#2026 debuts

[chronicallydragons]

Finally getting a book deal and preparing for publication is like can’t believe I spent more than half my life trying to get published and now I actually have to talk about it 😅

[beecreeper]

I finally finished my playthrough for Molli so I guess it's high time I drew more stuff from Act 1...

Bonus angst panel under cut

[folkoreputation]

i genuinely don’t think rep tv is coming til next year but taylor is welcome to prove me wrong

[bleachersgirl]

i love taylor swift i’ll listen to anything she puts out and i don’t think she has any bad albums. but i hope to God that when the taylor’s versions and eras tour are done she takes a LONGGGG break before the next album.

[rosekicks]

YO DEBUT IS FUCKIN LIT AND Y’ALL ARE SLEEPING ON IT SO WHEN TAYLOR SWIFT (TAYLOR’S VERSION) (20th ANNIVERSARY VERSION) COMES OUT AND ITS THE BEST THING U EVER HEARD DONT COME CRYING TO ME ABOUT HOW U COULD HAVE BEEN ENJOYING IT YEARS AGO

[candle-wax-and-polariods]

im still so proud of myself for in a sea of rep tv thinking for a moment and guessing ttpd down to the moment it was announced

[taylorswiftdebut]

i'm not much for easter eggs but i do genuinely adore how all of the Taylor Versions so far have come out on dates that have a deeper meaning, like Fearless TV's date adding up to 13 especially as the first release that was very cute, and Red TV being released in 2021 the backwards of 12 (aka when it was originally released in 2012), Speak Now TV being released on July 7th so it could have a release show since a heavy part of that era was her live band as well as of course the closest date to July 9th, and 1989 TV sharing its date with the original since it was such a huge shift and change and birth in her life that transition to pop like I just think it's all so neat

[emeryleewho]

I keep seeing posts talking about the WGA/Sag-Aftra strike, which yes, good, but in all this "support writers" sentiment I'm seeing no one talk about book writers, which I think is something people should know more about right now.

We are at an all-time high for book bans, namely targeting queer & PoC-authored books. This means that a lot of schools and libraries are no longer stocking diverse YA books, and if you're not in publishing, you may not realize this but school & libraries are by far one of the biggest markets for diverse YA books.

This means that in 2023, YA book sales are down. This is also in part because Barnes & Noble (the largest physical book retailer in the U.S.) is no longer really stocking YA hardcovers. This means that marginalized authors and debut authors are struggling to sell books.

But it's a LOT worse than that. In the past couple of years, marginalized authors are *really* struggling to get new book deals. Most books are acquired by a publisher about 2 years before they release to the public, so this isn't all that noticeable yet, but a LOT of marginalized authors I've spoken to (myself included) have been unable to sell a new YA book since 2020. So while I had a book out last year, even if I sell one right now, you won't see it until 2025-2026. That's three to four years without a new release or the income I get from publishing those books.

On top of that, Big 5 publishers have started closing imprints (namely their diverse imprints) and have started telling their marginalized YA authors to just go. I've had multiple authors tell me their publisher basically said, "eh, we don't care to put in the work for you anymore. You can just go somewhere else". Of the authors who *are* getting offered new contracts, we're being offered pay far below the cost of living and we're being handed contracts that split our payments 4 or 5 ways and require we sign over our work to be used to train AI so they can replace us a few years down the road.

Authors are freelancers who own our IPs, which means we can't unionize the way Hollywood writers can, and despite authors showing up in droves to support HarperCollins employees when they went on strike for fair wages, we're being hung out to dry when it comes to our own rights.

If you enjoy diverse books, especially diverse YA, please understand that many of the authors you loved over the past 3-5 years are being forced out of the industry. We're being exploited, and we have no way to defend ourselves. Our books sales are drying up thanks to anti-queer legislation, our rights are being eaten up by AI, and our publishers are degrading us while profiting of us and refusing to share those profits with us.

Within the publishing industry, we've all been watching this decline happen over the last decade, but outside of it, I know most people have no idea what's going on so please spread the word. And if you care about diverse books especially in YA, please support marginalized authors in any way you can. The industry needs to be reminded that it needs us before we're all eliminated from it.

[chronicallydragons]

what better place than the first page of chapter one for plans to go up in flames??

(CW blood, sword, death)

Nowhere in my plans for Friday night did I include hiding behind a steel crate in a shipping yard with a dead body at my feet.

Well, maybe not the first part—Jason and I were supposed to go paintballing. The last bit was just further proof the universe hated me.

I absentmindedly wiped my bloody sword against my pants, keeping an eye out for other guards while watching the two dragons battle above me. I groaned when I realized what I’d done. This is why we can’t have nice things.

It was my own fault for wearing white to a rescue mission. Again, I was supposed to be paintballing.

We knew it was probably a trap, but we couldn’t just ignore the possibility a child actually was being held hostage by enemy dragons. And besides, we figured the three of us—Jamie, Jason, and I—could handle a few guards.

We weren’t expecting King Balaskad herself to be here.

And of course, there was no child.

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[serv0z]

cant remember if i posted these here yet but !! huzzah !! the refs I made for and before the Phony pmv yapping about it under the cut!!

All of this is based on how I view them and the timeline. Personally I think its: Fredbears opens sometime in the mid-to-late 70s, during this time the fnaf 2 location opens up within a year or two of Fredbears debut. Somewhere between 1982-1983 (pre-bite) Circus Babys opens up and then closes that very same day (Elizabeth dies). Following this is FNaF 4 at Fredbears where the place lasts about another year or 2 before closing in 1985. (Charlie dies in this period of time and the missing childrens incident takes place.) Little note is after SB shuts down the rental reopens !! Thats why its open by the time Michael goes there. FNaF 2 location shuts down 2 years after in 1987 due to the bite + the tampering of the animatronics. Shortly after the FNaF 1 location is properly opened up and deemed 'safer' since they aren't allowed free-roam in the day. Of course everything goes to hell here and the place begins to shut down in 1993 (during which the game takes place). Then SL happens at an unknown time between here (maybe 2 years after? in 1995? not sure) followed by FNaF 3 in 2023 (i do NOT believe ffps takes place in 2023 it doesnt fit at ALL). I think FFPS takes place about 2 or 3 years after in 2025 or 2026. I dont have anything for SB or HW bc it wasnt the focus so nfkjfn hopefully this all makes sense, at some point i may do refs of the missing children but because this was michael centric I mainly drew refs for him. I figured Michael looks more like his dad (especially by SL bc. yk.) and Elizabeth looks more like their mom,, Evan is somewhere inbetween. Michael and Elizabeth got their moms freckles, Evan didn't!! All of them got her darker skin though since Williams a fucking ghost. I am all for the hc of Michael tanning in fnaf 4 its so stupid and def smth a 14 year old boy trying to fit in would do I know I posted some of my Michael ideas like 2 years ago? Specifically post-SL. I feel the scooper wasnt completely centered, aiming more to his left side rather than completely centered. The damage was done, shattering his ribs and spine and really that arm was unsalvagable. I think hes replaced parts of himself with metal, like using it to connect to whats left of his spine to be able to stand properly, making a new arm either alone or with help from Henry or smth as well as needing a cane and/or leg braces to keep himself balanced. It's not farfetched since William in the books literally does something similar and it would help him look "normal". I also made the outfit bright and colorful to help sell the act. FFPS has some pretty bright colors for their front and to tie it in I added pink to his design and made it more fun and interesting, especially since he'd be around and children would be running past him and adults keepig an eye and such and the mask would probably be pretty intimidating if he didnt make it a bit more cute. Yes, that is the bow he was wearing during FNaF 1 btw!! Michaels necklace in fnaf 4 was a gift from his mom. Cant decide if i want her to leave or she passed. I think maybe if she left michael went with her? after 87 i mean. some point during those years she died and he was living on his own before returning to figure out the things his father left behind and try to find him, returnning for fnaf 1 and forward. Michael living with his mother is WHY he never noticed anything with William, he was still grieving his siblings and William would be too focused on his work to support him at all. His mom helped him work through some things, got him into therapy which he promptly dropped a bit after she died because he just. didnt have the motivation. He was alone before ending up back in Hurricane and looking for his father and learning all the atrocities committed.

I feel like Elizabeth being the youngest just. makes sense in my mind? Maybe its a personal preference but. Evan gives me middle child vibes more than youngest. Not to play into stereotypes but; older sibling having to be the 'responsible' one (and then rebelling this idea), the middle child being overlooked or ignored (nobody stopped the bullying.) and the youngest being given her very own animatronic (implimented with things she enjoyed.) side note if u call elizabeth a brat or spoiled im legally allowed to shoot u!!!!!1 Elizabeth also just. sounds very young to me with her voice and how she acts. It all gives off 'young child' rather than 'spoiled brat who gets anything she wants' yk? Her dying first ALSO just makes sense, especially witht he idea Evan saw it. She dies, he witnesses it and nobody believes him and shes just declared missing. the place goes down and its declared a 'gas leak' rather than 'my sister got eaten by an animatronic'. (I figure mrs afton is grieving and thats why she doesnt notice the bullying often.) It also works with the fnaf 4 scenario. William being fed up with him whining, not wanting to be given away by his own child so a plushie he can talk through and monitor him through, as well as setting up the illusion disks inside the room. The nightmares weren't just bad dreams, they are implied (at least from what i recall from the trilogy and ucn lines) to be real. it ties into his fear; animatronics with stomach mouths that have come to swallow him whole for what he saw. tormenting him. Its not just a bad dream to him, these are either based on how he percieves them or how he explained what he saw and William used this against him. The test with illusion disks began here. (it could also explain michael knowing abt them later in via security log book!!! the disks didt just vanish!!) This also curb stomps the idea william only began killing due to the 'loss of his children'. Not even possible. Look at the blueprints of the funtimes and compare. Those things were designed to lure, trap and kill from the very beginning. Circus babys was one of the VERY FIRST buildings to open, it just became a rental cental solely after shutting down where they were tortured and experimented on. He made these LONG before 85. anyways thats just my interpretation of the whole thing up to ffps. I dont remember everything from AR, hw, hw2, sb and ruin enough to make my own opinions on its timeline (i do have strong opinions on whats happened during it and right before but nothing leading up the opening or years and such) I mainly grew up heavily fixated on the base games, nothing really past ffps. as for Henry, he was briefly as bad as William with his work I think. If i picked up anything from the books and even the games, he was heavily focused on his work that he didn't notice his daughter die and had an animatronic watching over her instead of himself or family. i dont know if Sammy would exist in gameverse. If he did I imagine he either died/went missing very early on causing mrs. emily to leave, mrs emily left WITH him or he simply didnt exist bc Henry only focuses on Charlie here so either his son odesnt exist in this world or hes gone in some way shape or form. Henrys design is pulled from the books a bit. I wanted to make him bigger? William is slim and maybe a bit offputting but hes charming enough to get out of things. and Henry is more enthusiastic and rounder, having a loud and happy voice. I think he truly enjoyed making Fredbears happen. Cant decide if I wanna say he was in the Fredbear suit when Charlie died (giving cake) or if he was in a backroom working on things. Whatever it is I also think William tried to pin things on him. Errmm!! thats all i hve to say rn :3 its 8am im so tired so if this makes no sense. mb gang

[chronicallydragons]

being a fantasy author with an veterinary science background is sometimes really awesome, but sometimes you're forced to consider super cursed concepts like: can dragons drop their tails like some other reptile species?

I decided no because they're such large creatures with such thick tails that the blood supply to the tail would be too massive and dropping the tail would lead to catastrophic blood loss. There ARE some larger lizards that can drop their tails under extreme circumstances, but it’s super risky and dangerous

[disneytva]

Disney Branded Television Greenlits ‘Sofia the First: Royal Magic,’ Sequel To ‘Sofia the First’ Slated For A 2026 Release Date.

Today, Disney Jr. announced a series greenlight for “Sofia the First: Royal Magic” a continuation of “Sofia the First” and remains one of the most successful global preschool franchises for The Walt Disney Company. The spin-off got picked up for development back in November 2022 under the working title ("Royal Prep Academy")

“Sofia the First: Royal Magic” follows Sofia as she attends The Charmswell School for Royal Magic, where princes and princesses from across the EverRealm will continue their royal studies and also learn all types of magic. During her time at Charmswell, Sofia discovers she is the most magical princess in the realm and must learn how to master her powers while making new royal friends. Each episode will contain two 11-minute stories, each with a new original song.  The sequel is created and executive produced by original series creator Craig Gerber. Ariel Winter (“Modern Family”), who voiced the role of Sofia, in the original series, is set to reprise her role. Additional casting will be announced at a later date. Many of the creative team from “Firebuds” are involved in this series, including Krystal Banzon as co-executive producer and story editor, Kris Wimberly as supervising director, and Craig Simpson as producer. The series is produced by Disney Television Animation. The new series is currently in production and is slated for a 2026 premiere on Disney Jr. and Disney+

Gerber added, “I’m incredibly excited for the chance to return to Sofia’s enchanted world and tell the next chapter in her story. At a new school specializing in royal magic, Sofia will learn how to master her magical abilities while discovering the power of friendship and teamwork from her new royal classmates. Over the years, I have heard countless stories of how much the original series meant to young viewers and I’m hoping the new show will delight the next generation of preschoolers.”

Ayo Davis, president, Disney Branded Television and VP of Current and Development at Disney Television Animation said, “Since its debut in 2012, ‘Sofia the First’ captured the hearts and imaginations of preschoolers everywhere for its beloved characters, memorable music, adventurous spirit and meaningful storylines. The enduring charm and appeal of Sofia is undeniable, and we’re excited to continue sharing her journey in ‘Sofia the First: Royal Magic.’”

The “Sofia the First” franchise still holds the record for the Top 3 cable TV telecasts for Girls 2-5 and, lifetime to date, has garnered over 755 million views on Disney Junior YouTube.

Sofia The First: Royal Magic is one of the many projects by Disney Television Animation to introduce the studio's iconic franchises and charactes to a new generation of fans, other projects include "The Proud Family: Louder And Prouder", Disney Junior's "Mickey Mouse Clubhouse 2.0", "Phineas And Ferb" as a revival and a reboot of "Darkwing Duck" by Point Grey Pictures (Nickelodeon Animation Studios "Tales Of The Teenage Mutant Ninja Turtles")

New interations of "TaleSpin" also by Point Grey Pictures (Nickelodeon Animation Studios "Tales Of The Teenage Mutant Ninja Turtles") & "Recess" with the original creators are in very early development at the studio.

[jbaileyfansite]

Interview with W Magazine (2024)

Jonathan Bailey has traveled the world to promote Wicked, but there was one person he was especially eager to share the film with: his 94-year-old grandmother. She nurtured his love for musical theater and encouraged him to pursue ballet as a child, thus shaping his career in the arts.

So, the day after Wicked came out in the U.K., Bailey hosted a private screening at a local cinema for four generations of his family. While sitting in between his nana (who had painted her nails green for the occasion) and his mom and dad, Bailey became overcome with emotion.

“It’s a miraculous thing to know that what it came down to is having parents who let me go to the local village hall, and a grandparent who let me play, dance around and sing, and be free at such a young age,” Bailey tells W. “If you can catch a passion and just ring-fence it at such a young age, you never know what it can amount to.”

Adapted from the iconic Broadway stage musical, the film, which is set before the events of 1939’s The Wizard of Oz, chronicles the friendship between Elphaba (Cynthia Erivo), the future Wicked Witch of the West, and her classmate Galinda (Ariana Grande), later known as Glinda the Good.

Bailey’s scene-stealing portrayal of Fiyero Tigelaar, the charismatic Crown Prince of Winkie Country, only reaffirms his status as a Hollywood triple threat. In fact, “Dancing Through Life,” the earworm that serves as his character’s introduction at Shiz University, just cracked Billboard’s Hot 100 charts this week. (“That’s amazing. Do I get a certificate? What happens now?” Bailey quips.)

Bailey began rehearsing for Wicked in 2022 while shooting Fellow Travelers, the groundbreaking Showtime limited series that earned the 36-year-old his first Emmy nomination, and the third season of Bridgerton, the smash-hit Netflix romantic drama that made him a household name. Speaking on a video call from London in early December, the British star reveals that he is in the middle of reprising his role as Viscount Anthony Bridgerton, who is expecting his first child with wife Kate Sharma (Simone Ashley).

“There’s such an important relationship with the [Bridgerton] bros that has been developed over the series. Season four is going to be Luke [Thompson] and Yerin [Ha] being absolutely extraordinary, and there’s a whole plethora of new characters coming in,” Bailey says. “It’s so nice to come back, and it’s about celebrating the romance stories we’ve had and digging into the ones that are starting.”

Patience will have to be a virtue for Wicked and Bridgerton fans alike; the second half of the former, which Bailey coyly describes as “rich, bruising and hopeful,” will premiere next November, while the latter will debut in 2026.

How did you think about building your own interpretation of Fiyero?

The starting point was “Dancing Through Life.” He creates chaos around him, like he does in that song, because he’s got to match the chaos that’s going on inside. The challenge that I felt was the trope of a cool caddish prince. He’s deeply unnerved by stillness and adhering to rules and structure. That is probably a sign of someone who’s never really experienced love. When you see someone causing that sort of disturbance, it’s usually because they’ve never felt seen. An organizational psychologist, Adam Grant, sent me a message saying, “It’s a masterful portrayal of superficiality masking depth.” Out of all the things I’ve heard, that is the thing I’m going to get printed on a T-shirt.

The Shiz library scene was inspired by the work of Fred Astaire in Royal Wedding. What did you want to convey in those moments?

Fiyero has to come in and change the physical language and the emotional landscape of that school in one number. His fluidity, ease, and elasticity speak to his ability to maneuver and avoid. He’s quite avoidant. He has these bright, shining moments with everyone but never really allows the other person to land it with him. For those who understand the physical language of Fiyero, there are many Easter eggs and nods to what happens to him later in the story.

Fiyero is at the center of a love triangle between Elphaba and Galinda. What do you think he sees in each of them?

The brilliant thing about the film is that these slightly trivial tropes mask extraordinarily deep and shifting understandings of social experiences. The superficiality, the privilege, and the sense of easy chemistry make sense with Glinda. But I feel like he’s yearning for something more, and, as Elphaba sees, he’s unhappy and depressed. Fiyero and Elphaba can click in terms of the way they sing, dance, and move together. Elphaba has a calming presence on Fiyero and allows him to be himself. It’s a real privilege to meet someone who sees you for who you really are.

Are there any songs from the second Wicked movie you are most excited about?

“No Good Deed”—I cannot wait to see that come together. And “Thank Goodness”—it’s just such an incredibly operatic, Wagnerian opening. We know how brilliant the girls are, and I’m so excited to see the tonal shift that will inevitably happen to get to the end of the story.

You’ve been leveraging the success of projects with massive, global appeal (Bridgerton, Wicked, the next Jurassic World) to return to the theater (like your next role in Richard II).How have you been balancing these big tentpole franchises with projects that feel more niche and intimate?

I always lead with joy, and I’ve never accepted a job cynically. It goes back to this instinct—it feels like romance—where you have butterflies in your stomach and clarity of thought. I go back to the stage because I want to get better—and I want to be the best I can be. The best performances I’ve ever given on screen have been directly after coming off stage, where you hone your craft every single night. It’s brilliant, joyful, academic, and exhausting.

I’ve read more scripts in the last four years than probably in 20 years of working. It’s amazing to get sent scripts that you’re like, “This is absolutely brilliant. It’s not quite right for me, but I wonder if I can help that get made.” I’ve got a producer's hat that’s been popped on a few times in the last year, and I’m sure it’ll be coming out to play soon.

I want to keep working until something like Fellow Travelers isn’t seen as niche. We’re only on this planet for a short time, but if Fellow Travelers can be a mainstream show by the time I’ve finished my innings, I’d be very happy.

The last time Bridgerton viewers saw Anthony and Kate, they were on their way to India to meet with Kate’s family. Now that those characters are married, what are some of the new layers you’ve found in their relationship?

Anthony and Kate are these two planets that have always been in orbit of each other, and they finally come together. But then, what is life beyond [their courtship]? What’s so interesting about Anthony and what I so enjoyed in his season one arc is his relationship with duty and the power that he wielded over Daphne and his family, the isolation that he felt, and the anger that ensues because of [the passing of] his father.

I always said that you want Anthony to smile, and he does with Kate; he’s found his soulmate. In season three, they have that playfulness and, for the first time, they disregard anything that’s going on around them. They were the heart of every bit of drama and complication and, my God, how dramatic it was! Now suddenly, they’re having the time of their life, getting to play games again. They’re having a baby—everything they’ve ever wanted. What’s brilliant is to see how there are elements of yourself that you can’t grow out of. So, maybe, we’ll see hints of Anthony from season one.

Source

[carsthatnevermadeitetc]

Suzuki Electric Mobility Base Unit, 2024. Another CES debutant, an autonomous platform that can be adapted by third parties for a variety of uses. Everblue Technologies have used the Base Unit to create a drone snow plough which they are planning to drink to market in early 2026. It can also be used for light deliveries

[xheeanne]

"in 2026, it’ll be the 20th anniversary of Bigbang’s debut. When I saw Taeyang on stage recently, I thought that if I do my part well, we might be able to do something for the 20th anniversary. When else would we get to celebrate a 20th anniversary if not as Bigbang? The group Bigbang has plans”

I'm crying happy tears right now. 💛

G-DRAGON ON THE BLOCK!

[thommi-tomate]

Manu on Facebook :

Dear fans, dear Football Germany,

After more than 15 years and 124 international appearances, today marks the end of my career with the German national team.

Anyone who knows me understands that I didn't make this decision lightly. I feel great physically, and of course, the 2026 World Cup in the USA, Canada, and Mexico was very tempting. However, after many detailed and lengthy discussions with my family and friends, I have decided that now is the right time to close the chapter with our national team.

When I look back today, I feel proud and grateful especially because we were able to fulfill our big dream on 13 July 2014, when we became world champions together in Brazil. For a total of 7 years and 61 games, until my injury, I had the honor of leading the German national team onto the pitch as captain. It was an honour that I always appreciated anew.

This year's European Championship in Germany was another highlight, even if, unfortunately, we fell short of winning the title. I felt a very special sense of euphoria and solidarity throughout the country at every moment. Let's keep that spirit alive.

Many thanks to all the staff, coaches, and players who have supported me since my debut with the national team on 2nd June 2009!

And I would especially like to thank you, dear fans, for supporting me over the years!

I loved wearing the jersey of our national team.

Thank you so much!

Yours

Manu