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0poole · 4 years ago

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The Best and Worst parts of past Pokemon games

I’ve watched ShayMay’s 7-hour analysis on Omega Ruby and as you’d expect it’s getting me to think about what are actually the best and worst parts of Pokemon in the past. I’m still glad he literally goes through the entire game going into both the good and the bad of the game, and I’m basically only bringing it up because of the sheer amount of effort put into it. Obviously the video was made before Sun and Moon came out so thankfully some of his quandaries have been solved, but still it’s interesting to see the on and off of certain things throughout the series. Most of the time it gets better as time goes on, but still, it feels like you could get an amazing Pokemon game just by piecing together the features of past games (even if you’d definitely need a few additions to get it perfect, if that’s even possible).

To be honest I really am slowly falling out of favor with Sword and Shield, and it kind of makes me hope that Gamefreak can still get better. Even though the games sold like hotcakes, hopefully they have the heart to realize a ton of people didn’t really like the direction, even though it still isn’t “bad,” just worse than it feels like it should be. Even though bad direction can’t be remedied by other things, the fact that they are a multi-billion dollar franchise really makes it feel like they could afford to make it better, especially when past games did do what people wanted...

Since it’s the most relevant...

DLC/”Enhanced” Versions:

I will genuinely take DLC over “enhanced” versions any day. Even though you’d think a lot could be improved between the base versions and enhanced ones, that’s usually not the case. The only ones that truly changed the game were Black and White 2, since they were treated more like sequels. Even golden games like Platinum didn’t divert much, even if it is an objectively better version than Diamond and Pearl. Considering the games are now going to be a solid 60$ each, it would be even crazier to expect someone to buy the base and enhanced versions. Only paying 30$ for multiple expansions (at least two, could be more) with the content of said expansions being put out as a free update otherwise is a much better deal. The only people this hurts are the types who reasonably wait for the inevitable enhanced version and only buy that instead, since it’s always better, even if only a little. As far as I know, however, Pokemon is one of the only game franchises that releases enhanced versions of games soon after their release (as in, not years later when technology advances and they can profit off nostalgia), so really they’re just becoming more normal by doing this.

Of course there’s the argument that there shouldn’t be any DLC or “enhanced” versions, and all the content of the game should be included in the base game. It would obviously be preferable to not pay for it, but as is painfully obvious, even the richest groups can still be money hungry. Considering they’re inevitably going to make one or the other, DLC is going to be the better choice overall because it’s much more expandable. You rarely got to see a substantial amount of content added on in the enhanced versions. If they made us pay 30$ for the Isle of Armor and Crown Tundra separately, that would be crazy. But, since it’s 30$ for both, they could easily insert more bits alongside the rest of the Expansion Pass, maybe allowing them to carry a game for multiple years under less resources on their part compared to trying to make a whole new game. That way, maybe they can devote even more resources to future generations and remakes. That’s all just speculation though. I’m kind of impatient, writing all this before the day it releases and when we get more info for the future, so basically just take this as my opinion the whole time before the DLC came out.

Honestly, though, I almost always fall into the camp of gamers completely misrepresenting the concept of DLC, saying they just cut off some of the content and made you pay extra for it. A few bad apples really soured the bunch in this case, because, even though Sword and Shield did feel kind of lacking in some places, saying the Isle of Armor or Crown Tundra would’ve been a seamless part of the game no matter what is just obviously wrong. The games felt “complete” in the sense that it is all they wanted it to be, and it has a clear start and end. Just because you don’t like it doesn’t mean it’s unfinished. Again, obviously it would be better if it was free/included already, but that’s just a given.

In a similar vein…

Remakes:

Basically, I love the usual formula for remakes. I actually really liked ORAS, and I feel like it improved on so much, making me actually like Hoenn as a region. Even though I played them closer to when they game out, RSE feel like a slog compared to modern stuff, especially with the lack of the physical/special split. I can definitely feel some nostalgia for the originals still, but 90% of the time I go back to those games looking for nostalgia, getting bored by the time I get to Rustburo, and turning it off. As mentioned by Shaymay, there’s still a ton wrong with it, but I’d much rather play them all the way through compared to the originals. I do still want to force myself through them eventually, though.

Heartgold and Soulsilver are widely considered to be the best games in the whole franchise, so I don’t have to say much. I’m not a Johto nut so I’m not the best at selling it, but I will say it feels so much more colorful and polished visually than the rest of Gen 4.

Firered and Leafgreen have the same problems that make me dislike RSE, but Let’s Go Pikachu and Eevee are the strange cases that make the future so uncertain. I liked them for what they were, but I swear God if they do that one more time it’s going to make the fanbase erupt. The Let’s Go formula worked for Kanto because a lot of the people playing Go are people who knew the original games but not the newer ones, making Let’s Go a good entry point with mostly familiar territory and slightly dumbed down gameplay. It may work again if they do a Let’s Go in Johto, but if they do it for Sinnoh, since it’s the next one on the chopping block, it’s going to fall insanely flat. Barely anyone who only loves Go also seriously wants to play through Sinnoh. There’s little nostalgia there, and the nostalgia with Sinnoh resides in everyone else who loves the games as they are/as they originally were. Plus, people say they’re some of the hardest games, so dumbing them down ruins part of the appeal more. Since remakes pretty much entirely profit off of nostalgia (and partially from people wanting to experience a region without the limitations of its origins) they really need to just, you know, remake the game. Same deal as any Pokemon game, just with better (if you’d call it that) graphics and modern sensibilities. Considering all remakes (IMO) look better than their originals, I don’t think we have to worry an insane amount about them looking as iffy as SwSh. I don’t think they look THAT bad already, but I definitely think they’re some of the ugliest in the series.

I will say that I do still want remakes to happen. I’m a sucker for nostalgia, and I love seeing graphically enhanced versions of past regions. Also, my favorite region is up next, so I really just want to see what happens. I’m a shill so it can’t make me hate the originals more. Or, you know, maybe that just makes me a normal, reasonable person...

Graphics:

Obviously we just want texture quality, model quality, etc. But, I think there’s something to be talked about with the overall art style.

I’m not gonna lie, I was kinda into the chibi-esque models of X/Y and ORAS. It did feel like it trivialized the more serious characters, like the villains and major legendaries, as they looked too cute, so it’s probably for the best if we stick to “normal” proportions. It felt weird when I first saw Sun and Moon, but I got used to it. I always wanted to make my character look as cute as possible so the chibi style helped with that, but I have gotten some good results from Sword and Shield.

For character customization (if it even counts as “graphics��) I think Sword and Shield really hit the nail on the head. I’m kinda biased, because Moon and Ultra Moon had a really shitty shade of purple as their designated “purple” clothing, and SwSh really got my favorite shade of it right. I do think it’s great to have one style of clothing under different, generally standardized colors. But, I definitely think we need more body types. Like, one of the main reasons I play as a girl in games like this is that the boy character doesn’t even look like me anyway, so there’s really no good reason to play either. Even if it’s just one separate character option for each gender, like a Skinny male/”Round” male/Skinny female/”Round” female I’d be fine. Obviously I’d want some character sliders at some point, like pretty much every other game with character customization does, but I can settle for one more generation. The alts could even be more shoehorned rivals like in X/Y, so they basically have the design cut out for them.

One weird graphical thing I want brought back is the little circular platform your Pokemon lands on in a battle. For some reason, I really liked that. It does make the battle feel more in tune with the overall environment without it, but sometimes the battle fields look really bland and flat without it. I’d at least want the floor to be designed in a way to look like there are devoted spots for each Pokemon to stand on, even if it’s not a separate thing like in X/Y. It just feels more satisfying. Not really a big deal though, since I’ve been able to ignore it for this long.

The big thing is animations. I am getting extremely tired of the X/Y models. That’s 3 generations so far that use them, and some of them aren’t even good. I’ll never hesitate to drive this point into the ground, but I really wish Pokemon like Xatu, Charizard, Dragonite, and Salamence are permanently floating/flying in air. If it isn’t obvious, this is the way it is because of Sky Battles in X/Y, since they didn’t want to do extra work for the Pokemon permanently suspended in air. The problem is that those four Pokemon (and probably many others) really don’t feel like they are supposed to be in the air 24/7. According to their official art and sprites, they’re all on the ground. Xatu especially was made to look super tall and stout with its geometric wings flatly put on his torso, like the totem pole it’s supposed to be. In the air, it basically just hovers with his wings out, and for some reason it looks like there’s a large gust of wind keeping it afloat. It looks really weird. Salamence is also in the same boat, since its wings are so weird and not wing-like that making it constantly fly just looks so unnatural. Mega Salamence was at least designed to look like it’s supposed to be flying, but normal Salamence really should just rest on the ground. He’s too fat to be permanently lifted by his weird wings. Charizard and Dragonite aren’t as severe, since both are clearly shown to be otherwise super capable of flight, but they do feel better on their feet. I remember watching TyranitarTube’s series on one of the Extreme Randomizer hacks of the game, and in there somehow they made a Dragonite use it’s Amie/Refresh animation of sitting still on its feet in battle. It seriously felt so much better to look at, instead of this giant, poofy dragon being carried by its comically small wings. Basically, the way you should tell whether to keep them on the ground is based on the official art/sprites. That is the way the designers intended them to be depicted, so that’s the way they should be. Some exceptions that I’m actually fine with are pretty much all the regional birds, except Unfezant. They all look pretty decent flying, since flying’s basically all they do… Even Swellow, who has the same strange gust of wind as Xatu, feels more fitting like that because it seems so much more aerodynamic.

Apart from that, I just wish they were at least a little different. I’m not super against the muted colors they have compared to the sprites, but I wouldn’t be against more saturation. Considering how much work was put into all the different animations of the battles, Refresh, and both walking AND running animations, I unfortunately don’t think they’re going to change any time soon unless they explicitly say they’re going to change them for quality improvement. I would say the Pokemon from Gen 6 up are still pretty fine, since they were more meant for 3D.

As for battles, one of my favorite Pokemon games is, in fact, Pokemon Battle Revolution on the Wii. Not only was it super Sinnoh-focused, but it had multiple body types (even if I still look like none of them) with character customization for all, and great graphics for the time. People always look to it after citing the lacking Double Kick animation from SwSh, saying how animated the models were and how they liked the Pokemon actually running up to their target when using a physical attack. I will say that the model quality for a lot of them were still kind of iffy, and that some of the animations were a little too much. Specifically Pidgeotto, who was on one of the rental cards, was super energetic so as to seem a bit crazy, and felt a bit low-poly for the otherwise high quality of the environments and humans. However, going back to such a formula would be extremely welcome. I’m totally fine with the Pokemon not running up to their targets, but I wouldn’t be mad to see it put in, especially since the walking and running animations are already in the game. They would need to be balanced in terms of speed, though, since some of the animations in PBR felt really, really slow with that animation in there. Plus, some moves just need speed, like Quick Attack.

In terms of the move animations themselves, I do think some of the water effects in PBR felt too realistic compared to the rest of everything. Also, people say Double Kick looked bad in SwSh (like it ever looked good), but a hell of a lot of Fighting type animations in PBR were literally just the Pokemon walking up to their target, smacking them with nondescript flashes, and that’s it. So many of them could hardly be pieced apart depending on whether they were kicks, punches, or whatever. It would’ve been better either way if they put the physical move attack animation in for Double Kick, but PBR has its fair share of shitty move animations too. Moves like Seismic Toss looked fucking insane though, and I loved it. Seismic Toss specifically is the true test of move animation quality.

Also, it’s kinda irrelevant to anything, but I could totally get down with the Announcer from PBR returning for major battles like Gym battles or League battles. He was so much fun, even if a bit repetitive. All you need for that is a setting to turn him off, and bam. He’s a true classic.

More generally, though, I think Sword and Shield is a seriously mixed bag of graphical quality. I give the SwSh haters a lot of flack, but the one thing I 100% agree with is the texture of the trees from the Wild Area. They are god awful, even if it was in a game a decade ago. I seriously don’t know how they messed that up, since you can download better bark textures for free on the internet. Surely someone at Gamefreak could’ve done better there. If this was just a random tree in the background of some random route, then who cares, right? But no, this is practically every single tree in the Wild Area, the biggest selling point for the region and the game, where you would always spend the most time. You see so many of these trees everywhere, and they look horrible. I also hate the look of the berry trees, since they don’t seem to use the same lighting effects as everything else (just a guess though), but even apart from that the batch of lighter leaves on top of the bottom ones just looks so artificial. It looks as if they dumped a sphere of leaves on top of another sphere of leaves, like it was ice cream. Maybe some trees in the real world look like that, but sometimes it’s an artist’s job to take what sucks about reality to make it better for fiction.

On the other hand, I think locations like Motostoke look genuinely amazing. The brick textures are pretty good (compared to the tree), and all the colors and shapes of the place look really good. Also, when they go into full-on cutscene mode, the models, scenery, and everything else really shine. Obviously I’m not the king of all visual media, but it’s just weird to see that. It’s hard to compare to past games, because everything else was either 2D or on the 3DS, which wasn’t as powerful. Even though the Wii is definitely less powerful than the Switch, it doesn’t really count since there’s infinitely less content to worry about in PBR. Much more of the work could’ve gone into the graphics. Really, there doesn’t feel like there’s any excuse unless crunching is involved on the business side of things, which I really hope isn’t an issue for their sake. I would honestly love to see them announce that they’re taking a year or two off to devote themselves fully to a new generation, instead of trying to keep a yearly schedule. Something something Miyamoto quote something something.

Stylistically, it’s also a mixed bag, but at least this time it’s all just subjective. It feels like a lot of the game is meant to be somewhat blobbed together in some ways, like its a painting meant to be looked at from afar. It feels like there aren’t major outlines for things. Specifically with the Pokemon, they don’t have that outline they’ve had for the 2 generations before. It’s never been a big deal, and I really hate how low quality the outline made the models feel, so I don’t really know which style I want. Even though it’s still decent, I feel like most 3D models made to have a super notable outline on them look a little funky sometimes with it, so I don’t know if I want that, but without it they just don’t feel as solid. I really just don’t know there.

Music:

It feels like, even if a franchise is kinda iffy, the music is still consistently top tier. Like, no one thinks Sonic games have objectively bad music, even if they don’t like it. If they do, they’re just wrong. Pokemon’s the same, so thankfully this isn’t a test of which past game had the highest quality music. I do think the Wild Battle theme in SwSh does feel like it has a weird melody, but that is super outclassed by universally acclaimed bangers like the Slumbering Weald, and the battle themes of Marnie, Bede, Oleana, and the Battle Tower. Those aren’t just the best the generation has to offer, they’re seriously amazing themes.

Back in Gen 7, we have the Kahuna Battle, all themes of Team Skull and the Aether Foundation, Lillie’s theme, the Ultra Beasts (which might be more contentious but I like it) and Hau’oli City at night. In Gen 6, I at least liked the themes of Laverre City, Team Flare, and ESPECIALLY the Xerneas/Yveltal battle theme. Don’t even get me started about Pokemon Battle Revolution. I could go on and on, but I at least want to spotlight ORAS here because they knocked it out of the park with Archie and Maxie’s battle theme. It was the perfect drop, because the intro felt super muted and boring, and I was afraid they completely snubbed it, but the drop completely blew me away, and absolutely perfected the theme with the crazy trumpets Hoenn is known for. Also, Zinnia’s theme is amazing, as well as many other themes that are just improvements over the originals. The one thing I’m semi-iffy on is the Regi theme, an amazing theme for my favorite trio, but I never think anyone really makes it feel as lumbering and deep as it should, considering what it’s supposed to represent. The beat is arranged as it should, but it never feels punchy enough for me.

I’m really just praising the music here. Frankly, I see no reason to think the music is getting any worse.

Difficulty/EXP Share:

They’re basically the same thing, at least according to Gamefreak.

I always keep the EXP share on, but I do think that making it a permanent addition to the game was a major mistake. As explained in Shaymay’s video, it actually increases the overall experience you gain in battle, at least before. That seems absurd to make a permanent addition (although they likely changed it in SwSh because of that). I honestly just use it because I’m not into a challenge in games, but it should definitely be optional, if for no other reason than to be a bootleg difficulty slider. However, What about the difference between the Gen 6+ version and previous versions?

I think it’s easy. Make it like pre-Gen 6, but give you multiple shares. So, if you want to train up two underleveled Pokemon, make it so you don’t have to swap it between them. That way, if you really want to just spread the EXP thin, you can give one to everyone you have, and that’s that. Also, I think it should perfectly split the EXP, not adding anything onto it. If everyone on your team has one and you get 120 EXP, that’s 20 EXP for everyone. Of course, I do actually love the mechanic of being able to switch the share holder in to give them a disproportionately larger amount of EXP compared to everyone else. It just doubles the effectiveness of switch training, and makes it better for when you want to train them up but specifically not the higher level Pokemon you’re using to fight.

Some part of me wants to keep my precious easy mode in, but then I realize… Just make actual difficulty differences. Just give us a choice. Even if it’s just a “How well do you know the Pokemon world?” with a “I know all about it/I’m a bit unsure” text box in the beginning. In the harder variant, tutorials will be skipped automatically, trainers will have higher AI, and better teams. However, I don’t think higher levels is a perfect foil, because that can just be beat with grinding, and grinding is boring. Also, I’d have to guess the main reason why Gamefreak didn’t do this in the first place is that trading Pokemon would differ a bit between difficulties with different level curves, although apart from it just sounding like a bad thing I’m struggling to think of a genuine reason why it is. But, for the sake of playing, grinding sucks. It’s not fun, and I honestly think you shouldn’t just bump up levels and call it difficulty, because you don’t actually need skill to beat a higher level, just a better level and maybe RNG. But, if you actually had to effectively train a team of more than six, with Pokemon you swap out depending on your opponent, you would actually need to think of how you play the game. I think the main reason Pokemon games are so easy is that you can basically choose whatever you want and do almost whatever and still win. Some fights, as far as my playstyle goes, are still decently challenging because I just choose what Pokemon I like and not as much what’s good (unless something genuinely just sucks), and those battles, even though I would probably get annoyed at losing over and over, feel so much more rewarding to beat. And, of course, that’s only like a few major fights. I’ve never had any real trouble with trainers. I only think I’ve had a bit of trouble with the elite trainers in Let’s Go because I always try to use my lowest level Pokemon first to level them up, and keep my team at completely even levels. If I always just switched in the foil to my opponent, which I inevitably had, I would almost never lose a single Pokemon, mostly because of the “switch” battle setting.

But of course that begs the question of Pokemon being balanced for children and inexperienced players. I know way too much about this game, so obviously it’s a piece of cake for me no matter what, and what I want is supposedly what would frustrate everyone else. But… again, just put in the choice. People can choose whether they want to be challenged, or if they just want to play Pokemon, and if they choose wrong that’s on them, not anyone else. They could just reset the game and try again on an easier difficulty. It’s crazy to have to vouch for this, since it’s a staple in pretty much every other game in existence. Even in my casual state, I want to play a harder Pokemon. I want to test myself. Online competition is a bit much for me, but the AI is too little. Even in me replaying Pearl right now, I’m trying to use weirder and weaker Pokemon than I usually use for difficulty, and even that game was mostly a cakewalk. I’m only stuck at the Elite Four because I was somehow super underleveled. In the generation where I experience the AI switching out the most, they still just do that at random and keep in certain Pokemon that get completely walled by what I have out, only for me to stall them to death. AI definitely should switch out (and I honestly can’t remember it happening once since Gen 5, if even then) so if anything, just give them a more solid switching ability. Considering we have the opportunity to switch in whatever we want when they are about to send out something, they really need to take advantage of the power of switching.

Gyms are a big piece of difficulty that falls apart 90% of the time. The gym puzzles are rarely hard, with only a few notable exceptions requiring major thought, like the Circhester, Snowbelle, Snowpoint, and Sootopolis gyms. See a pattern? Why the heck to Ice types/themes get the worst resistances yet the best gym puzzles? Otherwise, if you’re not just fighting trainers (which you were going to do anyway) you’re bashing your head against a wall until something sticks. The Trials of SM/USUM were universally a joke, and were it not for the Totem fight they would’ve actually made me mad by how easy they are, considering they had the opportunity to revamp the whole system and knock it out of the park.

As for the Gym Leader, assuming we have to stick with the idea that they can only use one type still, they really have to cover their bases. Like, a Water gym leader would really have to have Flying type moves or Pokemon to counteract the easy Grass weakness, or something. You can’t get to the top with just one single type and nothing else. I do kind of think a master with no specific type speciality should only be reserved for the Champion, since it makes them more special, and because it seems like any old trainer can become one if they beat the last one, meaning it’s illogical for too many of them to have one special type. I can appreciate the choice philosophies of the Gyms like Raihan and Volkner, and Flint of the Elite Four, where they do specialize in one type, but they have a lot of different Pokemon involved who only have moves of that type. It still feels consistent, but also more varied. Also, I love the 1v2 dynamic of Totem fight. Not only does it blatantly put you at a disadvantage, but since the battles aren’t explicitly type based, they can put together some seriously unique strategies, like the Sunny Day Castform partner to the Totem Lurantis. It’s literally the most basic plan you can formulate, but it sure as hell made that one of the hardest early boss fights in the series, at least for me. It was pretty good stuff. Too bad other bosses like the Ultra Necrozma fight was just kind of cheap, with a +1 to all stats and super high level… Better than nothing though.

Versions:

I get that it’s a staple of the franchise, but I really hate version exclusives/differences. They’re just dumb. Specifically the differences of Black 2 and White 2 pissed me off the most, because guess what? They did have difficulty options! But… they were version exclusive. Like White Kyurem more than Black Kyurem? Or, maybe Reuniclus is your favorite Pokemon? (not bitter) Well, too bad. You’re only allowed the expressly easier mode of the game, which you only unlock after beating it normally????? That’s just stupid. I’d sort of be okay with it if you unlocked easy mode after normal mode, then unlocking hard mode after beating easy mode (like how I thought it was before I looked it up), but limiting stuff like that is just ridiculous. I mean, it’s dumb to have to unlock an easy mode after beating the normal game to begin with. I’m honestly considering trying to beat easy mode without evolving any Pokemon though. Self-imposed difficulty is fun sometimes, but yeah…

Also, the differences of Sun and Moon also are dumb. Like playing in the day, but like Lunala more? Maybe Purple is your all-time favorite color and you want to wear it? Well, too bad. Go ahead and flip your 3DS’s internal clock around, messing up all other time based games you play. It’s a gimmick that transcends Mega Evolution, Z-Moves, and Dynamax.

Now, there’s a completely new problem: Some people bought the wrong expansion pass for their game. Because there were two versions, people literally just wasted money on absolutely nothing. To be fair, those people are blind idiots, but still. I really just want one version. Please.

The whole semi-in-grouping that happens when the version exclusive Pokemon are first revealed is kinda fun, but 90% of the time people have to settle for a few Pokemon they like and a few they don’t. For example, I bought Sword specifically because I like Zacian more, and the legendaries would be much harder to come by than other version exclusives. In the meanwhile, I preferred practically every other version exclusive over Sword’s, including but not limited to my boy Reuniclus. I don’t use old Pokemon in newer generations anyway, but it still sucks to have to choose like that.

It was obviously meant to give people much more to look for, since they physically can’t get some Pokemon, and have them interact with others to get them. The only problem is that we just have the Internet now. It doesn’t help to just ask someone online for a trade for a version exclusive. It’s just an extra stepping stone that really isn’t that fun to deal with.

I was originally going to say that the games/console cost more so less people would buy them, but considering SwSh absolutely knocked it out of the park, overselling even the highest selling games from the past, that’s clearly not an issue. My sister even bought Let’s Go Pikachu after buying Let’s Go Eevee for herself, since we both initially got Eevee. Thankfully she seems relatively into buying the games now, so we can coordinate and get different versions. That’s how I was able to complete my Pokedex for the first time in Sword (although obviously there’s less Pokemon to find). I think she even bought a separate Sword version for herself too… Is this what the average consumer is like?

Honestly all of this is just sort of subjective because really it’s not a big deal, but it would be so much less of a deal and make the games much more perfect and reasonable story wise if they just used one version. For example, Circhester is clearly an Ice-themed location, but in Sword you face a Rock gym leader, instead of the Ice one. And, the opposite is true in Stow-on-side, because Sword has the more logical gym with the boxing gloves punching you around and the tough city that feels as Fighting as Fighting could be without being a literal dojo. But, in Shield you face some Ghost kid. To be fair, I do like that version exclusivity is bleeding into some of the characters too, so if there is to be version exclusives at all let there be version exclusive characters, but it would just feel so much better to have it all sorted into one place. Also, to consider past installments, Ho-oh is clearly more important to the overall plot of the world than Lugia is, as shown by Ho-oh always being an important, mystical lore figure in the Anime and such, while Lugia is just like “Wow, there’s Lugia! So powerful!” Thankfully the plot didn’t entirely revolve around them, but it could’ve if they just focused on Ho-oh.

Story:

Pokemon has definitely had its fair share of dumb stories, which is excusable because it’s not actually the focus of the game, but it doesn’t hurt to have.

You obviously can’t talk story without talking about Black and White. Also, you really can’t talk a Pokemon story without talking about the evil Team in each game, because they’re basically the entire motor for plot. Still, though, Team Plasma is easily the best Team in the franchise for story purposes. The biggest thing is that they seem like the most reasonable team, making them seem like people who are just so into their ideals that it looks like a cult. Also, in B2W2, they actually split up into the friendly division of Plasma, where they actually carry out their goals of wanting Pokemon to be happy and free, while Neo-Plasma does all the Team Rocket-level shenanigans that mess everything up. Not only is it just reasonable, but it answers a question that comes with the overall concept of the franchise: How can Pokemon want to battle for the sake of humans, etc? It doesn’t make sense, and naturally someone in the world would take that to the extreme when they realized it. It also makes sense why the grunts are so hellbent on wreaking havoc around Unova, because they are each led to truly believe what they are doing is right for the world. Other villains like Archie and Cyrus are just like “humans are bad, let’s destroy them” which is like a lite version of this idea, but it feels almost too supervillain-y to take seriously, and the grunts just feel like henchmen. Plasma feels just real enough, with somewhat level-headed people like N making it seem like they’re almost not crazy.

People always say Team Rocket is the best, but even though their motives are so simple enough so as to seem real and good story-wise, they do feel like they don’t really add anything to the overall idea of Pokemon. At the time it was just “Pokemon are strong so bad people can use strong Pokemon for bad” which makes sense, but really doesn’t feel like it extends beyond that. Don’t get me wrong, I would say they’re objectively second best (because subjectively Galactic is my #1) but I do think Plasma is better.

Since they’re the most recent, Team Yell is the most nothing out of this list. That only makes them second worst, above Team Flare, who felt like they were trying to do something big but fell flat. Team Yell as the resident “evil Team” feels weird, because they do almost nothing. They are only similar to Skull on the surface, that being all rough-and-tumble teenager types, as underneath them being a toxic fanbase is somewhat interesting, but they, again… just felt like nothing. The plot wasn’t even close by to them, like with Skull was, being tied in with the Aether Foundation. They’re just there to be goons and go away. At least they did lead to the first Dark type gym leader, but again… their leader is a Gym leader. We would’ve seen him no matter what he did, so it feels less interesting. I do want the Team to actually do something.

The problem is that, since Plasma already did good, how do you do something that’s original but still good? To be honest, I want it to involve Foundations, like a morally good alternative archetype to the evil Team. Our first run-in with a Foundation was led astray by a crazy leader, but it seems like they’re still good overall, so I at least want to see more of them. Maybe instead of the Team searching for world domination by using the box legendary, maybe you and the Foundation have to search for the box legendary so they can help you defeat the Team, who may or may not have the third/another legendary on their side, and you have to prove yourself to it to get it to trust you. Sort of like Sword and Shield, but more involved. Zacian and Zamazenta just sort of appear when things go bad, and that’s it. You just hear stories about them before that. That’s at least better structure-wise, although the motives and themes would still have to be dealt with. There are so many possibilities there it’s hard to choose.

One thing, though: I definitely believe that Pokemon was never even close to an open world game, and people thinking the new games are too linear compared to the old ones just have rose tinted glasses on. Kanto had bad crossing over, where you’d sometimes find yourself severely overleveled when interacting with a story event, and beyond that all other games were pretty linear too, with only a few slight special, optional areas that aren’t involved with the plot. Of course, I still think the game would benefit from being open world. Some games don’t have to be open world, and that makes them feel sort of empty, but Pokemon as an idea is exactly perfect for that. They were toying with the idea a bit with the Wild Area, and I do think if they really went crazy with that idea it could be fun. Everyone always wants to compare it to Breath of the Wild, but I do love how seamless everything is in that game. Even with the enemies popping up out of the grass/flying down from the air/just romping in a set area like Pokemon would. Gym leaders could just use different teams based on how many badges you have, like how they imply it works in that Pokemon Origins series. Then, you might be able to scale up the Pokemon you can find too that way, like with the Wild Area. BotW’s story was very light, but if you just either use a quest system/map markers you can still manage a decent story in an open world. Plus, Pokemon has a ton of side quests anyways, like all the ghost quests they always seem to put in. You can literally “get” the quest, get distracted, and completely forget you were even doing any sort of quest because they don’t remind you in any way. Side quests could even get you extra doses of EXP for your team, giving them a use.

The Gimmick:

I don’t want every generation to have a gimmick. Ideas are severely limited in that front, and when everyone’s special, no one is.

Mega Evolution was kinda cool, as it improved on old Pokemon without making them another part of an evolutionary chain. Also, it lets some Pokemon get different forms with entirely different strategies to them (even if they’re version exclusive…) But, as someone who plays Pokemon for the monster designs themselves, I actually kinda don’t like it. No, not because Mega designs are bad, but because they completely trump the designs they evolve from. For example, Mawile isn’t just “Mawile” anymore. It’s more of a “Not-mega Mawile.” It feels so much less complete now that it has a form on top of it that isn’t permanent. Same goes for starters like Sceptile, who feels kind of boring compared to its Mega. It always sucks when a Pokemon you like evolves into something you don’t like (Popplio for me) and you have to deal with the fact that, even if you like a Pokemon, you aren’t supposed to keep it like that, and it’s brought down because of it. I mean, I guess this is all just personal. Obviously it’s easy to like an early evolution, but it feels so much better to like a final evolution. Since Megas are both temporary in battle, not available outside of battle, and limited to the very late game usually, liking a Mega feels kinda pointless for in-game purposes, where you interact with your Pokemon the most. Plus, for Pokemon like Mawile, you’re using an “incomplete” Pokemon for as long as you don’t have the right Mega stone. It’s obviously fine when all your other Pokemon are incomplete as well, but yeah… Just kinda sucks sometimes. Plus, anything achieved by Mega Evolutions could just as easily be achieved by normal evolutions. The only issue is Pokemon like Beedrill not being able to evolve again, and Pokemon like the starters or legendaries who are already too good to get another stage. I feel like weak, 3rd stage Pokemon like Beedrill deserve that kind of treatment the most, but no one else. If they can evolve normally, evolve them normally, and if they’re already too good, just let them be.

Then there’s Z-moves, which solves one problem of Mega-Evolution: All Pokemon can get involved. No matter what, your Pokemon can unleash super cool but sometimes questionably named moves. And, apart from new animations, the special Z-moves aren’t so insanely preferable to the normal ones. It’s cool, but if every Pokemon gets to use them, it kinda gets old after a while. Also, it’s a one-time use, so if you fuck it up it’s wasted. It’s definitely not perfect, but I will say I love the special Z-move animations, mainly because it’s not just Pokemon doing stock animations for a quick little attack. They animated that Pokemon specifically for this attack, which is basically a cutscene, and it always looks better. It is a bit strange, though, that even though Z-moves are seemingly named after Zygarde, it doesn’t even get a special Z-move of its own. That dude really got the shaft when it comes to 3rd legend attention...

Now we have Dynamax and Gigantamax. I just want to say that, when it first was revealed that you can turn your Pokemon into Kaiju I was extremely hyped. More hyped than I had any right to be. Considering nothing else, Dynamax definitely is the winner in terms of visual concept. Not only does it just look cool, but I love how Gym stadiums are designed specifically to accommodate them. It’s a nice touch of worldbuilding (even though it’s basically necessary). Unfortunately… It’s easily the Jack of all trades, master of none in terms of gameplay. It’s like Mega Evolution in how you change the appearance and power of your Pokemon, and it’s like Z-moves because they have super powerful moves with special effects. Sounds alright I guess, but I really just wish they kept the previous two gimmicks instead of just making a new one that checks them both off. Also, Gigantamax actually annoys me. They try to make it seem like your Pokemon changes, but the vast majority of them either look worse or hardly change at all. Specifically, Copperaja looks like an absolute joke, even though normal Copperaja is one of my favorites of the region. But, ones like Hatterene, Corviknight, Garbodor, and Grimmsnarl hardly look any different at all. Even Appultun and Flapple have the exact same Gigantamax. Who cares? Even their moves have almost exactly the same animations as their type’s counterparts, with a slightly different particle effect. It’s so much less interesting than they make it seem, and it has all the problems of liking Megas over their base, but worse, since they’re more temporary and only allowed in certain areas. Plus, Gigantamax isn’t even a thing possible with all members of a single species. Obviously now they’re introducing a way to change that, but at that point why not just do it Mega style? It’s not even that much better, but there’s so much more work in it. It’s like less rare shinies. It did bring about a decent event in the games, those being the Max Raid Battles, which both have good rewards and good challenge to them. I don’t have friends so they suck for me, but with friends it looks awesome.

I feel like the worst part is that they probably are just going to retcon these gimmicks in the future, like they did with the Pokedex. It makes sense, but each thing was made to be such a massive deal in their respective regions, it feels lame that they’re just gone now.

But, oh my god. You have no idea. Regional Variants are the best thing to happen to Pokemon since, I dunno, whatever. They’re amazing, and something that should never leave the franchise ever. Like a Kantonian form more than an Alolan form? Sure. It’s still there with all its power, it just has a different style in this region. That is not only biologically logical, but it brings back interest in a Pokemon without outclassing the classics. Plus, now it feels like every single Pokemon has a possibility to shine that is both permanent and preserving of the original. I just can’t get enough of it. Then Sword and Shield introduced the idea of Regional Evolutions, which can be both plain evolutions and split evolutions from the normal form like with Cofagrigus and Runerigus, meaning the possibilities are endless. Then, even further, regional LEGENDARIES. It doesn’t make sense lore-wise but who cares, the new birds look awesome as all hell and I actually like them now. It’s so perfect, I don’t want anything more than this in future games. I would kill for some Sinnoh variants of post-gen 4 Pokemon in the remakes. Hell, I hope Sinnoh gets revamped with a ton of different options across the later generations so it feels significantly different from the originals.

As for things like Primal Reversion, I honestly don’t even know. It’s even less significant than Gigantamax, but since it has more interesting lore I’m sort of fine with it. I do hope they use it for other legends too, especially since Palkia and Dialga are just asking for it, with their respective orbs, and Dialga already having the “Primal” title elsewhere. And yes, I know he’s called “Dark Dialga” in Japanese.

If I may be so bold, I think a neat gimmick that can be both unique, interesting, and completely alter the strategies of battle, would be some sort of temporary type inversion. That is, everything going out of and coming into the inverted Pokemon will have reverse effectiveness. It’s like the fringe little Inverse battle you can go through in X/Y, but turned into a mechanic that’s inserted into normal battles. Visually, it would give the Pokemon a negative look, as in inverting their colors and shading. I don’t see how this could single out certain Pokemon in a special way, like with a form change or anything, but maybe there could be one specific Pokemon that has an ability that does something special when it inverts. Maybe items could be made for a special use too. I was sort of half-using it for a fan region I’m half-devoted to that will likely not be a full fledged idea, but I do like it.

Roadblocks/HMs:

I’m entirely fine with the way things are now, where you just get the HMs as key items you use whenever you want, but I can sympathize with the small contingent of people who like using their Pokemon to traverse the world, instead of anything else. I definitely think anyone who prefers HMs beyond that reason is an absolute lunatic, but I think there is some sort of a point to be made, and I think a combo of Let's Go and Sun and Moon have the answer. It is so much more fun to ride your Pokemon around than it is to get a bike (and put on some seriously ugly clothing, mind you), and I think Let's Go with giving you the option to ride your Pokemon instead of using a bike is seriously fun. I used a Rapidash almost exclusively for that purpose in my run of that game. Who the hell wouldn’t want to ride a Rapidash, assuming you weren’t going to catch fire? Plus, it’s YOUR Rapidash. Ride Pokemon in Sun and Moon were still pretty good, because they served functions you wouldn’t normally expect from HMs, like Tauros being both your bike replacement and Rock Smash, while Stoutland is a dowsing rod. It does get a bit weird when you “ride” a Machamp just so it can push rocks for you, but it’s better than forcing you to teach one of your team members a normal type move at the very end of the game since you absolutely need it to move on, and having to keep it until you can fly back to the move deleter. Honestly, if you could just delete HMs on the fly, they would be so much more acceptable. Still would be worse than what we have now tho.

Basically, I think Pokemon should have inherent HM abilities in them. That is, every single Tauros you catch can smash rocks, and every single Machamp you catch can push rocks. Each Pokemon would either be capable or incapable of a task, and you only need that species to go through it. That way, you’re both using your own Pokemon, while also not limiting their moves. It also makes it easy to tell why birds like Starly shouldn’t be able to carry you and fly you around, while birds like Staraptor can. I also think any road blocks using Rock Smash or Cut should be entirely optional, and for secrets only. In order to make Fly a limited option, maybe only fully evolved Fly-logical Pokemon can use it, so you can’t just fly somewhere in the early game. But, another thing: if you can fly early, so what? It’s not like you get extra options, you only can go back to places you’ve already been to. Even though it doesn’t make sense logically, it’s a very fair piece of game design that really doesn’t have a super obvious reason why it’s limited to the middle few gyms. If you have a strong bird that can pick you up, you obviously worked enough to get some convenience.

But then, what would be a roadblock to keep you from going too far? A horde of dancing men? Honestly, that’s just one of those things fixed by my open world idea. Maybe some areas can be super strong so as to tell you that you shouldn’t be there, and maybe implement the idea of the Wild Area where you can’t catch the strong-looking Pokemon, but apart from that make most of the world scale up with you. Surely some areas would be slightly higher leveled then the rest, though, for the sake of variety. The Wild area does get a bit stale when literally everything you encounter is exactly lvl 60. Obviously there could be some pointless story-focused roadblocks that only clear when you progress, because that is how it is in real life. You can’t just walk into some business’ office unless you have business there. Of course, you can’t exactly walk into random strangers’ houses either, but still.

I do want to praise ORAS again because the Soar feature with the Latis was extremely cool. It was like Ride Pokemon but using the objectively coolest possible HM to control. If they sort of nerfed the Fly mechanic and made it so you did have to ride your Pokemon and fly them there like the Latis I wouldn't mind that at all. Although, surely some other people would...

Other Bits:

- I still think that, even though having every Pokemon in the game would be great, I think if it can improve the game elsewhere I wouldn’t mind them saving some space. The problem is that Sword and Shield really wasn’t the best way to suggest it would vastly improve anything. I’ve gone on ad nauseam elsewhere about that so bleh

- I love seeing Pokemon in the overworld. I do think it would benefit from the Let’s Go treatment, where you can at least see if a Pokemon is shiny or not. Either way, it gives them so much more personality, like how some charge head-first at you while some walk up and casually examine you.

- I don’t really care too much about Pokemon following you to be honest. It would obviously be preferred over the alternative, but I’m not gonna riot if it doesn’t happen. It did give a lot of personality I didn’t expect in Lets Go, like Bellsprout being so darn speedy.

- I could probably make a whole nother giant rant about the overall designs of Pokemon but needless to say I’m fine with it overall. I do sort of wish they’d do something else with the starters though, since I haven’t genuinely loved a starter since Gen 4. Honestly Chesnaught was pretty close, but I still get the urge to replace him with something more interesting. Outside of them, though, I think things are going good. Some are duds, but some are bangers like Corvinight, Grimmsnarl, Hatterene, Frosmoth, and a bunch of others which I could easily list but this is supposed to be succinct comments so

- There definitely has to be some sort of endgame content, but everyone already knows that. Seriously though, what if the colosseums from PBR become the replacement Battle Frontier? That would be dope. Although the normal Battle Frontier would be fine too, I guess…

- PBR PBR PBR. PBR is great for it’s realistic sizes of Pokemon. If you’re going to use full-size models of humans, the Pokemon should match. Or, at least make it a little more true to reality. Yes, Wailord is too damn small.

#Pokemon #sword #shield #rant #rambling #dlc #isle of armor #opinions #it seriously took me 5 hours straight to write all this #ideas

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the-rainbow-mafia-blog · 5 years ago

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Y don't u care abt UsUm?

// Short answer; because I feel Nintendo doesn’t either.

And now a long answer because I’ve been sitting on this rant for ages and I bothered the Discord server enough with it. I want to put foward first that the opinions expressed here are my own. I am a big fan of Nintendo and this is something that bothers me. This is no way shape or form an attack to people who love these games to bits. This is also not meant to hate on a franchise or a company. The purpose of this rant is to put some arguments behind my statements.

Sources are linked in the text. I used Nintendo but I always meant everyone involved in the making of these games.

The reason I feel comfortable sharing it now is because people have their, rightful, concerns about the upcoming games; Pokemon Sword and Pokemon Shield, releasing in a few short weeks for the Nintendo Switch. Nintendo’s newest and most succesful baby.

Why doesn’t Nintendo care about Pokemon, according to you?

First we need to ask ourselves;

How much does Nintendo make on Pokemon?

While I do think they care in a sense the numbers won’t lie. Pokemon has made around $95 billion US dollars since the franchise came to life in 1996. To put it in a way bigger number; they make about 4130434782.61 US dollars PER YEAR on Pokemon. (This is my own math, I do not know the exact numbers per year. I divded their total by the amount of years Pokemon has been alive.) That’s a lot of money and it’s with right the most financially succesful franchise to date.

Only a part is made by the video games $17.138 billion. It’s merchandise makes more; $64.1 billion.

I could not find a reliable source on how much it takes to make a Pokemon game in monetary value. What I could find however is that Pokemon is making less and less per game they release. Without counting Ultra Sun and Ultra Moon, Sun and Moon made LESS than X and Y.

The only main series game that made less than Sun and Moon (again not counting UsUm) was Black/White.

Nintendo knows people will buy their games anyway;

Dropping sales or no, Pokemon still manages to fatten the piggy bank over at Nintendo because people will buy it anyway. The Pokemon craze of the 90′s should tell you that. People would buy it if it had Pokemon on it. Those people are now in an age group that has money to spend, hell some even have kids. So Nintendo is smart and releases commercials like this one or this one. This marketing is beautiful (and no, not only Nintendo knows how to do this) because they play on your feelings. Who didn’ make a friend because you both liked Pokemon? And if you grew up with Pokemon like the person in the second commercial the whole feeling and setting is famillair to you, hell they could’ve casted you and it would’ve make sense. They compare the whole bleakness of adult life, having to work to pay the bills, having less time for video games, to that warm familliar feeling of coming home and playing Pokemon. They feed on your nostalgia; your desire to relive those moments or if you have kids, to share the feeling those games gave you with your off spring. Or your younger siblings or other family memmbers. I catch myself doing it! When a young one comes up to me, or I see a kid play the game on the bus I get that familiar feeling of ‘Hey I used to do that!’ It’s smart and it’s a thing Disney is good at too. It zooms in on what was precious to you and now resells that feeling to you.

“Hey buy our game to feel something again. The world sucks anyway but Bulbasaur is still cute!” This isn’t a bad thing! Nintendo is a company and at the end of the day they need to make money. That is fair and I am in no way bagging on them over that. But it’s my belief that Nintendo keeps making money on the Pokemon games this way. Which leads me to my next point;

The Pokemon games come across as lazy.

Again, opinion but it feels like that. Which is also why I don’t care for UsUm; it’s lazy.

I truly believe Pokemon has some decent writers who don’t get their chance to shine. The beginnings of great stories and characters are there but it feels unfinished. Like someone bought the ingredients to a delicious dish but forgot to make them. Over the years Pokemon has a colorful bunch of characters, and the ones that stand out the most are the baddies. They usually get the coolest designs, the sickest themes, one way or another they are present in the climax but again. It’s lazy. How many of them pretend to be good or have a high moral standing and then turn out to be absolute dickbags? Almost all of them. Then they have characters (Ghetsis, Lusamine and Faba come to mind first) do something horrible (abuse of minors and playing God) and they get away with it what is basically a slap on the wrist.

And after you beat them… for me the story stops. Yes you can go and beat some very powerful trainers and claim your title as whatever the thing in this game is and yes often that unlocks some post credit content but it’s bare. The big threat is gone.

“But,” I hear you say “It’s a DS/3DS game. There is only so much you can do.” Disagree. Phoenix Wright, Ghost Trick, Professor Layton and The Legend of Zelda OoT 3DS and Majora’s Mask all released on the same consoles and have a much richer story and even more characters. All games keep their pacing and the story really feels like it ends when the credits role.

Then there is the overal quality. The main characters in Sun/Moon looks like someone forgot to progamme their soul in: /Screenshot take from THIS video/

I, again, easily could compare this other games who have much more expressions but let’s take one of Nintendo’s own;

There is so much more emotion in the Legend of Zelda one. It released a few years earlier than Pokemon Sun/Moon too.

Second the frame rate drops like a hat. While some framerate drop is expected this much is a little too glaring to ignore. To compare it to BoTW or Red Dead Redemption on the PS4, who both also have some frame rate issues at times it only happens in certain locations, usually a spot with lots of effects of NPCs. In my opinion, Pokemon does not have the luxery of that excuse. It would random drop in almost every location i was in.

The story

Every Pokemon has a story and I get that it’s basic. It’s a game for all ages after all. I get it won’t have a deep story like other games have. The basic gist of the game is to still enjoy catching all these mon’s with occasional story woven into it. But here is the thing that irks me; The little sneak peaks of story that we do get.. it’s good. It’s just so unfinished. It’s like there is a constant battle in the developers room betweeing writing a deep and interesting story (I’m not counting Pokemon Lore, just the story given in a game) and focussing on just the gameplay. There are many examples of rich story games with little gameplay (Grim Fandango, The Walking Dead, Almost every Visual Novel ever, Detroit; Become Human, just to name a few.) There are games with lots of gameplay and little story (Mobile games for example) and there are games that mix story and gameplay perfectly (Red Dead Redemption, Left 4 Dead 2, Persona 5 to name just a FEW examples)

I feel Pokeon TRIES to be all three of these styles of games but ends up failing at everything.

Storywise they lured peopel in with Team Rainbow Rocket, like mentioned before this is for most people the reason they get drawn in; seeing their old baddies return and getting to interact with them again. It’s the same reason for me. But it feels unpolished, same with The Ultra Recon Squad. They seem like GREAT characters but again, so little is done with them that I feel there could be so much more.

Don’t change a winning team.

Pokemon has been selling the same game to us for years. Again, I don’t blame them. Why bother. People like it, why change it? They try new gimmicks now and again and I respect them for trying. I personally like the Let’s Go Eevee/Pikachu versions. While they were FAR from perfect I can at least applaud them for doing something new and interesting. While at the same time trying to lure people who only played the mobile app into the main series by remake the first game all over again. Again, I understand. I would too if I were them.

But with Sword and Shield they are taking something away; Pokemon. And with that the whole thing comes undone. This is supposed to be THE Pokemon game, the big one, the game that will release on The Switch; home of BoTw and Mario Odyessy but also the upcoming Witcher 3, Skyrim. Games that are all much bigger than Pokemon and yet they took a vital part out of it.

The video is deleted now and I won’t link to the Chinese Bootleg game as it does steal user data, but the whole issue was the animations. The animations in the bootleg were GOOD. And if we remember the amount of Pokemon makes per year they can afford themselves a team of good animators. This isn’t some indie studio who employs 20 people and have to live of Kickstarter donations, this is GAME FREAK, this is NINTENDO. And it’s not like they can’t, please remember Pokemon Stadium. Look at the animation on that. Now remember that Legend of Zelda, Ocarina of Time, ALSO came out for the Nintendo 64 and got a beautiful update on the 3DS. If they can do that, surely they can port the animations.

And yes, I’m hearing you. You say that there are a lot of Pokemon.. but they’re taking a lot of them out of Sword and Shield. So there is no excuse for the battles to look like this. And remember this is the same console that has BoTW, one of the most applauded games in recent gaming history. A game with tons of content, tons of NPCs, tons of Items and has almost none of the issues Pokemon has.

I don’t care about USUM because it’s a lazy cash grab that adds nothing new to the table except some side story that doesn’t do anything to the main story. Play UsuM, Play SuMo, you’re basically getting the same game. Nintendo is smart and tries to sell you the same game twice due to a Pokemon being unique to a game. Meaning that if you want them all, you’re going to have to fork over 120 US dollars and guess what? That version is almost sold out where I live. So it’s working. And I don’t blame them. I am impressed.

Because I get the feeling that, with absolutely minimum effort they are forking in insane amounts of money. Nintendo is a company. They need money. I don’t blame them for doing the things they do. I am however, entitled to my opinion and despite everything said above I will see myself getting a copy of Sword or Shield in the future. Because that is how it always is. Because I too, want to relive the moments of my youth when the biggest concern I had was chosing my starter.

#ask #pokemon #pokemon rant #the pokemon rant #non fiction #my writing #i went a little far lmao #pokemon sun #pokemon moon #nintendo #i still adore nintendo so don't get me wrong #but part of being a fan of something #is being able to say #that something isn't 100% perfect #i didn't proofread this at all #because i don't have eyes

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variks-the-warden · 5 years ago

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I’m gonna be the devil here but I don’t really care

Gamefreak is being really lazy with the new pokemon games and people are continuing to defend their mediocre products time after time.

This is mainly coming off of the collective hate about the limited pokedex for the new games but it’s actually more about their low effort and quality into the pokemon franchise that fails to make any progressive innovations in the visual department in the last few years.

I’m sure everyone has seen the demos they showed off at E3 when they revealed they weren’t going to be putting in the work to retexture the 3D models for all the pokemon that they already have and then on top of that terrible news they showed off the same shitty battle graphics and animations that they’ve had in their games for the last 6 years straight.

You can say what you want about the animations but the heart of the matter is that Gamefreak is being lazy and is pushing out another unfinished product with minimal effort put into it so they can rerelease the exact same game next year and you suckers will still buy it hoping that the 6/10 game coming out in a few months will magically have every problem fixed if you spend another $40-60 on it

Stop settling for less, Gamefreak and the pokemon company are multi-billion dollar companies there’s no excuse for them to be making products with less effort than Pokemon Black and White 2 every year.

#pokemon #pokemon sword and shield #If nintendo is so big on delaying games so they're eventually good they should do that to Pokemon so we get a good game #instead they'll put out unfinished products year after year with remake after remake coming right after

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snowyseahorse · 6 years ago

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All of them

why do you do this to me

flower crown: when did you last sing to yourself?

Are We There Yet by Timeflies and Chase Rice

fairy lights: if a crystal ball could tell you the truth about anything, what would you want to know?

Where to find Better People

daisies: what is the greatest accomplishment of your life?

Pulling myself out of my worst emotional/mental state like a year ago and evolving because of it (and I guess my grades too lol I have a 4.0 and I’m taking 4 AP tests monday-wednesday)

1975: what is the first happy memory that comes to mind, recent or otherwise?

Dancing in my room and Feeling Good

matte: if you knew that in one year you would die suddenly, would you change anything about the way you are now living?

I’d tell the truth more and tell people I love them and take easy classes because What’s The Point and make out with more people (I haven’t made out with anyone in like 6 months I’m sad) and get my driver’s license and cry more

black nail polish: do you have a bucket list? if so, what are the top three things?

I don’t! I just want to be happy. Nothing else matters.

pantone: describe a person close to your life in detail.

Jeremy @diediedie000000000000000000000 is my closest friend right now and he’s fantastic. He has the most confusing eating habits and I don’t even try to understand them; he’ll eat like 3 servings worth of pastries and beef jerkey and sunflower seeds and 5 thin mints for breakfast. His metabolism is golden too, so he eats so much but has no body weight or fat. His hair is black and long enough to run my fingers through, which always messes it up. (but he says he enjoys it so it’s all good) He likes the aesthetic when it’s wet and all over the place, but doesn’t like actually having wet hair. His skin is perfect too and he has cute little freckles below his eyes that make him look like a literal angel. He doesn’t like drawing attention to himself but is a sluT for attention from his friends, so when I randomly take pictures of him he looks so bashful and pleased and adorable and tries so hard not to smile. On FaceTime sometimes he’ll just straight-up ask for attention and I turn off my laptop and we both lay down on our beds and make noises at each other. It’s so hard to believe that he used to ignore me in the hallways because he’s shy. I’d pass him and call his name or touch his shoulders and he wouldn’t even make eye contact. He also lied and said that he doesn’t like cuddles, and now he’s one of the most physically affectionate people I’ve ever met. (he also said that he didn’t like to say “I love you” to his friends and guess what else changed) Even at school he’ll get really close and just touch my leg or my side. (our computer graphics 2 class probably all thinks we’re dating) He does this cute thing where if I pet his nose he like leans his head into my hand like a cat and my brain is just like oh my gosh protect this human. He has a lot of cute mannerisms too. When I’m on the call and he has to put his phone down he makes the same little face that he uses for literally every snapchat he sends, with his lips pressed together and his eyebrows raised. If he’s explaining something really intensely he will sometimes curve his fingers like he’s holding two tennis balls and tense up his entire body. He’s an enneagram 4, which basically means that he gets high off of being special, and we use it as a meme when we’re talking about him. Whenever I do something weird I ask him if it “satisfies his ennegram 4” and he replies that it does. He also likes doing things that make him feel closer to someone, I guess because it reaffirms his importance and reliance. Wearing no makeup or having messy hair or singing in front of him are things he really appreciates(I’ve done all three). I’m painting him as really soft and pure but he also can be quick to retaliate (”if someone starts something, you can be sure I’ll finish it”) or become defensive if he considers himself provoked. He doesn’t like having people dislike him though, and is really proud of not hating anyone or having any real enemies. His memory is terrible, especially at night, and honestly it’s a miracle if he remembers anything that happens past 9pm. Even his short term memory after dark is pitiful. There was one night where I tested him and told him to remember a song, and 10 minutes later when I asked he has no idea what I was talking about. I’d ask him to corroborate the story but there’s no chance that he remembers. The lack of memory makes him really doubtful of facts too. My favorite test is to ask “Jeremy, did I grow up in a fjord?” (I didn’t) and he usually starts with “no”, but if after he answers I don’t say anything, he always changes to “yes?” and prompts my “JeremY, this literally happens every time. You KNOW that I didn’t, and just because I stay silent doesn’t mean that you’re wrong.” Am I a bad person? He really just needs to be protected; I’m so worried that one day he’ll literally sell his soul or do drugs or blow all of his money and just think nothing of it. I would never trust Jeremy with finances. He’s an impulse buyer, and sometimes also gives people way too much money to eat spicy food or something else unpleasant; it drives me insane because I despisE spending money. Video games are another one of his vices. He’s amazing at every game he plays. It’s really just excessive at this point. Pokemon is his childhood and he destroys me on Pokemon Showdown constantly. (I’ve never played a proper pokemon game) He got me into PS, eating in my room, and RWBY, and I introduced him to Be More Chill and Heathers and Hamilton. He can sing really well, which is only further proof that he’s actually an angel. I feel like we have a pretty good balance as friends. He tackles his emotions head-on while I avoid them at all costs. He like to be able to rely on other people and I only want to rely on myself. He only owns one pair of shoes (by choicE) and I love feeling pretty by wearing makeup and outfits I like. He keeps his family out of his social life and I tell mine everything. He’s a wonderful friend and I don’t deserve him at all but I try my best to.

moodboard: do you feel you had a happy childhood?

Yes! My family is wonderful so I got lucky.

stars: when did you last cry in front of another person?

I don’t know. I usually don’t. It was probably Jeremy though.

plants: pick a person to stargaze with you and explain why you picked them.

Jeremy,,,,,, because he’s my closest friend.

converse: would you ever have a deep conversation with a stranger and open up to them?

To an extent. It depends on who they are.

lace: when was your last 3am conversation with someone, and who were they to you?

I haven’t stayed up until 3am probably since I was dating my ex boyfriend, so him.

handwriting: if you were about to die, and you could only say one more sentence to one person, what would you say and to whom?

Probably tell my mom that I love and appreciate her.

cactus: what is your opinion on brown eyes?

They wonderful and u n i q u e

sunrise: pick a quote and describe what it means to you personally.

“It is a dangerous thing to unbelieve something only because it frightens you“ - Cheshire Cat in the book “Heartless“ (I just really like it because it’s so consistent with truth and fighting against oneself)

oil paints: what would you title the autobiography of your life so far?

I don’t know, maybe something about evolving and getting through thing and becoming better. Maybe “Better” because it also aligns with the OneRepublic song

overalls: what would you do with one billion dollars?

I hate spending money, I’d probably just hold onto it forever

combat boots: are you a very forgiving person? do you like being this way?

I used to be more so, but life isn’t as black and white as it used to be.

winged eyeliner: write a hundred word letter to your twelve year old self.

Literally 12 year old me was doing fine. She doesn’t need a letter. 14 year old me maybe did.

pastel: would you describe yourself as more punk or pastel?

pastel

tattoos: how do you feel about tattoos and piercings? explain.

I don’t think I’ll get any more piercing than the ones in my ears now because earrings irritate my ears and it just wouldn’t be worth it. I like the look of tattoos that are slightly darker than the skin, and are on the person’s hands or waist, but I probably won’t get any. I don’t know. People can do whatever they want with their bodies.

piercings: do you wear a lot of makeup? why/why not?

Foundation, eyeliner, mascara, concealer, some highlighter. I just like the look of it.

bands: talk about a song/band/lyric that has affected your life in some way.

I don’t know, but TOP is always a good choice for this. I made my Depression Castle in minecraft listening to them.

messy bun: the world is listening. pick one sentence you would tell them.

I believe in you

cry baby: list the concerts you have been to and talk about how they make you feel.

The only one that made me feel anything was when I saw OneRepublic with my ex boyfriend. He started talking about depression and my hearT.

grunge: who in the world would you most like to receive a letter from and what would you want it to say?

I’ve talked about the first person I was in love with, and I’d probably want the letter to be from her because we don’t talk that much now. We’re going to prom in the same group and she’s going to be so gorgeous and I’m going to gravitate to her like I always do and I don’t know. I just want to know that she doesn’t hate me.

space: do you have a desk/workspace and how is it organised/not organised?

Yes! I’m sentimental as hec and so I have pieces of paper from my friends and small things and sticky notes all over the back. (actually I calligraphied “Riley” and “Katherine” onto sticky notes a while ago to put there because I don’t have anything physical to remind me of you two)

white bed sheets: what is your night time routine?

Call Jeremy, brush my teeth, floss, I’m probably already in pajamas, take my makeup off, unmake my bed, take my bra off, get into bed, say goodnight, sleeP

old books: what’s one thing you don’t want your parents to know?

That I masturbate………. My mom was talking once about how I might not orgasm until I’m in my 20s and that’s ok, and I just kind of laughed. It would probably be fine if I told her but ya know

beaches: if you had to dye your hair how would you dye/style it and why?

I just redyed it pink today!

eyes: pick five people to go on an excursion with you. who would you pick and where would you go/what would you do?

Jeremy, Marissa(she doesn’t have a tumblr), @parksandrecmeup, @sparklygemsuniverse, and @internet-pringle and honestly I’d go anywhere with them

11:11: name three wishes and why you wish for them.

Happiness (it’s what I always wish for at 11:11)

That my future will be wonderful

That the world will improve

painting: what is the best halloween costume you have ever put together? if none, make one up.

When I was smol my mom sewed this thick piece of fabric together and we painted and stick feathers to a mask so that I could be Hedwig from Harry Potter. I was so warmmmmmm

lightning: what’s the worst thing you’ve ever done while drunk or high?

Never been either because I’m boring

thunder: what’s one thing you would never do for one million dollars?

Kill someone

storms: you on only listen to one song for the rest of your life, or only see one person for the rest of your life. which and why?

Song, because I can still go about my normal life and interact with society

love: have you ever fallen in love? describe what it feels like to realise you’re in love.

Twice! The second time was better and softer. I was always smiling and happy, and texted him 24/7. My heart felt like it glowed.

clouds: if you’re a boy, would you ever rock black nail polish? if you’re a girl, would you ever rock really really short hair?

Nah. I like my hair

coffee: what’s your starbucks order, and who would you trust to order for you, if anyone?

Hot chocolate because I Avoid starbucks, and anyone can order for me tbh

marble: what is the most important thing to you in your life right now?

Myself *sunglasses emoji* (I’d say Jeremy but like he doesn’t need my help, my main goal is helping myself)

#well theres a long rant in there #can you find it

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megacircuit9universe · 4 years ago

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Relative Charisma & the Incel

WED SEP 30 2020

So the first of three debates between Trump and Biden happened yesterday, and it was... as CNN’s Jake Tapper so aptly put it, “A hot mess, inside a dumpster fire, inside a train wreck.”

I didn’t see it, because I was at work, but I’ve heard enough sound bytes, and seen enough post debate coverage to know that... history will remember this one and play back those clips for centuries to come... of Trump, behaving like an angry, wounded animal.

For some context, despite my last entry, in which the indy left media (TYT mostly) was crying that Biden was losing the election, based on two stand alone polls that had Trump up a tick in two states... Biden’s lead in those and all other states is actually holding, or slightly growing.

I should disclose that my information is coming from an independent YouTube polls analyst whom I’ve come to trust over the past few years. There are many such channels on YouTube, but this guy eventually won me over, because he’s thorough, transparent, always has receipts, and pretty good at calling trends, while keeping expectations grounded in reality.

In my experience, news outlets... be they mainstream media, or indy news sources, only present polling data that they can sensationalize.

Right wing media just deny reality and convince their viewers all news of Trump being behind is fake. But Mainstream media always wants you to think it’s a dead heat... because that gets ratings. Meanwhile, the indy left news wants you to think Biden is losing, to fuel more activism and more participation.

And none of this is the subject of the entry at hand, but... it’s important to get this out of the way as we move into October, when the polling data is really going to be indicative of what happens on Election Day.

I vetted a lot of different YouTube analyst channels and settled on the one I have, because... I trust this guy.

So... when I sit here an say that Biden has a significant lead in all critical states, has several paths to 270, is ahead in national polls, etc... I’m getting that from a trusted source. It’s not just me being blindly optomistic based on some things I happened to pick up here and there.

Okay...

Back to context for Trump behaving like a wounded animal in yesterday’s debate...

On the one hand, yes, Biden is still way ahead, and looking like he’ll be the clear winner... which I’m sure Trump doesn’t like. But on the other hand, Trump was also deeply humiliated this past Sunday when The New York Times published a bunch of his tax returns... going up to 2017 and 2018, when he was, of course, President.

And the story reveals that he’s drowning in debt, and has been for quite a long time... with most of it being owed to mysterious unknown parties... which is a security concern. It also exposed how little taxes he’s paid... which may or may not be tax evasion, technically, but is not a great look for a populist President.

Quick sidebar here... Presidential tax returns are never normally news, because all Presidential candidates since Nixon have willingly published theirs upon declaring their candidacy... until Trump.

So it’s not like he’s being singled out by the New York Times for exposure of his private business.

On the other hand, the tax returns weren’t exactly a bomb shell. More like a fizzling sparkler. No personal check from Putin, with, destroy democracy, written on the memo line.

Yeah, he pays almost no taxes, but... we already knew that’s par for the course for all billionaires. It’s kinda the reason the progressive left exists.

But in terms of context for Trump being a wounded animal... it’s the drowning in debt thing he never wanted to go public. For Trump... it’s an unspeakable humiliation, like getting pantsed in public, only to reveal that you like to wear Wonder Woman Underoos or something.

It’s a massive blow to the image he’s created for himself, and defended so dearly... of being a legitimate billionaire, who used his shrewd instincts, and financial brilliance to amass deep pockets of untouchable wealth... self proliferating, tax free, multi-generational wealth.

Instead, he’s just an idiot, billions of dollars in debt, forcing the US government to pay millions to his Mara Lago resort, for hundreds of golf outings (around 200 to date) and he’s still in the red... at Mara Lago! Forget his other debts and failing ventures!

A quote from Iron Man 2 is very apt, here...

Ivan Vanko : [laughs] If you could make God bleed, people would cease to believe in Him. There will be blood in the water, the sharks will come. All I have to do is sit back and watch as the world consumes you.

That was Ivan’s rationale for attacking Tony Stark at the racetrack. It’s also been interpreted as a foreshadowing of the scene in Infinity War, several years later, where Tony Manages to punch Thanos hard enough to scratch his cheek and get a single drop of blood out of the mad titan.

Here in 2020 reality, the New York Times did get that single drop of blood... on Sunday.

And going into his first debate with Biden... who has been stubbornly leading in the polls all summer long... Trump was so furious, he could not keep his composure.

And this, at long last, brings us to the matter of relative charisma.

I’ve talked about it several times in the past, saying that, if you want one simple rule of thumb for predicting the next president... it’s that, whoever has the most relative charisma will win the election.

Relative, in this model, meaning... relative to the opponent.

A great example of this would be George HW Bush (Bush1) who had way more charisma, relative to stodgy, stuffy, Michael Dukakis, in 1988. But four years later, the same George HW Bush, looked himself, quite lacking in charisma compared to his new opponent, Bill Clinton.

It’s happened in every election of modern times. Carter had more relative Charisma than Ford, but far far less relative charisma than Reagan... and on and on back to FDR.

It was also, obviously true that in the match up between Trump and Hillary Clinton... Trump had all the relative charisma. PT Barnum levels of charisma!.. as the happy, quippy, rude, outsider... to her... boring gramma persona saying, “Pokemon Go to the polls!”

And early this year, during the primaries, when Bernie Sanders was still in the running, I said several times that Trump would, “mop the floor,” with Biden in a debate.

But... that was before Covid19... and 200,000 dead. Before record unemployment and record evictions. Before the Black Lives Matter movement caught fire in the streets, facing off with fascist police with tear gas and batons all summer. Before Biden sailed through all the insanity, staying ahead of Trump in the polls, to get the nomination.

And it was before Trump, in recent months, sent thugs to kidnap protesters in Portland, threatening all other democratic cities with the same, began knee-capping the post office, was exposed for calling our soldiers suckers and losers, refused to accept the election results if he wasn’t the winner, refused to commit to a peaceful transition of power unless we, get rid of the ballots, and... was exosed as swimming in debt.

So in Tuesday night’s debate... while he did try his level best to mop the floor with Biden... Trump came off as... well, an incel*.

We all, sadly know how incel’s debate, having suffered them like a bed bug infestation in every comment section on the internet for the past ten years, and in last night’s debate... Trump was, incel personified!

Moderator Chris Wallace, of Fox News, even gave Trump the chance to back away from the event horizon of the black hole that is at the heart of incel culture, by asking him to simply denounce white supremacy.

And not only could Trump not denounce white supremacy... after dancing around the quesion, he wound up saying that a group of white supremecist incels known as the Proud Boys, should, “stand back, but stand by!”

In other words... he’s not only banking everything on the incel vote... he’s calling on the incels to join Beta Force, and be ready... to intimidate voters in person on election night... and to create mayhem when he loses.

Please stand by, incels... but you understand, this is not a paid gig, right? I’m kinda tight on money right now, so you’ll need to be fighting for me out of the prematurely ejaculating spite in your sexually inadequate hearts!

The point here, is that the question of relative charisma between Joe Biden and Donald Trump has finally been answered.

Incel vibe, is not charisma. It’s the opposite of charisma. It’s a combination of wounded spite, bitter frothing at the mouth, and indefensible stupidity... all the things that make normal people want to puke.

So, while Biden may not have much in the charisma department... he does have a few charming attributes above the base line for a decent human being capable of empathy and logic.

And in a match up with the Trump of October 2020... that means, Biden has all the relative charisma... and he now has it on lock down.

We can talk soon about Trump’s incel chances of stealing the election by incel force, and the true threat that his army of incels present to our democracy, but for tonight... Trump is an incel... and incels have zero charisma.

I’m going to bed.

*Incel is a portmanteau for, Involuntarily Celibate.

It refers to straight, cis boys or men, most often white, from 15 to 35 who, despite deeply craving to engage in sexual activity with counterparts of the opposite sex, fail to attain it. Such males believe they are entitled to sex with the partner of their choice, and are thus baffled and aggrivated by their inability to obtain it consentually.

Incels are characterized by their extremely toxic interactions, which go beyond the mysogyny one might expect, to encompass all of society. For, in their mindset, it is not simply women who are to blame for their lack of sex, it is the entire framework of society... and that framework is also to blame for every other wish they perceive as being unfairly denied to them.

Incels resort to harassment, often thinly veiled as debate or argument, in order to torment those (most) who will not recognize their entitlement, and dream of reforming the societal order, such that their bullying rules the day... often waxing nostalgic for imagined times in the past when men such as themselves ruled without question.

They are thus, quite attracted to all forms of fascism, including, but not limited to white supremacy.

In the modern day, incels are widely regarded as a scourge, and considered by nobody outside their circle to have anything resembling charisma.

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recentanimenews · 4 years ago

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Anime in America Podcast: Full Episode 2 Transcript

Hello, and welcome to another fine transcript of Crunchyroll's new Anime in America podcast! Those in need of a different way to access and enjoy the podcast, as well as those looking to research further or simply take note of some interesting facts that were mentioned, we've got you covered on an episode by episode basis. Following up on the episode 1 transcript, we've got one for the second, so enjoy it in full below!

The Anime in America podcast, hosted by Yedoye Travis, is available on crunchyroll.com, animeinamerica.com, and wherever you listen to podcasts.

Episode 1 Transcript: In the Beginning There Was Fansubs

Disclaimer: The following program contains language not suitable for all ages. Discretion advised.

[Lofi Music]

As I made very clear in the last episode, it was once a massive undertaking just physically getting anime from Japan to the US. Just imagine if I told you in 2019 that you had to go anywhere but your own couch just to watch anime. You would call the police.

Once anime was here physically, it still involved an insane time commitment from fans just to make it intelligible to American viewers. Whether it was painstaking hours encoding text onto video, or being tricked into live translating for your friends; in short, it was impossible, and yet people did it, so we have them to thank, at least partially, for the huge presence of anime in the modern zeitgeist.

But there’s a lot more to localizing than just taking Japanese words and turning them into English words. In practice, localization means making whatever changes are necessary to make a show marketable to the local audience. Using the language of that audience is a good start, but it doesn’t encapsulate the full scope of the practice from a marketing standpoint.

Of course, over the years, people have severely misunderstood the extent to which changes actually need to be made, and so there are good examples of localization and then there are times when the producers decided Americans can’t grasp the concept of a rice ball and Pokemon ends up full of unnecessary jelly donuts.

This is Anime in America, brought to you by Crunchyroll and hosted by me, Yedoye Travis.

[Lofi Music]

If you're still not sure what I'm talking about, there are plenty of things in the American lexicon that you would have never guessed were from Japan. In fact, the 60s gave us a lot of anime that wasn’t recognizably Japanese, and this was because both Japanese creators and American distributors thought that maybe Japanese IP wouldn’t be the easiest sell immediately after World War II. So they just made it not Japanese. Osamu Tezuka’s Astro Boy began a lasting trend in anime of heavily anglicized characters that minimally reflected the culture they came from, and were therefore believed to be more marketable to western audiences.

[Music from Astro Boy plays]

By the 80s though, as we inched further away from wartime tensions, anime became more acceptable in its unedited state, attracting American distributors who wanted to capitalize on the space opera craze following the release of Star Wars. In fact, by this time, the cultural exchange between Japan and the US was already starting to blossom, with an agreement between Marvel and Toei that brought a successful tokusatsu adaptation of an American series to Japan in 1978. That series was Spiderman.

[Japanese Spider-Man opening plays]

And for reference, tokusatsu is a Japanese word that literally means “special effects,” so tokusatsu in its simplest form is just that--a live action show where some of the stuff is not real. For specific examples, think Ultraman, Kamen Rider, the Super Sentai series, which I’ll get to in a second, or something we’re all familiar with--the classic foam rubber Godzilla that came long before the tiny headed Bryan Cranston version.

[Godzilla roar from GODZILLA VS MECHAGODZILLA]

Marvel and Toei’s deal was made before Dragonball Z became Toei’s crowning achievement, and long before Marvel joined the Disney family and fell into constant conflict with Sony over the very same property. The deal gave each party rights to use the other’s characters in any way they saw fit, and in fact, Toei originally planned to make Spiderman a secondary character to mythological Japanese prince Yamato Takeru. They eventually backtracked and left Spiderman in his primary role, but then they did all this other weird shit with it. They threw out Peter Parker entirely, and so Spiderman’s alter ego became Takuya Yamashiro, a motorcycle racer who gets injected willingly with blood from the spider alien Garia, giving him spider powers and allowing him to carry on Garia’s fight against the evil Professor Monster.

[Japanese Spider-Man opening continues]

I’m sorry, what? They also gave him an arguably unnecessary giant robot named Leopardon, a concept Toei would later incorporate into their Super Sentai series, which you may not know by name, but is actually one of the most popular American series of all time, with literally billions of dollars in toy sales in its first 8 years.

[Opening theme of Mighty Morphin Power Rangers begins to play]

And if you’re thinking “Hey what if I’m too dumb to Google that?” Well that is what podcasts are for. Even though I guess you had to Google… this podcast to find it.

Not knowing Super Sentai doesn’t make you dumb, it just makes you American, and THAT makes you dumb.

[Power Rangers theme continues]

But only for systemic reasons that can be broken down in one of many other podcasts. But In this one, I’ll just accept your manufactured ignorance and move on.

[Power Rangers theme continues to “Go go, Power Rangers!”]

You might know Super Sentai by its American name, Power Rangers, who you might know by the aforementioned giant robots--known as Zords--or by the first iteration’s problematic color coding of its main characters: blue for boy, pink for girl, yellow for Asian girl, black for black boy, and red for lead boy. Later colors would include white for Native American played by white guy, and green for all the money they made in spite of this.

Power Rangers is an American localization of Super Sentai originally adapted by Saban Entertainment in 1993 using entirely new footage and storylines interwoven with battle scenes from the original series, and I don’t know if it’s better or worse that the American cast was decided after the costumes were made, but I do know that it’s not surprising.

The Power Rangers are undoubtedly the most popular Saban property, having sold over $6 billion in toys for Bandai in its first decade on the air, and Saban have continued to adapt Super Sentai series beginning with Kyoryu Sentai Zyuranger in 1993, all the way up to Tokumei Sentai Go-Busters in 2019.

The rights have changed hands a couple times, with a brief stint at Disney, before returning to Saban in 2010, and ultimately to Hasbro in 2018, in case you thought the series was created to do anything other than sell toys. Power Rangers has since been distributed internationally and chaotically redistributed in Japan using the original voice cast, and I can’t begin to explain to you how that works legally, but as an actor, all I can say is take the two checks and run before they figure it out.

I bring all this up as an example of what can happen when international properties are used to their full potential. It gets confusing at times, when you get into the weeds regarding licenses and producers or the fact that Mighty Morphin Power Rangers was banned in Malaysia for supposedly promoting mighty morphine to kids--real fact, look it up--but ultimately, in the grand scheme of things, all parties involved, at least on the corporate level, made money and built up pretty rock solid brand recognition.

In contrast, let’s talk about Harmony Gold.

[Lofi Music]

Harmony Gold is an American television production company and real estate developer lol whose founder, Frank Agrama, narrowly escaped prison just a few years ago, and whose Wikipedia page contains an alarming number of references to famously corrupt Italian prime minister Silvio Berlusconi. And I don’t mean in passing. I mean in 1976 Frank Agrama sold broadcasting rights from Paramount pictures to Berlusconi’s Mediaset company, which at the time was just starting, but years later was found in a study by the American Economic Association to have made young Italians more vulnerable to populist rhetoric and therefore more likely to vote for Berlusconi who, for reference, would later be convicted of soliciting sex with minors, for which he would later be acquitted because why wouldn’t you be able to do that? And I’m not saying Frank Agrama is responsible for, or in any way directly involved in any of the +20 legal battles Berlusconi has been through, I’m just that he definitely was and in fact his home was raided in 2006 in connection with an Italian investigation claiming that he had inflated prices of the rights he originally sold to Mediaset so that, through means I do not understand, Mediaset could pay huge dividends to its top executives. And Frank only avoided jail time due to a technicality based on his age.

Of course, all this info is better suited for a way more in depth political conspiracy, and maybe famous pedophile podcast? But the fact that Harmony Gold is so deeply rooted in the dealings of a massive propaganda empire run by an egomaniac really sets the stage for why everyone seems to hate them so much.

So what is Harmony Gold as it pertains to this story? Well, as I said, it began in 1983, four years after Frank took a trip to France, where he met and agreed to partner in distributing international film rights with Paddy Chan Mei-Yiu and Katherine Hsu May-Chun, two businesswomen from Hong Kong, the former of whom is the owner of the Wiltshire Group of Companies. And I’d like to think the two of them held some significance before the events in this episode, but if they did, they’re SEO game is trash, cause all searches yield results after the year 1979 when Chan founded the Hong Kong-based Harmony Gold and Frank founded Agrama Film Enterprises in LA, only establishing Harmony Gold USA a few years later.

Harmony Gold USA’s first project was a miniseries depicting the life of Shaka Zulu--chief of the Zulu people from 1816 to 1828--which a 1986 piece in the LA Times said reduced Shaka and the Zulu people to violent barbarians, noting that the story was mostly told through the perspective of an Irish doctor and not Shaka Zulu himself and basically challenged its audience to ask what would have come of South Africa if it weren’t for the intervention of white settlers.

So if the series can be summed up in a word, I guess that word would be “controversial,” only because Frank himself staunchly denied that the film was racist at the time, despite claims from South African literature professor Mazisi Kunene that it was “like Hitler doing the history of the Jews.”

And long story short, these are the people that made Robotech.

As is the case with Power Rangers and most other series brought to the US, the main hurdle in localizing for an American audience is the content itself, whether that means it violates some perceived standard of acceptability, or more simply that Americans misinterpret the intended audience and end up repackaging a show with very adult themes to be marketed to kids, which may explain why I’ve seen Endless Waltz about a dozen times and couldn’t tell you a single detail of the story.

[Mobile Suit Gundam Wing - Endless Waltz theme plays]

In the case of Robotech, however, the biggest hurdle was American syndication laws. When Carl Macek was hired to adapt anime for Harmony Gold in the mid-80s, he immediately settled on Super Dimension Fortress Macross, as I mentioned in the previous episode--and had they followed their original plan, it would have been the first legal anime home video release in the US. But they abandoned that plan and decided to air it on TV, and American rules required that a syndicated show be able to run at a minimum of five episodes a week for 13 weeks, because as we all know artists are at their most creative when they have strict production minimums, like an 8 episode anime podcast, to give a non-specific example.

So, in similar fashion to Japanese Spiderman and Power Rangers, Carl Macek took the rights he had and did whatever the fuck he wanted. Macross had aired weekly in Japan for only 36 episodes, so Carl took two unrelated giant robot series--Genesis Climber MOSPEADA and Southern Dimension Cavalry Southern Cross, the longest title I’ve ever heard--and he just tossed them in with Macross like an undergrad student using 15-point periods in a 12-point essay. And he made a hit. Robotech was hugely popular at the time and plenty of people will tell you it was their first window into the world of anime as a whole. But beyond that, Harmony Gold didn’t really have a lot of success.

There were spinoffs, including the aforementioned Robotech: The Movie, which was shown in 1987 at the Animation Celebration Festival, where Jerry Beck worked with a man named Terry Thoren, who refused Jerry’s requests to pick it up for further distribution, yet another person who viewed it as a “Saturday morning cartoon,” and first of all, I have to stress that you can watch cartoons on any other day. Yu-Gi-Oh! played on Sundays, I don’t know what this Saturday morning shit is. I don’t know where it comes from. But I digress.

In probably one of the most significant events in early anime history, Jerry Beck and Carl Macek met during the screening of Robotech when they both snuck off to watch the crowd’s reaction, and realizing how excited the audience was, they immediately decided to team up and establish Streamline Pictures, where they were committed to producing anime dubs that were true to their source material, preserving all the original music and sound effects, and producing more faithful translations, and I can’t stress enough how insane it is that that was revolutionary, but it was at the time and they, along with contemporaries like RightStuf, set a precedent that anime was most valuable when it got to just be anime. I can’t say with 100% certainty that Jerry’s boss would have been more receptive to anime if he had seen Macross in its original form, but I am also dumb, so take everything I say with a big grain of salt.

Regardless, looking back at Harmony Gold’s reputation in comparison to Carl Macek the man, all signs suggest he left at about the right time. Carl only lasted long enough to produce 85 episodes of the original Robotech, along with the way way way lesser known Captain Harlock and the Queen of a Thousand Years, also adapted from unrelated series Captain Harlock and Queen Millennia, both by Leiji Matsumoto, both of which were comprised of 42 episodes, which I probably would have confirmed in advance if I had already gone through the trouble of combining three whole series into one, but that’s just me, a person whose experience informs his actions. Of course, given the success of Robotech, I’m sure Carl was very optimistic about his ability to crank out another successful chopped and screwed anime, so I can’t really blame him for overlooking that, but Harlock ultimately didn’t perform nearly as well as its predecessor.

Carl also attempted a Robotech sequel, Robotech II: The Sentinels, of which only three episodes were produced before it was canceled. And that’s kinda where Harmony Gold as a legitimate institution went out the window. Carl left to start Streamline, and you can so clearly picture the alternate timelines branching out from that point in history. Streamline was the antithesis to Harmony Gold in just about every way. Its first projects were theater screenings of Laputa: Castle in the Sky and Twilight of the Cockroaches, and it’s unclear whether they were officially a company at that time, but that’s kinda where Streamline’s illegitimacy ends. They opened the first Streamline Pictures office in 1989 and took off from there, while Harmony Gold was offloading employees to none other than Saban Entertainment, which may explain that company’s almost identical production strategies in Power Rangers.

I think taking a quick look at Harmony Gold’s website can give you a lot of perspective on the direction they’ve gone in since Carl left. And I encourage you to pull it up and follow along as I break this down, cause it’s hilarious. First of all, it looks like it was designed by Frank Agrama himself. From the soft 90s fonts to the basic flash animation, if you asked someone who had never heard of Harmony Gold to describe this website, I’m confident they would peg this as the work of an African immigrant trying to convince his parents he’s doing well in Hollywood. From left to right, the home menu lists “Theater,” a good enough start, considering they do own and operate the Harmony Gold Preview House in Hollywood. It then moves on to “Entertainment,” a category under which the word “theater” might fall under some circumstances, but I’ll give them the benefit of the doubt on this one, considering it is a specific space after all.

Dead center, directly under their logo where you’d never expect it, is “Robotech” which, again falls under “entertainment,” the most entertaining thing about it being that if you click on it, it just redirects you to a better website, Robotech.com, where you can find all the merchandise and modern web design that frankly just wouldn’t make sense on Harmony Gold’s main page. Just to the right of that is, quite ironically, a hard left turn to “Real Estate,” which redirects to HarmonyGoldProperties.com, and I’ll admit perspective is key here because the phrase “Harmony Gold kinda fell off and started doing real estate” sounds way worse than “Yo my landlord produced the Shaka Zulu mini-series, that’s crazy!” But that’s neither here nor there. Finally, one more space to the right, you’ll see “About Us,” and your impulse might be to say “No I think I’ve seen enough,” but there’s so much useful information in there like the fact that Tobey Macguire is attached as a producer on the live action Robotech, which I’m only adding in hopes that you’ll respect the deep commitment required to bookend this long setup with Spiderman-related content.

[Japanese Spider-Man theme returns]

So all that might seem very unfair to Harmony Gold and Robotech, especially considering they served such a key role in introducing so many American fans to anime. Why should you care what their website looks like if they’re responsible for one of the greatest anime adaptations of all time? Well it’s not really about what they did at the time that fans are uptight about. It’s all about how they’ve conducted themselves since. The key difference between Streamline Pictures and Harmony Gold really comes down to their emphasis on money.

[Lofi Music]

Jerry Beck told us repeatedly that he and Carl’s work was something they did because they wanted to see anime in American movie theaters. They did that and they were defunct by 2002 which, if you look at a rough timeline of how anime got to where it is today, is the perfect amount of time to help set the industry in motion and then just let inertia take over. Streamline produced dubs to get them out and then relinquished the rights to those properties, most notably handing the rights to Studio Ghibli distribution over to Disney in 1996.

Harmony Gold on the other hand have notoriously kept a vise grip on the rights to Robotech and its underlying IP and clearly have no plans of letting go any time soon. If you Google “Harmony Gold,” the search results are not kind. A lot of them come from Reddit, which should give you all the information you need, but the SparkNotes version is that Harmony Gold has used their rights to Macross and adjacent titles to box out any lookalikes, copy cats, or most notably, the original Macross itself, from setting up shop comfortably in the US, and knowing their relationship with Berlusconi’s Mediaset in Italy, it’s not really surprising that their actions would mirror those of a European propaganda machine, the only difference being that Robotech was popular, but certainly not the only thing you could watch in the 80s. So they really only managed to corner the market on what they *sort of* owned.

For context: Harmony Gold were given rights to SDF Macross, Southern Dimension Cavalry Cross, and Genesis Climber Mospeada from Tatsunoko Production in 1984 and, as we now know, Carl Macek was charged with editing and scripting these series into the 85 episode arc of Robotech. Simple enough so far, but of course it gets worse. Robotech was first released in 1985 and it’s since been declared that Harmony Gold maintains the rights to the Robotech brand in perpetuity, to do with whatever they so choose, and yet they’ve also held onto the rights for all its constituent properties for the past 34 years, renewing them once in 1998 and again in 2002, which pushed the expiration date to March 2021, and in all my research, I haven’t seen a single viable reason for why they need to last that long. In short, they ain’t doing shit with them, and yet, at Anime Expo 2019, they announced once again, that their rights would be extended indefinitely.

As I said before, Harmony Gold started production on Robotech II: The Sentinels, which was canceled, ending Carl Macek’s tenure, and they did later produce Robotech: The Shadow Chronicles in 2006, which according to their own website, is incredible. But other than that, what do they really need those rights for? At first glance, it looks like they’re whole MO is just to litigate competitors out of existence, which thankfully they haven’t always had the power to do. But if you take a closer look, that doesn’t have any affect on their approach. It really seems like they’re just holding onto their one successful property for the sake of brand recognition and money. I mean if you Google the words “Harmony Gold lawsuit,” the number of results are very telling.

Really, outside of almost certainly tossing out my rental application when I lived in LA, it seems like Harmony Gold does nothing but litigate. And to be honest, I can’t say that I really understand all the details of their legal troubles, of which there are so so many, but let’s see if I can sum it up without staring at my notes for an hour.

Basically, I want to say around 2003, it was determined by a Japanese court that Tatsunoko Production may have never had the power to hand the rights to Macross over to Harmony Gold in the first place, because they apparently didn’t have the approval of their co-producers Studio Nue and Big West in Japan, and technically the rights to 41 of the original character designs still belong to Big West. But because we are America and our word is law, and because we renew our anger about Pearl Harbor only when it is convenient, a different judge said “fuck everything Japan stands for” and I guess that ruling was ignored in the US and a judge determined that Harmony Gold has the rights to use Macross for some period of time just short of forever. A 2016 case between HG and Tatsunoko, in which the latter claimed Harmony Gold was sublicensing Macross without paying royalties, was ruled in favor of Harmony Gold but also dialed back the whole perpetuity thing and upheld the 2021 expiration date on their Macross license, and that date held until July of this year, when Harmony Gold’s deal with Tatsunoko was extended for another, as of yet undisclosed amount of time, that is presumed to be another 35 fucking years.

To sum up all the implications of this very confusing, three-headed dog of a case, basically Harmony Gold’s rights to Macross have a very shaky foundation, but they objectively own Robotech at least and can do with that whatever they want, as long as any sequels they produce use original designs outside of the original 41 that were dubiously given to them without Big West’s permission. Also Harmony Gold was somehow given all distribution rights for original Macross footage outside of Japan, but they still need permission from Tatsunoko to actually exercise those rights, which Tatsunoko seem unwilling to do for a company that sued them as recently as three years ago. I wonder what that’s all about. Also, because the grounds by which Big West actually owns those characters is so confusing internationally, Tatsunoko will probably just keep renewing Harmony Gold’s license just to say “fuck you” to Big West, while still never letting Macross see the light of day aside from Blu-Rays shipped directly from Japan, which conveniently have English subtitles because they know exactly what they’re doing.

This whole mess, paired with the fact that fighting an American ruling from overseas is prohibitively expensive and not in your favor, means that Studio Nue and Big West are heavily discouraged from pursuing their rights to a show they don’t really believe has an audience in the US anyway, so even if they could win, the likelihood of them trying is very slim. But because Harmony Gold has nothing to coast on aside from their production from 1985, they’ve been reduced to filing suits against anyone who even looks at an original Robotech design, which so far includes Hasbro, who incorporated an also shakily acquired Macross design into their Transformers line because they had no Robotech licenses and Macross didn’t exist here at the time, and also Piranha Games, a Canadian video game designer who believed they had legally acquired the designs from Big West for their Battletech game series. Unfortunately, Harmony Gold disagreed and another confusing lawsuit began.

The weirdest thing about all this is that, as important as Robotech is, a lot has happened in the anime world since then, and Harmony Gold don’t seem interested in branching out into any of those other ventures. They’ve been acquiring IP throughout the years but haven’t produced anything of note since around 2006, although a live action Robotech has been licensed to Warner Brothers, but even that feels weird since Pacific Rim already happened, but I guess another lawsuit can settle that. I don’t know.

Watching the steps Harmony Gold have made since canceling The Sentinels really adds a lot of perspective to just how big a bullet Carl Macek dodged by leaving, and granted he had since gone back and was working with them again when he passed away, but the potential damage to his reputation had come and gone by that time. Of course, he is still a controversial figure considering his creation is still at the root of this whole conflict. But he is also responsible for introducing a whole generation of viewers to anime for the first time, and his work at Streamline Pictures, where he helped bring so much untouched anime into the mainstream, more than makes up for keeping one, albeit very important, series out of the public eye.

The legacy of Akira and its Studio Ghibli dubs, in my opinion, makes Streamline a much stronger contender for valued contributors to anime history, and the fact that they only made money by putting out a quality product makes it that much better, not to mention the fact that they were so content to pass on licenses when their time was up. In fact, according to most fans, knowing when to pack it up is really the one thing Harmony Gold could have done to save their reputation. That said, Streamline has thrown a lot of fuel on one very divisive fire over the years, whether intentionally or not.

That fire, of course, is the sub vs. dub debate, which has driven a wedge in anime fandom for years. There are the people who believe there is never a reason to watch dubbed anime and there are the people who work from home, writing anime podcasts, and don’t have time to learn Japanese just to feel superior to casual fans.

For anyone unfamiliar, there’s been a debate raging for as long as anime fandom has existed over whether real fans should watch anime with subtitles or with English voice actors. I would personally like to plant my flag in the ground and say that if you don’t speak Japanese, it doesn’t matter. The argument I hear most often is that the Japanese voice acting is just better, and to that I say: how the fuck do you know? If you don’t speak the language, there’s no way you can discern good Japanese voice acting from bad English. If you can, I hate to be the one to tell you this, but you speak Japanese. So good luck with your new job at the UN, I guess. Congratulations.

Also, just consider a point Roland Kelts made to me: that the Japanese artists themselves, in many cases, prefer fans to watch the show in their own language so they're not focused on reading while the art they worked so hard on is just passing by. Also, consider a point made by me: that subtitling eliminates the need for voice acting and editing jobs and, and as we learned in the previous episode, subtitles can be done with a very quick turnaround and a small team. So what I'm saying, is that dubs create jobs and stimulate the economy in the countries where they're produced, so regardless of how you feel, they are a necessary evil.

Also, back to a legitimate point by Jerry Beck: people who don't already watch anime aren't really interested in reading subtitles. To return to the argument on what goes into localizing anime, the whole point of the process is to sell it to a new audience, and part of that process is presenting it to them in their own language, which is exactly why Streamline Pictures only produced dubbed anime--to attract new fans to something that doesn’t feel threatening or antagonistic, which anime fandom often does. So sure, you can individually decide that you prefer to watch anime with subtitles. Maybe you have a lot of free time, I don’t know. But maybe take into consideration that when you have an elitist attitude about who’s a “real” anime fan, you’re not only being a weirdo edgelord, but you’re also keeping anime away from fans who are just as deserving as you are which, I would argue, makes you the Harmony Gold of people.

Harmony Gold itself has maintained its loose grip on the anime industry by exploiting people’s interest in a single franchise, knowing that a lack of access to the original Macross and related merchandise will inevitably drive people to their Frankenstein version of the original product. Meanwhile, Big West and Studio Nue have effectively given up fighting for it because the legal fees would be prohibitively expensive to reclaim a franchise that has technically never had an audience outside of Japan anyway. And the fact that companies like this survive because of legal confusion, while the Streamlines of the world come and go, is a travesty and ultimately only hurts the anime industry. And my point is that if you force subtitles on new fans, you are as bad as that.

This has been another episode of Anime in America. Come back next week, when we’ll be diving into the first anime conventions to hit the United States.

[Lofi Music]

Thank you for listening to Anime In America, presented by Crunchyroll. If you enjoyed this, please check out Crunchyroll.com/animeinamerica for free anime, with ads, or get a 14-day free trial of Premium.

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This episode is written and hosted by me, Yedoye Travis, and you can find me on Instagram at ProfessorDoye or Twitter @YedoyeOT. This episode is edited by Chris Lightbody and produced by me, Braith Miller, Peter Fobian, and Jesse Gouldsbury.

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