#2017 nov 15

[thinking-emoji]

DnP Interview Masterlist

This is a work in progress! If you have any other links, send them to me!

Jan 2025

Shut Up I'm Talking Podcast (video) 26/1/2025 | mirror | add-on

Dec 2024

RNZ (audio) 10/12/2024 | mirror

Radio Adelaide (audio) 10/12/2024 | mirror | mirror

Junkee (article) 6/12/2024

Junkee (video) 6/12/2024

Today Show (video) 5/12/2024 | mirror | mirror

Nov 2024

Buzzfeed (article) 22/11/2024 | mirror | mirror

People (article) 1/11/2024 | mirror

Oct 2024

People (article) 6/10/2024

YourEx (article) 5/10/2024 | mirror | mirror

Master up to 2023 (courtesy of @stillarchivingdnp)

YWGTTN promo master (courtesy of @dailydnp)

May 2024

Dan: Times Radio (video) 11/5/2024

2023

Dan: Anthony Padilla (video) 17/1/2023

Dan: DNA Magazine (article) 9/1/2023

2022

Dan: Santa Barbara Independent (article) 30/11/2022

Dan: Gay Times (article) 11/11/2022

Dan: heatworld (video) 1/11/2022

Dan: Hits Radio (video) 21/10/2022

Dan: The Star (article) 5/10/2022

Dan: Buzz (article) 12/9/2022

Dan: Manc Union (article) 18/8/2022

Dan: Square Mile (article) 29/7/2022

Dan: metro.co.uk (article) 9/6/2022

2021

Dan: How To Academy (video) 1/7/2021

Dan: 1883 (article) 30/6/2021

Dan: RNZ Nine to Noon (audio) 30/6/2021

Dan: GQ (article) 30/5/2021

Dan: Waterstones (video) 24/5/2021

Dan: Amazon (article) 12/5/2021

2020

Dan: Guardian (article) 26/12/2020 | mirror

Dan: Pink News (article) 4/12/2020

Dan: Attitude (article) 7/10/2020 | mirror | mirror | preview

Dan: ITV Britain Get Talking (audio) 7/10/2020 | mirror

Phil: Evening Standard (article) 3/2/2020

2019

Dan: BBC (video) 5/9/2019 | mirror

2018

HMV (article) 10/12/2018

Toy News (article) 5/3/2018

2017

Edinburgh TV Festival (video) 24/8/2017

2016

Penguin Platform (video) 10/11/2016

Stand Up to Cancer (video) 15/10/2016

Variety (article) 4/10/2016

The Big Wakeup Call (audio) 21/4/2016

2015

Star Sessions (video) 20/11/2025

Huffington Post (video) 19/11/2025

WOCA Radio (audio) 17/11/2015

Sunday Times (article) 8/11/2015

SugarScape, Pt. 2 (video) 11/10/2015

SugarScape (video) 9/10/2015

2014

Rock Forever Magazine (video) 19/4/2014

2013

The Independent (article) 1/6/2013

The 4:01 Show (video) 17/3/2013

Dan: Elision (article) 13/1/2013

2012

Dan: Huffington Post (article) 26/11/2012

[louisupdates]

By Ed Power | Sat Nov 30 2024 - 05:15

During the pandemic the songwriter and producer James Vincent McMorrow would rise early, go for a run and write songs for Louis Tomlinson, of One Direction.

“I actually made half of a record for him,” he says. Tomlinson’s team “had a lot of songs but maybe not a lot that he was as into as he wanted to be. I think they were maybe looking for a weirdo. So they reached out to me. I love him. He’s a fascinating human being. I absolutely loved making that album,” adds McMorrow, who is about to start a tour of Ireland.

When it comes to potential collaborators with a boy band megastar, McMorrow’s name is not the first that springs to mind. He’s an indie songwriter whose open-veined, falsetto-driven pop has been compared to that of folkies such as Bon Iver and Sufjan Stevens. But Tomlinson was a fan of the Dubliner’s beautifully wrought music. He wasn’t alone: Drake famously sampled McMorrow on his 2016 track Hype.

One of the tracks they wrote together, The Greatest, would serve as the opener to Tomlinson’s second LP, Faith in the Future. As is often the way with the music industry, the rest are in a vault somewhere. Still, for McMorrow the opportunity to work with a pop star was about more than simply putting his craft in front of a wider audience. The call from Tomlinson’s team had come at a low point for the Irishman, who had become mired in confusion and doubt after signing to a major label for the first time in his career.

Executives at Columbia Records had recognised potential in McMorrow as an artist who bridged the divide between folk and pop. The fruits of that get-together would see daylight in September 2021 as the excellent Grapefruit Season LP, on which McMorrow teamed up with Paul Epworth, who has also produced Adele and Florence Welch.

The album was a beautifully gauzy rumination on the birth of his daughter and the muggy roller coaster of first-time parenthood. It went top 10 in Ireland and breached the top 100 in the UK. Yet the experience of working within the major-label system was strange for McMorrow, who at that point had been performing and recording for more than a decade. He didn’t hate it. But he knew he didn’t ever want to do it again.

“It was a weird time. I stopped touring in 2017. My daughter was born in 2018. I signed with Columbia Records at the same time and made a record that ... There were moments within it I was proud of. But fundamentally, I think if I was being very honest, I would say that I definitely got lost in the weeds of what the music industry wanted for me rather than what I wanted for myself.”

[…]

McMorrow grew up in Malahide, the well-to-do town in north Co Dublin; as a secondary-school student he suffered debilitating shyness. In 2021 he revealed that he had struggled with an eating disorder at school, ending up in hospital (“Anorexia that progressed into bulimia”). He was naturally retiring, not the sort to crave the spotlight. But he was drawn to music. “It was definitely a difficult journey,” he says. He wasn’t alone in that. “The musicians that tend to cut through and make it ... A lot of my friends, musicians that are successful, they’re not desperate for the stage.”

The Tomlinson collaboration was part of his strange relationship with the mainstream music industry. It went back to McMorrow’s third LP, Rising Water, from 2016. A move away from his earlier folk-pop, the project had featured engineering from Ben Ash, aka Two Inch Punch, a producer who had worked with chart artists such as Jessie Ware, Sia and Wiz Khalifa.

That was followed by the Drake sample in 2016 and by McMorrow writing the song Gone, which was at one point set to be recorded by a huge pop star whom he’d rather not identify.

“Gone is the red herring of red herrings in my entire career. I wrote that song for other people. I didn’t write it for myself. The whole reason I signed to Columbia Records and I had all these deals was because of Gone. I was very happy tipping away in my weird little world. And then I wrote that song, and a lot of bigger artists came in to try to take it,” he says.

“I won’t name names. There were recordings of it done. It got very close to being a single for someone else. I would go in these meetings with all these labels, and I would play it for them – just to play. Not with any sense of ‘This is my song.’ And they were, like, ‘You’re out of your mind if you don’t take this song. This is the song that will make you the thing that is the thing.’ And I was, like, ‘You’re wrong.’ For a year I basically was, like, ‘I disagree.’ And if you go in a room with enough people enough times and they tell you that you’re crazy ... I loved the song, but I did not love it for me. I never felt I fit. There was a little part of me that wanted to believe.”

As he had predicted, Gone wasn’t a hit. He received a lot of other strange advice, including that he cash in on the mercifully short-lived craze for NFTs by putting out an LP as a watermarked internet file. All of that was swirling in his brain when Tomlinson got in touch. To be able to step outside his own career was exactly what McMorrow needed.

“With Louis it was like boot camp. I had a very limited time with him. I had to wake up every morning, go for a run, write a song in my head, go to the studio. We made songs all day long. It lit a fire in my head again. I loved the process. I like sitting and talking to someone like Louis, who’s had this unbelievably fascinating lifestyle – so much tragedy in his life,” he says. Tomlinson’s mother and sister died within three years of each other, and his 1D bandmate Liam Payne died in October. “So many things have happened to him. I chatted to him and then write constantly. That was a lovely process.”

Because life is strange and full of contrasts McMorrow ended up working with Tomlinson around the same time that he was producing the Dublin postpunk “folk-metal” band The Scratch, on their LP Mind Yourself. “Totally different animals,” he says. “The Scratch album was an intense period in the studio of that real old-school nature of making music. A lot of fights. A lot of pushing back against ideas. A lot of different opinions. And you have to respect everybody’s opinions and find the route through.”

During his brief time on a major label, McMorrow was reminded of the music industry’s weakness for short-term thinking. In 2019, the business was obsessed with streaming numbers and hot-wiring the Spotify algorithm so that your music posted the highest possible number of plays.

“Everyone was driven by stats. ‘This song has 200 million streams.’ ‘That song has 400 million streams.’ I went into my meetings with Columbia Records ... the day I had my first big marketing meeting was the day my catalogue passed a billion streams, which, for someone like me, who started where I started, was a day where I should be popping champagne corks. Instead they immediately started talking about how they have artists that have one song that has two billion streams. So by their rule of thumb I was half as successful as one song by one artist on their label.”

Five years later he believes things have changed. He points to Lankum, a group who will never set Spotify alight yet who have carved a career by doing their own thing and not chasing the short-term goal of a place on the playlist. They are an example to other musicians, McMorrow says.

“I was in Brooklyn, doing two nights, a week and a half ago. In the venue across the road from where we were, pretty much, Lankum were doing two nights and had [the Dublin folk artist] John Francis Flynn opening for them. Those are two artists that, if you were to look at their stats, you wouldn’t be, like, ‘These are world-beating musicians.’ You start aggregating to this stat-based norm and you miss bands like Lankum, bands like The Mary Wallopers, people like John Francis Flynn.”

McMorrow is looking forward to his forthcoming Irish tour, which he sees as another leg of his journey to be his best possible self.

“The last two, three years have been a process of building it back to a version of me that actually made me happy rather than making me cry at night-time – a version that was making music because I liked it. Within this industry there’s so much outside noise. It’s quite overwhelming. I was overwhelmed. It’s been nice to reset the clock.”

In November 2022, McMorrow posted this now deleted Instagram post:

Text: late 2021 I got a phone call asking me if I wanted to come to London to meet @louist91 and possibly write some songs. A few years ago he released a statement talking about changing his path musically, instead of the immediate search for hits, he’d start with music he genuinely loved and see where it got him. Seems like a simple and obvious thing to say, but considering the amount of people just chasing hits with little regard for vision or artistry, a statement like that struck me when I read it. So I was excited to meet him and see what he was about. First day we met we all wrote Common People, second day we wrote Lucky Again. In December of last year we went back in again, finished those ones, wrote and produced 3 others that are also on this album. It was the studio line-up of dreams, @mrfredball @jmoon1066, @riley_mac. Shouts to Louis for letting us do our thing, letting a dork like me come write some weird lyrics and weird melodies, trust us to shape the vision that he had. These last few years were dark at times, but it was moments like that where I remembered why I’m obsessed w music and why it’s all I’ve ever understood. incredibly proud of the work, Holding on to Heartache is genuinely one of my most favourite songs I’ve ever been a part of.

Also I was reading something about the album and it mentioned something about the gospel choir on the bridge of that song… nah man thats’s just 200 stacked of me singing super super high in the studio out back of Fred’s house😂]

[jikooklove9795]

JIKOOK & NOV 8th 2015

In South Korea couples have a unique and delightful way of celebrating anniversaries marking special milestones. They commemorate these milestones by exchanging personalized gifts, going on romantic dates, by wearing matching clothes or by sharing photos documenting their relationship. This is done in recognition of their continuous love and appreciation.

Now let's dive into see how Jikook celebrates a special a date in their relationship.

On Nov 8th 2015 Jikook posts their first video together on twitter

Exactly 100 days after Nov 8th 2015 Jungkook made a tweet about the importance of lyrics in a song and uploaded his cover of Nothing Like Us by Justin Bieber

One year later on Nov 8th 2016 Jimin posts a video of Jungkook and him sitting together on a plane

On Nov 8th 2017 Jungkook releases his first ever GCF. It was video documenting Jimin and Jungkook's private trip to Japan in 2017. A trip Jungkook planned and arranged as a birthday gift to Jimin

On Jan 26th 2018, which is 811 days from Nov 8th 2015 Jimin posted this pic. Do you see the black & white reference at the foot of the champagne glass? Interesting right??!!

On August 2018 BTS were in Malta filming BV Season 3.

1000 days after Nov 8th 2015 Jungkook posted a selca while in Malta at 10:13 local time which is Jimin time

And on the 1500the day from Nov 8th 2015 Jimin posts a selca at 1:50

Now before we move on let's take a moment to remember that Jimin won the Search King Challenge question where BTS had to find the 2000th day from the first episode of Run BTS. He used the NAVER Anniversary Calculator. Jungkook was not far behind. He was about to answer but lost by a few seconds to Jimin. Hoseok had no idea about the calendar while Namjoon went for Google. So, this shows Jimin often uses the calculator for finding important dates and anniversaries

Okay, now back to our main topic.

BTS PTD Seoul Concert in March 2022. And during the concert...

He said "This is Jimin from grade 2 class 3 number 15". Cause March 10th 2022 was exactly 2315 days from Nov 8th 2015.

Remember the rectangular Maison Margeila pendant which Jimin wears? He wears the one where the number 11 is encircled.

Let's take out 11 and add all the other numbers on this pendant.

10+12+13+14+15+16

And we get 80

So, what do we have

11/8

On Feb 21 2022 Jungkook posted a video on his IG highlighting 23:08 which is basically 11:08 however the story was originally posted at 1 am

On October 26th 2022 (which is 13 days after Jimin's birthday and 13 days to Nov 8th) while in Qatar Jungkook posted a pic on his IG at 11:08 pm KST

There are a myriad of references to 11/8 from song covers, song recommendations ending at the 1:18 mark to pics posted by both Jimin and Jungkook.

Both Jungkook and Jimin has shown how they are serious about these numbers relating to their relationship or those about each other. Reminds me of how Jimin started a live on Sept 1st 2023 wearing a 1997 model watch adjusted to Jungkook's birth time

Nov 8th 2024 marks their 9 years of togetherness.

So, let me conclude this post by wishing the couple a

"Happy Anniversary"

💛💜

Credits to the owner of the video

[dame-de-pique]

Most popular posts of Dame-De-Pique since 2014.

1). 41,505 notes - Jan 9 2019

2). 34,193 notes - Nov 16 2016

3). 33,989 notes - Nov 16 2017

4). 29,430 notes - Jul 3 2016

5). 27,741 notes - Feb 17 2016

6). 24,272 notes - Nov 16 2017

7). 21,051 notes - Nov 13 2017

8). 17,442 notes - Sep 16 2014

9). 16,553 notes - May 15 2014

10). 15,729 notes - Nov 1 2020

Created by

Tumblr Note Counter

[fanauthorworkshop]

Applications now open!

The Fall 2024 Fanauthor Workshop is a 7-week writing course led by Betts (@bettsfic). The workshop lends a supportive space to writers who identify as fans to receive constructive feedback on fanfiction, original fiction, or creative nonfiction.

Art by @emimayooo 💖

Where & When

We meet weekly over Zoom. You can apply for one of two sessions:

Group A: Wednesdays from Oct. 9 - Nov. 20, 12-2pm EST

Group B: Mondays from Oct. 7 - Nov. 18, 6-8pm EST

What

FAW is a feedback-oriented workshop with the occasional generative session. This means that each week we read 2 pieces submitted by participants, offer written feedback, and discuss them over Zoom. You'll be able to sign up for the week you would like to workshop your own piece, which can be anything under 6k words.

There may be weeks where, in lieu of workshopping, I present external readings and writing exercises. These sessions will be dependent on the number of participants. For example, if we have 10 participants and 6 workshop weeks, that means one week will be devoted to a reading discussion and generative activity.

I developed a workshop model that focuses mostly on affirmations and positivity, as well as descriptive over prescriptive feedback, which is to say, describing one's experience of reading rather than prescribing solutions to perceived problems. We also present improvement-oriented feedback, but avoid negativity, judgment, and pedantry. Week 1 is spent going over the model and how to give feedback.

About FAW

The first FAW was held in 2017 as an independent study in my MFA. I restarted it in 2022 and since then have led 9 sessions with a total of over 50 participants, about half of whom have participated in the workshop more than once.

Participation in the workshop includes entrance into the FAW community, an active Discord server where we host:

Ongoing accountability meetings, where we chat over Zoom about our projects and set goals for ourselves every other week

A monthly longform writing workshop, where writers can workshop any story between 6k and 100k words

A short story club, where we read and chat about original short form works

Events and activities like movie nights and co-op gaming

Scheduled write-ins and impromptu writing sprints

We also chat about writing and craft, offer resources, and share many, many pet photos.

In addition, participants of the workshop receive:

A one-hour consultation with me to go over your workshop feedback, come up with a plan for revision and/or publication, or anything else you’d like to discuss regarding your writing

Open enrollment in future workshops

Priority sign-ups for WTFS (Write the Fucking Story), WIP Cleanout, and other one-off generative sessions

Eligibility

Anyone over the age of 18 who considers themselves a participant of fandom and who is familiar with fanfiction may apply. A stable internet connection is also required.

Cost

The cost of the workshop is "pay what you can" with the recommended amount of $300. To be as inclusive as possible, I don't want money to be a deterrent for anyone interested in participating.

Payment (or notification of nonpayment) will be requested prior to the start of workshop via PayPal, Venmo, or Wise. You can also pay in installments.

Application requirements

To apply, you will need:

An informal cover letter discussing your fan history and goals as a (fan)writer (more specific instructions on submittable)

A short sample of your writing, either original work or fanfiction. This may be previously published/posted

You can apply via submittable. Applications close September 15.

FAQ under the cut

FAQ

Are there any content restrictions to what I can workshop?

The only restriction is word count (max 6k), with the following caveats:

If you workshop a piece in a form other than prose (for example, a script), your peers may not be able to offer constructive feedback on that aspect of the work. Participants are asked only to have a familiarity with prose.

Content warnings are required for each piece (if applicable), and participants who are uncomfortable reading certain subject matter may abstain from your workshop.

What is the time commitment of the workshop?

As a participant of the workshop, you'll be asked to:

Workshop any piece of your own prose up to 6k words, which will need to be uploaded to the group folder one week before your workshop.

Read 2 pieces per week, write out your individual crit, and attend the workshop itself.

What is the timeline of the workshop?

In week 1, we go over the syllabus and do a writing exercise. Weeks 2 through 7 will be a workshop, a discussion of an external reading, or a writing activity. Prior to the start of workshop, you'll be able to sign up for the week you would like to workshop your piece.

Structure of the sessions:

Question of the day

First workshop

Short break

Second workshop

We'll go over my workshop model and the syllabus in week 1.

Do I have to participate in the Zoom meetings (camera and mic on)?

Attending the workshop itself is required, and everyone is asked to offer at least one note of positive feedback on each piece, so mics are necessary. Cameras are preferred but not required.

You can't asynchronously participate, i.e. read the pieces and offer written feedback without attending the sessions.

Can workshop participants submit to OFIC Magazine?

Yes! Part of the reason I run the workshop is to inspire and promote the original work of fanwriters. You can follow us on tumblr @oficmag.

Who is running the workshop?

@bettsfic! In short, I lived a dreary cubicle life as a banker until I found fanfiction at 24. I loved it so much that I quit my job to get an MFA in creative writing. I loved the MFA so much that I became a writing teacher. I have some publications, awards, an agent, and 2 million words of fic on ao3. I don't have a book out yet but I'm getting there.

Currently I'm a writing coach and freelance editor. I also have a lowkey writing-related newsletter. And I've been answering writing advice asks on my blog for 10 years.

If you want an idea of the kind of writing activities I create, last summer I worked with @books on a workshop series which includes craft essays and some fun prompts.

If you're interested in my original work, my short story "Not If, When" is a good representation of my writing. For something darker, check out "Shut Up and Kill Me."

What is the workshop like?

Check out G's experience of attending the workshop. And here's some feedback from previous participants.

One final note: I'm working on updating the copy about the workshop on my website and move it over to OFIC's website. This post and Submittable has the most updated information on the workshop. If you have questions about discrepancies (or anything at all), you can shoot me an ask, DM me, or add me on Discord (I'm bettsfic there too). Or you can email me at ekweeks@gmail.com.

[ahaura]

Abby Martin tweeted (Nov. 7) a link to an interview she did with an former IOF soldier, Eran Efrati, posted in 2017. He describes the standard brutality of the IOF and how the soldiers enforce the apartheid state—protecting settlers; the standard practice of execution by both the IOF and police; the systematic dehumanization of Palestinians; the role and treatment of Arab Jews in the Israeli state; and Palestinian resistance.

Some excerpts:

"I didn't feel like I was protecting anyone, I didn't feel like I was keeping anyone safe. I feel like I'm terrorizing people. [...] I felt like I was the terrorist. And my job was literally to scare people so they cannot think about acting against the Israeli settlers or the Israeli military. That was actually our defined mission. [...] To instill fear in the hearts of Palestinians [...] and that's exactly what we did."

"At the age of 15-16, I began being almost obsessed with trying to understand the Nazi side in the Holocaust. Not only to hear the stories of the Jewish victims and any other victims of the Holocaust, but to try and understand how can a Nazi soldier get up in the morning, give his kids a kiss, a wife a hug and go out to the camps and do his job. I just couldn't understand it. And when I got into the occupied territories, for the first time I understood how there can be a contradiction inside yourself. As a human being you could do your job and be one person at home—be a loving, caring boyfriend or a son or a brother—and at the same time hold people under a regime so oppressive that people are dying not from only your bullets but the amount of calories being entered into their territory like in Gaza, from depression or sickness. [...]"

"Israel is selling the idea that the soldiers are more important than anything, the soldiers are more important than the lives of Palestinians—not just the life of soldiers, but identity, security, feelings—are more important than Palestinian life."

"Israelis are saying in a very clear voice [...] not only will we oppress Palestinians and do whatever we want, but in a very specific way of saying [...] whatever soldiers do in the occupied territories are right. Whatever we're doing is the correct thing."

AM: I want you to talk specifically about the culture within the Israeli military that fosters anti-Arab sentiment, and racism, essentially. EE: I think the system is not only inside the military, [...] that's actually what being an Israeli means. Growing up in the Israeli educational department, you understand that all the Arabs hate you, that they're actually in a way the continuation of the Biblical amalek, or Hitler, or that everybody there want to throw you into the sea. This is what you're growing up with and you really believe in that. [...] Going in the military, you're already so full of hate and fear at the same time that you don't need much to be very aggressive, violent, and racist toward Palestinians. They see the Palestinian women and the Palestinian men as subhuman. The occupied territories are like an ex-territory, when those human beings are not considered human beings."

(In response to attacks on Israeli soldiers) "[...] I learned [...] that if you will not respect existence, you can expect resistance. And this is how people resist. Israel as a state likes to use the idea that Palestinians only understand force, or power, but the truth of the matter is that Israelis only understand power and force. Every other attempt from Palestinians to try and negotiation this situation in a diplomatic way was countered by more attacks, more oppression, and more occupation, more stealing of the land, more destroying of homes, more settlements being built. We decided to call going into the U.N. 'diplomatic terrorism,' and to go into the ICC 'international terrorism.' We basically describe every form of resistance as terrorism because the sole idea of the occupation is not to be safe; the sole idea is to create an ethnically cleansed piece of land only for Jewish people—with Palestinian workers, of course some Palestinians can stay and do stuff for us—but this is our land. What people maybe don't understand is that Israel is creating the conditions in to the situation of constantly having to 'protect' yourself. We're creating this situation by oppressing millions of people [...] [until] they have no other choice but to resist."

"[...] the truth is that Israel do not hear the diplomacy, Israel do not hear the call of the Palestinians for equality. What we are seeing Palestine is what a lot of people like to describe as the most complicated political situation of our time [but] what is probably the most simple political situation of our time. It's a situation about equality."

AM: Would you say that you support the right of Palestinians to fight their occupiers? EE: Absolutely. I support the right of every human being under an oppressive military rule to resist this rule by any means possible. I do not believe Israel has a right to occupy millions of human beings without every decent human simple basic rights for their name. And I do not believe that Israel will change on its own. At no point in history there was a state or a power that had the power and control over other human beings and benefit from it and just decide to let go of this power on its own. It was always forced on them by the resistance of the people underneath them. All the intervention of other forces around the world. And unfortunately, as I do support the Palestinian right to resist, in any way, I do not believe that their resistance is enough. I do believe that the rest of the world has to interfere. And what's going on in Palestine—there's nothing else we can do except for giving all the Palestinians equal rights and starting a new state, a new equality system for all human beings on the ground."

[inevitably-johnlocked]

Hey Steph,

I am in the mood for some really long fics. Preferably not AU as I find those hard to get into. Although, like always, I am open to your all your suggestions.

Loves Seven.

Hi Lovely!!

Ahhh, I've a TONNE of long fics, and a lot of them AREN'T AUs! I'm gonna use your ask as an excuse to post a new list, and please check out the other pages linked below! I label if a fic is an AU or not, so just skip over those if you're not up for them! Enjoy!

NOVEL LENGTH FICS: 50 to 100K Pt 4

See also:

Novella Length Fics: 20 to 25K (Oct 2020)

Novella Length Fics: 25 to 50K (Aug. 2019)

Novella Length Fics: 25 to 50K Pt 2 (July 2022)

Novel Length Fics: 50 to 100K (Nov. 2018)

Novel Length Fics: 50 to 100K Pt 2 (May 2020)

Novel Length Fics: 50 to 100K Pt 3 (Jul 2022)

Novel Length Fics: 100K+ w. (May 2019)

Novel Length Fics: 100K+ w. Pt 2 (Aug 2020)

Novel Length Fics: 100K+ w. Pt 3 [MFL’s] (Dec 2020)

Long Domestic Johnlock (50K+ w.) (March 2023)

Smut-Free Fics Over 50K (Aug 2019)

Top 20 Fave 40K+ w. Fics (April 2017)

Long S3/Post-S3 Fics (20K+ w.) [Apr 2020]

Hurt / Comfort Pt. 4: 50K+ Words Pt. 1

Anxious / Worried Sherlock Pt 2 (Over 20K w.)

Long Pining Fics (50K+) [March 2023]

G,T, & M-Rated Johnlock for Newcomers Pt. 3 (20K+)

Genius is a Star Whose Light (is Soon to Sink in Endless Night) by LoloLolly (M, 51,812 w., 11 Ch. || Canon Compliant Through TFP/S4 Is Canon, Aftermath of Serbia, Alternating POV,  Established / New Relationship, Parentlock with Rosie, Explicit Torture, Mentions of Sherlock’s PTSD, Mentions of Human Trafficking, References to Child Abuse, Violence, Kidnapping, Captivity, Angst with Happy Ending, Fluff, Case Fic, BAMF / Soldier John, Sherlock Whump, Mycroft and John Work Together, Marriage Proposal, Autistic Sherlock, Lestrade Finds Out, Polyglot Sherlock) – Sherlock had buried the past. Shut Serbia away in the attic of his mind palace. Muddy footprints at a heinous crime scene, however, have led him right back to old enemies. And right back to captivity. For God’s sake, Mycroft. Part 2 of the Earthly Pomp (Is But a Dream) series

Spare Parts by Raina_at (E, 63,497 w., 10 Ch. || 24th Century / Futurism AU || Post TRF, Pre-TRF Relationship, Case Fic, Mutual Pining, Estrangement, Reconciliation, Science Fiction, Reunion, Nightmares, Angry John, Cybernetic John, Emotional Discussions / Heart to Heart, POV John, Scars, Past Drug Use, Forehead Touching, Emotional Lovemaking, Kissing, Apologies, Kidnapping, Rescue Mission, BAMF John, Bed Sharing, Top Sherlock) – Two years ago, Sherlock Holmes jumped off the roof of New London Hospital. Two months ago, he walked into John's clinic as if no time had passed at all. John hasn't seen him since. But then Sherlock knocks on John's door with a case he can't say no to, and while figuring out why the biggest manufacturer or synthetic limbs in the System is going after veterans, they also need to find out whether there's a way to fix what's broken between them. Part 1 of Realigning Gravity

Swallow the Night by ArwaMachine (E, 87,873 w., 15 Ch. || TSo3/Stag Night Fix It, TAB/S4 Divergence, Toplock, Mutual Pining, PWP, Drunk / Public Sex, Anal Fingering/Sex, Alcohol-Induced Amnesia, Everyone Knows Except Them, Emotional Love Confession, Demisexual Sherlock, Internalized Homophobia [John], Parentlock with Rosie, First Kiss, Drug Relapse, Infidelity, Texting, Masturbation, Oblivious John, Emotional Love Making, Angst with Happy Ending, Dreams and Nightmares) – “Do you know how long,” John panted, his cheek scraping against the wall, looking back at Sherlock through half-closed eyes, “I’ve wanted this?” Sherlock pressed himself against John’s back, biting at John’s ear. “Not nearly as long as I have,” he whispered.

Bakers with Benefits by Raina_at (E, 88,130 w., 14 Ch. || Great British Bake Off AU || Strangers to Lovers, Switchlock, Friends with Benefits, Mentions of Alcoholism / Past Drug Use, Banter, Flirting, Fluff, Light Angst, Semi-Public Sex, Past Sherlock/Victor, Mutual Pining, POV Sherlock, Obsessive Sherlock, John’s Bum) – Sherlock Holmes has a successful YouTube baking channel, but what he really wants is his own bakery. When an old friend sends him a call for the very first Great British Bake Off, he seizes the opportunity to finally win a sponsor for his bakery. Here's the plan: Win Bake Off, get the bakery, don't fall in love with the handsome Army doctor at the neighbouring station. Easy.

Fade To Black by twistedthicket1 (M, 93,389 w., 29 Ch. || Split Personality Disorder / DID, Action, Romance, Violence, Implied Rape/Non-Con, BAMF John, Fluff and Angst, Baskerville, Human Experimentation, PTSD, Implied Self Harm, Trauma Amnesia, Past Child Sexual Abuse, Protective Sherlock, Smoking, Meddling Mycroft, Past Victor/Sherlock, Gay Sherlock, Sherlock’s Past, First Kiss/Time) – John Watson believes one day he'll just fade. That he'll drown in the black spaces of his mind, and that one day he will no longer exist. It's always been like this, the dark spots marking out moments in his life he can't remember. Where for just a moment he's someone else. Having a Dissociative identity disorder, he can't even be entirely sure he's really who he says he is. Then he meets Sherlock Holmes. A brilliant detective who when he looks at you can read your entire life story. John is immediately fascinated and afraid, half-wondering if maybe Sherlock can see the other personalities in him and half terrified of the thought of him finding out. Becoming his flatmate seems at once to be a wonderful and horrible idea. Yet as John's Blackouts become more and more severe and his other personalities begin to truly awaken and show themselves with Sherlock's help, the two soon discover that sometimes even the kindest person can harbour a demon best left untouched inside of them. Because not all of John's other personalities play nicely and some may be hiding secrets best left undisturbed...

[3416]

Why the Leafs should give Matthews and Marner a chance to play together

by Jonas Siegel | November 19, 2017 | The Athletic

MONTREAL — Auston Matthews and Mitch Marner werewaiting a while for this opportunity.

You could feel it in the excitement of the two youngest Leafs after they not only got to play together for the first time all season on Saturday in Montreal but connect on a couple goals in their team’s sixth straight win.

“Obviously me and Mitchy have a pretty good relationship off the ice – Marty as well,” Matthews said of himself, Marner, and Matt Martin, the third member of a trio Mike Babcock concocted in the second period of a 6-0 win. “Kind of gives you a nice spark when you play with a couple of your buddies that you don’t really get to play with a lot.”

Babcock threw cold water on their excitement pretty quickly. He said he planned to revert back to the line combinations he started with against the Canadiens when the Leafs hosted Matthews’ hometown Coyotes on Monday night.

But maybe the Leafs coach should give it a chance.

Matthews and Marner, for one, seem eager to pursue the connection. Both said they were curious about what it would be like to play with the other having barely done it so far in their young NHL careers. The two were on the ice together for just under 71  5-on-5 minutes last year and just over 11 minutes this year before Saturday night.

Both have also played consistently on separate power-play units.

“Yeah, of course,” Matthews said, when asked if he was intrigued to play with Marner. “We got a little bit of time together last year and never really – we made some plays and had a lot of fun, but I don’t think we ever really scored a goal so it’s nice to get out there with him and obviously create some offence and put some in the net.”

The pair are close. The kind of pals who drove to the rink together all of last season (though not this season with Matthews moving places). The kind who play video games and wear matching throwback suits — complete with fedoras. The kind who famously sang along to Bon Jovi’s “Livin’ On A Prayer” on the bench at about this time last year. The kind who finish pre-game warmups by passing pucks back and forth to one another before exiting the ice in near-unison.

“We’re very close with each other,” Marner said. “It’s exciting when you get out there and get to play with those guys.”

The connection might just work, too.

Marner hadn’t registered a single assist on Matthews’ first 50 goals in the NHL before setting up two (No. 51 and 52) against the Habs. He delivered a bullet backhand pass to set up the first one and added another when the American ripped his 12th of the season past backup Antti Niemi.

“I think when we first got together the chemistry wasn’t really all there,” said Marner, born four months before Matthews in 1997. “But I think in the third period we kind of turned it around and got back to what we wanted to do and got the puck towards the net.”

Though they’ve ripped off their longest win streak since Dec. 2014, it’s not as if the Leafs have been beating down the doors of the opposition, especially when it comes to the offence. They weren’t quite struggling with 15 goals in the previous five games (three on the power play), but they weren’t really electrifying either ��� especially without Matthews, who was playing his first game since Nov. 6 on Saturday.

“I think what our guys are finding is last year a lot of our games were way looser than this year. The opposition plays way tighter against us; there’s less room and so it’s harder for you,” Babcock said of the offensive grind prior to the game against the Habs.

What also had become evident before Matthews sat out four straight with a mysterious upper-body issue was a diminished connection between himself and William Nylander. Babcock actually broke up the duo in a Nov. 4 loss to St. Louis only to reunite them again two nights later.

Nylander had zero goals and only three assists in his previous eight games with Matthews (Oct. 23 – Nov. 6) and while the 20-year-old, who’s up to 21 points in 17 games, was still producing, he did so almost in spite of Nylander, who finally broke an 11-game goal drought on Thursday.

It’s also worthwhile for the Leafs to see what kind of chemistry exists between Matthews and Marner if only to answer lineup questions — both now and later.

(Photo by Mark Blinch via Getty)

Marner has only ever played with one centre consistently in Toronto and that’s Tyler Bozak, who might well be gone after this season. Since it’s unlikely that the Leafs other 20-year-old teams up with Nazem Kadri in a matchup role, Babcock might as well see what’s there with him and Matthews. The Leafs coach leaves himself only one centre otherwise (Bozak) for Marner to play with.

Then there’s the potential future in which Nylander slides over to centre and plays without Matthews — something that gets easier in theory if another winger finds chemistry with the team’s No. 1 centre.

Constructing a lineup with Matthews and Marner together is a little dicey, but if Babcock is willing to separate Leo Komarov from Kadri (a pairing he’s used almost without exception in recent years for defensive purposes) then something like this might work:

Zach Hyman – Auston Matthews – Mitch Marner

Patrick Marleau – Nazem Kadri – William Nylander

James van Riemsdyk – Tyler Bozak – Connor Brown

Matt Martin – Dominic Moore – Leo Komarov

Both Matthews and Marner are hoping their coach gives it a shot.

“Obviously it’d be nice to stay with him,” Marner said. “We’ll see what happens though.”

*Advanced stats courtesy of Natural Stat Trick

(Feature photo by Minas Panagiotakis/Getty Images)

[eternal-echoes]

“Contrary to what many believe, gender theory does not aim to create an endless spectrum of genders, but to abolish sexual differences. The ultimate goal is to erase what Saint John Paul II called "the spousal meaning of the body." After all, for diversity to exist, there must be objective differences. However, the ultimate diversity is male and female.(20)”

-Jason Evert, Male, Female, or Other: A Catholic Guide to Understanding Gender

—

Work cited:

20) Cf. Michelle Cretella, "Dr. Cretella on Transgenderism: A Mental Illness Is Not a Civil Right," TFP Student Action (Nov. 15, 2017).

—

For more recommended resources on gender dysphoria, click here.

[glennk56]

Martyn Ellis. (2 of 2) photos from 2010 - 2022.

PHOTOS

1. 2010/May. The Tudors 4;6

2 - 4. 2014/Apr. The Smoke 1;8 (first photo is a publicity photo)

5. 2016/July. Agatha Raisin 1;6

6 - 8. 2017/Apr. Decline and Fall 1;2 (British 3 episode mini-series)

            (Pictured with Jack Whitehall)

9 - 10. 2017/May The Last Kingdom 2;1

11 - 12. 2017/May. Father Brown 6;3

13. 2019/May. Catch-22 (USA 6 episode mini-series)

14. 2019/Sept. A Confession 1;1 (British 6 episode mini-series)

15 - 16. 2019/Nov. The Accident 1;3 (British 4 episode mini-series)

17. 2021/Feb. It’s a Sin 1;3 (British 5 episode mini-series)

18. 2022/Apr. Why Didn’t They Ask Evans 1;1 (UK-US 3 episode mini-series)

[jikooklove9795]

TIME TO CALL ME DELUSIONAL BUT HEAR ME OUT!!!!!

One of Jungkooks last lives was him wearing the black and white Nike jacket.

Later we seen Jimin wearing the same one.

Everyone pointed it out..

Not to mention they were even matching with wearing beanies but back to my point-

A year ago today Jikookers were in Japan together, they’re safe place really.

Once he saw the snow, Jungkook said he’d remember that moment with Jimin while enlisted.

Today. 11/27. Jungkook changes his/Bams IG pfp with him wearing the same black and white Nike jacket…

Do you see where I’m going with this???

Hey Anon 😊

You really got some points there

We got to see Jungkook wearing the Nike Swoosh Black Jacket along with a black beanie during his Dec 8 2023 live

But we have seen him wearing this Nike Jacket in a live before, right?

When?

The March 14 2023 live. Where Jungkook started the live at 8:11 KST (cough 8/11 cough). The same live where he teased Jimin's SMF pt2 reminding us all that something amazing is gonna come up at midnight. It was White Day in SK.

On Dec 27 2023 we see Jimin wearing the Nike Swoosh Black Jacket along with a black beanie in BTS Monuments Beyond The Star

Jimin was in self quarantine at the time. So, its from Dec 14 2021. We get to know about the date from Jimin's phone screen and also from his conversation with Hoseok the same day

Now let me do a brief recap of Jungkook's Dec 8 2023 live.

When Jungkook starts the live, we see him walking home. He's going home after his workout. He talks about Bam (cause there was a rude comment asking him if he abandoned Bam), how he adopted Bam, took him home and cared for him, about Bam's training center, how he often visits Bam there and brings him home whenever he can. It is during this live that he hints that maybe Bam will have an IG in the future.

He sings songs for ARMY. Complains about the sweat. And changes his outfit to a purple hoodie just 15 mins before the live ends.

Now let's talk about the second part of your ask. About Jikook's conversation in Japan

Jikook got their first snow of this year in SK on Nov 27 2024.

Jungkook changed Bam's IG profile pic on Nov 27 2024 to this pic

And posted a new pic of Bam (the 13th post as pointed out by sydneylaurelseven)

When I saw Bam in this outfit I immediately thought of Jikook twinning on Valentine's Day in 2017

The song is a romantic one released in Dec 2017.

These lyrics:

I hope the white snow will pile up tomorrow morning

Then I'll make you a warm cup of tea

Just keep staying by my side

Promise me

So, I think when the first snow fell in SK Jungkook was reminiscing about his time with Jimin in Sapporo. And also about Bam. His cute family of 3.

According to SK tradition, if you experience the first snow with the person you like, it will lead to a long lasting true love between the two. Because of this many couples promise to meet each other at a certain place to enjoy the first snow and hope for their love to be eternal.

BTS did this interview on Dec 2017. Here, Jimin said that his wish was to see the first snow every year.

And he did. He did it with Jungkook on Jan 8 2018. Their first snow together as a couple (that we know of). Maybe they had watched it before too but this was the only one they shared with us till now. They let us in on their cute, romantic moment

When asked about their favorite weather:

On Nov 25 2018 Jikook went on their ice skating date right after they landed in SK after their Japan Concert

This sweet, romantic moment where Jungkook wakes up, climbs the mountain, brings snow with him and gifts it to Jimin cause he knows Jimin loves snow. And we see Jimin being worried about Jungkook feeling cold. Both of them always thinking about the other

Jikook playing with the snow filters designed by Jimin (Oct 10 2016)

On Nov 25 2023 Jikook flew to Sapporo. Sapporo is also a wonderful winter honeymoon destination for couples.

Jungkook enjoying his trip to Sapporo with Jimin and expressing it

Also, do you notice the watch Jimin is wearing?

He's wearing the same watch he wore during his Sept 1 2023 live. The 1997 model watch, which was set to Jungkook's birth time when he started the live (I love that moment so much. Its so romantic and loud. There's no other explanation to why he did that other than the most obvious one which is proudly showing his love for Jungkook).

Jikook had so much fun in Sapporo, enjoying each other's company, creating memories to take back home with them

Did Jungkook post those 2 pics intentionally on the same day when the first snow fell in SK?

When we (jkks) saw those 2 pics our mind immediately went to Jikook, right? Because in the first pic of Jungkook with Bam, Jungkook's jacket is the same as the one Jimin was also seen wearing (including the black beanie). The second pic is the one where Bam's wearing a green and grey jacket. Again, Jikook were seen twinning in green and grey jackets on Valentine's Day.

So, is it all a coincidence?

In my opinion Jikook and the word coincidence don't go hand in hand. Cause once, twice or even thrice can be considered a coincidence. But when it comes to Jimin and Jungkook its not a coincidence but a consistent pattern of their choices.

We have seen the whole Jikook sharing/ matching clothes, accessories saga, right? They even did it during their Solo Era. So, I'm not gonna share all that here since most of you would have already seen it. But I'll share some which looks really interesting:

1) Jimin wearing Jungkook's old T-shirt in Hoseok's bday live

2) After Jungkook uploaded GCF Tokyo an Army commented under the official BH tweet asking Jimin if he's dating Jungkook and if he is then to post a selca with glasses. After 3 days Jimin uploads a video where he is seen wearing the same green hoodie which Jungkook wore during their Tokyo trip, with a glasses filter on. He captions it "glasses"

3) Jikook in denim shirts. They looked and acted so couple coded here that Namjoon asked them if they were dating to which neither of them responds nor denies it

4) BTS pic with TXT where Jikook are wearing matching black outfits along with the hats

5) Jikook in couple pajamas for LGO MV. Jungkook wanted it to be as realistic as possible. And thats why there were seen sharing a room together cause thats what they have been doing in real life. Sharing a room, a home and being a couple

6) Jikook's color coordinated outfits for AYS Sapporo (Black & beige and Grey)

7) The staff had already prepared pajama sets for them, which can be seen on the bed but they chose to wear the couple pajama sets they brought with them

8) Jimin wearing Jungkook's sweater to bed in Winter Package

Jikook knows very well that we catch on to the hints and clues they keep dropping here and there.

So, I don't think we are delusional if we connected the pics Jungkook uploaded today to Jikook. Cause I think that's exactly what Jungkook was hinting at. And Jungkook himself said that when its gonna snow during their ms he would recall the moment he shared with Jimin during their Sapporo trip.

But add to it Bam too cause he's also a part of their family. So, when it snowed today in SK Jungkook's thoughts were filled with Jimin and Bam. His small, precious family.

Have a nice day, Anon 👋🏻

Credits to the owner of the video

[veneerpossibly]

TROLLSONA INFO!!

This is my Trollsona named Sneeby!! (The digital art was made by my friend!) This is his entire lore, his timeline, information from his younger self, his aesthetics, his relationships, and a lil stimboard!

SNEEBY INFO

Sneeby is a purple-skinned, green-haired, sleepy-ass little troll. He is literally a sleepy little guy, very jolly, and overall very loveable.

Full name: Sneeby Eeby Deeby

Age: 24

Gender: Male

Pronouns: He/Him

Traits: Sleepy, loyal, kind, and jolly

SNEEBYS KINDA INSANE AND A LITTLE WEIRD BACKSTORY

Back when Sneeby was 15 (2015, he was born in 2000) he once slept for so long that his family thought he had passed away during his slumber. so up until he was 23, he was buried alive in a grave. Around 2016 when his parents were eaten by Bergen's and all his siblings fled from his old home, his grave was basically forgotten and completely abandoned for years to come.

HOW SNEEBY WAS FOUND ALIVE

Poppy and Branch were traveling through the forest as they wanted to expand Troll village. They stumbled upon the grave and Poppy wanted to make the grave nice and clean again, aswell as bringing the grave closer to troll village to honor him. As they were digging up the grave to transport the casket, they heard Sneeby trashing around, discovering that he was still alive. How is he still alive after not eating food or drinking water for years straight? idk man!

SNEEBYS TRAUMA

Obviously, Sneeby has trauma stemming from being buried alive and the thoughts of death. The biggest fears for Sneeby is gross icky bugs, and the worst of all is being cramped into small spaces. My guy was LITTERALLY buried alive! Cramped spaces make him uncomfortable and make him feel shortness of breath, on the brink of passing out sometimes. Bugs also really gross him out, worms even grosser to him. He remembers coming out of the grave with bugs and worms infesting his hair and ears. He's utterly grossed out by the creatures and rightfully so. Graveyards and death mentions bother him quite a lot. Graveyards cus he was buried alive, and cus his parents are dead. 👍

LITTLE INFO OF HIM IN MIDDLE SCHOOL AND HIGH SCHOOL

My guy was an MMO, Tumblr, deviant art, discord, brony boy. Thats all I'm going to say until the official Sneeby middle school and high school art drops.

THE FULL TIMELINE

2000 - Sneeby Eeby Deeby is born on Dec 4th

2006 - Sneeby enters Kindergarten, hes a chubby lil troll with little chompers that stick out

2011 - Sneeby goes into middle school, he's a complete computer internet nerd.

2014 - Sneeby goes into highschool, still a COMPLETE puter nerd and dresses the same

2014 Nov - Sneeby meets his current friend group

2015 Feb - Sneeby meets Strawbella and asks her out

2015 June - Sneeby is buried alive, declared dead

2016-2017 -Sneebys parents go missing, presumebly eaten by bergens

2023 - Sneeby is found by Poppy and Branch, and brought to troll village where be reunites with his friends and girlfriend

2024 - Sneeby find where he used to live, only to find it was abandoned and he was told about his parents' death

AESTHETICS AND INSPOS

Sneeby didn't have any direct inspiration while being created if I'm being entirely honest. I'd say the characters that correlate with Sneeby is My Melody, Guedatama, Pusheen, Kirby, and Bob from Animal Crossing. I can't name his exact aesthetic. Sweets, nature, sleepy, babyish, cozy, soft, pastel, characters, and overall a cute aesthetic that I can't exactly name. Maybe some type of kawaii or something. If you have any suggestions to what this aesthetic would be called lmk!

HIS RELATIONSHIPS

Sneeby is dating one of my other trollsonas, her name being Strawbella. I plan on making a post like this entirely about her since she also has an entire backstory and timeline. He is best friends with 2 of my friends trollsonas, having a little trio!

THANK YOU FOR READING! :3

Sorry for this super long post, I just feel super passionate about my trollsonas, especially this one. I really appreciate if you read this entire thing! I hope to make posts like this for all my trollsonas as I have a ton, and they all connect. Anyways, here's the Sneeby stimboard! (Also, I am completely accepting of fanart and questions! I can provide a ref sheet.)

[dreaminginthedeepsouth]

Mike Luckovich

* * * *

LETTERS FROM AN AMERICAN

November 15, 2024

Heather Cox Richardson

Nov 16, 2024

Three years ago today, President Joe Biden signed into law the Infrastructure Investment and Jobs Act, more popularly known as the Bipartisan Infrastructure Act. That law called for approximately $1.2 trillion in spending, about $550 billion newly authorized spending on top of regular expenditures. As Biden noted today, it was “the largest investment in our nation’s infrastructure in a generation.” 

In the past three years, the Biden administration launched more than 66,000 projects across the country, repairing 196,000 miles of roads and 11,400 bridges, as well as replacing 367,000 lead pipes and modernizing ports and airports. Today the administration announced an additional $1.5 billion in funding for railroads along the Northeast Corridor, which carries five times more passengers a day than all the flights between Washington, D.C., and New York City. 

In his first term, Trump had promised a bill to address the country’s long-neglected infrastructure, but his inability to get that done made “infrastructure week” a joke. Biden got a major bill passed, but while the administration nicknamed the law the “Big Deal,” Biden got very little credit for it politically. Republicans who had voted against the measure took credit for the projects it funded, and voters seemed not to factor in the jobs and improvements it brought when they went to the polls last week. 

This lack of credit has implications beyond the Biden administration. As economist Mark Zandi told Joel Rose of NPR, “We need better infrastructure. We should continue to invest. But that's going to be hard to do politically because lawmakers are seeing what's happening here and they’re not getting credit for it.”

Meanwhile, President-elect Trump has been rapidly naming people he intends to nominate for his cabinet, and it is not going well. As Brian Tyler Cohen wrote on Bluesky: “The same people who’ve spent the last several years decrying ‘unqualified DEI hires’ are now shoehorning through Cabinet nominations who can’t even pass a basic background test.”

Cohen was not joking; Evan Perez, Zachary Cohen, Holmes Lybrand, and Kristen Holmes of CNN reported today that Trump’s transition team is skipping background checks by the Federal Bureau of Investigation, claiming that they are slow and intrusive.

But that lack of background checks has already mired Trump’s picks in controversy. 

Trump has said he would nominate Pete Hegseth, an Army National Guard veteran and co-host on the weekend edition of Fox & Friends, to become the secretary of defense. Since that announcement, news has broken that a fellow service member who was the unit’s security guard and on an anti-terrorism team flagged Hegseth to their unit’s leadership because one of his tattoos is used by white supremacists. Extremist tattoos are prohibited by army regulations.

News broke today that a woman accused Hegseth of sexually assaulting her after a Republican conference in Monterey, California, in 2017. According to Michael Kranish, Josh Dawsey, Jonathan O’Connell, Dan Lamothe, and John Hudson of the Washington Post, the woman who made the allegation said the alleged victim had signed a nondisclosure agreement with Hegseth. 

Now the transition team fears more revelations. “There’s a lot of frustration around this,” a member of the transition team told the Washington Post reporters. “He hadn’t been properly vetted.”

Causing even more headaches today for the transition team was Trump’s appointment of former Florida representative Matt Gaetz to become the United States attorney general. Immediately after Trump said he would nominate Gaetz, the representative resigned his congressional seat, forestalling the release of a House Ethics Committee report concerning allegations of drug use and that Gaetz had taken a minor across state lines for sex.

It is reported that the victim, who was a seventeen-year-old high-schooler at the time, testified before the committee. 

After spending an evening with Trump at Mar-a-Lago, House speaker Mike Johnson (R-LA) said that publishing the report would be “terrible” and that he would “strongly request that the Ethics Committee not issue the report because that’s not the way we do things in the House.” 

This, despite the fact that, as historian Kevin Kruse noted, “[f]or years now, the right has been accusing Democrats of running a shadowy conspiracy to protect politicians who are sex predators.” And, in fact, the House Ethics Committee did release a report on Representative William Boner (D-TN) in 1987 for allegations of corruption after he had already resigned the office to become mayor of Nashville.  

And then there is Trump’s tapping of former Hawaii representative Tulsi Gabbard to be director of national intelligence (DNI). Gabbard’s ties to America’s adversaries, including Russia’s president Vladimir Putin and Syrian president Bashar al-Assad, have raised serious questions about her loyalty. Making her the country’s DNI would almost certainly collapse ongoing U.S. participation in the Five Eyes intelligence alliance in which the U.S., the U.K., Canada, Australia, and New Zealand have shared intelligence since World War II. 

As former Illinois representative Joe Walsh wrote: “Donald Trump just picked someone to oversee our intelligence who, herself, couldn’t pass a security clearance check. She couldn’t get security clearance. She couldn’t get a job in our intelligence community. Because she’s too compromised by Russia. Yet Trump picked her to run the whole thing.”

Trump appears eager to demonstrate his control of Republicans in the Senate by ramming through appointments that will collapse the rule of law at home (Gaetz) and the international rules-based order globally (Hegseth and Gabbard). When Texas senator John Cornyn said he would like to see the Gaetz report, Trump loyalist Steve Bannon said: “You either get with the program, brother, or you're going to finish third in your primary.” A member of Trump’s transition team said that Trump wants to bend Republican senators to his will “until they snap in half.”

Despite the fact the Republicans will hold a majority in the Senate when Trump takes office, Trump’s picks are so deeply flawed and dangerous that Trump and his team knew they would not get confirmed. So they demanded that Republicans in the Senate give up their constitutional power of advising the president on high-level appointments and consenting to his picks: the “advice and consent” requirement of the Constitution. 

Trump demanded that the Senate recess in order for him to push through his choices as recess appointments. Even the right-wing Wall Street Journal editorial board came out against this scheme, calling it “anti-constitutional” and noting that it would “eliminate one of the basic checks on power that the Founders built into the American system of government.”

Now, in order to bring senators to heel, the Trump team is threatening to start its own super PAC to undermine the existing Senate Leadership Fund, whose leaders they insist are not loyal enough to Trump. A person close to Trump said that Senate Republican leaders “should reflect current leadership and the future, not the past.” “It doesn’t make sense,” one Republican operative told Politico’s Natalie Allison, Ally Mutnick, and Adam Wren. “Trump just had this massive win and now they are bringing in this Never Trumper.” 

But for all the spin, the political calculation for Republican senators is not as clear as the Trump team is trying to project. At 78, Trump is not exactly the face of the party’s future. Nor did he deliver a “massive win.” He won less than 50% of the popular vote with many voters apparently unaware of his policies, and while the Republicans did retake the Senate majority, they did so with very little help—financial or otherwise—from him. Republicans will have as bad a map in the 2026 midterm elections as the Democrats had in 2024, and Trump’s voters tend to be loyal to him and no one else, generally not turning out in midterms.

It is also possible that, aside from political calculations, enough Senate Republicans take seriously their oaths to “support and defend the Constitution of the United States” as well as the Senate’s role in the constitutional system of checks and balances that they will judge Trump’s antics with that in mind. 

LETTERS FROM AN AMERICAN

HEATHER COX RICHARDSON

[spaceotter42]

Three Hit Disney Shows Are Ending

Above: the final casts of Bunk'd, Raven's Home, and Secrets of Sulphur Springs.

by spaceotter42

Disney Channel's two longest running shows, "Raven's Home" and "Bunk'd," have been canceled, and a third popular show, "Secrets of Sulphur Springs," will also not return.

-------------------------------------------------------------------------

Bunk'd will air its final two episodes this Friday, August 2, 2024. The series was a spin-off of "Jessie," where three of the Ross kids went off to summer camp. The Ross kids' actors were written off the show after three seasons, but the storylines kept going using new, younger kids visiting the camp.

The only actor who appeared throughout the entire series was Miranda May, who played camp counselor Lou Hockhauser, eventually the owner of the camp, and May herself became an executive producer of the show. Camp Kikiwaka became the Kikiwaka Ranch as it morphed into a western theme in its sixth season, and the show gained a new subtitle: "Bunk'd: Learning the Ropes."

Bunk'd ran longer than any other Disney Channel live action show, 7 seasons, 162 episodes, and nine years, having premiered July 31, 2015. A highlight of the series depicted a gay marriage proposal in season six.

-------------------------------------------------------------------------

The Raven-Symoné starring sitcom "Raven's Home" was a revival of her earlier teen show "That's So Raven" which ran for four seasons from Jan. 17, 2003 to Nov. 10, 2007. Raven's Home, which now depicted her character Raven Baxter as a divorced adult with two teen children of her own, lasted even longer, for six seasons from July 21, 2017 to Sept. 3, 2023.

Among its ground-breaking storylines were an anti-vaping episode and a recurring trans character. Although Raven herself will be gone, her show will spin off another sequel focusing on Raven Baxter's young cousin Alice, again played by Mykal-Michelle Harris, as she was in Raven's Home.

Raven-Symoné will executive produce and direct the spinoff, "Alice in the Palace," which will have Alice move to England and interact with her doppelganger, Duchess Clementine. It's a sort of "Prince & The Pauper" sitcom, where the two will pretend to be each other.

A previous Raven spin-off, "Cory In The House," aired for two seasons in 2007-08. It featured Raven's dad serving as a chef in the White House, and showcased the antics of her brother Cory.

------------------------------------------------------------------------

The third ending series, "Secrets of Sulphur Springs," didn't run as long as the other two, but it was still popular. It ran for three seasons from Jan. 15, 2021 to March 24, 2023.

It was not a sitcom but an adventure/mystery show involving science fiction (time travel) and supernatural elements. Well-written and well-acted, it will be missed for its innovative approach to fictional and realistic problems. It featured an interracial teen romance and a strong anti-racism message.

The series starred teen actors Preston Oliver as Griffin Campbell and Kyliegh Curran as Harper Dunn.

The series sadly ended with a cliffhanger that was never resolved. Teens Griffin and Harper were visited by their son Nick from the future in an episode appropriately titled, "Nick of Time."

Writers note: I will miss all three of these shows. They weren't perfect but still harkened back to Disney's old style of entertainment with some relevant new topics included. Will newer shows be as good? Time will tell.

[aricastmblr]

"REAL" LOVE (partes del libro de BTS que van subiendo a twt)

loqueentendi- GCF en Tokio se filmó durante un tiempo en el que Jimin y Jungkook estaban en su nivel más bajo y planearon ese viaje para escapar de eso.

AMOR "REAL"

"G.C.F. en Tokio (Jung Kook y Jimin)", lanzado en YouTube el 8 de noviembre de 2017, es un registro dejado por Jung Kook y Jimin durante el periodo que fue más difícil para ellos mentalmente: jm-En los alojamientos, nosotros dos nos acostábamos más tarde. Nos gustaba pasar tiempo juntos cuando estábamos despiertos. Jung Kook y yo teníamos muchas similitudes en cosas así. Entonces, pensamos: "¿Deberíamos hacer un viaje?" "¿Qué tal Japón?" y en realidad fuimos. Cuando los dos revelaron por primera vez los planes de su viaje, Bang Si-Hyuk y los demás miembros de BTS estaban preocupados al principio. BTS ya eran estrellas internacionales. Los demás no pudieron evitar preocuparse por su seguridad. Al final, los dos fueron ayudados por un empleado de Big Hit Entertainment en Japón, y tomando las precauciones necesarias, partieron en su viaje. Jung Kook recuerda esa época: jk-Cuando llegamos a Japón, un empleado de la compañía estaba en el aeropuerto. Ya había conseguido un taxi, y tan pronto como llegamos al aeropuerto, salimos rápidamente con nuestro equipaje y nos subimos al taxi como si estuviéramos huyendo y nos fuimos….

---------------------------------------------

(estas pag.del libro solidifican lo que jimn y jungkook tienen desde siempre)

'Are You Sure?!' Announcement (from USA) bts bangtantv 15 jul 2024

G.C.F in Tokyo (정국&지민) 8 nov 2017 Golden Closet Film in Tokyo with JM @ 2017 Director JK Director Of Photography JK Editor JK Actor JM (BGM : There For You - Martin Garrix, Troye Sivan)

JiminxJungKook Are You Sure?! Sapporo Disney+ Season3 Episode 6

Inicia viaje el 25 Nov 2023

"G.C.F. en Tokio (Jung Kook y Jimin)"

G.C.F in Tokyo (정국&지민) 

Golden Closet Film in Tokyo with JM @ 2017

 Director JK 

Director Of Photography JK 

Editor JK 

Actor JM

 (BGM : There For You - Martin Garrix, Troye Sivan)

Publicado el miércoles 8 de agosto de 2017 a las 10:00:13 p. m. KST

G.C.F in Tokyo (정국&지민)

BANGTANTV

BTS_twt

7-8 nov. 2017

Golden Closet Film in Tokyo

[justinsentertainmentcorner]

Thania Garcia at Variety:

Linkin Park‘s new co-vocalist will be Emily Armstrong of the band Dead Sara, the band announced Thursday during a live performance event. Colin Brittain, a songwriter and producer for G Flip, Illenium and One OK Rock, will also join the group as a drummer. The announcement came with a new single, “The Emptiness Machine,” the band’s first new music release in seven years, and the lead track for an upcoming album dubbed “From Zero.” The set will arrive on Nov. 15 (via Warner Records) as the group’s first full-length effort since 2017’s “One More Light,” which came out two months before the death of lead vocalist Chester Bennington.

The group — which is composed of Mike Shinoda, Brad Delson, Phoenix and Joe Hahn along with its two new members — will also embark on a six-date arena tour, hitting Los Angeles, New York, Hamburg, London, Seoul and Bogota. See the complete tour routing below.

Emily Armstrong of Dead Sara is the new co-lead for Linkin Park, along with returning Mike Shinoda.