#2 thai 1 korean 1 japanese

[schizo2709]

Don't say that word to me, Tew. I'm not.

Spare Me Your Mercy [episode 8]

[maybe-boys-do-love]

Actually kind of tired of seeing people qualify shows as QL or queer coming-of-age instead of BL when they’re perceived to depict any aspect of the gay experience beyond two guys just falling in love.

[gorespawn]

"PLEASE stop showing us korean hiphp!!!!! PLEASE" no sorry i'm afraid i won't be able to do that. nice try tho

[cheswirls]

getting a postype acct is officially one of the best decisions ive ever made in my life

[godforsakenpaladinofnigh]

Dungeon Meshi Bangkok AU

A very self serving au made by me for me, it’s quite hard to translate because the references I used here are very specific (unless you’re ver familiar with Thai culture I guess)

Here’s some tidbits ~

1. Izutsumi and Tade in thai highschool uniform. (I used to wear it and thought it’s not as cute as Japanese or Korean uniform, but now it’s apparently famous among Chinese tourists? You can rent a uniform if you visit bkk i think)

2. Buddha amulet collecting is a very stereotypical old man hobby here so I think it’s fun if Chilchuck is into that. People here believe that you cannot own a charm, statue or amulet which have a Buddhist connection since they will eventually be back to its holy place (temple), so they use the word rent instead.

3. Cook to order restaurant is basically a small restaurant, sometimes just a cart on a pavement with some table and chairs, that make quick local meals like pad kaprow.

4. Rice soup is just one of my favorite comfort dish, nothing important lol. But there are some restaurants making rice soup late at night for drunk people to have a hot meal.

[anyosu]

no bc im losing it

so in english it's "I never knew you were a hugger" which is incredibly painful and all that

and so I went to check out the norwegian dub for shits n giggles and to laugh at the voices and mf sonic says "I KNEW you were a hugger!"

I NEED TO BE SEDATED

edit 1:

edit 2: NEW LANGUAGES!!! IT GETS CUTER FOR EVERY FUCKING DUB

@dykedandelion: sonic in french says "ON A JAMAIS ÉTÉ AUSSI PROCHE" which means "WE'VE NEVER BEEN THIS CLOSE"

I checked the swedish dub and sonic says: "TÄNK ATT DU KAN VARA SÅ KRAMIG" which means something like "TO THINK THAT YOU CAN BE SO HUGGABLE"=!"=)!)"!=

@lephalacat courteously gave me a heart attack by giving the korean dub, where sonic says: "너한테 안기는 날이 오다니" which means "I CAN'T BELIEVE THE DAY ARRIVED FOR ME TO GET HUGGED BY YOU"

with the combined effort of @wackyunicornart and @dykedandelion they've expertly deduced what sonic says in the dutch dub: "I DIDN'T KNOW THAT YOU WERE SUCH A CUDDLER" i need aIR

@shadowthehedgehog swooped in with a delicious spanish one where sonic says: "QUIEN DIRÍA QUE TE GUSTABA ABRAZAR" which is "WHO KNEW YOU LIKED TO HUG" I NEED TO SIT IN A CORNER AND CRY

@luankuro in Portuguese sonic says something akin to "DIDN'T KNOW YOU WERE SO AFFECTIONATE/TENDER" THIS SEASON HAS RUINED ME

@tenebraevesper graciously handed over both the croatian dub and the german dub; both of them just as DEVASTATING - in croatian, sonic says: "I DIDN'T KNOW THAT YOU LIKE TO HUG", and in german, he says: "I DIDN'T KNOW THAT YOU'RE INTO HUGGING" THESE HEDGEHOGS ARE GONNA BE THE DEATH OF ME

I will join @kyri45 in their several several processing business days after the italian dub was revealed to have sonic say: "I DIDN'T SEE YOU AS SUCH AN AFFECTIONATE TYPE"

@polaris-reblog and from the left field we have an INCREDIBLE Thai dub with sonic that says: "I DIDN'T KNOW YOU'D BE THE TYPE TO CARRY/PICK PEOPLE UP" CAN I GET A WAHOO

@windpolygon comes in with an absolute gem in russian: "DO YOU LIKE/LOVE TO HUG" SO WHAT IF HE DOES

@transgender-battlekukku runs in with Brazilian Portuguese that has sonic say: "EU NÃO SABIA QUE VOCÊ ERA TÃO CARINHOSO" which they so lovingly translate to "I NEVER KNEW YOU WERE SO LOVING/AFFECTIONATE" FELLAS WE DIDN'T KNOW EITHER BEFORE TODAY

the polish version, given by @hereissananxiousmess, has sonic being a sMARTASS, saying: "AH SO YOU DO LIKE TO HUG" JESUS CHRIST THIS GETS CUTER EACH TIME

the Galician version has me by the tHROAT okay @shadowthtrash so in this version sonic says: "Nunca pensei que me foses levar no colo" which means "I'VE NEVER THOUGHT YOU WOULD CRADLE ME AROUND" OUEGHR that's so cute

@mmiriozuzo turkish dub and sub is sO sweet honestly bc in the dub he says: "Sarılmayı sevdiğini hiç bilmiyordum", which translates to "I NEVER KNEW YOU LIKED HUGGING" while the turkish sub writes: "Sen sarılmayı sever miydin?" which means "SO YOU LIKE HUGGING?"

@ash-doodles-stuff went for my soul by revealing what the japanese and hindi version says; in Japanese, sonic says: "TO BE HELD IN YOUR ARMS" SONIC PLEASE - in the hindi version he says: "DIDN'T KNOW YOU LIKED HUGS AND STUFF" OEURGH I'LL NEVER GET ENOUGH OF THESE

@sonicposting joins the bandwagon by announcing the romanian version has sonic saying: "n-am știut că-ți place în brațe", which means something like "I DIDN'T KNOW YOU LIKE BEING HELD" although "it's hard to translate, but the way it is phrased implies that sonic didn't know shadow likes being held" THESE DUBS WILL END ME ONE DAY

@cosmicgirlypop runs in with the Arabic dub, where sonic says: "I DIDN'T KNOW YOU LIKE HUGS!" this is the yEAR OF SONADOW PEOPLE BC SHADOW SAYS "STAY WITH ME SONIC" AS A RESPONSE

@geek-leak slides in with the Finnish dub that has sonic saying: "En tiennyt et oot halijäbä" which roughly translates to "I DIDN'T KNOW YOU WERE A HUGGER-DUDE/HUG-DUDE" he truly is a smartass even when dying god bless

@indigocloudofnarcolepsy sprints in with a gem in hungarian, where sonic says: "Nem tudtam, hogy ölelkezős vagy!" which is "I DIDN'T KNOW YOU'RE A HUGGER" EVERY VARIANT IS SO CUTE

@scarlets-land-of-chaos-and-men NO EXPLANATION NEEDED BUT I NEED AIR

@darkmatters-ghost decided to decimate my every molecule with the Mandarin Chinese version where sonic says: "我不知道你喜欢抱抱， 啊。" bào (抱) means cuddle, and if you say a verb twice, it makes it informal and cutesy. Basically, he said, "aw, I didn't know you were such a cuddle-bug!"

C U D D L E B U G

suffice to say I think english is the glaring, obvious outlier here JHDJHDS

THE DUBBERS ATE AND LEFT NO CRUMBS BEHIND THIS IS TRULY THE YEAR OF SONADOW

[twig-tea]

GL odds and ends 6 October 2024

I haven't been as good at posting about shows as I wanted to be, so I'm trying a round-up format instead because it feels like a lot of GLs skirt under the radar. It's exciting that we're in a time when there's enough GL airing that it's worth doing a round-up! This was a great week for the lesbians to figure themselves out, so it feels like a good week to start. No idea how regularly I'll do this, need to figure out a cadence that makes sense.

Currently airing (with thoughts up to Oct 6):

Reverse 4 U 5/8 (Thai, Tuesdays 1:00 PM EDT, Netflix / YouTube) This week the girls finally sorted themselves and we got set up for the main plot to start next week. I was initially really stoked about this one and then a little bummed that it's not taking it's very cool premise and the stakes it establishes as seriously as it could be, but I'm still hoping it will start to have real stakes in the main plot stretch.

The Two of Us s2 ep 6/6 END (Thai, 29 Aug-3 Oct 2024, YouTube) It was so great seeing women in their 40s being romantic together but I did not love the plot of this one; I find their romantic conflicts too juvenile (lots of easily-triggered jealousy). The moments they're being sweet are great though.

Unlock Your Love ep 4/8 (Thai, Wednesdays, GagaOOLala / YouTube [cut version]) This is the first episode that this series felt a little more assured; I liked the series this production company produced with a short run time, it feels like this series has been worse off for its longer episodes. That being said, when these couples get to do their thing like in this episode, they have good chemistry.

Chaser Game W s2 ep 3/8 (Japanese, Thursdays 12:30 PM EDT, GagaOOLala) @lurkingshan is already doing a great summary of this week to week in her JQL weekly round-up!

Affair the series ep 6/8 (Thai, Fridays 11:15 AM EDT, iQIYI/ YouTube) Finally! I liked that it was Ek pointing out that Wan was unhappy the entire time she was gone that finally got Pleng to give in to her desire to be with Wan. This show is so melodramatic but the emotional threads follow and the character motivations are clear and consistent; I'm enjoying it in spite of not loving melodramatic storylines in general. It helps that the acting in this one is excellent.

The Loyal Pin ep 10/16 (Thai, Sundays 12:15 PM EDT, YouTube) Glad we finally got confirmation of Patt's history! And I'm relieved Anin knows she has an ally, though I feel like it's given her false confidence that worries me. These two are stressing me out by how bad they are at being careful but I do love how desperate they are for each other, as well as how beautiful this show is.

Red Whisper ep 2/8 (Korea, Wednesdays and Sundays, YouTube) Starting with cheating is not my fave but is par for the course with these SukFilm short series; my fave so far has been their first GL so if you haven't seen that yet I'd honestly recommend that instead.

Recent One-offs

Out of Breath (re-release in a bingeable version; Korean, YouTube) Highly recommended! Also the creator, Soo not Sue, announced she's working on another series to hopefully air before the end of the year, which I am super stoked about.

The Suffering of Xiqing Mountain (Chinese (censored), YouTube)

Sastra film app YouTube channel has several short Cambodian GL series that come out weekly Honestly they are not to my taste but I don't like gatekeeping GL especially from smaller markets. I check in on these time to time and if there are any that I think are great I'll give them a shout-out

Ditto above with JPC media YouTube channel for Thai GL shorts if there are any that stand out to me I'll say so

Recently ended that I haven't had the wherewithal to write about:

Hoshikuzu Telepath (fansub) Thank you to @yuiyuihan for your hard work making it possible to watch this series! I I haven't read the original manga but I do know they changed the kiss communication to a forehead rest; Unsurprised that this adaptation, starring idols in the same group, would be left ambiguous in terms of whether their feelings are friendly or romantic. I liked what this series was trying to say, but in all honestly didn't love the execution. It's too bad because I absolutely love the concept of an alien being helped by girls obsessed with building rockets.

The Secret of Us 8 eps [complete] (24 Jun-15 Aug 2024, YouTube) I first included this in my recommendations from the summer and then retracted, but I ended up liking this series and then never updated again. So to set the record straight: Though it lost me in the middle, the ending on this series won be back over. I really appreciated the way this series handled filial piety and balancing that against personal happiness. I appreciated SO MUCH that the main characters decided together how to handle Lada's situation with her mother. I finally understood too late that Earn believed the lies Lada's mother told her in ep1, and that affected some of their decisions in the middle of the series. I still think the execution was wobbly, but the acting and chemistry between the two leads carries this series through. This has some of the best domestic fluff in any GL, as well as my favourite GL counter lift to date. And it's gorgeous. Tentatively recommended with the caveat that you do have to either enjoy or power through the melodrama in the middle.

Starting soon:

Apple My Love, Thai, 12 October, GagaOOLala

Pluto, Thai, 19 October, VIU

The Nipple Talk, Taiwanese, 1 November GagaOOLala

My Ex's Wedding [in theatres in Thailand 14 November]

Petrichor, Thai, 23 November, TBD

[twicesserafim]

White Hoodie Pt. 1

What if you were the white hoodie unnie?

A/n: GOODNESS. Our baby is now 18 which means she's an adult 🥹,

I've always written for eunchae but it's been more like teenage sneaking in and out, innocent relationships. I would like to and prefer to keep it that way as even though she's not a kid anymore, she's still young and i don't feel comfortable writing smut for eunchae. But! I will be adding more intimate things like kisses and possibly makeouts, or other small things like feeling each other up but no groping and stuff, only around the waist, arms, hips, thighs, things like that. Or just mentions of it and letting you guys imagine whatever you want to. But even i'm not 100% sure if i'm going to write about those things, it's just a possibility. So as for now (and probably a while), No smut for Eunchae.

Masterlist (2)

Part 2

Y/n Pov:

This was insane, Lesserafim being here was insane. I wouldn’t consider myself a die hard fan, that was more.. my sister. I was born in 2004, late 2004 though. In December. But Lesserafim definitely has a few songs that i liked and i've watched a few of their things. I know their names and all, but i wouldn’t say im a fan.

At least, not a huge one. But Eunchae.. She's cute, she's really cute. She keeps looking over here, i can only tell from the screams around me, im only half paying attention to the performance, im joking around a lot though, i always do. I love making people laugh; it's fun to me.

When the music stopped and they were talking, i was still joking around until i heard eunchae speak up.

"I have something to confess.. From the moment i've stepped on this stage, there's an unnie that i fell in love with, the unnie with the white zip up hoodie.. and the dress shirt inside"

My eyebrows furrowed slightly as we locked eyes, the other members looked over too, eyes were everywhere. They turned to look at me as i chuckled softly, my friends shoving my shoulder as i nodded to the members on stage.

"She's so pretty, and she seems extroverted and funny, everyone around her keeps laughing and she seems to keep joking around, it's like.. shining over here. Her smile is beautiful too. She's like manly in the most womanly way possible, god i don't know how to explain it.. she's tall, and handsome. But so womanly at the same time- i don't know just- ugh.. what's your name?"

I just smiled softly at her fumbling over her words, i could tell she was trying not to offend me, the soft blush on her cheeks and the way she was scratching the back of her head. Cute. It was all so cute.

"Y/n."

"Pretty" Sakura spoke up "Really pretty" Yunjin added as i nodded and spoke up softly "thank you" "Your voice is pretty too, pretty name, pretty face, pretty style and pretty mannerisms, how old are you? what's your major?"

I just laughed softly at what sakura had said.

"Born in 2004, i'm in medicine" "Medicine? What are you in school to be?" "I'm actually double major, business and medicine, i wanna own a hospital." "Woahhh" The members immediately spoke up as my friend playfully shoved my shoulder, making me chuckle softly.

"That's still a long trip away. Just gonna finish up school for now, work on something like a clothing line for a couple of years.. i already have one, actually. And then be a doctor for a while, and hopefully open up my own hospital one day"

"That crazy" Eunchae spat out as it made most of us chuckle "That's just a dream though" "You said you have a clothing line?" "I do, yeah" "I'll give you an album and some merch in exchange for some stuff too" She kept just rambling. It was adorable.

"Yeah, deal." "So.. dr..?" "my last name is too long, i'm not korean." "Japanese?" "japanese and thai." Her lips formed an 'O' shape as the members giggled, tugging at her wrist as she nodded and they started up the music again.

But this time.. I paid attention to the stage.

...

I opened up the signed album that i had received, actually, i got two. One for my sister, just signed. But mine was a little different. I had a few pieces of lesserafim merch and a message.

'Hellooo, i'm sorry if this is coming off a little strong but you're still stuck in my head and i think you're really cool. Send your instagram or something over to meeee (only if you want to ofc)

02-478-2568

- Hong Eunchae <3'

I giggled at it. It was cute. Really cute.

...

02-478-1691:

Eunchae-ah? It's your doctor unnie.

[simply-whump]

Whump Lists & Gifs

I just reached 100 whump lists! What a journey!

Here are all the Whump Lists and Gifs I made. Don't hesitate to recommend me whumpy asian dramas ! I also take requests for lists and gifs (ask or DM).

GIFS LIBRARY >>> [ LINK ]

LISTS LIBRARY :

GENRES : Historical 👘 / Republican Era 🎩 / Modern 👔 / Military 🎖 / Investigation🚨 / Youth 🎓 / Sport ⚽️ / Action 💥 / Family 🏠 / Medical 🩺 / Rescue 🧯/ Supernatural ✨

My Favorites are in Bold - [ Total Lists made : 107 ]

Chinese Dramas >>> [ LINK ]

Korean Dramas :

Bad Thief, Good Thief 🚨/🏠

Cheer Up 🎓

Delivery Man 🚨/✨

Destined with You 👔/✨

Dr. Romantic Season 2 - S3 🩺

Exhuma [Movie] ✨

Gyeongseong Creature 💥/✨

King the Land 👔

Love 911 [Movie] 🧯/🩺

Lovely Runner 👔/✨

Love Next Door 👔

Love Tractor 👔

Missing : The Other Side Season 1 - S2 🚨/✨

Moving 💥/✨

Mr. Plankton 👔

My Country: The New Age 👘/💥

My Lovely Boxer ⚽️

My Lovely Liar 👔/✨

My Sweet Mobster 👔

Our Blooming Youth 👘

Perfect Marriage Revenge 👔/✨

Secret Reunion [Movie] 🚨/💥

See You in My 19th Life 👔/✨

Sh**ting Stars 👔

Tale of the Nine-Tailed 1938 🎩 /✨

The First Responders 🚨/🧯

The Forbidden Marriage 👘

The Heavenly Idol 👔/✨

The Secret Romantic Guesthouse 👘/💥

The Story of Park's Marriage Contract 👔/✨

The Uncanny Counter 2 💥/✨

Twinkling Watermelon 🎓/✨

Weak Hero Class 1 🎓/💥

Japanese Dramas :

High & Low Series 💥

Kei×Yaku: Abunai Aibou 🚨

Miman Keisatsu: Midnight Runner 🚨/💥

Thai Dramas :

Century of Love ✨

Chains of Heart 💥

My Cherie Amour 🎩

My Stand-In 👔/✨

Naughty Babe 👔

Pit Babe ✨

The Sign 💥/✨

Btw, I also have a youtube channel where I do some asian dramas montages. It is not whump related but if you want to check it out it's here >> LINK

[genishifts]

My name is Genesis but you can call me Geni, Gen, Gengen or any other nickname

I’m African American/Black American (descendant of American slavery)

I am female and I go by she/her pronouns

I’m a shifter (hence my user😭)

My favorite color is pink and I love hello kitty

Favorite Artists are:

SZA

Bryson Tiller

H.E.R

Kali Uchis

Khalid (not the dj)

Brent Faiyaz

RINI

Tyler, The Creator

Laufey

Bruno Mars

Adele

My favorite Korean Artists/Groups are:

Stray Kids

Red Velvet

ITZY

TWICE

AESPA

ATEEZ

ENHYPEN

Colde

BIBI

Stella Jang

Some of my favorite TV Shows/Movies:

On My Block

Shameless

9-1-1

Rim Of The World

Black Panther 1&2

Avatar 1&2

Stranger Things

IT

The Turning

The Umbrella Academy

The Walking Dead

H2O: Just add Water

Let It Shine

Jump In

Annie (both the 1982 Version and the 2014)

Cobra Kai

Some of my Favorite International Shows/Movies

The Penthouse: War In Life (Korean Drama)

Taxi Driver (Korean Drama)

Duty After School (Korean Drama)

Unlocked (Korean Drama)

Squid Games (Korean Drama)

Girl From Nowhere (Thai drama)

The Glory (Korean Drama)

My Name (Korean Drama)

Vincenzo (Korean Drama)

Alice In Borderland (Japanese Drama)

Night Has Come (Korean Drama)

All of Us are Dead (Korean Drama)

Sweet Home (Korean Drama)

My Favorite YouTubers/Podcasters

Coryxkenshin

Berleezy

Kubz Scouts

Laurenzside

Gloom

POiiSED

AyChristeneGames

YourRAGE

Courtreezy

Suburb Talks (Podcast)

Under The Influence (Podcast)

Places that I am shifting to

Stray Kids 9TH Member Dr

Duty After School Dr

Fame Dr

The Penthouse: War In Life Dr

On My Block Dr

My Hero Academia Dr

Saiki K Dr

Girl From Nowhere Dr

And that’s it 😁

Dividers By: @fairytopea

[ineffable-opinions]

BL “Censorship” & Commercialization

Content: 1. ubiquitous censorship - special focus on Japanese BL 2. commercial viability of live action BL & generalizations 3. solutions - special focus on state support of Thai BL 4. [update state-supported production of Love in the Big City series]

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Censorship is a sensitive topic. I have tried my best. Please feel free to comment and critique.

-

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History of Korean BL is one of censorship and commercialization and Korean fu-people has struggled against both. There have been different victors at different points in time. Aljosa Puzar’s "BL"(Boy Love), "GL"(Girl Love) and Female Communities of Practice and Affect in South Korea chronicles that struggle. (Highly recommended.)

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I have tried to problematize BL commercialization before. But that was in the context of fu-culture and the commodity fetishism associated with the consumption of BL, particularly in live action form which is probably its most capitalist rendition for many many reasons.

Here I would like to look at it from another angle: censorship. This is a continuation of my earlier post (Why so many shonen ai live-action?) motivated by the live action adaptation of ‘조폭인 내가 고등학생이 되었습니다’ (I, A Gangster, Became a High School Student) by 호롤 (Ho Rol).

The live action has jumped genres switching from BL to 판타스틱 휴먼 드라마 (lit. fantasy human drama). This switch got it tagged as ‘Censored Adaptation of Same-sex Original Work’ on My Drama List. I personally don’t like that tag. Almost all BL adaptation is a censored adaptation, with notable exceptions like Sei no Gekiyaku. But no one uses that tag for, say, 25 Ji, Akasaka de (2024) which censored all sexual content, especially from the volume 1 of the manga which was critical to the story and the couple’s development in the original manga series’ and its multiple adaptations’ popularity. Sukiyanen Kedo Do Yaro ka (2024) went as far as removing the more sexual second couple from the live action adaptation all together, yet it does not get a "censored" tag.

An interesting question that the controversy surrounding High School Return of a Gangster (2024) has sparked is that of BL media’s commercial viability, especially in live action form. Here’s what producers told the Korean newspaper, Hankook Ilbo, about the genre-jumping:

"BL 장르는 제작비 투자나 리쿱(제작비 회수)에 한계가 있는 게 사실이다. 그러다 보니 처음���터 이 작품은 브로맨스로 해보고 싶었다"

“The BL genre is limited in terms of investment in production costs and recoup (recovery of production costs). So, from the beginning, we planned it as a bromance (beulomaenseu).”

The author of this article cites examples of works that enjoyed success on OTT platforms, namely Watcha’s Semantic Error and TVing's Unintentional Love Story (2023). However, the article also highlights the fact that BL continues to be a niche genre and live action adaptations don’t guarantee success.

이성택 (Lee Seong Taek), the director of High School Return of a Gangster, previously directed the BL Love Class (2022). The producer 넘버쓰리픽쳐스 (Number Three Pictures Co., Ltd.) have BL works like Unintentional Love Story under its belt.

'Unintentional Love Story' Director Jang Eui-soon (장의순) | source

If the producer of one of the two most popular live action BL is admitting to it, then it is not easy to dismiss the issue of commercial viability of live action BL.

Very famous BL publishing houses (starting with JUNE) and hosting platforms with relatively lower expenses have struggled. Some of them are no more. It is also difficult for authors to survive merely on earnings from publishing houses and hosting platforms, especially when those platforms are not very rich. So, it is not difficult to imagine that live action production houses also struggle to survive.

Take GMMTV for example. They are probably one of the most successful BL producers. According to their managing director, BL content (series) is not a profitable business in itself. They rely on khujin (branded pairs) of actors to bring in advertisement revenue, merchandize sales, and pull crowds to concerts and fan-meets. It is not enough for actors to just act. They are expected to sing, dance and perform. Meanwhile, GMMTV is forced to keep working with these actor pairs and stick to templates that suit them. While it works for now, it remains to be seen how long the business model can last.

Now there is also investment from Mainland China that has migrated to other BL producers following dangai ban. But those who invest already burned themselves pretty bad with all the money they poured in during the short-lived but explosive dangai boom. It is sunk cost at this point. Another crack down could be the death knell for Chinese investments in BL. 

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More generally, it is likely that commercial viability of a live action BL project hinges on the following:

#1 Target demographic

Like all other BL content, live action too is primarily targeted at fu-people (BL audience) – both queer and non-queer. The target demography is further sub-divided based on the type of BL and purchasing power.

Sweeter ones are supposed to appeal to all ages and that’s the area Thailand and GMMTV in particular are focused on. Most of Japanese BL series are sweet. Korea too produces sweet BL. However, they are unlikely to bring in explosive success the way odo BL (those following royal road narrative progression – wherein characters face significant challenges, interpersonal or otherwise, to reach happy ending).

Older and, perhaps more hard-core fans, are likely to support jado works (BL that follow the evil path where neither happy ending nor resolution to challenges are guaranteed) with surprising frequency. This might be partly due to the erotic content in jado works.

Purchasing power of BL fans vary widely. There are those who are

“sending gifts to their actors in Thailand, sending food trucks to their shooting locations, putting up billboard advertisements and doing charity events [as well as] ordering merchandise in bulk.”

They also travel to BL producing nations [on fan pilgrimages] and attend fan meetings, concerts and other events regularly.

(Source: The Print)

The other group of BL fans who are probably younger and/or can’t afford to show support in the above-mentioned ways. BL commercially benefits from being appealing to those with higher purchasing power.

#2 Popularity of original work in case of adaptation  

Popular BL novels, manhwa, etc. bring in a set of fans who are interested in the live action. Longer and more-acclaimed works are likely to ensure success of the live action given decent making and reasonable changes during adaptation. Semantic Error is a case in point. However, missteps during adaptation can have the opposite effect.

#3 Cost of production

It is difficult to get investment in the first place, especially with how niche the genre is. Moreover, higher cost of production sets the bar for success higher too.

On the other hand, high production quality and better cast and crew (likely more expensive too) makes the viewing more pleasurable and increases the likelihood of success.

There are other factors which influence the success of BL producers. The most popular BL live action from China, Addicted, was produced by the author, Chai JiDan, with a tiny budget. Its dangai family drama remake, Stay with Me, also has an interesting producer.

Source | Mame with her Japanese fans

Orawan Vichayawannakul’s MeMindY is another BL author led production company that has enjoyed considerable success.

OP Pictures’ entry into BL genre has also been successful.

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Solutions

#1 Let’s start with the worst

BL as money laundering vehicle. It is probably the most obvious, sort of win-win until it isn’t. Sustainability depends how much skin the ruling class have in the game.

#2 State sponsorship

(or better yet, tax payer supported BL production)

State sponsorship is what Thailand has perfected.

source | 2023 seminar on "Beyond Borders: Exploring the Global Appeal and Diversity of Thailand's Boys' Love Contents" by 9 companies from Thailand organized by Department of International Trade Promotion under Thailand’s Ministry of Trade.

The eleven speakers, including an official from the Office of Commercial Affairs, Royal Thai Embassy in Japan, vigorously pitched partnerships with Japanese content companies [at the above-mentioned seminar.]

Also, several of the companies pitching at the seminar, such as Star Hunter Entertainment […] were plumping for BL not as a niche product but rather a core element of their corporate strategy.

Halo Productions representative Tewarat Supunnium [trumpeted] the vertical integration of his company, from talent representation to contents distribution.

source

Thai BL has been big hits in China, South Korea, Japan, India, Indonesia, the Philippines, and beyond, which has motivated Thailand’s government to ‘deploy Boys Love as its latest soft power weapon to promote the country on the global stage’. In an article published in The Nation, BL director, Bundit Sintanaparadee, explains how that affects production.

He pointed out that the international popularity of Thai shows can boost tourism and generate interest in the featured locations – a vital aspect of soft power. The government can facilitate this process by providing support and streamlining the bureaucratic obstacles to filming in attractive locations like Bangkok’s Chinatown district of Yaowarat.

Filming in iconic places such as Yaowarat can be costly and complicated due to the need to coordinate with multiple government agencies and pay location fees. Bundit said the government could simplify the process to benefit not just filmmakers but also tourist revenue in the locations.

Bundit also cautioned against a top-down approach to soft power, where the government dictates what represents Thailand on the world stage. He emphasises the need for industry professionals to have their say.

source

In a 2022 article, Bangkok Post explores the impact of BL on Thailand’s economy ‘as export products that can draw lucrative revenue streams and foster business opportunities in other areas, including tourism.’

[According to government estimates from 2021,] Thailand's Y content market was worth more than 1 billion baht... In June that year, the Department of International Trade Promotion held an online Y content business matching event to boost the industry, with the participation of 10 Thai content creators. More than 360 million baht was generated from the purchase of the Thai content, with the top three buyers coming from Japan, Taiwan and Vietnam.

Noppharnach Chaiyahwimhon, GMMTV's senior director of content production, said [that the] business ecosystem linked to Y Series in Thailand shows a growth of 30-40% per year. [He also said that] Y Series can also be a boon for other businesses, such as films, artist management and merchandise. [He mentioned] Y Series from Thailand [getting] translated into several languages [and one of their Y Series having received theatrical adaptation in South Korea.]

[According to] Kanokporn Prachayaset, chief commercial officer and country manager of WeTV Thailand, … Y Series from Thailand is one of the most popular content genres on its platform. [Half of all the BL content on the platform was Thai.] WeTV [was] sourcing Y Series from Asia as well as having its own WeTV original shows by working with various local production houses, such as GMMTV, TV Thunder, Dee Hup House, M Choice Studio and All This Entertainment. [She also highlighted the contribution of the fan base, which is] active in organising activities and campaigns for their idols.

Seksan Sripraiwan, director of the Tourism Authority of Thailand's (TAT) Tokyo office, said the TAT and the Royal Thai Embassy have actively promoted the country by using Thai entertainment [and that] Thai BL content is considered one of the most popular recent cultural exports to Japan. Japan's market for Thai BL is around 1 million viewers, of which 20,000-30,000 are heavily active on social media sites for renowned BL actors, led by Bright-Win and Krist-Singto. He said Japanese tour operators already offered tailor-made tour packages which contain elements related to BL TV series, such as shooting locations like universities, cafes, Wat Arun or the Amphawa floating market.

Kanokkittika Kritwutikon, director of the TAT Chengdu office, said Thai BL TV shows have gained popularity in China, such as the coming-of-age series "I Told Sunset About You", which helped drive tourists to Phuket, the main location of the story.

"Most Chinese BL fans are millennial females who can offer long-term support for their favourite actors," Mrs Kanokkittika said. [Recognizing the 3 million strong queer population of Chongqing,] she said the LGBT segment could be categorised as luxury travellers as they are high-income earners, live in key cities, and want to spend more for travel experiences.

source

Earlier this year Ministry of Commerce have partnered with Be On Cloud and Idol Factory to promote ‘Thai products, services, tourism, and culture by incorporating them seamlessly into’ their new series “Shine” and “Pin Phak” aka “The Loyal Pin” respectively.

“This will help create around 2 billion in value for Thailand’s economy,” said Commerce Minister Phumtham.

Deputy Prime Minister and Commerce Minister Phumtham Wechayachai and two actresses, Becky and Freen, witness the signing ceremony between the Ministry of Commerce and Idol Factory Co., Ltd. on February 28, 2024....

According to the Department of International Trade Promotion, the Thai movie and series sector and related industries will generate 8,000 million baht in exports by 2023. In 2024, it will likely reach 10,000 million baht, particularly in the Y-movie and Y-series, which are expected to expand in value from 1,000 million baht to 2,000 million baht as a result of the Ministry of Commerce’s proactive cooperation with the private sector.

source

The Thai government’s efforts are paying off.

Oramon Sapthaweetham, director-general of the Department of Business Development, revealed that the Boys’ Love series had helped revitalise the film production industry, generating substantial profits and extending economic benefits to allied sectors, such as advertising, leveraging actors as influencers, event organisation, and tourism. 

"Over the past 10 years, Thailand has produced over 177 Boys’ Love [series], continuously gaining popularity and expanding its customer base, eventually leading to exports to international markets," Oramon added.

The film production industry in Thailand is witnessing substantial growth. In the first four months of 2024, 56 new businesses were registered, marking a 12% increase from 2023. The total registered capital also saw a significant rise of 146.44% to 195.18 million baht. In 2023, the industry grew by 20% with 137 businesses and a capital of 258 million baht. The total revenue in 2022 was 12.895 billion baht, indicating a continuous growth trend.

source

-

#3 Diversification

Ok, so this is based on my limited knowledge and imagination. Feel free to skip.

There are two production companies that I have ever been interested in - Bhavana Studios and Mammootty Kampany. Both of them have produced experimental Malayalam movies while managing to remain commercially successful. While is partially attributable to these companies being brands, I think their overall strategy of diversification have worked in their favour.

Mammootty Kampany could produce art-house movie Nanpakal Nerathu Mayakkam for award circuits and with no expectation of commercial performance by banking on their other production Kannur Squad which was action entertainer sure to bring in the big bucks. Their queer family drama Kaathal – The Core and neo-noir psychological thriller Rorschach did exceptionally well in the box office as well as garnered critical acclaim. Bhavana Studios has similar track record of their commercially successful projects kind of cross subsidizing their experimental and unique projects and lifting the heat off in case of flops.

Having production companies which are aspirational in their approach to BL while having the economics sorted out help where government support is not forth coming.

Censorship as No-thing

When sometime is truly censored, we wouldn’t know. Unless we ask. Here’s what Jooyin Saejang learned from asking.

Conclusion

I have a strong preference for live action adaptations that are willing to go the last mile in terms of sexual content, social critiques and addressing real-life issues. That’s the reason why the header image for this BL side blog is from Moothon (2019).

But realistically this isn’t always possible. And I prefer having more production companies offering variety. I don’t want them to sink under the weight of BL that didn’t do well commercially and me being left at the mercy of media conglomerates with seemingly bottomless funds and monopsony over BL authors, original works and the culture that creates them.

Also, there is queer content from Korean that is neither mainstream nor from fu-culture. Support those. Unfortunately, Cheers by Cheers 짠!하면 알 수 있어 has been removed from their YouTube channel which is now called Cheer Up. While the series is gone, there are interviews with English subtitles.

Love in the Big City

Love in the Big City, the series and the movie are based on Park Sang-young's novel of the same name that was published in 2019. In Korea, it sold over 100,000 copies. Ever since, it has been translated into 15 languages, including English. The English translation by Anton Hur was published in 2021. The book has been longlisted for the International Booker Prize in 2022 and the Dublin Literary Award in 2023.

The movie secured an investor early on. The film was produced by Showbox and Tale Farming (고래와유기농). Michigan Venture Capital, a key investor, was responsible for 2 billion won out of the net production cost of about 6 billion won. Plus M Entertainment, a subsidiary of the JoongAng Group took care of its distribution. (source)

State-sponsorship for Korean BL !

The series, on the other hand, faced difficulty attracting investment as well as had trouble finding OTT platforms willing to air the show. It was co-produced by MerryChristmas, a subsidiary of WYSIWYG Studio' a KOSDAQ-listed company, along with Big Stone Studio. Mbrella Films provided production services in Thailand. They have received the state-support through Korea Creative Content Agency under Ministry of Culture, Sports and Tourism amounting to 3 billion won as production costs support aimed at strengthening the global competitiveness of K-content through OTT.

Finally, TVING, a platform that has aired multiple BL projects previously (such as Unintentional Love Story, Jazz for Two, To My Star 2, The Eighth Sense and High School Return of a Gangster), aired the series in South Korea and the streaming platform Rakuten Viki promoted it as a BL.

[waitmyturtles]

Turtles Catches Up With Old GMMTV: The Bad Buddy Rewatch Edition, Part 3a -- BBS and Asian Cultural Touchpoints

[What’s going on here? After joining Tumblr and discovering Thai BLs through KinnPorsche in 2022, I began watching GMMTV’s new offerings -- and realized that I had a lot of history to catch up on, to appreciate the more recent works that I was delving into. From tropes to BL frameworks, what we’re watching now hails from somewhere, and I’m learning about Thai BL's history through what I’m calling the Old GMMTV Challenge (OGMMTVC). Starting with recommendations from @absolutebl on their post regarding how GMMTV is correcting for its mistakes with its shows today, I’ve made an expansive list to get me through a condensed history of essential/classic/significant Thai BLs produced by GMMTV and many other BL studios. My watchlist, pasted below, lists what I’ve watched and what’s upcoming, along with the reviews I’ve written so far. Today, I offer the first half of the third (ha!) of five posts on Bad Buddy. I'll look today at themes that myself and fellow Asian fans of Bad Buddy have caught and related to in this wonderful show.]

Links to the BBS OGMMTVC Meta Series are here: part 1, part 2, part 3a, part 3b, and part 4

As a lifelong viewer of Asian dramas, and as an Asian-American myself, I know why I'm drawn to Asian dramas. We all have our reasons for belonging to this widespread fandom, whether you're watching queer or het Asian dramas, consuming Asian music, all of it.

What are my reasons? The first and foremost one is relatability. Especially in Asian dramas, I relate to the spoken and unspoken communication of the dramatic characters as they navigate life's highs and lows. I relate to the way Asian dramatic characters engage with their families, their partners, their children, their colleagues, the world and societies around them. I relate to the ways in which societies are drawn and constructed, to the economic and emotional pressures that characters face. As an American -- I don't fully relate to the majority of experiences that white American characters face dramatically, because I'm not a part of the majority. As an Asian? I get almost all of what Asians are going through in dramatic art (save for, say, Korean or Japanese historicals, ha — but I do indeed get Asian patriarchy and sexism).

I'm not queer -- I am a cishet Asian woman -- but what I appreciate about queer Asian media is, very often, the media's tendency to not be shy about the various and intricate ways that discrimination, sexism, trauma (intergenerational, emotional, etc.), and many more social and emotional phenomena interplay in an individual's life.

When I first watched Bad Buddy, I had the strong sense that what I was watching was incredibly relatable to much of my upbringing and life as a young adult, working out issues vis à vis my family and my eventual partner. Bad Buddy, thematically, captured a tremendous amount of the realities of everyday Asian life for young people.

Bad Buddy exists in the GMMTV bubble of No Homophobia (cc @bengiyo and @lurkingshan, as we have spoken about the GMMTV bubble). However, what Bad Buddy didn't shy away from were explorations of many other social/emotional/cultural themes and frameworks of everyday life, from sexism, to youth bias, to boundaries and enmeshment, and many, many more.

I wrote in my first-ever Bad Buddy thesis that the framework of intergenerational trauma was the main theme I identified -- and identified with -- in the show. But, as I was contemplating writing this series of Bad Buddy meta posts, I wanted to know: what did my fellow Asians pick up in this show that they saw, and that they related to? In other words: what makes Bad Buddy particularly special to Asian fans of the show?

So, I did a thing. I gathered together a few BBS Asian stans, like myself, for a lengthy (and still ongoing!) discussion about what we related to in Bad Buddy. I want to thank, from the bottom of my heart, @telomeke, @grapejuicegay, @recentadultburnout, @neuroticbookworm, and @lurkingshan (who's not Asian, but has Asian relatives, and gets us!) for being up for creating a spontaneous mini-village together to talk Bad Buddy and its inherent Asianness.

It sounds redundant to identify Bad Buddy, a show made by Thais and set in Thailand, as an "Asian" or "Thai" show. It's definitely not a show that steps back to take a look at itself and say, "oh hey, this is really 'Thai,' what we're doing here." When I asked @recentadultburnout directly about what they might have identified as uniquely Thai about Bad Buddy, RAB thought about it and said -- maybe Pat's ranak ek (Thai xylophone). Other shows of Aof Noppharnach's, including He's Coming To Me, Moonlight Chicken, and even the start of Last Twilight, highlight many facets of Thai life, from the spiritual to the everyday-cultural (even Gay OK Bangkok does this a bit, too). But Bad Buddy doesn't really go there by way of overt symbolism and/or specifically Thai spiritual/cultural practice.

The Asianness of Bad Buddy is far more inherent. It is rooted and coded in the way people interact with each other.

An overt example occurs in episode 10, when Dissaya confronts Ming in the Jindapat home, and announces that she will reveal Ming's secret, dropping the effort she has made her entire life to "save face" -- her reputation AND Ming's reputation.

During my first Bad Buddy rewatch, I was so moved in fury by this scene that I had to blog about it as if I had never seen it before. There's so much encapsulated in this moment: the pressure that Dissaya has put on herself to keep the embarrassing secret that she lost a scholarship; the effort she made to keep Ming's theft of the scholarship a secret, to save his face, and the secrets she kept from Pran to save her face, and to keep up the façade of rivalry between the Jindapats and the Siridechawats. She was letting a whole hell of a lot loose in this moment, because the eternal pressure of saving face in Asian societies is, frankly, never-ending.

"Saving face" is an incredibly important notion in many Asian collectivist cultures. Saving face is about an individual or a family projecting an image of calm, cool collectedness and success, in order to not make waves within a collectivist society for any reason. If you are not working to seem like you are going with the flow of life, if you're not keeping up with the Joneses, the Kardashians, whoever -- you are not saving face. If you are in poverty, and are projecting an image of poverty, instead of pretending to be more wealthy than you are -- you are not saving your face or your family's face. If you allow yourself to get publicly defeated -- you are not saving face. Dissaya gave up a lot of her hard-earned reputation in the moment she confessed the truth in front of Pat and Pat's mother.

My Asian friends and I can click wordlessly into understanding the pressure of saving face; say that I didn't get good grades in school? I wouldn't be saving my parents' face. This kind of pressure to keep up with particular social dynamics within and external to family, within Asian societies, is a neverending drumbeat of pressure.

Besides saving face, there are many other Asian cultural touchpoints that were contained within Bad Buddy that my fellow Asian BBS stans and I noted. They include:

1) intergenerational/inherited trauma, 2) the unique nature of secret-keeping in Asian cultures/societies, 3) enmeshed family boundaries, 4) setting up children to compete against each other for the sake of familial pride, 5) patriarchy, sexism, and the reversal of sexism among next generations, 6) the inset/assumed roles of family members based on patriarchy and elder respect, 7) Assumed community within and external to one's family, usually based on where you live and where you go to school, 8) How one's identity is defined based on patriarchy and individualist vs. collectivist cultures, 9) How various cultures within an Asian nation live peacefully (or not) together (for example, what makes Pat and Pran different by way of Pat's Thai-Chinese heritage vs. Pran's ethnic Thai heritage),

and many, many more.

It'll be impossible, even over two posts, to analyze all of these cultural touchpoints, but a few of them engendered quite a bit of conversation among the BBS mini-village that I want to highlight. In this post, I'll focus on the continuation of my first BBS thesis on intergenerational/inherited trauma, the nature of secret-keeping in Asian societies, and will return briefly to the touchpoint of saving face.

One of the most devastating scenes for me in Bad Buddy is in my favorite episode, episode 10, when Pat (after he's learned, throughout the episode, of the extent of the lies that his and Pran's family have shared with their children) confronts his father about his father's demands to literally control Pat's emotions, the way in which Pat related to other people -- specifically Pran. Pat sums up a lifetime's worth of control in one sentence.

@telomeke noted in our ongoing group conversation that this notion of inherited trauma vis à vis Ming is particularly present in Asian societies, not just by way of familial expectation that we, as Asians, embody it and "take it" throughout our generations, as Pat realized up above -- but that ALL family members present are responsible for playing their roles within the framework of the inherited trauma. @telomeke noted in particular that exactly what Pat was doing to hate Pran, FOR his father? That was what Ming HAD to do for MING'S dad, when Ming schemed to get the scholarship from Dissaya. AND, Pat's mother, in consoling Pat, had to play the role of explainer -- which, as we know now, Pat ran away from to meet his beloved Pran on the rooftop before running away to the eco-village.

Pat running away from that moment? That was a huge symbol of the breaking of the inherited trauma that was given unto him by his parents both.

(@telomeke has actually written about their theory about how the Jindapats and Siridechawats ended up living next door to each other -- which seems SO STRANGE on the surface, consider Ming's and Dissaya's boiling hatred for each other -- and the theory links nicely within the framework of inherited trauma. Tel theorizes that Ming's father or grandfather may have actually gifted the house to Dissaya's family as a means of apologizing for Ming's deceit. In which case: the presence of the Siridechawats is a reminder, on an everyday basis, of Ming's folly to steal from Dissaya, which may explain why Ming in particular went so hard on Pat to triumph daily over Pran.)

We as a group unwound quite a bit on the nature of secret-keeping in Asian cultures. We know Bad Buddy relies on this cultural touchpoint at the end of the series: Pran and Pat have a full-fledged and committed relationship as a transparent secret, under the noses of Pat's and Pran's parents.

Secret-keeping....oh, man. I could not have lived a fully authentic life in America if I didn't keep a million secrets from my family while I was living out my own independent choices. I actually, literally, could not have gotten married, because the rule of my household was that I wouldn't date. I would just... get engaged. So I'd get engaged through, what, magic? Match-making? No: I'd have to find my partner through my own battle of social and familial conventions, literally against my family, to get to where I wanted to be in life, which was (gasp) married.

@neuroticbookworm illuminated more on this particularly from our shared Indian lens. She wrote,

Keeping your relationship secret from parents is sooooo ridiculously common in India (and I'm sure we can extrapolate to other Asian countries like Thailand). And the justification the children give themselves is always rooted in how they have a "duty" towards their parents, and that they will reveal their relationship after they have fulfilled their duties.

God, I LOVED that NBW brought up "duty" in this conversation. Because! Assumed within the coded language from Asian parents to children, and vice versa, is a sense that children MUST follow the dictates of their parents. 100%, full-stop.

The duties that NBW clarified in this particular conversation specified life demarcations such as "[w]hen I graduate, I'll tell my parents about my partner," and "[w]hen I graduate and get a job and can financially support myself in life, I'll tell my parents about my partner."

What's coded in these statements is a fear that the children will have to reveal to their parents that they were disobedient in the rules their parents set, that no dating shall occur until the time at which the parents rule it's okay. And at least within Indian frameworks, that period of it being "okay" is, more often than not, the period in which arranged matches are examined. Because, yes, that's still the rule in the high majority of Indian culture.

The revelation of that disobedience? That's bad-news bears. It indicates... everything: a lack of loyalty to the family; a lack of understanding the meaning of a child's role to listen to the parents as the parents are elders and therefore are the moral authority of the household; a lack of self-control (which is a huge deal -- that relates to saving face on behalf of the family); a lack of understanding the morals and ethics of saving oneself, in love and sex, before marriage, etc. Even if a family seems fully progressive on the outside, as an Asian, I'm conditioned to question that progressiveness -- as parents may hold different standards of acceptance for their children vs. other young people.

@telomeke expanded on disobedience for us -- connecting it back to the very important notion of "saving face."

I think there's something quite related to secret-keeping, but it's also to do with the ability of Asians, but also human beings in general, of being able to live with duality in life... and secret-keeping is part of it. This also ties in to the East and Southeast Asian preoccupation with the concept of "saving face" [as noted above]. A lot of families are able to live with the knowledge of dirty secrets, unsavory truths, as long as it's not brought into the light and confronted. I'm constantly reminded of this whenever I rewatch BBS Ep. 12 because it's clear both Ming and Dissaya KNOW their sons are in a relationship but it's not overtly admitted. In that way they (and more Ming I suppose) get to "save face" and not have to deal with the truth that their sons are being disobedient, consorting with the enemy, and because it's not in the open -- there is no dishonor brought to the family and to the elders.

God, I love the way Tel put this. That disobedience on the part of Pran and Pat would actually bring dishonor to their families -- because their families have put SO MUCH EFFORT into building their public AND private enmity their entire lives! It affected Chai's relationship with the families as an employee of both families. EVERYONE AT PAT'S AND PRAN'S SCHOOLS knew the guys were the "legendary rivals." And, of course, by being in rival faculties at the same university, the boys could continue this public enmity as well -- keeping up with the roles that were literally assigned to them by their parents.

If the boys disobeyed, they would bring dishonor to their families. Think about that -- and connect that with the heaviness that Pran walked away with after the rooftop kiss in episode 5, AND the weight of Pran's breakdown at the end of episode 10, when Pat assured him that they would run away together.

No matter what a Western viewer (and maybe even Asian viewers, wanting to see a dismantling of these paradigms) would want Pat and Pran to have by way of full openness of their relationships with everyone in their lives (because, in individualistic cultures, that self-driven openness is a given), Pran and Pat themselves knew that that couldn't be their reality vis à vis the social worlds they belonged to. So they kept their relationship a secret, in the end.

The secret that Pran and Pat keep about their relationship is strategic. It's certainly also a stress point: an older Pat asks an older Pran, at the end of episode 12, if he'll ever be able to walk through the front door of the Siridechawat house.

But this is the compromise -- within the larger-scale culture of secret-keeping in Asian societies, AND the private frameworks of the enmity that Dissaya and Ming established between themselves and their families years and years prior -- that will work best for Pat and Pran to preserve the sanctity of their relationship, which I talked about in part 2 of this meta series.

Pran and Pat do not have to publicly appear disobedient to the demands and pressures of their families. They do not have to make their families engage with each other. They do not have to make their families confront the mistakes that their parents made earlier in their lives. They can protect their families from their private and public follies. They can help their families keep and save face. And by doing all that? They can prevent their relationship from being threatened.

I feel this very deeply in my heart as an Asian-American. For the sake of my American spouse, I wanted to protect him from a lot of these pressures, and so I insisted on keeping a lot of our relationship secret from my folks. If I demanded full-blown, public acceptance from my parents? If I brought my "boyfriend" to parties, and introduced him as such with aunties and uncles -- especially if it wasn't indicated that we'd be permanent one day? Damn. No. I'd be embarrassing my folks, with the aunties and uncles saying to my folks, "dang, you can't control your daughter, huh? You let her do what she wants." That would mean my parents would lose face over their ability to control the lives of their children, and that's no bueno in our cultural terms. It would be on ME, as THEIR child, to uphold THEIR ability to save face, as much as its their own work.

Dissaya refers DIRECTLY to Pran doing this FOR HER when, in episode 10, she asks him, "did you forget to save my reputation?" It's brutal, daily work. And Pran goes BACK to keeping secrets in the end, because it would have been impossible, ultimately, for Dissaya to save face, AND for Pran to save Dissaya's reputation/face, if Pran were out with his relationship with Pat, thus proving his disobedience. It would be -- JUST -- better to keep the secret for all those involved.

As this post has gotten long, I'm going to continue talking more about these touchpoints in a second post. I'm driven to talk about this because I think much of the Western fandom might miss what us Asians are reading into shows like Bad Buddy through this coded language and engagement. I very much posit that Bad Buddy -- while it is first and foremost a queer show, made by queer Asians, about queer young men -- is so relatable to so many of us because we've faced similar struggles of survival, and we've faced threats to the sanctity of the love we have for other people by way of needed to fit into the roles set before us by previous generations.

So! With that, thank you for reading, and see you tomorrow, when I focus on competition, enmeshed family boundaries, patriarchy and sexism in Bad Buddy, and more if I can fit it in!

(Tagging @dribs-and-drabbles, @solitaryandwandering, and @wen-kexing-apologist by request! If you'd like to be tagged, please let me know!)

[Alright! Stay tuned for more, many more ruminations from the BBS Asian station tomorrow!

Here's the status of the Old GMMTV Challenge watchlist. Tumblr's web editor loves to jack with this list, so mosey on over to this link for the very latest version!

1) The Love of Siam (2007) (movie) (review here) 2) My Bromance (2014) (movie) (review here) 3) Love Sick and Love Sick 2 (2014 and 2015) (review here) 4) Gay OK Bangkok Season 1 (2016) (a non-BL queer series directed by Jojo Tichakorn and written by Aof Noppharnach) (review here) 5) Make It Right (2016) (review here) 6) SOTUS (2016-2017) (review here) 7) Gay OK Bangkok Season 2 (2017) (a non-BL queer series directed by Jojo Tichakorn and written by Aof Noppharnach) (review here) 8) Make It Right 2 (2017) (review here) 9) Together With Me (2017) (review here) 10) SOTUS S/Our Skyy x SOTUS (2017-2018) (review here) 11) Love By Chance (2018) (review here) 12) Kiss Me Again: PeteKao cuts (2018) (no review) 13) He’s Coming To Me (2019) (review here) 14) Dark Blue Kiss (2019) and Our Skyy x Kiss Me Again (2018) (review here) 15) TharnType (2019-2020) (review here) 16) Senior Secret Love: Puppy Honey (OffGun BL cuts) (2016 and 2017) (no review) 17) Theory of Love (2019) (review here) 18) 3 Will Be Free (2019) (a non-BL and an important harbinger of things to come in 2019 and beyond re: Jojo Tichakorn pushing queer content in non-BLs) (review here) 19) Dew the Movie (2019) (review here) 20) Until We Meet Again (2019-2020) (review here) (and notes on my UWMA rewatch here) 21) 2gether (2020) and Still 2gether (2020) (review here) 22) I Told Sunset About You (2020) (review here) 23) YYY (2020, out of chronological order) (review here) 24) Manner of Death (2020-2021) (not a true BL, but a MaxTul queer/gay romance set within a genre-based show that likely influenced Not Me and KinnPorsche) (review here) 25) A Tale of Thousand Stars (2021) (review here) 26) A Tale of Thousand Stars (2021) OGMMTVC Fastest Rewatch Known To Humankind For The Sake Of Rewatching Our Skyy 2 x BBS x ATOTS (re-review here) 27) Lovely Writer (2021) (review here) 28) Last Twilight in Phuket (2021) (the mini-special before IPYTM) (review here) 29) I Promised You the Moon (2021) (review here) 30) Not Me (2021-2022) (review here) 31) Bad Buddy (2021-2022) (thesis here) 32) 55:15 Never Too Late (2021-2022) (not a BL, but a GMMTV drama that features a macro BL storyline about shipper culture and the BL industry) (review here) 33) Bad Buddy (2021-2022) and Our Skyy 2 x BBS x ATOTS (2023) OGMMTVC Rewatch (The BBS OGMMTVC Meta Series is ongoing: preamble here, part 1 here, part 2 here, more reviews to come) 34) Secret Crush On You (2022) (on pause for La Pluie) 35) KinnPorsche (2022) (tag here) 36) KinnPorsche (2022) OGMMTVC Fastest Rewatch Known To Humankind For the Sake of Re-Analyzing the KP Cultural Zeitgeist 37) The Eclipse (2022) (tag here) 38) GAP (2022-2023) (Thailand’s first GL) 39) My School President (2022-2023) and Our Skyy 2 x My School President (2023) 40) Moonlight Chicken (2023) (tag here) 41) Bed Friend (2023) (tag here) 42) Be My Favorite (2023) (tag here)  43) Wedding Plan (2023)  44) Only Friends (2023) (tag here)]

[im-obsess-with-pixel-characters]

Posting headcanons on here cuz that's what the cool people do on this app (or so I've heard)

Mystreet addition!

• Travis and Sasha are cousins, that didn't know they were cousins until post season 3 (I basically looked at them both and basically said; "this would be some good family drama")

• Dante got a tongue piercing because Gene dared him to get one

• Travis and Sasha used to sneak off Friday nights to hang out without anyone knowing

• Aphmau and Zane had SOME feelings for each other post season 1 (I adore Zanemau)

• Katelyn and Travis were pretend dating for like the majority of mystreet

• Travis was given SO mucuch money by Michael even tho Micheal was only giving Travis a SMALL portion of his money per month, Travis still has too much money till this day

• Garroth can't and I mean CAN'T be trusted near a stove

• Laurance semi knows how to cook, he knows the basic at least because of Cadenza

• Zane is a baker and cook

• Vylad took a part-time job that ended up becoming his job for like 2 years (he was working at a flower shop) until he moved to a fashion industry with Zane

• Zane was a designer when he signed up for a fashion industry and then got into modeling due to one of his work colleagues convincing him to try it

• Zianna taught his 'sons' how to sew stuff

• Lucinda is just the same Lucinda from mcd, she's immortal okay?

• Michael is very ancient and used metal rulers to punish Travis, most times about lower than average grades that he gets (aka anything under an A)

• in middle School Travis was the definition of "President perfect" he was likeable by everyone he was naturally pretty and was always one to show up early also a straight A student

• Dante till this day still doesn't understand how he and Travis became friends in middle School, Travis is like this goddess while Dante was some late average grade normie

• Laurence took ballet

• Gene almost got sent to a violin academia by his mom cuz he was so good at violin

• Dante had a 'little' crush on Travis but decided to just back away from that she tried to ignore it since Travis and Katelyn are "Dating"

• In high school Zane and Vylad betted on how gay Garroth was, whoever won that bet even if it's years later had to do whatever the person who won said, and if it's something expensive then it'd be a one-time

• Garte is actually better in my universe (I can't fully defend him yet, all I can say is that he did help Zianna through tough times)

• Vylad and Zane has the same father but Zane is still older then Vylad by a few Days

• Vylad and Zane are twins even if they don't look like it

• Vylad and Zane would hang out in secret always anytime they can hang out

• all the Ro'maeve brothers are multilangual

• Travis speaks so many languages, (list; English,French, Spanish, Korean, Japanese, mandarin, Malaysian, Italian,German,Tagalog,Arabic,Russian,Thai, Vietnamese,Icelandic,Polandic, that doesn't include the fact he knows sign language and Morse code)

• Travis and Gene both knows sign language and would talk shii about people and also gossip in private while not being in private

• Sasha knows sign language but doesn't bother to tell anyone she's here for the gossip

• Dante and Zenix is fed up with Gene and Travis and started communicating through

• Travis understands Morse code only because Dante taught him, but Dante thought Travis forgot how to do Morse code which was his own problem

• Travis barely remembered anyone from the street when he first moved in with the guys, it was so strange that even other people that barely knew Travis was interested

• Lucinda try to figure out what was happening with Travis but had no idea, her magic doesn't extend to ancient magic anymore since she has modernized her magic. Even with the blockages she has she tries to figure out what's wrong Maybe by a potion but she found no specific potion that could do it most of those potions were illegal and she sense no specific potions she sense Magic

• but Lucinda never stopped searching for why Travis didn't remember anyone besides Dante, since there was no record of any major accidents involving Travis or the valkrums

• Micheal gave Travis a box of crystals cuz he had a obsession with crystals (still do) and Travis was shocked by the amount of emeralds there was in that box there was around 50 something emeralds if counting the broken shards, if counting the whole emeralds there would be like 35 which is still a lot

• Terry once threatened Micheal to turn his physical form into a relic due to a factor that Michael was trying to erase an important memory and Terry wasn't having it that day

• Travis would endlessly rant about crystals to Vylad which had started to make Vylad actually interested in crystals and start looking into them and then got obsessed over it with Travis

• Dante as a teen was a hoarder, he grew out of it eventually

• Gene, despite being a horrible person in general in high school, he tried his best to be a better person around Dante trying not to influence him cuz he is far much more aware the fact that Dante can be influenced by him and he does not need Dante to be on his level of trouble

• Gene is far nicer to Travis than other one of Dante's friend, most likely due to the fact there was already this out of nowhere trust bond that existed when Dante first introduced Travis to Gene

•Zane had braces throughout freshman year and no one noticed cuz he had a mask on, then he got retainers mid season 3

• Zane is diagnose autistic

• Garroth and Aphmau is undiagnosed ADHD even though Travis has multiple time told them to get diagnosed due to the fact of the symptoms they had visibly and every time they always have this conversation;

"well are you a psychologist?"

"No"

"then how can you see the ADHD symptoms?"

"Cuz I have ADHD!"

"oh..uhm well you pay for a psychologist then!"

And then Travis actually gets them appointed to a psychologist for a ADHD diagnose and they got an actually official diagnose because of Travis and his ridiculous amount of money

• Vylad is dyslexic and Travis would spend hours after school in the library with him teaching him stuff, even if that means getting home late which Michael usually don't mind cuz he's never home until midnight Vylad got his permission card to stay late from his mom

• Vylad is the reason Zane is into my little horsey, Vylad actually introduced Zane to so many cartoons that now they can binge watch any kind of cartoons that Vylad puts on the platter

This whole post is just me ranting about stuff I wish were canon but isn't Canon, but hey no one can really stop me from posting this :]

[respectthepetty]

But man, what about us ugly lesbians??!!! Thailand is giving us only beauty queen GLs!!! 😭☠️🤣

I'm unsure what I wrote to elicit this ask in my inbox, but . . .

*grabs your face with both of my hands and looks you in your eyes*

There are no ugly lesbians.

*squeezes your checks gently before I softly tug on your ear*

I've met a lot of lesbians and not one of them has been ugly because they simply

don't

exist.

I'm not writing this because I'm a slut either. Contrary to popular belief, even us sluts have standards. Like I can't fuck with lesbians who are transphobic because they're disgusting.

But general aesthetics? An UGLY-looking lesbian? Impossible. Different strokes for different folks, and each lesbian is beautiful to the people who will love them.

So although Thailand is giving y'all beauty queens, it's been reported that Engfa and Charlotte are a real-life couple.

Is it fanservice? Did they really get married in another country? I don't speak Thai, so I don't know, but Engfa has been very open about being bisexual, and when the bisexual delegation met in June, she was on our roster. [images from @i-got-the-feels]

Although I completely understand what you are saying, 1) I always support the girls, the gays, and the goths, so since Show Me Love is offering me two of those, I'm excited it's available free on YouTube now so more people can experience it, and 2) ugly lesbians don't exist, so you probably have a lot more in common with beauty queens than you think.

Also, if you are bothered by Thailand's GL offerings, you should try some other countries, like the disability-inclusive Filipino series Sleep with Me.

But be warned, the lesbians are gorgeous there as well only furthering my main claim that ugly lesbians don't exist.

Or watch the upcoming sports-themed Filipino series Rookie.

Perhaps the TikTok/YouTube Vietnamese GL Omai series will make you happy.

Or the supernatural Japanese series My Fairy Ghost will tickle your fancy.

And Japan also has the food-based She Loves to Cook, and She Loves to Eat if that is more your flavor.

Maybe even try the bar-focused Korean GL She Makes My Heart Flutter.

No matter what you pick, there is a GL out there for you because much like real-life lesbians, you will find the beauty in one that connects with you.

Because ugly GLs just don't exist.

And neither do ugly lesbians.

[wanderlust-in-my-soul]

Currently Watching - March

aka The Masterlist

Because I love a good little list - in alphabetical order! 😊

Regularly updated during the month, latest update 30.03.2024

A little link to my favorite bl-tropes-collection 💙

I am happy about gif-requests 🌼

Here you can find all of my gifs.

Tracking: #josistag

At the end you can have a look at what we can expect in January with a MDL link and a link for a trailer (if avaible).

This is guaranteed to contain spoilers!

1. Cityboy_Log (11/? on Youtube - Korean)

Soon-to-be Idols, actors and models vlog their days of photo shoots and meetups and how they fall in love with each other. It is surprisingly good and the acting is excellent. It really feels like a "real" vlog and that is what we are all here for. I really enjoy those four men on my screen.

2. Deep Night (3/8 on iQiyi - Thai)

This is everything I was expecting, so it didn't disappoint, I guess. To be honest, I watch this for First. I guess he would have chemistry with a stick, soooo this is nice. And I hope the story, at least stays like this and won't get worse... Update: This show is a mess 😂 there is so much going on all at once and at the same time nothing really happens? It is so confusing, yet very entertaining. But Wela, my dear, it is totally okay to be pissed if one fucks with you, while you are so drunk you can't remember shit the next day... Just a thought.

3. Jazz For Two (2/8 on Gaga - Korean)

I love bls about music and about traumatic pasts. I really enjoyed the first episodes and I like the characters. Especially because they tricked us in believing something was going on in the practice room. I am really curious about the character developement and story! I know all the episodes are out on iQiyi, but because I can't watch it there (VPN does not work for me), I have to wait for GagaOOLala to air the episodes weekly...

4. Koi wo Suru nara Nidome ga Joto (4/6 on Gaga - Japanese)

Guess I am hooked and wish I just waited until it is finished airing, because I want to watch their story now! I want to know what happend in the past and how they both deal with each other in the present and what brings the future and will poor little Yuto find his happy ending too! Because I love him, but he is just a support and needs to keep his hands away from senpai!

5. My Strawberry Film (6/8 on Gaga - Japanese)

This is what I call a love triangle. And the fact that the screenwriters worked for Eien No Kinou or Jack o'Frost is promising some heartbreak and teenage angst. The acting is good, the story for me interesting. I feel so bad for Ryo. The heartbreak is so real and he still manage to do things for his best friend and his first love, just for him to be happy. I really don't know how this will end.

6. Only Boo (1/12 on Youtube - Thai)

I don't know what to think of this one right now. I cringed a lot during the first episode and at the same time it is cute? My emotions are very conflicted about this one. I don't know if I can keep up with this weekly or if I just wait and binge it. What is it with these sunday shows that they are this awkward lately.

7. Unknown (7/12 on Youku, Taiwanese)

The story about found family, childhood trauma and struggling topped with a lovestory between "brothers". They aren't really brothers so I really don't care and just enjoy this forbidden and hurtful lovestory to the fullest. This is exactly what I hoped for! The longing, tension and hurt is so good! I feel the pain in both of them and I can't wait for the next episodes!!!

Finished in March

Series

Perfect Propose

I liked this one very much! I enjoyed the episodes, the chemistry between the couple and the whole story and it wants to tell us. Work is not everything a good and healthy meal is important! Kai was my little favorite and I was happy seeing him vulnerable in the end. I don't know what it is, but this type of japanese series are always hitting the right spot in my heart and I can't see any flaws (I now there are some, but I decide not to see them). A 10 out of 10 for me.

Cherry Magic

I do love the japanese version very dearly and I tried not to compare these two with each other, because it wouldn't be fair. This was such a wholesome watch! Those two talked to each other and solved their "problems" with a good communication. All of them are total green flags and it was a delight to watch the main cp and the side cps falling in love. It was funny and heartwarming and, I am honest, I never thought we would see the chemistry chemistrying like this between TayNew! I am still in awww with episode 11! And the whole proposal was the sweetest, most perfect shit ever! A clear 10 out of 10 for me!

Dead Friend Forever

Usually I don't watch horror-stuff, but this was quite okay, nothing really scary, but it was an intense ride nevertheless. The story was good and the acting was good too, most of the times. I needed some time to find a way into it, but in the end, I had a great time and there was Ta's naked ass on my screen, whic was unexpected, but I don't complain, because it was a nice ass! The only thing I really hated was what they did to White... I give it a good 7,5 out of 10.

Sukiyanen Kedo Do Yaro ka

This one was a fine show, but nothing special. If you want to get hungry and crave some delicious-looking japanese dishes, you're not going to be disappointed! If you want a nice romance story with two handsome and kinda quirky guys fall in love with each other, go ahead, this is yours! Something was missing for me, but that is just me and I can't really pin out, what exactly was missing. But because of that missing feeling I can't give this more than a 6,5 out of 10.

Kimi ni wa Todokanai. aka I cannot reach you.

This was such a wholesome and fast watch. Really a sweet little show about first love and best friends and being true to yourself. I had such a good time watching it. It is well written and well played and the characters are very lovely. I enjoyed this very much. It is funny how easy and wholesome some of japanese bls are and how flawless in my eyes. I give this a sweet little 10 out of 10.

Anti Reset

The premise was promising and I love how obvisiously attracted both were to each other. The story about the AI Ever Nine who turns the life of an emotionless professor upside down has a really nice start. But after a while it got boring and they overpowered the romance aspect a little bit. I love romance, but this was not my kind of show. It was too heavy and the show itself was too clean and to sterile. I don't know how to explain it, but it feels a little bit too artificial. I get why some might like this, but for me it is a 5,5 out of 10.

Short Film

Movie

Dropped in March

1000 Years old (2/13 on Gaga - Thai)

Let's be real for a moment, I won't catch up with this. I keep this to binge watch later, so I can fast-forward the boring parts. It started quite cute, but lost my interest on its way. For now, it is on-hold.

Looking forward to in March

Koi wo Suru nara Nidome ga Joto aka Love is Better the Second Time Around (March 5th)

Born to be Y (probably cancelled) - Trailer (March 6th)

Deep Night - Trailer (March 7th)

23.5 - Trailer (March 8th)

Two Worlds - Pilot (March 21st)

High Demand (March 23rd)

The Star (March 28th)

Only Boo - Trailer (March 31st)

Wuju Bakery - I don't know how many times this was on this looking forward list... I don't know if we will see it sometime soon... But for the moment it should be out in March...

Blossom Campus - sometime in March...

Jazz for Two - Trailer (March 27th)

[atla-genderbender]

ATLA Gender Bender: Ty Lee, "Azulon", and "Mao"

Azula -> Azulon Mai -> Mao Ty Lee -> Ty Lee

"Azulon" is shown here wearing his Book 2 outfit. This is meant to be similar, but slightly different from Zuko's Book 1 outfit, to suggest that "Azulon" is wearing a nicer set of armor. "Mao" seems to be the most popular name choice for male Mai. Like "Mai", the name "Mao" is Japanese in origin, but it is usually given to girls instead of boys. Still, there are examples of the name "Mao" being given to boys, though it is rare. I don't see the issue of him having an unusual name.

In ATLA, Mai's hairstyle is inspired by Nihongami, specifically fukiwa (see: atlaculture.tumblr.com/post/64…). As a male counterpart, "Mao"'s hairstyle is inspired by the sohatsu style. As it is drawn, this is not historically accurate, due to the length of his hair and his bangs. His clothes are visually inspired by the Korean drama "Hwarang" (2016). Note that the clothes of the hwarang are more Chinese inspired than native Korean. He is wearing a Chinese style banbi. In my mind, it makes sense for him to look like a hwarang, since he'd be an elite warrior youth.

Ty Lee's costume is visually inspired by traditional male Thai dancers and male performers of Phare, the Cambodian Circus. That's why I gave him a muscular appearance. Normally, I dislike it when the male version of a character is very muscular while the female version is not muscular. But in this case, there are too many reasons for male Ty Lee to be muscular in appearance. First, it would be odd for him to be named "Ty Lee" without possessing great physical strength. Second, when he runs off to join the circus it makes sense that he would be trained as a "strongman". Third, from a design perspective, it makes sense for the trio to include a taller, leaner boy and a shorter, more muscular boy. So in this specific case, I think it makes sense for male Ty Lee to have defined muscle structure, even though female Ty Lee does not. Still, he should not be as muscular as Bolin, since he is a couple years younger than Bolin. I tried to give him the musculature of a male circus performer without overdoing it.

I've been imagining P. J. Byrne as the voice of male Ty Lee, Aaron Himelstein as the voice of "Mao", and Jason Marsden as the voice of "Azulon".  Like what I'm doing? Consider leaving me a donation via Ko-Fi.