#2020s teen dramas
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Spryman On The News (Ozzy & Drix (2022) Season 1 Episode 11; Game Of Likes)
#osmosis jones#ozzy and drix#2022#2020s teen dramas#teen horror#dark comedy#comedy horror#teen drama#thriller#horror drama
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#my two last braincells talking to each other
TEEN WOLF: THE MOVIE (2023)
#teen wolf: the movie#teen wolf the movie#teen wolf#jackson whittemore#malia hale#filmedit#teenwolfedit#twedit#dailyflicks#cinemapix#cinematv#userron#useraurore#userzil#2020s#action#drama#fantasy#gif#constance
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I sincerely thought this attitude died out along with fan forums but it's CRAZY that there are people in fandom whose participation in a ship is at least 50% based in bashing another ship. That's so y2k of you.
#I don't mean genuine fandom critique (hello) I mean like old school flame war hatred#not just from teens either children get a pass; I mean grown ass tax paying adults#though now it's like flame wars mixed with 2020s social justice/therapy speak it's AWFUL#thank god the ichihimeichirukia people didn't have therapy speak in 2006#is that legible. I'm really trying to avoid word search.#I make my firefighter fandom friends tell me about the drama because the anti Tommy people crack me up#fandom fuckery
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The Fallout (2021) dir. Megan Park
#the fallout#teen#drama#2020s#filmedit#filmgifs#*#tuserari#userdanni#tuserdee#useraurore#userfrodosam#usernowz#usermandie#tusershay#usersugar#userbeckett#usermorgan#userdre#userrobin#tuserlou#by mo
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Now showing on DuranDuranTulsa's Television Showcase...Heartstopper: Together (2024) on Netflix #tv #television #teen #romance #drama #lgbt #heartstopper #Together ##joelocke #kitconnor #tobiedonovan #JennyWalser #williamgao #yasminfinney #corinnabrown #kizzyedgell #2020s #Netflix #durandurantulsa #durandurantulsastelevisionshowcase
#tv#television#teen#romance#drama#lgbt#heartstopper#together#joe locke#kit connor#tobie donovan#william gao#yasmin finney#corinna brown#kizzy edgell#2020s#Netflix#duran duran tulsa's television showcase#duran duran tulsa#Spotify
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The appeal of OUAT is that it's FUN. Those 2010s fantasy shows with low budgets, slightly wonky and slightly grungy CG, and some of the wackiest costume and set designs you've ever seen (OUAT, Pushing Daisies, Alice Syfy) are good because they a) are about true and beautiful things despite the Horrors, and b) they're FUN.
#2020s sterile teen dramas and miserable '''realistic'''' adult shows could never#this stuff is FUN and it's also not sugarcoating reality it just points to joy and wonder and hope and says HEY#THAT'S A BETTER OPTION THAN DESPAIR#songbird watches ouat
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Jaren Lewison in Never Have I Ever (2020) …been the loneliest boy in the world
S1E6
With absentee parents, a shallow girlfriend and no one to hang out with, Ben Gross is lonelier than ever, until an unlikely invitation offers some hope...
*Andy Samberg (the guest narrator) can be seen in a poster inside Ben's room
#Never Have I Ever#2020#tv series#…been the loneliest boy in the world#S1E6#Jaren Lewison#Ben Gross#Andy Samberg#narrator#teens#loneliness#relationships#Devi Vishwakumar#dinner invitation#sparkle#comedy#drama#just watched
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Tabija [The White Fortress] (Igor Drljaca, 2021)
#Tabija#The White Fortress#coming-of-age film#drama film#Igor Drljac#Pavle Čemerikić#Sumeja Dardagan#Sarajevo#romance#Izudin Bajrović#Ermin Bravo#Hasija Borić#Kerim Čutuna#Jasmin Geljo#BIH#Bosna i Hercegovina#Босна и Херцеговина#Southeast Europe#Balkans#Сарајево#Miljacka#Canada#crime#politicians#human trafficking#adolescence#2020s movies#migration#teens#kiss
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youtube
Hi Guys,
Fangirl Reviews is back with more reviews for you. Today we are review the remade tv series The Baby-sitters Club HERE. https://www.youtube.com/watch?v=eYpFk0d_NdI&t=2s via YouTube
#FanGirl Reviews#FanGirl#The Babysitters Club TV Series 2020#The Babysitters Club#Comedy#Drama#Teen Comedy Drama TV Series#Netflix#Books#Movie Reviews#Film Reviews#TV#Youtube
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Aftersun (2022, Charlotte Wells)
3/2/23
#Aftersun#Paul Mescal#Frankie Corio#Celia Rowlson-Hall#Charlotte Wells#2020s#drama#indie#father and daughter#travel#vacation#Turkey#British#Scottish#divorce#single parents#coming of age#children#pre-teens#memory#seaside#hotel#home video#depression
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"Since when do teenagers become detectives?"
- Joslin Smith-Simpson (Osmosis Jones; 2021)
#osmosis jones#2021#2020s teen movies#teen comedy#comedy horror#2020s horror movies#teen drama#horror drama#dark comedy#teen horror#2020s teen dramas#emo osmosis jones#emo ozzy
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Watching Wolf Pack while I work, and it's really just highlighting that;
a) TV writers have forgotten how to write likeable teenage characters. I don't understand what about the last six or so years convinced writers that teens no longer have friends, but seriously, why is it so rare for teen dramas now to have charcters who are nice and actually like one another?! Why does the current generation of tv writers dislike kids so strongly?
Half the success of Teen Wolf is the fact that the first thing you learn about Scott and Stiles is that they are bffs who are 100% ride or die for one another, and that sets the tone for everything that follows. First thing you learn about the MC is that he's likeable enough to have at least one very close friend who cares about him, so the audience are primed to like him too.
First thing we learn about Wolf Pack's MC is that he's the sort of person who has loud phone conversations on public busses.
b) we apparently still haven't moved past 'it's not sexual assault if it happens to a guy' - either that or the writers have an incredibly confused idea of what consent is (protip, if you have to lie to get consent, it's not really consent!)
c) boy you sure can get away with a lot of explicit ableism on TV
and d) anxiety disorders are to 2020s teen dramas what clumsiness was to 2000s teen dramas, and I wish they weren't
#tv execs think modern teens all have anxiety disorders#no friends#and an intense hatred of bodyhair#which are an extremely weird selection of character traits to assign to an entire generation#maybe this is a generational thing and it reads different to gen z#but so many modern teen dramas come across as incredibly mean spirited#like the writers really intensely dislike their audience#and that's so wierd to me!#fashion and slang and music changes#but humanity doesn't#teenagers are still just teenagers#if middle aged men in the 90s and 00s could make shows for teens without hating teens#why can't middle aged men in the 2020s?#anyway don't watch wolf pack#it's not good#and SMG is barely in it so far
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On May 14, 2021, North Hollywood debuted in the United States.
#north hollywood#teen movies#teen drama#2020s films#skateboarding#movie art#art#drawing#movie history
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What is All Creatures Great & Small about?
Hi!
ACGAS started off as a book series by James Herriott (pen name). It is a fictionalized autobiography of a British veterinarian mostly in 1930s-40s (later eras do happen) rural England. His writing style is very accessible and full of humor, but at the same time, can get very graphic about the realities of his practice. (Content warning for a lot of animal death.)
It's a lovely snippet of pre-war and wartime England through a mostly small-scale agricultural lens. While I'm unsure if the author had specific themes in mind, a big one is the resiliency of the Dales farmers in the face of tremendous change (automation, war, etc.)
The books focus a lot on various animal cases and sparked a love for the career in a lot of vets even today. (I myself considered large animal practice as a teen, specifically horses.)
The books got adapted into a long running series in 1978 (when the inspiration for many of the characters were still alive!). The adaptation works more like a series of vingettes, with some continuity (the main character gets married and has kids, another character graduates from college, etc.).
The revival 2020 series (currently wrapping season 5) treats the material as a setting for a more traditional period comic-drama. Details are shifted around or outright changed, and the focus is on characters. But the original DNA is all there. If there's an overall arc in the new series, it's how found family is making the characters better versions of themselves.
I recommend all 3 incarnations as some cozy, comfort media, but suggest they be treated as their own things. On their strengths: The books are a great look into an agricultural world that doesn't exist anymore. The 1978 series is full of delightful characters and brings scenes from the books to life. The 2020 series invests you in the lives of the characters and how they change over time. (Fwiw, both series have strong production connections to the original author and descendants, and the actors understand the importance of the legacy they are carrying on. There is a lot of love on screen.)
Anyway, I have loved this series for 37 years now and am delighted to see it pique folks' interest.
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An Account of the Current OTW/AO3 Allegations
You may have seen talk flying around about drama going down with OTW (the Organization for Transformative Works) and AO3. There isn't a clear write-up of the situation on Tumblr, and since the allegations in this case are serious and OTW Board elections are coming up, I thought there should be a resource for people to get some basic understanding about the events.
This account is a burner, because the topics here are deeply charged, and I don't want to become a character in what's happening. I am not a member of or volunteer for OTW; I am not affiliated with End OTW Racism; I am not affiliated with Dreamwidth; I do not personally know any of the people involved in these events, or have personal knowledge of the events themselves. I am only compiling the publicly available events, allegations, and discussion into a convenient format for Tumblr. I will be heavily referencing the the similar compilation put together by Dreamwidth user Synonymous, but I am not Synonymous, nor do I know who they are. I am not, however, completely without bias; for one thing, I am writing this with the clear understanding that I believe OTW's treatment of its volunteers and policies on content moderation are both deeply troubling. If I did not believe that, I wouldn't have bothered writing this post.
This write-up includes events relating both to allegations about volunteer abuse and improper handling of CSEM moderation by the OTW, and to arguments made about the OTW's handling of racist conduct and about End OTW Racism's ties to the writer known as Stitch. I am including both of these threads because they are deeply related both causally and in the arguments of many of the people involved, and because volunteer abuse, CSEM, and racist harassment are all deeply serious problems.
This situation has not resolved, and therefore you can likely expect more to occur, probably relating to all of those topics. I have not yet decided whether I will continue updating this timeline, but it should at least give you a grounding in what's happening.
Heavy Content Warning for discussions of child sexual abuse material; abuse, harassment, and stalking; and interpersonal and systemic racism. All language in this write-up is non-graphic and high-level, but some links include more detailed descriptions.
The Events
June 24, 2020: In the wake of George Floyd's murder and in response to pressure from people including Black writer Stitch (of the blog Stitch Media Mix and Teen Vogue) and fan studies academic Dr. Rukmini Pande, the OTW makes a statement promising to review their policies and procedures and take steps to protect users from racist harassment. The specific promises they make are:
Giving creators more control over the comments on their works.
Improving collection searching and filtering.
Improving admin tools for responding to Policy & Abuse reports.
Reviewing the Terms of Service to potentially allow Policy & Abuse to respond to more kinds of reports.
Reassess the required Archive Warnings and consider adding more.
Continue working on user muting and blocking.
They also say that they are considering "reaching out to an external contractor or partnering with an advocacy group," i.e., a diversity consultant, to help with reforms.
August 8, 2021: As part of their July newsletter, the OTW announces that it is creating a new officer role in the organization to research options for diversity consultants.
May 7, 2022: The OTW makes a public statement on their website that an unknown attacker has sent CSAM (child sexual abuse material) to some of their volunteers' email addresses, that they are working with authorities to find the attacker, and that response times may be slower than usual, as they have "shut down a number of internal tools" in order to protect their volunteers and the investigation.
May 8, 2022: Dreamwidth cofounder and former head of LiveJournal Trust & Safety Denise (rahaeli on Twitter, synecdochic on Dreamwidth) posts a Twitter thread urging any current or former OTW/AO3 volunteer who has provided the organization with their real-life name ("wallet name") to contact their local police department and let them know that they are at an elevated risk of swatting. She also provides advice on disabling image auto-loading in emails and dealing with trauma and anxiety from being exposed to CSAM, and mentions that she has contacted AO3 to offer help.
June 16, 2022: As part of their April newsletter (delayed several months due to the CSAM attack), the OTW announces that a Diversity Consultant Research Officer has been appointed.
May 10, 2023: The Tumblr account end-otw-racism publishes its first post, End OTW Racism: A Call to Action. In it, the anonymous authors call on the OTW to implement the changes that they promised in 2020, especially:
Hiring a diversity consultant within the next 3-6 months.
Updating their harassment policies and protocols to address on-site and off-site coordinated harassment.
Creating a content policy for content that is abusive in a racist manner.
As part of their background establishing the problem of racist abuse and harassment in fandom, they link to several articles written by Stitch on their commentary blog, as well as a couple of posts from other fans. In their FAQs and other posts, the organizers of EOR clarify that they are not calling for the removal of any racist fic, but fic that is written specifically with the intention of perpetrating racist harassment or abuse. They also urge supporters not to berate or harass anyone for disagreeing with or failing to support their campaign.
May 17, 2023: An anonymous user asks about the End OTW Racism protest on the anon-meme Dreamwidth community Fail Fandom_Anon (FFA). As part of a tangent in that discussion, an anonymous former volunteer member of the OTW's Policy & Abuse Committee (PAC) mentions that they handled CSEM (child sexual exploitation material) tickets as part of their work, and that the OTW did not provide sufficient resources or expertise in dealing with them either emotionally or logistically. They describe themselves as being traumatized, burned out, and overworked during their time in PAC. They also mention that there was an earlier CSAM attack, targeted only at PAC volunteers, prior to the one that the OTW announced; that they were the volunteer who handled reporting to law enforcement; that the PAC chairs urged Legal and the Board to prepare for more attacks, but that nothing was done; and that the OTW did not provide any mental health resources for volunteers after the CSAM attack. (Here is a link to the user's top-level comment; read down the thread for more.)
May 20, 2023: Dreamwidth user chestnut_pod posts an entry called Be More Democratic, Be More Autocratic, OTW. The thesis of their post is that the OTW fails to adequately respond to racism on AO3 because of structural problems within the organization that amplify biases and make change difficult to achieve, and that in order to address racism and other problems more effectively, the organization should create a clear and straightforward command structure. They also advocate for creating some paid roles within the organization. The comments of the post become a kind of referendum on OTW's organizational policies, and some former volunteers show up to say that chestnut_pod's description of the problems with the org's structure tally with their experience.
May 23, 2023:
An anonymous user links to chestnut_pod's post on FFA. In response, the same former OTW volunteer describes various details of how the Policy & Abuse Committee (PAC) made decisions during her time there. (The description covers a lot of comments, so with one exception I'm linking to Synonymous's overview rather than the individual comments, but you can find all of them either through Synonymous's links or by reading down the FFA thread.) The upshot is that PAC often found it difficult to address racism, abuse, and harassment due to roadblocks and micromanagement from OTW's Legal Committee. In particular, the user mentions that they wanted to remove photo manipulations of real-life minors engaging in sex, as well as ambiguously-sourced explicit gifs from underage fics, and were told that they could not by Legal. (I have described the user's objections at as a high a level as possible, but the language used at the link is much more detailed and explicit.) A subsequent, current OTW volunteer says that since the first user left, the policy has changed to allow PAC to remove similar gifs.
Denise leaves a series of comments on chestnut_pod's post saying that the PAC policies described there run counter to industry best practices for Trust & Safety. In response to a commenter asking whether she could advise OTW, Denise says that she has offered several times, and only heard back from the organization once: after she posted her Twitter thread in response to the CSAM attacks, "at which point it immediately became extremely clear the person in question was more interested in protecting the external reputation of the organization than in listening to any advice I had to give and the only reason they'd contacted me was to pressure me to remove my Twitter thread."
In response to Denise's story, Dreamwidth user azarias reveals herself to be the anonymous former PAC volunteer on FFA. In a series of comments on chestnut_pod's post and FFA (bulk of the information in this comment, but see Synonymous's compilation or read up and down the thread for more), she relays the following story: On May 6, 2022, shortly after the CSAM attack, azarias was kicked out of the OTW volunteer Slack with no notice and no communication. When she realized several days later that this was not an organization-wide shut down, she emailed the OTW Board, Legal, and the PAC chairs asking about the situation, and whether she was a suspect in the attack. The chair of Legal, Betsy Rosenblatt, responded, apologizing for the lack of communication and saying that the shut-out was at Legal's request because they thought azarias' account may have been compromised, but she was not a suspect. On July 22, 2022, having heard nothing further from the OTW, azarias emailed again asking about reinstatement, and Betsy responded that they had just that day started that process. (EDIT: Azarias clarifies that her original stated date of July 22 was an error; she checked on her status July 4, and Betsy responded July 6.) All of azarias's accounts had been deleted, so she returned to the OTW with new accounts, and was informed by her PAC chairs that they were not consulted or informed about her suspension until it happened, were not told why she had been suspended, and were ordered not to speak to or about her during the suspension. Due to awkwardness, trauma, and burn-out, azarias quit volunteering soon after.
May 30, 2023:
On FFA, an anonymous OTW volunteer (not azarias) comments that the OTW Board has posted an update to Slack addressing azarias's story (though she is never named in the update). The update confirms that Legal made the decision to suspend azarias, and says that the Board was not consulted on or informed about the decision to either suspend or reinstate her. A statement from Legal is also attached. The statement does not in any way dispute azarias's timeline of events, and outwardly apologizes to her for the distressed caused, but it also contains several strong insinuations that the letter-writer believes that azarias was responsible for the CSAM attack.
In response to this letter, Denise posts a statement on Dreamwidth and Twitter recommending that any person currently volunteering for the OTW should resign for their own personal safety.
June 3, 2023: Azarias (now posting under her real account, which FFA allows people who are players in the events being discussed to do) comments on FFA that she has consulted a lawyer regarding Legal's insinuation, and has been advised that she doesn't have anything to worry about, legally. She explains some more of the details behind the situation, and discusses some of her guesses about the current situation at the OTW. (For clarification, the Heidi she's referring to is Heidi Tandy, a longtime member of OTW Legal. During the heights of Harry Potter fandom, Fandom Wank coined the term "Heidipology" to describe what they believed to be Heidi's pattern of making insincere, backhanded apologies.) In the comments, anonymous users discuss the fact that OTW's Legal team is made up entirely of IP lawyers, and not lawyers who have expertise in criminal law, nonprofit governance, or Trust & Safety. (Link goes to Synonymous's compilation.)
June 12, 2023: The OTW publishes a statement addressing the End OTW Racism protest. They thank the organizers for holding them accountable, list the steps they've already taken in addressing racism (mostly muting/blocking abilities and similar), and reiterate that they are working on hiring a diversity consultant and reviewing PAC policies. They also say they will improve transparency and communication.
In the comments, azarias (and several others) push the OTW for a retraction of Legal's letter. Azarias also pushes the OTW to make real progress on racist abuse, rather than paying it "lip service." Azarias reveals that she was the Board's original pick for the Diversity Consultant Research Officer, but dropped out. (Further comments later and earlier at FFA clarify that she dropped out due to the OTW's one name policy, which requires that all work that a volunteer does for the OTW be done under a single name; officers are required to serve under their wallet names, and azarias wanted to do her PAC work under her fandom name and not link that to her wallet name, and when OTW didn't let her, she resigned. Link to Synonymous's more thorough compilation of this story here.)
Also in the comments, several users respond to the OTW's statement by posting racist abuse and racial slurs. The OTW leaves the comments up for several days before finally screening them.
June 15, 2023: Denise posts a thread on Twitter, shortly after compiled on her Dreamwidth, laying out what she consider's the OTW's "absolute failure" at Trust & Safety. Among other things, she claims that:
Photomanips of minors in sexual situations, "however terrible or obvious the Photoshop job is, qualifies under the third definition of 'child pornography' as given in 18 USC §2256(8)(C)."
She believes that the OTW may not be in compliance with legal obligations to preserve information about reported CSEM, due to its policy of deleting author information about orphaned works.
In this post, Denise also elaborates on the story she told in the comments of chestnut_pod's post. She says that in May 2022, before the OTW made its statement about the CSAM attack, several volunteers reached out to her for advice, and she learned that the attack emails included threats to expose identifying volunteer information to, among other places, Kiwi Farms, a site whose users have previously swatted many people. In response to this, after the OTW's statement, she published her Twitter thread advising volunteers to alert their local law enforcement, and also reached out to the OTW to offer resources, contacts, and advice. In response, OTW Legal member Rebecca Tushnet called her and spent half an hour pressuring her to remove her Twitter thread.
At the end of the post, Denise briefly touches on the End OTW Racism action that began this conversation, saying that she appreciates their work, but believes that their proposed solutions will not be effective, both because the OTW's organizational dysfunction makes it impossible for them to moderate racist content, and because PAC must moderate "conduct, not content." She says that she "firmly disagree[s] with the foundational work their campaign was built on."
June 16, 2023:
In response to several people asking for clarification on her statements about End OTW Racism, Denise posts a follow-up Twitter thread (which has not at this time been crossposted to Dreamwidth). She says that a diversity consultant will not effectively address abuse because the current OTW culture is resistant to change, and that reviewing TOS policies will not be effective, because the current TOS already allows for moderation of abusive conduct, but PAC has not been empowered to enforce it. Instead, she claims that progress on moderation of racist abuse can only truly be made once the organization's systemic issues have been addressed. She also believes that End OTW Racism's messaging is counterproductive, "because of its repeated failure to differentiate between content and conduct." In particular, she argues that, "by citing so heavily to the foundational background work by people who *have* repeatedly called for bans on work that 'reflects racist and bigoted stereotypes', and by failing to differentiate the two except in passing, the campaign has positioned itself in such a way that it will be, and I'm certain has already been, dismissed by the OTW." She does not mention Stitch by name, but it is clear by context that it is the citations of Stitch's work that she is referring to.
After someone DMs her to request she take down her clarifying statements about End OTW Racism, and various people supportive of EOR on Twitter denounce the statements, Denise posts a follow-up statement to Dreamwidth and to Twitter. She says that she has been contacted several times over the past few weeks by Black fans who have been harassed and abused by Stitch in racist and racialized ways, and who showed her screenshots of these interactions, which Stitch has since deleted. She says that because these fans are afraid to speak up for fear of further harassment, she offered to relay their concerns about a campaign based heavily on Stitch's writing. She does not provide the screenshots, in order to prevent the fans from being identified. She reiterates that she agrees with Stitch and with EOR that the OTW is failing to respond to racist abuse and harassment, but that she disagrees with their approach and proposals. (For what it's worth, as I said up front, I am not personally acquainted with either Stitch or Denise, and have no personal knowledge of events, but Denise is not the first person to accuse Stitch of racist harassment. There has been a great deal of discussion on FFA, both well-sourced and not so much, detailing Stitch's past behavior. I am linking to this round-up so that people can find it, but with the exception of those that directly link to the evidence, and one or two that reference Stitch's public writing, I do not know the accuracy of any of the claims, and I do not know the source of some of them. The allegations listed also vary wildly in their degree of seriousness, ranging from "actually harassed someone" to "said something distasteful," to "is friends with a known serial stalker and harasser.")
The OTW posts a newspost addressing Denise's original (June 15) thread and allegations. The say that they are in legal compliance with CSEM reporting procedures, that they provided resources to volunteers following the CSAM attacks, and that "the Legal Committee has always worked closely and cooperatively with the Policy & Abuse Committee, and continues to do so." They do not reference azalias's accusations or Denise's claim to have been pressured by Rebecca Tushnet. In the comments, azarias, Denise, and many other users, both anonymous and signed, express outrage at the OTW, and push for answers, apologies, retractions, and in some cases the resignation of Legal and/or the Board.
End OTW Racism posts a statement acknowledging the OTW's acknowledgment, and calling for supporters to donate to the OTW so that they can vote in the upcoming Board elections.
June 16-18, 2023: A group of people on Twitter, Tumblr, and Dreamwidth post individually and in conversation about Denise's comments on Stitch and End OTW Racism, defending Stitch and arguing that Denise's claims about them and disagreement with their and EOR's work are racist, unfounded or overblown, and a derailment from EOR's mission. Some of these are the same people who are in the comments of the OTW's response to Denise, pushing for the OTW to respond to azarias's allegations. (These are not inherently contradictory positions; I just want to note that both the personal and ideological stances here do not necessarily line up neatly into, say, pro-OTW and anti-OTW.) See, for instance, naye's Dreamwidth post, fiercynn's Dreamwidth post, or pearwaldorf's Tumblr post.
June 18, 2023: Denise posts a Twitter thread going into much greater detail about the number of fans of color who reported to her that Stitch had harassed them ("a number greater than five and less than fifteen"), and the severity of their claims ("Several of them said the harassment they experienced was so severe and pervasive that it caused them to change screen names, leave fandom, or otherwise restrict their conduct online.") She also gives a detailed, step-by-step outline of how she went about verifying their claims to her own satisfaction. She continues not to give out identifying details to prevent further harassment.
[Updated June 19, 2023 to correct language around the attack on OTW, which was a CSAM attack, not a CSEM attack.]
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Now showing on DuranDuranTulsa's Television 📺 Showcase: Heartstopper: Journey (2024) on Netflix #tv #television #teen #romance #drama #lgbt #heartstopper #Journey #joelocke #kitconnor #tobiedonovan #JennyWalser #williamgao #yasminfinney #corinnabrown #kizzyedgell #2020s #Netflix
#tv#television#teen#romance#drama#lgbt#heartstopper#journey#joe locke#kit connor#tobie donovan#kizzy edgell#william gao#yasmin finney#jenny walser#corinna brown#2020s#Netflix#duran duran tulsa's television showcase#duran duran tulsa
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