#3 very distinct emotions

[alphadogmp3]

deranged moment

[jessamine-rose]

*lovingly tackles Aine*

Read my Yandere! Pierro longfics first ♪( ´▽｀)

Last week, my beloved mutual @ainescribe surprised me with Savior! Darling fan art and AHAI9232@2-!/! CRYING SCREAMING I WANT TO LOOK AT THIS ART AND WORSHIP YOUR VERSION OF SAVIOR THANK YOU SO MUCH FOR BLESSING ME WITH YOUR ART—

*clears throat* Anyway, now that I finally have the time to properly sit down and comment on the fan art, I’ll do just that. Feedback will be in the tags and it will be unhinged. Once again, thank you so much to Aine for drawing this <3

[the-insouciant-scientist]

Francis and the Unlucky Devil with 8 maybe… (francis would be the one blowing a kiss) also I’ve loved seeing all of these!!!! Your art is so joyous and whimsical my dude

My love!!!

...Fellow associate.

[skenpiel]

ok so! uh! normally this is the moment where id go "i have a normal amount of feelings about this movie [through tears]" but that actually isnt the case this time. guess i just didnt like it as much as all the other movies in the franchise

[joycrispy]

Awhile ago @ouidamforeman made this post:

This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...

It. It kind of fucks. Severely.

And in a delightfully Pratchett-y way, I'd dare to suggest.

I'll explain:

As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.

Crowley, of course, is the serpent of Eden.

(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)

Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:

"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV

Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.

(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.

...Put a pin in that. We're coming back to it.)

So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.

But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:

The Sword was never intended to guard Eden while Adam and Eve were still in it.

Do you understand?

The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.

The flaming sword was given to be used against them.

So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.

That's how it's supposed to go. It is written.

...But, in Good Omens, they're not just the Serpent and the Sword.

They're Crowley and Aziraphale.

(author begins to go insane from emotion under the cut)

In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.

It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.

...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.

And the Serpent--

(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)

--just goes ahead and falls in love with him about it.

As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:

"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll

The first to ask questions.

Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).

And Aziraphale loves him for it, too. Loves him back.

And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--

(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)

--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.

To write a story about the Serpent and the Sword falling in love is to write a story about transgression.

Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.

It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.

And then you keep writing.

And what emerges hits you like a goddamn truck.

(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).

It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)

...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:

I love this shot so much.

Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.

You know what a shot like that establishes? Likeness. Commonality. Kinship.

"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.

But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.

Godfathers. Sort of.

[irndad]

oh, but you're good to me -s.r.

a/n: i continue to not know the word count- but here's pining!spencer x sunshine!reader!! very hozier coded <3

The team has gone out for drinks after a stressful week, and this is a moment where Spencer finds that his willpower does not so easily overpower his desire. They’d chosen a kind of kitsch place, the kind where there’s couches where waitresses could bring you your drink under dimmed lights and music with cozy acoustic music played. Emily and Morgan were comparing conquests at their trip to the club the week prior, Penelope chiming in with warm support on either end. On the opposite table, Hotch and Rossi were discussing criminology in serious, even tones. 

And Spencer, well. He was well-occupied. 

His best friend is on the team, and he does not say that lightly. She’s earned her place in his heart, as hopelessly romantic as that makes him sound. But she did. He remembers the day he met her, warm tone seeped in patience and understanding. 

He remembers the sight of her like its engraved crystal, carved into the basis of his mind. Her delicate features distinct in their warm kindness. She’d offered her hand, shook it and giggled a sweet sound when he’d said it’d be safer to kiss. He’d blushed enough that his lack of flirtation in his intent was clear. 

On the jet, that first case, she’d listened to him talk about Russian literature and other obscure topics he couldn’t remember now, because now, all he can recall is the color of her doe eyes meeting him in intention. 

He’s pretty sure he’s in love with her. 

Which, right now, feels a bit like a drug- both painful and exhilarating. She’s a cuddly drunk (only with him, it seems) and he’s got a lanky arm tugged over her shoulder. It’s lovely in a way words vex him, the weight of her against him. 

“You look nice today, Spence,” she muses, looking up at him. His heart is going to stop.

“You do too,” he breathes out. This is nice. She’s touchy, and he likes when she touches him. It’s a pleasure, like sipping expensive wine or decadent chocolate, sweet and a little bit sad, because you know you can’t have it forever. 

She plays with his scarf, and he is hopelessly endeared by the sight of the fabric in between her delicate fingers. 

“This color is nice,” she muses, and god,  he wants to kiss her. This a thought Spencer has often, oftentimes at inopportune times. On the jet, in the office, at her house, in the car- always, really. 

Except now, no one’s looking at them. If loving her was enough to make her love him back, then he could. 

But it isn’t. 

He chokes back the emotion rich in his throat. He brushes her hair out of her face, a tender motion that betrays his intentions with her. 

“You always look lovely,” Spencer says earnestly. I love looking at you, he thinks.

She smiles back earnestly and warmly. 

“I didn’t think you noticed things like that.”

“I always do, when it’s you.”

He doesn’t know why this is what he’s allowed to have. She’s so close to him, pinned up against him and he can feel the curve of her waist against his side. He doesn’t get it, why he’s not her boyfriend but he still gets moments like these, where she’s pinned to him like velcro. He’s addicted to them, really- craves the moments where she falls asleep on his lap on the jet, where they’ll be walking together somewhere and she’ll lace their fingers and tug him along when she’s excited and the destination in sight.

Maybe this is just how she touches her best friends- he tries not to question it, because he doesn’t want to loosest. 

But tonight, under the low-light of the bar, shadows of her lashes thrown across the slope of her cheek- he wants to ask her.

“Are you like this with everyone?” He muses. He immediately regrets it, sees her face harden and feels the shift away from him, and the space leaves a gap of cold air. There’s a swoop f nerves in his stomach.

“I don’t know, I think I just thought- you know, we’re like this. We’re touchy, you and me.”

He’s not touchy. Everyone knows this, but she’s the exception to a rule that has held true his entire life. But he loves this, loves the feeling of this.

“I like this,” he says, intentional eye contact trained on her shaking irises. He reaches out and laces their fingers in an act of bravery that rivals some of his most intense moments, “I’m wanting inf you want more of it. Because I do.”

“You do?”

She’s back close to him, now, and he’s so immensely grateful for it. She smells like lilies and her, and this might be the only time he’s brave enough to do something like this. 

It turns out he doesn’t have to, because before he can answer, she kisses him. It happens fast, and his response is all instinct- pulling her into him closer, his hands around her waist and her soft sigh into his mouth that threatens to kill him. It’s better than his fantasies at night could have made him expect. 

“Hi,” she says, barely above a whisper when she pulls away. She looks a little adorably off-guard, in a way he’d like to create- like to instigate. 

“Hi back,” he says, a beaming grin threatening to spread over his face. He tries to memorize the feeling of this, the weight of her in his arms in case this is not something he can keep- he wants to remember it, what it felt like for her to kiss him, to be wanted by her. 

“Do you want to go out sometime?”

“Like out of here? It’s kind of cold outside-“

“On a date, Spencer.”

Instead of a response, Spencer kisses her again. It is absolutely the right choice.

[astrowrld300]

Astro observations

Pt 3

Leo placements are not afraid to be romantic and I love it

Even though Sagittarius placements are super optimistic, the suns are never afraid to say when they are unhappy with something. It can come off as complaining and miserable after a while

Sagittarius suns are also more prone to depression because of how optimistic they can be sometimes, so when the harsh truth of reality hits and comes crashing down on them, they can’t handle it

The non-chalant taurus sun is just an act. They feel. A lot. They’re literally just too lazy to show they care sometimes. And when they don’t care, it’s never personal, but they’re never too lazy to freak out on you for messing with one of their material things.

Venus-Neptune conjunct/trine natives are mesmerizing. They’re beauty is dreamy, ethereal and absolutely out of this world

Virgo rising women have a very distinctive, sexy walk. It’s that hip swaying, one foot in front of another momentum. Could easily be a model just from their walk alone

Virgo men are usually always short and look like nerds

Virgo women are usually on the smaller/petite side. I see most struggle to gain weight or keep it. They also might be lean their whole life.

Taurus moon is a hella underrated placement when it comes to loyalty. These babies are generally too lazy to go out of their way too cheat on you. The sneaking and lying, they don’t have the energy for all that emotionally. Would rather just stay loyal until they leave

Aries suns and cancer risings are naturally built, they don’t need to work much on their bodies to have an attractive build

Leo mars get so mad when their ego is hurt and have a huge praise kink in bed

You could have been outshined by your siblings during childhood if your moon is in Leo, or your mom could have neglected you emotionally and not given you the attention you deserve

Help why are gemini moons so good at love bombing. So are Leo placements and aries venuses but that’s because they lose interest fast. Gemini moons can literally not have any interest in you at all and still love bomb tf outta you

Cancer men are funny asf. Their humour is like a gay best friend. Libra sun men are like this as well

Libras a masculine sign but they’re so feminine and gay. Both men and women

Taurus is a feminine sign but can be so masc sometimes. It’s more in the personality for women and the physicality for men

You need to prioritize self care if you have venus in the second house

Taurus men are the chillest people yk until you start doing them how they’re really doing you

Aquarius and Leo suns have the same amount of ego because they’re sister signs. Leo just isn’t afraid to show it and it’s a little bit more of a god complex for Aquarius

Aries moons start to throw things when they’re upset

Brush your hair out during Leo full moons!

Lilith in the sixth house natives tend to struggle keeping up with daily routines. They may also fall victim to sex scandals in the work place

Libra risings have such a classy, sweet and angelic look but are literally the opposite in reality

It’s exhausting trying to get emotional depth from a gemini moon, don’t even try

2nd house moon synastry makes the house person super possessive and insecure over the moon person, constantly trying to hold them down. There’s a lot of jealousy both emotionally and physically in the relationship

Capricorn risings give of crazy office siren vibes

Libra moon women know that beauty comes from within. They also have such a good eye when it comes to aesthetics and beauty. Their sensitivity to conflict is so cute, it’s they’re need for peace and harmony that makes them so attractive

Mercury at 0 degrees natives have no idea what they actually sound like

Everyone talks about Leo and how big their egos are but no one ever talks about Libra sun men. They always think they’re the prize when dating and their egos are huge

Pisces moons really do have those big dreamy eyes. Both men and women

Mars in 7th house natives tend to direct and put alot of their energy into relationships and partnerships. It may not even be intentional, you might find relationships just tend to drain your energy more than anything else in life

Aries moons are super masculine and have such defined jaws, even more then the sun

Cancer sun women have that timeless kind of look and can pull off so many different timelines of beauty

Taurus moons have thick necks

Gemini moons all have their eyes super close together. They also don’t mean anything they say

Capricorn and taurus women are such bread winners. They truly mastered the law of money

You’ll never see it coming but Taurus men will actually play tf outta you. Any sign has the potential to, but you really don’t see it coming with taurus men

Natives with Pluto in the eighth house are really resistant to change and may struggle to let go of destructive habits

Aries venus has this huge rep for being players but they actually feel super intensely when in love. They don’t like superficial relationships and want a deep, intense connection. Maybe they should stop going for emotionally unavailable people just because they like the chase …

Virgo moons make such good gardeners, it tends to be really therapeutic for them. Doing chores around the house like washing dishes is also super emotionally therapeutic for natives with Virgo moons

Pisces and Aries moons are more likely to get addicted to substances, but for different reasons. Pisces moons use it to escape reality while Aries moons use it to numb the intensity of their emotions

Instead of drugs, 5th house moons/mars/saturn natives use the pleasure in life to cope with emotions or trauma

Earth moons are super sensitive to light and loud noises

Taurus suns take their self care so seriously. It’s like an entire ritual to them. Their whole life even

10th house venus can indicate looking better as you age

Personal Leo placements will be the type to not be interested but decided to keep you around just for the attention anyways. Especially when it’s in the venus. This goes for the men and women

Virgo risings and gemini venuses are so adaptable to the people they hang out with

Gemini moons are babies to me, they just wanna be heard

Cancer rising women always have fat asses I’m not even joking.

Aries risings, venus 10th house and cancer rising natives age so gracefully

It’s such common knowledge for Pisces moons to be lowkey drug addicts but no one ever talks about how easy it is for Virgo and Gemini moons to get addicted to substances. These moon natives are constantly in their heads and always analyzing their emotions, using drugs to shut it off

Leo mercuries talk like children when they’re excited

Having your sun at 8 degress may cause you to have an obsessive personality, especially in circumstances where your ego is involved

Suns at Virgo degrees have such small features, especially if the sun is Cancer or Aries

There’s no point on trying to hate on a Virgo moon, they hate themselves more than you ever could. And the more you try and help them with their insecurity, the more they’ll push you away. They genuinely do not believe your reassurance, they’ll ask you for it anyways though.

Leo women like to take advantage of Pisces men. I’ve seen this scenario so many times both personally and within celebrities, Leo women like the power they feel when they’re using Pisces men.

Having a Virgo moon indicates your mom was extremely nit picky with you and strict asf while you were growing up. She was a perfectionist while raising you and had higher expectations from you vs her other kids. Your mothers lowkey made you hate yourselves I’m so sorry.

Leo mercuries and mars sometimes yell when they talk and don’t even realize. Aries mercury’s know they’re yelling, they just don’t think it’s a big deal

Mars in the first house is extremely intimidating. You could be 5 foot tall and still have this scary energy.

Mars-mercury conjuct in a synastry chart is super underrated. The energy is matched so well during convos and they get each other so passionately. Things get crazy aggressive when arguments pop up though.

Scorpio suns are possessive and jealous over the people they love while taurus suns are possessive of material things and the stuff they own.

Aries mercuries will say the rudest shit to you and then say they were just being honest, but it’s true. These natives hate delusion so much and will keep you in check

Having your mercury at the 17 degrees can make you naturally dramatic when you talk or come off as louder when speaking.

Virgo 4th house natives like their home really clean

People with prominent 9th house placements value education and higher learning so much. If you want to hurt a 9th house stellium, criticize their intelligence and academic accomplishments

You can have a lot more problems with tech during mercury retrogrades when you have heavy/personal Gemini and Virgo placements.

Leo mercuries ( especially those born in the generation with Pluto in Aquarius) are you guys okay? You’ll be having one of the hardest transits for almost 20 years.

[mariasont]

Could you do a story where Y/N Is taken in a hostage situation and we see more of a dark hotch? like that early episode where hotch and reid are hostages in the hospital?

TOO EMOTIONAL - A.H

a/n: thank you so much for requestin <3 i hope this is what you were wanting!

masterlist

pairings: aaron hotchner x fem!reader

warnings: honestly yall i feel like this is way darker than anything i've written so far, not sure if its good or not but alas, mentions of blood, violence, unsub threatens reader with a knife and a lighter, mentions of sexual assualt (it doesnt happen just mentions of it), unsub cuts open readers shirt, hotch is a dick for a plot, hurt/comfort

wc: 1.4k

Your vision was blurred, you fought to focus as dried blood flaked from your lashes with each heavy blink. You swallowed a cough, the floor's cold concrete punishing your knees. The ties around your wrists and ankles were merciless, digging into your flesh. You tried to focus on the sounds around you—the drip-drop of water, the soft wail of distant sirens.

In the dim light, you caught glimpses of Hotch, his distinct cologne mingling with the warehouse's musty air. He was agonizingly close yet not close enough to touch. The unsub's footsteps were barely audible over the pounding of your heart. Panic fluttered in your chest, unwanted and insistent. Only three cases in, and it seemed the universe was conspiring to reroute your career choice.

Frantically, you attempted to wipe your face on your shirt, pulse roaring in your ears as the footsteps ceased before you and Hotch. The man was a ghastly figure, burns cutting from one side of his face to the other. You couldn't breathe.

"What a day to have feds come knocking." His voice was hoarse, fingers absently playing with a lighter.

"You know, they say the most intelligent criminals are the ones who don't get caught, yet here we are," Hotch said, his chin defiantly up, words sharp and calculated.

Suddenly, the unsub was right there, his disfigured face uncomfortably close, the heat from the lighter singeing your skin. His breath was a hot, sticky assault, and you fought the instinct to flinch.

"Smart men don't leave witnesses, and I intend to be very smart about this."

The foundations of your training flitted across your consciousness, the methodologies for keeping control of the situation, but they sifted through your fingers like said, rendering you paralyzed.

"Take her then. She's new, inexperienced. Probably more trouble than she's worth." Hotch's voice was cold, jarring like a slap to the face, his expression empty of emotion.

You strained to keep your face impassive, your eyes darting to Hotch, pleading for his attention. Your breaths were shallow, scarcely there. He had to be bluffing. You felt sick. The unsub shifted his weight, scrutinizing you both, edging closer to hotch, no doubt with suspicion.

The unsub laughed, a cold and calculating sound as he circled around Hotch. "You expect me to believe you'd turn on your own that quickly? I'm not a fool."

"Look at her and tell me what her worth is to me." Hotch's voice was even, almost bored. "She's a liability. Too emotional, too soft." 

His words were flung carelessly, yet they landed with precision, straight into your chest. Your teeth punished the inside of your cheek.

The remarks were like sharp barbs to your chest, instilling a hollow feeling as you attempted to convince yourself that the wetness on your lashes was anything but tears. His assessment was not unfounded. Your empathy, your sensitivity, traits deemed too tender for the harsher realities of your job, were now being used against you. Hotch had always been an exception, until now.

"Well, I could see her worth in other ways." The man's words oozed contempt, his gaze crawling over you in a way that threatened to turn your stomach. "I bet that's how she got the job in the first place, huh?"

"What do you think?" Hotch's laugh was a sinister match to the unsub's. He tilted his head in your direction. "Look at her. That's all she's been good for."

Your breath caught in your throat, your body turning as much as the ties would permit in Hotch's direction. You could almost hear your heart shattering, could feel it in Hotch's inability to face you. Was this a plan or had he truly discarded you?

You never deluded yourself into thinking you were Hotch's favorite--his reserved interactions with you made that abundantly clear. In fact, you were probably his least favorite. He had kept you at an arm's length, while seemingly forging bonds with the others that didn't seem to extend to you.

This was all within reason, given your inexperience and younger age, but the disdain lacing his words was unexpected, shredding through any pretense of professional detachment.

Hotch had never wanted you on the team, it was Rossi who had vouched for you. And now, look where that got you both.

Maybe this was all deserved.

"Then you won't mind if I try her out for myself?" The unsub's insinuation felt like a perverse validation of Hotch's doubts. 

A low hum escaped the unsub as he closed the distance, his gaze predatory. You stilled, breath caught as he produced a knife from his pocket, skimming your cheek just shy of cutting. You were scared and you were scared to show it. Desperately, you looked to Hotch, the blade now hovering precariously close to your sternum.

Hotch wouldn't look at you. You wanted to scream, to cry, to throw something, but that was all shoved to the bottom of your throat as the unsub sliced down the middle of your shirt, exposing your chest and compelling your gaze to it. Tears of humiliation prickled your eyes. How could Hotch let this happen to you?

The unsub's clammy grip clung to your waist, your lips trembling as you prepared for the worst. You closed your eyes, escaping to your house in your mind—tea brewing, fireplace going—anywhere but here.

A sudden splatter to your face jolted you back, eyes opening in alarm you saw Hotch's eyes, not the unsub's.

"You're okay, you're okay," Hotch murmurs. 

The words did little to comfort you, his hands moving blindly to release the binds at your wrist and ankles. Looking down, you see the unsub, knife through his back, blood pooling around him. Hotch's hands are on your wrists, his thumbs massaging away the sting. 

When your hand touches your face, you feel the splatter from earlier, coming back away with a smear of blood on your fingertips. 

Your voice felt like it was a prisoner inside yourself, words and sounds slipping past you like ghosts. A persistent ringing in your ears muffled all but the pungent scent of the warehouse, which clawed at your senses. 

You felt the jostle of hands, the motion of being lifted, a sensation so distant it barely registered. The world was a smear of lights and faces--the team showing up, the paramedics--until it slowly came into focus. 

You barely registered that Hotch was speaking to you, his words indistinct and muffled.

"What?" you asked, your speech slow to form and blurred at the edges.

You had a jacket over the front of you, his jacket, covering your exposed chest.

Hotch's eyes were pools of worry as he grasped at your hand. It was weird, the feeling of his hand in yours. You realized that was the first time you had felt it. 

"More water?"

You could only nod, and he promptly fetched a bottle, twisting it open and placing it in your hand. You took a small sip. 

"It's too loud," you mumbled, you were aware you weren't making sense.  You shifted to face him, your knee grazing his thigh. "Did you mean those things you said?"

"Of course I didn't mean it," Hotch replied quickly, his gaze intense. "You thought I meant that?"

Your gaze dropped to your lap, voice faltering. "I don't know... I wasn't sure, I mean, no, but I just... I don't feel very useful, and this whole mess, it's because of me and I--" 

Tears interrupted you, your hands fumbling to hide them. Hotch reached out, gently turning your face to his, thumb brushing away the tears. 

"Hey, look at me. Don't say that. This isn't your fault. Nothing I said back there was true. I needed to distract him, had to make him concentrate on you."

"I'm sorry, I don't know why I'm crying like this," you stammered between sobs. 

"You don't have to apologize. You're crying because you've been through a lot. Just breathe, take your time."

You managed a wobbly smile. "You hit the nail on the head with the too emotional part," you sniffled.

Hotch gave a small chuckle. "Your compassion, your sensitivity, it's what sets you apart as an agent--in fact, it makes you an outstanding one."

You were close now, your gaze inadvertently drawn to his lips. You could kiss him if you wanted. Not that you were in the right headspace or that it was appropriate. But you could've.

"Oh, my goodness, I'm so glad you're okay!" You were barreled into a hug, the familiar voice and blur of color of Penelope enveloping your senses.

Hotch cautioned, "Watch her head." 

With Penelope's hands around you, you found yourself looking over her shoulder, locking eyes with Hotch. His gaze held a new light, a recognition that maybe, just maybe you weren't Hotch's least favorite agent after all.

taglist: @hotchhner @khxna @readergf @sarcasm-and-stiles @edencherries @aurorsworld @princess76179 @malindacath @broadwaytraaaaash @sunfyyre @sleepysongbirdsings @trulycayla @crouchingapple @navia3000 @aaronlovesava @bakugocanstompme

join my taglist here!

[luveline]

hiya jadey! A hotchner!reader x spencer request for you <3 Maybe Spencer comes home a little tense/snappy from a case and reader misinterprets it as anger towards her so she starts clesning and catering to what she thinks Spencer needs so he isn’t angry at her anymore? (even thought he never was.)

She sort of regresses into what she did when her adoptive parents weren’t pleased with her :(

love you love you love you superstar!

i love u <3 | fem, 1k

cw past emotional abuse

The door to Spencer’s apartment closes with a distinct clunk. Certainly shut too hard. 

It sends a horrible feeling deep into the very pit of your stomach. Like you could cry, then and there. You frown at the odd feeling and stand to shake it off. 

Spencer’s home. 

“Hey,” you say, calling without seeing him, making your way into the living room from his kitchen to find him at the door. 

His bag looks heavier than usual on a slouched shoulder, his hair puffy. He must’ve showered before they flew back into Virginia and air-dried his short curls. He drops his bag on the floor, scrubbing his face, nose and eyes screwed up tightly as his glasses push up to his forehead.

“You okay?” you ask.

His face flickers. “Fine.” 

It’s not the greeting you’d wanted. Maybe you’re egotistical or something but you’d at least expected a hug. He’s the one who invited you over, surely he wants to see you?

The queasy feeling worsens. 

You give him a little kiss on the cheek to test the waters. “Missed you.” 

“Yeah, I missed you too.” 

You aren’t convinced. Spencer rubs his face again, trudging to the couch to lay down. 

You send yourself into a tailspin. Looking around the apartment, you can see why he’s unhappy. You left your cup on the coffee table, your handbag on the armrest, there’s so much to clean up and put away. 

His silence means you did something wrong. 

He asked you to be there. He left you the key. But maybe he didn’t really want you there after all. 

When you were younger, you’d get home from school, and a half hour later your father’s car would park in the driveway. You’d get this feeling, then, a tenseness, not necessarily fear but anticipation. Some days it wouldn’t matter, and most days he’d come through the door like a animal to be coaxed into softness. You’d convince him to be angry at something else. Enable his fury, agree with every word he said. 

Smiling, calmed, he’d walk into a spotless kitchen and find a pan soaking in the sink. I just wish you’d have some fucking consideration, he’d say. Or, Really? Or he’d sigh like he couldn’t believe it and slam a cabinet door. 

Nothing was right. You weren’t worth any patience.

“Dove?” 

You peek around the doorway again, your tidying having taken you to the kitchen to wash your cup. “Yeah?” you say. 

“What are you doing?” 

“Just– just cleaning up.” 

“It’s fine. It’s clean, don’t worry about it.” He frowns at you. “Are you okay?” 

“‘Course.” 

His frown deepens. Spencer only ever frowns when he’s confused. When he’s upset he tends to press his lips together in an accidental pout, and when he’s angry, he’s stony. Spencer’s good at profiling because it’s his job. You learned it at home. Seeing anger in things most of all. 

“I’m fine. Are you okay?” you ask, wiping your hands on your shirt. “Sorry, I should’ve asked how the case was. It was tough, right? It– I mean, they’re all tough.” You smile as you sit on the couch beside him, one leg tucked underneath you. 

He shakes his head. “I’ve missed something. I’m sorry, I don’t know what’s wrong.” 

“Nothing’s wrong.” 

“You’re not acting like yourself.” 

“Sorry.” You wince. “I thought you were having a bad day?” 

“I am. Or, I was.”

Spencer holds out his hand. When you take it, he pulls you toward him with the care of someone who knows what it’s like to be startled, shuffling toward one another to be knee to knee. He holds your arm like it’s all of you, pressing you to his chest. 

For a while, you just sit there. Quiet, almost silent, the apartment rests around you. Spencer frowns at your hand as he draws lines up and down your arm, but slowly his frown softens, and you realise your stress has faded with it. Spencer isn’t angry. And if he were, it’s not with you. 

“Sorry I shut the door hard when I came in,” he says. 

You feel caught. “It’s fine.”

“It’s not fine. Today was really bad, I got into it with Emily and the case… I don’t know. But coming home to you…” 

Spencer curls your fingers over his hand and presses them to the underside of his chin. 

“Thank you for coming over,” he says. “Did you eat?” 

You can’t help smiling, turning your hand slowly to cup his cheek, to hold him still. “I was waiting for you.” 

“Well, you decide and I’ll go pick it up.” 

“I can’t come with you?” 

“Do you want to?” He turns into your touch, glasses pushed against his eye, his lashes on the lense. 

You take back your hand. “Sure.” 

“Yeah?”

“Yeah, we’ll walk. It’ll be nice, the weather’s not too bad.” 

“You feel okay?” he asks. 

“Worried about me?” 

“What your brother might do to me,” he says, nodding into the joke. Then he cracks just as quickly and tugs you in to hug you sideways. “Worried about how I made you feel.” 

It wasn’t Spencer’s fault, but you don’t want to talk about it anymore. You push up taller than him to encircle his head and neck, pressing your nose into the soft crop of his hair. He squeezes the small of your back with similar gusto. “Got my wires crossed,” you mumble. 

”Want me to uncross them?” 

You say, Please, and Spencer pushes you away from him to put your arms firmly on the right sides of you, uncrossing you, and kissing you on the nose. 

[littlebatgames]

The voices of Vampire Therapist

Hi Tumblr! I'm Cyrus Nemati, creative director at Little Bat Games, where we're making Vampire Therapist. You might know me as a voice actor. I voiced Theseus, Dionysus, and Ares in Hades, so as you might imagine, voices are my thing.

When I started designing Vampire Therapist, I wanted to create characters not only had deep narrative depth, but that would be challenging and rewarding to voice. I voice protagonist Sam Walls and his mentor, Andromachos. Writing a game about therapy is really tricky, so being able to jump in revoice lines was a huge benefit for the game!

I also voice two of the therapy clients in the game, Dr. Drayne and Edmund Kean. Dr. Drayne is the kind of challenge any actor delights in, having three very distinct characterizations that have to seem natural, whereas Edmund Kean is the Shakespearean actor of his time.

As much as I'd like to save money, I couldn't voice all characters in the game, but I'm very picky about voices and needed a cast of the absolute best I could find. So I got them.

If you've played Hades 2, you've heard Sarah Grayson or Selene. Or maybe you know her from Gone Home or Tacoma? But I needed her ability to alternate between the very light and the very dark for murderous vampire content creator Meddy.

To play Isabella d'Este, a real historical figure and esteemed patron of the arts during the Renaissance, I needed someone with a sense of the theatrical and some excellent comic timing. For that, I turned to a very old friend, Kylie Clark, who comes much more from the theatre tradition that video games... which she doesn't play at all. Until Vampire Therapist!

For our fabulous goth bartender, Crimson, I needed the epitome of cool, sexy, and tantalizingly mysterious. You might know Francesca Meaux as Eurydice from Hades, but she went to some unexpected places to play Crimson!

I did say I wanted the best of the best, right? Vampire Therapist is a super low-budget indie, but if I'm going to fill a club with quirky, sexy goths, I need range, and for that, I got Matthew Mercer. Yeah, that Matthew Mercer. The Critical Role one. The one from Baldur's Gate 3. The one from all your favorite video games. How could I do less? He's playing Reinhard the sexy goth and Ciaran the goth priest in Vampire Therapist.

You can see the work we've put into every aspect of Vampire Therapist. I think you're going to find that it's unlike any game you've ever played.

It'll be out on July 18th, and you can wishlist it on Steam now!

And on GOG!

[esoteriamaya]

Astro thoughts : short n sweet <3 moonshinin' <3

Moon in the first house - Very empathetic sweet creatures. Def could be used a lot by people that they love and trust because they can be very giving to their energy a little too much. Attractiveness is through the roof as their auras are usually more open. Very smooth, soft bodies and have an innocent energy around them majority of the time. Its hard to stay mad at them.

Moon in the second house - They need time alone so they can get their thoughts in check. This is a taurus ruled house, so sometimes their emotions can be thru the roof, but they can be extremely level-headed/grounded with the way they move through their circumstances. Money can flow to them smoothly if they keep their focus high on the prize. Other wise, they can be duped by peasants with their fortune if they are not careful.

Moon in the third house - Very practical, intelligent nature. Honest and self aware. Very deep and can bond with anyone if you let them. Truly can keep you on your toes with each convo they have. Can talk to much, or can be way too quiet No in between. Can make a friend outta anyone tbh.

Moon in the fourth house - Light hearted nature. Very sweet and kind to anyone they meet but they keep to themselves a lot. They do NOT like too many people in they're space and it is a treasure to meet them AND to have them around 24/7 because they do not like being around just anybody. You gotta be more complex to get to know them, they are truly a one of a kind. Mysterious nature.

Moon in the fifth house - Great actors. Have a lot of gifts in the arts and could soothe people's emotions with them if they allow their vulnerable side to show. Children LOVE them and are usually inspired by them. The personality of this individual is raw, gentle and nurturing and they must be protected.

Moon in the sixth house - Boundaries is a big thing for this group. Gotta keep their energy in check because they can almost be like in hermit mode. Needs friends that understand their nature to keep them balanced. Animals and plants are their best friend.

Moon in the seventh house - Can have issues with lovers do to their high intensity with their emotions. It's almost like people can't see them for who they are and theirs a lot of potential of a transformative love. With the moon shining its light here, they are almost capable of turning anyone into a special relationship if the chemistry permits.

Moon in the 8th house - Beautiful souls that have a gift in penetrating the minds, souls and bodies of the people they meet. They have internal woes that never seem to make it to the sky, but they know how to water them and make them grow in the ground. True balance is needed with them so they almost always are going thru dark nights of the soul just to get them their. They have a lot to learn, but also so much to show to themselves and others as the journey is a long beautiful one in the end.

Moon in the ninth house - Captivating souls who are needing to bond with people who can change the perception of their mind through the eyes of travel or simply growing in this lifes journey. They know a lot about their favorite topics and would love to share it with anyone who wants to listen to them. Calming auras who enlightens you with the way they think, and are meant to teach and inspire in some way, shape, or form.

Moon in the tenth house - The sweet talkers of the group. The audience just adores them. You really can't stay mad at them for to long. They have sensual energy and people feel this right away. Celebrity energy. Secretive by nature. Most don't know a lot about you, even if your emotional state is in full view to everyone. Masters of manipulation, don't say I didn't warn you ;)

Moon in the eleventh house - Can make friends as soon as they walk out of their house. Shy and reserved in new environments but tend to be a lot sweeter and open up when their comforted. Has a unique presence and a distinctive style. Could almost convince anyone of anything as their looks and attraction tends to make people look the other way.

Moon in the 12th house - Alluring. Majestic. Spontaneous & a wanderer. Protect these children at all cost. There is more than what meets the eye. They attract a lot of people like bees to honey. But flies like you too. Can't let everyone in, they don't know what to do with you. Gotta be more open with being yourself, no matter how mysterious you come off. Boundaries are needed for this group since they are more prone to evil eye as their secretive by nature. People are always trying to spy on them and see what they have that they don't.

[obsidian-pages777]

Pick a Card: Future Friend/partner/Spouse Reading Message from Goddess Hera

Top Left [Pile 1], Top Right [Pile 2], Bottom Left[ Pile 3], Bottom Right [Pile 4]

Goddess Hera, the queen of the Greek gods and wife of Zeus, is the deity of marriage, women, childbirth, and family. Revered for her regal authority, she wields power over familial bonds and marital fidelity. Hera is often depicted as a majestic figure, symbolizing the sanctity and strength of marriage. Her powers include protecting women in childbirth, ensuring marital harmony, and bestowing blessings upon families, embodying the virtues of loyalty, fidelity, and nurturing within the household.

================================================

Pile 1

Message from Goddess Hera: In this pile, Hera emphasizes the importance of loyalty and trust in your relationships. She advises you to seek out and cherish those who are truly devoted to you.

Physical Description of Future Partner/Friend: The person coming into your life will have striking features, possibly dark hair and deep, expressive eyes. They might have a medium to tall build and an air of confidence and mystery about them. Their presence is charismatic, drawing others to them effortlessly.

Quote from Goddess Hera: "True loyalty is rare; honor it when found."

The Empress

Future Marriage Description: Your future marriage will be characterized by abundance, nurturing, and growth. The Empress signifies a relationship filled with love, fertility, and creativity. You and your partner will create a harmonious and bountiful home, where both emotional and material needs are met. This marriage will feel like a sanctuary, where you both can thrive and support each other's dreams.

Key Traits:

Abundance and Prosperity

Nurturing and Caring

Creative and Fertile Environment

************************************************************************************************************************************************

Pile 2

Message from Goddess Hera: Hera speaks of the nurturing aspects of love and family. She encourages you to cultivate a space where those you care for can feel safe and supported.

Physical Description of Future Partner/Friend: This individual will have a warm and approachable demeanor. They may have light hair, such as blonde or light brown, and a gentle smile. Their physical build might be average, with a touch of softness that makes them appear very approachable and kind.

Quote from Goddess Hera: "To nurture and be nurtured is the essence of family."

The Lovers

Future Marriage Description: This marriage will be founded on deep emotional connection and mutual respect. The Lovers card signifies a strong bond, where both partners share values, goals, and a profound love for each other. Your relationship will be marked by harmony, balance, and unity. You will face challenges together with a strong sense of partnership and commitment.

Key Traits:

Deep Emotional Connection

Mutual Respect and Unity

Shared Values and Goals

************************************************************************************************************************************************

Pile 3

Message from Goddess Hera: Hera highlights the strength in unity and mutual respect within your relationships. She advises you to build connections based on equality and shared values.

Physical Description of Future Partner/Friend: The significant person entering your life may have a distinctive, athletic build. They could have dark, curly hair and a vibrant, energetic presence. Their eyes might be a striking color, like green or blue, and they carry themselves with a natural grace and poise.

Quote from Goddess Hera: "In unity and mutual respect, love and family thrive."

The Hierophant

Future Marriage Description: Your future marriage will be deeply rooted in tradition, structure, and spiritual connection. The Hierophant suggests a union that honors cultural or religious practices and values. This marriage will be stable and secure, with both partners committed to upholding shared beliefs and maintaining a strong moral foundation. Your relationship will be a source of guidance and wisdom for others.

Key Traits:

Tradition and Structure

Spiritual Connection

Stability and Security

************************************************************************************************************************************************

Pile 4

Message from Goddess Hera: Hera conveys the power of enduring love and the bonds that withstand the test of time. She encourages you to look for relationships that promise longevity and depth.

Physical Description of Future Partner/Friend: This person might have an elegant and refined appearance. They could have dark, wavy hair and a slender, tall frame. Their style is classic and timeless, often dressed in a way that exudes sophistication. Their eyes reflect wisdom and compassion.

Quote from Goddess Hera: "Enduring love withstands all trials."

The Sun

Future Marriage Description: This marriage will be filled with joy, positivity, and vitality. The Sun card signifies a bright and optimistic relationship, where both partners radiate happiness and enthusiasm. Your union will bring out the best in each other, fostering a sense of warmth and fulfillment. Together, you will create a joyful and supportive environment, where you can both shine and achieve great things.

Key Traits:

Joy and Positivity

Vitality and Enthusiasm

Warmth and Fulfillment

================================================================================================

[thesirencult]

PAC : 1ST KISS WITH YOUR FUTURE LOVE

PILE 1

First of all, let's start with some details I'm getting. Pile 1, this pile might be connected to Pile 2 in a way. Maybe, Pile 1 is you and Pile 2 is your future spouse. I'm getting really pure vibes from one of you. One is more shy and reserved and this could probably be their first kiss. The other one is so caring and thoughtful. They are paralyzed by the other person's beauty and sweetness and they are trying to create a calm environment for the other person to open up.

This is my pile that could be for a same sex relationship, particularly for two beautiful ladies out there.

Now, the KISS! I'm getting a very specific scenario. At first, you two are in a room or place with other people. This could be a house party, a wedding reception, a club or another "noisy" event. You will be friends or in the beginning stages of dating/courting. This person may even bring you in as their plus one and look forward to have you meeting their friends and family. On the other hand you are feeling a bit out of element.

This person will find you absolutely stunning. I'm seeing a guy holding out his hand for a girl with a beautiful dress and jewellery, looking like a princess. Even if you are two women, the same still applies.

Your person will understand that you're feeling uncomfortable and that you may need some time alone to recharge. A friend or family member might tell them to approach you more romantically. They will whisk you away and when you two are finally alone, talking alongside eachother or looking at the stars, they will take your hand in theirs, profess their love to you and touch your face/hair.

The kiss will be very tender and soft and I'm getting that you will both be nervous, especially this person, even if they look composed. As soon as they pull away they will be thinking about the day you two will get married, lol !

PILE 2

I'm seeing a clear distinction between a masculine and a feminine energy. The masculine is SMITTEN. They don't know how to act properly around the feminine. They appear calm, coll and collected but the way they touch and caress the feminine, says otherwise. On the other side, the feminine is completely unaware of the effect they have on the masculine. They've never met anyone as interested in them as the masculine and they are also a bit naive when it comes to love.

The masculine will be looking for an opportunity to pounce but it will take them a very long time until both them and the feminine are ready.

The feminine, unaware of their charm, will slightly touch the masculine on the chest or the arm and suddenly the floodgates will open. Every single emotion they held back is coming out full force and they are ready to risk it all.

The masculine may have a fascination with the feminine's hair and the way it falls down their back or they might enjoy touching and kissing the feminine's fingers, especially if the feminine wears rings or has tattoos on their hands. I'm also seeing a fascination with touching certain curves of the body, like the part where the head meets the neck and the small of the back. Little things like these set the masculine OFF.

PILE 3

Pile 3, you are last but not least. Your first kiss with this person will be quite euphoric. This relationship has been thorugh its ups and downs and when you finally reach the next level it will all be worth it.

Both you and your future lover are people who have not lived a passionate love story. One of you might be more daring and prone to taking action and they will try to bring the other's wild side out.

The first kiss will emulate just that. A push and pull moment, until the both of you decide to be vulnerable and just let go of rules and expectations.

Kissing will take you to another place, one where everything is possible. This person won't be afraid to show their love to you but you have to keep your heart and mind open when it comes to this connection.

Appearances can fool us and you never know what the heart is holding inside its gates. Take the chance and find out, or else you might miss out on a very big and passionate love story, one for the books.

[luna-azzurra]

Here are Some things that people love reading in books

People have a wide range of preferences when it comes to reading, but there are several elements that tend to be universally loved in books. These elements often make a book more engaging and enjoyable for readers.

1. Compelling Characters: Readers enjoy well-developed, relatable, and complex characters with distinct personalities and growth throughout the story.

2. Engaging Dialogue: Well-crafted and realistic dialogue that brings characters to life and advances the plot is appreciated.

3. Emotional Connection: Books that evoke strong emotions such as joy, sadness, or empathy can be deeply satisfying for readers.

4. Imaginative Worlds: Readers often love books that transport them to imaginative, immersive settings, whether it's a fantasy realm, historical period, or a vivid contemporary world.

5. Page-Turning Plot: A well-structured, suspenseful, and fast-paced plot that keeps readers eagerly turning pages is a big draw.

6. Mystery and Intrigue: Elements of mystery, suspense, or a cleverly constructed puzzle can be very appealing to readers.

7. Character Development: Watching characters evolve, learn, and overcome challenges is a satisfying and relatable experience.

8. Universal Themes: Books that explore universal themes like love, friendship, identity, and the human condition resonate with a wide audience.

9. Beautiful Prose: Readers appreciate well-crafted, evocative prose and the use of vivid, descriptive language.

10. Unique Concepts: Original and unique concepts, ideas, or themes that challenge the norm or offer fresh perspectives can be captivating.

11. Humor: Well-placed humor and wit add charm and entertainment value to books.

12. Diversity and Inclusivity: Inclusion of diverse characters and perspectives that reflect the real world can be heartening for readers.

13. Twists and Surprises: Unexpected plot twists and surprises that challenge expectations and keep readers guessing are often welcome.

14. Moral and Ethical Dilemmas: Thought-provoking moral and ethical dilemmas that encourage introspection and discussion are appreciated.

15. Relatable Relationships: Well-developed relationships, whether they're romantic, familial, or friendships, can be deeply relatable and endearing.

16. Strong Beginnings and Endings: Memorable and powerful beginnings and endings that leave a lasting impact are highly valued.

17. Resonant Themes: Books that explore relevant and timely themes or social issues can resonate deeply with readers.

18. Empowering Narratives: Narratives that empower readers, offer hope, or inspire positive change can be incredibly uplifting.

Ultimately, what readers love in books can vary widely depending on personal preferences and tastes. A well-rounded book often incorporates several of these elements to create a rich and satisfying reading experience.

[ivesambrose]

ʜᴏᴡ ʏᴏᴜ ᴀɴᴅ ʏᴏᴜʀ ʟᴏᴠᴇʀ ᴍɪʀʀᴏʀ ᴇᴀᴄʜ ᴏᴛʜᴇʀ🪞

Applicable to future spouse, soulmate, whatever term you prefer 🧡

To book a personal reading with me DM or email me at Ivesambrose@gmail.com

Services Offered

Thank you for the tip 🌹

Masterpost

Picture 1

- Both of you are intellectually driven. Good at observing and reading people. Assertive and often cut throat when circumstances call for it. Will prefer independence and being single over empty or surface level connections.

- May have dealt with a strict mother figure or sibling.

- Seeks wisdom and travel above all. Academics and knowledge is also extremely important to both of you. You and them may also be overqualified or haven't liked sticking to one particular degree or field for long.

- Both of you might like trekking or feel connected to the mountains and outdoors.

- Often display obsessive and perfectionist behaviour in terms of work. Might have specific hyper fixations.

- Might have struggled and overcame addictions or addictive behaviour or have faced controlling partners or people in their lives.

- One of you prefer leisure time and being left alone to pamper yourself when stressed or overwhelmed, other might resort to channeling that into sports, working out or getting work done.

- Animals feel safe around both of you.

- Prone to sleep paralysis or vivid dreams. One of you can't tolerate alcohol or recreational drugs at all.

- May have mercury and 9th house synastry. May have Sagittarius, Libra or Leo in chart.

Picture 2

- Both of you carry grief that has made you feel stuck, may have made you feel ashamed or guilty. But y'all have channeled that into perseverance. Might have been victims of bullying or have witnessed it. This has given both of you a strong sense of justice and the desire to help those in need, the underdogs and the oppressed.

- Neither of you back down from something you're dedicated towards even if it takes time.

- Both of you might come across intimidating to most.

- One of you posseses good language, understanding and networking skills. Are rather mutable. The other is a natural born leader. These two qualities overlap or interachange in each other's presence with time.

- Fiercely protective of loved ones and just as nurturing. Often too sympathetic and need to establish stronger boundaries.

- Life has knocked both of you down a notch several times but it has given you two the ability to rebuild stronger foundations every single time.

- Don't necessarily do well under pressure but will come up with the most radical idea or breakthroughs when least expected.

- May have dealt with intimacy issues.

- Need to be very mindful of the people both of you trust and are vulnerable with.

- Can be an extremely influential duo together. May lead a rather non traditional life.

- Might have 8th and 12th house synastry or moon synastry. Might have cancer and aquarius placements.

Picture 3

- Both of you believe in fate, destiny and luck. Right place and right time but are also rather controlling by nature. Some days you'll go with the flow and let things happen other times you will take charge.

- Both of you cannot and will not back down. Life has thrown daggers at you, yet you have overcome them. Unmatched determination.

- One or both of you may have suffered from anger issues and now transmute that elsewhere.

- Excellent wordsmiths and magnetic personalities. Might be good writers, poets, directors, planners etc

- Both of you have distinct, attractive and memorable voices.

- May struggle with anxiety or insomnia. Might stay up late at night cuz that's when your brain feels most active.

- Both possess emotional intelligence but tend to carry burdens, emotional labour and resentment for long periods.

- Love luxury that is earned after hard work.

- Fond of fragrances.

- Passionate and intense lovers by nature but just as picky.

- Old souls, have a personal relationship with time and it's fleeting nature. Might prefer preserving memories.

- Work better independently, make excellent entrepreneurs.

- Both love to travel or travelling is extremely important to both of you.

- Might have Saturn, mercury, Sun and 10th house synastry. May also have nodal synastry. Might have Mars or Jupiter influence in chart.

[extrajigs]

Wanted to figure out how chimera’s wrote and ended up starting on their written language proper. MASSIVE info dump below! 

Writing

They write using four fingers of one hand, usually the right, coated in ink. Think like a stamp almost. The three middle fingers draw with the tips of the teeth whilst the thumb will alternate between tip and back. All words are written simultaneously inward. The remaining fingers grip the source of ink, usually a length of hardened pigment only wetted on one side OR those who write often could invest in a pen. A pen for a chimera is a fanning brush saturated with ink that the writing teeth brush through when needing to reink. It allows for much faster wetting of the teeth, but can be messy when learning or refilling. 

Most chimera are right handed but left handed individuals exist, they will simply need to learn to use the two fingers opposite the middle in reverse of how someone who is right handed would! Luckily all fingers can move pretty independently of each other and it is an easy task.  As chimera mostly communicate through direct broadcast most find the written word lacking, so it is a common occupation among Chimera to write for others. It is an impressive skill to eloquently convey ideas/feelings through writing. Though their language set up lends to it MUCH more than others. 

The Nitty Gritty

All subject to change as this is very first drafty. 

Chimeric is a logographic language, there is no set alphabet and all ‘words’ stem from symbols representing things and ideas. Sentences are kind of two sentences atop one another, with one being the literal and the other the reactionary. It is read from out to in and sentences are written in a circle divided into 4 quarters. We’ll start with the top moving counter clockwise. 

Quarter 1 (Red) is the subject area, now subjects function the same as nouns for the most part, people, places, and things. But something important to note is that there must always be an ‘audience’ for the words being spoken. An audience basically means pronouns though they are a lot more encompassing with: I, You, Us, Them, Them excluding me/you, Us excluding you, Everyone, and a bunch of others. These are all acceptable audience subjects to top off your sentence. For instance you wouldn’t say “This pizza tastes good!” you would instead say “I enjoy the taste of this pizza” or “Everyone enjoys the taste of this pizza” the opinion/emotion needs to be applied to a source to make sense grammatically. 

Quarter 2 (Green) is all about emotions and opinions. Chimeric language is an exchange of ideas but also importantly emotions and feelings. Q2 is dedicated to how the sentence is supposed to be interpreted or felt by the reader, as obviously in ‘spoken’ chimeric speaker and listener technically feel the same about what is currently being said. Listener opinion is very distinct from speaker and in writing the speaker takes priority. So for example the statement “Who finished the box but left it in the pantry?” would instead have to be translated into something akin to “I am pissed and questioning who had the audacity to finish the box and did not care enough to remove it from the pantry thus leaving me to find it and become disappointed?” Basically chimeric lends itself to very long translations due to their feelings.  

Quarter 3 (Blue) is the action section of the sentence. The verbs if you will. This is where things are happening and is VERY tied in with Q1. Subjects in Q1 and Q2 will be linked together with lines that follow the same slice through the circle.

When a subject is linked to an action that means that the subject is the one performing the action, whereas subjects closer to the center and unaligned with an action are what is being acted upon. Like with the audience conundrum though an action needs a subject to actually act, whether it is an individual/s or an object or place. This is usually the least word heavy portion of the sentence as it is almost supplemental to Q1, and in contrast to the thin, crisp lines of the other quarters, Q3 will often be smudgey and more messy due to being written mostly with the back of the thumb. 

Quarter 4 (Yellow) is generally not going to have any words written there, as it functions as the anchor point for the hand. The outmost finger rests here on the page to stabilize the hand as it closes during writing. When writing in a ream of papers this is where the hole to hold them all together is punched through. However in modern fanciful writing styles Q4 is also used as a secondary emotional quarter. This style will use Q4 as the reactionary emotion of the reader, more so the expected reaction and emotion from the reader. This is an EXTREMELY class based writing style and it is a GIANT NO NO to write like this for someone of higher status to read. Typically only Clan heads will freely use this writing style, especially towards each other lmao. The writing style of the passive aggressive power struggle. 

All together Quarters are read at once! And I mean that there is no one word the chimera will start with. Every word of the sentence is absorbed at the same time, no following along a line like how I’m currently typing. But what indicates the order of which things are meant to be perceived is how close they are to the outside of the circle. Things closer to the center come later in the sentence and will be understood to be lower in the hierarchy of words. However only subjects and actions are directly linked to each other, emotion/opinion words are to have a more natural seep throughout the entirety of the sentence with only a loose idea of where they are to be felt. In this way while a subjects actions may be concrete, the writers feelings about them are more fluid and organic. 

Chimeric conlang yay! I wanted to make modern Mirum script but decided I needed to start at the roots. So technically two written languages originate from Mirum, but they are extremely similar with one directly branching from the other. Chimeric is the original and Miran is the derivative, they mostly share characters but their sentence structure is different. Chimeric keeps the circular structure whereas Miran is a zigzagging horizontal and completely drops quarters 2 and 4. Leading to modern Miran being a very literal language vs Chimeric’s emotion heavy focus. But if you know one you can pretty much read the other, albeit with some culture shock.