#2018 portfolio

[elaho]

An incomplete piece of concept art I found in my 2018 folder of Jalka [Jaller] and the different military ranks for fire villagers ["Toronaita"].

The notes at the bottom is me trying to divide military personnel into different ranks and see how many people would be needed, at minimum, for a semi-functioning military organization.

Lore/Worldbuilding: Fire Village + Military

All fire villagers are trained in military combat, with each citizen needing to complete a tour of duty for 2/3 of the year on a rotating schedule [with some exceptions]:

4 months of farming [various foods grown throughout the year]

4 months of stationary/reserve duty at the village,

4 months of scouting/island/"military for hire" duty across the region

Hairstyle determines the social position and/or military rank of citizens in Toronaita civilization. Those with more complex and/or lengthy hairstyles have been awarded specific honours in combat or military service, and as such, they are not required to shave their heads after their annual duty is complete.

Hairstyle 1: Civilian/Farmer hair

Hairstyle 2: Shaved head at the end of annual service [i.e. transition back to civilian duties]

Hairstyle 3: Traditional military service hairstyle, low rank

Hairstyles 4, 5, 6: Various military awards, honours, or rankings given in service [incomplete]

However, wearing braids, twists, or dreads in the hair without being given the right by a superior officer is a major offence and is akin to plagiarism or self-awarding badges of honour.

[wigglebox]

Wings of Love [x]

[xaviergalatis]

[unrealward]

Self-Destruct (Phases 1 & 2)

2018, Mixed media (Print transfer, watercolor, gesso, graphite)

[undistortedworld]

*voice of the mc from starmyu* I DONT KNOW HOW TO GIVE UP ON MY DREAMS!!! :D

rekindled my passion for theatre costume and refuse to give up despite failing to get contacts and a job out of uni and some of my teachers convincing me i was shit and the elitism of a lot of the costume industry ;^; it was my dream for so so long!!!! i tried so so so hard!!! why should it be too late!!! i am STUBBORN and DETERMINED it is my best and worst trait and i cant believe it failed me for a while BUT NOT ANYMORE

[crowswarm]

i made this a little while ago and i wanna post it. its mostly me reflecting on my art for the past few years and how its changed

[lohstandfound]

a few years ago I once had some self-proclaimed art police slide into my Instagram DMS to accuse me of plagiarism and told me that nothing I had posted was original artwork

All because I used one of those drawing memes

[electronalytics]

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[fastandcarlos]

A Decade Of Love » Max Verstappen

summary: as you and max celebrate ten years together, take a look at a snapshot of your social media for each one of those years

˚*•̩̩͙✩•̩̩͙*˚＊

2015

liked by carlossainz55, ynusername and 24,706 others

maxverstappen1: excited to make my debut on the grid down in melbourne this weekend 🏎️

4,381 comments

username1: so excited for this opportunity for you max!!

carlossainz55: LETS GO TEAM 🎉🎉

username2: can’t wait to see you in that car racing round 🤩

username3: good luck max, you’re gonna smash it 🫶🏻

ynusername: there aren’t many excuses that could be used for missing a fourth date, but this might just be one of them 😂

maxverstappen1: @/ynusername I promise I’ll make it up to you 🥺

username4: practice was looking fly, such a natural 🥰

sebastianvettel: start of a very bright future my friend ⭐️

username5: already my favourite driver on the grid 🏎️

danielricciardo: looking forward to seeing you get started in f1!!

maxverstappen1: @/danielricciardo thanks for all your advice!

username6: cannot wait to see you absolutely smash it 💪🏻

aussiegrit: looking forward to cheering you on in the paddock max!

username7: officially now a formula one fan!!!

˚*•̩̩͙✩•̩̩͙*˚＊

2016

liked by redbullracing, danielricciardo and 50,118 others

maxverstappen1: P1 BABY 🎉 thanks to the whole team for an incredible weekend, the first top spot podium of many 🏁

14,607 comments

redbullracing: congratulations max, the whole team is so proud of you ❤️💙

username8: couldn’t be prouder of you max, you’re amazing 💕

danielricciardo: stop showing the rest of us up like this 😂😂

username9: you’ve only been here a year and already winning races 😂

lewishamilton: first win is always the hardest, only up from here 📈

username10: the perfect race, the perfect future world champ 💪🏻

ynusername: I don’t think my heart can take watching you race for the next few years ☺️

maxverstappen1: @/ynusername I can’t make any promises for less dramatic victories 😂

username11: you were incredible, first of many I’m sure!!

estebanocon: awesome to see your first win, good job!

username12: enjoy all the celebrations tonight, it’s so well earned 🩷

carlossainz55: congratulations, the most incredible drive 🏎️🏁

˚*•̩̩͙✩•̩̩͙*˚＊

2017

liked by maxverstappen1, aussiegrit and 48,707 others

ynusername: it’s taken two years but finally we get a break!! adventuring with you is my new favourite thing to do 🫶🏻🌅

6,491 comments

username13: so glad you two could finally get away for a while 🫶🏻

username14: these photos are STUNNING ✨

carlossainz55: idk where this place is but I want all the details about if from you!!

username15: if you’re looking for a third wheel to your holidays, I’m available!!

maxverstappen1: the best time with you, can’t wait for our next adventure 🛫🏖️

username16: you just know max did absolutely none of the planning for this trip 😂

danielricciardo: and the invite for best friend daniel was where exactly??

ynusername: @/danielricciardo funnily enough I don’t actually remember inviting you 🤷🏻‍♀️

username17: thank you for blessing my timeline with these photos!

username18: so happy that you two got some time together 💕

ybffusername: cannot believe you went on holiday without me…traitor 💔

ynusername: @/ybffusername promise next holiday I’m all yours 🥰

username19: thank you for making us all so incredibly jealous with these photos 😭

˚*•̩̩͙✩•̩̩͙*˚＊

2018

liked by redbullracing, charles_leclerc and 79,301 others

ynusername: if anyone is looking for a pt during the off season…here’s my portfolio 💪🏻☺️

6,382 comments

sebastianvettel: if you need another athlete to branch out you know where I am ☺️

username20: I love you for putting max through his paces still 😂😂

danielricciardo: I’ll hire you…only to spend time with you though 🥺

ynusername: @/danielricciardo don’t tell max but I’m all yours whenever!

username21: if it means spending time with you, I’m down 🙌🏻

maxverstappen1: thank you for showing people that I’m still a dedicated athlete even during the off season 💪🏻😘

username22: my heart just stopped seeing these photos of max…

charles_leclerc: is it true once you’ve gone for a run you then go for coffee and cake? 🤔

ynusername: @/charles_leclerc can you not share all my secrets thank you 😂

username23: can I train the athlete instead of have the pt???

schecoperez: already the best pt that I know 😂🫶🏻

username24: I hope you’re charging max for all these extra sessions 😂

carlossainz55: stop hanging out with that loser and come and see me instead 😀

username25: these photos will get me through the off season 😅

˚*•̩̩͙✩•̩̩͙*˚＊

2019

liked by landonorris, carlossainz55 and 1,493,079 others

maxverstappen1: cannot wait to spend forever with you, mrs verstappen has a pretty nice sound to it 💍🌊

129,573 comments

username26: omg congratulations guys ✨

charles_leclerc: how did you manage to not tell anyone you were planning to propose 😂

danielricciardo: @/charles_leclerc hate to burst your bubble but I knew!

danielricciardo: yes I’ll be your best man 🤵🏻

maxverstappen1: @/danielricciardo I don’t actually remember asking you 🤷🏻

username27: this is the best news ever 🎉

ynusername: have I mentioned how excited I am to marry you?? 🥺🥰

maxverstappen1: @/ynusername you might’ve mentioned it once or twice!

landonorris: @/ynusername you’ve told me about twenty times 😂

username28: I can’t believe my favourite couple are getting married!!

username29: wedding spam incoming and I’m absolutely buzzing for it 🥺

carlossainz55: can’t wait for the best wedding ever next year 🥂

username30: I’ve been wishing for years for this moment to happen and now here it is 😭

heidiberger_: just throwing my name into the hat for bridesmaid 😉😉

username31: I’ve never hurried to like a post so much in my life 💙❤️

georgerussell63: couldn’t be happier for such an incredible couple!

˚*•̩̩͙✩•̩̩͙*˚＊

2020

liked by danielricciardo, maxverstappen1 and 194,281 others

ynusername: BEST DAY EVER 💍💞

34,695 comments

username32: look at how beautiful they are 😭

carmenmmundt: thank you for inviting us to the most beautiful day ever 💕

username33: 📣 MAX IN A SUIT 📣

username34: I’ve been counting down the days to today and these photos do not disappoint!!

landonorris: I’m not nice to you often…but today you looked beautiful yn 🥰

ynusername: @/landonorris that’s the nicest thing you’ve ever said to me 😂

username35: imma keep refreshing my feed now so I don’t miss any wedding photos

danielricciardo: still slightly bitter I didn’t get the call up for best man 😂😂

ynusername: @/danielricciardo I offered you flower girl, not my problem you said no 🤷🏻‍♀️

username36: have you ever seen two people more in love in your life???

username37: I don’t wanna be that person…but now imagine these two as parents 🥺🤯

charles_leclerc: easily in my top ten weddings I’ve ever been to 😂

ynusername: @/charles_leclerc what an honour 👑

username38: if anyone’s wondering, this is the sort of relationship I’m dreaming of

maxverstappen1: I wish I could relieve this day forever, you looked beautiful 💕💕

˚*•̩̩͙✩•̩̩͙*˚＊

2021

liked by redbullracing, alex_albon and 2,492,183 others

maxverstappen1: WORLD CHAMPION 🌎🏆

so proud to win what’s been an incredibly tight season. thank you to my team, my family, friends, and most importantly my wife for always supporting me and pushing me to be at my best. this is for you guys 🩷❤️

348,503 comments

ynusername: words fail me…I’m so proud of you my love!! all the hard work has finally paid off 💙❤️

maxverstappen1: @/ynusername thank you for always being my number one fan 💞

username39: we all knew this day would come one day 🏎️🏆

username40: world champion max verstappen sounds absolutely glorious 🥺

danielricciardo: I told you one day that title would be yours…couldn’t be happier for you my friend 🤝

username41: that overtake at the end, stop playing with my heart verstappen!!

landonorris: can I have your autograph please mr world champion 😂🖊️

username42: so proud to have been with you since day one, we always knew you’d get here one day

aussiegrit: congrats max, and well done for bringing that trophy back home 💙❤️

redbullracing: we could not be prouder to have you as part of our team, thank you for all your efforts this year 🏆

username43: the first of many world titles I’m absolutely sure of it!!!!!! ☺️☺️

georgerussell63: enjoy the celebrations, looking forward to another year of battles next year

schecoperez: what a great team we make 😂🤝

username44: I’m still not over the moment he ran over to yn at the end of the race 😭

alex_albon: turns out you’re quite a good driver…who knew 😂😂

˚*•̩̩͙✩•̩̩͙*˚＊

2022

liked by maxverstappen1, heidiberger_ and 359,219 others

ynusername: we’ve been keeping a little secret…🕊️🤍

27,281 comments

maxverstappen1: the best secret in the world, couldn’t wish for anyone better to be mother of my child 🫶🏻

username45: this is the most amazing news, congratulations you two!!

username46: I always said they’d be amazing parents and now it’s happening 😭

redbullracing: red bull baby grow order is pending to the factory as we speak

landonorris: if you need a candidate for godfather you know where I am 🤙🏻

schecoperez: if anyone is going to be godfather then I think you’ll find it’s me!

danielricciardo: I’ve known max longer so if anyone should be godfather it’s me 🤷🏻

heidiberger_: if daniel is godfather than I’m throwing my name in the hat for godmother 😂

ynusername: we haven’t made any decisions yet 😂

username47: I wish this child knew just how lucky they’re going to be with all these guys around them

sebastianvettel: I always knew you two would make the perfect parents one day from the moment I met you 🥺

username48: cannot wait to enter the dad max era 🥺

carmenmmundt: I’m moving into your house asap for all the baby cuddles!!

charles_leclerc: it’s about time we had another little one to annoy around the paddock 😂

username49: counting down nine months starting now…

fernandoalo_oficial: at least now we don’t have to listen to you bang on about how desperate you are to be parents 😂

username50: is it acceptable to be this excited for two people that aren’t me to be having a baby??

carlossainz55: who’d have thought those two kids from all those years ago would be settling down like this…

˚*•̩̩͙✩•̩̩͙*˚＊

2023

liked by landonorris, danielricciardo and 2,706,173 others

maxverstappen1: turns out being a dad is actually the coolest job after all 🫶🏻👼

182,472 comments

schecoperez: I told you that months ago when you didn’t believe me 😂

username51: these photos are the softest things I’ve ever seen!!

landonorris: it’s a good job he’s got yn’s genes 😂😂

maxverstappen1: @/landonorris remind me again why I’m friends with you??

username52: hands down the luckiest child in the world 🥰

username53: I can’t deal with how adorable these photos are 😭

username54: I still remember the fresh faced rookie and now look at him omg

danielricciardo: who’d have thought you’d be able to make such a cute kid 🤯

username55: officially can confirm that dad max era is the best kinda era

redbullracing: we couldn’t be happier to welcome verstappen junior to the red bull family ❤️💙

username56: this smile is definitely not leaving my face for a long while now…

charles_leclerc: that’s the same way you used to look at me when I started in f1 😂

maxverstappen1: @/charles_leclerc I definitely don’t look at you that adoringly anymore 😂

˚*•̩̩͙✩•̩̩͙*˚＊

2024

liked by schecoperez, carmenmmundt and 783,102 others

ynusername: always your biggest fan ten years down the line, even if I’ve got a bit more competition for the job these days!! 🫶🏻🏎️

53,820 comments

maxverstappen1: i really am the luckiest guy in the world to have you three in my life! 💞

ynusername: @/maxverstappen1 absolutely no way, i'm the lucky one

username57: i can't believe how far you guys have come!! 😭

danielricciardo: when i spoke to ysn he actually said that i was his favourite driver last week

maxverstappen1: @/danielricciardo did your parents never tell you it's rude to tell lies? 🙄

username58: have you ever met two more adorable kids in your life???

carmenmmundt: when do i next get to see these beautiful little humans??

lilymhe: @/carmenmmundt we are long overdue a catch up!!

ynusername: @/lilymhe @/carmenmmundt i promise we're coming to a race soon and i'll let you obsess over the kids all weekend long!

username59: max really is winning at life these days

landonorris: some notes my way like that might just help me to beat max next year btw 😂

username60: my heart can't cope with how adorable that note is omg

oscarpiastri: posting these is one way to win the award for softest driver in the paddock...please take that title from me max! 🏆

charles_leclerc: btw i plan on stealing your children and keeping them forever, they're just too cute!!

username61: how am i jealous of those kids that they get to call max dad and i don't

carlossainz55: remember i've been a fan of max for exactly four weeks longer than you...and i'll never let you forget it!! 😝

schecoperez: hurry up and bring them to the paddock...I miss them!

ynusername: @/schecoperez haven't you got enough of your own kids to keep you entertained??

username62: this family really is the definition of perfect...

˚*•̩̩͙✩•̩̩͙*˚＊

˗ˏˋ 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ! ´ˎ˗

[tv-knows-you-com-inc]

Check out this awesome webpage! https://tvknowsyou.com/gold-coin-1.html

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[redgoldsparks]

I wrote a 12 page epilogue to my 2019 comic "Harry Potter and The Problematic Author" because I found, in 2023, that I had more to say. You can also find this comic on my website, and I have PDF copies available on etsy. I may sell print copies at some point in the future.

instagram / patreon / portfolio / etsy / my book / redbubble

Full transcript below the cut.

PAGE 1

Part one: Ruddy Owls!

I was in fourth grade when the first Harry Potter Book was released in the US.

Panel 1: Sometimes our teacher would read it aloud in class. “Mr and Mrs Dursley of number 4 Privat Drive were proud to say they were perfectly normal, thank you very much…”

Panel 2: I was 11 years old when Harry Potter finally broke through my dyslexia and turned me into a reader.

Panel 3: Every night in the summer before sixth grade I waited for the owl carrying my Hogwarts Letter. I cried when it didn’t come. “I have to go to Muggle school!”

PAGE 2

Part Two: Hats

I dedicated myself to being a fan.

Panel 1: I began collecting Harry Potter News article.

Panel 2: I asked my relatives to mail me ones from their local papers. I filled a thick binder with clippings.

Panel 3: I wrote my own trivia quiz

Panel 4: and participated in the one held annually at the county fair. “Next contestant!”

Panel 5: I usually got into one of. the top five spots. I won boxes of candy, posters, stationary, and once a baseball cap. (Hat reads: I survived the battle of Hogwarts).

Panel 6: In high school I sewed a black velvet cape and knitted many stripped scarves.

PAGE 3

Part Three: Double Trouble

Watching the last film in 2011 felt like the final note of my childhood. 

Panel 1: I remember driving home from the midnight showing thinking about the end of 13 years of waiting; wondering what would define the next chapter of my life. 

Panel 2: That same month I heard of something called Pottermore. “Okay, so there’s a sorting quiz… I already know my house! Patronus assignment? Mine’s a barn owl. Duh!" 

Panel 3: You can read the books again but with GIFs? Why? 

Panel 4: I lived in a place with very slow and limited internet at the time. Pottermore sounded inaccessible, but also boring. I never joined. 

Panel 5: "I’ll just read the actual books again, thanks." 

PAGE 4

Part Four: Sweets

In 2016, a series of short stories titled "History of Magic in North America” were released on Pottermore to pave the way for the first Fantastic Beasts Film. These stories display an extreme ignorance of American history, culture, and geography, but the worst parts are the casual misuse of indigenous beliefs and stories. Fans and critics immediately spoke up against this appropriation. Some of the most quoted voices included Nambe Pueblo scholar Dr. Debbie Reese who runs the site “American Indians In Children’s Literature”; Navajo writer Brian Young; Johnnie Jae (Otoe-Missouria and Choctaw), founder of A Tribe Called Geek; Dr Adrienne Keene (Cherokee Nation), a Professor at Brown University who runs the blog “Native Appropriations”, and writers N.K. Jemison and Paula Young Lee.

PAGE 5

Rowling is famous for responding to fans directly on twitter, yet she did not respond to anyone calling out the damaging aspects of “Magic in North America.” Her representatives refused to comment for March 9 2016 article in the Guardian. She has never apologized. All of this, plus the casting of Johnny Depp and the specific declarations of support by JKR, Warner Brothers, and director David Yates left a sour taste in my mouth.

For further thoughts on the new films read The Crimes of Grindelwald is a Mess by Alanna Bennett for Buzzfeed News, November 16, 2018.

PAGE 6

Excerpt from Colonialism in Wizarding American: JK Rowling’s History of Magic in North America Through an Indigenous Lens by Allison Mills, MFA, MAS/MLIS (Cree and Settler French Canadian)

Although Rowling is certainly not the first white author to misstep in her treatment of Indigenous cultures, she has an unprecedented level of visibility and fame, […] One of the most glaring problems with Rowling’s story is her treatment of the many Indigenous nations in North America as one monolithic group. […It] flattens out the diversity of languages, belief systems, and cultures that exist in Indigenous communities, allowing stereotyping to persist. […] It continues a long history of colonial texts which ignore that Indigenous peoples still exist. […] In the Wizarding world, as in the real world, Indigenous histories have been over-written and our cultures erased.

from The Looking Glass: New Perspectives in Children’s Literature Volumn 19, Issue 1

PAGE 7

Part 5: Music

Panel 1: Also in 2016 I discovered two podcasts which radically altered my experience of being an HP fan. The first was Witch Please created by two Canadian feminist literary scholars Hannah McGregor and Marcelle Kosman.

Panel 2: “If it’s not in the text it doesn’t count!” “Close reading ONLY!”

Panel 3: They talk about Harry Potter at the level you’d expect in a college class with particular focus on gender, race, class, and the troubling fatphobia, fear of othered and queer coded bodies, violence against women, white feminism, gaslighting and failed pedagogy in the books. They bring up these issues not because they hate the series, but because they LOVE it.

PAGE 8

These passionate, joyful conversations went off like fireworks in my mind. I had never taken a feminist class before. I gained a whole new vocabulary to talk about the books- and the world.

PAGE 9

Panel 1: The second podcast I started that year was Harry Potter and the Sacred Text, created by two graduates of the Harvard Divinity School, Vanessa Zoltan and Casper Ter Kuile.

Panel 2: They read one chapter per episode through a theme such as love, control, curiosity, shame, responsibility, hospitality, destruction, or mystery. Like Witch Please, they are interested only in the information on the page, not thoughts from the author. The delights and failures of the text are examined in the context of the present day, and new meanings constantly arise.

PAGE 10

What does it mean to treat a text as sacred?

Trusting that the more time we give to it, the more blessings it has to give us.

Reading the text repeatedly with concentrated attention. Our effort is part of what makes it sacred. The text is not in and of itself sacred, but is made so by rigorously engaging in the ritual of reading.

Experiencing it in community.

“To me, the goal of treating the text as sacred is that we learn to treat each other as sacred.” -Vanessa Zoltan

PAGE 11

Part 6: Tooth and Claw

In October 2017, Rowling liked a tweet linking to an article arguing that trans women should be kept out of women’s bathrooms because of cisgender women’s fears. In March 2018, she liked a tweet about the problem of misogyny in the UK Labour Party which included the line “Men in dresses get brosocialist solidarity I never had.” The author of the tweet had previously posted many blatantly anti-trans statements.

Rowlings publicist claimed she had liked the posted by accident in a “clumsy and middle-aged moment.” Yet, in September 2018 she liked a link posted by Janice Turner to her column in the Times UK titled “Trans Rapists Are A Danger In Women’s Jails.”

Screencaps of these tweets can be found in the article “The Mysterious Case of JK Rowling and her Transphobic Twitter History”, January 10 2019 by Gwendolyn Smith (a trans journalist), LGBTQNation.com

PAGE 12

Excerpt from: Is JK Rowling Transphobic? A Trans Woman Investigates by Katelyn Burns

Ultimately, the answer is yes, she is transphobic […] I think it’s fair that she receives criticism from trans people, especially given her advocacy on behalf of queer people in general, but also because she has a huge platform. Many people look up to her for creating a singular piece of popular culture that holds deep meaning for fans from different walks of life, and she has a responsibility to handle that platform wisely. (Published on them.us March 28, 2018)

PAGE 13

Part 7: Home

At age 30, I’m still not over Harry Potter.

Panel 1: I’ve recently found a local bar that does HP trivia nights. “Poppy or Pomona?” “Poppy!”

Panel 2: I currently own an annual pass to Universal Studios so I can visit Hogsmeade.

Panel 3: I love talking to kids who are reading the books for the first time. “Who’s your favorite character?” “Ginny!”

Panel 4: And I’m planning a relisten to the audio books to next year to help me get through the election cycle. “Jim Dale, I’m going to need you more than ever…”

Spoiler from 2023: I did not do this. By mid-2020 JKR had posted her transphobic essay; we were in covid; I never visited Universal Studios again.

PAGE 14

But I do want to learn from her mistakes. I never want to repeat “Magic in North America.” As I write, I will do my research. I will consult experts and compensate them. If a reader from a different culture/background than me speaks up about my work, I will listen and apologize. I KNOW I WILL MAKE MISTAKES. But I will own up to them and I will do better.

PAGE 15

Excerpt from Diversity Is Not Enough: Race, Power and Publishing by Daniel José Older

We can love a thing and still critique it. In fact, that’s the only way to really love a thing. Let’s be critical lovers and loving critics and open ourselves to the truth about where we are and where we’ve been. Instead of holding tight to the same old, failed patriarchies, let’s walk a new road, speak new languages. Today, let’s imagine a literature, a literary world, that carries this struggle for equity in its very essence, so that tomorrow it can cease to be necessary, and disappear. (Buzzfeed, April 14, 2017) 

PAGE 16

Harry Potter is flawed, & JK Rowling is problematic. But the books helped me learn a lot: 

*One of the greatest dangers facing the modern world is the rise of fascism 

*The government cannot be trusted 

*Read and think critically

*Question the news: who paid the journalist? Who owns the paper? 

*Trust and support your friends through good times and bad

*Organize for resistance

*Educate and share resources with peers

*The revolution must be diverse and intersectional

* We are only as strong as we are united

*The weapon we have is love 

MK 2019

PAGE 17

PART 8: EPILOGUE

In 2021 I removed a Harry Potter patch I sewed to my book bag over a decade ago. I took 15 pieces of Harry Potter fanart off my walls. I got rid of my paperback book set, 2 board games, and 8 t-shirt. [images: a Hogwarts a patch with loose threads, a pair of scissors and a seam ripper]

Panel 1: Maia holding up a shirt with the Deathly Hallows logo on it. Maia thinks: “Damn, this really used to be my entire personality.”

Panel 2: The t-shirt gets thrown into the Goodwill box.

PAGE 18

I wrote my zine wrestling with JKR’s legacy in 2019, after her dismissive and racist reaction to indigenous fans and critics of “Magic in North America” and after she had liked a couple transphobic tweets. Since then, she has gotten so much worse.

A Brief Timeline (mostly from this Vox article)

June 2020- JKR posts a 3600 word essay making her anti-trans position clear

August 2020- The Robert F Kennedy Human Rights Org issues a statement about her transphobia, JKR doubles down on her position and returns an award they gave her

December 2020- JKR claims 90% of HP fans secretly agree with her anti-trans views

December 2021- JKR mocks Scottish Police for recognizing transgender identities

March 2022- JKR criticizes gender-inclusive language and legislation

December 2022- JKR retweets trans youtuber Jessie Earl’s critical review of Hogwarts Legacy, starting an onslaught of transphobic harassment towards Earl

December 2022- JKR removes her support from an Edinburgh center for survivors of sexual violence with a trans-inclusive policy and funds her own center which explicitly excludes trans sexual assault survivors

January 2023- JKR tweets “Deeply amused by those telling me I’ve lost their admiration due to disrespect I show violent, duplicitous rapists.” It got nearly 300K likes

March 2023- One the podcast “The Witch Trials of JK Rowling”, hosted by a former Westboro Baptist Church Member, JKR compares the trans rights movement to Death Eaters.

PAGE 19

What are The Witch Trials of JK Rowling?

Panel 1: Maia speaking. “It’s a 7 episode documentary style podcast hosted by Megan Phelps-Roper. Nearly every episode contains interviews with JKR as well as critics, journalists, historians, protestors and fans.

Panel 2: Maia speaking. “In episode 1, JKR speaks more candidly than she has previously about being in an abusive marriage. Her ex-husband hit her, stalked her, broke into her house overlapping with the time she was writing the first three HP books.”

Panel 3: Maia speaking. “What she went through genuinely sounds horrific. I have a lot of sympathy for the kind of life-long traumas those experiences leave.”

PAGE 20

HOWEVER.

It is clear from reading the June 2020 essay on her blog and listening to the podcast, that JKR still to this day feels unsafe. Despite her wealth and privilege she moves through the world with the mindset of a victim. And the group of people she finds most threatening are trans women.

Or rather, she is afraid that allowing trans women in women’s spaces invites the possibility of male predators entering those spaces.

Here’s a direct quote: The problem is male violence. All a predator wants is access and to open the doors of changing rooms, rape centers, domestic violence centers [...] to any male who says “I’m a woman and I have a right to be here” will constitute a risk to women and girls. - from The Witch Trials episode 4 as transcribed by therowlinglibrary.com, March 2023

Image: A stem of Belladonna with flowers and berries.

PAGE 21

Let me introduce here the term: TRANSMISOGYNY. The intersection of transphobia and misogyny, this term was coined by Julia Serano in 2007. Scout Tran, on tiktok as Queersneverdie said: “Transmisogyny occurs in people who have been previously hurt by traditional misogyny. Who have been driven to hate men or at the very least to be scared of men. They will sometimes take out that rage on trans women. (March 2023)

JKR claims to care for trans women and understand they are extremely vulnerable to assault and violence. In her 2020 Essay she wrote: “I want trans women to be safe. At the same time, I do not want to make natal girls and women less safe.”

So she cares about trans women… just less than cis women, and she’s willing to throw all trans women under the bus because of her unfounded, prejudice fears.

PAGE 22

Panel 1: Maia speaking. “JKR claims to have seen data that proves trans women have presented physical threats to other women in intimate spaces, but never cites sources. She also uses “producer of the large gametes” as a definition of “woman”.

What about transmen and nonbinary folks?

Panel 2: Maia leaning on a stack of all seven HP books, the first four Cormorant Strike books and The Casual Vacancy, gesturing to a series of quotes with a tired and disgusted expression.

I’m concerned about the huge explosion of young women wishing to transition and also about the increasing numbers who seem to be detransitioning. * [...] If I’d been born 30 years later, I too might have tried to transition. The allure of escaping womanhood would have been huge. -June 10 2020 essay

I don’t believe a 14 year old can truly understand what the loss of their fertility is.

-Witch Trials episode 4

I haven’t yet found a study that hasn’t found that the majority of young people experiencing gender dysphoria grow out of it*. -Witch Trials episode 7

*No sources cited

PAGE 23

It’s hard to over emphasize how fixated JKR has become on these topics. As of the date I’m writing this, 14 out of her 20 most recent tweets (70%) are in some way anti-trans. She tweets against Mermaids (a UK based trans youth charity), against trans athletes, against gender neutral bathrooms, and in support of LBG Alliance- a UK org that denies trans rights while upholding gay rights. Here are some gems from her archive:

“People who menstruate.” I’m sure there used to be a word for those people. Someone help me out. Wumben? Wimpund? Woomud? -June 2020

War is Peace. Freedom is Slavery. Ignorance is Strength. The Penised Individual Who Raped You Is a Woman. - December 2021

And in response to someone asking “How do you sleep at night knowing you lost a whole audience?”

I read my most recent royalty cheques and find the pain goes away pretty quickly. -October 2022

PAGE 24

Hashtag Ruthless Productions a queer nerd podcast company created a great guide on ethical engagement with HP. Image: the two hosts of Hashtag Ruthless productions, Jessie (They/she) and Lark (he/him).

Stop buying all official HP Products: books, movies, games, toys, etc, Universal Studios tickets, food, merch.* Boycott any new TV series or movies. Instead: buy the books and DVDs used. If you still want to wear HP merch, buy fan-made. Engage only with fan content: fic, podcasts, fanart, wizard rock, etc. Show transphobia is bad for business. None of this will change JKR’s mind. But the Fantastic Beast series was canceled and after record Pottermore sales in 2020, they fell in 2022 by 40%.

*She gets a portion of ALL tickets. In 2019, this was her largest income source. Read the full guide: hashtagruthless.com/resourceguide

PAGE 25

As late as 2019, I was still reading JKR’s murder mystery series. But by the fourth book my experience began to sour.

Panel 1: Maia holding a copy of Lethal White. “The only gay character in this book is a government official who gropes his staff?”

Panel 2: “The only genderqueer character is misgendered and portrayed as a whiny faker?”

Panel 3: “The only Muslim character is disowned by his family over gay rumors?”

Panel 4: “Even the women aren’t portrayed very well…”

Panel 5: “Why is the main female character defined by the rape in her past?”

Panel 6: “Wait, what happens in the rest of this series…?” Maia scrolls on eir phone.

Panel 7: “Is the series heading towards an employee/boss relationship?”

Panel 8: “And has a man wearing women’s clothes to commit assault?”

Panel 9: “Yeah, I’m done. I’m never reading a new JKR book ever again.”

PAGE 26

And as for JKR herself?

As tempting as it might be to tweet your frustrations at her, I don’t recommend it. In 2021, she tweeted, “Hundreds of trans activists have threatened to beat, rape, assassinate and bomb me.” Getting hate online feeds her sense of victimhood and she waves it as proof of her moral high ground. Instead I suggest you block her on twitter, then delete twitter, go to the library and try to find a new book that feels magical.

Stack of books: In Other Lands by Sarah Rees Brennan, The Scorpio Races by Maggie Stiefvater, Gifts by Ursula K Le Guin, Deep Wizardry by Diane Duane, A Deadly Education by Naomi Novik and Gideon the Ninth by Tamsin Muir.

PAGE 27

In “Emergent Strategy” adrienne maree brown writes: You do not have the right to traumatize abusive people, to attack them, personally or publicly, or to sabotage anyone else’s health. The behaviors of abuse are also survival-based, learned behaviors rooted in pain. If you can look through the lens of compassion, you will find hurt and trauma there. If you are the abused party, healing that hurt is not your responsibility and exacerbating that pain is not your justified right.

PAGE 28

Seeing anyone over age 12 wearing HP merch now makes me uncomfortable. Are they ignorant or actively a TERF? I hate wondering how much money JKR has probably poured into anti-trans legislation… This zine is a culmination of my slow breakup with a story that once brought me joy. Now it just makes me angry, tired and sad.

Image: Candle in a fancy holder burned down to less than an inch.

Maia Kobabe, 2023

[xaviergalatis]

Xavier Galatis 2018

[unrealward]

Distortion

2018, Mixed media (Graphite, silver leaf, print transfer, ink wash)

[nrnjcstsnyms]

[gabrielleragusi]

For Artists: My Experience with Commission Platforms and Illustration Agencies

Hi there! I’ve been wanting to compile a list of commission platforms that I’ve personally used for the longest time, and I finally did it! I’ve highlighted the still-active commission platforms in bold and struck those that don't exist anymore so you can jump to the sections that interest you without needing to read my entire story.

Let me start by briefly introducing myself.

I’m Gabrielle, a fantasy illustrator. Since 2014, I’ve been working on book covers and illustrations for publishers, authors, and book subscription boxes. Early on, work wasn’t as frequent as it is now. I had to search for opportunities myself, and even small private commissions were important for building my portfolio and earning some money, which I’d spend on materials, books, and online courses. Like many other artists, I started out by trying my luck with the biggest art community available at the time.

DeviantArt

2009-2018

Once upon a time, there was a virtual haven called DeviantArt. To my teenage self, it was a magical place. I signed up in 2009 and thought I’d never leave!

At first, I created an account just to share my work and learn. I didn’t even think about commissions for four or five years. But when that first inquiry finally landed in my inbox, things took off! My mum swears she remembers my excitement when I got my first commission, but for some reason, I’ve completely forgotten about it. I can't remember what it was or how much it paid. It might have been a portrait of a fantasy character.

Commissions on DeviantArt were fairly frequent, especially considering my cheap prices at the time. I used to offer discounts and post my rates in my DeviantArt journal, or in Commission groups that featured artists either monthly or weekly. After checking out my profile, a client could simply send me a private message and from there, we’d discuss payment, deadlines, and other details, and the platform didn’t take any fees, much like how ArtStation works today. Everything happened through private messages or email, with direct contact between artist and client.

The downside of this process was that there was no dispute resolution system on the platform. I had to handle all issues myself, and unfortunately, problems did arise sometimes: there were clients changing their minds about commissions, asking for refunds after work was delivered, refusing to pay, or just ghosting me. These issues didn’t happen because clients were evil, but rather because I was inexperienced and allowed some to take advantage of my naivety.

However, all that frustration helped me develop my commission process through trial and error (mostly error). And despite the challenges, I can say with satisfaction that most of the commissions I received through my DeviantArt profile were positive experiences.

DeviantArt eventually introduced a commission feature for Core (Premium) users, which came with a platform fee, but I didn’t use it much, and I’m not sure if it still exists.

The real beauty of dA, though, was the connections I made. I was able to meet people, both artists and clients, that I’m still in contact with today, and some of whom I still collaborate with.

I closed my account in 2018 or 2019, but by that time, I hadn’t really used it for a couple of years. The new user interface was a bit of a turn-off for me. I had always loved the geeky, and dare I say cozy, look of the old green and grey aesthetic, with its customisable panels that you could move around and personalise with HTML code... But I digress.

Artists and Clients

2013-2016

While taking small commissions on DeviantArt, I discovered Artists & Clients. It was a nice platform for clients to get things like their D&D characters or groups illustrated for relatively cheap. I think my highest price was $50 for a single character portrait, with the platform taking a 15% cut. I used it for about two or three years before the platform started to change.

As more artists with hentai art styles flooded in, the homepage shifted, and so did the clientele. There’s nothing wrong with drawing naked anime girls, of course, but you can understand that if a client is looking for a fantasy, semi-realistic painting of their female orc character, or a realistic portrait of their spouse, it's more than likely that they won't bother sifting through a sea of anime girls to find the style they want, imagining it isn't here. Let's just say that, at the time, the website took a definite direction that wasn't in line with my genre, but this direction didn't make the different, more realistic art styles stand out either.

Soon, commissions slowed down for me, so I closed my account, but by then I was already working elsewhere.

That said, this platform could still be a useful tool if you’re looking to take on smaller commissions.

DreamUp

2014-2015

DreamUp wasn’t an AI generator back then. It was actually a subsidiary of DeviantArt, where clients could post projects and artists could apply. It was a competitive platform that offered well-paid work–very well-paid. I remember seeing jobs posted that ranged from $300 to $1,200. DreamUp was a very professional platform for clients with a mid to high budget.

I believe I landed my very first book cover commission through this website when I was in my last year of high school. I remember getting the job and going to school the next morning, excited to share the news with my classmates. Everyone was super thrilled for me (we were a really close-knit class!), and I felt like I was walking on air.

Unfortunately, as far as I know, that book was never released, but it didn’t matter because I was moving forward, and fast.

I’m not sure when DreamUp was shut down, but I do know that DeviantArt held onto the copyrighted name, assigning it to something so anti-old DreamUp that it still boggles my mind.

ArtCorgi

Now Artistree

2014-2019

When I received an invitation to join ArtCorgi from its founder, I already had a somewhat consistent portfolio. I was painting portraits and fantasy illustrations, and the clients on this platform were looking for both–your typical wedding and pet portraits, as well as book covers, which were what really interested me. To get to the latter, I had to do the former. Over the years, I’ve painted so many realistic portraits that now I have a strict rule for my own sanity not to do them any more. I have great respect for portrait artists, but it’s just not me.

When I first submitted my prices to the person I was in contact with, she kindly suggested that I raise them... a lot. That was a major step forward in my professional career. I went from charging $50 to $100/$200 overnight. And to my surprise, people actually wanted to commission me at those prices!

From 2014 to 2019, I took nearly every commission that came my way. I never spoke directly with the clients; all instructions and feedback went through my point of contact, which helped maintain a level of professionalism, although now that I’m used to working directly with clients, I’m not sure I’d want to go back to having an intermediary.

Sadly, as with all good things, this chapter came to an end. My point of contact eventually left communication in the hands of someone else, and shortly after, the commission fee changed to, I believe, 30%.

Simply put, 30% is an unrealistic cut for a website like this. For an agent that gets you all kinds of big work in the publishing industry, sure, but since this was not the case I had to stop taking commissions. Despite that, my overall experience with ArtCorgi was very positive.

Today, ArtCorgi joined another platform, Artistree. As far as I can tell, Artistree doesn’t take any fees from artists, with clients covering a small cost instead.

Sketchmob (?)

2016-2020

This was probably the platform I used the most. I’ve lost count of how many commissions I received through Sketchmob. Many. Enough to generate a steady income at the time. With reasonable fees and a variety of art styles available, clients contacted me almost daily. Communication was direct between artists and clients, and payments could be split. The review system also worked very well… for a while.

Once I raised my prices, requests became fewer and farther apart. But by then, I was already working with my own clients.

Is this platform still active? Who knows. The website is still up and the chat feature works, but I’ve seen users complain that money available for withdrawal never arrived via PayPal (the only payment method the platform accepted, if I remember correctly). Personally, I wouldn’t risk completing a job through Sketchmob right now, at least not until they release an update.

If you’ve used the platform recently and successfully received payment within the last six months, please let me know, and I’d be happy to update this section!

Upwork

2017-2019

In 2017, I was determined to break into the book publishing industry. After trying out Fiverr and Freelancer.com with no success (the competition was too fierce for someone just starting out), I decided to give Upwork a shot. The platform looked very professional, and while the process sounded a bit complicated, I wanted to land the interesting projects I saw featured in my category. I really wanted to work with a big client… but big clients didn’t seem to want me, despite having the Rising Talent badge.

In two years of bidding for jobs and submitting proposals, I only landed two projects: a small commission from a private client who actually reached out to me, and another project that I bid on.

Don’t get me wrong, I was ecstatic at the time and truly appreciated every opportunity that came my way. But looking back, I can see why Upwork didn’t work out for me. The platform just wasn’t the right fit for my style and niche, which is fantasy illustration. Graphic design, however, was (and still is) in much higher demand.

The commission process on Upwork wasn’t as simple as on other platforms. For instance, at the time, costs were calculated hourly, which was a challenge for someone like me who prefers working with flat fees (having already calculated my average hours spent on an illustration). From what I’ve seen, this has since changed.

One positive aspect of Upwork is its current 10% cut on what artists earn. I don’t recall if this has changed over the years, but 10% is quite reasonable in my experience. Of course, 0% would be even better, but for a platform as large as Upwork, 10% is fair.

Illustration Agency

2019-2021

By 2019, I had built a solid, consistent portfolio thanks to my personal work and commissions. I had a simple website in place, my Instagram following was growing… I was steadily working toward my goal of illustrating covers for big publishers (which didn't happen until two years ago).

So, when an illustration agency reached out to me one day, I was over the moon. I had always heard that artists were the ones who had to approach agencies, not the other way around.

Well, that should have been my first red flag.

I won’t name this agency because, unfortunately, I have nothing positive to say about it. In fact, the word “nothing” perfectly describes my involvement with them. Nothing came of this barely there experience.

The agency invited me to sign up, not on an exclusive basis, but they assured me they’d get me work. That work never came. Once in a while, I’d receive messages saying they were trying to pitch my portfolio to a French publisher or another client, but... nothing.

Please understand that meanwhile I was already working directly with shops and authors, so I don’t believe my portfolio was the problem. The real issue was something I didn’t realise at the time: some agencies do this. They feature talented artists in their catalogue without having actual clients lined up, just to appear more professional and credible to potential clients. Did this strategy work for them? Maybe. I’ll never know.

In 2021, I politely asked them to remove my portfolio from their website, and that was the end of it.

After that, I never actively sought out an agent again. By the time my portfolio was strong enough to approach a serious agency, I just didn’t need representation anymore.

Hireillo

2019-2022

My experience with Hire an Illustrator, or Hireillo, is mixed. At the time, Hireillo was a platform that hosted artists' portfolios, featured artist-submitted news, provided useful articles, resources, and directories of artists and agents. I joined the site hoping to catch the eye of publishers, but I was mostly contacted by authors and one fellow artist for a graphic novel.

Unfortunately, most inquiries didn’t go beyond the first couple of messages due to budget constraints. I did, however, have fun sharing news about my painting process and projects I landed on my own, which were often featured by the website. Additionally, if I had questions about 'complicated' things like copyright, or just needed advice, I could ask the website’s owner and that was incredibly helpful.

Despite these benefits, I didn’t see any real results, which was a little disappointing. The subscription fee was also... odd, for lack of a better word. $5 per week. In the end I just couldn’t justify the cost, so I stopped using the website altogether.

Reedsy

2019-2022

Finally, we come to the turning point.

I remember stumbling upon Reedsy randomly. It wasn’t very well known at the time, and I think it still isn’t. I was nervous when I submitted my portfolio because their catalogue features the best of the best: designers who’ve created covers for bestsellers, THE bestsellers, people who’ve worked on Stephen King covers, or George R.R. Martin's. Designers, editors, and marketers who are veterans. I didn’t have high hopes for my application. So, I was in shock when it got accepted.

I had an introductory Skype call with a representative from Reedsy, who explained how everything worked. Before the call ended, I remember asking if there was a good chance I’d get work through the platform. The rep laughed and said, “Yes.”

A few weeks in, I understood that laugh.

Reedsy has an overwhelming demand for book covers and commercial projects. For every designer there are many more clients. In peak seasons, I was getting requests almost every day. I’m not exaggerating.

Reedsy transformed my portfolio and my pricing structure. Thanks to the income I earned through the platform, I was finally able not to take everything that came my way but be selective and choose only the projects that really interested me.

The commission process is simple: artists pretty much decide how to split payments, what to include in agreements, and the best part, the most beautiful and helpful feature of all, they can request and adjust deadlines. For someone like me who's terrible with deadlines, this feature was a lifesaver. The admins are also very kind and responsive, available via email or chat.

Unfortunately (this is my last 'unfortunately', I promise), my time on Reedsy came to an end for personal reasons. I’ll explain since it’s no secret.

All my images on Reedsy were watermarked with my signature (my full name), which apparently violated the platform’s rules. Why? Because if a client saw my last name, they could contact me directly and bypass Reedsy, which meant the platform lost potential fees. I’ll admit this did happen a few times, but I had the good sense to redirect the client back to Reedsy.

After three years, an admin finally noticed and asked me to remove my full name from the watermark and any text on my profile. It was a simple and reasonable request, but here’s where the problem started. Profiles on Reedsy are public, and images appear in search engines like Google Images, meaning anyone could download my work and use it without permission. Sure, watermarks can be removed, but uploading my work without one in the first place felt like a bad idea. Btw, not only do I use watermarks, but I also use Glaze to protect my illustrations before sharing them online.

Anyway, for this reason, and also because I couldn’t get over the fact that full names were public at the time, something I won’t get into because, believe me, I tried over email, and my reasons went into the void (now, last names are just initialised, like Gabrielle R. Okay. Sure.), I had to close my account–they would have done it anyway because it was already 'flagged'.

Overall, if you’re willing to overlook the last name conundrum, I can’t recommend Reedsy enough. If you have a killer, solid portfolio and a love for books and editorial projects, go for it!

--------------------------------------------

I hope you'll find this useful! If you have any questions, please don't hesitate to ask (: Oh, and here's an old article I wrote in 2020, titled:

Tips to freelance illustrators to avoid being screwed over

Who knows, maybe I'll write another 'article' post in four years!

Instagram  - ArtStation - Website - Inprnt - Etsy - TikTok

[carsthatnevermadeitetc]

Cadillac Expressive Coupe Study, 2018. Revealed by GM Design’s From the Vault series, a prototype 2-door fastback coupe that never reached Cadillac's showrooms. The company said that the  “coupe was created as an internal exploration of Cadillac aesthetics. It shaped a portfolio of products on the road today, including the CT5 and CT5 V-Blackwing.”