#2020 writing evaluation

[ghostaholics]

𝐊𝐈𝐒𝐒 𝐈𝐓 𝐁𝐄𝐓𝐓𝐄𝐑

➸ PAIRING: Lieutenant Simon 'Ghost' Riley x gn medic!Reader (same reader from here, but this is a stand-alone) ➸ SUMMARY: You kiss Simon's very minor injuries. And then some. (Or, alternatively: He's not actually wounded. He just wants to see you.) ➸ WARNING(S): some graphic descriptions of old injuries ➸ A/N: Need to preface that this isn't smut despite how the title and summary sound. Anyways, Jo knows I listened to Hozier's Other Voices 2020 version of "Work Song" for a week straight while writing this. ➸ WC: 2k

❝ 𝐖𝐀𝐒 𝐓𝐇𝐈𝐍𝐊𝐈𝐍' 𝐎𝐅 𝐘𝐎𝐔 𝐎𝐍 𝐓𝐇𝐄 𝐅𝐈𝐄𝐋𝐃, ❞ he admits, low-timbered. It feels intimate, especially coming from him. Simon's sitting on the cot; it sags under his weight. He curls his hands over the edge of it as he leans forward. No casualties post-mission means he's got free rein to pick wherever he wants in the medical tent.

"Oh, yeah? What about?"

"That I should probably do my best to avoid injuries so I don’t keep pestering you. Can always just tell me to fuck off, y’know.”

“You’re gonna break my heart if you stop coming around.

“Mm,” he says in agreement. “Can’t have that can we?”

You nod your head earnestly. “I like your company.”

“Tryin’ to say that you’ll miss me?”

“I would.” More than he knows.

It’s routine now. He gives you just enough room, adjusting his position. You step into the space made between Simon’s splayed knees, his massive legs nearly bracketing yours with how close they are. He’s bigger than you. Well, considerably more mammoth-like in his proportions compared to an overwhelming majority of the soldiers that you’ve encountered, to be quite honest.

Simon acts as though he’s acutely aware of his size. You suspect that he purposefully makes himself smaller in your presence. Like now, how his shoulders are rounded forward, the column of his spine not as straight-arrow in that standard, militaristic posture most servicemen have adopted. As if he doesn’t want to appear too intimidating. Not that Simon could, to you. Hours doing his stitches and idle chitchat on your part have taught you that he’s much less ruthless than people seem to paint him as. But you appreciate the thought anyway.

You conduct the assessment – a typical evaluation normal for combat casualty care, more in-depth than the one you’d done when he initially stopped by and you did a quick once-over for any obvious injuries. Though given the complete vacancy in the medical tent, you find it hard to believe that you’ll come across anything on him since the mission went that smoothly.

The first thing you notice this time: he doesn't smell like spilled blood. It's different. Not that sweet, rusted iron of wet tackiness – the one that reminds you of a generous stack of two pence coins held between a pair of hands cupped together. He comes in that way a lot. Reeks, because war means that he's no stranger to charging through a shower of copper and lead-forged bullets out on the field. Everything else is still there, though. Maybe a dying campfire – crackling logs and blackened earth. Soft dirt excavated from a foxhole for cover while under enemy fire. All gunpowder and Marlboro Lights and diesel-fuel smoke. Fresh rain and a blue-violet sky after a storm. Victory without consequence.

You'd breathe it in if you could, pull the collar of his jacket up to your face. At this proximity, it’d be easy.

He drops the act when he’s in front of you. Lieutenant. Ghost. Battle-hardened, gruff. A natural-born leader. The kind of person to rip this world apart brick by brick – scraped up palms clutching onto broken pieces – to make sure that the plan is executed accordingly, no matter the cost. It’s hard for him to shed that layer. A drop in the bucket of information that you’ve gathered about this man.

You’ve seen him at his best. But you know him at his worst.

The laundry list of injuries over the years: blows to his torso and his back and his limbs that were brighter than technicolor – purples and reds and sickly yellow-green shades – deep, blotchy medals of violence decorating his skin like some kind of fucked-up kaleidoscope that was nothing to be proud of; when some bastard drove a knife right into his upper thigh, that dirty blade wedged through tissue and muscle which was sure as hell going to induce the nastiest infection without serious TLC and a tetanus shot; rib fractures 7-9 because he aborted an exploding heli, seconds to spare before landing on his side wrong from a height that was equivalent to three stories tall; old GSWs dotting his body the same way you’d shove push pins into a paper-flimsy map to mark the places you’ve been to.

And then there’s no contest for the top contender. 𝐆𝐡𝐨𝐬𝐭'𝐬 𝐖𝐨𝐫𝐬𝐭 𝐈𝐧𝐣𝐮𝐫𝐢𝐞𝐬 𝐚𝐭 #𝟏: when he was rushed in on a stretcher, barely clinging to life. Lower abdomen shredded by exploding shrapnel. He was outside of the window of opportunity. Too far beyond that golden hour, so his chances of surviving plummeted to a single-digit percent.

He’s more than just a patchwork of scars. There’s a complex person underneath the surface. A miracle in the flesh to have toughed it out through all of that. Resilient. Perpetual. His callsign makes sense. Ghosts really do live forever.

Several seconds pass before you speak again. It’s a silly comment, teasing – poking fun at him. You don’t have any reservations when it comes to picking on Simon; he’s good about taking these things in stride. Funny, actually. He’s got a dry sense of humor. “I think… you like the idea of someone taking care of you.”

His response isn’t immediate. It’s delayed, said with intention. He doesn’t ever waste words. “Not just anybody.”

You nearly reel back at that. Warmth floods your face. You aren’t quite sure what to say, didn’t expect it. So you let the comment hang in the air between the two of you, busying your hands with slipping off his tac vest, triple-checking for hidden wounds, doing anything to keep yourself occupied while you stand this close to him in the wake of that remark. You’re engrossed in your work, in search of a distraction.

(He’s a distraction, isn’t he?)

And then your eyes stop in their scan. Right there: a small nick on the exposed sliver of skin between his glove and sleeve – open to the direct path of some wayward debris that happened to graze him. So tiny. You’ve seen paper cuts more harrowing than this – wouldn’t have even registered on your radar, especially if it’s being dwarfed by other critical wounds that hold decisive sway over somebody’s fate when it comes to your average life-or-death scenario.

Of course, you take your job very seriously.

You feign a sharp inhale. “Ah,” you say solemnly, guiding his arm up to your face for a closer look. “Found your problem.”

“I’ve got a problem,” he echoes, voice laced with amusement.

“See, you came to the right place. Anybody else would’ve missed it.”

“The verdict, then?”

“So terrible. Earth-shattering, in fact—”

Simon starts pulling away. “Alright, that’s enough of you takin’ the piss outta me,” he gripes.

You chase his arm to recapture it into your grasp. “Wait!” you say, huffing out a laugh. Your mouth sprouts into a wide grin that makes him roll his eyes.

“You gonna treat me or what?”

Your humor bubbles away as you come back to your senses. Those once-loud peals of laughter start to die down when you take his question into consideration. Because there’s really nothing for you to do; he doesn’t need you.

The realization is slow-moving. It washes over you, rolls like waves as you finally begin to sober up.

Simon wants to be here, and he’s looking for any excuse to stay. He just can’t find the courage to own up to it.

“I dunno. Might be unconventional,” you throw out casually, playing along. “Risky, maybe – never been done before.”

But he’s undeterred. “Sure. Whatever you gotta do.”

You pause for a beat, fingers still wrapped around his forearm because you haven’t managed to let go yet. His skin is warm under your palm. You’re not sure what exactly possesses you to do it – emboldened by his encouragement, given complete carte blanche; he’s leaving this to your discretion. So you press your lips to that area where the cut is, right over his pulse point. If you had lingered for longer, you probably would’ve been able to feel it thudding, that solid rhythm and easy strength reminding you he’s alive.

You expected him to withdraw his arm in bewilderment. He should’ve kicked up a fuss about you violating his boundaries, should’ve told you that you overstepped. Something, right?

But he doesn’t do any of that. Simon’s studying you. Dark pupils. So chasm-deep that the ground beneath your feet might slip away. Ocean trenches, midnight-black like the charcoal smudged around his eyes. When they land on you, his gaze goes molasses-soft. He’s fond; there’s little room for doubt. The way he looks at you says everything. None of that usual coldness he harbors during an op. Instead, relaxed and more human than you’re used to seeing – all of his attention focused solely on you.

“Where else, Simon?” you whisper.

He’s thinking – carefully weighing his options – the same expression that he gets when a crossroads lies ahead of him and he knows his make-it-or-break-it decision will invariably affect the outcome of a mission.

After several moments, his hand comes up. Simon’s fingers curl underneath the hem of his mask; he’s been wearing the fabric balaclava more often since you’ve fixed the stitching on it. Then he lifts – not the entire way. Just to reveal the bottom half of his face. There he is. Sandpaper-rough stubble. The sharp cut of his jaw. A mouth that you’re convinced wears a scowl 24/7 behind his mask but is now slightly twitched up.

Even though you’ve seen it before, the sight of him never fails to steal your breath away. Feels like meeting him for the first time again. With how rarely he does this, it might as well be – that slow, heart-melting sensation is steadily filling the cavern of your chest.

And you lean in. Your lips brush against his; it’s a chaste thing – the kiss – if it can be called that. Gentle. Like how you’d stitch up his wounds with a light touch and kind intent. He’s built of sterner stuff, but if there’s anything you’ve learned about him, it’s that he’s capable of breaking just as easily as everyone else. You always handle Simon with care: unequivocal compassion and empathy when there’s so little of those left on this side of war – privileges that he’s never taken for granted.

“Better?” you ask quietly, tipping your head in question.

Simon hums his approval – this pleased, low sound in his throat. His hand slides across your lower back. He tugs you towards him. “Wouldn’t mind some more attention,” he murmurs, before slotting his mouth over yours. And then he kisses you like it might heal him from the outside in.

[mostlysignssomeportents]

The real AI fight

Tonight (November 27), I'm appearing at the Toronto Metro Reference Library with Facebook whistleblower Frances Haugen.

On November 29, I'm at NYC's Strand Books with my novel The Lost Cause, a solarpunk tale of hope and danger that Rebecca Solnit called "completely delightful."

Last week's spectacular OpenAI soap-opera hijacked the attention of millions of normal, productive people and nonsensually crammed them full of the fine details of the debate between "Effective Altruism" (doomers) and "Effective Accelerationism" (AKA e/acc), a genuinely absurd debate that was allegedly at the center of the drama.

Very broadly speaking: the Effective Altruists are doomers, who believe that Large Language Models (AKA "spicy autocomplete") will someday become so advanced that it could wake up and annihilate or enslave the human race. To prevent this, we need to employ "AI Safety" – measures that will turn superintelligence into a servant or a partner, nor an adversary.

Contrast this with the Effective Accelerationists, who also believe that LLMs will someday become superintelligences with the potential to annihilate or enslave humanity – but they nevertheless advocate for faster AI development, with fewer "safety" measures, in order to produce an "upward spiral" in the "techno-capital machine."

Once-and-future OpenAI CEO Altman is said to be an accelerationists who was forced out of the company by the Altruists, who were subsequently bested, ousted, and replaced by Larry fucking Summers. This, we're told, is the ideological battle over AI: should cautiously progress our LLMs into superintelligences with safety in mind, or go full speed ahead and trust to market forces to tame and harness the superintelligences to come?

This "AI debate" is pretty stupid, proceeding as it does from the foregone conclusion that adding compute power and data to the next-word-predictor program will eventually create a conscious being, which will then inevitably become a superbeing. This is a proposition akin to the idea that if we keep breeding faster and faster horses, we'll get a locomotive:

https://locusmag.com/2020/07/cory-doctorow-full-employment/

As Molly White writes, this isn't much of a debate. The "two sides" of this debate are as similar as Tweedledee and Tweedledum. Yes, they're arrayed against each other in battle, so furious with each other that they're tearing their hair out. But for people who don't take any of this mystical nonsense about spontaneous consciousness arising from applied statistics seriously, these two sides are nearly indistinguishable, sharing as they do this extremely weird belief. The fact that they've split into warring factions on its particulars is less important than their unified belief in the certain coming of the paperclip-maximizing apocalypse:

https://newsletter.mollywhite.net/p/effective-obfuscation

White points out that there's another, much more distinct side in this AI debate – as different and distant from Dee and Dum as a Beamish Boy and a Jabberwork. This is the side of AI Ethics – the side that worries about "today’s issues of ghost labor, algorithmic bias, and erosion of the rights of artists and others." As White says, shifting the debate to existential risk from a future, hypothetical superintelligence "is incredibly convenient for the powerful individuals and companies who stand to profit from AI."

After all, both sides plan to make money selling AI tools to corporations, whose track record in deploying algorithmic "decision support" systems and other AI-based automation is pretty poor – like the claims-evaluation engine that Cigna uses to deny insurance claims:

https://www.propublica.org/article/cigna-pxdx-medical-health-insurance-rejection-claims

On a graph that plots the various positions on AI, the two groups of weirdos who disagree about how to create the inevitable superintelligence are effectively standing on the same spot, and the people who worry about the actual way that AI harms actual people right now are about a million miles away from that spot.

There's that old programmer joke, "There are 10 kinds of people, those who understand binary and those who don't." But of course, that joke could just as well be, "There are 10 kinds of people, those who understand ternary, those who understand binary, and those who don't understand either":

https://pluralistic.net/2021/12/11/the-ten-types-of-people/

What's more, the joke could be, "there are 10 kinds of people, those who understand hexadecenary, those who understand pentadecenary, those who understand tetradecenary [und so weiter] those who understand ternary, those who understand binary, and those who don't." That is to say, a "polarized" debate often has people who hold positions so far from the ones everyone is talking about that those belligerents' concerns are basically indistinguishable from one another.

The act of identifying these distant positions is a radical opening up of possibilities. Take the indigenous philosopher chief Red Jacket's response to the Christian missionaries who sought permission to proselytize to Red Jacket's people:

https://historymatters.gmu.edu/d/5790/

Red Jacket's whole rebuttal is a superb dunk, but it gets especially interesting where he points to the sectarian differences among Christians as evidence against the missionary's claim to having a single true faith, and in favor of the idea that his own people's traditional faith could be co-equal among Christian doctrines.

The split that White identifies isn't a split about whether AI tools can be useful. Plenty of us AI skeptics are happy to stipulate that there are good uses for AI. For example, I'm 100% in favor of the Human Rights Data Analysis Group using an LLM to classify and extract information from the Innocence Project New Orleans' wrongful conviction case files:

https://hrdag.org/tech-notes/large-language-models-IPNO.html

Automating "extracting officer information from documents – specifically, the officer's name and the role the officer played in the wrongful conviction" was a key step to freeing innocent people from prison, and an LLM allowed HRDAG – a tiny, cash-strapped, excellent nonprofit – to make a giant leap forward in a vital project. I'm a donor to HRDAG and you should donate to them too:

https://hrdag.networkforgood.com/

Good data-analysis is key to addressing many of our thorniest, most pressing problems. As Ben Goldacre recounts in his inaugural Oxford lecture, it is both possible and desirable to build ethical, privacy-preserving systems for analyzing the most sensitive personal data (NHS patient records) that yield scores of solid, ground-breaking medical and scientific insights:

https://www.youtube.com/watch?v=_-eaV8SWdjQ

The difference between this kind of work – HRDAG's exoneration work and Goldacre's medical research – and the approach that OpenAI and its competitors take boils down to how they treat humans. The former treats all humans as worthy of respect and consideration. The latter treats humans as instruments – for profit in the short term, and for creating a hypothetical superintelligence in the (very) long term.

As Terry Pratchett's Granny Weatherwax reminds us, this is the root of all sin: "sin is when you treat people like things":

https://brer-powerofbabel.blogspot.com/2009/02/granny-weatherwax-on-sin-favorite.html

So much of the criticism of AI misses this distinction – instead, this criticism starts by accepting the self-serving marketing claim of the "AI safety" crowd – that their software is on the verge of becoming self-aware, and is thus valuable, a good investment, and a good product to purchase. This is Lee Vinsel's "Criti-Hype": "taking press releases from startups and covering them with hellscapes":

https://sts-news.medium.com/youre-doing-it-wrong-notes-on-criticism-and-technology-hype-18b08b4307e5

Criti-hype and AI were made for each other. Emily M Bender is a tireless cataloger of criti-hypeists, like the newspaper reporters who breathlessly repeat " completely unsubstantiated claims (marketing)…sourced to Altman":

https://dair-community.social/@emilymbender/111464030855880383

Bender, like White, is at pains to point out that the real debate isn't doomers vs accelerationists. That's just "billionaires throwing money at the hope of bringing about the speculative fiction stories they grew up reading – and philosophers and others feeling important by dressing these same silly ideas up in fancy words":

https://dair-community.social/@emilymbender/111464024432217299

All of this is just a distraction from real and important scientific questions about how (and whether) to make automation tools that steer clear of Granny Weatherwax's sin of "treating people like things." Bender – a computational linguist – isn't a reactionary who hates automation for its own sake. On Mystery AI Hype Theater 3000 – the excellent podcast she co-hosts with Alex Hanna – there is a machine-generated transcript:

https://www.buzzsprout.com/2126417

There is a serious, meaty debate to be had about the costs and possibilities of different forms of automation. But the superintelligence true-believers and their criti-hyping critics keep dragging us away from these important questions and into fanciful and pointless discussions of whether and how to appease the godlike computers we will create when we disassemble the solar system and turn it into computronium.

The question of machine intelligence isn't intrinsically unserious. As a materialist, I believe that whatever makes me "me" is the result of the physics and chemistry of processes inside and around my body. My disbelief in the existence of a soul means that I'm prepared to think that it might be possible for something made by humans to replicate something like whatever process makes me "me."

Ironically, the AI doomers and accelerationists claim that they, too, are materialists – and that's why they're so consumed with the idea of machine superintelligence. But it's precisely because I'm a materialist that I understand these hypotheticals about self-aware software are less important and less urgent than the material lives of people today.

It's because I'm a materialist that my primary concerns about AI are things like the climate impact of AI data-centers and the human impact of biased, opaque, incompetent and unfit algorithmic systems – not science fiction-inspired, self-induced panics over the human race being enslaved by our robot overlords.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/11/27/10-types-of-people/#taking-up-a-lot-of-space

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

[boyfridged]

I think an really interesting thing about when they have the character's say that Bruce was saving Jason a life of crime or teaching Jason to be good is that it not only isn't true, it directly contradicts other canon.

We have at least two separate alternate time lines (caused specifically by time travel events where the consequences included no Bruce adoption) both of which were Jason was still a moral person. In Flashpoint he is a priest who believes in helping people not matter if they are church goers or not. A world without young justice has AU Jason die trying to do the right thing.

On top of that Jason is at the very least strongly implied to have taken care of his sick mother and the more recent portrayals of him meeting people from his pre-Bruce life also portray him as a caring person.

This adds up to although the writer means for the character to be right, and that Bruce is so noble for helping (failing) this poor child. They are actually being canonically classist towards Jason as what they are saying is an untrue assumption based on his background.

Selina in Gotham War saying he taught Jason to be good is her being classist. Alfred treating Jason like he was just a bad seed Bruce couldn't save is classist. Bruce and his whole reasoning that it is okay for Jason specifically to be endangered because of his background is classist.

Obviously that isn't the intent but when writers who are less classist about Jason write him these classist things aren't be true. It doesn't matter if Zdarsky retcons Jason being such a 'bad kid' when there are a bunch of other writers who didn't do that.

(Zdarsky: Look at this 'bad kid' before Bruce taught him morals. Ignore all the times he was portrayed as a good kid, those aren't canon anymore. Bruce is the source of all his morality. Bruce is actually less classist than Jason. This is definitely not classist writing.)

you summarized it excellently. i think it is also related to bruce projecting both his own trauma and his own worldview on jay and his background. i have written a very long post about this exactly, with receipts too. you can find it here. oh and another one, in which i explain why it would be more interesting to allow bruce to be wrong too.

and as i cited it in the above post – bruce is wrong and that fact is quite evident in-text, at least in the early versions of the story. this is also what i love so much about barr’s detective comics run – because barr calls bullshit and gets leslie to tell bruce his reasoning behind putting jason in field are unbecoming and that he is “doing it for himself.”

of course, post jay’s death that awareness has evaporated and instead we got revised versions of the story that were more than ever deadset on proving that jason did possess some fatal flaw, a violent seed that bruce did not manage to eradicate (like the issues of gotham knights, which again, i have no idea as to why they are so popular, given how malicious they are in the evaluation of jason’s fate). the latest retcons such as zdarsky’s work also fall into the trap of attempting to justify bruce’s decisions irt jason & his role as robin by diminishing jay and rewriting his story to be tainted with inevitability. even a death in the family (2020, the animated movie) provides the audience with plenty alternative endings, all of which are to make a murderer or a villain out of jason.

that is not to say that i think there should not be a sense of inevitability of jay’s tragedy at all – but its source is stubbornly misplaced for bruce’s benefit despite even the actual aditf storyline and barr’s run before placing the responsibility for it in bruce’s inability to compartmentalise his parental and vigilante duties (the chapter of aditf titled choices relates to bruce’s decision to go after the joker instead of jason; it does turn out it did not matter as jason has long been tied up in that family-vs-heroics conflict.)

bringing up the alternative versions of jay is a good way to illustrate it; in the world in which he does not meet bruce, he is not damned to participate in the cycle of abuse forever. i’m not gonna lie, i also wish countdown went in that direction and has given us more glances at realities like that. because i do believe that jason’s resolve to stop at nothing when faced by crime, the sense of obligation to do so that leaves his hands bloody, is something that was cultivated in him primarily by the robin training.

[discluded]

MileApo and the rise of Thai soft power

Mile and Apo talking about the Thai period film at the Vogue Thailand Gala on 2022/9/21

I've been meaning to sit down and write about this for a while now, ever since I saw the pattern of Mile and Apo injecting it into their talking points about the 2023 historical film, but it's taken some an effort to actually lay it out. Hopefully the time I sat with it will make the it a more insightful, rich reading experience.

Disclaimers:

(1) I have no formal experience in international relations aside from reading and watching the news, but my strong point is research. Folks with a more formal backgrounds in policsci or IR are welcome to add their input!

(2) Comments about policies or political actions of nations, whether positive, neutral or negative, are not meant to reflect on private individuals of the nationality, even those with a notable amount of social-cultural capital. Private individuals, despite their positions of social influence, most often have little to no individual influence on a policy level**.

So without further ado:

What is soft power? (aka soft power for dummies)

Joseph Nye, a then-Harvard professor, coined the term soft power in the 1980s/early 90s. He described it as:

“A country’s ability to influence the preferences and behaviors of various actors in the international arena (states, corporations, communities, publics etc.) through attraction or persuasion rather than coercion.”

In his book Bound to Lead, Nye established that three prongs of a country's soft power were its culture, its political values, and its policies. Here are two different graphics that further break down what those look like when evaluating soft power in practice.

If you feel like all the above is still vague to the point of unparsable in an applied context, I spent the majority of the time researching how to demystify the term especially in the way MileApo discuss it, and found this great explainer:

A strong nation brand and positive soft power perceptions allow a nation to promote itself as a place for people to visit, invest in, and build a reputation for their quality of goods and services. [...] it is often overlooked that a strong nation brand and soft power can deliver better outcomes at home. Primarily it encourages domestic tourism, the consumption of domestic goods and services (rather than imports). Less tangibly it also just makes people feel better about their country.

Expressed in this context, soft power can be understood as the act of building trust in the cultural products of a nation domestically -- some more abstract in the form of art (music, film) and culture, some more concrete like products including fashion and beauty -- in a manner to appeal to its own citizens while also broadening the appeal of cultural goods abroad in a which can drive international tourism, trade, and commerce.

In other words: yes, our collective desire to actually taste Farmhouse bread.

The Thai government and the push for soft power

While my interest in this topic was originally piqued by MileApo's comments, soft power policy has to originate at the government level. Note again that Nye's definition of soft power is centered around "a country’s ability to influence", therefore soft power policy must always formally be expressed nationally.

Around the time MileApo consistently began promoting soft power in alignment with the period film, I noticed a slew of references in Bangkok Post, one of the reputable English online publications based in Thailand.

Back tracking through some of the articles as a reflection of national conversation, since 2020, there has been a consistent theme in terms of what the government is attempting and how well it's going (or not going):

On Thailand's soft power and positioning in the world, Feb 2020:

According to Kitti Prasirtsuk of Thammasat University, who has carried out extensive research into Thailand's branding and repositioning in the age of interconnectedness and social media, Thailand and its culture, values and foreign policy have charisma and high persuasive power which can attract admiration and cooperation. But the Thai people and bureaucrats must change their mindset and perceptions and appreciate their country in real terms first before they take up new challenges.

Within Asean, Thailand is behind Singapore as No.1 [among SE Asian soft power rankings]. The report stated that Thailand has the potential to rise into the top 30 in the world, if the country can strike the right political balance between the rural poor and urban elite. It went on to say that Thailand's weaknesses are problems related to corruption and inequality. It also said that the Thai government is failing to showcase the full potential of Thailand's rich cultural offerings beyond tourism. One more weak link is its poor performance in public diplomacy and digital infrastructure.

(Mile, Apo, and Bible all attended Thammasat University, which is considered one of the premiere universities in Thailand. Apo later transferred and graduated from a different university.)

On Milli, a Thai rapper who performed at Coachella in Spring 2022:

The presence of the 19-year-old rapper Milli at the Coachella Music Festival in the United States has reinvigorated Thailand's soft power ambitions -- an area the Thai government has not fully explored nor exploited. Milli, whose real name is Danupha Khanatheerakul, is the first solo Thai artist to perform at Coachella, a music festival that draws tens of thousands of fans annually.

[Milli's prescence at Coachella] was able to advance Thailand's soft power [in ways previously stalled]. It is not that the government is clueless about "soft power". For decades, governments have focused on presenting Thailand's soft power to the world. However, that iteration of "soft power" mainly consisted of Thai customs and traditions such as food, costume, classical dance, Buddhism rituals and the wai. These aspects of our cultural heritage, despite being charming to foreign tourists, are not sufficient to catapult Thailand's into a stronger position in the global market. Thai cultural heritage has failed to catch up in the digital age…

Milli's song also includes ideas relevant to international audiences. One of her songs openly discusses sexual consent. Being relevant is one of the keys to increasing the nation's presence among diverse populations. The cultural impact made by a young girl like Milli should make the government rethink its cultural promotion strategy. More support is needed for progressive Thai artists and innovators.

An opinion rebuttable on Milli's performance and the government's blundering of reaching for soft power while not meeting basic domestic requirements:

One of the minister's advisers belted out a long speech that did not seem to address how Thailand will become a "soft power" but used the term multiple times. One can't help but wonder if the ministry knows what it is doing, or what the so-called "soft power" it is espousing is about.

Milli's self-taunting line "I don't ride an elephant" may sound a bit old but her rapping about how "the country is good, people are good, our food is good but the government is bood," seems to have struck a chord. "Bood" means rotten in Thai. It is thus understandable if the government was not too coherent when discussing anything about the phenomenon that Milli created. Indeed, [Thailand's Prime Minister] Gen Prayut should feel awkward discussing the "soft power" of Milli and mango sticky rice when he filed a defamation charge against the teen rapper himself back in June last year.

Talented as Milli is, and extraordinary her achievements both locally and at one of the world's most famous music festivals have been, the teenage rapper really has nothing to do with so-called "soft power" which government figures are talking about. Her success is largely individual. Milli created a sensation and a craze. For Thailand's "soft power" to be built, let alone recognised globally, it takes more than one successful artist…

The whole product must be good if it is to exert influence. As experts argued, it takes a wide range of qualities for a country to say it has "soft power". These include the quality of its political institutions, education, digital development, innovation, cultural appeal, strength in arts or business brands. That is why it is odd for everyone to talk about Thailand's "soft power" now when we don't seem to have ticked any of the basic requirements.

On Bangkok International Fashion Week (BIFW):

BIFW2022 has been [a] major and continuing mission to promote and drive Thai fashion to international levels. The event strategically aligns with the government’s strategy to empower Thai fashion industry as fashion is one of the most influential soft power that stimulate economic growth.

Note that multiple actors in BOC walked BIFW2022 in September, as well as multiple actors from other Thai BL shows that aired in 2022.

On the increasing popularity of Thai BL:

Thai BL is now popular across Southeast and East Asia[, and] has been gaining traction in Japan, the home of BL, since 2020. Posters of famous khu jin were put up in a train station. Magazines that cover Thai drama, including BL, are rolled out for the Japanese audience. The Tourism Authority of Thailand has launched a Twitter account that uses BL to engage Japanese consumers. They are conducting research on these issues in the context of soft power.

Yes you read that correctly. No joke, BL as a facet of Thai soft power is so prevalent now that the government is literally tracking its popularity and Twitter conversation around the topic.

So what does this all mean?

Thailand is a country within Asia and internationally that has a lot of appeal as a tourism destination. However, with many competitor alternatives in both entertainment (particularly film and music) and beauty/fashion, which are major drivers soft power within Asia and internationally, and domestic dissidence of policy and politicians due to social conditions, Thai cultural power is not as prominent as it could be and also suffers at the international level.

While there is appeal of specific Thai cultural products internationally (such as Milli at Coachella or in the case of Kinnporsche the Series) the government has failed to activate these prominent media products as part of a cohesive soft power strategy.

However, the government does seem aware of the potential, specifically in the realm of BL. Thailand has always maintained an image of being LGBTQ-friendly among all the Asian countries, and may now be looking to push LGBTQ-aligned media (BL and GL dramas) specifically as part of its soft power strategy to increase pop culture and media appeal.

MileApo on Soft Power

Part of the reason my ears perked up at MileApo's consistent talking point of soft power is again, because even without a polisci background, I'm aware that soft power is expressed at the country policy level. Thus when both of them started specifically using the term to discuss the film in pre-production phase, it got my brain gears turning.

Mile talking about the film on 2022/9/24 at the D7 Grand Opening (vid/txt)

"Nong Po will act with Hia Mile -- please look forward to this movie next year, please look forward to that a lot. We want to expand Thai culture and soft power..." Apo on the Thai period movie at the KPWT Send off on 2022/9/11

Mile Phakphum's speech on Mother's Day in Kalasin, 2022/8/5

Here's what we do know. Apo's dance training for the film is with a teacher affiliated with the academy that also produces dancers who specifically entertain the royal court.

And here is what they individually said in the Vogue Thailand print interview (completed in late August 2022, published October 2022)

And I would be remiss and dishonest to not point out that Mile's family is prominent in Thailand and his mother is part of the Queen's inner circle. Keep in mind that Thailand is a constitutional monarchy where the monarch has limited powers in practice (think: Japan or UK), and Thailand has a history of cyclical political instability that does not displace the monarchy. So believe him when he says he has limited power compared to Kinn. He travels on a private citizen's passport like all the rest of the cast. (Though my eyes start watering when I'm thinking about baby chaebol CEO Mile and destiny.*)

That being said, what these connections likely did get the production team was access to cultural resources such as the dance expert and most likely credentialed historians to consult on the period film. I would surprised if there aren't ministers' offices who are in the loop about film's production in a way they would not pay to other film or show production teams. I'm sure we will find out more about the interesting and important people involved in the production process around the time the film is released.

Another aspect that stood out to me is the fact that Mile and Apo, neither of whom have policy backgrounds, started iterating the discussion point of soft power in a way you don't see Milli, or Mew Suppassit (who let's not forget was also a RSIFF invitee and the first Thai artist to break into the Billboard World Song Chart), talk about it. Mew actually has talked about soft power a couple of times, but only in the context that he is part of a cultural wave that can increase Thailand's influence globally and never specifically in relation to a project he is promoting. That speaks a lot to the team behind the scenes involved in the writing and consulting (and marketing) process of the 2023 historical film.

The timeline of when these comments popped up is also interesting. While they do coincide with the release of the trailer post KPWT Bangkok, most likely what's happening during this time period is that BOC and more specifically Mile is shopping for sponsors to the project.

Think about Mile speaking about Thailand soft power to an audience of mostly older businesspeople at the mother's day event -- what would the purpose be except an ask for partnership on a project that he is on, which can become a vehicle for Thai products both domestically and globally? Look at the timing of the announcement of the Srichand partnership (end of August), and how successfully that broken the brand into the lucrative Chinese market, moving millions of THB worth of product for a brand that had struggled to get any traction previously. While Srichand's focus is currently on China, working with a Thai beauty brand for a film where the trailer highlighted many historical makeup elements is an actually ideal brand partnership and project alignment.

(Sadly for us, I don't think the film will be the second longest bread commercial in existence. But based on the Farmhouse CEO's comments, I would be unsurprised if they signed on to support the film project too. Ancient Thai bread I guess *jazz hands*)

In Conclusion

MileApo's soft power talking point was an intentional move specifically to shop the film project around for sponsors. The Srichand partnership proved MA-as-a-brand's ability to move product in a lucrative, hard-to-crack foreign market, though Srichand (and Giffarine) as brands aren't necessarily able to stand in the market independently as of yet. Their past brand partnerships' success simultaneously showed how lucrative it is to book MA for a product domestically. I'm sure we'll see a slew of new interesting sponsors and brand partnerships this year. This is only the beginning of MA's power as a cultural brand domestically and internationally.

Mile and Apo have also expressed their pride in the past in being cultural ambassadors of Thailand, both at the RSIFF and when speaking about engaging tourists who are visiting Thailand. Their praise of Thai products (for example, the artistry of Thai silk in the Vogue Th Gala interview) and their active choice to work with mostly Thai brands speaks to their values as businessmen who genuinely want to uplift Thailand's influence in the global market.

That being said, the Thai cultural ministry cannot rely on a single cultural emissary to advance its soft power agenda globally, and as of right now, despite ...some attempts, a cohesive government strategy around soft power does not exist.

MileApo have demostrated their brand has strong impact, and that they can influence purchase behavior internationally (e.g., KPWT ticket sales, Srichand) in ways many Thai media figures have not been able to as of yet. But they are not formally tied to the Thai government, nor should the government intervene and attempt to direct artistic expression.

Culture is one aspect of soft power, and political/humanitarian expression is another major component that advances an international soft power agenda. There are already articles discussing Thailand's problems of political corruption and self/journalistic censorship due to political conditions that prevent full freedom of expression. But that's the government's problem to address that. There is a lot of unharvested potential in multiple realms.

This essay is not about that though. I'm just a fan.

Can it be December 2023 yet 🥺

Additional notes that don't fit into the essay under the cut:

(1) There was a lot of fandom hand-wringing in August and September about Apo publicly having working dinners with Pond over the film project. Let's not forget Mile is someone who cares deeply about the art he makes, and he and Apo both have said multiple times they talk almost nightly about their artistic intent. If Mile talks to Apo and Apo was talking to Pond, why would Mile, a person who cares deeply about art, not be talking to Pond in pre-production? Obviously the answer is a division of labor in the relationship: Mile was working on funding which is just as important, and Mile also needs to sleep and rest and not work. There wouldn't be anyone else he would trust to convey his artistic intent to the director except for Apo. True power couple behavior right there.

(2) * everyday I go feral over baby chaebol CEO Mile. If someone made a kdrama about a handsome chaebol baby who was a CEO but also an actor and model who met his soulmate in university but it was a missed connection and then the soulmate went on to become a famous actor/model who quit because of bullying, but then they met again when the baby chaebol WHO IS STILL A CEO BUT ALSO AN ACTOR met at an audition for a drama... *foams at mouth* I would call this show bizarre, nonsensical and incoherent, and yet HERE WE ARE IN REAL LIFE. The jetsetting supermodel with wealthy CEO part of reality which is now bending around MileApo so they can live their wattpad fanfic life. What the hell am I looking at, I ask myself every day.

(3) ** this statement does not include billionaires like Elon Musk or Jeff Bezos whose net worth exceeds those of small and mid-sized countries. Per today's estimate, ~50 people/families have more wealth than 90 of 190 countries. If your net worth can run the economy of half the countries in the world, then your wealth/resources hoarding behavior can control what the media says and influence otherwise free and fair elections.

Once again, Some of you need some contextualization of how comfortably wealthy vs. billionaire resource-hoarding rich looks like.

[probablyasocialecologist]

While enslaved people were mostly overseas, in colonies, out of sight, slavery funded British wealth and institutions from the Bank of England to the Royal Mail. The extent to which modern Britain was shaped by the profits of the transatlantic slave economy was made even clearer with the launch in 2013 of the Legacies of British Slave-ownership project at University College London. It digitised the records of tens of thousands of people who claimed compensation from the government when colonial slavery was abolished in 1833, making it far easier to see how the wealth created by slavery spread throughout Britain after abolition. “Slave-ownership,” the researchers concluded, “permeated the British elites of the early 19th century and helped form the elites of the 20th century.” (Among others, it showed that David Cameron’s ancestors, and the founders of the Greene King pub chain, had enslaved people.)

But as Bell-Romero would write in his report on Caius, “the legacies of enslavement encompassed far more than the ownership of plantations and investments in the slave trade”. Scholars undertaking this kind of archival research typically look at the myriad ways in which individuals linked to an institution might have profited from slavery – ranging from direct involvement in the trade of enslaved people or the goods they produced, to one-step-removed financial interests such as holding shares in slave-trading entities such as the South Sea or East India Companies.

Bronwen Everill, an expert in the history of slavery and a fellow at Caius, points out “how widespread and mundane all of this was”. Mapping these connections, she says, simply “makes it much harder to hold the belief that Britain suddenly rose to power through its innate qualities; actually, this great wealth is linked to a very specific moment of wealth creation through the dramatic exploitation of African labour.”

This academic interest in forensically quantifying British institutions’ involvement in slavery has been steadily growing for several decades. But in recent years, this has been accompanied by calls for Britain to re-evaluate its imperial history, starting with the Rhodes Must Fall campaign in 2015. The Black Lives Matter protests of 2020 turbo-charged the debate, and in response, more institutions in the UK commissioned research on their historic links to slavery – including the Bank of England, Lloyd’s, the National Trust, the Joseph Rowntree Foundation and the Guardian.

But as public interest in exploring and quantifying Britain’s historic links to slavery exploded in 2020, so too did a conservative backlash against “wokery”. Critics argue that the whole enterprise of examining historic links to slavery is an exercise in denigrating Britain and seeking out evidence for a foregone conclusion. Debate quickly ceases to be about the research itself – and becomes a proxy for questions of national pride. “What seems to make people really angry is the suggestion of change [in response to this sort of research], or the removal of specific things – statues, names – which is taken as a suggestion that people today should be guilty,” said Natalie Zacek, an academic at the University of Manchester who is writing a book on English universities and slavery. “I’ve never quite gotten to the bottom of that – no one is saying you, today, are a terrible person because you’re white. We’re simply saying there is another story here.”

[plasticflwrs]

★ ⠀⠀ ! ⠀⠀ DISCOGRAPHY — Under the cut, you will find an IN DEPTH look into the career of South Korea's favorite idol band, Plastic Flowers. Beginning in 2016, they would rebrand after failing to make a profit in 2017 and find true success with TEETH in 2020, just a few months before their 16 month hiatus would begin. In 2022, they came back stronger than ever with I'M ALIVE and have consistently topped the music charts since. They are known for their promotional style which revolves around a spring and fall release each other, amounting to about 16 releases across singles, minis, their three full studio albums. Despite their constant stream of releases, the quality never suffers despite being completely self-produced since all five members are now involved in the writing process.

★ ⠀⠀ ! ⠀⠀ TRIGGER WARNINGS — Death of a parent, descriptive mention of eating disorders + treatment ( 2021 section ). If this piece is too triggering, please DM and I can give you a summary of what happens!

★ ⠀⠀ ! ⠀⠀ THE YEAR IS ... 2016 !

Compared to their underground counterparts, idol bands have been relatively successful in the past as seen with FNC's trio of FT Island, CNBLUE, and N.Flying along with JYP's newest venture, Day6. However, Plastic Flowers would fall under the radar due to the influx of third generation groups debuting between 2014 and 2016 with all three of the major companies debuting at least one new group during that time. Plastic Flowers would debut as four members with SALEM, DAL, JIHUN, and GWYN on May 15, 2016 with the lead single SCARED from their single album LET ME GO. While the two songs were praised by music critics, it failed to reach the general public. Along with their other single album, it would sell 46 copies total within the year and has never been reprinted. Original copies of the album are priced very high on second-hand selling websites and no "real fans" currently own a copy. LET ME GO and MENTALISM were even taken off of all major streaming platforms until fans demanded for it's return in 2022.

MV VIEWS: 1.2 million.

MUSIC SHOW NOMINATIONS. 0.

MUSIC SHOW WINS. 0

In their debut, Plastic Flowers explores themes of fear and insecurity through the song SCARED. The lyrics suggest hesitant to approach someone and an inability to express oneself freely, with most fans interpreting this to relate to Salem's original group THE BIG GLOOM, which she left the year prior. The phrase why are you scared? repeats throughout the song and highlights a sense of frustration with the fear and reluctance in their relationship, despite attempts to change. The narrator yearns for reassurance and validation, seeking comfort in the hope that their fears and uncertainties will fade away.

This line-up would release their second and final single album MENTALISM in November of 2016 with the title track MOUSE. This would be a continuation of their previous release, in terms of themes and inability to perform well on music charts. Though Mouse is beloved by fans now, it made no noise in 2016 and remains their worst performing single of all time, selling even worse than their debut single. Mentalism marked their first attempts at performing at small venues like bars and other restaurants, however, due to Oliver's age, they were often denied by the promotional teams. They would return to busking and posting covers in hopes of gaining more fans. At the end of 2016, it was announced by Superbloom Media would be placed on INDEFINITE HIATUS as they evaluated where to go forward. DAL and JIHUN would leave not long after, moving to larger companies and debuting in traditional idol groups instead.

MV VIEWS: 3.9 million.

MUSIC SHOW NOMINATIONS. 0.

MUSIC SHOW WINS. 0.

In 2024, MOUSE is often compared to their later b-side BRAND NEW CITY from their 2023 album OHIO IMPROMPTU. Both discuss the sense of dread from being in one's prime and dreading what comes later. Mouse is described as what happens after the narrator of Brand New City moves and realizes that they need to find a way to survive, that simply moving was not enough to change their feelings and create happiness. The narrator vows to "find love / and find a way to survive here", giving them a new sense of hope for the remaining time that they have and will move on from the silence.

★ ⠀⠀ ! ⠀⠀ THE YEAR IS ... 2017 !

In September 2017, Plastic Flowers would return with an almost completely new lineup composed of SALEM, JUNYEONG, MINGHUI, SERIN, and OLIVER. Oliver would drop his initial stage name, Gwyn, during this rebrand for an unknown reason, though he still uses it to produce for other groups. They would release ROCKSTAR from the album SOCIAL REJECTS to limited success. They would sell 99 copies of their third single album, doubling the previous records set by LET ME GO and MENTALISM. Superbloom Media would also shift their promotional style in favor of the more traditional idol route, getting them performances on Music Bank and The Show for three weeks.

MV VIEWS: 3.4 million.

MUSIC SHOW NOMINATIONS. 0.

MUSIC SHOW WINS. 0.

ROCKSTAR moves away from their traditional melancholic sound for more critiques of the social landscape. Rockstar explores themes of frustration and defiance in the face of judgement and control from others. They are seen as a suspect, watched closely, and labeled as a hopeless murder by those around them. Similar to their other tracks, this is believed to have been written after the conflict with The Big Gloom and is Salem's take on it. Those around the narrator continuously reject and oppose them, leading to a growing sense of resentment with the world around them. The chorus emphasizes the narrator's resolve to stay true to themselves because they believe they are doing nothing wrong. This song would be revisited in 2024 and a re-recording with new pianist Oh Deurim would be included in their third studio album RUTHLESS ROCKSTARS as a b-side.

With a small but mighty fanbase under their belt, Plastic Flowers would return in December 2017 with their first mini-album NORTH STAR, which had five songs including the title track FREEDOM. This release would double their catalogue and allow for slow growth across the next few years. THE BIG GLOOM, composed of the four original members, would also release their newest album over Soundcloud that same day, leading to tensions amongst new and old fans as the debate of what Salem should have done returned. Rather than alienating the old fans, they went back to their old sound to prove that nothing has changed and Plastic Flowers will only be a better version of her previous band. NORTH STAR was promoted similarly to their previous single album with performances on all major South Korean music shows and even an appearance on The After School Club to connect with international fans.

MV VIEWS: 6.7 million.

MUSIC SHOW NOMINATIONS. 0.

MUSIC SHOW WINS. 0

FREEDOM returns to their original sound with the themes of liberation and desire to break from societal constraints from ROCKSTAR still following them. Freedom opens with lyrics expressing uncertainty about what to sing about, overwhelmed by the abundance of refrain in the world and emphasizes their understanding of the path that they have chosen. The narrator proclaims that they have finally found their own way and the metaphor of cutting the moon and devouring the night suggests a rebellious mindset, choosing to defy expectations and live freely. Freedom encourages fans to let go of the norm and find their own path, breaking from societal expectations for their own happiness.

★ ⠀⠀ ! ⠀⠀ THE YEAR IS ... 2018 !

2018 would cement Superbloom's promotional style for Plastic Flowers as they release an album in the spring and fall, the seasons in which they have found the band to be most popular in. The first release of 2018 was HIGHER & HIGHER, their second mini-album with the lead single LET'S GET LOST. This release continued their momentum forward and there was nothing out of the ordinary during this era. They were slowly being included in more variety shows, as seen by their joint appearance with Day6 on Weekly Idol and their first invitations to a major award show with the Golden Disc Awards and Seoul Music Awards. They were not nominated or even performed, but their photos from the red carpet got people talking about the unknown group.

MV VIEWS: 5.7 million.

MUSIC SHOW NOMINATIONS. 0.

MUSIC SHOW WINS. 0

By now, Plastic Flowers had also shown what their lyrical concept would be as they created another song about escaping hardships of life and embarking on a journey of self-discovery. The narrator has a desire to let go of the past and leave behind anything that feels uncertain in LET'S GET LOST. The verses encourages themselves and their companions to leave behind their negative experiences as they "open the curtains" and lock the door behind them. Later lines capture the excitement of encountering new experiences and embracing the unknown, showing their growth away from the past that seemed to follow them and rising above.

LOVE ME? would be the last Plastic Flowers album fully written and produced solely by SALEM and Superbloom's in-house production team. All of the members were growing interested in producing their own music, especially the two youngest members—Serin and Oliver. They had submitted drafts to Superbloom for Love Me?, however they were not chosen. Interviews this era were a bit tense because of this and Salem wanting to keep her creative control over the group. Superbloom would also give Plastic Flowers their first reality show, FLOWER SHOWERS, which followed them around and tried to show fans the "real" members.

MV VIEWS: 6.3 million.

MUSIC SHOW NOMINATIONS. 0.

MUSIC SHOW WINS. 0

TWENTY-ONE revolves around the themes of heartbreak, disappointment, and the realization that a once-special relationship has come to an end. The lyrics depict the emotions of someone who believed their relationship was unique and meaningful, only to discover that their partner does not feel the same. This is famously thought to be about former bandmate YING SHUHANG, more commonly known by his stage name IRUM. Throughout high school and much of their career together, they dated and broke up around the same time Salem left to join Superbloom Media. Through this song, she is coming to terms with the relationship being over after asking "why don't you adore me?" over and over again. She uses the concept of sleep and going to be bed to bury the past and move on from the relationship, showing that she would be ready to move on once she wakes up.

★ ⠀⠀ ! ⠀⠀ THE YEAR IS ... 2019 !

Plastic Flowers would release HYPOCREEP in March 2019, right before OLIVER was set to appear on the new survival talent competition show SUPERBAND, produced by JTBC. Despite the sound change, Hypocreep was met with positive reaction from fans and is their first mini-album to sell over 1,000 copies in the first month. It is often seen as a turning point for the band as their releases following would follow a similar sound and is the first song to credit another band member besides Salem, that being OLIVER. This would be the first of a long partnership between the two that would eventually fizzle out during their 2022 hiatus. Hypocreep is also one of the most popular songs for other idols and bands to cover given the technical requirements of each instrument.

MV VIEWS: 7.4 million.

MUSIC SHOW NOMINATIONS. 0.

MUSIC SHOW WINS. 0

HYPOCREEP expresses frustration towards people who are hypocritical and fake, particularly those who are thirsty for drama and attention on the internet. The singer identifies as a "hypocreep," which is a term they use to describe themselves as a different breed of person who is hyper and freaky. The singer acknowledges that they may be seen as strange or abnormal to others, but they do not care because those same people secretly wish they could be like the singer.

While Hypocreep opened the door for other members writing, THE CHAIN would be the first time another member would sing on a Plastic Flowers track. The Chain is a duet between Salem and Oliver and would mark the beginning for a lead singer change. It was under the direction of Kim Yuchan, a first generation soloist, and he advised the change since Oliver was well liked by the general public after Superband. THE CHAIN still remains a fan favorite song and would give the band their first award show nomination on Show! Music Core, much to the band's surprise. Most of the members recall this era as the first time they actually felt loved by the audience and could see people singing along.

MV VIEWS: 10.2 million.

MUSIC SHOW NOMINATIONS. 1.

MUSIC SHOW WINS. 0

The main message of THE CHAIN is that relationships can be enduring, even if they have difficulties. The first verse describes the struggles of having a relationship and feeling powerless to their partner's actions. They discuss the idea that a love can endure even in these moments of darkness, as the lover is trying to tell the other that they would never break the chain that binds them together. There is a strong guitar and bass solo--played by SALEM and OLIVER--that represents the strong connection between them that won't be broken so easily. The end is a plea to stay together, to keep the chain together, and not run into the shadows away from each other.

★ ⠀⠀ ! ⠀⠀ THE YEAR IS ... 2020 !

Fans of Plastic Flowers fall into two camps for their 2020 releases: either loving it or hating everything it stands for. Due to it's "inappropriate lyrics" FOR YOUR LOVE was banned by all the major South Korean music shows and would be promoted in a series of live concerts instead. They would instead promote READY TO FLY as their title track for this era, saving the performances of For Your Love for their smaller performances. Not long after the conclusion of For Your Love's promotions, Superbloom Media would confirm SALEM and OLIVER's relationhip, which had begun at the end of the year prior. This would be another reason why people did not like the song as it showed their relationship was taking away from making songs about important topics, not just each other.

MV VIEWS: 29.2 million.

MUSIC SHOW NOMINATIONS. Banned.

MUSIC SHOW WINS. Banned.

FOR YOUR LOVE talks about the desire to please and satisfy someone in a romantic relationship. The lyrics in the verses describe the singer's intent to be the first thing on the person's mind and engage in sexual activity with them. The chorus reinforces the theme of doing anything for the person they love. The bridge highlights the singer's willingness to give everything they have to their partner and the importance of communication in the relationship. The outro repeats the sentiment that the singer is willing to do anything for their partner's love. 

TEETH, and it's accompanying album LOVESICKNESS, continues with the themes from FOR YOUR LOVE. Unlike the previous song, it was actually allowed on music shows and was loved by their fanbase for the aesthetics that came with it. Due to the show going semi-viral on TWITTER thanks to a tweet by a poppy asking "what business Plastic Flowers had releasing" the song, LOVESICKNESS sold over 10,000 copies by the end of the year. This would also be the final time they were promote prior to their 16 month hiatus, making it special to their fans. Teeth would later become a sleeper hit by going viral once again and entering the top 10 on the Circle Chart after being used on an OST.

MV VIEWS: 229.6 million.

MUSIC SHOW NOMINATIONS. 3.

MUSIC SHOW WINS. 0

The major themes of TEETH relate to toxic and tumultuous relationships, with the lyrics depicting the ups and downs of being someone that can be both loving and hurtful. Written completely by OLIVER, many fans have begun to debate the real meaning of the song as it relates to his former relationship with Salem. In TEETH, the protagonist realizes that the person they are with is full of contradictions as they compare their lover to a pair of teeth. The lover's heart is described as having teeth, meaning that while they may talk sweetly, they can also hurt and bite. The relationship is very complicated, in which both parties are hurting each other but can't let go with the narrator realizing that they are losing themself by the end of the song and maybe even the relationship.

★ ⠀⠀ ! ⠀⠀ THE YEAR IS ... 2021 !

The GOODNIGHT era was spent dreading what would come next for Plastic Flowers. It was obvious that the members were losing steam as shown by their smaller performances and the constant cancellation of their performances at their bar, Cheeky's. The release of 403 only made that worse as they went back to the melancholic sound and promotions outside of music shows were cut short. In fear of losing the band, Poppies made sure that it sold well, achieving a record-breaking 14,000 copies in the first month alone and securing them more music show nominations. However, it seemed that nothing they were doing was enough as Plastic Flowers slowly slipped away from the public eye.

MV VIEWS: 122.9 million.

MUSIC SHOW NOMINATIONS. 3.

MUSIC SHOW WINS. 0

403 focuses on liberation and moving forward from a difficult past. In the verses, detachment and release from pain and regret is encouraged alongside the image of taking off one's shoes and lying on the floor as an escape. The narrator wants the listener to forget about the past and focus on the possibilities of the future, becoming an active participant in their life rather than remaining passive. There is a reoccurring theme of breaking free as shown through the lyrics "get up in the morning" and "get out of deception", indicating the need to rise above negative situations and leave them behind. It suggests that nothing valuable can be obtained by staying where they are currently and encourages them to let go and move on.

Despite GOODNIGHT selling well, Plastic Flowers were put on an unofficial hiatus two months after it's initial release. Superbloom would be intentionally vague about the details behind the scenes to keep everything under wraps, however, sasaengs exposed the truth. Not only were they on hiatus to "fight burnout", but Oliver had returned to his hometown of Boston after the death of his father and Jiyeon had been checked into an eating disorder treatment by their manager, Cheon Garam. During this time, Salem and Oliver would also BREAK UP, creating a new tension within the band. The band's social media—both company owned and personal—would go completely dormant from March 2021 to April 2022, leaving many to believe that the group would never return and would be lost just before they achieved stardom.

★ ⠀⠀ ! ⠀⠀ THE YEAR IS ... 2022 !

Just when most fans began to lose hope for Plastic Flowers to comeback, Superbloom did the unthinkable: dropping a new set of teasers for a full album called INTERNET BLUES. During this time, it was also revealed that MINGHUI had left the band and was replaced by Timefighter contestant OH DEURIM, who had failed to make it into the debut line-up by one place. According to Minghui, he left on good terms with the members but could no longer handle the idol life anymore. Despite how protective poppies are, they surprisingly welcomed Deurim with open arms and wanted to see what she could bring to the table. INTERNET BLUES would be released on May 5, 2022 with the title track I'M ALIVE, which secured them their FIRST WIN and first NOMINATION at a major award show after selling 100,000 copies.

MV VIEWS: 392.9 million.

MUSIC SHOW NOMINATIONS. 8.

MUSIC SHOW WINS. 2.

I'M ALIVE is an uplifting song that talks about the feeling of overcoming challenges and persevering through tough times. They promise that even in the midst of uncertainty and darkness, the singer declares that they will keep themselves alive. The chorus serves as a mantra of sorts as the singer repeatedly affirms that they are alive and won't give up. The idea of "highlight" suggests that even in the bleakest moments of life, one can find something beautiful to hold onto. The bridge encourages listeners to keep searching, keep breathing, and keep alive. It's a call to action to hold onto life and never give up. 

Plastic Flowers would return to their original promotional schedule with the release of PSYCHO, the title track for their first studio album, CALL ME CRAZY that November. The studio album was celebrated by all fans as it finally meant that Plastic Flowers were confirming that they were here to stay despite their earlier issues. The members looked so much more alive this era and they even held their first FAN SIGN, which went as well as expected. The members had fun with their fans, but hated the constant requests for cuteness or prying into their personal relationships. They would hold their own formal CONCERT, with over three thousand people in attendance.

MV VIEWS: 323.4 million.

MUSIC SHOW NOMINATIONS. 9.

MUSIC SHOW WINS. 3.

PSYCHO explores themes of obsession and dependency in a relationship. The lyrics depict a protagonist who is deeply infatuated with someone to the point of being obsessed, as represented by the repeated phrase "I can't stop thinking about you." The protagonist seeks answers and validation from a doctor, indicating a desperation for a solution to their intense emotions. They recognize their own exaggerated behavior, acknowledging that they may appear crazy or "psycho" to others. The chorus reinforces the protagonist's obsession, stating that they cannot live a day without thinking about this person. It conveys a sense of dependency and the idea that the protagonist's life revolves entirely around the object of their affection.

★ ⠀⠀ ! ⠀⠀ THE YEAR IS ... 2023 !

Coming into 2023, Poppies were promised many exciting things from the band. In March, Oliver's solo BURNOUT SYNDROME with the lead single STARTING LINE would be released to overwhelming success, cementing his popularity with the general public and showing everyone that he was here to stay. Though fans were happy for him, the same could not be said for his bandmates as SALEM and JUNYEONG began a smear campaign that lasted throughout the entire promotional period. Oliver would ignore any questions about the situation and chose to move on from it instead, celebrating his own achievements rather than focusing on those around him. In June, the band would come back as five to release LOVE AND WAR with the lead single of the same name, which became their best selling record at that point at just under 1 million copies.

MV VIEWS: 748.3 million.

MUSIC SHOW NOMINATIONS. 10.

MUSIC SHOW WINS. 7.

WAR tells the story of a broken relationship, in which the narrator realizes there isn't much to save if they cannot stop fighting. They are beginning to realize there isn't much to save and they have lost their love for each other, leading towards a state of emptiness or insignificance. The song's title WAR comes from the lyric "war of attrition without benefit", highlight that this war between the lovers is doing nothing to help with their current problems. The narrator wants to call a ceasefire, but it seems that their relationship's end if inevitable. Written by Oliver, many fans believe that this song was written about the end of his relationship with Salem, which has never been confirmed or denied by Oliver or Superbloom Media.

[mrcowboydeanwinchester]

New Woman Fiction, Supernatural Femslash, and Reading Women's Writing: how useful is the ‘wave’ framework for forming histories of women’s political activism in modern Britain?

Abstract: While scholarship around women’s writing has grown significantly in recent years with the rise of gender studies, historical studies of women’s fiction as a form of political activism are still lacking. This essay aims to address this gap in the literature through critically evaluating the helpfulness of the wave framework when used to re-assess New Woman fiction of the 1890s and Supernatural femslash fanfiction of the 2020s as women’s political fiction, in particular reference to George Egerton’s short stories and 'Sapphicnatural' fanfiction about the character Jo Harvelle. Ultimately, I argue that using the wave structure as an analytical framework is an important academic exercise in re-evaluating our understanding of women’s writing, but should be employed alongside wider critiques of feminist historiography and literature.

i wrote an essay! about how sapphicnatural authors are following in the footsteps of the new woman feminist writers of of the 1890s! it's 3.1k and was originally written for a university assignment so is a little limited in scope - but full of interesting fandom studies as well as historical and literary analysis (if i may say so myself). a massive thank you to @kerryweaverlesbian for volunteering to edit this before i handed it in !! of course feel free to let me know what you think of it and, most importantly, enjoy!

[akookminsupporter]

JIMIN'S (REAL) FACE

Jimin, your son of a bitch. You did it and what a way to go.

For a couple of weeks now in my mind, there have been several opinions forming about Jimin and the direction of his career and why I believe he will achieve many things as a Solo artist. When Set Me Free pt.2 was released those ideas evolved, but the core of them remained the same. Jimin was destined for great things as a Solo artist.

A week ago when I decided to make a post where I would write all those thoughts I didn't think it would be like this one. I thought it would be a post where I would say a thousand things sometimes without saying anything at the end, but after listening to FACE, and after reading the lyrics, I decided to do this differently.

Art is a curious subject. Complicated in how simple it can be. Maybe that's why I've never been good at understanding much about it, but one thing I do like about art is that everyone can give different interpretations to a piece of art, sometimes the interpretation will even be different from the artist who created it.

In the last couple of days, I have read some interpretations of FACE and what it means. Many agree on some opinions and others do not. Today I want to give mine.

Jimin has already explained in several interviews what his album is about. His feelings during the pandemic and after the world opened up again. Based on that I came to personal conclusions from his journey in FACE. Maybe what I say is different from what you think, maybe what I say is different from what Jimin says, but as I said, that's the beauty of art and FACE is art.

I think Jimin said it in one of his interviews, FACE is chronologically ordered. Each song describes a moment of his struggle, of his feelings, of his being, so I will try to explain how I understood the story that Jimin told with his album.

SET ME FREE PT 2.

The first song we heard from the album was Set Me Free Pt.2. A song that I personally believe describes the culmination of Jimin's journey. Jimin told us beforehand that he IS free. That he no longer cares what others think of him. Jimin told us up front that the dark world we would find in FACE is no longer his present but his past. He wanted to assure us from the beginning that he was fine.

In the interview with Rolling Stone, Jimin said it. He has already overcome everything that FACE describes.

"I don't know how people are going to react to the music, but I actually was able to completely resolve and move on from all those feelings of being lost. I'm perfectly okay now."

So yes, Jimin is finally free but I'll talk more about that when I get to that point in the story or when I get to Track 5.

FACE-OFF.

Jimin said that the album represents his feelings during the pandemic and this song perfectly describes how he felt, but it also describes so much more. I made a post yesterday giving my opinion of what I think Face-Off means and I still stand by that opinion, but today I add another layer to it. That song also signifies the battle Jimin had with himself.

The pandemic, 2020 in particular was a time when we had too much time on our hands. Too much time with our thoughts and too much time connected with other people.

I do believe that it was during this time that Jimin really knew the intentions of some people close to him and the realisation of that hurt. You see, I think Jimin is one of those people who doesn't let everyone into his inner circle and when he does it is special. Jimin is a person who likes to give, acts of service are one of his love languages. And when you betray a person like Jimin, it hurts.

But now I also think the song is about himself. The battle against his inner self. The battle against his true self.

All that time we were confined to our homes, it forced many of us to think. To evaluate and re-evaluate who we are, who we were and who we want to be. I think that was the case with Jimin.  I think Jimin during that time finally had to face himself. His demons and his true self.

There has always been this "discussion" in the fandom about whether or not Jimin is LGTBI+, for some it's obvious, for others it's not. The problem with this debate is that many read the word LGTBI+ in relation to a man and immediately think of the word Gay, forgetting that a man can also be bisexual. Bisexual erasure is unfortunately very normal in the fandom and in society in general.

Jimin once talked about how he pretended for a long time to be something he wasn't. He pretended to be this strong man. He pretended to be this strong, masculine man that society and the industry expected him to be. That time he also said that he wasn't like that anymore, that he finally was who he was, but I don't think the fight ever stopped. At least not for a long time.

When you confront yourself you go through various states of emotions. Denial, anger, desolation, understanding and finally acceptance. I believe Face-off is at least the first two of these.

Remember the video I shared where someone explained the choreography of Like Crazy? I think Face-Off is the beginning of that, but rawer, angrier, more... lost.

If you notice, all the songs on the album don't have a conclusion or solution, except for the second to last track.

I think in Face-off the inner Jimin finally says everything he feels, finally vents his frustrations and complains to the outer Jimin that he gave him everything but still let him down. And the outer Jimin lets him, lets him get it all out, is finally willing to listen.

INTERLUDE: DIVE

Dive is literally a pause in the story. It's where Jimin took a step back and decided to think. He decided to maybe think about everything that happened in Face-off. It's interesting but not surprising that Jimin here used two of the places where he's perhaps happiest, the stage, talking to his fans and running. Remember all the times he's said he discovered that running was good for him?

LIKE CRAZY (MAIN TRACK)

And we get to the crux of the story.

I think Like Crazy is a conversation with himself. The whole album is a conversation with himself, that's why the use of autotune in some parts of the songs, by distorting the voice doesn't sound like Jimin because it's not, not the outer Jimin at least.

I think to really understand Like Crazy you have to see the video and the choreography as well. It's all connected, it's not a coincidence, Jimin doesn't work like that. It's important to understand that.

Like Crazy is Jimin's acceptance in a way that something has to change and it's at the same time a self-questioning of whether it's worth doing.

Same cliched story, just like on TV/It's getting more familiar/Did I come this far to find the me that you knew? /Yeah I know You know/I know

But despite that I think Jimin still struggles in a way, not to deny his inner self but to keep hiding it until he gets to the end of the song and realises he can't do it anymore.

This will break me/This is gonna break me/No don't you wake me/I wanna stay in this dream, don't save me/Don't you try to save me need a way we/I need a way we can dream on

In the end, all that's left is... understanding and acceptance and all the fears that come with that.

Alone again.../What's the point?

ALONE

The simplest way I could describe this song is catharsis. Alone is a catharsis of feelings. Of doubts. Of questions. Of self-recrimination. It's what comes after accepting the truth. It is the real confrontation with your actions. This song is Jimin saying out loud his fears. It is the acceptance out loud that he was living a lie. That's why I think the word lie was repeated several times because he kept trying to lie to himself, to say that everything was fine but no, it was a lie. He was lying to himself. Alone is a pretty deep song. She does not seek solutions and offers no consolation, on the contrary, she is perhaps the darkest state Jimin reached before finally being free.

SET ME FREE PT.2

Freedom. In Set Me Free Pt.2 Jimin finally gets rid of everything, mainly his fears. Here Jimin finally understood that he has the power and that's why it doesn't matter what anyone says. Jimin finally understood that he can be unstoppably him. As he wants. But Set Me Free Pt.2 is also a juxtaposition of the whole story. In Set Me Free Pt.2 Jimin presents himself as society and the industry thinks he should be, look. Masculine, strong, tough. The music of the song also sells that idea, but the lyrics do not.

I think the lyrics, the choreography and the set design of the MV plus Jimin's outfit are a major fuck you to those standards. It's like Jimin is defying everyone. Challenging everyone's opinions about him. About who he really is.

Set Me Free Pt.2 is Jimin basically saying I can play the game too but in my own way. In this song, Jimin understood that he controls the narrative.

Personally, I think Jimin's real freedom is that he understood that other people's opinions of him don't matter. Jimin's real freedom came when he finally decided to take the power away from his fears and his detractors. I think that's why Jimin demands to be set free because they no longer have anything they can use to keep him locked up.

At the end of the MV we see a Jimin dressed in white. With a soft and determined expression. Soft Jimin we could say. In the end, we saw the other part of Jimin. In the end, he basically said: I can be both.

In the end, Jimin understood that he can be whoever he wants to be and that people can interpret him however they want, he doesn't care anymore.

LETTER (Hidden Track)

This song has the fandom debating. Is it for the fans? For the other members? For Jungkook? What if the song is for all of them?

Letter the sunset after the storm. The lyrics of the song are the reflections you write on paper of everything you experienced after so much darkness. Letter is a warm embrace. A sincere thank you. Letter is literally a promise that now he will take care of you.

But the question that surrounds this song the most is, why Jungkook? And the answer I think is simple. Because it has always been him.

Jimin and Jungkook have a particular relationship. Different. Intimate. I don't know what label it has, but it's special. Jungkook is the person Jimin is always looking for. He's the one he laughs with, the one he has inside jokes with. The one he cries with, the one he gets drunk with, the one he practices with, the one he's happy with. Jimin has always been there for Jungkook and Jungkook has always been there for Jimin so what better person to share that promise with than him? what better person to share his new journey with than Jungkook?

FACE is an amazing album, Jimin not only showed who he is as an artist but also who he is as a person.

Jimin confirmed with this album that he really gets what he wants. That quiet work well done gives great rewards. I will never be able to express how proud and grateful I am to Jimin.

This post ended up being longer than I thought it would be. I don't know if I managed to say everything I wanted to say in it. I don't know if what I said is well said.

If you made it this far, you may have disagreed with me and that's fine, as I said at the beginning, that's the beauty of art. One piece can have multiple interpretations.

[soon-palestine]

Prisoner Walid Abu Daqqa was martyred

When I wrote about Walid, his nick name was Milad, but now he is the father of a little girl named Milad.

Walid, with a difficult struggle, against the occupation , married the activist and journalist Sanaa Salama in 1999. In 2020, his daughter Milad was born through smuggled sperm, after which he began writing about her. From what you can find on the page (Campaign to Release Prisoner Walid Daqqa): One time, after his daughter Milad returned from a trip to the sea, he said to her over the phone,

“Next time, I will take you to the sea. She did not answer me directly, and it took her a few seconds, as if she did not want to actually shock me. She said, “No, you are no, you are not.” You have a door! I was always confused when she would ask me on the phone: Dad, where are you? I do not want to say the word “prison” in front of her so that she does not recognize this word and the negative connotations it means. "

Milad realized through visits that this place meant a prison before she could abstract it with the word prison. It means that there is no door , and that her father is in a place that he cannot leave because there is no door, and if there is no door, then there is no sea or breakfast that he brings her in the morning, and he cannot accompany her to the nursery that she insists on calling it a school, or anything else.”

*Dr. Ahmed Azm

*The painting is by artist Suhad Al-Khatib

The martyrdom of prisoner Walid Daqqa, who has been detained in the occupation prisons since 1986.

Farewell, noble man.

The Palestinian prisoner, Walid Daqqa, was martyred in the Israeli occupation prisons, after 38 years he spent in captivity. Walid was arrested at the age of twenty-four, on charges of a resistance military organization, and he was sentenced to life imprisonment, and today he is sixty-two years old! He is among 27 Palestinian prisoners detained by Oslo.

Walid was an educated young man who loved life, an author, a writer, and a man of letters. He was the owner of the most famous wedding in the history of the Palestinian prisoner, when he fell in love with Sanaa Salama, who was an activist who published news about the prisoners. He admired her during a visit to the prison, and years later he married her in 1999, and at that time he forced the Israeli prison administration to marry her. A normal wedding was held, in the presence of the two families and nine of the prisoners close to his friends.

After 21 years of marriage, the couple gave birth to their child, “Milad,” via freed sperm, but he did not see her and said, “Who will take the rest of my life and give me a hug in her little hands?” But he left and did not get that hug!

Prisoner Walid Daqqa was scheduled to be released after evaluating his health condition, due to his advanced cancer, after spending 37 years in prison, but he was sentenced to an additional two years on charges of smuggling mobile phones, so that he was martyred today on the path of the noblest Palestinian struggle in history.

Goodbye, Walid. Goodbye, noble fighting man.

[vikingnerd793]

I'm still trying to process everything. Waiting for an official diagnosis. The diagnosis is not quite as clear cut because it's a relatively new and rare antibody they only really discovered about 10 years ago, which can also show up in other conditions and, VERY rarely, "healthy people" according to one study.

But it's become so widely accepted as an antibody for what my patient history/symptoms, clinical exam and response to a med specific for that disease is connecting with, and the neuro tested for that antibody for that specific condition for a reason. So I'm assuming with this positive ill be diagnosed immediately and treated. Still, even with the devastation that is an incurable autoimmune disease that affects the neuromuscilar junction, my case is not as clear cut as if I tested positive for the antibody that is a majority of cases for this condition. So there's an added layer of stress there for me.

It also means I may not be offered a surgery that gives a chance for remission because my antibody so far is not associated with what they'd be removing (the thymus), HOWEVER in the past people who had this antibody would be called "seronegative" which is actually a significant percentage of people with this condition, and they have CT scans to examine the thymus to evaluate removal (whether thymoma or thymus hyperplasia would mean removal). So I'm thinking I may still at least get a scan.

I may or may not keep writing about this because it's stressful as hell and brings a hypothetical to a reality. I have a condition that is causing my symptoms and if it os what it seems to be, it's incurable and best I can hope for is minimal symptom expression or, by miracle, remission (again, because I absolutely know this what I had in 2020 but very minor).

On a weird note, can relate to Karlach and her chronic condition now. And the rage of that reality.

[mizandria]

Not a troll, genuine question: I thought Johnny Depp was good? Like all his wife's allegations against him were fake? Did he do other things?

no, no, he definitely is not... her allegations against him were that he's lying when he says she "defamed" him by writing an article in Washington Post about having been a victim of domestic & sexual assault. but she didn't even use his name ONCE in the article, plus she didn't say anything untrue and this is corroborated by an UK court who found Depp guilty of 12 out of 14 counts of abuse against Amber in 2020 when he sued The Sun for calling him a wifebeater. basically it was proven that he is one. some instances of this:

- in 2014 Amber was shooting a movie with James Franco, Depp got jealous, taunted and kicked her; proven by texts from his assistant to Amber he sent afterwards talking about how sorry Depp is for doing this to her

- in March 2015 they both were in Austrialia where Amber allegedly threw a bottle at Depp and the bottle sliced his finger off; but he also texted his doctor about slicing his own finger off later ("I cut the top of my middle finger off") + he admitted this in an audio

- in December 2015 he dragged her by her hair, slapped, head butted, punched; proven by the pictures of injuries she took + their marriage consuelor saw the pictures and the injuries in person (he admits to headbutting her in one audio)

- in 2016 he trashed their condo and again assaulted her, and there are pictures of the trashed condo, Isaac Baruch for one saw the condo and testified about it (even thought he was one of the pro-Depp witnesses)

- their neighbour (Raquel Pennington) testifies that she saw Amber cowering in fear before Depp during one of their fights and she covered Amber with her own body to protect her. when he attacked Amber, she was on the phone with her friend, causing the friend to call 911. Amber texted a nurse about that and a medical report confirms the injury. that's when she decided to file for the divorce.

there's more, but these are the ones there is evidence for. but based on what we know about Johnny as a person I believe Amber about all the counts of abuse she cited (including the rape allegation). he's a raging misogynist (for example he texted Paul Bettany that he wants to drown Amber, burn her corpse and then rape it, tried to submit Amber's nudes and proof of her working as a stripped for some reason, threw a bottle at his ex, Ellen Barkin), an addict, an alcoholic, he's pathologically jealous (confirmed by almost all his ex girlfriends/wives), prone to turning violent and throwing things or assaulting others.

he also lied about Amber abusing him, as in he tried to paint her as the perpetrator all while this is what you can find in the unsealed documents: "Depp’s team shielded him from undergoing a psychiatric evaluation on grounds that he “does not allege a specific cause of action for intentional or negligent infliction of emotional distress; does not assert that Ms. Heard’s actions caused him a specific psychiatric injury; and does not claim that Ms. Heard’s actions caused him to experience unusually severe emotional distress.”". then he sat in the courtroom acting like he's traumatized by all the abuse he suffered from her, a not well known actress half his age back when they were dating. he was also so traumatized and scared of her that he started walking up to her as she was leaving the courtroom, causing her to take a step back out of fear and then he just turned around while laughing at her. demonic behavior!

for more I really recommend this timeline of their relationship and @justiceamberheard 's masterpost of the court proceedings summary (with links, so you can verify and see for yourself)!!

[shiguangism]

Presentation

Hi, I'm anchestral and I'm mainly a fan writer who landed here on tumblr after years of being active on twitter!

Some info about me:

Pronouns: she/her

Age: 22

Languages: Italian, English and Spanish

Fandoms I'm active in: Link Click, Chainsaw man

Favourite shows: Link Click, Chainsaw man, Jojo's bizarre adventure, Tokyo Ghoul, Haikyuu, Berserk, and many others I won't list here. Just fyi, name me a show and probably I've watched it.

I've moved here because twitter was not a comfortable place for me anymore, and I've seen that tumblr is much more chill wrt those lands. Please, be aware that I will NOT engage in any kind of arguing online, so don't even bother to pick a fight with me, I've had very BAD experiences I don't want to repeat.

I'm here just to chill, talk to people about my favourite show, share insights and maybe make some friends. I'm very friendly, if you want to hit me up in the dm to talk about something, I'll answer very gladly whenever I cant! :)

If you're shy you can send me anon, I'll be very happy to answer.

Fanfictions:

In this year I've been writing a lot, I've always liked writing and I started when I was only 14. However, I'm a bit slow because I like to write first in my native language and then translate in English. Below, there is a list of my fanfic profiles and the works I like the most and I'm writing. This are my profiles for AO3 and EFP (Italian platform for fics):

AO3: Anchestral

EFP: Anchestral

Link Click Fanfictions:

Immersion: In which Cheng Xiaoshi goes back into the past to save Lu Guang

Summary: ‘Three are the rules we need to respect: first, we have twelve hours; second, listen to my instructions and don't change anything; third, leave to the past what's in the past and don't ask about the future.' Cheng Xiaoshi knew them well, Lu Guang told him those rules everytime before working. By then, he learned not to question them, they didn't know what could happen playing with the past and modifying it. But did the rules still make any sense if Lu Guang was dead?

Prevision: In which Lu Guang goes back into the past to save Cheng Xiaoshi

Summary: Lu Guang did not make mistakes, he always evaluated all the possibilities in front of him rationally, it was what he had to do to allow the survival of both of them, to allow their time travels to go as smooth as possible, but letting himself be dragged into Cheng Xiaoshi's do-gooder madness had been the first big mistake of a long chain. September 12th 2020 was the day when that realization hit him like a sucker punch straight in the center of his chest, leaving him on the floor gasping for air, in pain.

These two fics are actually related!

火锅 - Hotpot (E-Rated): Just a collection of nsfw one-shots, but it is getting serious. For now, there is only one chapter out, but I'm working on the second and it is becoming huge.

There are many ways to spice up a relationship: may it be a hot bowl of noodles, a dark room with way too red lights, or a bet on who's going to wash the dishes for the rest of the month... The possibilities are endless when starved eyes are looking at you as if they're going to devour you any time soon, leaving you feeling naked and in trembles. ----- 5 times Cheng Xiaoshi and Lu Guang have steamy, hot sex + 1 time they can't. (the formula may be subjected to changes)

Chainsaw Man Fanfictions:

Dancin' in the devil's hand (E-rated):

Summary: The metropolis of Tokyo is torn apart by a series of unexplained, brutal murders, but all of them seem to be connected by a single thread. In this climate of terror, Aki Hayakawa has been given the onerous task of bringing light and a point to this story. --- An unexplainable mystery to solve that will lead Aki and Angel to work together, closer than ever, and maybe will give them the chance to understand something more about themselves and each other...

There are also many other one-shots, most of them are in Italian, thought, and I'm not particularly fond of the other translated because I was still trying to adjust my writing again!

I think I've said everything. I'm sorry if I make some mistakes, I'm very new to this site and I'm still trying to understand how the netiquette works, especially the one tied to the reblogs and the tags.

See you around! :3

[ofpd]

ok one more thing about miss swift that i've been thinking about and is maybe a bit meaner and also something that i'm not all that qualified to comment on given how poorly-refined my music taste is but like. i see many swifties say or act like folklore and evermore are her best albums when imo. they're mid. i usually prefer her pop and country. and it really seems like the love for these albums comes from a simple preference towards indie "sad girl" music (a preference i tend to share), rather than an actual evaluation of her strengths as an artist. when i listen to taylor swift's 2020 albums i enjoy some of the music but mostly it just reads as her trying extremely hard to write and be a genre that is just not really for her & one that she doesn't care to engage with meaningfully. and that's the thing, isn't it—to be a swiftie is to project your own interests and tastes and multifaceted self onto this concept of a person that attempts to suggest every idea under the sun but hasn't actually said anything in a long time.

[haztobegood]

⭐️ Annual Writing Self-Evaluation 2023 ⭐️

I love doing this every year. (2018, 2019, 2020, 2021, 2022) I can't believe I've been writing for six years now! I looked through my past annual posts and got a bit emotional, it's amazing to see how much I've grown and changed.

1. Number of stories posted to AO3: 7

2. Word count posted for the year: 11,572

3. Fandoms I wrote for: One Direction, Music RPF (The Snuts)

4. Pairings: Harry Styles/Louis Tomlinson, Louis Tomlinson/Jack Cochrane, Louis Tomlinson/Bodyguard

5. Story with the most: Kudos: No (Birth) Control Bookmarks: No (Birth) Control Comments: Good Dogs Don’t Bark

6. Work I’m most proud of (and why): Chaos is a 100 word drabble that I'm very proud of. I tried for months to write a Louis/Bodyguard fic for the Louis Rare Pair fest and it just wasn't coming together. Putting a hard limit on the word count was a fun little challenge that helped me get the idea down on paper. At first I didn't know if I could build a steamy plot in so few words, but it worked out in the end and I couldn't be happier with it!

7. Work I’m least proud of (and why): Of the stuff posted this year, I'm not unhappy with anything, but if I had to rank everything, chapter 2 of Good Dogs Don’t Bark is at the bottom of the pack. I was in a weird mood writing-wise when I wrote that chapter and it reminds me of that time whenever I think of it.

8. Share or describe a favorite review you received: @allwaswell16 read Chaos on her podcast! I dedicated the drabble to her for inspiring and encouraging me all year when writing has been a struggle, and for being such a supportive mod for @louisrarepairfest!

9. A time when writing was really, really hard: All year! This is the least I've ever written since I started. Life has been full of big changes and it threw off my writing habits. I've also been very stuck in my head about certain aspects of writing that I never used to think twice about. I'm hoping now that life has settled and I've got somewhat of a new routine figured out, I can set some intentions and build up my habit again, because I really miss writing.

10. A scene or character you wrote that surprised you: This scene from Baking Memories made me burst out laughing when it came to me:

Looking down at his six little pies, Louis is starting to feel like a proper baker. Jack finishes up his last and says, “Alright, let’s top ‘em.” “I bet that’s your favourite part,” Louis jokes raising his eyebrows teasingly. “At least these don’t talk back when I’m topping.” “Oi!”

More under the cut.

11. A favorite excerpt of your writing: From No (Birth) Control

He picked up another potato. Twisting the paring knife expertly around the spud, the thin brown peel sliced away from the white flesh in smooth, practiced movements. It was easy for Harry to get lost in the meditative efforts of slicing, dicing, and peeling. Just two potatoes remained when Harry caught Louis’ piquant scent through the open window. Harry paused his singing and peeling as he breathed in deeply. His sense of smell was always attuned to his alpha, but this close to heat the pull was even stronger. The back door opened. The scent enveloped him, stronger than the savoury aroma of the roast, as Louis wrapped his arms around Harry’s middle, hugging him from behind. Harry melted back into his touch, forgetting about the half-peeled potato in his hand. “Hi baby.” Louis said, leaning in to drag his nose along the curve of Harry’s neck in tender greeting. “Alpha,” Harry sighed, tension he didn’t know he’d been holding meting away. He could stay like this, content in his alpha’s arms, forever. Louis licked up the side of his neck. The blatant scent marking sent shivers up Harry’s spine, and a light nip of sharp teeth over his bondmark started to make him wet. He would be half-tempted to bend over the counter, if it weren’t for the roast cooking in the oven and the twins playing in the yard. Harry bit back a whimper. “Lou, no,” he groaned. “I need to finish dinner.” With all his resolve, Harry gripped the paring knife tighter and focused his attention on peeling the remaining potatoes.

12. How did you grow as a writer this year: I've learned to be patient with myself. I have a lot of wips that I've started in 2019 or 2020 that aren't even close to being finished. I used to be so frustrated that I couldn't finish them, but now I've learned that sometimes the wip needs to sit in the dark cavern of the drafts folder to age like fine wine.

13. How do you hope to grow next year: I want to be more intentional about setting time to write. I miss having a regular writing time and want to be able to work on some of the exciting ideas I have.

14. Who was your greatest positive influence this year as a writer (could be another writer or beta or cheerleader or muse etc etc): @allwaswell16 and @himynameiszayn are the most supportive friends, they were always around to offer advice, help me think of words, and cheer me on when writing was hard. I don't think I would have written half the amount of words I posted if it wasn't for them.

15. Anything from your real life show up in your writing this year: I listened to The Snuts so much this year after seeing them play during FITFWT, so it was only natural for me to write a fic featuring Jack. I love the silly Christmas video the band shared a few years ago and knew it was perfect idea for the fic that became Baking Memories!

16. Any new wisdom you can share with other writers: I touched on it a bit above, but sometimes taking a pause on a wip you're struggling with is a good thing. Give yourself grace to move on when an idea isn't coming together the way you want. It doesn't mean you need to give up on the story completely, it might just be the wrong time.

17. Any projects you’re looking forward to starting (or finishing) in the new year: I am looking forward to writing something for @wankersday again, and I am getting closer to finishing my alien!Harry fic that's been 5 years in the making!

18. Tag some writers whose answers you’d like to read.

I tag @banaanipoika9 @louandhazaf @hazzabeeforlou @beelou anyone else that wants to do this!

[ayahimes]

life update : ( tw hospital mention , tw anxiety , tw depression , tw death mention , tw covid mention )

so two weeks ago when shit hit the fan in the genshin rpc with the callout , the same day i was met with some pretty devastating news .

for some background : not everyone is aware but back in 2020 i put my school on hold because i was working as a nurse full time and doing a ton of overtime during the pandemic . i was initially working in ortho and then transferred to critical care ( where i still am too ) during the end of 2020 when it got really bad during the holidays . because of everything from it my mental health was shit and i was dealing with the ptsd of the trauma and death i saw every day . i'm still not 100% but much better than i was .

i eventually was told i got into a masters program again to get my pmhnp - bc and after some delays i spent 2.5 years of my life on it . anyways fast forward to two weeks ago . i didn't pass the exit examination for my program by one point and was told all my hard work was basically for nothing and i'd have to start all over again elsewhere . tbh , i was devastated and i still am . i'm currently trying to get my bearings straight and find out what i need to do next , but i just need some time is all . by no means are my efforts wasted , nor is it the end of the world , but this setback has definitely made me re-evaluate a lot of my life .

i have time again but i've decided to pick up more hours at work to pay for another 50k+ program somehow ( crazy huh ) and to enjoy my vacation in december . i'm still here and am enjoying my time , but if my heart or attention isn't into things it's nothing personal . i'm here to enjoy my time and hobby when i can , and i'm just going where i am happiest , whether it's gaming for hours on end or writing a shit post then logging off . thank you to everyone who has extended their kindness to me over the last two weeks , and those who have been patient with me since i've joined the fandom . i know i don't really owe an explanation but i want to so you all can understand the stuff going on outside of here too .

keep being kind to people . you never know what they're going through beyond here . sometimes our attitudes can make all the difference . and if you made it this far ? thank you <3

[beardedmrbean]

A UCLA professor was suspended for not providing special treatment to black students in the light of George Floyd's death. The professor is suing the University of California Los Angeles for more than $19 million over the well-publicized incident that garnered national notoriety.

Gordon Klein – a lecturer of accounting at the Anderson School of Management – made headlines in June 2020 when he refused to give preferential treatment to black students.

As Blaze News previously reported, Klein was asked by a student if black students would be given special accommodations because of George Floyd's death and the subsequent Black Lives Matter protests.

"The student requested a no-harm and shortened final exam, and extended deadlines for final assignments and projects in consideration of black students' well-being in light of nationwide protests against police brutality," the Daily Bruin reported.

Klein responded by writing:

Thanks for your suggestion in your email below that I give black students special treatment, given the tragedy in Minnesota. Do you know the names of the classmates that are black? How can I identify them since we've been having online classes only? Are there any students that may be of mixed parentage, such as half black-half Asian? What do you suggest I do with respect to them? A full concession or just half?

Klein asked the student if "a white student" from Minneapolis "might be possibly even more devastated" by the death of George Floyd.

Klein then quoted Martin Luther King Jr., and asked, "Remember that MLK famously said that people should not be evaluated based on the 'color of their skin.' Do you think that your request would run afoul of MLK's admonition?"

A student took a screenshot of the email conversation, and it quickly circulated online.

UCLA students claimed Klein's email was "backhandedly racist" and that it undermined the Black Lives Matter movement.

The same day as Klein wrote the email, a Change.org petition was launched, and it demanded Klein be "terminated for his extremely insensitive, dismissive, and woefully racist response to his students’ request for empathy and compassion during a time of civil unrest."

The petition — with more than 21,000 signatures — read, "His behavior is not reflective of the equity, respect, and justice that UCLA stands for as an institution."

Two days later, Anderson School Dean Antonio Bernardo announced that Klein was suspended and an investigation was initiated into the "troubling conduct."

"Providing a safe, respectful and equitable environment in which students can effectively learn is fundamental to UCLA’s mission," Bernardo declared. "We share common principles across the university of integrity, excellence, accountability, respect, and service. Conduct that demonstrates a disregard for our core principles, including an abuse of power, is not acceptable."

"I deeply regret the increased pain and anger that our community has experienced at this very difficult time," Bernardo added. "We must and will hold each other to higher standards."

Klein was reinstated less than a month after the incident.

However, Klein alleges that the public backlash had caused irreparable damage.

Klein derives significant income from his expert witness practice.

The College Fix reported, "He has testified, for example, in several high-profile court cases, including Michael Jackson’s wrongful death, Apple’s acquisition of Dr. Dre’s Beats headphones, and the valuation of General Motors’ assets in bankruptcy."

Klein’s attorney – Steve Goldberg – told the College Fix this week, "He was one of the top damages experts in the country who was historically bringing in well over $1 million dollars a year and trending upwards when it happened."

"That practice went to ashes right after he was suspended," said Goldberg, a member of the Markun, Zusman & Compton law firm.

Klein, who continues to teach as a full-time lecturer at UCLA, is suing the university for "well over $19 million in damages."

Klein's lawsuit is scheduled to go to trial on March 4 at the Santa Monica Courthouse.

Klein, who joined the UCLA Anderson School of Management in 1981, first filed a lawsuit against the school in September 2021.

UCLA did not respond to repeated requests for comment by The College Fix.