#2% on the petticoat

[pinkseas]

lumi wig out for delivery getting the sewing machine this weekend for sure already have all the base materials..... things are about to get So Scary i have GOT to make this happen i have GOT to make this work im so determined to do it

[lunarhobbits]

i feel like it's important that everyone know that quinton reviews did NOT make a 38 hour video on The Beverly Hillbillies.

quinton reviews's DAD made a 38 hour video on The Beverly Hillbillies seasons 1-3 (out of 9), Petticoat Junction seasons 1 and 2 (out of 7), related episodes of Mr. Ed, and the radio program Granby's Green Acres.

he hasn't even touched the henningverse media that's in color yet.

[chic-a-gigot]

La Mode nationale, no. 26, 2 juillet 1898, Paris. Notre patron découpé (Grandeur naturelle). Jupon de dessous. Bibliothèque nationale de France

Explications du Patron découpé:

Ce modèle très élégant se fait en soie, avec volant coupé en forme et plissé; il peut se faire également en alpage, moire de laine ou satin de laine avec volant uni ou garni de dentelle.

Il se compose de 4 morceaux:

No. 1. — Lé du devant; se taille double sans couture, c'est-à dire le milieu du devant au lacé sur le plis de l'étone.

No. 2. — Lé de côté; se raccorde au lé du devant à AB.

No. 3. — Lé du dos entièrement droit fil; se raccorde au lé de côté par CD.

Un pointillé sur chaque lé marque l'endroit où doit être cousu le volant.

No. 4. — Volant; se raccorde au lé du devant à E, au lé du dos à F.

Ce morceau est donné en patron d'une seule pièce; mais comme il est impossible de pouvoir le couper d'un seul morceau dans les étoffes de petite largeur, nous donnons sur le croquis la façon de le prendre dans une étoffe de 0m,56 de large.

1re partie; se taille double droit fil, le milieu du devant sur le pli de l'étoffe.

2e partie GHIJ; se prend entre les deux lisières.

3e partie IJ; se prend sur la lisière.

Ce volant pour être en plissé devra être posé sur l'étoffe préparée d'avance, les plis plus larges dans le bas que dans le haut.

7 mètres de soie en 0m,56 avec volant plat; 11 mètres avec volant plissé.

Le patron n'étant donné que jusqu'à la monture du volant, ajouter pour continuer le bas du jupon: 1er lé milieu du devant FK 0m,29; couture du côté LB, 0m,31. Largeur du bas, 0m,27.

2e lé: couture LB, 0m,31; couture MD, 0m39. Largeur du bas 0m,44.

3e lé: couture MD, 0m,39; couture FN, 0m,52. Largeur du bas, 0m,44.

—

This very elegant model is made of silk, with a shaped and pleated ruffle; it can also be made in alpine, wool moire or wool satin with a plain ruffle or trimmed with lace.

It consists of 4 pieces:

No. 1. — Front strip; is double cut without seam, that is to say the middle of the front laced on the folds of the etone.

No. 2. — Side strip; connects to the front strip at AB.

No. 3. — Back strip completely straight grain; connects to the side strip via CD.

A dotted line on each strip marks the place where the ruffle should be sewn.

No. 4. — Steering wheel; connects to the front strip at E, to the back strip to F.

This piece is given as a one-piece pattern; but as it is impossible to be able to cut it in a single piece in fabrics of small width, we give in the sketch how to take it from a fabric 0.56 m wide.

Part 1; cut double straight grain, the center of the front on the fold of the fabric.

2nd part GHIJ; is caught between the two edges.

3rd part IJ; gets caught on the edge.

To be pleated, this ruffle must be placed on the fabric prepared in advance, with the pleats wider at the bottom than at the top.

7 meters of silk in 0.56 m with flat ruffle; 11 meters with pleated ruffle.

Since the pattern is only given up to the flounce frame, add to continue the bottom of the petticoat: 1st center front strip FK 0m.29; seam on LB side, 0m.31. Bottom width, 0m.27.

2nd strip: seam LB, 0.31 m; MD sewing, 0m39. Bottom width 0.44 m.

3rd strip: MD seam, 0.39 m; FN seam, 0m.52. Bottom width, 0.44 m.

[sheliesshattered]

It's been almost two weeks since my last sewing update, but I have been making progress on a couple different projects, thankfully. I mentioned in my last post that I was hesitant to cut into a king-sized 100% linen bedsheet that I've been hoarding for 10+ years. I knew I wanted to make an apron, but I also knew that it wouldn't take up anywhere near the whole sheet, and I had the thought that I might be able to get two projects out of this one sheet (and the remnants of the matching fitted sheet) if I was careful about how I cut out all my pieces. Possibly a gathered tiered skirt/petticoat, along with the apron.

I measured the two long sides of the flat sheet that had identical ~1.25" deep hems, and I found that each side was 112" or just over 3 yards long, not counting the top and bottom hems. That meant if I did side seams, I could get a 6 yard wide bottom tier for the skirt and not have to do a hem at all, just use what was already there. Not the widest hemline on this kind of skirt (I have a purchased skirt with a 25 yard hem, and years ago I made a 26 yard tiered skirt out of muslin), but with this heavy weight linen it felt like 6 yards at the hem would be plenty.

Gathered tiered skirts are really just rectangles and a bit of simple math. Since the sheet's side hem determined the size of the lowest tier at 224", I figured I would do 2-to-1 gathers and make the next tier up 112" wide, and the third tier up 56" wide. A fourth tier at that 2-to-1 gathering ratio would have been only 27" wide, which wouldn't have fit over my hips, so the skirt would have 3 tiers.

I'm a short girl at not quite 5'2" and I like to wear my skirts pretty low on my hips for spoonie comfort issues, so after measuring a purchased skirt whose length I like, I decided that between 30" and 33" inches in total length would be ideal. With three tiers that length could easily be divided into tiers that are each 10"-11" tall. I added a half inch for seam allowance (but no hem allowance on the lowest tier, since I was re-using the existing hem) to get the exact measurements for each of the pieces I needed for the skirt.

I was able to tear most of my pieces, since the linen bedsheet was nicely on the grain and tore relatively cleanly, thus saving my hands from cutting all those long pieces. I had meant to cut the top tier at 14" tall so that I'd have room to turn under a nice thick waistband too -- and then I totally forgot and cut it at 12" just like the middle tier, lol. I was able to get one of the middle tier pieces and both of the top tier pieces out of the remains of the matching fitted sheet, so I only needed one middle and two bottom tiers from the flat sheet. That left me with plenty of flat sheet left over for the apron, but I'll talk more about that in my next sewing post.

With my pieces all cut out, it was time to start the most annoying part of making a gathered tiered skirt: gathering all those tiers. I'm trying to sew with cotton thread more often these days, but for the gathers I switched back to polyester thread just for the strength. For the two bottom tier and two middle tier pieces I ran two lines of gathering stitches along the top edge, placed pins to divide each panel into quarters, and got to gathering and pinning.

With tiered skirts I really prefer to work from the bottom up, so that I'm always attaching a gathered piece to a completely flat piece of fabric, and save side seams for last. So the bottom tier pieces got gathered up and attached to the middle tier pieces, then the middle tier got gathered up sewn to the top tier.

Since I accidentally cut my top tier pieces shorter than I'd meant to, I did play around with adding a separate waistband for the top tier to be gathered onto. But I couldn't do a full 2-to-1 gather if I wanted the waistband to pull on over my hips, and the waistband made the proportions look weird, like the top tier was too long. So I ended up cutting the waistband off after I sewed it and actually shortening the top tier even a little bit more. After turning under the top edge to enclose the raw ripped edge and then turning under 3cm (~1.2") for a waistband casing, that top tier ended up being about 9" tall, and the proportions of that look much better for some reason.

Before I sewed the side seams, I decided that this skirt needs to have pockets, of course. I knew I was planning to do French seams to protect the raw edges against unraveling, so I put the pockets in with a French seam as well.

With the pockets in place, the next step was to do the side seams (including the pocket bags), being careful to match up the height of the hem and each of the tiers so everything was nice and clean and square. Then I was able to turn under that waistband casing and sew it in place -- my original plan had been put in three separate channels for narrow elastic that would result in a bit of a faux-cartridge pleating look, but actually getting the elastic strung through there turned out to be more of a pain than it was worth, so I ended up picking that out and just using a single 1" wide elastic band in the waistband casing instead.

And with that, the skirt was technically wearable, and with some fabrics I might have been happy to leave it there. But the raw ripped edges at the seams between each of the tiers worried me. I've had well-loved sewing projects just shred after many wears and washes because I left the seams unfinished, figuring I would be the only one to see the inside. Ideally I want this skirt to be in my rotation for years and years, so I decided to make the effort to finish those seams too.

My original plan had been to cover the raw edges inside with 3/4" herringbone twill tape. For some reason I was convinced that I had a bunch of it left over from a Wasteland Weekend project from 2018, only to discover that I actually only had ~3 yards left. So rather than ordering more and waiting for it to arrive (and then inevitably having some of that left over too), I decided to just make some 3/4" tape from the linen sheet itself. Since this whole skirt is rectangles on-grain and the tape wouldn't have to go around any curves, I made the tape from on-grain rectangles too, rather than bothering with proper bias tape.

With the hem and the waistband already cleanly finished, I just needed tape to cover the ~3 yard seam between the bottom and middle tier and the ~1.5 yard seam between the middle and top tier. I tore nice straight strips, trimmed off the frayed edges, and ironed the raw edges under to give me that 3/4" width. It's three layers thick in the middle but only 2 layers thick on the sides, since it isn't a proper double-fold tape.

Then it was just an issue of pinning it over the raw edges inside the skirt -- first from the inside in roughly the right place and then from the outside to make sure it lined up with the seam well.

I stitched-in-the-ditch from the outside right where the gathers met the next tier up, and then went back and did another line of stitching just slightly up from that, using the width of my machine foot (~1cm) as a guide. That covered all the raw edges inside and reinforced the seam, and gave it a nice neat appearance from the outside.

It also had the added benefit of behaving almost like cording on a corded petticoat -- the gathered seems have a lot more body and stiffness now than they did before, which gives the finished skirt a really lovely lofty structure.

The whole skirt ended up being about 31" long, right in that 30"-33" length I had originally aimed for, and when I wear it low on my hips where it's most comfortable, it just brushes the tops of my feet.

My plan is to wear this mostly under other long skirts and dresses, more as a petticoat than a skirt on its own (tho it is heavy enough and neat enough to be worn on its own, if I want). That lofty structure from the seam finishes adds a lot of floof to my other long skirts, just barely peeking out the bottom of the purchased green skirt I originally measured to figure out the length for this one, and hiding completely under my purchased 25 yard burgundy skirt but giving it enough extra volume that it doesn't drag on the ground quite so badly.

As the colder weather sets in I'm sure this will get a lot of wear under skirts and dresses (including the several dresses I'm still planning to sew in the next couple months!), but even now in the last heat of summer it's quite comfortable to wear, since it's linen. Jack commented that it seemed like a lot of work for a skirt that won't be seen (and it did manage to remind me how much I dislike gathering long lengths of fabric), but as long as it's functional and gets used often, I feel like all the effort was worth it.

While I was putting this together, I also cut out and started assembling the apron project from the same bedsheet. Even with all those pieces cut out, I still have enough linen left over for at least one more, maybe two more projects. Next up I'm going to get to all the finishings on the apron (which will be getting its own post once it's done) and keep trucking along on the handsewn eyelets for the Lengberg Castle Bra-thing. And once those two are done, I think I just might be ready to finally start on all the dresses I want to make with my new fabric.

[hellafluff]

Was going through my files and found some art I never posted that I still like. I have 2 other unposted pieces but their both still very much WIP and I intend to finish them, even if its taking me a long time to get there.

[altruistic-meme]

i didn't get the specific one i was after, but i DID get a k-cup coffee maker!!! fuck yeah!!! and it came with a coffee filter too, so i can still make regular coffee in it :D

[dullahandyke]

Sadly not dressed up for Halloween but luckily I look like a freak on a normal day so I'm doing better than Johnny GAA-shorts across the desk from me. Did you guys know you can layer pants

[boatmediatourney]

⚓Boat Media Tournament⚓

Round 2, match 12

[bhaalsdeepbat]

The universe aligned in such a way that the weather is colder than a witch's titty, which means I can wear a Ghostface mask and I am going to be performing a burlesque number with it and a knife that is also a whip. Super sexy, but so many notes.

[misunderstandings-georg]

Shoe and blouse dramas sorted. Now to come up with last minute fall backs in case things don't arrive in time

[inspjavert]

so pretty sure this shirt is what lisa wears in the opening scene and to the party and this skirt is the closest ive found to the one she wears with the plaid shirt (they/he)

[throwing-roses-into-the-abyss]

me: hmm I wonder what clothes for myself I could make with one yard of fabric

the internet: have you considered having children so you can use up your one yard fabric scraps for clothes for them. or bags. that's it.

[forestthechonkykitty]

I really love sewing and making things but why the heck does it take so much energy,,,, like I stop for the day and ohhh boy I’m exhausted, I have no right to be as it’s a fricking hobby but wow

[illdothehotvoice]

I hope this package comes before i stream cause if not it'll probably come WHILE I am streaming and it's going to actually kill me waiting to open it

[scotianostra]

As you would expect February 29th is a bit bereft of anniversaries, but did you know..........

Anyone born on this day is said to be unlucky in Scottish culture, and referred to as “Leaplings.” True, they don’t get to celebrate many birthdays, but to make things worse, Scottish tradition adds on another layer by saying that leaplings are doomed to a lifetime of “untold suffering.” They also consider leap years as doomed for farmers, as the saying goes: “Leap year was never a good sheep year.”

Ithink we all know that it is the day of the year a lady can traditionally propose toher man, but in Scotland women intending to propose are advised to wear a red petticoat visible to their love – perhaps to give them fair warning! ;) Tradition also stated that any man who refused a Leap Day proposal should be issued with a fine, which could range from money to silk gowns.

If you are trying to work out the math on what you're exact age would be if you were born on February 29th, then you are in luck.

1920: 104 years old or 26.

1924: 100 years old or 25.

1928: 96 years old or 24.

1932: 92 years old or 23.

1936: 88 years old or 22.

1940: 84 years old or 21.

1944: 80 years old or 20.

1948: 76 years old or 19.

1952: 72 years old or 18.

1956: 68 years old or 17.

1960: 64 years old or 16.

1964: 60 years old or 15.

1968: 56 years old or 14.

1972: 52 years old or 13.

1976: 48 years old or 12.

1980: 44 years old or 11.

1984: 40 years old or 10.

1988: 36 years old or 9.

1992: 32 years old or 8.

1996: 28 years old or 7.

2000: 24 years old or 6.

2004: 20 years old or 5.

2008: 16 years old or 4.

2012: 12 years old or 3.

2016: 8 years old or 2.

2020: 4 years old or 1.

The next leap year will take place in 2028.

[nekohooch]

Otakon was amazing. Finally getting to wear my Azem summoning circle gown in person was so much fun. I had multiple people stopping me to gush over my costume and people from HERE telling me they saw it online and were so excited to see it in person. I haven’t been to a con since right before the pandemic and it was so nice to come back to a space I love so much. My goal of someone knowing what I was without me explaining was reached (thanks to the ffxiv photoshoot)! And I can’t wait to see the pictures of the group photo shoot. I added more details to the costume and (minus the stars which were my nemesis falling off the whole day) everything was perfect.

The gown itself took about 100 hours total. 85 originally and 15 to add finishing touches. The top is gold lamé and the chiffon overlay was ripping so I removed it. I have a whole costume breakdown under the tag for the original dress creation.

The necklace has an Azem summoning stone that my fantastic friends brought me from Fanfest which I repurposed. The most added details are the stars. I felt the black spots between the p design and the beams was a bit too big and wanted something to bridge the gap. I also considered adding my statics job symbols in the circles but they keep changing jobs XD

I added some more filigree details to the main Azem design in the front of the gown and individual rhinestones to each of the right angle v filigree and each of the small mirrored circles that make up the big circles because I’m extra along with a gold ribbon for the hem

Then I decided to add lights

Again because I’m extra

I don’t have skill with LEDs so I used individual 6ft fairy lights with tiny battery packs. I painted each battery pack black because the white shows through the skirt especially when lit up. There are about 75-90 battery packs I lost count at 2 am on Wednesday honestly ahaha. I looped them twice up and down so the effect would be less spaced out but I might edit that in the future if I figure LEDs and how to get more powerful ones because they weren’t really strong enough for 10 hours (you can faintly see them in the pictures above) and I kept turning them off when I sat. I used the same petticoat but added a hoop skirt because I was wearing tennis shoes (sadly sensible instead of fashionable) instead of my platform boots.

When people complimented me I would ask if they wanted to see my favorite part (which is spinning) and the laughs and gasps of delight were fantastic. Overall I’m so fucking proud of this costume. Thank you to all of you fab people from the FFXIV coordination who said such kind things I’m so flattered and lovingly overwhelmed. It was an amazing return to cosplay.