#70s nursery

[thegikitiki]

Rainbow Child's Nursery - Bedroom Decor, 1972

"Ah, when you could decorate a child's room in such a manner with a prominent rainbow motif, and the only thought being how colorful and playful it is."

[last-of-the-independents]

THE ROOKIES, S1.E10 - To Taste of Terror (1972)

Starring ANDY ROBINSON as Lee Borden, Kate Jackson as Jill Danko.

[picturebookshelf]

Each Peach Pear Plum (1978)

Story and Art: Janet & Allan Ahlberg

[spoiledstrawberry]

I love this album, bruhhh

[mostlysignssomeportents]

Happy Public Domain Day 2025 to all who celebrate

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/12/17/dastar-dly-deeds/#roast-in-piss-sonny-bono

In 1976, Congress set fire to the country's libraries; in 1998, they did it again. Today, in 2024, the flames have died down, and out of the ashes a new public domain is growing. Happy Public Domain Day 2025 to all who celebrate!

For most of US history, copyright was something you had to ask for. To copyright a work, you'd send a copy to the Library of Congress and they'd issue you a copyright. Not only did that let you display a copyright mark on your work – so people would know they weren't allowed to copy it without your permission – but if anyone wanted to figure out who to ask in order to get permission to copy or adapt a work, they could just go look up the paperwork at the LoC.

In 1976, Congress amended the Copyright Act to eliminate the "formality" of copyright registration. Now, all creative works of human authorship were copyrighted "at the moment of fixation" – the instant you drew, typed, wrote, filmed, or recorded them. From a toddler's nursery-school finger-painting to a graffiti mural on a subway car, every creative act suddenly became an article of property.

But whose property? That was on you to figure out, before you could copy, publish, perform, or preserve the work, because without registration, permissions had to start with a scavenger hunt for the person who could grant it. Congress simultaneously enacted a massive expansion of property rights, while abolishing the title registry that spelled out who owned what. As though this wasn't enough, Congress reached back in time and plopped an extra 20 years' onto the copyrights of existing works, even ones whose authors were unknown and unlocatable.

For the next 20 years, creative workers, archivists, educators and fans struggled in the face of this regime of unknowable property rights. After decades of well-documented problems, Congress acted again: they made it worse.

In 1998, Congress passed the Sonny Bono Copyright Act, AKA the Mickey Mouse Preservation Act, AKA the Copyright Term Extension Act. The 1998 Act tacked another 20 years onto copyright terms, but not just for works that were still in copyright. At the insistence of Disney, Congress actually yanked works out of the public domain – works that had been anthologized, adapted and re-issued – and put them back into copyright for two more decades. Copyright stretched to the century-plus "life plus 70 years" term. Nothing entered the public domain for the next 20 years.

So many of my comrades in the fight for the public domain were certain that this would happen again in 2018. In 2010, e-book inventor and Project Gutenberg founder Michael S Hart and I got into a friendly email argument because he was positive that in 2018, Congress would set fire to the public domain again. When I insisted that there was no way this could happen given the public bitterness over the 1998 Act, he told me I was being naive, but said he hoped that I was right.

Michael didn't live to see it, but in 2019, the public domain opened again. It was an incredible day:

https://archive.org/details/ClosingKeynoteForGrandReopeningOfThePublicDomainCoryDoctorowAtInternetArchive

No one has done a better job of chronicling the fortunes of our fragile, beautiful, bounteous public domain than Jennifer Jenkins and James Boyle of Duke University's Center for the Study of the Public Domain. Every year from 2010-2019, Boyle and Jenkins chronicled the works that weren't entering the public domain because of the 1998 Act, making sure we knew what had been stolen from our cultural commons. In so many cases, these works disappeared before their copyrights expired, for example, the majority of silent films are lost forever.

Then, in 2019, Jenkins and Boyle got to start cataloging the works that were entering the public domain, most of them from 1923 (copyright is complicated, so not everything that entered the public domain in 2019 was from that year):

https://web.law.duke.edu/cspd/publicdomainday/2019/

Every year since, they've celebrated a new bumper crop. Last year, we got Mickey Mouse!

https://pluralistic.net/2023/12/15/mouse-liberation-front/#free-mickey

In addition to numerous other works – by Woolf, Hemingway, Doyle, Christie, Proust, Hesse, Milne, DuBois, Frost, Chaplin, Escher, and more:

https://pluralistic.net/2023/12/20/em-oh-you-ess-ee/#sexytimes

Now, 2024 was a fantastic year for the public domain, but – as you'll see in the 2025 edition of the Public Domain Day post – 2025 is even better:

https://web.law.duke.edu/cspd/publicdomainday/2025/

So what's entering the public domain this year? Well, for one thing, there's more of the stuff from last year, which makes sense: if Hemingway's first books entered the PD last year, then this year, we'll the books he wrote next (and this will continue every year until we catch up with Hemingway's tragic death).

There are some big hits from our returning champions, like Woolf's To the Lighthouse and A Farewell to Arms from Hemingway. Jenkins and Boyle call particular attention to one book: Faulkner's The Sound and the Fury, its title taken from a public domain work by Shakespeare. As they write, Faulkner spoke eloquently about the nature of posterity and culture:

[Humanity] is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance…The poet’s voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.

The main attraction on last year's Public Domain Day was the entry of Steamboat Willie – the first Mickey Mouse cartoon – into the public domain. This year, we're getting a dozen new Mickey cartoons, including the first Mickey talkie:

https://en.wikipedia.org/wiki/Mickey_Mouse_(film_series)#1929

Those 12 shorts represent a kind of creative explosion for the Disney Studios. Those early Mickey cartoons were, each and every one, a hybrid of new copyrighted works and the public domain. The backbone of each Mickey short was a beloved, public domain song, with Mickey's motion synched to the beat (animators came to call this "mickey mousing"). In 1929, there was a huge crop of public domain music that anyone could use this way:

Blue Danube, Pop Goes the Weasel, Yankee Doodle, Here We Go Round the Mulberry Bush, Ach Du Lieber Augustin, Listen to the Mocking Bird, A-Hunting We Will Go, Dixie, The Girl I Left Behind Me, a tune known as the snake charmer song, Coming Thru the Rye, Mary Had a Little Lamb, Auld Lang Syne, Aloha ‘Oe, Turkey in the Straw, My Bonnie Lies Over the Ocean, Habanera and Toreador Song from Carmen, Lizst’s Hungarian Rhapsody No. 2, and Goodnight, Ladies.

These were recent compositions, songs that were written and popularized in the lifetimes of the parents and grandparents who took their kids to the movies to see Mickey shorts like "The Barn Dance," "The Opry House" and "The Jazz Fool." The ability to plunder this music at will was key to the success of Mickey Mouse and Disney. Think of all the Mickeys and Disneys we've lost by locking up the public domain for the past half-century!

This year, we're getting some outstanding new old music for our public domain. The complexities of copyright terms mean that compositions from 1929 are entering the public domain, but we're only getting recordings from 1924. 1924's outstanding recordings include:

George Gershwin performing Rhapsody in Blue, Jelly Roll Morton playing Shreveport Stomp, and an early recording from contralto and civil rights icon Marian Anderson, who is famous for her 1939 performance to an integrated audience of over 75,000 people at the Lincoln Memorial. Anderson’s 1924 recording is of the spiritual Nobody Knows the Trouble I’ve Seen.

While the compositions include Singin' in the Rain, Ain't Misbehavin', An American in Paris, Bolero, (What Did I Do to Be So) Black and Blue, Tiptoe Through the Tulips, Happy Days Are Here Again, What Is This Thing Called, Love?, Am I Blue? and many, many more.

On the art front, we're getting Salvador Dali's earliest surrealist masterpieces, like Illumined Pleasures, The Accommodations of Desire, and The Great Masturbator. Dali's contemporaries are not so lucky: after a century, the early history of the works of Magritte are so muddy that it's impossible to say whether they are in or out of copyright.

But there's plenty of art with clearer provenance that we can welcome into the public domain this year, most notably, Popeye and Tintin. As the first Popeye and Tintin comics go PD, so too do those characters.

The idea that a fictional character can have a copyright separate from the stories they appear in is relatively new, and it's weird and very stupid. Courts have found that the Batmobile is a copyrightable character (Batman won't enter the public domain until 2035).

Copyright for characters is such a muddy, gross, weird idea. The clearest example of how stupid this gets comes from Sherlock Holmes, whose canon spans many years. The Doyle estate – a rent-seeking copyright troll – claimed that Holmes wouldn't enter the public domain until every Holmes story was in the public domain (that's this year, incidentally!).

This didn't fly, so their next gambit was to claim copyright over those aspects of Holmes's character that were developed later in the stories. For example, they claimed that Holmes didn't show compassion until the later stories, and, on that basis, sued the creators of the Enola Holmes TV show for depicting a gender-swapped Sherlock who wasn't a total dick:

https://www.theguardian.com/books/2020/dec/22/lawsuit-copyright-warmer-sherlock-holmes-dismissed-enola-holmes

As the Enola lawyers pointed out in their briefs, this was tantamount to a copyright over emotions: "Copyright law does not allow the ownership of generic concepts like warmth, kindness, empathy, or respect, even as expressed by a public domain character – which, of course, belongs to the public, not plaintiff."

When Mickey entered the public domain last year, Jenkins did an excellent deep dive into which aspects of Mickey's character and design emerged when:

https://web.law.duke.edu/cspd/mickey/

Jenkins uses this year's entry of Tintin and Popeye into the public domain to further explore the subject of proprietary characters.

Even though copyright extends to characters, it only covers the "copyrightable" parts of those characters. As the Enola lawyers wrote, the generic character traits (their age, emotional vibe, etc) are not protected. Neither is anything "trivial" or "minuscule" – for example, if a cartoonist makes a minor alteration to the way a character's pupils or eyes are drawn, that's a minor detail, not a copyrightable element.

The biggest impediment to using public domain characters isn't copyright, it's trademark. Trademark is very different from copyright: foundationally, trademark is the right to protect your customers from being deceived by your competitors. Coke can use trademark to stop Pepsi from selling its sugary drinks in Coke cans – not because it owns the word "Coke" or the Coke logo, but because it has been deputized to protect Coke drinkers from being tricked into buying not-Coke, thinking that they're getting the true Black Waters of American Imperialism.

Companies claim trademarks over cartoon characters all the time, and license those trademarks on food, clothing, toys, and more (remember Popeye candy cigarettes?).

Indeed, Hearst Holdings claims a trademark over Popeye in many traditional categories, like cartoons, amusement parks, ads and clothes. They're also in the midst of applying for a Popeye NFT trademark (lol).

Does that mean you can't use Popeye in any of those ways? Nope! All you need to do is prominently mention that your use of Popeye is unofficial, not associated with Hearst, and dispel any chance of confusion. A unanimous Supreme Court decision (in Dastar) affirm your right to do so. You can also use Popeye in the title of your unauthorized Popeye comic, thanks to a case called Rogers v Grimaldi.

This all applies to Tintin, too – a big deal, given that Tintin is managed by a notorious copyright bully who delights in cruelly terrorizing fan artists. Tintin is joined in the public domain by Buck Rogers, another old-timey character whose owners are scumbag rent-seekers.

Congress buried the public domain alive in 1976, and dumped a load of gravel over its grave in 1998, but miraculously, we've managed to exhume the PD, and it has been revived and is showing signs of rude health.

2024 saw the blockbuster film adaptation of Wicked, based on the public domain Oz books. It also saw the publication of James, a celebrated retelling of Twain's Huck Finn from the perspective of Huck's enslaved sidekick.

This is completely normal. It's how art was made since time immemorial. The 40 year experiment in life without a public domain is at an end, and not a minute too soon.

You can piece together a complete-as-possible list of 2025's public domain (including the Marx Brothers' Cocoanuts, Disney's Skeleton Dance, and Del Ruth's Gold Diggers of Broadway) here:

https://onlinebooks.library.upenn.edu/cce/

[prix-zero]

Genesis >>>>> The Musical Box

[reasonsforhope]

"Thousands of trees have been planted by volunteers as part of a new temperate rainforest in south Devon.

More than 2,500 native trees have been planted so far this winter at Devon Wildlife Trust's Bowden Pillars site near Totnes.

The charity said as well as storing carbon, temperate rainforests supported "a super-abundance" of wildlife.

The trust is transforming 30 hectares (75 acres) of sheep-grazed fields into a landscape with 70% tree cover and open glades and wildflower-rich meadows.

The charity said more than a 100 local people planted species including oak, rowan, alder, hazel, birch, willow and holly.

Nick Biggs, an 83-year-old volunteer, said he got involved with the project after being inspired by his apprenticeship with the Forestry Commission in 1958.

"That introduced me to the environment," he said.

"I was really keen to carry on with it and it's good for your fitness just to get out and do something."

The trust said in decades to come the new trees would form a temperate rainforest with high rainfall and humidity.

Helen Aldis from Moor Trees, which supplied some of the saplings, said many had been gathered locally.

She said: "The oak that's going in today is from acorns that we've gathered on Dartmoor that have come back to our tree nursery.

"Our volunteers process those, pop them into the root trainers and then they come out a year or two later to become the woodlands of the future."

'Incredibly rare habitat'

The trust said the damp woodlands used to cover large parts of Britain, but today amount to just 1% of its land area.

Project leader Claire Inglis said: "It's an incredibly rare habitat and we've lost a great deal of it over the years.

"Across the UK there is around 13% woodland cover but in Devon it's actually 11%, so it's lower than the national average."

The trust said the forests supported a variety of birds such as pied flycatchers, woodcock and redstarts, while the damp conditions meant mosses, liverworts, lichens, ferns and fungi thrived on the trees and forest floor.

Ms Inglis added: "The mix of young trees in amongst grass pastures and hedges, along with our commitment not to use pesticides and artificial fertilisers, will be better for local moths, butterflies and bees, along with farmland birds such as yellowhammers and barn owls."

The trust said 7,000 trees would be planted in the first winter with more planned in the future."

-via BBC, January 30, 2025

[zippocreed501]

FRIDAY NIGHT SPECIAL

Union Express - Ring a Ring a Roses (1972)

Using nursery rhyme lyrics may seem like a good idea (less time stuck in the studio trying to compose lines like 'guitar lead gonna choke a teen-bopper, one more riff and the bugger's gonna drop-a.') but not if you use one that refers to a deadly disease. It's better if you stick with something safe, like the Oranges and Lemons.

[dhalsims]

Toy Piano Xylophone for The Sims 3

182 polys

Kids > Toys, Nursery > Toys > §70

→ Download (SFS)

[midnight-shadow-cafe]

i have never had a Thought of havings kids until cpt John Price and like fuckkk don't do this to me. thank god he isn't real bc i'd be holding a child in my arms and another in my belly. never a man made me so fucking hormonal or somethg like that and i am wishing no irl man will ever do .

Trust me, I’m the same way honey but have this little drabble of the 141 boys with a preggo reader🤭

If I was with any of the fictional men I’ve pined for, I’d be round with like 70 kids by now.

-Masterlist-

John Price:

Price sat across from you at the table, cradling his glass of scotch as he chuckled. “Never thought I’d see the day,” he murmured, the crinkles around his eyes deepening. “You, all broody and soft over the idea of kids.” You glared at him playfully, but he only leaned forward, his hand covering yours. “It’s a nice thought, though, innit? A little one running about, causing trouble. Maybe a second on the way.” The low timbre of his voice and the way his thumb traced slow circles against your skin made you shiver. Damn him. Damn that man for making your hormones scream and your heart ache.

Simon “Ghost” Riley:

Simon had his back against the couch, his mask pulled up just enough to reveal his lips. His head was tilted toward you as he held a sleeping toddler in his arms, the baby’s tiny hand clutching the strap of his tactical vest like it was their most prized possession. You tried not to stare, but the sight had you biting back a grin. “What?” he asked quietly, raising an eyebrow. You shook your head, biting your lip. “Nothing.” Simon’s lips twitched as he shifted the baby slightly, his eyes softening. “Yeah? ‘Cause you’re looking at me like you want one of your own.”

Johnny “Soap” MacTavish:

“Two?” Johnny’s voice shot up an octave, and he stared at you with wide eyes. “One in your arms and one in your belly? Christ, bonnie, you trying to send me to an early grave?” He plopped down beside you on the bed, a playful grin spreading across his face. “Though I gotta admit…” He trailed off, glancing at your stomach with a mischievous glint in his eye. “Little MacTavishes running about? Bet they’d be just as loud as me.” You smacked his arm, but he caught your hand, tugging you closer. “Think about it, love. Me, you, and a brood of tiny rascals taking over the world.”

Kyle “Gaz” Garrick:

Kyle leaned against the nursery doorframe, arms crossed as he watched you cradle the neighbor’s baby. “You’re a natural, you know that?” he said softly, a smile tugging at the corner of his lips. You glanced up at him, feeling warmth spread across your cheeks. “Don’t get any ideas,” you teased, though the thought was already planted firmly in your mind. Kyle chuckled as he walked over, crouching beside you. “Too late,” he said, his fingers brushing against the baby’s tiny fist. His gaze flicked to yours, full of something you couldn’t quite place. “Maybe someday, yeah?”

[thegikitiki]

Children's Room & Nursery, 1974

[do-androids-dream-ao3acc]

Bucktommy drunken confessions🤭🤭

Please pick up your boyfriend, Howie texts just after 2 a.m. 

Evan used his day off to help his brother-in-law assemble some furniture for Jee-Yun's new nursery – apparently, she’s outgrown her crib and is in dire need of some “big girl” room. For some reason, their DIY afternoon ended up turning into a boozy evening, and with Maddie on a shift and Howie obviously buzzed, it’s probably best to keep Evan from getting in his car. Luckily Jee-Yun is sleeping at Hen and Karen's tonight, because when Tommy arrives, her bed looks half-finished. The two men, on the other hand, look all the more done. 

Howie's hair is tousled as if Jee-Yun has driven her Barbie truck through it, but he’s tipsy at most – Tommy knows that man can drink. Evan, however… well. Evan presents a lot of his chest; his shirt is half unbuttoned like in a 70s porn – it’s a nasty comparison, but Tommy likes the view. 

“Here comes my boyfriend,” Evan croons, his cheeks flushed. 

A quick glance at the table confirms that the men have switched from beer to tequila. Tommy heaves a sigh. Evan’s not on shift tomorrow, but he’s also not used to Tequila, Tommy knows that from experience. He will have to stay with him tonight - which isn't a bad thing, of course, but there are better ways to spend your time than listen to your loved ones vomit.  

“Come on,” he says, ”I'll put you to bed.”

“Awesome, get ready for something!”

“Ew, I don't want to hear that,” Howie says, but Tommy just grins. “Don't worry, I don't think that's going to work today.”

“I don't want to hear that either!”

Tommy has a hard time getting Evan into the car and half expects him to fall asleep after he's forced him into the seatbelt. This man can sleep anywhere and in the most uncomfortable positions, and he always looks incredibly adorable. Even drunk, like now. But he doesn't fall asleep. He looks at Tommy with that amorous gaze he usually gives after other activities, and out of the blue, he goes, “Did you know that koalas are much lazier than sloths? They sleep almost 20 hours a day!”

Tommy threads his way into traffic, which is never really light even at night in L.A., replying, “No, Evan.”

“They eat eucalyptus...”

“I knew that,” Tommy interjects.

“Yeah of course, you’re clever,” he praises. “But koalas are the only mammals that can live off eucalyptus alone, it's poisonous to other animals.”

“Fascinating.”

It's not so much these random facts about koalas that he finds fascinating. It's just Evan, sitting there with that slightly glazed look on his face, completely relaxed. Knowing that he creates this relaxed atmosphere for this man, that he’s the one where he can be himself and let go… that’s a valuable treasure.

Evan goes on babbling for another fifteen minutes, including a dozen thank you’s for picking him up, and Tommy just enjoys his voice like a pleasant background noise. Every now and then he throws in something that always makes Evan's eyes light up. They’re almost to the loft when Evan says, “I love you,” in such a matter-of-fact tone, it makes Tommy almost wrench the steering wheel.

“That's lovely,” he answers, and he means it, but all he can think is tell me again when you're sober. Evan is too drunk to really understand what he has just said. It's something Tommy’s been dying to hear, something he was too afraid to say himself. 

They somehow make it into the elevator, but as they stand in front of Evan's door, Tommy has to unlock it. Evan trips over his own feet, he almost crashes into the door. Tommy just shakes his head. His back will regret it in the morning, but he shoulders Evan without further ado. His boyfriend squeals with delight, even when he puts him down on the couch - there's no way he'll make it up the stairs with the man on his shoulders, and the bathroom is down here anyway.

“Oh man, I'm d-dizzy,” Evan sighs.

“I'm sure you are. Lie down, I'll get you a blanket.”

Tommy wants to get up, but Evan holds him back.

“Wait,” he says, suddenly with as much seriousness as a drunk can muster, “you didn't say it back.”

“What?”

Tommy thought he’d already forgotten, but this is Evan, he should have known better.

“I said I love you, but you didn't say anything, so maybe you don't love me, that's fine, I guess,” Evan rambles. “Anyway, I'm glad I said it, because it's true.”

Tommy couldn't even resist those Bambi eyes if the man asked him to run into a burning building without any protection. It's unreasonable and irrational, but he's head over heels for Evan, and he knows it. And then, suddenly, there's nothing holding him back, even if he only says it because he can convince himself that his boyfriend will forget about it in a few hours. 

“I love you too, Evan.”

“Oh my God, really?”

Evan jumps up from the couch with a vigor as if he hadn't just said he was dizzy, and he sprints - not very elegantly - into the kitchen. He’s back in the blink of an eye, after pulling open a drawer and rummaging around in it. He pulls Tommy onto the couch, practically sits in his lap, looks at him with those doe eyes and says in a solemn tone, “Give me your hand.”

“Evan...”

“Give me your hand!”

Tommy’s learned early on that it's easier to give in to this whirlwind of a man, so he holds out his hand. Evan pushes something on Tommy's ring finger, having to do so three times before he finally hits. 

“What are you doing?”

Tommy squints at his hand. It looks like ... a keyring, without a key of course; Evan has a junk drawer in the kitchen where he keeps things like that. 

“It's a promise,” says Evan. “One d-day, Thomas Kinard, I will marry you. Just don't forget that!”

Tommy grabs the ring and replies dryly, “Don't worry, I won’t. It's so tight, I don't think I'll be able to get it off.”

“Got a ring cutter for that.”

He smirks, and Tommy can't help his lips to curl into a fond smile. He’s already aware of the ring cutter, even if he was surprised the first time he found it. 

“Main thing is for you to say you'll marry me,” Evan says with his Bambi eyes, “one day, with a real ring. In a sh... a tchu... well, a church.”

He looks like a man proud he got that one word out right, but at the same time, he looks as serious as a drunkard can be. It doesn’t seem like something he’ll actually have forgotten in a couple of hours, rather like it’s been on his heart for a long time. It's a big deal, and Tommy doesn't want to answer lightly just to appease him. His own heart has long been far from casual, concerning Evan. 

“But,” Evan continues, waving his arms, ”if it's really too tight for you, we'd better cut the thing open quickly. I’ve seen a guy, finger swollen as big as an eggplant, couldn’t get his wedding ring off his finger.”

He struggles to get up, but this time Tommy holds him back. 

“Leave it,” he says, looking at the ring. 

It’s just a simple, brass-colored keyring, but at the same time, it’s way more. As Evan had said: it was a promise. A promise did not necessarily have to come true, but it was still something to cling to. Something to look forward to. 

“Fine, we can do it tomorrow,” Evan slurs, just before he leans against Tommy - to fall asleep on his shoulder. 

“Let's do it tomorrow. Or maybe I'll keep it,” Tommy whispers into Evan's curls. 

[stariez-artz]

Doey tickle headcanons

Lee: 70% Ler: 30%

Lee:

His worst spots are his stomach, arms and chin.

If you squish his body, it tickles more than ever

For example: A kid is playing with him in the Safe Haven and hugs him, their hands squishing his belly a little which makes me laugh and VERY lightly try pushing them away

His laugh is a mix of gasps, snorts and hiccups

Protests a LOT when he gets tickled

The people that tickle him the most are the Smiling Critters, Yarnaby and Fidget (my OC, yes I’m adding OC x Canon into this.)

Yarnaby definitely tickles him by purring and making little biscuits on him, The Crotters sometimes gang up on him to cheer him up and Fidget tickles I’m to relief stress and see him smile

He definitely flails his arms when he gets tickled since he doesn’t really know what to do with them

Each person he’s made up of has different reactions to the tickling too; Jack absolutely adores it, Matthew tries holding in any reactions and Kevin just gets all giddy and squeaky.

The type to hide his face in his hands

His lee moods are PAINFUL for him because he does NOT like saying tickle out loud when he’s in a lee mood

You can’t tell me he doesn’t fall for those tickle tricks EVERY👏TIME👏

Genuinely adores being tickled cuz he loves knowing the others wanna see him happy and enjoy his laugh

Sometimes covers his mouth if Fidget is squishing him to relief stress, he doesn’t wanna disturb her debriefing but ultimately ends up getting teased to death by his wife.

Ler:

Tickles the people who stay at the Safe Haven to calm them down from any possible fears they may be experiencing at the time

Mainly tickles Fidget, The Critters and in the last, the kids that used to come and go from PlayTime Co.

Hardly even teases but occasionally points certain things out

Absolutely ADORES when his lee(s) snorts or squeal when he tickles them cuz he finds it cute

If he gets into a ler mood, he gives the nearest person an “innocent” smile

Sometimes uses raspberries on specific occasions

The type to sing nursery rhymes while tickling people

Calls different people’s different things when he tickles them

Yarnaby: Giggle-Kitty

The Smiling Critters: Little Squeaky Toys

Fidget: Little Miss Hiccups

Huggy and Kissy: Hug-Bugs

Pianosaurus: Tickle Tunes

you get the point

Hugs his lee(s) afterwards to apologize in a way

Genuinely wants to make sure his lee(s) are okay and making sure he didn’t go too far

[anotherdayforchaosfay]

One of my husband's DnD players is a real estate agent. He's the one who helped us find and buy our house.

I recently had a chat with him, mostly me ranting about everyone saying you should keep your house beige and boring because of the resale value. Basically, live like renters. He wants me to share this info with you:

Buyers want color. Most of the buyers who insist on beige and boring are, in fact, landlords. He's had to deal with several. There are some folks who just want a blank slate to add color, but most of the time, it's landlords.

Adding color actually raises the home value. Why? People want color! Most homebuyers have lived as renters. They have been surrounded by bland for years. It's like going from eating bland unflavored unsweetened oatmeal and then discovering flavored and sweetened oatmeal exists. Buyers generally don't want to live a life of plain oatmeal.

Wallpaper is iffy. If an entire room has wallpaper, buyers tend to lose interest. If just one or two walls have wallpaper, and the other walls are painted to go with it? Buyers are actually excited.

The only real occasion he has seen where buyers are aghast about the wallpaper or paint is when the room they're seeing is a nursery. Unless they're expecting a baby or planning on having any, the nursery is often the make or break space.

Tile your bathrooms with color. Few people want an all-white bathroom. It feels too much like a locker room bathroom space when it's all white. if nervous, choose a white tile with a print on it, like flowers, or have a few tiles with colors or prints.

Putting wallpaper inside cupboars and cabinets may seem cute, but often comes off as being something like a time capsule. It was most popular in the 60s-70s. Some folks love it, but they tend to be elderly and feel a sense of nostalgia.

You are actively increasing the value of your home by giving it color and life. Even just painting the window or door frames, or a single wall in each room, will make a HUGE difference!

Former renters do not want to live like renters. They want a home, not just a place that happens to have all their things in it.

[dandelionsresilience]

Dandelion News - December 22-28

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1. These countries all scored major wins for LGBTQ+ rights in 2024

“Consensual same-sex activity became legal in Namibia [and Dominica…, c]onversion therapy was banned [in Mexico…, Greenland] made LGBTQ+ discrimination illegal […, and] same-sex adoption and same-sex marriage became legal [in Greece.]”

2. After trial and error, Mexican fishers find key to reforesting a mangrove haven

“So far, the project has planted more than 1.8 million mangroves that have a 92-94% survival rate, Borbón estimated. [… M]angroves can prevent coastal erosion, store carbon and provide a nursery for all kinds of fish and crustacean species.”

3. ‘Britain’s wildlife safari’: baby boom in Norfolk as seal colonies flourish

“More than 1,200 seal pups were born […] in November, and 2,500 more are expected to be born before the breeding season ends in January. […] “Mortality seems to be much lower than in other colonies[….]””

4. Barcelona's metro trains are helping to charge the city's EVs each time they brake.

“[…T]he energy from the underground trains' brakes is used to power the trains and the stations themselves, while the remainder is sent snaking through cables to the surface to power plug-in stations for privately owned vehicles.”

5. Scientists thought this whale could only live for 70 years – turns out it's double that.

“The data [from repeated “photo identification of individual”s] revealed that Southern right whales can live for more than 130 years, with some speculated to reach the grand old age of 150.”

6. Rural Power Co-Ops Gain $4.37B in Latest US Clean Energy Funding

“[… A power co-op in Florida] will use its funding of more than $1.3 billion to develop 700 MW of utility-scale solar and battery energy storage projects in rural areas, reducing greenhouse gas emissions by more than 3.5 million tons annually[….]”

7. Fish-friendly dentistry: New method makes oral research non-lethal

“[… T]he researchers successfully performed the procedure on 60 fish with no fatalities. […] "This new approach researchers to track tooth replacement and development [in living] rare species or museum specimens that can't be damaged."”

8. These Brooklyn Homeowners Couldn’t Afford to Go Green. Then Help Arrived

“The program aims to repair and retrofit 70 two- and three-family homes […] in the span of two years. […] EnergyFit staff work as case managers to help homeowners navigate the complicated technical and bureaucratic processes, coordinate with tenants and set them up for further upgrades down the road.”

9. 2024 was a fantastic year for energy storage

“[… California] became the first state to pass 10 gigawatts, back in April. [… In Texas and California,] when extreme weather events hit, batteries were able to shore up the grid and lower energy costs for customers.”

10. Amid concern over microplastics, a Maine company creates a kelp-based laundry pod alternative

“"The slurry we're creating is similar to that of paper milling, and […] with Maine there's a lot of old infrastructure from the paper industry [… which] can be applied to our process here[….]” If all goes to plan, Dirigo Sea Farms' first batch of 10,000 kelp-based laundry pods will be ready for online sales by next spring.”

December 15-21 news here | (all credit for images and written material can be found at the source linked; I don’t claim credit for anything but curating.)

[v-akarai]

References in Servamp

Arabian mythology

Jinn. Ch. 16

Greek mythology

Elpis. Ch. 75

Moirai. Ch. 108

Pandora. Ch. 130

Pygmalion. Ch. 123

Pandora's Box. Ch. 97

Japanese mythology

Gashadokuro. Ch. 129

Kitsune. Ch. 3

Raijin. Ch. 85

Norse mythology

Baldr. Ch. 39

Bifröst. Ch. 88

Brunhild. Ch. 88

Fimbulwinter. Ch. 40

Freya. Ch. 65

Frey. Ch. 131

Gleipnir. Ch. 101

Hati. Ch. 91, 131

Hod. Ch. 39

Hliðskjálf. Ch. 96

Idunn. Ch. 65

Loki. Ch. 15

Mimir. Ch. 29

Mjölnir. Ch. 53

Ragnarök. Ch. 101, 122, 131

Sigurd. Ch. 101

Thor. Ch. 41

Yggdrasil. Ch. 42

Biblical references

Abel. Ch. 8

Adam. Ch. 128

Boaz and Jachin. Ch. 42

Eden. Ch. 21

Eve. Ch. 1

John the Baptist. Ch. 122

Judith. Ch. 147

Lucifer. Ch. 135

Noah. Ch. 145

Nod. Ch. 29, events

Hinduism

Asura. Ch. 57.5, 89.

Tarot

The Fool - Mahiru. Ch. 50

I. The Magician – Night trio. Ch. 41

II. The High Priestess – Mikuni. Ch. 42

V. The Hierophant - Shuhei. Ch. 77

X. Wheel of Fortune - Junichiro. Ch. 53

XII. The Hanged Man - Tsurugi. Ch. 50

XV. The Devil – Shamrock. Ch. 72

XVI. The Tower - Touma. Ch. 47

XVII. The Star - Iduna. Ch. 73

XVIII. The Moon - Yumikage. Ch. 69

XX. Judgement - Mikuni. Ch. 144

Literary references

 "Alice's Adventures in Wonderland" Lewis Carroll. Ch. 3, 4, 7, 19, 98, 122. Misono, Lily, Dodo, Mitsuki, Yamane, Hattori, Mikuni, Bad B and Good B.

"As You Like It" William Shakespeare. Ch. 10, 38.5. Mikuni's spell.

"My Fair Lady" English nursery rhyme. Ch. 10 Mikuni's spell.

"Dracula" Bram Stoker. Ch. 12, 30. Hugh.

"Romeo and Juliet" William Shakespeare. Ch. 23, 34. Hyde, Ophelia.

"Faust" by Johann Wolfgang von Goethe. Ch. 29 Johannes.

"Through the Looking-Glass" Lewis Carroll. Ch. 29, events. Mikuni, Johannes.

"Julius Caesar" William Shakespeare. Ch. 23, 84. Hyde.

"Strange Case of Dr. Jekyll and Mr. Hyde" Robert Stevenson. Ch. 23, 37. Hyde, Licht.

"Macbeth" William Shakespeare. Ch. 24, 31. Kuro, Saint Germain, Mahiru.

"Night on the Galactic Railroad" Kenji Miyazawa. Ch. 26, 142. Higan, Tsubaki.

"The Little Prince" Antoine de Saint-Exupéry. Ch 30, 67. Kuro, Mahiru, Sloth demon, Gear, probably Jeje.

"Hamlet" William Shakespeare. Ch. 33, 34. Hyde, Ophelia.

"The Phantom of the Opera" Gaston Leroux. Ch. 36 Licht and Hyde technique.

"Peter and Wendy" James Barry. Ch. 44, 56, 74. Tsurugi, Touma, Mahiru.

"Ring a Ring o' Roses" nursery rhyme. Ch. 53 Junichiro's spell.

“Peter Pan in Kensington Gardens” James Barry. Ch. 53, 75. Tsurugi, Touma.

"Death in Venice" Thomas Mann. Ch. 55 Gilbert technique.

"Total Eclipse" a play by Christopher Hampton. Ch. 55 Rayscent's technique.

"The Morning of the Last Farewell" Kenji Miyazawa. Ch. 57.5 Tsubaki.

"Spring and Asura" Kenji Miyazawa. Ch. 57.5 Tsubaki.

"The Catcher in the Rye" Jerome Salinger. Ch. 62 Shuhei.

"Four and Twenty Blackbirds" Agatha Christie. Ch. 62 Shuhei's spell.

"Metamorphosis" Franz Kafka. Ch. 62 Shamrock technique.

“The Nighhawk's Star” Kenji Miyazawa. Ch. 62, 76. Shamrock technique.

"Rock-a-bye Baby" an English lullaby. Ch. 70 Touma's spell.

“Schlafe, mein Prinzchen, schlaf ein” lullaby. Ch. 70 Touma's spell.

"Who Killed Cock Robin" an English nursery rhyme. Ch. 70 Yumikage's spell.

"The Wonderful Wizard of Oz" Lyman Frank Baum. Ch. 70, 88. Tsukimitsu brothers’ spells.

"Daddy-Long-Legs" Jean Webster. Ch. 74. Dark Night Trio, Touma.

"King Lear" William Shakespeare. Ch. 86. Hyde.

"The House of the Sleeping Beauties" Yasunari Kawabata. Ch. 86. Iori.

"The Divine Comedy" Dante Alighieri. Ch. 118, 120, 121. Niccolo, Ildio, Gluttony demon.

“A Brute's Love” (人でなしの恋) Edogawa Rampo. Ch. 122 Mikuni, Lily.

"Coppelia" ballet Leo Delibes. Chapter 122 Mikuni, Lily.

"Salome" Oscar Wilde. Ch. 122, 147. Mikuni, Lily.

"Turandot" opera by Giacomo Puccini based on the play by Carlo Gozzi. Ch. 129, 136. Lily.

"The Tempest" William Shakespeare. Ch. 131. Licht and Hyde.

"The Old Man and the Sea" Ernest Hemingway. Ch. 134 Hugh.

"Flowers for Algernon" Daniel Keyes. Ch. 135 Hugh.

"Jane Eyre" Charlotte Brontë. Ch. 136. Hokaze.

"Madama Butterfly" opera by Giacomo Puccini. Ch. 136. Lily.

"Hansel and Gretel" the Brothers Grimm. Ch. 140. Faust and Otogiri.

"Girl Hell" Yumeno Kyusaku. Ch. 147. Mikuni, Noah.

Music

"Für Elise" by Ludwig van Beethoven. Ch. 34

"Jesu, Joy of Man's Desiring" by Johann Sebastian Bach. Ch. 125

Sonata No. 17 "Tempest" by Ludwig van Beethoven. Ch. 131

Movies

"It's a Wonderful Life" (1946). Ch. 131

"Life is Beautiful" (1997). Ch. 131

I believe this list can be expanded. Somewhere I’ve written only chaps when some reference was mentioned for the first time and omitted all further mentions.

Special thanks to hello-vampire-kitty, joydoesathing and passmeabook, because some works wouldn’t be included in the list without their observations.