#2 lit

[mournfulroses]

Anaïs Nin, from a diary entry written c. October 1936, featured in The Diary of Anaïs Nin Vol. 2

[kuronekoartsblog]

Ineffable Husbands

[shisasan]

September 1, 1940 Virginia Woolf, “A Writer’s Diary” (1918 - 1941)

[stagefoureddiediaz]

The fact that the Eddie we saw this episode was seen almost entirely from bucks perspective and he had this heightened full of life joy about him - that that is how Buck sees Eddie. As this light in his life - full of joy energy and life - even when viewed through his jealous not fully understanding eyes.

[agoodomenssideblogiguess]

I dont think I'll ever be able to get over the "I work in Soho, I hear things," line Aziraphale says in 1967. Cuz like if you exam the scene background for more than a couple of seconds you realize how fucking ridiculous Crowley and Aziraphale are being.

Because, Crowley KNOWS where the bookshop is. Crowley was probably there when Aziraphale came up with the idea and when he chose the property and for sure was there for opening day. Crowley KNOWS it's still there in 1941, they go back at the end of the magic show for wine.

The fucking Dirty Donkey is established as being across the street from the bookshop with a perfect view to the inside during s2e4.

See how the crossed out windows the zombies are looking through are visible through the window over Crowley's shoulder. If Aziraphale were heating up the tea kettle on his little parlor stove, he might even be able to see the pub's entrance or any cars coming up the street.

And I doubt that the pub moved locations in or around 1967 only to be moved back by 2023 so we can safely assume that what's visible in 1941 is visible in 1967 during Crowley's meeting.

I went back to the 1967 bit in s1e3 to figure out where the fuck Crowley is parked and I'm pretty sure the ramp he speaks alone to Shadwell in front of is the same ramp that Marguerite's restaurant has.

And in s2e5, as Aziraphale leaves to invite all the shopkeepers to the 'meeting' we see Marguerite's sign through the windows to the right of the front door.

Which means Crowley's conversation with Shadwell is fucking visible from the front door of the bookshop.

And it also means those fucking strip tease signs that Crowley has parked the Bentley in front of are covering up the record shop and the window over Aziraphale's desk (Which I'll admit, unfortunately means that the ramp isn't visible through the window and might only be seen via the windows of the front door of the shop). Why are these windows covered up? Maybe the set designers wanted to give the illusion that they are on some different part of the street. UNFORTUNATELY I CAN FUCKING SEE THE BOOKSHOP PILLARS IN THE CORNER OF THE SCREEN YOU CANT FOOL ME.

Let's put it all together now: Crowley drives the Bentley, his ICONIC Bentley(no doubt who's fucking Bentley that is if you see it come down the street through the window), just past the bookshop, and parks. He has to get out on the bookshop side of the street and backtrack, PAST THE FUCKING BOOKSHOP DOOR, and to the pub that is in perfect view of one of the (only unblocked) bookshop windows, and has a conversation with a strange man in view of the bookshop's front door.

"I hear things" Aziraphale, baby girl, you didn't have to hear anything you can literally see Crowley at every moment.

And also Aziraphale, you're not off the hook for ridiculousness either. Why the fuck did you teleport into the Bentley. THE BOOKSHOP IS RIGHT THERE. You fucking depraved me of a full cravat outfit shot because you wanted to spookily and mysteriously appear to your beloved demon. YOU'RE KILLING ME AZIRAPHALE.

[oxfordelise]

When Franz Kafka said that he is terribly afraid of dying because he hasn’t yet lived, i felt that on a deep emotional level.

[qui-gg]

Studied the actual lavender chamomile candle that I have she is very pretty

Bonus this extremely old bald candle art

[asisp7766]

"I'm out of my head when you're not around."

[parisoonic]

Partnered up newheadcanon with for this years tf2bigbang ! Send your love their way for the fic (read here!) - I love anything which is a taste of a could-be episode of a TF2 tv show! Coolhorse also did a piece of artwork for this fic too!

[inluvwcaitvi]

give me mean caitlyn. give me angry, bitter, absolutely-sick-of-everyone’s-bullshit caitlyn. give me entirely way too focused and determined caitlyn. give me caitlyn when her compassion and morals begin to wane and she begins to question herself. give me workaholic caitlyn. GIVE ME ANGRY CAITLYN.

[mournfulroses]

Anaïs Nin, from a diary entry written c. October 1936, featured in The Diary of Anaïs Nin Vol. 2

[violinsandblood]

why is lestat's turn of events more truthful than louis'?? like, no doubt about it that louis is an unreliable narrator. which he also does admit to himself, he is very aware that he is speaking from his perspective and he doesn't know everything and time does change memories and views of those memories.

but why do so many people in the fandom believe lestat over louis? why is he automatically more reliable and truthful than louis?

[shisasan]

June 2, 1924 Journals of Anais Nin 1923-1927 [volume 3]

[justletmescrolll]

the ✨️🐂mystery🐂✨️ was homicide

[pencil-merchant]

the besties

[sneez]

conrad veidt would make a great tragedian i think