched a video about Racing Lagoon recently and I was awestruck by its aesthetic#which feels surreal awkward and abstract in a way that comes across as intentional#I also think a lot about the likes of Galerians Baroque and other lesser known games with a cyberpunk bent from that era#along with experimental violent OVAs within the same genre that came out around the same period#when I think about the 90's especially nearing the turn of the millennium I think of a nightly chill rather than sunny warmth#first person point and clicks in the tradition of Myst are similar and yet diametrically opposite in my perception#the hauntingly attractive emptiness is still there but while still not warm it's still not quite cold. Tepid in a melancholy sort of way
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Today's compilation:
Sampler EP Volume 1 1990 Techno / Abstract
Whoo, boy, what a tremendous record here, folks. Back in 1990, techno godfather Juan Atkins had only 500 copies of this little white-label 12-inch pressed up for his tiny Interface label, with each track recorded in his very own, now-mythical Metroplex Studios in Detroit. And if you were one of the few people who were actually lucky enough to get your mitts on this thing, you had access to some truly stunning morsels of foundationally raw, electro-inspired, dystopian fire that still go hard to this very day 🤯.
So, I think the best tune out of all of these comes from a guy named Neuropolitique, who was originally from Britain, but ended up making his way to the Motor City in the 80s, and immersed himself in the burgeoning underground techno scene there. On this record, he unleashes "Mind U Don't Trip," a snazzy and abstract bit of gold that lays some mind-bogglingly eerie and echoing, nuclear wintry flute stabs over a rough bassline and punching drums. Three-plus decades later, this is still one of the single-wildest pieces of techno that's probably ever been created.
But also not to be missed is the record's first cut, Detroit legend Anthony "Shake" Shakir's "Sonar 123," which really loads itself up on an assortment of chemical bleeps and bloops, and cinches it all together with this thin line of high-pitched digital squealing. And the closing tune, "Surkit," by Reel by Real, has a series of cool, bleepy, and bubbly synth melodies that all manage to run into each other over a set of simple, yet majestic string pads, which end up lending some wondrous depth to the whole production.
These tracks are a whole lot easier to find now, but what would remain undeniable is that what was being done on this record itself was a truly historic thing, regardless of how many people had actually heard it. So, in that sense, a release like this might as well be techno's equivalent of The Velvet Underground & Nico.
Highlights:
Shake - "Sonar 123" Neuropolitique - "Mind U Don't Trip" Reel by Real - "Surkit"
#techno#abstract#abstract music#dance#dance music#electronic#electronic music#music#90s#90s music#90's#90's music
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Envane by Autechre Warp Records 1997 Abstract / IDM
#abstract#abstract music#idm#intelligent dance music#electronic#electronic music#music#90s#90s music#90's#90's music
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“Guide to the world wide web sites”
#Glitch#databending#glitch art#digital art#new aesthetic#vaporwave#aesthetic#90s#90's#abstract#abstract art#texture
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its cold and as a result i live in my pj's 24/7
#furry#furry art#fursona#opossum#digital illustration#abstract background#this was inspired by the 90's cartoons i watched as a small human#rocko's modern life and catdog were two of my earliest favorites
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Two different versions of the same poster
#one piece#90s anime#anime figure#anime art#anime boy#retro anime#2010's 2019's anime#anime memes#anime style#animecore#anime icons#jjk anime#portgas d. ace#portgas d ace#just wanted to share#art#furry art#abstract art#my oc art#concept art#original art#nail art#artwork
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Dazzle (Video/DOS, In-browser, WorldWide Microtronics, ~1992)
You can watch this VHS tape's abstract, palette-animated beauty and hear its relaxing music here.
You can run the software behind it in your browser here (v5.2a) or here (5.0f), or download two other versions for use in DOSBox here (4.0) and here (5.0j).
#internet archive#video#videos#vhs#vhs tapes#direct to video#abstract#abstract art#peaceful#calming#art#in-browser#dos#retro graphics#generative art#procedural generation#1992#1990s#1990's#90s#90's
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Tees and Oughts
Vee - April 23rd of 2023
#trans artist#art#my art#glitch#glitch art#trans woman#photography#surreal#abstract#90s#90's#1990s#1990's#00's#00s#2000's#2000s
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youtube
I’m making a new videoclip! Here’s the preview!
#youtube#downtempo#trip hop#abstract hip hop#dream pop#dream music#videoclip#canva#Andrea Sollai#Cassino#San Michele#Lazio#Latium#Italia#Italy#my music#original music#hip hop#experimental music#IDM#electronic music#triphop#bristol sound#90's#90's music#moby#massive attack#tricky#portishead#archive
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Ali Jundia's campaign has been up since AUGUST and is STILL ONLY
kr 7,270/550,000 SEK
Barely much at all.
I will post updates when I can.
Reminder that I can draw for you if you donate: x
tags under the cut (dm to remove tag):
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@palipunk-blog @communistkenobi @queerstudiesnatural @bluebellsinthedells @rizzyluke
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@fuckyeahanarchistposters @gerbildine @generallyjl @good-old-gossip @heydreamchild
@jezior0 @komsomolka @lesbianmaxevans
#free palestine#save palestine#occupied palestine#donations#donate if you can#please donate#signal boost#urgent#gaza#genocide in gaza#free gaza#all eyes on rafah#all eyes on palestine#all eyes on gaza#gofundme#go fund them#go fund me
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Stereo 1995 1am (print version)
#retrowave#synthwave#vhs#90s#90s kids#vaporwave#colorful#80s#neon#glowing#newretrowave#newretro#glitch#vhs edit#90s aesthetic#abstract#a e s t h e t i c#artists on tumblr#art#memphis group
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Linear A Script
Linear A Script was used by the Minoan civilization centred on Crete during the Bronze Age. Used from around 1850 to around 1450 BCE, the script has never been deciphered. Artefacts bearing Linear A script, most commonly clay tablets, have been found across the Mediterranean, evidence that Minoan trade was conducted with such islands as Rhodes, Thera, and the Cyclades.
Origins & Development
Linear A script is one of a group of written languages that linguists identify as related syllabic scripts used during the Bronze Age in the Aegean and the wider Mediterranean. The oldest identified script in Europe is the Cretan Hieroglyphic script, which was in use from around 2000 to 1650 BCE. This script, which uses pictures to denote objects and later representative sounds, remains undeciphered. Linear A, perhaps arriving a little later (the point is still under debate by historians), was prevalent from around 1850 to 1450 BCE and has also never been deciphered. At the early Minoan palaces, Cretan Hieroglyphic and Linear A script were used simultaneously for a period. There is a clear (but not absolute divide) in terms of artefacts bearing Cretan Hieroglyphic script and Linear A script, with the former appearing more in the north of Crete and the latter more in the south. Linear A script was being used across the whole of the island by the late 16th century BCE.
Linear A script is composed of at least 90 characters, which can be grouped into syllabic signs, ideograms, and symbols which denote numbers and fractions. In addition, monograms were made from the clustering of two or three symbols. The historian H. Thomas suggests that there are over 800 words identifiable in Linear A script. The famed Greek historian S. Alexiou gives the following description of the script:
This script is termed Linear because it is made up of signs which, although derived from ideograms, are no longer recognizable as representations of objects, but consists of lines grouped in abstract formations. (127)
The later Linear B script of the Mycenaean civilization was developed from Linear A (about 70% of Linear A symbols appear in Linear B) and was used to express the language we today call Mycenaean Greek (deciphered in 1952 CE). Linear A script, then, is an important indicator of a continuing though changing culture in the ancient Aegean.
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Today's compilation:
Krach Test 2001 Experimental / Dark Ambient / Noise / Harsh Noise / Rhythmic Noise / Industrial Techno / IDM / Abstract
Well…this was certainly a trip, folks; not a trip that I'd probably ever be interested in taking again, but a trip nonetheless. Here we have a 2001 triple-disc from a Berlin-based label called Ad Noiseam, who, true to their name, really seem to have a total preoccupation with the concept of noise as it applies to underground electronic music of many different stripes. Despite what Discogs may claim, this limited edition set—of which there are only 227 physical copies in existence—is far more than just a mix of industrial, ambient, and experimental stuff; there's techno, electro, IDM, drum n bass, drill n bass, and gabber too. And most of it, of course, is slathered in some level of noise.
Now, if you take a wide-angle view of all these songs, you can sort of see this release more or less traveling along a spectrum that starts on the fringes of atonal, amelodic, mostly rhythmless music that challenges our notions of what the definition of music even is, and by the middle of the final disc, progresses towards the other end of the spectrum, where rhythms are full-throttlingly overbearing and wholly unenjoyable to me in a substantially different way 😅. The only thing is that, by the final leg of that third disc, the comp runs totally afoul of this whole spectral idea, and like a snake eating its own tail, finds itself right back where it started.
So, needless to say, I did not like very much of this 3-and-a-half-hour-plus album, but as it continued to unfold towards the center, my ears started to perk up more and more, and when it got to that third disc, I was finally able to find a nice couple of palatable gems:
"Avatar (Version)" by Oakland, California's Dryft is probably one of the least noisy tunes on this comp, overall, and also one of its most conventional too. This is a sweet piece of atmospheric drum n bass with serene, spacefaring synth pads that underlie contrastingly crunchy and distorted kick-and-snare patterns. And when Dryft ladles in a thin layer of some of that warm, softly rumbling sub-bass, particularly, this one really becomes a well-crafted, full-blown bop 😌.
And then not too long after that, we get a song called "Flak," by another Californian who goes by the name of Railgun. This tune's like a piece of industrial techno with a sinister, Prodigy-inspired rock edge to it, and when Railgun drops in a dusty drum break to briefly complete his sharp-edged puzzle in both the middle and end, he really has a nice banger on his hands 👍.
Other than that pair of tunes, though, this comp really just serves as a stark personal reminder that no matter how deep, eclectic, and wide-ranging that I think my own taste in music might be, there is plenty of stuff out there on the extremes, from the nightmare-fueled, experimental and dark ambient, to the brain-mashing gabber, that I just will not only probably ever enjoy myself, but also likely won't ever comprehend how it could possibly appeal to anyone else, either. But that's sort of the inherent beauty in the diversity of our collectively lived human experiences, isn't it? To each, their own, and all of that…um...noise…
Highlights:
Dryft - "Avatar (Version)" Railgun - "Flak"
#experimental#experimental music#dark ambient#ambient#noise#harsh noise#rhythmic noise#industrial techno#techno#industrial#industrial music#idm#intelligent dance music#abstract#dance#dance music#electronic#electronic music#music#90s#90s music#90's#90's music#2000s#2000s music#2000's#2000's music#00s#00s music#00's
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EP7 by Autechre Warp Records 1999 Abstract / IDM
#abstract#abstract music#idm#intelligent dance music#electronic#electronic music#music#90s#90s music#90's#90's music
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ok. let's finally talk about this thing i've been wanting to go public with for ages
so i am not a fan of needing THC to help me curb the embarrassment i have in being happy talking about my real realll special interests, because perceived rejection of my interests feels like rejection of myself since i put so much of myself (my time) into them. i anticipate rejection from others because the stuff i find myself occupied with is detached, abstract, highly technical, or niche, and i'm aware of the surrounding cultural assumptions. some of them, and the level at which i am in involved in understanding them, are really specialized or esoteric, so even opening up about them is like "fuuuck im gonna be made fun of or it’s gonna be too technical that they zone out and dont understand why this is so meaningful to me" ive even posted about that feeling before.
see if i start accumulating too much self-context made in my own mind without sharing it i start to feel more and more isolated from other people around me, that they’re not seeing the full extent of what im seeing myself. i don’t share it, because i fear rejection or superficial judgments in other people’s eyes (probably because it’s happened to me and i’ve seen it happen to others). but at the same time it has to be shared with more people around me or else i feel like i have an intestinal blockage in my mind. what happens is my mental colon explodes from all the shit accumulated over time and vou get a post like this. i’m sorry for that mental image btw. anyway back the point of this post
anything where i can systematize archetypes in real, everyday situations has always been my strong suit. so when people ask me my hobbies im like ... uhhh what am i supposed to say? i analyze stuff about the world and rotate it in my mind. when carl jung wrote there are “as many archetypes as there are typical situations in life” i know exactly what he was talking about.
i’ve been toeing the line to really talk about this thing for two years, so let me tell you about socionics. if you already know what im talking about i love you. if you don’t (or even if you do, keep reading there’s probably stuff you don’t know in here), it is part abstract cybernetic model, part jungian concepts, part philosophy of information exchange. it classifies how people communicate and exchange information. it was created in eastern europe in the late 70s, developed primarily in the 80s-90s by other authors and it’s been an endlessly fascinating, elegant, and reliable tool for me.
usually people dismiss personality typology systems because the mbti became so watered down and pop-culturally saturated that people seemed to collectively take a stance of not taking anyone that genuinely cares about it seriously, or at least that’s the impression i got.
(btw — i need to go on this brief rant — i will never forgive 16personalities for being the big five rebranded and people thinking it's mbti. 16personalities gives you your big five type. they explicitly state on their website that they don’t borrow any concepts from jung. -A and -T don’t exist in the mbti and correspond directly to low and high neuroticism respectively. i figured out myself they mapped each letter dichotomy to the other four measures on the big five: extraversion (I/E), conscientiousness (P/J), agreeableness (T/F), openness to experience (S/N). which is stupid and it’s false advertising. take 16p and a big five test see for yourself how they match up. your personal mbti type can be different from its correlated big five type. the actual mbti using jungian concepts as a base is alright though. oh, and the best neo-jungian mbti stuff is by far michael pierce’d takes on it. if you actually fw that heres a carrd i created a few years ago about the cognitive function axes.)
but i always end up going to the bottom of the iceberg in anything i get really into, and i basically integrate it into my own understanding of the world around me for a while. maybe it was because i had a bad experience genuinely talking about it a few years ago from some people who made superficial judgments about it that made me sort of quiet about my interest in typology systems. i assume it’s because myers and briggs used the tool towards racist ends; it acquired negative connotations, bullshit intuition supremacy, and left the study of psychological types tainted in the united states. even if the individual’s study of the system is neutral, unbiased, out of pure curiosity as a way to classify and relate different personality structures to each other, as was the case with me. in addition to 16personalities being an invalid “mbti” test that bought their way to the front page of google, and rampant superficial information at all levels of study, finding anyone who was into it like me was basically impossible. the reason i have a preferred interpretation of jungian + mbti concepts is because i’ve tried different ones on and sensed how well they conform to reality as a way of describing phenomenon, ditching old ones that werent as clear. michael pierce’s i’ve found are the closest to what i sense jung's intentions were. (actually quite likely this is something i would attribute to being because all three of us are types LIl (and also all infj too, how about that?) brain-to-brain communication LII (carl jung) to LII (michael pierce) to LII (me)). so i felt like michael pierce kept the things that worked in real life and ditched the things that didn’t, leaving behind his elegant integration of the concepts.
anyway, i was under the assumption that anything that could be mistaken for it—which socionics often is at a glance—would be dismissed out of hand, even though it’s entirely different. plus, there’s all the context i’d need to clarify about how “it’s different from the “fun” unserious pop-psych mbti and also absurdly more technical” and what's the point in doing that if they don't respect you enough to hear you out anyway? so it just made me closed off.
they share a common ancestor though. the concepts are still based on carl jung’s book ‘psychological types’ which is why there is some shallow overlap, but the scope, structure, and application of it is different. i feel like this system is a lot more “living” and relevant to real interactions and communication between people in our everyday lives. i am always seeing specific examples of these concepts in play in real life and in characters depicted in media. it’s also been more empirically studied and successfully implemented over in eastern europe, and has gone under constant development and contribution. while since the 50s, mbti had crystalized and become stagnant with diverging interpretations to the point where it’s become basically meaningless to try to talk about because nobody can agree on concepts or semantics; there are virtually no distinctions between “schools” or “models” to differentiate interpretations — (although i have my preference for what i think are the most meaningful and reasonable one; as i said, that goes to michael pierce.) eastern (not so much western) socionics is incredibly more well put-together than mbti or kiersey for squeezing the potential from jung’s original ideas, and goes much deeper. that said, i will ALWAYS advise self-studying typlogy concepts over taking a test. the algorithm of a test can never possibly know you and your individual biases in interpreting the meaning of the words better than the knowledge you just have about yourself. if you learn the theory underlying it you will actually learn about yourself and others and it will actually mean something to you instead of a being an empty decoration for your profile.
here is a comparison chart i translated into english so you can get some idea of where these systems actually differ.
Букалов, А. (2019). On the advantages of socionics over other post-Jungian typologies. Socionics, Mentology and Personality Psychology, (6), 5–7. Retrieved from https://publishing.socionic.info/index.php/socionics/article/view/2603
for me it’s been super insightful applied to real life. it is like a toolkit for interpreting why some people just rub me the wrong way and our communication feels disjointed. or why some people pass my vibe check to enter my personal inner circle and i feel like talking with them is easier and not an uphill battle. who i feel drawn to and want to get to know better. to deconstruct why i and other people interpret information in the world the way they do, and how that explains the kind of people i end up curating in my life. it has put into words the concepts i haven’t been able to find the words for beforehand, and thus enables me to retrospectively pinpoint exactly what unconsciously makes people feel more at ease or why communication is just easier with some and why it’s harder with others, regardless of any other factors. there are other factors of course, that are the result of unique circumstances—nurture, culture, and upbringing—and i of course account for those, it’s not as pertinent to me as the framework that provides the skeletal structure regardless of those individual variations that are simply already a given for me. that was actually the whole point of its creation.
the system gives me a common language to communicate these ideas with, at least to the few people i talk to who have learned it, but i can adapt the concepts in how they relate to specific circumstances and convey it to a lay audience. i’ve been doing just that to explain why, of the people who have been made aware of the hs rarepair john-aradia, i have seen no one object to it, and instead, everyone i saw found it intriguing the more they thought about it, even when they initally thought was “so random”. and i realized, “hey wait! i know how to explain that!”, but that's in another post i've been working on.
[i was actually originally writing this post in the middle of said aradia and john analysis but i felt like there was way too much i wanted to talk about as its own thing. i figured people are going to be reading that post for john-aradia explanation, not public updates about my mind. i just didn’t want to rewrite this to account for the context because the point i made was still relevant]:
but now i’m thinking okay… i’m talking to a bunch of homestucks. why am i prostrating myself here? why am i so defensive? they’re probably creaming their pants at the idea of another symmetrically divisible system of classification to get their hands on. homestuck itself is founded upon a bunch of ideas with symmetrical divisions and classifications (divisible products of 2). aspect dichotomies, quadrants, cards, black-white, yin/yang and literally countless other abstract systems. if there is a common word to refer to these sorts of things, please let me know.
but in socionics terms, all of this sort of stuff i’m refering to would be within the domain of extraverted/black intuition (Ne) information, and classifying or positioning someone within those frameworks would be introverted/white logic (Ti). you can read more about these “elements” here. homestuck has familiarized you with notionally irreducible aspects present in everything, dual yin/yang forces permeating everything, so if you understand all of the sorts of abstract classification systems in homestuck you’re basically already 75% the way to fundamentally grasping model A socionics. it is way more structured and stable than the typologies in homestuck though. but you will perceive there to be similarities in the need for archetypal/thematic sense skills.
if you want to learn socionics, for the love of god start here. there are many weak places out there to start out with that will set you up with a faulty and loose understanding, but school of classic socionics is the best foundation to start with. i saw it emerge from the beginning when it was founded, having been part of it since late 2022.
this is an introduction to SCS, what makes it special, and and how differs from other socionics schools. i find SCS to be the most comprehensive, and i’m active within a side discord to discuss theoretical constructs related to model A. i’ve helped find the links between some concepts in model A that weren’t fully substantiated in augusta’s original works, specifically the importance of the asking/declaring reinin dichotomy, how it fits with regard to the rest of model A’s structure, how it underpins the ring of social benefit (which was missing from her writing), and how it can be used as an information element charge just like positivist/negativist can (i.e. all process types have positive asking Ne (+Ne? and all result types have negative declaring Ne (-Ne!). i’m still working on transfering my essay on that to a document.)
i know the intricacies of this system like the back of my hand but yeah i never post much about it because it’s so niche and i dont know who would even want to hear it besides people who i already know would, like in that small specialist group, but they actually been quiet lately even though i’m still active in there sharing things i realized. and i even feel alienated in most casual socionics discussion groups, especially larger ones. i need people who can match my freak about it.
because i have nowhere else to talk about it i’m starting to feel guilty yapping my friends’ ears off about it when i deconstruct everything i come across in light of this system like i’m being annoying about it. but at the same time when im doing that i am constantly reinforcing the merit of the system in successfully finding some dynamic i see in the drama of real life in connection to some idea from the model. i can immediately lock on to the core principles that are at play in any situation, validating the patterns that have been observed by others. by what measure do these people / characters / groups relate to each other, how do we define the specific “feeling” of the energy between them together? i could do a socionical analysis for anything that captures my interest.
it’s also been incredible for self-insight. i can now accurately explain my thought process.
i can change my perspective of the scope of my thinking on different levels. depending on the urgency of a situation developing around me and my respect for other people’s time, i can expand my reasoning from splitting hairs at the smallest pedantic specifics—although i prefer not to, to the most holistic global hard binary 0/1 (no/yes) judgment.
it’s fractal-like; once i know how to classify and compare the features of something to another, everything else with overlapping logical relationships instantly rises up in the same way, which of course is what leads to me having insights that reinforce the potential inherent in the things around me, because my way of thinking is isomorphic. i also experience strong animated mental imagery accompanying my conscious thoughts about these systems, minimalist shapes or lines of the barebones motion happening. i feel like my mental activity and what i actually write down is trying to capture what im seeing in my head.
i prefer to be brief, but that requires sharing contexts with someone. once i've established similar ways of talking about the same thing with someone so that we’re on the same page, our messages basically become exchanging code words with each other. all of the potential densely packed into these efficient little terms.
the effect is that i am reducing the amount of time and energy i have to spend trying to explain things to someone. i just want to communicate easily and be understood by the people i talk to so that i can enjoy my time with them. this is why i felt like such a long, clarifying, in-depth post was necessary, which would rip the bandaid off and pull it all up at once, instead of on a private, individual-to-individual level. i had to have it engraved somewhere i could just point someone to instead of repeatedly having to explain the same thing over and over cause that’s a waste of time and energy.
in fact, that revelation i had about myself just now can be explained by model A too! my own type is LIl and this type’s id block houses the information elements +Te! → +Ni?, which aushra describes as “The quality of deeds and actions and the efficient expenditure of energy in work—only performing for what is truly necessary—leads to peace of mind in the future.”
or, for example, coming at it from another angle, here is an older post i made before i was even aware of socionics. i was already talking about my experiences, patterns of thinking and self-awareness in a way that was so on the nose for a socionics analysis.
is that not the clearest example of phase 2’s sensitivity (for me it is information about sensorics)? -Fi? → -Se! superego block, anyone? and did you see how much i gave attention to the time i spend working; +Te! -> +Ni? id block? [information element descriptions here]. you could also derive the progression of the information metabolism stages in my own psyche (phase 1: Ethics -> phase 2: Sensorics -> phase 3: Logic -> phase 4: Intuition).
(from The Characteristic of SLI)
so through socionics it’s like i can find an explanation for just about everything i observe in others and myself just because i’ve extrapolated the logical relationships from that system and can isomorphically apply them to anything.
and i don't say that lightly! i'm not saying anything in this post lightly. like i have a degree in biopsychology from an honors college (ncf; yes, the liberal arts college desantis got his soulless hands on because it was “too woke"). having taken courses in statistics, research methods in psychology, and others, i know all about proper research design (and designing them myself). and of course i ended my four years there with my undergrad thesis, examining temporoparietal synchrony in autistic individuals when working alone and together, where for months on end i was doing nothing but reading and interpreting the validity of research papers. i even deconstructed poorly designed psychological constructs commonly used in autistic research in mine.
i also took personality psychology as a course during my time there. i got a birds eye view of most of the popular paradigms and still felt like i was more knowledgeable in the discourse behind some of the topics we glossed over since the course material was more of a broad comprehensive thing than an in-depth one for anything specific. in totality, all of the models i read about in relation to each other seemed so fragmented into different cuts and perspectives in trying to understand and find the patterns in people’s mental life. and yet none of the models i read about hold as as great of an everyday explanatory power as socionics does for explaining ways of thinking, people's proneness to certain tendencies, and the energetic tension that happens between certain people.
people can say otherwise that it’s pseudoscience. even though there are numerous studies built on real-world observations, the large-scale statistical data like from victor talanov. there's school of system socionics who emphasize its practice. it would be impossible to add all the evidence i can to support my claims to this post but you can see for youself - there are still countless new articles being published from different authors. regardless of that, even if it isn't accepted within the rigors of “scientific canon” i really dont give a fuck since it absolutely does indeed have explanatory and predictive power, and that’s all i care about. i’m confident in this not only through firsthand experience, the ability to frame what i know to be true about the real world within it and have it successfully describe those things, as well as talking to other people about my observations.
additionally, i see people make conclusions about interpersonal dynamics where they unknowingly repeat information that can be derived from socionics concepts.
something i noticed a LOT and ive repeatedly thought about and come to the same conclusion multiple times is that i think i naturally might "embody" the most optimal ways of interacting with other people for myself. it gives me insight into the nature of the personal relationships that i already procure in my life, but it’s not really a self-fulfilling prophecy because i dont use socionics to prescribe who i "should" be friends with. that's silly. thats a silly thing to do because people do have idiosyncracies that don't perfectly align with a system if you rigidly adhere to it, so you're bound to be set up for failure if you try to force that and you will be disappointed. it's better to let these feelings happen naturally without pretense, because that's where the observations that fuel my insight comes from.
i have a subconscious sense for who i will be able to get along with in the long term almost instantly without the need for any kind of system, just based on their actual mannerisms and “vibes”, but that alone is not good enough for me, i want to know why. socionics just gives me tools to figure out why so that i know what im dealing with and its not just ineffable energies, but i can put a name to those energies to think and talk about it and compare and discover patterns in what ive curated in my inner circle over my life, what i feel drawn towards. and indeed i do find plentiful amounts of recurring patterns. the simplification and abstraction is not to destroy the soul and expression of individuals but to wrap my head around them and understand them deeper in relation to everything else, including myself.
i am aware it can be confusing for many people which turns them away. but if theres any questions you have or youre confused about any concepts i can answer them
but yeah um, i’ve really only scratched the surface of this cognitive cybernetic tool. if you are genuinely interested in what i have to say and want me to talk more about it please openly tell me since i’m not a mind reader! i assume disinterest by default.
anyway if you got to this point thanks for reading. i wanted to just put it out there for context about any posts i make in the future. just stating my honest thoughts and whats been occupying my mind for the past two years.
be on the lookout for the john and aradia analysis soon where i’ll use it in practice to deconstruct some things about those characters. and if you’re coming to this post from that analysis after ive posted it, i’m sorry this post is so long in the middle of an already long-ish post. i just thought the context was important.
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