#3.05 filming

[kolbisneat]

MONTHLY MEDIA: July 2024

I read a lot more than I was expecting this month but I ain't complaining. Here's how I spent the month of July!

……….FILM……….

Evil Dead II (1987) Didn't love Evil Dead (not that it's not good, I just get too spooked by straight horror) but had no idea that this would be what it is. Puppets and stop motion! Looney Tune antics! Magic with rules! This is my kinda movie and I'm baffled the modern films in the franchise don't try for this sort of energy.

Poor Things (2003) It took a while for me to settle into this, but around the time Dafoe's Godwin explains Bella's condition, I was all in. It's a dreamlike movie with dreamlike logic so despite some of the discourse I tried not to take too much of it literally. Beautiful and far funnier than I expected.

……….TELEVISION……….

Columbo (Episode 1.04 to 1.07) Gosh I love the era of television where each episode was self-contained. Episode 7 features Columbo smoking in a doctor's office and I was not at all expecting him to comment on the dangers of tobacco, but he did! I notice this first season only had a handful of episodes with the classic "oh one more thing" schtick so I'm curious if that pops up more in later seasons.

Scavenger's Reign (Episode 1.01 to 1.12) This is a show where I sit down, turn it on, and while the beautiful opening credits play, think, "I wonder what horrifying imagery is gonna f*** me up this episode?" The animation and design are sooooooo good that it made up for the occasionally baffling writing. Please go watch it so a second season can get greenlit.

Bridgerton (Episode 3.05 to 3.08) I missed a few eps there in the middle but it all worked. That final party, and all that went with it (the speech, the bugs, the reveal of who paid for it) was 10/10. Good stuff.

……….YOUTUBE……….

Yoko and The Beatles by Lindsay Ellis Yoko Ono didn't break up the Beatles. And while this video essay expands on the factors that DID split up the band, it's also a really great dive into the weight of fame and the weight of fame on women. VIDEO

Was starting a product business a mistake? by Simone Giertz An honest and detailed insight into the dream vs. reality of small business and internet fame. Looks like it's going to be a full series and I'm looking forward to more. VIDEO

……….READING……….

N or M by Agatha Christie (Complete) Spy Thriller set during the Second World War? With a husband/wife spy duo? Oh heck yeah. Sometimes I find the clues to be a little convoluted/unnecessarily obscure but this one struck a great balance of visible but easily forgettable.

The Knight of the Swords by Michael Moorcock (Complete) Having first read the comic adaptation (penciled by Mike Mignola!) I now realize some of my issues (pacing, understanding the abstract) work better in novel form. An elevated pulp adventure that has some great ironic twists.

Sherlock Holmes vs. Dracula or The Adventure of the Sanguinary Count by Loren D. Estleman (Complete) Thrift find purchased based on the premise alone. Exactly what you'd expect but not much beyond that. It's at its best when you get Dracula directly interacting with Holmes and/or Watson.

Spider-Verse by Dan Slott, Christos N. Gage, Mike Costa, Dennis Hopeless, and many many more (Complete) Really enjoyed reading this but am baffled by its production. Why the issues aren't collected in chronological order, I'll never know. I know the book is over ten years old now but the writing (especially all of the Spider-Women) really stands out as...not great. All but the Superior Spider-Man essentially sound the same (perhaps the point?) but Gwen and Jess and Cindy mostly talk about things like body image and pheromones and it's glaring. I'm curious what I'll think upon a second readthrough (reading in order, and after the first wave of nostalgia has completely rinsed off) but I definitely think this story walked so the movies could break the speed of sound.

The Unbeatable Squirrel Girl Beats Up the Marvel Universe! by Ryan North and Erica Henderson (Complete) North's writing and Henderson's artwork are the perfect blend for such a bright and enthusiastic character. Unbeatable Squirrel Girl is such a great series (which I gotta go back and finish) and this is an equally great introduction to the character.

Superior Foes of Spider-Man Vol 1 by by Nick Spencer, Marcos Martin, and Steve Leiber (Complete) I was really excited for this series (the premise! the cover art!) but the pacing, humour, and art just didn't connect. Honestly really bummed that I didn't like this more.

……….AUDIO……….

3D6 Down the Line (Podcast) A nice change of pace from the modern D&D games I play in. They use Old School Essentials for their system (more akin to 2nd Edition D&D) and play with a mindset similar to the 70s style of play (treasure for experience, everything is lethal). I'm still having trouble distinguishing some of the voices from each other, but it's a great listen.

……….GAMING……….

Oz: A Fantasy Role-Playing Setting (Andrews McMeel Publishing) Tuesday crew watched a peaceful inauguration and gained notoriety for saving a neighbourhood from roaming monsters (you can read all about it here!) and the Mof1 crew is dabbling in dangerous contracts with dangerous people (all for a cap that controls the winged monkeys).

And that's it. See you in August!

[takadasaiko]

There's something very off about the Coruscant scenes in Mando

When I watched 3.03 with Dr Pershing on Coruscant, it felt like an entirely different show was dropped in the middle of a Mando episode. Even when Din showed up in BoBF, it didn't feel as jarring as our visit to Coruscant that included a five-year-in New Republic (presumably finding Mon Mothma and Leia with high ranking positions in the government) that was really nothing more than the Empire Lite. This new government is already bogged down by a severe lack of imagination that doesn't fit the scrappy rebellion that won the war, but instead acts as if they just usurped everyone left over from the Empire that was willing to fake it and keep on like nothing had happen. Can you see Leia Organa standing for that? I can't, and I certainly don't think that as involved as she and other high-level Rebels would be at this point we'd see the depths of bureaucracy that look like it's piled up over decades and suffocating the innovation of a relatively small group of people willing to face off against the the dreaded Empire. We have the lights and the buildings of Coruscant, but the people that fill them don't make sense.

Then there was the acting... or the writing or the direction. I never could pin it down, but Elia Kane was clearly setting Pershing up the whole way with no subtly to be found. With the exception of the bookended scenes with Din, Grogu, and Bo, the episode felt misplaced in the Mandalorian.

I watched 3.04 the following week and things were back to normal. Okay. Even excellent shows have fluke episodes. It wasn't until 3.05 dropped that I started thinking it was intentional.

The production design for Mando has been fantastic. The planets, the aliens, the costumes… all very well done. When they’re sneaking into Imperial locations, it’s sharp and cold, but in the caves of Mandalor it’s dark and broken, shadows leaving all the dangers hidden until the last second. The design teams use the sets and the costumes and the lighting to elicit the appropriate emotions out of the scene. We’re there with Din. We believe, if only for that time, that we’re in a galaxy a long time ago and far, far away. It’s lived in and it fits the world that so many of us have loved since childhood.

Then we get back to Coruscant. It's not like we haven't seen it before. The Clone Wars did an excellent job of showing the contrast of a planet we only skimmed the surface of in Episodes 1-3. We saw grand chambers in the Prequels, and there are plenty of those, but in that series we were introduced to the lower levels. The citizens that often didn’t work directly for the government. It felt gritty and real, but it fit the world, even when introducing something new.

Then we had Andor which also had a high production quality. While TCW showed us the governing class and the lower levels of the city-planet, in Andor we were introduced to what is likely the middle class - the lower level bureaucrats, the everyday people on the surface that filled the endless positions of paper-pushing - lived and worked. The colour was sucked out of their world, but it still fit the galaxy far, far away.

But then we have Coruscant in Mando and it just feels wrong. From the cubicles (much close to what you'd see in a real, modern office space than what you see above from Andor)

to the colonel's cheap costume with noticeably poor quality rank badge

to the way they speak and the utter lack of subtly in their dialogue that anyone on Coruscant with half a braincell should be able to pick up on, yet only Teva did. Only someone outside of the Coruscant bog.

It’s so jarring and so fake that it drags you out of the story entirely. You’re no longer in the galaxy of heroes and villains, Jedi and Sith, Rebels (or even the New Republic) and Empire…. You might as well be watching a low budget scifi film of some different story.

So is that done on purpose? The more I see it, the more I question that. Having been spoiled on the slow build by storytellers like Timothy Zahn post-RotJ, I'll admit to having an extreme bias against this Coruscant and especially this New Republic that they're painting here, but we'll see... Is there something else at play? I suppose only time will tell.

[raincitygirl76]

I hadn’t known who directed or wrote each episode of the 2 seasons of Young Royals that have aired thus far. I knew for sure that Rojda Sekerkoz directed 1.04, due to the interview she and Edvin Ryding did about the football field scene. I discovered all that info is available on Internet Movie Database, so I reproduce it in case anyone else was also unaware.

All Season 1 writing credits are to Lisa Ambjorn, Lars Beckung, and Sofie Forsman.

1.01

Directed by Rojda Sekerkoz

1.02

Directed by Rojda Sekerkoz

1.03

Directed by Erika Calmeyer

1.04

Directed by Rojda Sekerkoz

1.05

Directed by Erika Calmeyer

1.06

Directed by Erika Calmeyer 

Moving on to Season 2:

2.01

Directed by Rojda Sekerkoz, written by Lisa Ambjorn

2.02

Directed by Rojda Sekerkoz.

Written by Lisa Ambjorn and Pia Gradvall

2.03

Directed by Kristina Humle.

Written by Lisa Ambjorn, Sofie Forsman, and Tove Forsman

2.04

Written by

Directed by Kristina Humle

Written by Lisa Ambjorn and Ebba Stymne

2.05

Directed by Lisa Farzaneh

Written by Lisa Ambjorn, Sofie Forsman, and Tove Forsman

2.06

Directed by by Lisa Farzaneh

Written by Lisa Ambjorn and Ebba Stymne

No info so far on who directed or wrote any of the Season 3 episodes. I presume that even though filming on S3 has already wrapped, that info won’t be posted to IMDB until whenever it airs.

Updated to add info from the ever knowledgeable @emberc re Season 3 directors.

3.01 and 3.02

Directed by Julia Lindstrom

3.03 and 3.04

Directed by Jerry Carlson

3.05 and 3.06

Directed by Linnea Roxeheim

[ryttu3k]

Some thoughts on His Dark Materials 3.05 and 3.06 - No Way Out and The Abyss! Spoilers for the rest of the series below.

I absolutely goddamn adore how they did everything with the Mulefa. Mary’s development from “...I’m following a talking elephant” to “these talking elephants are my besties, actually”, to how they handled the wheelpods, to the babies - but my absolute favourite thing was how they did the subtitles! Things like the Mulefa speech melting into English, but into a much more limited English to show Mary’s grasp on it, to how it just becomes more and more fluent, until she and Atal are just... chatting. Talking. It was so cool.

Completely understand why they redesigned them, too. The diamond-shaped thing would have been, hm, complicated, and this way they felt much more real. And the wheelpods really did look fun. Like rollerblading!

Land of the Dead was proper eerie. Really glad they kept in Will’s reaction to being separated from his daemon, because like. They have to build up Kirjava somehow, even if he didn’t feel it immediately like Lyra and Pan did. The set felt deeply claustrophobic (even if it did vaguely remind me of a Doctor Who stage set) and oppressive, and seeing poor li’l Roger so... lifeless was genuinely upsetting. Got a bit emotional at them talking about their adventures, Roger remembering more and more, seeing the flashbacks of them as little bitty kids (I guess they filmed those when they were doing season one?), and him just... coming back to life. Storytelling as identity!

I don’t know. “Tell them stories” is one of my favourite fictional aesops.

Adored the reunion with Lee. Look I know Lin Manuel-Miranda has been a... controversial choice, but I think he’s fantastic, and I’m so glad Lyra got to see one of her two dads again (the other is Iorek, obviously. Asriel whomst? He’s lost parental rights forever tyvm). And Will’s reunion with John just felt... so much more loaded. Like Lyra seeing Lee again just felt warm and cozy like a hug, but there was so much weight between Will and John, many more things to say. Apparently it was filmed months after principle filming due to John’s actor’s availability, which was why it felt much more self-contained, but honestly I feel it was pretty important for them to have that time. Also built up the concept that you can’t stay in a world that’s not your own for too long, which gives the viewer the thought, “Oh, okay, so Lyra and Will will have to visit each other via windows, they can’t actually stay together.” When the reveal about closing all but one window comes, it’s gonna hit like a truck.

The Abyss was horrifying. Metaphysical l’appel du vide and all. They played up how it’ll be a major part later on well, I think. Seeing Sergi being pulled in, Ruta’s complete helplessness... yikes, genuinely unsettling. I do like that Serafina explained exactly what was going to happen to Ruta, her soul falling forever. Keep that in mind, viewers! It’ll be important later!

Loved Gracious Wings’ rescue, too - I’m not even sure she knew why she did it. The whole thing plays on this big... trusting your intuition to do the right thing, even if you don’t know why you did. Which works very well with Lyra and the prophecy, actually.

Harpy-related note - it did disappoint me that they cut the Lyra/liar part, especially since it felt foreshadowed with the bureaucrat in the holding area. I just wanted to see Lyra come to that realisation that they wanted the truth. Ah well.

Going through the door... emotions. Bye, Roger ;_; Bye, Lee ;_; (I know he originally joined the fight, but I’m guessing they just wanted to streamline the story?)

My desire to slap Asriel continues to grow. Holy shit, dude. His war is going ‘successfully’ but he’s also kinda. Breaking a hell of a lot of eggs to make that particular omelette. Lowkey wish Mrs Coulter had punched him tbh.

On that note, her character has taken such a fascinating turn! Genuinely much more sympathetic - trying to talk for her life in the chamber, her terror and determination trying to stop the bomb (and her success! She pulled out the targeting mechanism so it could only use Lyra’s last known location, and Lyra kept moving, so it missed!), her despair when she believes Lyra is dead... standout scenes, I think, are after she returns to the camp. There’s the wonderful talk with Serafina, where Serafina talks about how Lyra being Eve is a good thing, a transformative thing, because look at how much she’s transformed, and that beautiful scene talking to her daemon. She’s making peace with her own soul again!

Anyway, Mrs Coulter/Serafina.

The contrast between her and Asriel is really interesting. They start out with like, Asriel is the cool uncle/dad who’s doing cool things, and Mrs Coulter is Evil Incarnate, and they’re both... just changing to be significantly more morally grey (or, well, outright terrible). Mrs Coulter is realising she does care about something/someone, she has a daughter she’s realising she actually does love, someone else to care for other than herself. She’s reconnecting with her soul. Asriel, on the other hand, is going into a downward spiral, becoming obsessive and callous, and any love he actually did have for Lyra is just... not a priority any more. Even Stelmaria is more absent. I really wanted to see her reaction to learning that Lyra was dead :-\

Just two episodes left!

[sleepingintheflowers]

I did the Community episode sorter. According to the sorter these are my top 10 episodes.

1. cooperative calligraphy (2.08) 2. mixology certification (2.10) 3. contemporary american poultry (1.21) 4. physical education (1.17) 5. emotional consequences of broadcast television (6.13) 6. virtual systems analysis (3.16) 7. origins of vampire mythology (3.15) 8. foosball and nocturnal vigilantism (3.09) 9. regional holiday music (3.10) 10. accounting for lawyers (2.02)

sounds about right.

Full ranking behind the cut - some rankings may shock you.

rankoptions 1 cooperative calligraphy (2.08) 2 mixology certification (2.10) 3 contemporary american poultry (1.21) 4 physical education (1.17) 5 emotional consequences of broadcast television (6.13) 6 virtual systems analysis (3.16) 7 origins of vampire mythology (3.15) 8 foosball and nocturnal vigilantism (3.09) 8 regional holiday music (3.10) 10 accounting for lawyers (2.02) 11 pillows and blankets (3.14) 12 studies in modern movement (3.07) 13 paradigms of human memory (2.21) 14 basic email security (6.06) 15 messianic myths and ancient peoples (2.05) 16 abed's uncontrollable christmas (2.11) 17 advanced dungeons and dragons (2.14) 18 critical film studies (2.19) 19 basic rocket science (2.04) 20 for a few paintballs more (2.24) 21 epidemiology (2.06) 22 early 21st century romanticism (2.15) 23 intermediate documentary filmmaking (2.16) 24 basic rv repair and palmistry (6.10) 25 social psychology (1.04) 26 anthropology 101 (2.01) 27 introduction to film (1.03) 28 romantic expressionism (1.15) 29 beginner pottery (1.19) 30 curriculum unavailable (3.19) 31 course listing unavailable (3.18) 32 urban matrimony and the sandwich arts (3.12) 33 applied anthropology and culinary arts (2.22) 34 basic crisis room decorum (6.03) 35 the science of illusion (1.20) 36 spanish 101 (1.02) 37 basic lupine urology (3.17) 38 home economics (1.08) 39 modern espionage (6.11) 40 bondage and beta male sexuality (5.07) 41 environmental science (1.10) 42 advanced advanced dungeons and dragons (5.10) 43 a fistful of paintballs (2.23) 44 aerodynamics of gender (2.07) 45 celebrity pharmacology (2.13) 46 communication studies (1.16) 47 intro to political science (2.17) 48 advanced criminal law (1.05) 49 vcr maintenance and educational publishing (5.09) 50 introduction to teaching (5.02) 51 asian population studies (2.12) 52 documentary filmmaking: redux (3.08) 53 digital exploration of interior design (3.13) 54 geothermal escapism (5.05) 55 advanced safety features (6.07) 56 modern warfare (1.23) 57 introduction to statistics (1.07) 58 analysis of cork-based networking (5.06) 59 cooperative polygraphy (5.04) 60 ladders (6.01) 61 competitive wine tasting (2.20) 62 biology 101 (3.01) 63 remedial chaos theory (3.03) 64 interpretative dance (1.14) 65 comparative religion (1.12) 66 investigative journalism (1.13) 67 intro to recycled cinema (6.08) 68 the psychology of letting go (2.03) 69 football, feminism, and you (1.06) 70 conspiracy theories and interior design (2.09) 71 custody law and eastern european diplomacy (2.18) 72 competitive ecology (3.04) 73 horror fiction in seven spooky steps (3.05) 74 geography of global conflict (3.02) 75 pilot (1.01) 76 contemporary impressionists (3.11) 77 cooperative escapism in familial relations (4.05) 78 herstory of dance (4.08) 79 advanced documentary filmmaking (4.06) 80 advanced gay (3.06) 81 basic human anatomy (4.11) 82 the art of discourse (1.22) 83 english as a second language (1.24) 84 the politics of human sexuality (1.11) 85 debate 109 (1.09) 86 app development and condiments (5.08) 87 basic intergluteal numismatics (5.03) 88 repilot (5.01) 89 grifting 101 (6.09) 90 basic genealogy (1.18) 91 digital estate planning (3.20) 92 intro to knots (4.10) 93 g.i. jeff (5.11) 94 paranormal parentage (4.02) 95 history 101 (4.01) 96 economics of marine biology (4.07) 97 introduction to finality (3.22) 98 the first chang dynasty (3.21) 99 advanced introduction to finality (4.13) 100 basic sandwich (5.13) 101 basic story (5.12) 102 wedding videography (6.12) 103 queer studies and advanced waxing (6.04) 104 pascal's triangle revisited (1.25) 105 lawnmower maintenance and postnatal care (6.02) 106 laws of robotics and party rights (6.05) 107 heroic origins (4.12) 108 conventions of space and time (4.03) 108 alternative history of the german invasion (4.04) 108 intro to felt surrogacy (4.09)

[javeriagraphics]

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[yuliplasticqxd]

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[richdadpoor]

Jailer Box Office Collection Day 15: Rajinikanth-starrer Ends 2nd Week With Lowest Numbers

The total gross domestic collection stands at Rs 350.30 crore. Jailer has earned Rs 183 crore overseas so far taking the total worldwide collection to Rs 533.3 crore. Rajinikanth’s Jailer has been seeing a major dip in its box office collection lately. On Thursday, the film managed to earn Rs 3.05 crore in all languages with an 18.67 per cent dip, the lowest so far in its theatrical run.…

[cagedchoices]

COSTUMING META - PART II

part 2 in my "doing my best to emulate Costume CO vibes" costume meta series, i have decided to look at formal attire next

SUITS & FORMAL WEAR

First up is Caleb's job interview suit seen in 3.01 - Parce Domine. I personally find the color combo of dark gray and light blue very unappealing here. It looks almost nauseatingly green or brown in some shots but I can't tell if that's just my poor eyesight or color wash or if it's really just not a good color palette. Regardless, I've always been intrigued by this scene because it IS at least different than everybody else here who is dressed in black, white and gray.

It shows just how out of place Caleb feels trying to fit into this part of Rehoboam's world and I think the shot where he loosens the tie immediately after walking out of the building is also meant to further illustrate the idea that he is almost literally feeling suffocated out of society at this point. Can't get a better job because his social scores aren't high enough to be promotable, but he can't improve his social scores because he can't get a better job.

Then we have the suit Dolores picks out for Caleb in order for him to impersonate a rich financial broker in 3.04 - Mother of Exiles. It's sleek, it's stylish, it's custom-tailored to fit him. It's also versatile enough that he doesn't have to change at the masquerade auction. He removes the jacket and tie, rolling the sleeves up to his elbows in 3.05 - Genre as he, Dolores, and Liam make their way across the city while trying to evade Serac's forces.

In 4.02 - Well Enough Alone, Maeve and Caleb dress for a black tie affair in celebrating opening night at the opera. The dialogue in this scene almost seems to imply that Maeve picked out the clothes, maybe as a callback to a scene in season 3 where Dolores did the same thing.

CALEB: Did it really have to be a tux?

MAEVE: Now far be it from me to limit your sartorial choices. Anyway, you don't look entirely awful.

CALEB: You don't look too bad yourself.

I also found it interesting that Caleb starts out looking at all the white/beige/tan/neutral toned suits in the dressing room for the 1920s park before deciding on a dark blue suit in the end which complements Maeve's burgundy/fuchsia-ish flapper dress. Maeve's dress is notably designed as an homage to her Madam outfit from Westworld (the Park).

For a guy who dresses himself mostly in one of three colors, blue is the most reflective of Caleb as a character and it makes sense that he mostly winds up wearing this color when he's trying to help Dolores in season 3 and Maeve in season 4. In film theory, blue is associated with loyalty, freedom, compassion, honesty, intelligence, sadness, and reliability; all of which are traits Caleb possesses in spades.

[g30citiesexe]

my top community episodes according to This

virtual systems analysis (3.16)

introduction to finality (3.22)

epidemiology (2.06)

aerodynamics of gender (2.07)

abed's uncontrollable christmas (2.11)

remedial chaos theory (3.03)

for a few paintballs more (2.24)

a fistful of paintballs (2.23)

critical film studies (2.19)

paradigms of human memory (2.21)

horror fiction in seven spooky steps (3.05)

advanced gay (3.06)

[kolbisneat]

MONTHLY MEDIA: April 2024

Ooooooooh it's getting warmer and sunnier and the days are getting longer! Yet I still stay inside to read and watch tv and stuff.

……….FILM……….

Pee-Wee's Big Adventure (1985) Loved it. A comedy that is so generous with the types of humour (sight gags, absurdist stuff, one-lines). Watching it I was thinking "oh this reminds me of watching Elvira" and then Cassandra Peterson shows up in the biker gang! Loved the whole thing.

Lupin III: The Castle of Cagliostro (1979) I've been meaning to watch this ever since Sam Bosma shared the incredible poster he did. If I didn't know Hayao Miyazaki directed this then I would've spent the entire runtime thinking "whoa real Hayao Miyazaki vibes here." Great standalone film if you know nothing about Lupin III.

……….TELEVISION……….

Fallout (Episode 1.01 to 1.08) Having never played the games, I was really interested if this series would work for someone like me. It took a bit to connect and it mostly landed. Not bad at all but it hasn't really left a lasting impression.

Succession (3.05 to 4.02) Can't believe it's almost over. What I appreciate about this series is that it knows the show is at its best when the core trio are together and does everything it can to highlight this. But never forget that they are all awful people. Absolute power corrupts absolutely.

Delicious in Dungeon (Episode 1.14 to 1.17) This adaptation of the comic continues to be excellent. I hope folks dig the show so much that they decide to read the series as it offers a few more character details that are fun to discover.

X-Men '97 (Episode 1.01 to 1.07) Wasn't a big fan of X-men (comic or the show) as a kid but heard enough good things that I figured I'd check it out. While I'm not immune to the nostalgia of the intro, I really do think the show is fantastic. The story feels dramatic and just mature enough to allow for great character moments and the animation is top-notch. Really glad I gave this a shot.

……….YOUTUBE……….

Why I (Used to) Hate Video Essays by Extranet Shaquille and Yellow Paint by Caleb Gamman Just a coincidence but these two unrelated videos both veer away from their main topics to become a study in...media consumption/attention culture/the struggles of existing in our current times. (Video Essays) VIDEO (Yellow Paint) VIDEO

……….READING……….

Appointment with Death by Agatha Christie (Complete) This feels more like the first Christie book I read (There is a Tide, still my favourite) in that there are twists and turns around engaging characters. Plus the victim was such an engaging villain. Based on the handful I've read so far, I think this would be a good entry point into Christie's works.

A Spectre Haunting: On the Communist Manifesto by China Miéville (Complete) After hearing a number of interviews with Mieville I was really excited for this but found the whole thing...frustrating. Maybe I'm not smart enough or maybe I'm not the target audience, but I don't really know who this book was written for. My gut tells me the writing is practically impenetrable unless you have a masters in English and that doesn't feel like the right fit for the subject matter. If brevity is the soul of wit then I'll leave it there and just say that the last couple pages, written clearly and with conviction, did more for me than the previous 150+ pages.

Delicious in Dungeon Volume 13 (and also Volume 6) by Ryoko Kui (Complete) Rereading and also catching up on the latest volume! It's nearly over! Volume 13 is the penultimate chapter and I'm still impressed by how consistent the characters, humour, and dedication to theme this series remains. Really really incredible.

……….GAMING……….

Neverland: A Fantasy Role-Playing Setting (Andrews McMeel Publishing) Tuesday crew is picking off the invading Elves fairly effectively but at what cost? And what are the repercussions of an act like this? Only time will tell. Also you can read all about their adventures here!

Oz: A Fantasy Role-Playing Setting (Andrews McMeel Publishing) The Mof1 crew continues to dig into the mysteries of the mud banks but might get sidetracked by the fame and fortune of wrestling.

And that's it. See you in May!

[anantradingpvtltd]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] GEETMALA began as a half hour radio show in December, 1952. Seven outstanding film songs were randomly selected and featured in a competition format, with a jackpot of Rs. 100/- each week.Ameen Sayani, who presented "Geetemala" for all its 45 years on radio, has narrated the story of the programme's phenomenal success in Volumes 1 to 5 of this unusual CD and Cassette series: "Geetmala Ki Chhaon Mein". Volumes 6 to 10 take the story of "Geetmala" forward in an unusual format, peppered with amusing anecdotes, heart-warming nostalgia and immortal songs- particularly the beautiful numbers that trailed somewhat behind the chart-toppers.Ameen has also added to each volume some interestingly relevant interview snatches of popular filmstars, hit directors and top-notch music personalities.Volume 6 features Ameen's first visit to the fascinating radio ceylon in Colombo, where "GEETMALA" began in 1952. Vol 6 also covers the music of 1956, and includes the voices of B.R.Chopra, Pran, Begum Akhtar, Vasant Desai and Raj Khosla.Volumes 7 and 8 bring you the memorable melodies of 1957 and an exciting report of the grand stage function where volumes 1 to 5 were released. And the "Stars": Raj Kapoor, Waheeda Rehmaan, Ajit, Naushad, Madan Mohan, Kishore Kumar, Asha Bhosle and Mohan Sehgal.Volumes 9 and 10 bring back the "smash hits" and "golden misses" of 1958. Also, Vol. 9 features Ameen Sayani's own love story, linked with the songs you've loved! Vol. 10 has some interesting feedback, too. Also meet: Sunil Dutt, Mehmood, Ameeta, Jagdeep - and Shakti Samanta, Sohrab Modi, Majrooh, Gulzar.Listen to each volume right through- it will sound like a scintillating episode of the legendary "Geetmala" radio show! Is Discontinued By Manufacturer ‏ : ‎ No Package Dimensions ‏ : ‎ 19.81 x 13.72 x 3.05 cm; 200 Grams Manufacturer ‏ : ‎ Saregama, Sony Dadc Studio ‏ : ‎ Saregama ASIN ‏ : ‎ B002TLWV0A Country of Origin ‏ : ‎ India Number of discs ‏ : ‎ 5 Item Weight ‏ : ‎ 200 g [ad_2]

[brionysea]

she has a hint of the devil in her eyes. that's all me.

[teresa-moyocoyotzin]

QOTS 5.09 “I Love You” Scenes Meta

MAJOR SPOILERS FOR 5.09 OF QUEEN OF THE SOUTH ABOUND

Okay this is basically just me trying to place James and Teresa’s ILY scenes within the larger context of their relationship and other kisses, and analyzing their respective reactions!

(Also just a disclaimer that obviously this is just one fan’s interpretation, there’s no right or wrong here! This is just how I see it and hopefully it’ll connect w some of y’alls insight too!)

Oh boy okay so I’m just gonna do this in the style of my old Bolivia visions meta b/c I think the best in bullet point form, so we’re just gonna go thru the scenes like super in depth, w/ way more detail than necessary. Think of it as a close reading, but instead of a piece of writing, it’s a tv show, and it has no sources except My Opinions lol

I’m still planning to actually write out my reactions to the whole episode when I re-watch it, but I can’t stop picking apart the I Love You scenes b/c honestly there’s so much going on there! Come on y’all this has been building since the second episode of this show there’s a lot to unpack here. I’m mostly focusing on how these kisses are vastly different from any of their other kisses IMO and how that affects the love confessions!

THIS IS GONNA BE UNNECESSARILY LONG AND NOT VERY ORGANIZED, BE WARNED

Let’s start when James says “You wouldn’t let me do it, so why should I let you?” shall we? B/c THIS MOMENT

SO as others have pointed out, this line really feels like a love confession in and of itself, and I’m sure if they hadn’t confessed their feelings in the same scene we would all be obsessing about it. I low-key am anyways..

Sure they’ve acknowledged that they do things to protect each other etc. etc. but this is really James making sure that she knows that he knows that SHE knows that they both feel the same way, and he’s not dancing around it anymore, not when she’s throwing herself into danger yet again. Teresa doesn’t have an answer, but it does make something click in her brain. No matter what moral code she’s following these days, if James was walking into a death trap like that she wouldn’t want him to go and would try to stop him. And right now, he’s feeling the same thing for her, he knows that she cares as much about him as he cares about her and that it’s a LOT, and he’s telling it straight to her face.

When she kisses him, I think it’s an acknowledgment of that, as well as her sort of trying to return the sentiment. And also, she doesn’t have a good answer to his question and wants to kiss him so she does!! James is clearly surprised by the kiss, as evident by his posture and slowly relaxing into the kiss. But THEN

After James’ brain catches up, he kisses her again, and even tho it’s short it looks to me like a pretty powerful, strong kiss!!?? (hard to tell b/c as usual…. they filmed it in a black hole..) and to me, it reads like he really let all his true feelings come through in that kiss POSSIBLY FOR THE FIRST TIME EVER

Now, lemme explain. Their first kiss in 3.05 was undeniably full of feelings and emotions, and I’m sure that night was super passionate and full of love! However, knowing what we know now about how everything plays out, I don’t think they were really at the point of saying ILY yet. Even if they did both love each other then, and I think they did, they had a lot of trust issues and abandonment issues to work through first. And as we all know, after that night everything goes to shit and they go about 12 steps backwards. My main point here is that I think both James and Teresa are still feeling generally unsure about each other’s feelings during their first kiss. This is also true for.. literally all of their kisses? Until now. Because in 3.09, they’re just super horny from taking over Phoenix but Teresa is just barely getting over Guero’s death in that episode.. I think that kiss was more about them feeling like the King and Queen of phoenix and less about their Actual Feelings (just imo obviously). And then they kiss after Teresa gets back form Bolivia but Teresa is suspecting him then and he’s certainly feeling her hesitation so no big feelings in that kiss either. Then of course there’s the goodbye kiss at the end of s3, and yes in that one I do think they were both letting their true feelings show in their kiss but they were both misinterpreting the other’s feelings and both were in a way lying to the other in that scene. James about his reason for leaving, and Teresa about her true reasons for wanting him to stay. And THEN, the kiss at the beginning of s5 is very much a “I’m happy you’re back, I want to be with you, but we can’t” kind of kiss, and again, there were feelings there but they were both still holding something back, and still not on the same page about what they wanted and were working towards. But in this kiss, they are on the same page , working toward the same thing, which is to get themselves OUT, together. Ever since they made that decision, there is an implicit agreement between them that they’re getting out together, and I think they both know that they want to be together if they make it out. And they both are desperate to have the other know their feelings before any potential deaths. However, they don’t really KNOW that they’re on the same page until that KISS.

SO ALL THIS TO SAY that in my eyes, the main reason Teresa’s so shocked is that this is the first time that James didn’t hold ANY of his love for her back when he kissed her, and she FELT IT babeyy. Teresa initiates this kiss to show him her true feelings, which takes him bit by surprise, but then he returns the feelings Full Force which takes Teresa totally by surprise.

I mean just look at her face after they part, before he says ILY. She looks shocked and confused, almost a little angry? I don’t think it’s really anger though, so much as it is being taken aback by the emotions that James is laying all out on the table for her to clearly see. Her face here is actually what drove me to write this meta, because at first I was so confused as to why she looked so shook up after the first kiss, cuz like girl U INITIATED IT?? I think part of it is that Teresa was a bit taken aback by the strength of her own feelings in that moments and the urge to kiss him despite them not being out of the business yet. She’s realized that if she’s gonna die tomorrow, she wants to kiss James first, and she wants that like, really bad. And also she loves him and was overcome w the urge to show him. But mainly, I really don’t think she expected to be met w/ such strong love from James’ kiss, because all the other times, he had been holding back his feelings.

James’ face after the kiss totally plays into this theory for me - he looks like he just got CAUGHT. She’s looking at him like what the Fuck was that!!! And he’s like oh SHit now I just gotta say it. The way he looks at her and shakes his head a little like, wow I’m really about to say it. I think it’s been on the tip of his tongue all episode, but he realized he just totally showed his hand with that kiss and there’s no going back now.

But omg you guys his face when he says it just SENDS ME TO THE FLOOR his little smile???? Like he’s thinking “how did we end up here? am I really about to tell Teresa I love her? YEP”

I don’t think she had any intention of telling him her feelings so outright yet, to me it totally makes sense that he tells her first. At the beginning of the season, Teresa made it clear that she does want to be with James, but she felt restricted by their life. So, James has spent the past season coming to terms with a) that Teresa still wants to be with him if they can get out of the business, b) that she’s changed a lot and no longer follows her old moral code, and c) that he still loves her even if she’s not entirely the same person he fell in love with originally.

Meanwhile Teresa came to terms w/ the fact that she wanted to be w/ him early in the season but pushed that Right down after indulging in 1 kiss (which I think was also meant to be a reassurance that she did want to be with him) but spent the rest of the season trying to grow her business, which in her mind would forever keep her from being able to be with James. So even if she acknowledged her feelings, she was not letting herself dwell on them. James, however… oh boy has he been dwelling. Especially since Dumas so kindly pointed his feelings out to him lol. So I think Teresa’s strong feelings for James have been building under the surface but she wasn’t allowing herself to acknowledge them at all, and therefore I think she kind of surprised herself a bit by kissing him, was then even more surprised by how strongly her feelings were showing, and then James hits her with a Big Feelings kiss and then an I Love You??? Oh boy

Taking this into account it totally makes sense that she looks super shocked after James tells her, even if they both have ~known~ for a long time. Y’know?

Okay so then there’s the sex scene which I LOVED omg, like absolutely zero complaints, super hot, exactly what they and we deserved. I’m not gonna get into it b/c I think it speaks for itself, but like, would happily read a meta about it if someone wrote it 👀

Anyways I think the morning after, when Teresa is laying in bed admiring James, is when Teresa is really digesting all of these feelings and the fact of them being out in the open, and she’s deciding that she needs to tell James she loves him, like ASAP. She is also at the same time having to accept that she’s going on a super dangerous mission today that she night not come back from, and if she does come back from it, they’re gonna have to still find a way Out. All in all, safe to say she’s got a lot going on in her mind, but it’s clear by her gazing at him that James is a big factor in all of it.

I love the next scene so much omg

They’ve gotten ready for the day and James is once again pulling tricks out of his bag to ensure her safety, and she’s just.. staring at him. My personal headcanon here is that Teresa’s intuition was telling her that a) the phonegun was gonna be irrelevant, and b) that she had about 30 seconds before her phone rang and she had to leave for potential death. Therefore it just blocked out literally everything but James and needing to tell him that she loved him. The moment I love the most is actually when James says “Here, try it” and he steps closer and she sort of jolts like they’re physically connected. The first time I saw the scene I literally gasped from that one step he takes because they just had this electric pull between them that was so obvious that I literally felt it. The chemistry!!!!

She’s just so focused on him in that moment and that whole scene, and the way she whispers “I love you” likes she just HAS to say it, she has to make sure he KNOWS she loves him before she runs off to risk her life. And the fact that it happens while James is actively trying to set her up for protection??? POETIC CINEMA I tell you. Kudos to Alice for that because apparently it was her idea and it’s my FAVE

Another thing that I really don’t know how to interpret but I find interesting from a cinematic point of view: James and Teresa are literally left in the dark during James’ love confession. It’s at night, and there is NO DAMN LIGHT AT ALL ON THEIR FACES (I bet the gif makers really appreciated that one huh…) so we can’t even see their reactions very well. Meanwhile, when Teresa confesses her feelings, it’s super brightly lit, in a white room, she’s wearing white, we can see all of the emotions on their faces. IDK what this is meant to symbolize exactly, so if anyone has thoughts PLEASE share them.

James seems a little in shock after, I think he really didn’t expect her to say it, even if he assumed she felt the same. And I think he was okay w/ that and had accepted it, knowing it would be really hard for her to say. After all, once she acknowledges it, it’s that much more painful if they have to say goodbye…

I think the way she says it perfectly captures how hard it is for her to get the words out, even if she feels an overwhelming urge to say them and make sure he knows. She seems very sure of her feelings, and I don’t think she hesitated to tell him at all, but it’s still a big step, and presumably the last person she said ILY to, in this context, was Guero. And his death destroyed her, so ofc she’s be scared to admit that she’s in love and put herself at the risk of losing it again. God Alice did such a good job w/ that line it really gets me every time. So sure, and soft, but with no room for doubt. Like she knows he doesn’t expect her to say it, but she can’t bear to let him think she doesn’t love him back. And it’s so simple too, like she’s saying “of COURSE I love you, how could you think I don’t?” AHHHH

And just the way she stares at him the whole time like she’s just waiting for him to stop talking so she can say it, and while she waits she’s perfectly happy to ignore the situation at hand and think about how she loves him and he loves her and also probably how good he FUCKS cuz like……………y’all saw his hand goin’ down there after he flips her over right 👀 okay ANYWAYS

So she finally tells him!!!!!! That she loves him!!! And kisses him!! Just to really drive the point home. And because, again, I think something was telling Teresa to kiss her man and tell him she loves him because she was about to get a call from Kostya’s men any second.

I really think James’ sort of blank look after she tells him is just him being in shock that she actually said it. I would have loved to know what he would have said after that, but alas.

That final shot before the phone rings though ❤️ their foreheads together, her hand on his heart and his hand on her hand, also the way that visually her arm (clothed in white) is across his body (clothed in black/gray) and vice versa w/ his arm is across her body, sort of continuing the sort of yin-yang theme they have going this season, I just think is a cool touch on the behalf of whoever choreographed/directed the scene.

I also interpret it as a very grounding moment for both of them, rooted in physical touch but not sexual in any way, just comforting. They finally can completely take comfort in each other because their feelings are out in the open and they’re completely connected. AGH they really have me in a chokehold lol

Anyways this is so fucking long and rambly, I don’t know if it makes sense but I did my best to proofread, I’m so sorry but thank you for reading if you’ve made it all the way here, or like even if you made it thru 1/16 of it lol I APPRECIATE YOU

I’m not sure what the main point is here, but anyways I think the actors, writers, directors, etc. did an amazing job w/ their I Love You scenes and I’m personally feeling v satisfied w/ it!

[agl03]

There is a post I saw about the season in levels or 'comfort'. I came into the fandom late and started following you in Season 6 so was curious how you would rank the seasons from your Mom perspective.

Hi Anon,

I saw that post, love it. I wasn't on Tumblr for Seasons 1&2 so those are out of contention.

The ask thing really got going Mid Season 3.

But for me going Mom had a Migraine to Mom was in sunshine and rainbow land.

Season 4:

Dear goodness this season was a lot. First there was the whole meltdown over where in the Hades were the promo pics because the Promo dudes held onto those until the last possible second. Then we found out Ghost Rider was coming and for as much as we love Robbie now...then not so much. The frustration that all the promo stuff was Ghost Rider was driving many in the fandom batty when we wanted to know about the now together Fitzsimmons, Daisy on the Run, and what do you mean Coulson Stepped Down.

The whole LMD Arc was this crazy waiting game for the other shoe to drop and if Dadcliffe was a thing. RIP Dadcliffe.

Then...there was self control. RIP my ask box.

Thankfully I was at Wondercon for the airing of What if but again, RIP my ask box.

The entire Framwork arc was basically "When will it be over?!" ending with SPACE?!?!?!?!?!?!

Season 5

This was a close with Season 4 in terms of mentally doing a number on me and the nature of the asks I got.

A good chunk of hiatus was knowing that Iain had been filming Overlord and not knowing when he would be back (oh season 7 we had no idea).

Again I was lucky enough to see the premiere at Wondercon so I got a jump on those asks.

There was a really fun time in this season with asks around the Fitzsimmons engagement and dying on the 100th wedding hill. I had a nice fort for that one.

Around the 100th the Drama started with um certain people on a certain social media platform feeling that the 100th was going to go a certain way and was very vocal and um firm about it. That drama didn't let up as the season progressed and continues to rear its ugly head to this day.

Then 5.14....I was at Wondercon when this bad boy aired and wasn't able to answer asks as my ask box literally imploded as I sat waiting for the AOS panel. It was the first time I had to basically consolodate the hundreds of asks that came in. Those who were with me at Wondercon saw my ask box and it was hard not being able to do what I called my "its going to be okay" posts when it was needed.

As we navigated after 5.14 the stress of renewal also was raging.

The day 5.22 aired I had a family emergency. I was in the hospital all day and had "Fitz had died" spoiled because my DM's and ask box also imploded as the writers did the unthinkable. So as I tried to deal with the family emergency that left me an emotional mess I was also lacking the comfort of my comfort show, instead it was just everyone upset as we tried to work through it and it took me a few days to get my feet under my theory wise.

That didn't really let up until we started getting bits and pieces from Season 6 and I was able to get the theories together.

Season 3

Pretty chill here as I started mostly fielding questions about Fitzsimmons. Then my theories started to hit and the AOS promo dudes were mean and did that whole awful Fallen Agent campaign.

That had everyone upset because they teased the death of everyone's favorite character at some point. And we knew someone was going to die most of the B half of the Season so that was lurking as well.

**Had I been Unofficial Fandom Mom when 3.05 aired my ask box would have been an absolute crater**

Season 7

"WHERE IS FITZ?!" Number one ask of all time.

Secret Child hitting was a high point.

So much fun speculating during that insanely long hiatus.

Season 6

This season was pretty chill for me. The deaths weren't surprising (outside of Davis and oof there), I mean we all knew Keller was toast from the second we met him.

And as the Season 6 story played out and we got the epic masterpiece of Inescapable the sting of Maurader Fitz's death wore off.

Binge wise I find that I easily binge Season 6 and 7. Season 5 I tend to do 5-12 quite a bit with 17/18. Then cherry pick favorites from the other seasons.

[pynkhues]

Matthew Lillard just posted a picture of himself wearing a navy t-shirt with FBI written on it, on his IG. I might be reaching, but do you think he could turn on Beth once he discovers how involved Rio is with Boland Bubbles? And Beth? And turns informant? Or gets further involved with the crime world and impersonates an FBI officer? Could be filming for another show I guess, but how good would those story lines be!

Ooooo, I love that theory, anon! It could build really, really well off the way the show has frequently positioned Dean as one of Beth’s primary personal antagonists, and the way it’s regularly used that tension to blur the domestic and crime spaces for Beth (i.e. Dean wasting the money Rio gave Beth in 2.04/2.05, getting Beth’s money stolen from the backyard by hiring the baby hitmen in 2.08, cutting the plate for Beth’s fake cash in 3.05, etc.) 

I could definitely see Dean becoming an FBI informant after discovering Rio’s involvement in Boland Bubbles too, particularly given his fixation on and resentment of Rio overall. I wonder if he could start with the intent of trying to negotiate Beth’s freedom, and get Rio put away again in return? Or maybe even using it as divorce revenge, since he’s demonstrated he can be pretty vindictive when he feels scorned. Either way, I can’t see any situation where it won’t just entirely blow up in his face, haha. 

It could be a really good way for the show to use Dean’s character though and create a new source of tension! 

What do you guys think?