#23/11/17

[kyouka-supremacy]

[alirienn]

kuronatober

[sugdensdingle]

[beesbeesbees42]

Every instance of One I could find in the new episode!!!

[mikeywayarchive]

mikeyway: We ain’t getting any younger, but it’s fun to pretend! Presale goes live at 10 am PT - head to the link in my bio for info @whenwewereyoungfest

[Nov 17, 2023]

[thrilling-oneway]

Tsukasa Tenma

3.5k

I've mentioned it before but WxS is the group I would consider to be the least close on a personal level. It's complicated to put into words. They clearly love and treasure each other dearly and Our Happy Ending really works to show us just how much their friendship means to them and how broken they would be without it. But despite that there's still barriers. I come back to what Rui said in KAITO's initial card about how he and Tsukasa aren't the kind of close friends who talk about their childhood memories. Like... how to put this. WonderlandsxShowtime is an incredibly tight-knit and valued circle of friendship, but Tsukasa in particular very rarely divulges information about his past. Mainly in regards as to how he came to be like this, like Tsukasa. They know about the shows and that he wanted to make Saki smile but there's those small personal details that are only known because of Toya telling Rui about them.

WxS is incredibly important to Tsukasa, Our Happy Ending is evidence enough of that in that he actually broke down crying for the 3 whole seconds they were disbanded. I think it's more obvious that they're important on a professional level (thanking Emu for hiring him in OHE, thanking Rui for being their director in the connect live), but he does care about them on a personal level he's just less vocal about that part. It's still very obviously there but just not explicitly in the words "I love my friends thank you for being with me", and by no means does it need to be. Maybe the audience interpretation is not helped by the fact that Tsukasa is somewhat single-minded about theatre. He throws himself all into that - theatre comes first, evidenced by Phoenix where he neglects his health for the sake of a role and his development. As well as this there's the fact he tries to tackle most of his challenges alone, rather than asking for help. He goes into tunnel vision when theatre is concerned, although it has been stated a few times that his childhood experiences very much did shape who he is, and I do wonder if having to take care of himself so often from such a young age plays into his mindset of having to do things on his own, even when he encourages his friends to do the opposite. However, over time he is gradually learning to, well, learn from other people. He's got WxS and he's got other actors around him to help him, and he is learning that he can rely on them when he hits roadblocks. A star shines brighter because of those around him, a lesson he learnt well in the main story.

And while there isn't really anything to confirm this, I get the feeling that part of the reason he never got an event covering his feelings over the disbandment and overall seemed to be far more ok with the idea is maybe because he's a realist in some ways. As I said, nothing to actually suggest this, mainly just thinking what would make sense given his childhood where he was constantly exposed to the harsher things in life through Saki being in hospital for a lot of it. That said, he kinda just doesn't like to think about negative things. We see him faced with the possibility of the group disbanding a few times, but his reaction is always to worry about it later, and enjoy it now. Or something along those lines. Like think about in Dazzling Light where it takes him a while to realise that actually he used the piano when he was lonely the same way Torpe used the stars. Or in Phoenix at the Sky's Edge where he has to force himself to break down in defeat and accept that he isn't as good as his peers.

As I said, WxS are important friends to him, even if he usually only vocalises this on a professional level. Like even if it isn't said it's obvious by his actions that they mean something personally. He respects Emu's wishes to make people smile over everything because they align with his own. Both of their dreams were sparked by a loved one that they treasure dearly and with their whole heart. He wants Emu to be happy as well, and wants her to be more open with the troupe (Smile of Dreamer), and in Wonder Magical Showtime, he put the competition that could get him a head start in his career aside for Emu's dreams to uphold her grandfather's legacy, knowing full well that he was giving up an opportunity for himself. It was a completely selfless act for her benefit.

He respects Nene's talent and aspirations, and again they align with his own, to be able to be good enough to see stages worldwide. Even if they bicker, he does care about her, checking in on her at school to see how she's doing in her new class (Hello Good Day), and encouraging her as she improves her singing and works towards her dreams. He gets genuinely worried for her and not just the show in Holy Night when she hits a roadblock with her singing. Admittedly I think their relationship is a little less defined that Tsukasa's relationships with Emu and Rui, but also I am going off memory on this one so it might just be that I remember Nene events less. Nonetheless, they have a lot of respect for each other, despite their bickering and Nene usually acting annoyed at him, they are still close friends who are important to each other both personally and professionally. Due to them being the main actors of the group as well, they naturally fall into that respectful and friendly rivalry. Both of them are incredibly talented and can see each other's abilities as a goal to work towards, though this is more defined from Nene's side, given she's slightly more focused on the singing side of things over acting.

Skipping over the relationships that don’t involve Tsukasa and going straight to Rui because, well, this is an analysis of Tsukasa. But, how to put it, it feels like Tsukasa and Rui’s relationship might be one of the most misunderstood within WxS? Like maybe it’s because they’re the designated comedy duo as Oddball 1-2, but also there’s like 2 and a bit events dedicated to it so I dunno. Anyway.

Tsukasa dislikes the Oddball 1-2 bit because he doesn’t like getting in trouble at school. In 2nd year he was the class president and in 3rd year he joined the disciplinary committee because he didn’t like the fact he had a bad reputation and was supposedly (definitely) considered a problem child. He adamantly refuses that he is a problem child and wants to be a responsible model student. That's the issue he has with it. He actually doesn't actually mind doing all of Rui's stunts even if he does complain sometimes, because he knows even if they sound dangerous Rui wouldn't do something that would get him hurt (Wonder Halloween).

Tsukasa's relationship with Rui is built on a mutual trust, because obviously as an actor and director they have to be able to understand and work with each other (Curtain Call). Tsukasa trusts that Rui will help him to shine, Rui trusts that Tsukasa will perform under his direction to 12000%, and they trust each other to put on the greatest show together. And again respect comes into play because of their aligned goals. That said their relationship isn't strictly limited to the professional side and Pandemonium is definitely the biggest game changer in that aspect. Actually while everyone talks about the end there's actually a couple earlier scenes that are needed to add the full context of it, even if the event is mostly from Rui's POV. Actually the most important scene is probably the part where Shizuku tells an anecdote about her and Tsukasa as kids and then mentions that Tsukasa is the kind of person who really loves his friends, and then Rui realises that Tsukasa had been looking out for him the entire trip and making sure he was getting along with his classmates. So even if it's not from the POV of Tsukasa himself, it's very clear that Tsukasa does care about Rui a lot and values him as both a good friend and a director. They actually become significantly closer after this event if recent interactions are anything to go by (Tsukasa's new 2* has them going shopping together, something Emu and Nene do often who were always closer friends than the boys were).

I don't think the scene at the end was one-sided either. Even though Rui says that he was able to change because of Tsukasa, what Tsukasa said in response isn't wrong. He accepted Rui's thanks, but he still turns it back on him because it's true that even if Tsukasa gave him the chance to stand on stage, Rui never would've actually changed if he didn't take his hand. Tsukasa's pretty selfless when it comes to the people in his life. While yes, he can be selfish sometimes about his dreams, but that's just what you have to do when you're passionate about something. With people it's different. He does the same thing with Saki, and a few other characters. Tsukasa has positively impacted the lives of multiple characters but when it's pointed out to him he will find a way to turn the situation on its head and find how those people took what he gave them and helped themself with it because that's just who he is. He's happy to see his friends happy and will point out their good points that they fail to notice. Tsukasa didn't need to talk about his own experiences then either. That would be very out-of-character for him. It wasn't his moment to share, not to mention he doesn't talk about that sort of stuff to anyone but his family. It was Rui's moment to express his gratitude and Tsukasa's moment to accept it, not unload his trauma (also, it was a Rui event).

I think part of the reason Tsukasa's events are heavily focused on him and only him when the others get events that are more tied to their relationships with the unit is simply because his arc is more closely linked to his personal growth in regards to acting. While Emu had plenty of friends, she didn't have anyone at Wonder Stage with her, she needed people to take her dream seriously. Rui had been outcast by everyone around him and just needed friends to accept him for who he was. Nene was shy and needed an outlet to rediscover her passion for theatre and people to encourage her to push through the past trauma holding her back. WxS obviously was what set off Tsukasa becoming a better person, but he always has dealt with everything personal alone. Even in the main story after WxS split, he went to the SEKAI and had to unpack his childhood memories by himself (I guess a plushie did help him out actually), and he had to get Emu back by himself.

Rui and Emu's events are especially slightly more focused on their relationships with the unit, because they're the ones who have always been pretty satisfied with where they are. They have their dreams, and they're working towards them. But what has always been the most important for them has always been having friends who truly accept them and take them seriously. That's why they were the ones who got the events focused on the possibility of the unit disbanding. Because WxS is especially dear to them.

On the other hand, Nene and Tsukasa are the ones with huge dreams of a worldwide stage. It's clear Nene wants to go to Broadway (fes card), and Tsukasa mentions wanting to go abroad multiple times. Their events are always focused on them honing their talents and skills to get closer to that dream. However there is a stark difference in how they do it. While Nene still often works on her own, she's always been pushed forwards by the others, she knows she can rely on them, and she even got to meet her idol and be mentored by her. She's got a stable (professional) support system and knows that there's people to help her out even if the work is something only she can do.

Tsukasa is the opposite - he tries to deal with problems alone. He doesn't take help until he's pushed himself as far as he can alone, he lies to Saki when she's worried about him. As I said earlier, it genuinely does seem like he feels he cannot accept help, that he has to work alone. Because the game makes it very clear that Saki is massively important to him, she is literally what sparked his dream in the first place, him lying to her is a big out of character moment for him. Phoenix makes it very clear that his craft comes first, but he also has a very unhealthy mindset when it comes to some of the roadblocks he faces in said craft.

The thing you have to remember is that all of this comes from Saki. Specifically, the situation she and her family were in way back when. Saki was chronically ill, and she had to be away all the time. It was all completely out of her control. However, in one instance of her being home, Tsukasa saw how happy she was at a play, and he built his entire life around that. And obviously as Saki's illness worsened, he started to develop a persona to make himself more confident and mature. He had to take care of himself even when he was a kid because of how often he was left in the house alone. Not to stray too far into speculation, but the thing is when these sorts of things happen at such a young age they will start to mesh with who you are. Because you are growing and if you're having to be completely independent and put on a persona to act in an ideal way, that is going to grow into you. And it very clearly did, just read the main story and it's clear that persona and idea of being independent got to his head. It's also clear that he pushed a lot of what actually caused those things to happen to the back of his mind, the SEKAI existing is proof he never really forgot, but he pushed it away for some reason, presumably because it isn't a nice thing to think about. It's never outright confirmed, but to me it seems pretty clear that the things that happened in his childhood shaped how he acts now.

Actually, a lot of his arc outside of him improving as an actor is about learning the lesson that he cannot do everything alone, and that there are people here to support him. It's what Rui teaches him in the main story when he leaves: Tsukasa cannot become a star on his own. When Tsukasa runs into roadblocks he usually will try to deal with them on his own at first, which is what most people would do, of course. However he tends to really push his limits before he accepts help, because he's stubborn, and it's frustrating that he can't work out how to get into character for certain roles. But there's a very clear development in how he accepts help. Compare the main story, where he only cared about himself and couldn't work well with other people, to Phoenix, where he's surrounded by people to support him and is able to openly show his insecurity to them. However, there's a certain disconnect between his personal and professional sides; even as he learns to open up about his problems, they're specifically his professional ones.

I think the reason his relationship with WxS is less obviously important, with you instead having to read a bit between the lines to see it does go deeper than just coworkers, is simply because Tsukasa isn't good at dealing with his emotions, mainly regarding his past (also, as I've said, he just never really vocalises it). He was worried for Saki but he had to be brave for her, he had to be happy so she could be happy, he couldn't be vulnerable because a good big brother isn't vulnerable, so he created a persona for himself. He had to take care of himself and was lonely so often, but Saki had it worse, so he would play the piano and then he pushed the experience aside when it was all over. Even if Saki had it worse, Tsukasa didn't have it good. And as I said, he pushes it aside. He rarely talks about his childhood. Saki and Toya obviously know, and Rui knows what Toya told him, but Tsukasa just never brings it up to anyone outside of his family. He's not great at processing his emotions. I think all of that sort of builds up an emotional wall between him and WxS that just makes him seem less close in a way. It's there, the closeness is there but it's limited by the fact he holds so much back compared to everyone else. There's a lot of things they don't know about him that so far has had to come from a third person (that being Toya in a couple area conversations and Never Give Up Cooking).

And, of course, it does make sense that he was able to grow closer to WxS through theatre, considering just how much of his life it takes up. Theatre is so so much to him, so it's no wonder that as he learns to open up about how he feels, the feelings that he opens up about connect to his craft. But it's that, the fact that it's all theatre. It takes up so much of who he is, which is by no means whatsoever a bad thing, but there's still a lack of his life beyond that. The phrasing there is a bit misleading, so let's put it this way: obviously WxS and we as the audience know he's an excellent older brother, he's incredibly kind and loves and cares for his friends so much, he gets pretty good grades in school but he does cram, he's loud and bombastic and loves being in the limelight, and most importantly he loves theatre, and wants to make people smile just like his sister did way back when. But then only his family and we as the audience know about the other things from his past, like how much of a toll Saki being in hospital took on him, how he was lonely, the extent to what the piano means to him. Pretty much all of what WxS knows about him is about him now. They don't know much about his past outside what they've been told by other people. You don't have to know about someone's past to be their friend, but knowing about their past can help you to understand them better, their inner workings and how their past shaped them into who they are now. It can help you to develop a deeper personal connection. Even if they don't get a whole event and it's only mentioned in passing, like Kohane for example (though it's plot relevant for her), every other character has discussed their past with their unit, be it their childhood or only a year before the game is set. Tsukasa is the only character who has his past shown and talked about who doesn't ever talk about it with his unit (outside the basics of Saki and shows). We're shown more than quite a few characters get but these scenes are only for the audience and his family to know about, not his friends.

Come Our Happy Ending, Tsukasa's relationships with the others is clearly an important one. There's a reason he's broken up by the very real possibility of the group splitting up. As I said, he tends not to dwell on the negatives, he always pushes those aside unless he has no choice but to face them, and this was one of those times he had no choice. WxS has given him so many opportunities as both a craftsman and as a person. He's a better person because of them, he's changed because of them, he's closer to his dream than ever before because of them. Even if he doesn't always vocalise this, even if he still puts up walls and limits how close their relationships can be, those relationships are still nonetheless valuable to him. As said by Shizuku, Tsukasa is someone who really loves and treasures his friends, his friends and family are the most important people to him. Despite how bombastic of a character he is, he's extremely nuanced and there's a lot of subtlety when it comes to how his experiences and the people in his life affect him. He just needs to be a bit more open to talk.

[jtl-fics]

I need more Alex and Andrew 🥹❤️ - @neilimfinejosten

WIP Wednesday - 11/29/23 (Closed) | Math Nerd

Andrew doesn't necessarily enjoy being the goalie against Alex but he does like how Alex looks when he blocks a shot. Alex, a kid who decided he was going to spend his nights watching over Andrew for no apparent reason, apparently likes a challenge.

So Andrew strives to give him one if only to pay him back in part.

***

Andrew is out on the streets again with Andrew sipping hot chocolate that Alex keeps managing to pull out of nowhere. "Favorite subject in school?" Alex asks continuing their game.

Alex had introduced him to a game of truths. They didn't necessarily have to answer if there was something the other didn't want to talk about, but even the knowledge that they didn't want to talk about it was useful.

[f1nns1deblog]

"I’m just happy to see you"

(this pic is a cropped version of #2 from the 3/1/23 battlepass post)

[jokeanddaggerdept]

[cada-sonrisa-que-finjas]

Habrá un lugar donde voy a guardar todo y todo quedará de tal manera que cuando lo vea la nostalgia aparezca.

-Galimatías🥀

[bugmistake]

sometimes its so crazy to realize that there's actually a lot of things i like. that i thought i didn't like because i was a depressed teenager. i love being outside! i love swimming! i love talking to people! even strangers sometimes! i love getting dressed in fun outfits and doing makeup! i love reading and going to art museums! i just thought i was doomed forever to a life of complete and total apathy and void! and now look at me! still a little shaky but i'm doing it!!!!!

[michelleelizabethtanner]

Why did Beth and Dean wait so long to have kids? If by s1 Beth and Dean had been together 20 years, and they started dating when Beth was about 14 (based on Michigan’s minor work permit laws, since Beth had that ice cream parlor job), then Beth is 34 at the start of the show. And Kenny is 11, if we are to believe his birthday cake. So they waited until she was 23. Which doesn’t seem very old, but considering that she probably married him immediately after high school, that’s five years where she probably actually liked the guy. And if she never had a job after the ice cream shop, the way Dean says she didn’t, then what did she do for 5 years?

[secrettreestuffidk]

you ever think about how pretty much the only reason we use base10 is because we have 10 fingers and if everyone had 6 fingers on each hand we'd use base12 and never even think a thing of it and also math would be pretty much better in every way?

[sugdensdingle]

[yakultii]

ever since I was little I never gave a fuck if anyone else liked me, I just wanted to like me and eventually I did for a little while but then I forgot how

[mikeywayarchive]

Instagram story by kristincolby

[Nov 17, 2023]