#2 way radio

[thegikitiki]

The Communication Specialists...

Motorola 2-Way Radio, 1959

[craigstewartus1]

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[icom-uk]

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[bet-on-me-13]

The Fentonworks Mega-Lab.

So! AU where the Fentonworks Labs actually stretch Miles upon Miles below the City of Amity Park.

It started when the Fentons wanted to add a simple addition to the original Lab when they ran out of space to store their more dangerous weapons. They didn't want their (at the time) young children getting their hands on their experimental Weaponry, it could blow up in their faces!

So they built a different Wing of the Lab to hold all those Inventions.

Then they ran out of space and added a few extra Storage Rooms. But then they decided it was a hassle to have to carefully transport their Dangerous Inventions all the way to the Storage Rooms, and built a Lab specifically for Dangerous Experiments near that same Section. Then that Lab was occupied for a while, and Jack wanted to start a different experiment as well, so they built a few more.

In the end they just never stopped building onto their Labs.

There are sections of the Mega-Lab that are entirely walled off because a few of their more unstable Experiments contaminated the area. Walking into them was not recommended, else you could walk out with an extra eye or 5.

In other sections, their Captured Ghosts had taken over a few Labs and created a sort of Mad Max style civilization using their discarded weapons and vehicles.

In another, all Ghosts became Humans and all Humans became Ghosts. That was a weird one, to this day they still didn't understand how they pulled that off.

In another, some type of Eldritch Time Ghost had been born, and now sort of always existed and never existed, and began experimenting with its powers. They nicknamed it Clocky because it liked to carry around a stopwatch.

And so many more. At one point a failed Portal Experiment messed with the internal Space of the entire thing. Now there was literally no way of Mapping it. The Fentons still somehow managed to navigate it perfectly.

When Jazz and Danny grew up, they too learned how to navigate the Labs, which is how Danny managed to show his friends the Portal Experimentation Wing in the first place.

Unfortunately, it wasn't safe for anyone aside from the Fentons to enter the Mega-Labs, so one day when the Fenton Family+friends left town on a Week Long Camping/Road Trip, they put up a few Ghost Shields to keep both Humans out and the Ghosts in.

This drew some unwanted attention after some tourists saw the giant Glowng Green Building in the middle of an Illinois Town, and rightfully called the Justice League.

Now, the Justice League had tried to call the owners of the house, but nobody picked up the phone. (An incident with Jack and a Canoe had knocked most of their phones into the lake. They weren't even at the lake yet.)

When nobody picked up, they decided to investigate personally.

After getting into the House, they quickly found a door labeled "Labs: Do Not Enter (unless it we are late for Dinner)" and went into ignoring all the warnings.

They quickly regretted it.

[fuckyeahgoodomens]

The Radio Times magazine from the 29 July-04 August 2023 :)

THE SECOND COMING

How did Terry Pratchett and Neil gaiman overcome the small matter of Pratchett's death to make another series of their acclaimed divine comedy?

For all the dead authors in the world,” legendary comedy producer John Lloyd once said, “Terry Pratchett is the most alive.” And he’s right. Sir Terry is having an extremely busy 2023… for someone who died in 2015.

This week sees the release of Good Omens 2, the second series of Amazon’s fantasy comedy drama based on the cult novel Pratchett co-wrote with Neil Gaiman in the late 1980s. This will be followed in the autumn by a new spin-off book from Pratchett’s Discworld series, Tiffany Aching’s Guide to Being a Witch, co-written by Pratchett’s daughter Rhianna and children’s author Gabrielle Kent. The same month, we’ll also get A Stroke of the Pen, a collection of “lost” short stories written by Sir Terry for local newspapers in the 70s and 80s and recently rediscovered. Clearly, while there are no more books coming from Pratchett – a hard drive containing all drafts and unpublished work was crushed by a vintage steamroller shortly after the author’s death, as per his specific wishes – people still want to visit his vivid and addictive worlds in new ways.

Good Omens 2 will be the first test of how this can work. The original book started life as a 5,000-word short story by Gaiman, titled William the Antichrist and envisioned as a bit of a mashup of Richmal Crompton’s Just William books and the 70s horror classic The Omen. What would happen, Gaiman had mused, if the spawn of Satan had been raised, not by a powerful American diplomat, but by an extremely normal couple in an idyllic English village, far from the influence of hellish forces? He’d sent the first draft to bestselling fantasy author Pratchett, a friend of many years, and then forgotten about it as he busied himself with continuing to write his massively popular comic books, including Violent Cases, Black Orchid and The Sandman, which became a Netflix series last year.

Pratchett loved the idea, offering to either buy the concept from Gaiman or co-write it. It was, as Gaiman later said, “like Michelangelo phoning and asking if you want to paint a ceiling” The pair worked on the book together from that point on, rewriting each other as they went and communicating via long phone calls and mailed floppy discs. “The actual mechanics worked like this: I would do a bit, then Neil would take it away and do a bit more and give it back to me,” Pratchett told Locus magazine in 1991. “We’d mess about with each other’s bits and pieces.”

Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch – to give it its full title –was published in 1990 to huge acclaim. It was one of, astonishingly, five Terry Pratchett novels to be published that year (he averaged two a year, including 41 Discworld novels and many other standalone works and collaborations).

It was also, clearly, extremely filmable, and studios came knocking — though getting it made took a while. rnvo decades on from its writing, four years after Pratchett's death from Alzheimer's disease aged 66, and after several doomed attempts to get a movie version off the ground, Good Omens finally made it to TV screens in 2019, scripted and show-run by Gaiman himself. "Terry was egging me on to make it into television. He knew he was dying, and he knew that I wouldn't start it without him," Gaiman revealed in a 2019 Radio Times interview. Amazon and the BBC co-produced with Pratchett's company Narrativia and Gaiman's Blank Corporation production studios, with Michael Sheen and David Tennant cast in the central roles of Aziraphale the angel and Crowley the demon. The show was a hit, not just with fans of its two creators, but with a whole new young audience, many of whom had no interest in Discworld or Sandman. Social media networks like Tumblr and TikTok were soon awash with cosplay, artwork and fan fiction. The original novel became, for the first time, a New York Times bestseller.

A follow up was, on one level, a no-brainer. The world Pratchett and Gaiman had created was vivid, funny and accessible, and Tennant and Sheen had found an intriguing romantic spark in their chemistry not present in the novel.

There was, however, a huge problem. There wasn't a second Good Omens book to base it on. But there was the ghost of an idea.

In 1989, after the book had been sold but before it had come out, the two authors had laid on fivin beds in a hotel room at a convention in Seattle and, jet-lagged and unable to sleep, plotted out, in some detail, what would happen in a sequel, provisionally titled 668, The II Neighbour of the Beast.

"It was a good one, too" Gaiman wrote in a 2021 blog. "We fully intended to write it, whenever we next had three or four months free. Only I went to live in America and Terry stayed in the UK, and after Good Omens was published, Sandman became SANDMAN and Discworld became DISCWORLD(TM) and there wasn't a good time."

Back in 1991, Pratchett elaborated, "We even know some of the main characters in it. But there's a huge difference between sitting there chatting away, saying, 'Hey, we could do this, we could do that,' and actually physically getting down and doing it all again." In 2019, Gaiman pillaged some of those ideas for Good Omens series one (for example, its final episode wasn't in the book at all), and had left enough threads dangling to give him an opening for a sequel. This is the well he's returned to for Good Omens 2, co-writing with comic John Finnemore - drafted in, presumably, to plug the gap left Pratchett's unparalleled comedic mind. No small task.

Projects like Good Omens 2 are an important proving ground for Pratchett's legacy: can the universes he conjured endure without their creator? And can they stay true to his spirit? Sir Terry was famously protective of his creations, and there have been remarkably few adaptations of his work considering how prolific he was. "What would be in it for me?" he asked in 2003. "Money? I've got money."

He wanted his work treated reverently and not butchered for the screen. It's why Good Omens and projects like Tiffany Aching's Guide to Being a Witch are made with trusted members of the inner circle like Neil Gaiman and Rhianna Pratchett at the helm. It's also why the author's estate, run by Pratchett's former assistant and business manager Rob Wilkins, keeps a tight rein on any licensed Pratchett material — it's a multi-million dollar media empire still run like a cottage industry.

And that's heartening. Anyone who saw BBC America's panned 2021 Pratchett adaptation The Watch will know how badly these things can go when a studio is allowed to run amok with the material without oversight. These stories deserve to be told, and these worlds deserve to be explored — properly. And there are, apparently, many plans afoot for more Pratchett on the screen. You can only hope that, somewhere, he'll be proud of the results.

After all, as he wrote himself, "No one is finally dead until the ripples they cause in the world die away, until the clock wound up winds down, until the wine she made has finished its ferment, until the crop they planted is harvested. The span of someone's life is only the core of their actual existence."

While those ripples continue to spread, Sir Terry Pratchett remains very much alive. MARC BURROWS

DIVINE DUO

An angel and a demon walk into a pub... Michael Sheen and David Tennant on family, friendship and Morecambe & Wise

Outside it's cold winter's day and we're in a Scottish studio, somewhere between Edinburgh and Glasgow. But inside it's lunchtime in The Dirty Donkey pub in the heart of London, with both Michael Sheen and David Tennant surveying the scene appreciatively. "This is a great pub," says Sheen eagerly, while Tennant calls it "the best Soho there can be. A slightly heightened, immaculate, perfect, dreamy Soho."

Here, a painting of the absent landlord — the late Terry Pratchett, co-creator, with Neil Gaiman, of the series' source novel — looms over punters. Around the corner is AZ Fell and Co Antiquarian and Unusual Books. It's the bookshop owned by Sheen's character, the angel Aziraphale, and the place to where Tennant's demon Crowley is inevitably drawn.

It's day 74 of an 80-day shoot for a series that no one, least of all the leading actors, ever thought would happen, due to the fact that Pratchett and Gaiman hadn't ever published any sequel to their 1990 fantasy satire. Tennant explains, "What we didn't know was that Neil and Terry had had plots and plans..."

Still, lots of good things are in Good Omens 2, which expands on the millennia-spanning multiverse of the first series. These include a surprisingly naked side of John Hamm, and roles for both Tennant's father-in-law (Peter Davison) and 21-year-old son Ty. At its heart, though, remains the brilliant banter between the two leading men — as Sheen puts it, "very Eric and Ernie !" — whose chemistry on the first series led to one of the more surprising saviours of lockdown telly.

Good Omens is back — but you've worked together a lot in the meantime. Was there a connective tissue between series one of Good Omens and Staged, your lockdown sitcom?

David: Only in as much as the first series went out, then a few months later, we were all locked in our houses. And because of the work we'd done on Good Omens, it occurred that we might do something else. I mean, Neil Gaiman takes full responsibility for Staged. Which, to some extent, he's probably right to do!

Michael: We've got to know each other through doing this. Our lives have gotten more entwined in all kinds of ways — we have children who've now become friends, and our families know each other.

There have been hints of a romantic storyline between the two characters. How much of an undercurrent is that in this series.

David: Nothing's explicit.

Michael: I felt from the very beginning that part of what would be interesting to explore is that Aziraphale is a character, a being, who just loves. How does that manifest itself in a very specific relationship with another being? Inevitably, as there is with everything in this story, there's a grey area. The fact that people see potentially a "romantic relationship", I thought that was interesting and something to explore.

There was a petition to have the first series banned because of its irreverent take on Christian tropes. Series two digs even more deeply into the Bible with the story of Job. How much of a badge of honour is it that the show riles the people who like to ban things?

David: It's not an irreligious show at all. It's actually very respectful of the structure of that sort of religious belief. The idea that it promotes Satanism [is nonsense]. None of the characters from hell are to be aspired to at all! They're a dreadful bunch of non-entities. People are very keen to be offended, aren't they? They're often looking for something to glom on to without possibly really examining what they think they're complaining about.

Michael, you're known as an activist, and you're in the middle of Making BBC drama The Way, which "taps into the social and political chaos of today's world". Is it important for you to use your plaform to discuss causes you believe in?

Michael: The Way is not a political tract, it's just set in the area that I come from. But it has to matter to you, doesn't it? More and more as I get older, [I find] it can be a real slog doing this stuff. You've got to enjoy it. And if it doesn't matter to you, then it's just going to be depressing.

David, Michael has declared himself a "not-for-profit" actor. Has he tried to persuade you to give up all your money too?

David: What an extraordinary question! One is always aware that one has a certain responsibility if one is fortunate and gets to do a job that often doesn't feel like a job. You want to do your bit whenever you can. But at the same time, I'm an actor. I'm not about to give that up to go into politics or anything. But I'll do what I can from where I live.

Well, your son and your father-in-law are also starring in this series. How about that, jobs for the boys!

David: I know! It was a delight to get to be on set with them. And certainly an unexpected one for me. Neil, on two occasions, got to bowl up to me and say, "Guess who we've cast?!"

How do you feel about your US peers going on strike?

David: It's happening because there are issues that need to be addressed. Nobody's doing this lightly. These are important issues, and they've got to be sorted out for the future of our industry. There's this idea that writers and actors are all living high on the hog. For huge swathes of our industry, that's just not the case. These people have got to be protected.

Michael: We have to be really careful that things don't slide back to the way they were pre the 1950s, when the stories that we told were all coming from one point of view and the stories of certain people, or communities within our society, weren't represented. There's a sense that now that's changed for ever and it'll never go back. But you worry when people can't afford to have the opportunities that other people have. We don't want the story that we tell about ourselves to be myopic. You want it to be as inclusive as possible

Staged series 3 recently broadcast. It felt like the show's last hurrah — or is there more mileage? Sheen and Tennant go on holiday?

David: That's the Christmas special! One Foot in the Algarve! On the Buses Go to Spain!

Michael: I don't think we were thinking beyond three, were we?

So is it time for a conscious uncoupling for you two — Eric and Ernie say goodbye?

David: Oh, never say never, will we?

Michael: And it's more Hinge and Bracket.

David: Maybe that's what we do next — The Hinge and Bracket Story. CRAIG McLEAN

[shroomerr]

Wham bam bam! Couple of Agent stuff!! I was initially just going to post the two images but then it felt a bit empty, so I decided to doodle an interaction between Agent and Mysterion.

More process drawings under the cut for those interested!!

[youkaigakkou-tl]

New key visual!! 🎉🎉

Premiering on OCTOBER 8TH!! 🎉🎉

For 2 consecutive cours!! (24 eps)

🎉🎉

Full voice cast has also been revealed:

Abe Haruaki: Ryouta Oosaka

Sano Mikoto: Ryouta Suzuki

Maizuka Mamekichi: Reo Tanie

Hijita Koutarou: Taito Ban

Zashiki Beniko: Akari Kitou

Nyuudou Rensuke: Akira Takano

Utagawa Kuniko: Hana Ayasaka

Akisame Tamao: Yuki Sakakihara

Yanagida: Tomokazu Sugita

Mujina Yakumo: Takao Mitsutomi

Fuji Touya: Saku Hyuga

Renjou Yuri: Nanako Mori

Miki Rintarou: Shun Horie

Hatanaka Izuna: Ryouta Iwasaki

Principal: Jun Fukuyama

Takahashi Akira: Shouta Aoi

Yamazaki Makoto: Tomoaki Maeno

Marshmallow: Chitose Morinaga

Little man: Tetsuya Yanagihara

[paranoid-radio]

Maybe the real eurydice in the markgemma orpheus and eurydice metaphor was the mark scouts we made along the way

[bluerasbunny]

hes a material girl YN wouldn't understand

putting this under a read more to spare from my yelling, but holy SHIT! VKTRS is at 500 hits and 71 kudos, dude that is INSANE! especially for a fic with ONE chapter!!

the success was entirely unprecedented and unexpected, i'm honestly still trying to process it all!!

thank you all so much for the continued support!!! it means so much to me as a young author and artist!! <3 /gen

[mikeywayarchive]

Metro Radio Arena, Newcastle upon Tyne, England // Feb 22nd 2011 // Jo

[craigstewartus1]

A 2 way radio earpiece is an essential accessory for two-way radios. This compact gadget links with a two-way radio system, enabling discreet and hands-free communication. Comprising an earpiece and a push-to-talk (PTT) button, it facilitates listening and transmitting messages without requiring the user to hold the radio device physically. This technology finds widespread application among security personnel, event organisers, and law enforcement officials seeking efficient and discreet communication.

[faaake-radio]

did they fuse together or something??

im genuinely confused

[echo-the-artist]

I'm gonna get SA2 battle soon but I don't know when so I might wait until I get the dlc before I post anymore screenshots (at least of ones about Nine The Chao Dad). Please enjoy the ones I already took.

Bringing Cody on adventures

Got the chao camera mod working! Look at this cute little guy!

bonus Jet Set Radio Sonic and Vampire Shadow

[ohnoitsz1m]

Furry combine mask designs,, miiight play with the elite design more but im rly happy with the civil protection design

+ a little breakdown of how the CP mask goes on :]

I realized these are kinda like.. a shitty inside out fursuit head so I proceeded with that in mind and it worked out i think👍

[v0dk4-cr4nb3rry]

Favourite hobby is convincing people to listen to But I Loved You by BLAH! BLAH! BLAH! Because everyone who listens to it immediately agrees it is the worst song they have ever heard

[generationlossupdates]

Is generation loss like.. over?

Nope! There's still more to come don't worry anon :]