#7 August 1967
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George Harrison and Pattie Boyd at Goldon Gate Park, San Francisco, August 7 1967 ♡ Photographed by Gene Anthony
#love#1960s aesthetic#60s#60s aesthetic#1960s#boho#george harrison#pattie boyd#george and pattie#hippie#hippies#60s fashion#the beatles#bohemian#aesthetic#photography#vintage#history#20th century#rock#rock music#music#retro#twentieth century
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Dorothy Parker, August 22, 1893 – June 7, 1967.
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Mariner program
The Mariner program was conducted by the American space agency NASA to explore other planets. Between 1962 and late 1973, NASA's Jet Propulsion Laboratory (JPL) designed and built 10 robotic interplanetary probes named Mariner to explore the inner Solar System - visiting the planets Venus, Mars and Mercury for the first time, and returning to Venus and Mars for additional close observations.
The program included a number of interplanetary firsts, including the first planetary flyby, the planetary orbiter, and the first gravity assist maneuver. Of the 10 vehicles in the Mariner series, seven were successful, forming the starting point for many subsequent NASA/JPL space probe programs.
The name of the Mariner program was decided in "May 1960-at the suggestion of Edgar M. Cortright" to have the "planetary mission probes ... patterned after nautical terms, to convey 'the impression of travel to great distances and remote lands.'" That "decision was the basis for naming Mariner, Ranger, Surveyor, and Viking probes."
Each spacecraft was to carry solar panels that would be pointed toward the Sun and a dish antenna that would be pointed at Earth. Each would also carry a host of scientific instruments. Some of the instruments, such as cameras, would need to be pointed at the target body it was studying. Other instruments were non-directional and studied phenomena such as magnetic fields and charged particles. JPL engineers proposed to make the Mariners "three-axis-stabilized," meaning that unlike other space probes they would not spin.
Mariner 1 and Mariner 2
Mariner 1 and Mariner 2 were two deep-space probes making up NASA's Mariner-R project. The primary goal of the project was to develop and launch two spacecraft sequentially to the near vicinity of Venus, receive communications from the spacecraft and to perform radiometric temperature measurements of the planet. A secondary objective was to make interplanetary magnetic field and/or particle measurements on the way to, and in the vicinity of, Venus.
Animation of Mariner 2's trajectory from August 27, 1962, to December 31, 1962. Mariner 2 · Venus · Earth.
Mariners 3 and 4
Sisterships Mariner 3 and Mariner 4 were Mars flyby missions.
Mariner 3 was launched on November 5, 1964, but the shroud encasing the spacecraft atop its rocket failed to open properly and Mariner 3 did not get to Mars.
Mariner 4, launched on November 28, 1964, was the first successful flyby of the planet Mars and gave the first glimpse of Mars at close range
This archival image is an enhanced contrast version of the first Mars photograph released on July 15, 1965. This is man's first close-up photograph of another planet -- a photographic representation of digital data radioed from Mars by the Mariner 4 spacecraft. Data was either sent to Earth immediately for acquisition or stored on an onboard tape recorder for later transmission.
The pictures, played back from a small tape recorder over a long period, showed lunar-type impact craters (just beginning to be photographed at close range from the Moon), some of them touched with frost in the chill Martian evening.
Mariner 5
The Mariner 5 spacecraft was launched to Venus on June 14, 1967, and arrived in the vicinity of the planet in October 1967. It carried a complement of experiments to probe Venus' atmosphere with radio waves, scan its brightness in ultraviolet light, and sample the solar particles and magnetic field fluctuations above the planet.
Mariners 6 and 7
Mariners 6 and 7 were identical teammates in a two-spacecraft mission to Mars. Mariner 6 was launched on February 24, 1969, followed by Mariner 7 on March 21, 1969. They flew over the equator and southern hemisphere of the planet Mars.
Mariners 8 and 9
Mariner 8 and Mariner 9 were identical sister craft designed to map the Martian surface simultaneously, but Mariner 8 was lost in a launch vehicle failure. Mariner 9 was launched in May 1971 and became the first artificial satellite of Mars.
Mariner 10
The Mariner 10 spacecraft launched on November 3, 1973, and was the first to use a gravity assist trajectory, accelerating as it entered the gravitational influence of Venus, then being flung by the planet's gravity onto a slightly different course to reach Mercury. It was also the first spacecraft to encounter two planets at close range, and for 33 years the only spacecraft to photograph Mercury in closeup.
Venus in real colors, processed from clear and blue filtered Mariner 10 images
Mariner 10's photograph of Venus in ultraviolet light (photo color-enhanced to simulate Venus's natural color as the human eye would see it)
This mosaic shows the planet Mercury as seen by Mariner 10 as it sped away from the planet on March 29, 1974.
source x, x | images x
#mercurio#mercury#venus#mars#marte#astronomy#astronomia#space#solarsystem#sistemasolar#universe#universo#mariner#mission#space exploration
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Lots of debate on the timeline of events in the outsiders and ages fitting into that, but according to Hinton Pony was born July 22, and he'd been 14 for about a month (line in the movie) when the main events kick off. That would put the murder during late August, which is exactly when that schoolyear would be starting. They only hide out for 5 days, which would put them at early September when they end up back home.
The rumble, Johnny's death, Dally's death, and Pony's concussion fainting happens the night after they get home.
Ponyboy comes to after 3 days, then ends up on bedrest for another week, where he displays delusional thought.
The Juvenile Court hearing presumably occurs shortly after that bedrest, as Pony is still not considered fit to testify on the murder, placing it squarely into the month of September.
It's not super clear how long the depressive episode lasts for Pony, but it's long enough that he is failing his classes and Syme is offering to bring him up to a C. Recalling my high school days, overall grades for fall semester were usually evident by like mid October, so I would give Pony 2-3 weeks, maybe a full month before Syme reaches out.
However, we also know Pony was procrastinating on his assignment, it's part of Darry's nagging iirc, so that + the theme being a final project for the semester, it was probably due mid-late November/maaaayyybe early December.
This is where ages come in bc some of the ages we have from the TV Show Bible don't align with the story's events happening in August.
However.
We know that we are reading Ponyboy's theme. It ends cyclical to the beginning, and there's also evident effort on Ponyboy's end to avoid writing profanity into his recollection. He's 14, been to Hell and back, and also procrastinated on his essay. That is to say, I'd believe it if the argument was made that for some of the surviving characters, he just mentioned how old they were at the time of writing.
Side note, too, that the musical does corroborate the main events happening in late August imo, as it explicitly ties the Curtis Parents' deaths to Darry's birthday; Darry was born January 5, and they died 8 months before the story took place; 8 months from January is obviously September, technically. However. Looking at the calendar year for 1967 (the musical is bumped up 2 years), Darry's birthday fell on the first Thursday of January. If Pony's birthday is July 22nd and it's been a month (not confirmed in the musical to have been a month, but confirmed that he would be 15 next July), the Friday Night Drive-In encounter would have been August 25 (literally the first week of school), 7 months and 3 weeks after the crash; technically not 8 months, but extremely close. If we want to push it closer and move the events a week later, then the drive in would have happened September 1.
In conclusion, my proposed book timeline, cross-referenced with calendars and given school start dates:
Tuesday, January 5, 1965—Darry's Birthday, potentially also the death of Curtis Parents
Thursday, July 22, 1965—Ponyboy's 14th birthday
Thursday, August 26, 1965—Pony gets jumped
Friday, August 27, 1965—Pony goes to the drive-in, Johnny kills Bob (technically this happens in the wee hours of Saturday, but the jumping that led to it was a consequence of the drive in so I'm lumping them)
Saturday, August 28-Wednesday, September 1, 1965— (technically the actual time of Bob's murder) + Windrixville hideout + fire + Hospital reunion
Thursday, September 2, 1965—Rumble + Johnny's death + Dally's Death + Pony's concussion
Friday, September 3-Sunday, September 5, 1965—Pony in feverish delirium
Monday, September 6-Sunday, September 12, 1965—Pony on Bedrest
Monday, September 13, 1965—Juvenile Court
Tuesday, September 14, 1965-Depressive fugue begins
Monday, October 11 or 18, 1965—Mr Syme alerts Ponyboy of his failing grade+presents semester's final project in the form of a personal theme.
Mid November, 1965—theme is written
#the outsiders#ponyboy curtis#and while hinton isnt in charge of the adaptations we know she was involved with the movie and has interacted with the musical cast#so she probably approves of the timing benchmarks given therein
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New Pepper music?
Event: The Greatest Beatles Story Never Told Date: August 23rd 2024 – 7:30pm Location: The Philosophical Research Society 3910 Los Feliz Boulevard, L.A. CA 90027
Martin Lewis - considered one of the world’s foremost Beatles scholars by authorities such as the Encyclopedia Britannica - will be debuting a special ‘TED-Talk’ style illustrated presentation in L.A. - titled The Greatest Beatles Story NEVER Told. The finale of the illustrated talk will include a notable first - likely to intrigue and excite Beatles fans. The World Premiere of a never-before-heard recording from the 1967 Sgt. Pepper sessions.
um WHAT
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IEYTD Dates
I’m pretty sure the IEYTD franchise all takes place over the course of like a year, if not a few months, and frankly, I feel so bad for Agent Phoenix. Imagine going through all of that in such a short window of time!
While it’s hard to get exact, precise dates, we can finagle a rough guesstimate out with information in game (my favorite type!)
So, we know that Seat of Power took place on July 30th due to Solaris sending an email basically asking what the everloving fuck was going down on earth that lead to such erratic targeting (it was Phoenix)
And we know that the agent gets on the death engine soon after Seat of Power as Handler is really surprised that the team in decryption already got the intel to them. But we also know there’s a window of a few days between Seat of Power and the Death Engine, as there’s an E-Mail from Professor X-Ray that was sent on August 1st
Now, this would make things messy, as X-Ray is implied to be dead before Seat of Power, but thanks to this being z-mail, we can make an assumption that this was a scheduled email that was written before X-Ray’s death, set up to be sent out when there was a shipment of orange juice to the Death Engine. And, thanks to the juice in the Agent’s shuttle, it’s safe to assume it’s likely August 1st when the Death Engine takes place. It probably isn’t later than that because the orange juice shipment was most likely on the personnel shuttle that was being sent up with Solaris’ assistant. We know she was expecting them because she’s not surprised by their presence, in fact she’s implied to be expecting them in her dialogue.
Then in IEYTD 2, we get a year.
1967.
I’ll be honest, this detail has always bugged me because just because it was carved in that year doesn’t mean it necessarily confirms that’s when IEYTD 2 takes place, but more on that later-
Regardless the year, we get a day confirmation on the clap-board in Safe and Sound, August 22nd
And we know it’s almost certainly the same August thanks to what we know about the EOD.
They don’t have the budget for vacations or real plants or bereavement for the Handlers, so they almost certainly wouldn’t give the agent A YEAR of medical leave. And we also know that there aren’t any missions between the Death Engine and IEYTD 2 because Handler says “we can’t let Zoraxis know you survived your last mission”
Phoenix gets AT MOST 16 days to recover if they arrived at the Death Engine the day that z-mail was sent out on August 1st, and only 15 if it was the 2nd.
Then on to IEYTD 3
Now, the week and day is hard to find, but we do get a license that is implied to be administered at a temporary license in:
1967. The same year as what was written under the desk in Stage Fright in IEYTD 2z
Now, do I have a whole mold math post that basically says it’s 7-15 days on the generous end? Yes. Do I also know that’s shaky evidence? Yes.
BUT, we also have real locations. Many of the locations have set weather that doesn’t have much shifting, but there’s ONE level where the weather shifts greatly from summer to autumn. And that’s in Operation Blindspot!
Reginald says that Prism was lost on the interstate heading across Bering Strait. For those who don’t know (like I didn’t) Bering Strait is in Alaska, where while they have temperate summers, when it gets cold, it gets cold. And fast. On average, Bering Strait’s snowfall starts in September and really takes off in October, so it’s most likely that IEYTD 3 takes place in early to mid September, as while it’s cloudy, there’s no indicators that it’s freezing, something Schell would have put in if they wanted to like in Cold Shoulder.
So the Agent goes from a normal, maybe even rookie agent, to Agent Phoenix, protector of the world and famous EOD agent in the span of approximately 2 months. I do not envy them, that sounds like hell
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Zachary Foster, Ph.d, historian of Palestine, has made a thread of a brief history of Israel's ethnic cleansing of Palestinians from 1890 to present. [His newsletter: Palestine, in Your Inbox] Pasted below:
Yesterday, on October 24, 2023, Israel's plans to expel Gaza's Palestinian population to Sinai, Egypt were leaked. Not surprisingly, this plan has a decades long history and dates to at least 2004, if not earlier. (Source)
Between Oct 7, 2023-present, Israel has displaced ~1.4 million Palestinians in Gaza through its campaign of indiscriminate bombing. (Source)
In May 2023, 178 Palestinian Bedouins were forced out of Ein Samiya (West Bank) after Israel repeatedly demolished their homes, threatened to destroy their only school & after their grazing land was taken by settlement expansion & b/c of settler violence: [Link]
In July 2022, the 100-person community in Ras a-Tin (WB) was pushed after a Jewish settler outpost was established 2km away. Since then, members of the Palestinian community have suffered from verbal abuse, harassment, theft & vandalism of property. [Link]
Between Aug 2022- August 2023, the 88-person community in al-Qabun was pushed out by Israeli Jewish settler violence & assaults by the Israeli army. [Link]
In July 2020, Israel made 70 Palestinians homeless in Khirbet Humsa for the 6th time. Israeli forces loaded the residents' personal belongings and dropped them off 7 miles away. [Link]
In 2019, 2 groups of Palestinian families near the Taybeh junction were pushed out:
Between June 1967 - 2016, Israel revoked the residency status--and thus the right to live in Jerusalem (or anywhere else in Israel) -- of at least 14,595 Palestinians from East Jerusalem in what amounts to "forcible transfers," according to @hrw. (Source)
Between 1968 -1971, Israel expelled 615 Gazan residents. Between, 1971-1988, Israel expelled another 90 Palestinains from Gaza. Source: Sara Roy, The Gaza Strip: The Political Economy of De-development, p.110
In 1967, Israel expelled 250K-325K Palestinians, including from Imwas, Yalo, Bayt Nuba, Surit, Beit Awwa, Beit Mirsem, Shuyukh, Jiftlik, Agarith & Huseirat. (Source: one, two)
In 1948, Zionist forces expelled hundreds of thousands of Palestinians from their homes. They also refused to allow ~750,000 Palestinians who were made refugees during the war back to their homes.
Source:
B/w 1891-1948, most Zionist leaders, inc. Theodor Herzl, Ahad Ha'am, Israel Zangwill, Arthur Rupin, M. Smilansky, L. Motzkin, Yoseph Weitz, Chaim Weizmann, M. Usshishkin, D. Ben Gurion, Moshe Shertok, thought it would be required to expel the Palestinians: [Quote Tweet]
Here are some additional screenshots if the statements of Zionist leaders from 1890-1948. And you wonder why so many people think Zionism was such a problematic, dare I say, racist idea?
#palestine#geopol#long post#not sure if the format translates very well so ive provided a link to the thread as well.#📁.zip
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ᴇʟᴠɪꜱ' ᴏᴡɴ ᴛᴀꜱᴛᴇ ɪɴ ꜰᴀꜱʜɪᴏɴ ɪɴᴛᴏ ʜɪꜱ ᴄʜᴀʀᴀᴄᴛᴇʀꜱ' ᴄᴏꜱᴛᴜᴍᴇꜱ ɪɴ ᴛʜᴇ ᴍᴏᴠɪᴇꜱ
A personal Elvis touch to some of his characters's wardrobe.
Recently me and @jhoneybees were drooling over Elvis in Girls! Girls! Girls! (1962) and Fun In Acapulco (1963). I couldn't stop thinking about the backwards rolled up cuffs shirts that his characters wear in some scenes in both films because they look so good in him! Then I realized that Elvis used to wear his shirts just like this occasionally in the 1950s, before his Hollywood career had begun.
(2-3) Elvis on May 21, 1955 backstage at the Louisiana Hayride at the Municipal Auditorium in Shreveport, Louisiana. (4-6) January 25, 1955. Elvis Presley. Tyler, TX. backstage Mayfair building.
(7) Elvis in Graceland in 1960. Here Elvis' acting career was already happening but he hadn't used the rolled-backwards sleeve cuffs shirts in the movies just yet (at least that I remember of), but that's gonna change in a couple of years.
(8-10) Elvis as Ross Carpenter in Girls! Girls! Girls! (1962).
(11-13) Elvis as Mike Windgren in Fun In Acapulco (1963).
Looking at those pictures I can imagine that Elvis himself did some styling to his character's wardrobe occasionally, very seldom I think. However it doesn't stop at the early 60s films… I noticed that again in Charro! (1969).
(14-15) The King as Jess Wade, with his one of his signature looks, the high collars (the jacket just appears for a brief moment in the film but when I saw it I was like 'Oh, Elvis... anyone could recognize you just by looking at your back from miles away...'
It's not like we need any pictures to proof high-collars were his thing but it won't cause any harm too, so...
Cool, isn't it? But, wait a minute, there's more! The next one was prior to Charro!
Right now, I can't say that Elvis in fact had any say-so concerning his characters costumes but that's my assumption based on a little studying on his history and by watching his movies but another thing gave me the idea he could do something about his costumes for the films.
Sandi Miller (fan/gate girl) shared on her Facebook account that she and another fan gave Elvis a jacket in 1966 while Double Trouble (MGM, 1967) was in production. Principal filming for Elvis's twenty-fourth movie began on July 11, 1966 and was finished by August 30, 1966. After the movie was released, visiting the fans as usual, Elvis told Sandi to watch a specific scene in the film and there it was! He was wearing the jacket she gave him.
August 3rd, 1966. Elvis off to the studio to film 'Double Trouble'. Candids by fan Sandi Miller.
On the pictures above, Sandi (on her Facebook account) said: "Elvis on his way to the studio to film 'Double Trouble.' On his lap is a jacket we gave him purchased from St. James mens shop in Fullerton." Fan Kathryn Harper Sherrill then asked Sandi: "And didn't he tell you to watch closely part of that film & your jacket was used in a scene of the film when he was packing or unpacking?" For what Sandi replied: "Yes, he did!"
On that post Sandi doesn't specify which jacket it was, unfortunately, but I followed the hint and looked for a scene Elvis' character was packing in the film. The jacket Sandi Miller gave EP is most likely this one below. He's wearing it while he sings 'City By Night' and also 'Old MacDonald' in that portion of the film.
Wasn't it thoughtful of him to wear a jacket gifted to him by a fan in one of his films?
youtube
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This is Elvis in 1966, returning or leaving his Hillcrest home in California, during the Double Trouble movie production period. The jacket looks like the same he wore in the film for those scenes I mentioned previously.
Conclusion: I guess it's safe to say that Elvis sometimes would style his costumes a little bit, putting something more of himself into his characters beyond the unmistakable charm, humor and talent. i don't know if that's a good thing to do because most actors' goals is to have a character that requires them to transform their image and behaviors to a point the characters don't resemble their off-screen personas in the slightest but, knowing how Elvis' movies were so… unusual… specially made to please Elvis' audience as they were (always craving for more) and how that caused the screenplays not to have real efforts put into that would give EP the need to really become someone else for his movies, it's not exactly wrong of him to incorporate his own persona (to a given extent) into the characters he played. All in all, I guess that makes his acting career even more unique. Elvis was not an ordinary artist after all. At times being that spectacular human being backfired, and Elvis just… went with the flow.
Those are just a few moments I noticed when Elvis' fashion style was lent to his on-screen characters. Have you noticed any other moments in the movies where this happens?
#elvis presley#elvis history#elvis fashion#elvis concerts#1955#elvis movies#girls! girls! girls!#1962#fun in acapulco#1963#charro!#1969#elvis#50s elvis#60s elvis#1960#elvis the king#Youtube
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hi sorry but do you have any soft mclennon moments to share too :') the post you made about 22 seconds of longing hurt oh my god
Sorry for the delay in reply anon. I'm actually just a corporate collar acting my way as a temporary secretary every hard day's night, jobbing like a dog, 8 days a week in an English garden to afford a tan in the rain.
Hope this finds you well! Here are 22 McLennon moments as compensation for Johnny's 22 agonizing seconds in the pining video.
1.) "I'm Happy Just to Dance with You" scene when they both looked at each other at the same time. And the director had to pan out the scene because it would've been too straight. I know dilated pupils when I see it.
2.) Inviting your favorite boy to a solo trip to Spain but you stayed in Paris because it was so romantic, sharing a bed, picking out clothes for each other, slurping all the banana shakes, you know normal roommate things according to historians.
3.) Getting a solo invitation from a hot photographer and bringing along your best boy because you are attached to the hip and can't be separated.
4.) Their need to constantly touch each other
5.) Scene in Help (1965), where John is using all his strength to carry George and Ringo's weight and not crush Paul (because boyfriend things)
6.) Holding hands for mental support during a recording. (John is needy, please forgive him)
7.) Walking Martha like a couple in 1967 - outfits coordinated and all
8.) Impressions by people who met them:
"[John and Paul] sort of had their own way of communicating. Hardly anything was spoken, they just knew what the other wanted or was getting at and they had the most amazing talent."
"He was like a different animal with Lennon. When they were together they became something else, more than just the two of them together. That communication was incredible. It was like two high-speed computers just fizzing between each other."
9.) John is hiding his cigarette behind him, because he doesn't want to bother Paul with the smoke. (You know, boyfriend things).
10.) A portrait, king and princess up front. John's thigh just casually resting on Paul's (yet again).
11.) The spider fingers during a press conference, because they are actually both 12
12.) That very flirty jam session in Austria in 1965 that was cut short, but they probably continued after anyway
13.) The way they talk about the day they met sounds like "how I met the love of my life" Happy Honeymoon <3
14.) Quote from Emerick
The lights in the studio were turned off to set the mood; the sole source of illumination was a table lamp next to the wall. The two beatles, lifelong friends and collaborators, sat on high stools, facing each other, studying each other’s lips intently for phrasing.
15.) When they answer each other's songs
Paul in Can't Buy Me Love: "If it makes you feel alright?"
John: "I Feel Fine"
17.) “I could even hear what they were saying off-mike; ‘Oh Paul, you’re so cute tonight’ was met with the reply, ‘Sod off, Lennon.’” — Joan Baez on accompanying the Beatles to their concert in Red Rocks Amphitheatre, Denver. 26 August 1964
18.) Paul looking at John like he wants to eat him later after finishing with "I'm a Loser"
19.) Giving instructions on how John's hair needs to "look"
20.) Paul acting as John's walking stick
21.) Paul's heart eyes during this 1966 conference (also that lip bite... eat you later?):
22.) John the worried boyfriend who checks on Paul in the middle of an interview and doesn't believe him when he just says : "oh, yeah..."
John internally: "come on now, why aren't you laughing at my joke babe? You're unwell!!!"
The Bottles over and out.
Thank you for this ask. This was quite fun! Would love to hear your thoughts too <3
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Photo 1 by Henry Diltz, photos 2 & 3 by Micky Dolenz (in screenshots from footage of his tour, Micky Dolenz Celebrates The Monkees).
Bringing back an article transcribed in 2023, since it ties in with the theme of these photos.
“Dolenz chewed a jaw-breaker and snapped pictures of Peter. Jones sat nearby and munched his lunch. Tork said he believes in doing anything ‘as long as you’re totally committed to what you’re doing.’ Is Peter committed to starring in a television series, making hit rock ‘n’ roll records and living in Hollywood? ‘Sometimes,’ he said, ‘but I’ve got my best men working on it.’ Peter gets up and goes to the diving board. He clowns a while, starting to dive, then stopping suddenly at the end of the board. Teen-age girls at the side of the pool cry out, ‘Oh, Peter.’ Finally, Peter dives. The girls applaud and sigh. He comes back to the side of the pool and digs his hand into a box with the words ‘Peace’ and ‘Love’ painted on the side. The box, called a ‘Super Survival Kit,’ is filled with things Monkees are fond of, like Plasticman and Tarzan comics, a bushy-headed figure with a sign that says ‘Stamp Out Haircuts’ and a feathered hat. Tork, resting up beside the pool, commented, ‘It’s not hard work.’ He added that he spends what little free time he has ‘balancing my checkbook.’ ‘
We’ve been accused of copying the Beatles,’ said Peter, ‘but we’re picking up on the same things.’ Referring to the Beatles’ new hit ‘Baby You’re A Rich Man,’ he said that it means anyone can make it big. Did he think two years ago when he was a folk-singer in New York City’s Greenwich Village that he would make the big-time in the pop music field or television? ‘Sure, although I didn’t believe it as firmly as I do now. Now I’m a believer,’ Peter said with a grin. One of the Monkees biggest hits was ‘I’m a Believer.’ Other hits have been ‘Last Train to Clarksville,’ ‘Stepping Stone’ and the currently popular ‘Words.’ A cha-cha came blaring over the loudspeaker at poolside. Peter glanced up. ‘That’s obscene,’ he remarked. A young girl in a blue bathing suit nervously stepped forward requesting an autograph. Peter signed: ‘Love, Peter Tork’ and drew a flower. ‘I dig flowers,’ he said. ‘I always put a flower after my autograph, because it’s more gentle that way. But that doesn’t make me a flower child or a hippie. No one can call himself a flower child. ‘I also wear beads all the time now, any beads, colorful beads,’ said Peter, who attended Carleton College in Northfield, Minn., from 1959 to 1963. Then he settled back in the deck chair to read a ‘Peanuts’ book — out loud.” - article by James Beaumont, The Des Moines Register, August 7, 1967 (x)
#Peter Tork#Micky Dolenz#<3#Tork quotes#The Monkees#Monkees#Peter and Micky#screenshots#can you queue it
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TV Guide - September 19 - 25, 1964
Fall Preview: 1964 - 1965 Shows
ABC
12 O'Clock High (September 18, 1964 – January 13, 1967)
ABC Scope (November 11, 1964 – March 2, 1968)
The Addams Family (September 18, 1964 – April 8, 1966)
Bewitched (September 17, 1964 – March 25, 1972)
The Bing Crosby Show (September 14, 1964 – April 19, 1965)
Broadside (September 20, 1964 – May 2, 1965)
F.D.R. (January 8, 1965 - July 23, 1965)
Jonny Quest (September 18, 1964 – March 11, 1965)
The King Family Show (January 23, 1965 – September 10, 1969)
Mickey (September 16, 1964 – January 13, 1965)
No Time for Sergeants (September 14, 1964 – May 3, 1965)
Peyton Place (September 15, 1964 – June 2, 1969)
Shindig! (September 16, 1964 – January 8, 1966)
The Tycoon (September 15, 1964 – April 27, 1965)
Valentine's Day (September 18, 1964 – May 7, 1965)
Voyage to the Bottom of the Sea (September 14, 1964 – March 31, 1968)
Wendy and Me (September 14, 1964 – May 24, 1965)
CBS
The Baileys of Balboa (September 24, 1964 – April 1, 1965)
The Cara Williams Show (September 23, 1964 – April 21, 1965)
The Celebrity Game (April 6, 1964 - September 13, 1964 / April 8, 1965 - September 9, 1965)
The Entertainers (September 25, 1964 –March 27, 1965)
Fanfare (June 19, 1965 - September 11, 1965)
For the People (January 31 – May 9, 1965)
Gilligan's Island (September 26, 1964 – April 17, 1967)
Gomer Pyle, U.S.M.C. (September 25, 1964 – May 2, 1969)
Many Happy Returns (September 21, 1964 – April 12, 1965)
Mr. Broadway (September 26 – December 26, 1964)
The Munsters (September 24, 1964 – May 12, 1966)
My Living Doll (September 27, 1964 – March 17, 1965)
On Broadway Tonight (July 8, 1964 - March 12, 1965)
Our Private World (May 5 – September 10, 1965)
The Reporter (September 25 – December 18, 1964)
World War One (September 22, 1964 - April 18, 1965)
NBC
90 Bristol Court (October 5, 1964 - January 4, 1965)
Branded (January 24, 1965 – September 4, 1966)
Cloak of Mystery (May 11 - August 8, 1965)
Daniel Boone (September 24, 1964 – May 7, 1970)
The Famous Adventures of Mr. Magoo (September 19, 1964 – April 24, 1965)
Flipper (September 19, 1964 – April 15, 1967)
Harris Against the World (October 5, 1964 - January 4, 1965)
Hullabaloo (January 12, 1965 – August 29, 1966)
International Showtime (September 15, 1961 - September 10, 1965)
Karen (October 5, 1964 – April 19, 1965)
Kentucky Jones (September 19, 1964 – April 10, 1965)
The Man from U.N.C.L.E. (September 22, 1964 – January 15, 1968)
Moment of Fear (May 19 - September 15, 1964 / 25 May 25 - August 10, 1965)
NBC Wednesday Night at the Movies (September 16, 1964 - September 8, 1965)
Profiles in Courage (November 8, 1964 – May 9, 1965)
The Rogues (September 13, 1964 – April 18, 1965)
Tom, Dick and Mary (October 5, 1964 - January 4, 1965)
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Marilyn Monroe’s family.
Gladys Pearl Monroe was Marilyn’s mother. At age 15, Gladys had married John Newton Baker, an abusive man nine years her senior. They had two children together, Robert and Berniece.
Gladys’ second marriage occurred in 1924 when she married Martin Edward Mortensen. In 1926 she gave birth to Norma Jeane, (Marilyn)
Gladys told Marilyn that her father was one of her co-workers (and her superior) at RKO Studios—a man named Charles Stanley Gifford.
Marilyn sought out Charles Stanley Gifford and told him who she was, only for him to respond: “I’m married, and I have a family. I don’t have anything to say to you. Call my lawyer”
In 2022, a scientists performed a DNA test on a strand of Marilyn’s hair and a cheek swab from one of Charles’ great-grandchildren, which confirmed that Charles was Marilyn’s father.
Marilyn also had two other half-siblings from Gifford’s marriage with his first wife, a sister, Doris Elizabeth (1920–1933), and a brother, Charles Stanley Jr. (1922–2015).
Gladys, who had long suffered from mental illness, lived most of her life from 1934 until 1967 in psychiatric facilities.
She went on to live with her daughter Berniece, and moved into a retirement home in Gainesville, Florida, where she died on March 11, 1984
Marilyn’s father, Charles Stanley Gifford (1898-1965)
Marilyn’s mother, Gladys Pearl Monroe (May 27, 1902 – March 11, 1984)
Marilyn’s half brother, Robert Kermitt Baker (January 16, 1918. August 16, 1933) He died of kidney failure as a result of the tuberculosis
Marilyn’s half sister, Berniece Inez Gladys Miracle (July 30, 1919 – May 25, 2014)
Marilyn’s niece, Mona Rae Miracle, was born on July 18, 1939.
Photo 1- Berniece at 75 years old, 1994
Photo 2- Marilyn as a baby
Photo 3- Gladys and Norma Jeane
Photo 4- Gladys
Photo 5- Marilyn’s half brother Robert.
Photo 6- Berniece, Gladys, Marilyn
Photo 7- Berniece, Marilyn with her niece Mona and Gladys
Photo 8- Stanley, Marilyn’s father
Photo 9- Stanley Jr. Marilyn’s half brother, her father’s son.
Photo 10- Gladys
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Half time with our calendar and this is the perfect moment to introduce you to a lady who shows the interface of Age of Sail and Age of Steam. She is generally regarded as the start of the Age of Steam and yet she still has both elements. But who am I talking about ? - The HMS Warrior
HMS Warrior
More about her history here:
HMS WARRIOR was built as part of Britain’s response to concerns over France’s maritime ambitions which included the building of LA GLOIRE, a powerful ironclad which was the most advanced warship of its day. WARRIOR was commissioned on 1 August 1861 and at that time unquestionably ruled the seas. Her main guns, engines and boilers were contained within an armoured wrought iron hull and she could be driven by both steam and sail. This combination meant that she could outrun and outgun any ship afloat and she never fired a shot in anger – the classic deterrent.
During the first commission her main role was to lead the Channel Squadron. On 22 November 1864 she paid off for her first major refit at Portsmouth Dockyard during which the ship was comprehensively refurbished. She was also completely re-armed with 7” and 8” muzzle loaded rifled guns. However, in the American Civil War the success of the Monitor was to have a dramatic effect on naval thinking and WARRIOR’s role as ‘Monarch of the Seas’ was to be very short-lived.
She re-commissioned in July 1867 and re-joined the Channel Fleet. The second commission was rather less interesting than the first as she was no longer regarded as the most powerful warship afloat and faded from the limelight. The second commission ended in 1871 and she then spent four years in refit at Portsmouth being fitted with improved boilers, steam power for the forward capstan and a new poop deck to accommodate an Admiral. On completion in 1875 she became part of the First Reserve Fleet where she was to remain until paying at Portsmouth on 31 May 1883.
After periods as a depot ship and part of HMS VERNON she was paid off in 1924. She was then converted for use as a floating oil jetty and in 1929 was towed to Pembroke Dock where she was to remain for the next 50 years. In 1967 the campaign to restore WARRIOR started and prominent in this was Sir John Smith who formed the Manifold Trust. A committee chaired by the Duke of Edinburgh met in 1968 to discuss her future and from this emerged the Maritime Trust. When Pembroke Dock closed in 1978 the Manifold Trust agreed to underwrite the cost of restoration and the ship was handed over to the Maritime Trust in 1979.
In 1983 ownership was transferred to the Ship’s Preservation Trust which became the Warrior Preservation Trust in 1983. Although the hull was very sound the rest of the ship was in a poor state. The task which was part restoration and part re-building needed vast resources not only of money (£8M) but also of skill, patience and endurance. The 8 year restoration programme at Hartlepool transformed her into one of the world’s most important historic warships and in 1987 she returned to Portsmouth where she is now moored in the Historic Dockyard.
A planned preservation programme is in place for the ship and over the years she has been dry-docked twice, and the upper deck, (£725K provided by the Heritage Lottery Fund), all three fighting tops and half moons and the stern gallery have been replaced.
#naval history#naval artifacts#tall ship#hms warrior#1860#day 11#age of sail#age of steam#advent calendar
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Sherlockian Wednesday Watchalongs: Kids or Pets?
You can pick a side, or you can choose both. It's all good here, with four new-to-us watchalongs.
Wednesday, August 7 The Clue According to Sherlock Holmes (1980) Keith McConnell as Holmes!
Wednesday, August 14 Silver Blaze (1977) Christopher Plummer as Holmes!
Wednesday, August 21 Sherlock Holmes and the Baker Street Irregulars (2007) Jonathan Pryce as Holmes!
Wednesday, August 28 Sherlock Holmes: Das gefleckte Band (aka The Adventure of the Speckled Band, 1967) Erich Schellow as Holmes!
Here’s the deal: Like Sherlock Holmes? You’re welcome to join us in The Giant Chat of Sumatra’s #giantchat text channel to watch and discuss with us. Just find a copy of the episode or movie we’re watching, and come make some goofy internet friends.
Keep an eye on my #the giant chat of sumatra tag and the calendar for updates on future chat events.
#the giant chat of sumatra#sherlock#bbc sherlock#sherlock holmes#the clue according to sherlock holmes#silver blaze 1977#sherlock holmes and the baker street irregulars 2007#sherlock holmes 1967#watchalong#sorry for the late schedule post#it's been a messy week#but i wanted us to have something fun#so i redid everything last minute#🥳
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Dorothy Parker, August 22, 1893 – June 7, 1967.
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Edward Asner
Physique: Stocky Build/Heavyset Height: 5"7" (1.70 m)
Eddie Asner (November 15, 1929 – August 29, 2021), professionally known as Edward Asner, was an American actor and former president of the Screen Actors Guild. He is best remembered for portraying Lou Grant during the 1970s and early 1980s, on both The Mary Tyler Moore Show and its spin-off series Lou Grant, making him one of the few television actors to portray the same character in both a comedy and a drama. He is the most awarded male performer in Emmy history with seven wins, five of them for playing Grant. Asner died on August 29, 2021 at the age of 91.
A television legend, seven time Emmy winner and bear icon, it wasn't until 1993 when I saw him in a rerun of a TV movie called The Family Man that I first took notice of him. He was stout, hairy, masculine and so fuckin sexy. In my mind everything a man should be and an excellent addition to my spank bank. And over the years, Asner's prolific and much honored acting career demonstrates a consummate ability to transcend the line between one of U.S. television's most acclaimed and most controversial actors to unlikely sex symbol.
And I'm sure Asner had been clued into his own furry attractiveness by more than one admirer and was probably comfortable with the idea of being lusted after by other men.
With that being said, He was married twice and had four children, two daughters and a son from his first marriage; and a son from a relationship with Carol Jean Vogelman. He served in the U.S. Army Signal Corps, appearing in plays put on for the troops as they toured around Europe. Asner has established himself as one of the most legendary actors alive over the course of his sixty-year career, all while serving in eclectic leadership roles and campaigning for charitable causes.
RECOMMENDATIONS: Ironside (1967–1969) - Shirtless sauna scene. The Wrestler (1974) - Shirtless sauna scene. The Family Man (1979) - Shirtless bed scene. Lou Grant (1977–1982) - Shirtless bed scenes. OHara’s Wife (1982) - Shirtless scene. Anatomy of an Illness (1984) - Shirtless scenes. Mad About You (1996–1997) - Shirtless bath scene. Out of the Woods (2005) - Shirtless scenes. Just Friends (2011) - Shirtless bed scene.
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